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ASSIGNMENT 2
GUIDANCE
This template PowerPoint presentation includes all the
relevant elements you need to cover in your Music
Video Assignment 02
It is suggested you save this PP in a different name and
share it with your group so you always have a copy
some sections require you to delete the information on
the slide and replace with your own work
Add more pages to each section where necessary [you
should be doing this!]
Add visuals as you see necessary
This document will be added to as you progress
through the pre-production phase.
TASK 1 Idea Generation and
Research
RESEARCH & IDEA
GENERATION
Select a song/track that you like [or dont like!]
Generate three ideas for music videos employing
styles, techniques and conventions that we have
looked at in previous sessions. Explore how you could
interpret the song differently using different methods
You can add any extra info you think is relevant,
images, mind maps, etc
For quick mind maps you could use bubbl.us to
generate these
CATFISH AND THE
BOTTLEMEN.
This song is called, Kathleen, by Catfish and
the Bottlemen. The whole video is shot
inside a studio with multiple shots . This
video is amplification as there are links
between the lyrics and the visual.
Editing.
The video uses a range of simple special
effects such as; colour disorientation,
rhymic links between the visuals and the
songs. The video also contains flash
movement. Motion blur is a great effect for
this video. The creativity of this video is
effects.
Visual.
The band performance is very concert like,
they stay behind their instruments, jumping
and head banging to the music.
Inspiration.
ED SHEERAN.
CASTLE ON THE HILL.
This song is called, Castle on The Hill by, Ed
Sheeran. The video includes a flashbacks and
look likes through out the video. The video is
amplification as the visuals fir the lyrics of the
song. This video was shot through multiple shots.
Camera Angles.
This video includes a range of camera shots,
such as Medium Close Ups, Wide shots and
extreme close ups.
Visual.
This music videos show Ed Sheeran walking
down a road on his way home whilst remising
about what life used to be like when he was
younger.
Production.
BLONDE AND CRAIG
DAVID
NOTHING LIKE THIS
Camera Angles.
The most common camera angle used in this
music video is wide shot. At the start of every sequence
there is a wide shot and then some zooming in or out to
a mid shot. There is also minimal use of a close ups.
Editing.
This video is made of majority of long shots. This
clips are edited to switch to next shot on the beat. To
change location for move onto the next clip the video
will zoom into a close up and then zoom out into a wide
shot.
Visuals.
The most captivating visual in this video are
the special effect patterns going on in the background
and projected onto the bands face.
Performance.
The main performer of this video is Craig David is a
British singer, songwriter, rapper and record producer.
He is performing his song with the band in a studio.
ADELE Camera Angles.
HOMETOWN GLORY.
There are a range of various close up angle
involved with Adeles Hometown video, Close
ups, Medium close and wide shots.
Editing.
Although the video appears to be a one shot, it
is filmed by various shots through out a studio.
Adeles video uses fades out and ins to break
to the next scene along with close ups.
Visuals.
The main visual that stuck out to me from this
video is the memories projected on the
screens around Adele. These visuals relate to
Adeles lyrics and gives an understanding to
the viewers.
Performances.
There isnt much of a performance from the
singer of the song, Adele who is sat on a stool
in the studio. Her facial expressions are very
still and she takes long, deep looks into the
camera, this is to connect with the viewers.
Production.
I would also like to implicate the uses of the
video been about memories in my video,
MAROON 5
PAYPHONE.
Camera Angles.
There are a various camera angle used in
Maroon 5s video. There are, low shots,
medium close ups, wide shots, tracking
shots, eye level shots and Ariel shots.
Visuals.
The main visual is the narrative
SONGS.
Kathleen-Catfish and the Bottleman
Do I Wanna Know?- Arctic Monkeys
Hometown Glory- Adele
I write sins not tragedy- Panic! At The Disco.
Skinny Love- Birdy
TECHNIQUES
For my video I have researched variety techniques I
would like to use, Long shots, Close ups, medium shot,
low level and eye level shots. I am also going to add a
colour overlay for parts of my video to show the
viewers the flashbacks.
I am going to use various transitions such as fades and
overlaps to show a break between shots, I will also be
using overlaps as I think this is a good way to show two
clips that are linked together. As my video will include
a past and present version of ones-self I will get the
actors to wear similar clothing.
CONVENTIONS
Narrative
Narrative is a popular convention in pop and soul
videos. This helps tell the story of the lyrics. There are
two types of narrative, Linear and Fragmented. I will
implicate Fragmented into music video.
Editing
Jumps cuts is the predominant editing technique used
in music videos. This is because this allows a sudden
change in one scene to another. Transitions such as
fade and dissolve are very common in music videos as
they create a different effect to cuts. I will be using this
transitions in my music video to cut to the flashbacks.
SUMMARY
Effects/ Transitions
I think overlaps and fades create a subtle scene break to show a similar clip that has
happened in the past.
Location
The location I would like to are public areas that are free to use and are easy accessible for
my cast.
Travel
I have one cast member that lives outside of York, therefore, they will have to travel by
train and catch a bus to the filming ground. The other cast members lives within a 15
minute walk from the area.
Flashing backs/Acting
Involving flashback scenes into my video will add more meaning to the video and help the
viewers understand what is going on, the viewers will also get a chance to interpret the
meaning of the video in their own way.
Continuity
Show flashback in my video will give some continuity as help the clips follow from one to
another.
SUMMARY
Rates TV
https://www.bectu.org.uk/advice-resources/rates/television-factual-rates
Visual.
Weronika sat on the fence looking towards the fields and
woods she used to to play in when she was younger.
- Location.
- Verse One. - Entrance to the
Knavesmire
Lyrics. - Props.
- Steadicam
- Camera kit equipment
I've been walking in the same way as I - Twine
did - Notebook
Missing out the cracks in the - Cast.
