Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
E.M. FORSTER
BEENISH M.PHIL ENGLISH. UNIVERSITY OF
SARGODHA
Edward Morgan
Forster
English novelist,
short
essayist and librettist.
(1 January
1879 story
7 Junewriter,
1970)
A PASSAGE TO INDIA
Background of Novel:
The colonial occupation of India is significant in terms of the
background of the novel
Indian nationalism began to foment around 1885 with the first
meeting of the Indian National Congress
TITLE
Forster took the title from Walt Whitman's poem "Passage to India",
1870. The Suez Canal, creating a passage to India, was completed in
1869.
Themes:
1. the difficulty of friendship between an Englishman (the colonist)
and an Indian (the colonized)
2. the racism and oppression of the British who rule India
3. the muddle of Indian civilization and psychology, and the oneness
(and perhaps sameness) of all life
Summary
Two English women, the young Miss Adela Quested and
the elderly Mrs. Moore, travel to India. Adela expects to marry
Mrs. Moores son, Ronny, a British magistrate from the Indian
city of Chandrapore.
Adela and Mrs. Moore each hope to see the real India
during their visit, rather than cultural institutions imported by
the British. The two women are about to know India through an
Indian doctor, Aziz. He offers them the chance to visit the
Marabar caves, being accompanied by a new friend of the
doctor, Fielding, and by a Hindu professor. The last two happen
to miss the train to the caves, but arrived there later .
During the visit of the caves, Adela is almost raped in a
cave and after she escapes, despite the fact she hasnt seen
who the guy was, she accuses doctor Aziz of being the attacker.
After an exhausting process, Adela realizes that it
wasnt Aziz and all the English people start to despise her. Aziz
chooses to spend his life far away from the English, near Hindu
people and after a fight with Fielding, he renewed the
friendship with him.
Main
Dr. Aziz Indian doctor from
Characters
Chandrapore, who tries to make friends with
Adela Quested, Mrs. Moore, and Cyril Fielding.
He is a character full of contradictions. He has
an attitude of irony towards his English
superiors. Many of his characteristics are
specific for Indians.
OTHER CHARACTERS
Mr. Turton- The collector, the man who governs Chandrapore.
Mrs. Turton - Turtons wife. She embodies the novels stereotype of the
snobby, rude, and prejudiced English colonial wife.
Mr. McBryde - The superintendent of police in Chandrapore. He and
Fielding are friendly acquaintances.
Major Callendar - The civil surgeon at Chandrapore, Dr. Azizs superior.
Hamidullah - Dr. Azizs uncle and friend. Hamidullah was a close friend of
Fielding before Fielding and Aziz met.
Mahmoud Ali - A lawyer friend of Dr. Aziz who is deeply pessimistic about
the English.
The Nawab Bahadur - The leading loyalist in Chandrapore.
Dr. Panna Lal - A lowborn Hindu doctor and Azizs rival.
Stella Moore - Mrs. Moores daughter from her second marriage. Stella
marries Fielding toward the end of the novel.
Ralph Moore - Mrs. Moores son from her second marriage, a sensitive
young man.
Miss Derek - A young Englishwoman who works for a wealthy Indian family
and often steals their car.
Amritrao - The lawyer who defends Aziz at his trial. Amritrao is a highly
antiBritish man.
PLOT
We are introduced to Chandrapore, a city that is part of the
British Raj. It is separated into three parts: Mosque, Caves,
and Temple.
1 MOSQUE
Aziz is a poor doctor who has lived dutifully under British
command, but has grown more frustrated with their
treatment of him and his fellow Indians. He and his friends
discuss the English and complain that they have changed in
attitude over the years and have become more intolerant and
cold. The British officials at the civil station in Chandrapore
run a club that forbids Indians from attending and try to
avoid any intimate friendships or relations with the natives.
Mrs. Moore and Adela Quested come over from England to
visit Ronny Heaslop, Mrs. Moore's son and Adela's betrothed
2CAVES
There are four Barabar caves.
Their smooth interior walls sustain prolonged echoes.
