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CREATIVE PROBLE
S O LM
VING
(MARKCPS)
Mark
Gordon
Educated
as an anthropologist & evolutionary biologist
Logistics
manager on an amethyst mine in Kalahari Desert, Africa
Editor
at agricultural research institute in Colombia, South America
Regional
vice president (Asia Pacific) American Express
Regional
vice president (Asia Pacific) Citibank
Director
Infocommunications Development Authority (SG Govt)
Currently
a marketing communications consultant
and
a university teacher
This group project will be evaluated and graded; and all members of
the group will receive the same grade.
ANALYZE:
evaluate,
understan
d,
interpret
informatio
n
CREATIVE
INQUIRE:
identify,
explore,
clarify
informatio
n
PROCESS
THINKING
GENERAT
E: ideas,
possibilitie
s,
solutions
REFLECT:
think,
combine,
process
information
Assessment
Attendance
& class participation
Homework,
Portfolio
project
Group Project
25%
25%
25%
25%
NAME
MARKCPS
K3?
he Best Am
erican In
fographics
with exam
ples from
2014 is a
si
the US po
series ed
itor, and
pular med milar mix, this tim
there is an
e
ia
profile US
introductio . Gareth Cook is
statisticia
the
n by Nate
n. But ther
distinguish
Silver, a
e are key
infographi
hi
gh
di
contrasts
fe
cs from da
between
ta visualisa rences. We learn
a hand-d
to
baseball
tion throug
rawn diag
pitc
h the
ram dissec
how Guan her throws a fast
ting how
ball, a fa
tanamo in
a
scinating
mates ar
maps show
depi
e force- fe
ing th
d, some en ction of
lightenin
g
e highest-p
ai
states mea d public employee
s, and wha
n.
Four new
t the nam
books reve
es of US
al
complex.
Take David the good, the ba
d and the
is Beautif
McCandles
un
ul and co
usably
s, whose
mpa
2009 book
his introdu
ction to th nion website put
Informat
him in gr
ion
e follow-u
writes: "F
eat deman
unny. The
p, Knowle
d. In
dge is Be
more I vi
knowledg
sualise da
autiful, he
e, the mor
ta, inform
e I'm star
diferenc
ation and
ting to fe
es betwee
el and un
n them...
Indeed.
de
Understa
nding real rstand the
ly is the ke
y."
The bree
zy style ex
poses a jo
typeface
urnalistic
of the intro
training,
duction is
tone for th
while the
unreadab
e visualis
le, if pret
ations. "I'
interestin
ty. This se
m into an
g," he wr
ts the
ything st
ites on hi
of graphi
range an
s website
cs visual
d
, and the
ising ever
to a ridic
book is a
ything fro
ulous "Life
ju
m
mble
"action m
Scape" w
so forth as
ovie bada
hich classe
"bio-inno
sses"
s mamm
vations".
als, reptile
s and
Everything
is greatly
dumb or
simplified
clever, wh
. One char
ile overco
t classifies
and multic
mplicatin
dogs as
oloured lin
g the issue
diferent
es. There
with bubb
style, forc
is no inde
les
in
x, and ea
g the read
each time.
ch
er
Pretty, bu
chart is in
Be submitted on time.
No exceptions. No excuses.
optional
Clearly
printed in
large block
letters
2x2
passpor
t size
photo
Attendance
Attendance is your personal responsibility.
FaceBook Page
Lecture slides will be posted.
10
11
12
REQ
UIR
E
D
Being Logical
A Guide to Good Thinking
D. Q. McInerny
2004, Random House
dlsu creative problem solving - mark gordon
13
REQ
UIR
E
D
Crimes Against Logic
Exposing the Bogus Arguments of
Politicians, Priests, Journalists and
Other Serial Ofenders
Jamie Whyte
2004, McGraw-Hill
dlsu creative problem solving - mark gordon
14
Question
15
16
Question
What is UNIVERSITY
a
?
17
ETYMOLOGY
the study of word origins
18
UNIVERSITY
from Latin universus, the whole, aggregate,
entire
O.E.D. Definition:
An educational institution designed for
instruction, examination, or both, of
students in many branches of advanced
learning.
dlsu creative problem solving - mark gordon
19
Question
20
21
Question
22
Claude Monet
dlsu creative problem solving - mark gordon
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24
25
Question
26
27
28
29
How do we learn?
We
apply past knowledge to new situations
We
continue to develop our minds
as we grow and mature, we remain open to new ideas
and perspectives in every sphere of our lives, wherever
we may find them.
We
question and inquire
30
How do we learn?
We
take intellectual risks
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