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A History of Hell

By
Ralph Monday
World Literature I

The Judeo-Christian Tradition


Probably most individuals reared in this
cultural mythos think of a burning, eternal
Hell, ruled over by the fallen rebellious
angel, Lucifer, or Satan, the most beautiful
of angels turned, by his prideful sin, into the
most hideous of supernatural creatures.

The typical
image of
Hell
a
smoldering
underground
world of
eternal flame
and
unending
torment.

Michelangelo's
vision of the
torments of
Hell.
Unrepentant
sinners are
punished here
for their crimes
in life.

A horrific
Satan rules
this underground
kingdom.
More beast than
human, he revels
in the torments
of the human soul.

He is the
Fallen One.
No longer able
to glory in
Gods light,
his purpose
is to rule over
human souls
in the pits of
Hell.

SATAN EXULTING OVER EVE

William
Blake

Tim Curry in
the movie
Legend (doesnt
look much like a
sweet
transvestite here,
does he?)

The common
Halloween
image of the
dread, dark
lord.

However, Hell has a


long history that is not
just confined to the
Christian conception.
Hellor the
underworldis an
ancient archetype, a
cultural mythos that
can be found all over
the world, in all times,
all places, all
environments.

Indeed, the
Sumerian/Babylonian
conception is the
proper place to begin
an examination of this
horrid, yet fascinating
world that awaits
human beings after
death.

The
mysterious
place where
the sun settled
into the
Western
Sea was the
Underworld
for ancient
people.

THE GREAT BELOW

In the Babylonian/Sumerian conception, the war of


dark and light, good and evil, an archetype that we have
inherited and incorporated into our own psychological
mythos, is a powerful reminder of our own frail
humanity.

When the sun emerged triumphant in the east each


day, this event symbolically reinforced the
archetypal concept of the LIGHT overcoming the
DARK.

In this belief, ancient peoples, tied to the natural


environment, LITERALLY believed that the sun
might not rise in the east, that the dark forces
had triumphed.

Here, the sun


rising each
morning from
the horizon,
reiterated the
power of
Light over
Darkness.

Land Of The Dead


The first account that
we have of this
mysterious abode
originates in the land
of Sumer.
This is modern day
Iraq, as we have seen.
Inanna, the Great
Goddess, journeys to
the underworld to visit
her sister Ereshkigal,
for obscure reasons.

Inanna passes through


six succeeding gates,
and at each one she is
stripped of an article
of clothing.
Finally, she is naked
and must confront her
sister.
Three days and nights
pass, and in this time
no fertility takes place
in the above world.

When the
goddess is
trapped in the
Netherworld,
no procreation
can take place,
for she is the
symbol of all
ReCreation.
(pun intended)

Osiris, Egyptian god of the Dead

Believe it or not,
he has parallels to
Christianity.
Nice hat

The Egyptian Book Of The Dead


Osiris was an Egyptian god who represented the dead
pharaoh.
He was the god of dying and resurrecting nature, the
judge of the dead, and was represented as a mummy.
Like Jesus Christ, he was the product of a virgin birth.

Osiris
(not Mylie Cyrus)
Like Jesus Christ, he was the sacrificed and resurrected
god.
His divine son Horus ruled the living.

Zoroastrianism
Named after Zoroaster, a Persian middle east prophet.
The Avesta, the sacred book of the religion was not
written down until the fifth century A.D.
Zoroastrianism had an ENORMOUS influence on
Christian thinking, especially in regard to the conception
of Hell.

Zoroastrianism
(continued)
Zoroaster taught a dualistic religion: the divine force of
good, Ahura Mazda (Wise Lord), lives above with his
seven angels.
Ahriman (Evil Spirit), the Lord of Lies, dwells in the
darkness of Hell under the earth, and sends out his daevas
(devils) to torment the world.

Zoroastrianism
(continued)
Law, order, and light oppose darkness, filth, and death.
Their conflict is the history of the world, and the object
of the conflict is the soul of man.

(continued)
After death the soul
goes to the
Underworld where it
is judged.
Good deeds are
entered in a great
ledger as credits; bad
deeds as debts.