Adela is haunted with the echoes from the caves, and when she
realizes Aziz's innocence, the echoes go away. She tells Ronny
about her doubts of Aziz's guilt and Mrs. Moore backs them up,
but Ronny encourages her to go on with the trial and continue to
press charges. Mrs. Moore, with the support and encouragement
of her son, leaves for Britain before the trial. She dies en route,
unable to endure the heat and travel conditions. At the trial,
Adela continues to hear echoes. The courtroom becomes charged
with emotion. Indians in the courthouse begin to call for Mrs.
Moore to clear the name of Aziz. When Adela is called to the
witness box, Mr. McBryde presses her until finally she admits
that she is not sure if Aziz is really guilty. The judge drops the
charges and all of the Indians in Chandrapore celebrate Aziz's
victory. Adela walks the streets in a daze and is intercepted by
Fielding. He invites her to his office for her safety.
3TEMPLE
Two years have passed and Aziz and Godbole now
live in Mau, an independent Hindu state. Godbole is
the Minister of Education and Aziz has a clinic in
town. The town is celebrating the arrival of a new
God and is filled with singing and dancing in the
streets. Godbole receives a note that Fielding and
his new wife will be paying a visit. He tells Aziz who
refuses to see them. Aziz has ignored all of
Fielding's letters and postcards over the years and
assumed that he has married Adela in London. Aziz
runs into Fielding and his new brother-in-law (Ralph)
by accident, when he goes out to attend to Ralph's
bee sting.
Aziz treats Fielding coldly. Fielding asks why Aziz
never returned his letters. Finally, Aziz realizes
that Fielding did not marry Adela, but Mrs. Moore's
daughter, Stella. Adela introduced them in London.
Aziz continues to behave coldly and says he wants
nothing to do with the British.
TEA PARTY
THEMES
RELIGION and GOD
CULTURE CLASH
EAST VS WEST
NATIONALISM
IPERIALISM
LOVE
WOMEN
THEME OF POWER
THEME OF JUSTICE AND JUDGMENT
IMPERIALISM
The economic consequences of British imperialism are hinted
at only briefly in the novel. This occurs when Fielding mentions
to Godbole and Adela that mangoes can now be purchased in
England: "They ship them in ice-cold rooms. You can make
India in England apparently, just as you can make England in
India" (chapter 7). This hints at the economic exploitation of
India. The British claim to be in India for the good of the
Indians, whereas in fact, they are there to increase their own
wealth by setting up a system of trade that is entirely
beneficial to themselves.
Culture Clash
WOMEN
Chap 2: Mrs. Moore impresses Aziz by removing her shoes
before she enters the Mosque. This is a sign of respect that
he does not expect from British women in his country.
Chap 7: Fielding contends that English women can never be
friends with Indian men. Disaster happens whenever the two
meet.
Chap 11: Aziz shows Fielding a picture of his wife: an act that
is forbidden unless it is between brothers due to the tradition
of purdah, the separation and veiling of women. Fielding asks
if people in the world were to treat each other as equally as
brothers, if there would be no more need for purdah.
Chap13: Aziz's friends now warn him that it is not advisable
for him to mix with British women. They predict something
bad will happen due to his interaction with these ladies.
Chap 20: At the club, the men talk of protecting the women
and children. This incites in them a blinding national pride.
Chap 34: Aziz begins to write poetry about Oriental
womanhood. He calls for the end of purdah, which he believes
is an essential step to forming Indian statehood.
NATIONALISM
Chap 3: The British National Anthem inspires feelings of
power rather than patriotism. England's role in India is one of
power and control.
Chap 14: While discussing Akbar, a Hindu figure who had a
unifying force, Aziz tells Mrs. Moore and Adela that India
cannot be united. As a Muslim, he feels divided from the other
half of India.
Chap 24: Adela begins to feel guilty about the notion of the
British as a civilizing force. She contemplates who gave them
the right to control a country. At the same time, McBryde
uses a "scientific" approach to prove the racial and national
superiority of the British over the Indians.
Mahmoud Ali becomes vocal about the unfair role of the
British in India. He stands up for Indian nationalism and
storms out of the court.
