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COLLEGE
READING SKILLS
WEEK 11
FOR EXAMPLE:
First: Who/What?
Second: Supporting Details
Third: Infer or Conclude
Slashingtheirswordswildly,swordfishswimthroughschoolsoffish,tryingto
sliceasmanyaspossible;thentheyfeast.Whenhookedbyfishermen,theyhavebeen
knowntofightnonstopforthreeorfourhours.Theyhavepulledsomefishermento
their deaths, and if they are not clubbed senseless when captured, they will slash
fishermenondeck.Apuncturewoundbyaswordfishbillmeansasevereandnearly
instantaneous infection. Theirsword, which is a bony extension oftheupper jaw,is
deadlysharponthesidesandcangrowtoalengthoffourorfivefeet.Itisaweapon
backedupbyfivehundredpoundsofsleek,muscularfish.Swordfishhaveevenbeen
knowntoattackboats,drivingtheirswordsrightthroughthehullandattimessinking
them.
The topic of the paragraph is swordfish. Choose the point the author is
trying to make about swordfish.
A. Swordfish will attack entire schools of fish.
B.Swordfish will fight for hours when hooked and have even pulled some
fishermen
to their deaths.
C. A swordfish bill can cause severe infections
and even sink a boat.
Allwritersgetboggeddownnowandthen.Acceptthefactthatsoonerorlater
writers block will happen to you. When it does, one response is to try to write
somethingnomatterhowawkwardorimpreciseitmayseem.Justjotareminder
to yourself in the margin (Fix this, Redo, or Ugh!) to finetune the section
later.Anotherwaytodealwithawritingsnagisleaveablankspaceaspotforthe
right words when they finally come to mind at a later time. Then move on to an
easier section, see if you can write that, and then return to the challenging part. It
may also help to reread to yourself or out loud what youve already written.
Regainingasenseofthelargecontextmaybeenoughtoovercomewritersblock.
You might also try talking your way through a troublesome section. Like most
people,youprobablyspeakmoreeasilythanyouwrite;byspeakingaloud,youtap
thisoralfluencyandputittoworkinyourwriting.
What is the topic of the paragraph?
A. Writers block
B. Writing and talking
writing
Allwritersgetboggeddownnowandthen.Acceptthefactthatsoonerorlater
writers block will happen to you. When it does, one response is to try to write
somethingnomatterhowawkwardorimpreciseitmayseem.Justjotareminderto
yourself in the margin (Fix this, Redo, or Ugh!) to finetune the section later.
Another way to deal with a writing snag is leave a blank spacea spot for the right
words when they finally come to mind at a later time. Then move on to an easier
section,seeifyoucanwritethat,andthenreturntothechallengingpart.Itmayalso
helptorereadtoyourselforoutloudwhatyouvealreadywritten.Regainingasenseof
the large context may be enough to overcome writers block. You might also try
talkingyourwaythroughatroublesomesection.Likemostpeople,youprobablyspeak
moreeasilythanyouwrite;byspeakingaloud,youtapthisoralfluencyandputitto
workinyourwriting.
A.
B.
C.
snag.
D.
All of the
Choice A is too
Choices C and D
broad.
are too narrow. Each refers to
only one
specific way to deal with writers block.
to begin with
for one thing
also
in addition
further
other
another
next
moreover
Explanatio
n
nonverbal messages have over verbal messages. Note that two of the
major details are signaled by addition words.
CENTRAL POINTS
Just as a paragraph has a main idea, a
longer selection has a central idea.
The central idea is also called the
central
point or thesis.
CENTRAL POINTS
The central point, or thesis, may be either
stated or implied.
INTHISSESSIONYOULEARNEDTHEFOLLOWING:
At times authors imply, or suggest, a main idea without stating it
clearly in one sentence. In such cases, you must figure out that
mainideabyconsideringthesupportingdetails.
Tofindcentralpointswhichmaybestatedorimpliedinlonger
reading selections, you must again look closely at the supporting
material.