If the deeds are


positive, a beautiful
maiden escorts the
soul across a bridge to
the House of Song.

Zoroastrianism
(continued)
If negative, the soul
falls into hell.
If even, the soul passes
into a kind of limbo
where it will stay until
the Apocalypse.

Finally, a great cosmic


battle between Good
and Evil takes place
with Evil being
conquered forever.

Zoroastrianism
(continued)
A savior named
Soshyans, born of a
virgin impregnated
with the seed of
Zoroaster, will harrow
hell.

Penitent sinners will


be forgiven and there
will be a universal
resurrection of the
body.

(continued)
The body will reunite
with the soul.
Hell will be destroyed,
burned clean by
molten metaland the
Kingdom of God on
earth will begin.

This concept is typical


of apocalyptic ideas
concerning an end
time and the coming
Messiah.

Classical Hades
For more than a
thousand years, until
the Western world
changed in the fifth
century A.D., the
ancient religions of
Greece and Rome had
many gods and
goddesses capable of
good or vindictive
behavior.

They had no particular


religious system that
punished evil
behavior.
However, Hesiod
relates that Erebus and
Tartarus, the upper and
lower realms of
Hades, were born,
together with Night
and Earth, from the
primeval chasm.

Hall of Hades Where Odysseus And His Men


Traveled
One of the
classical
journeys to
the
Underworld

Hades and Persephone


King and Queen of
Hell.
Hey Hades, why so
stiff?

Notice the mutant


puppy dog.

ORPHEUS
(dont get excited, this isnt Morpheus. This isnt The Matrix.
Another important
cult was based on
Orpheus the
Harper; he went to
the Underworld
down a passage of
the Taenarus Cave
to win back his
wife, Eurydice.
This cult lasted for
centuries and
influenced both the
Greek and Christian
religions.

Two other pictorial versions


of the Orpheus mythos.

CROSS CULTURAL MYTHOLOGICAL


SHARING
Artists in the Hellenistic
period frequently
Fire insurance?
borrowed the attributes
However, Orpheusof Orpheus for Jesus.
Christos, the Good
Patrons who wanted to
Shepherd and Harrower
hedge their bets with the
of Hell, eventually
gods, also borrowed
became the most
from the Egyptian Horus powerful and popular of
the Dying and
and from the Persian
Resurrected gods
Mithras.
archetype.

A TYPICAL VIEW OF THE UNDERWORLD

THE ROMAN EMPIRE AND VIRGIL


The illustration in the next slide represents the moment in
the Aeneid when Aeneas seeks to cross the Styx to
embrace his father Anchises in the Underworld, holding
out to Charon the boatman the Golden Bough that he has
to present to Proserpine.
The Cumaen Sibyl stands beside him, telling him the
descent to Avernus is not hard:
But to retrace the steps and escape to upper airs, that
is the task and that is the toil (Aeneid, VI, 123 ff).

Aeneas waiting to cross the Styx.

Aeneas in the
Underworld
with the
prophetic
Sibyl.

The Romans, of course, However, Virgil gives us


borrowed the majority
the first graphic description
of their mythology
of Hell.
from the Greeks.
Although the images were
The underworld of
known to his era, Virgils
Aeneas is the same
influence was enormous,
shadowy, ill-defined
not only for later poets like
underworld of the
Dante, but also for men
Greeks, where
who created the early
everyone went except
Christian cosmology:
for a favored few who
Clement of Alexandria,
go to the Elysian Fields
Origen, Tertullian, and
like Menelaus and other
most especially Augustine,
favored individuals of
who quoted Virgil
the ancient world.
frequently.

AENEAS AND THE SIBYL:


LAKE AVERNUS

MAP OF VIRGILS UNDERWORLD

AENEAS AND SIBYL IN THE UNDERWORLD

SHEOL
This is the
cosmology of
the Old
Testament.
This universal
view is an
inheritance of
the
Babylonian/Su
merian cosmos.