LOVE
Chap 8: Though they have broken off the engagement, the bumpy
ride in Nawab Bahadur's car awakens Adela and Ronny's feelings
of love, or at least lust.
Chap 11: Aziz and Fielding discuss marriage. Aziz admits that he
fell in love with his wife after they were married. Sharing the
photo of his wife with him is an act of brotherly love. Fielding also
admits that he has never married or never plans to. He says he is
too old to fall in love.
Chap 15 : Adela begins to doubt her love for Ronny. She realizes
she is not in love with him and questions if she is capable of loving
another. She thinks she is too intellectual to be in love.
Chap 27: Fielding can not understand why Aziz loved Mrs. Moore
so much, since she had not been there for Aziz, especially after
the cave incident. He tells Fielding that Mrs. Moore was oriental
in her emotions--
she never measured love. Fielding is very western and Aziz feels
he measures his emotions too much.
Chap 28: Ronny terminates the engagement with Adela. The two
had never been in love and were probably incapable of loving
each other.
Chap 29: Both Adela and Fielding have given up on love and think
they will never love anyone.
Chap 36: Ralph tells Aziz that his mother loved him very much.
Though Aziz is very short with Ralph, Ralph overlooks the
behavior and assures him that he is a friend, though he is a
stranger. This oriental attitude is like his mother's. Ralph proves
he is capable of loving on instinct the way his mother had.
SYMBOLS
WASP
GREEN BIRD
FESTIVALES, PARTIES and SOCIAL
OCASSIONS
MOSQUE,CAVES,TEMPLE and WEATHER
THE SKY
NOTHINGNESS
CAVE
WASP
Early in the novel (chapter 3), Mrs.
Moore returns from the club and sees a
small wasp asleep on a coat peg. She does
not disturb it. Indeed, she seems to feel
quite affectionate toward it, addressing
it as "Pretty, dear." The wasp is a symbol
of the unity of all life, as understood in
the Indian religious tradition. Everything,
even an insect, is a manifestation of
Brahman. Mrs. Moore does not know this
intellectually, but she is sympathetic to
the idea of the oneness of the universe.
Her reaction to the wasp shows she is in
tune with this way of thinking.
GREEN BIRD
The green bird that Ronny and Adela
observe and try to identify but cannot
(chapter 8) symbolizes India. India is
elusive; it cannot be neatly categorized.
Categorization is the Western, but not the
Eastern, approach to understanding. It
relies on rational understanding, and is part
of the scientific approach. But as far as
India is concerned, "nothing is identifiable.
THE SKY
The sky recurs in chapter after chapter, sometimes
personified to the extent that depictions of the sky almost
become characters in their own right. The sky, as the entity
that embraces all things, could be construed as a symbol of
inclusiveness, but it has also been read as a symbol of the vast
expanse of either British imperial control or the inconceivable
vastness of India itself.
NOTHINGNES
S
In a twist that Godbole would surely appreciate, nothing in the
novel is actually something. That is, it's a symbol. A symbol of
nothing.
novel begins with the word "nothing" in its first sentence. You
might have noticed that the novel seems obsessed with gaps and
holes. The novel is roughly structured like a donut, with a big hole
where Adela's experience in the cave should be. But if you think
about it, even though nothing is written about Adela's experience
in the cave, it doesn't mean that nothing happened or that
nothing can be said. In fact, it's probably the most interesting
part of the book precisely because it's missing
Cave
Cavesrepresentsallthatisalienaboutnature
FORSTER A MODERNIST
Edward Morgan Forster was a modern English novelist, short story
writer, essayist and librettist. He is known best for his ironic and
well-plotted novels examining class difference and hypocrisy in
early 20th-century British society.
Forster's two best-known works, A Passage to India and Howards
End, explore the irreconcilability of class differences.
Forster is noted for his use of symbolism as a technique in his
novels, and he has been criticised (as by his friend Roger Fry) for
his attachment to mysticism. One example of his symbolism is the
wych elm tree in Howards End. The characters of Mrs. Wilcox in
that novel and Mrs. Moore in A Passage to India have a mystical link
with the past, and a striking ability to connect with people from
beyond their own circles.
THANK YOU
FOR
PATIENCE