Poetry

So many of us have a tree we treasure in our lives or a preferred stretch of woods to retreat to, especially during these long and confining pandemic years. Ada Limón, award-winning poet and beloved host of the popular podcast The Slowdown, has kept a catalog of cherished trees that have grounded and inspired her throughout her life; trees that have marked time and place and have expanded meaning about what it is to be alive on this planet. Here, in a piece that is equal parts a tribute to nature’s power and mystery, boldly confessional memoir, and honest reckoning with our world’s beauty and its many upheavals, she takes the reader on a tour tree by tree, from California to New York City, from Cape Cod to Kentucky.  There’s the grove of eucalyptus that recalls the sweet turbulence of first love; the mythic bay laurel, “sexed and sensual,” that fills the valley where Limón grew up; there are seeds of trees that traveled to the moon and back on Apollo 16 and are now fully grown and rooted here, acting as if they are no different from any other tree; the fruit trees—pear, peach, orange, apple—that “everyone in her bloodline” has picked to survive, and that her family now grows on their own land because “to own your own tree, to own the fruit you pick, is a big thing.” There are the trees—western hemlock and Sitka spruce—that have helped her through seismic losses, and others—like the otherworldly Yoshino cherry, whose life span is comparatively short—that remind us that everything has an end. And, crucially, there are the many benefits of trees: what they teach us about silence and stillness, about healing and hope. In twenty-three intimate vignettes, Limón demonstrates, through the force of her passionate intelligence and stunning lyricism, how connected we are to nature and how it better connects us to ourselves and one another. She proves herself to be the visionary of biophilia we all need now, as we confront the ills of climate change. Like the very trees it celebrates, “Shelter: A Love Letter to Trees” is a sensory refuge, and in keeping with the best nature writing, it invites us to slow down in these turbulent and ever-accelerating times, and affirms, often with ecstasy, our place in a natural world that has shaped and sustained us over the centuries.

THE NEW YORK TIMES BESTSELLER “Heartbreaking…Go read the book, everyone.” —Alex Cooper, host of the Call Her Daddy podcast Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than seventy poems Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process. “These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I’ve spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what’s been buried, but not forgotten, in the darkness,” says Fox. Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive books you’ll read all year.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limon, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martin Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY "Where are you from . . . ? No-where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

Finalist, 2024 League of Canadian Poets' Gerard Lampman Memorial Award Finalist, 2024 League of Canadian Poets' Pat Lowther Memorial Award Finalist, 2024 League of Canadian Poets' Raymon Souster Award I am made of centuries & carbohydrates the development of my molars the hunger the teeth grew has been with me since childhood I can’t escape the mouths of others Brandi Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.

An authentic exploration of the real Rumi As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi’s classic work. At the heart of Rumi’s mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gifts of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way.

"Listeners are privy to Olivarez framing each poem with rays of insight, to interspersed live recordings and selections recorded only for the audio....Olivarez gifts listeners gems of healing in this poetic affirmation of community and love." - Booklist "A portion of the audiobook is performed in front of a live audience, which is such a smart choice for a collection of poetry. The audience’s reactions lend a sense of community you can only get from a live reading, and Olivarez feeds off this energy."- BookPage "José Olivarez's narration of his poetry collection offers listeners a connection with his love circle."- AudioFile "Seemingly tailor-made for audio, this powerful book is a must-purchase. Olivarez’s invitation to share moments of his history, culture, love, and joy is wholly affecting."- Library Journal This program is read by the author, featuring elements of the live event recording, with commentary from the author about why he wrote the poems. A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on. Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: “How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along—cheering for us and reminding us that love is abundant.” Written in English and combined with a Spanish translation by poet David Ruano, “Promises of Gold explores many forms of love and how “a promise made isn’t always a promise kept,” as Olivarez grapples with the contradictions of the American Dream laying bare the ways in which “love is complicated by forces larger than our hearts.” He writes, “For those of us who are hyphenated Americans, where do we belong? Promises of Gold attempts to reckon with colonial legacy and the reality of what those promises have borne out for Mexican descendants. I wrote this audiobook to imagine and document an ongoing practice of healing—healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.” Whether listeners enter this collection in English or Spanish, these extraordinary poems are sure to become beloved for their illuminations of life—and love. A Macmillan Audio production from Henry Holt & Company.