- Weronika
pavement
- Katie
And tutting my heel and strutting my - Visual.
feet - Weronika finding the rope
she used to find her way
"Is there anything I can do for you when she was younger.
dear? - Flashback to a Katie
Is there anyone I could call?" (younger version of Katie)
tying the strong the the
"No and thank you, please madame fence.
I ain't lost, just wandering" - Weronika running towards
the flower and spotting
her secret tress from the
past.
- Camera shots.
- Location:
- Fields of Knavesmire
- Props:
Chorus. - Cast:
- Weronika
Lyrics. - Katie
- Visual
Round my hometown - Weronika spots the secret
Memories are fresh tree from when she was a
little kid.
Round my hometown - Flashback to katie (younger
Oh the people I've met version of weronika)
putting a note in the tree.
Are the wonders of my world - Back to present weronika
Are the wonders of my world findng the note
- Camera shots.
Are the wonders of this world - Medium close ups-
Are the wonders now
- Point of view shot
- Wide shot.
- Location:
- Fields of Knavesmire.
- Verse Two - Props:
- Drum kit, guitar,
Lyrics mic&stand. Red and
blue spotlights.
I like it in the city - Camera kit equipment
When the air is so thick - Cast:
and opaque - Weronika
- Katie
I love it to see everybody - Visuals.
in short skirts, shorts and - Weronika opens up the
shades note.
I like it in the city when - Katie walking through
two worlds collide the field of roses.
- Weronika and Katie
You get the people and cross the bridge to the
the government woods (overlap)
Everybody taking - Weronika walking into
different sides the woods.
- Camera shots.
- Wide camera shots-
Landscape.
- Refrain - Location:
Lyrics - Woods at the
Knavesmire.
- Props
Shows that we ain't gonna stand - Camera kit equipment
- Steadicam
shit
- Notepad
Shows that we are united - Cast:
- Weronika
Shows that we ain't gonna take it - Visuals:
- Weronika stumbling
Shows that we ain't gonna stand
apon a den she used to
shit
use.
Shows that we are united - Camera shots:
- Wide shots-
- Location:
- Chorus. - Deep woods in the
Knavesmire.
- Props:
Round my hometown - Camera kit equipment
- Steadicam
Memories are fresh - Notepad
Round my hometown - Cast:
- Weronika
Oh the people I've met - Katie
Are the wonders of my world - Visuals:
- Weronika entre the
Are the wonders of my world
dens.
Are the wonders of this world - Flashback to Katie
Are the wonders now running into the den.
- Outro. - Location:
- Deep in the the woods at
Are the wonders of my world the Knavesmire.
Are the wonders of my world - Crops:
- Camera kit equipment
Are the wonders of this - Steadicam
world - Notepad
Are the wonders of my world - Fairy lights
- Notepad
- Cast:
- Weronika
- Katie
- Visuals:
- Weronika fixed the den up.
- Weronika sits in her
childhood den writing in
her journal
SHOT LIST
Your shot list should contain the sequential breakdown
of what you need to shoot for your video
It should work in partnership with your storyboard
It will be your working document when you film
It should contain the shot number, scene number, shot
description, framing and action you will see
It should also have information on performers in the
scene and other props, etc
Shot list template is on Blackboard in the pre-
production folder.
TASK 3.2 Organisational
Planning
PRODUCTION GROUP
INFO
Include names, contact info, and defined roles at
difference stages of production, using a table is
suggested
Name. Contact info. Roles.
I have chosen to
film at the
knavesmire as it
has the perfect
surrounding for my
video. I will be
using the field and
woods area at the
back of the
knavesmire.
I have circled the
area I am going to
be filming in.
RISK ASSESSMENT
Risk Assess each separate filming location using the
table in the camera H&S PP on Bb as a staring point
Completing a generic filming assessment would be a
start, then you can add specialist/site specific risks as
you progress your production
Remember, a Risk Assessment is an ongoing
document, you should evaluate if anything changes in
production and when you put control measures in
place
You should add the table to each call sheet for each
location
RISK ASSESSMENT
Risk Control Measure
Slips, trips and falls while - Ensure you are familiar with your surroundings,
using/ any planned movements and that the location is
looking through viewfinders. safe.
- Any camera movements should employ a spotter
for the camera operator, directing the movement
safely.
Manual handling carrying - Don not carry/ move equipment beyond your
equipment. comfort level.
- Request help when transporting equipment/ share
amongst crew.
- Adhere to manual handling methods for carrying
items.
Lost/ stolen equipment. - Do not leave any equipment unattended.
Electrical equipment, - Do not touch any equipment that appears faulty and
extension/ report it to the tutor/ technician.
data cables and plugs-electric
shock.
Damaging weather. - Ensure you have waterproof protection for all
equipment.
RISK ASSESSMENT
Risk Control method
All equipment is present at the time is - Ensure you check that all the
distribution. equipment is there and in full working
order before leaving.
CONTINGENCY PLAN
PRODUCTION
SCHEDULE
Provide an outline of what you will do on which days
during production
You should broadly plan to the following structure:
- 2 weeks pre-production
- 1 week filming [plan for up to 2 days]
- 2 weeks editing [essentially 2 days for every day you
filmed]
SCHEDULE
PERMISSIONS FORMS
TASK 4.1 Production
Record/Log
PRODUCTION
RECORD/LOG
Keep track your filming and production work with the
camera here
You could add stills of your work with annotations
You should include any specific details about how your
filming went and what you did on set to enable you to
complete the work
You should include Call Sheets and relevant production
documents here
CALL SHEETS
CALL SHEET.
TASK 4.2 Footage log
CALL SHEET
EDIT DECISIONS
LIST/FOOTAGE LOG