The Jewish Afterlife


The ancient Jews, as
evidenced by the Old
Testament, were either
the least morbid or the
least imaginative of the
Mediterranean peoples.
Unlike other countries,
they had no relationship
with the dead.
They did not worship
them, sacrifice to them,
visit them, or hope to
reunite with them in an
afterlife.

Neither did they expect any


interaction with Yahweh
after death.
The dead, to the Jewish
people, were unclean.
Sheol occurs often in the
O.T., sometimes translated
as hell, the grave, or
the pit.
Nowhere does it indicate
anything other than where a
body was laid to rest.

The Jewish Afterlife


Sometimes Sheol is compared to a prison.
A second word usually translated as Hell is Gehenna,
which means the Valley of Hinnom.
This was an unclean place, a garbage heap or town
dump where trash, the bodies of criminals and animals
were thrown into a perpetually burning fire.
Gehenna was used as a metaphor for an unpleasant place
and as a curse.

The Jewish Afterlife

Death in a place like this would have demonstrated a


life far removed from the laws of Yahweh.
Apparently the ancient Jews did not envision the
Underworld as a place for living souls, but merely the
final resting place of the body.

Gehenna
today,
located
southwest
of
Jerusalem.
Pagan
sacrifices
were
reported to
have also
taken place
there.

GNOSTICISM
Gnostic Christianity held one of the stranger views of
Hell during late antiquity.
The ancient church effectively wiped out this radical
religious view until the discoveries of the Gnostic Gospels
in 1945 at Nag Hammadi in Upper Egypt.
The most common Gnostic myth: an aeon or angel
named Sophia (wisdom) admired the High Unknown or
Alien God (a Platonic idea).
Sophia tried to imitate the self-sufficient asexual
creativity of the High God.
This delusion caused her to fall from the clear, light, and
pure upper heavens.
In agony and despair she brought forth a shapeless
abortion, the Demiurge, Lower God, the creator of the

The Demiurge made all of


this in ignorance of the
High God and Sophia.
He believed that he was
the only god.
Thus, our world was
conceived in ignorance
and folly, and so were
humans.
We are created in the
image of the Demiurge.
Sophia, attempting to
atone for her mistake,
breathed into us whatever
good or spiritual in nature
that we have.

Sophia has been


reincarnated in a series
of famous women:
Eve, Noahs wife,
Helen of Troy, and
Mary Magdalene.
However, where the
Gnostic myth fired the
imagination was in its
interpretation of the
incarnation of Jesus
Christ.

The Gnostics believed


that the world was
hell, or at least a type
of Hades or Limbo
Ruled over by an
ignorant and ignoble
Devil.
Christs descent from
purity into the world
was a plunge into the
material hell.
His purpose was to
harrow or plunder the

Unhappy domain of
the Demiurge in order
to save human souls
By bringing them
gnosis or secret
knowledge.
This philosophy did
influence Christianity
in the idea of a fallen,
Corrupt, imperfect
world.
Hell was on earth.

MEDIEVAL HELL
The richest period in the
history of Hell is the
millennium that followed
the fall of Rome
A middle period between
the classical world and the
one born with the
Renaissance or rebirth of
the classical approach to
learning.
All the foundations of
Hell were already in place
when Rome fell, but the
Middle ages vastly
elaborated on the project.

Medieval theologians
continued to refine
doctrine made by the
church fathers
Except for one crucial
event: the formal
advancement of the
doctrine of Purgatory in
1253.
Thomas Aquinas, in
particular, followed
Augustine in insisting on a
real fiery Hell with
physical torments added to
those of the mind and
spirit.

Of course, Christ
Was the antithesis
Of Hell.

Baptism of
Christ.
From the medieval
Paintings of
The three Limbourg
Brothers (1416)the
Tres Riches Heures
(Book of Hours)
Made for the Duke
Of Berry.

FALL OF THE REBEL ANGELS


A
Defining
Moment
For the
Medieval
Period.

Brueghel the
Elder
1569.

Limbourg
Brothers
Hell.
1416

Luca Signorelli
The Damned.

1441-1523.

Memling
Hell.
1485.

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