C Magazine

Months ago, at our editorial advisory meeting, the idea for an issue on the theme of “games” came up in conversation and it spurred, among the group at the table, more enthusiasm than I could have predicted. As we talked, games seemed to hold under o

This text adopts the form of a Bongard problem, which is a kind of puzzle with two sides. In Bongard problems, the viewer is meant to decipher the singular difference between two sets of geometric forms. They have been used as a way to illustrate met

After gently pouring tea into each of our cups, Phyllis Lambert pushes a plate of delicate accompaniments arranged for our meeting in my direction. A shortbread cookie seems mess-free, so I take a few bites even though it is fairly small in size. I d

I met a woman at a gallery opening who asked if I was an artist. I said, “Yes, and you are, too?” She answered that she used to be, but now she upkeeps short-term rentals and rental agreements in addition to a confident stance of willingness to inven

“I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in

Throughout national events for Canada’s Truth and Reconciliation Commission (trc), a bentwood box created by Coast Salish carver Luke Marston accompanied testimonies across the country. Carved following Northwest Coast traditions, Medicine Box (2012)

“The sea is history,” wrote Saint Lucian poet Derek Walcott, referring to the site of so many lost souls in existential terms as a “grey vault.” Conversely, photographer, filmmaker and theorist Allan Sekula wrote in 1995 that, in fact, “the sea is mo

The art writing symposium Never the Same: what (else) can art writing do?, organized by Contemporary Calgary, posed a selection of provocative questions around an ever-changing and nuanced form of writing. The symposium brought together a diverse gat