Let this book be a celebration of queerness, Blackness, and love. Let these words be a modern church, these poems a holy space. Rising star and spoken word poet Jae Nichelle debuts her luminous thoughts in God Themselves, a new collection of stirring poetry. Nichelle taps into her experiences of growing up in the South as a queer Black woman to courageously confront the effects of a forced religion and the inherent dangers of living life in a female body. God Themselves is divided into three equally moving sections: Everything, Everywhere, and Love. Nichelle braids her wisdom––as seen in the poem “What to Do When There’s Nothing You Can Do”––and witty generational humor––seen in "Sanctity: An Exposé"––into every poem. If you’ve ever contemplated who, what, and where God is, find comfort in these words.

Author is a highly acclaimed poet whose last collection of poems The Carrying won the National Book Critics Circle Award, was a finalist for the PEN/Jean Stein Book Award and was named an ALA Notable Book of 2018 Author was appointed the new host of the daily poetry podcast The Slowdown, taking over from former U.S. Poet Laureate Tracy K Smith Author's previous collection Bright Dead Things was a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award Author's last collection The Carrying was widely reviewed by the New York Times, the Washington Post, O, the Oprah Magazine, the Guardian, and NPR, among other prominent publications, and was praised by bestselling authors Tracy K Smith and Roxane Gay Author's last collection The Carrying has sold almost 20K copies in hardcover and paperback We expect major blurbs and major press, with a two-page profile already seeded in Publishers Weekly and early coverage in the New Yorker, CNN, Lit Hub, and Books Are Magic The book's engagement with pain, family, the natural world, generational trauma, grief, and hope will invite a wide readership and provide opportunities for rich coverage Author worked as a bookseller at Readers' Books in Sonoma, CA, and is deeply engaged in the independent bookselling community Preorder coop available to indie accounts (order 5+, get $25)

Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023 An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the life Do you love a living person         absolutely? Tell them now. In a half-unwieldy life you made, under the hyaline sky, while the dead         drank from zigzag pools nearby, if they saved you in your wild incapacities,         in timing of the world's harm in a little pettiness in your own heart while others took         your madrigals in shreds to a tribunal,         when others said you should feel grateful         to be minimally adequate for the world's triple exposure or some tired committee...         The ones who love us, how do they break through our defenses?         We're tired today. Come back later. Their baffled voices melting our wax walls with a candle, the ones who understand what being is—the glowing, the broken, the wheels, the brave ones—         they have their courage, you have yours,,,;         when you meet the one you love, it is so rare. When you meet the one who loves you, it is extremely rare.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.  Supplemental enhancement PDF accompanies the audiobook.

The second full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman. Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way. Intimate, evocative, and bold, Kate’s beguiling poetry firmly positions her in the company of Dorianne Laux, Mary Oliver, Maggie Nelson, and other great female poets of our time.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue?  In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness.  Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses. In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.

In these hybrid poems, Jessica Q. Stark explores her mother’s fraught immigration to the United States from Vietnam at the end of war through the lens of the Little Red Riding Hood fairy tale. Told through personal, national, and cultural histories, Buffalo Girl is a feminist indictment of the violence used to define and control women's bodies. Interspersed throughout this hybrid work are a series of collaged photographs, featuring Stark’s mother’s black-and-white photography from Vietnam beautifully and hauntingly layered over various natural landscapes — lush tropical plants, dense forests, pockets of wildflowers. Several illustrations from old Red Riding Hood children’s books can also be found embedded into these pieces. Juxtaposing the moral implications of Little Red Riding Hood with her mother's photography, Stark creates an image-text conversation that attends to the wolves lurking in the forests of our everyday lives.  Opening the whispered frames around sexuality and sex work, immersed in the unflattering symptoms of survival, Buffalo Girl burgeons with matrilineal love and corporeal rage while censuring the white gaze and the violence enacted through the English language. Here is an inversion of diasporic victimhood. Here is an unwavering attention to the burdens suffered by the women of this world. Here is a reimagination, a reclamation, a way out of the woods.

The world has changed – but thankfully so have we. The Shift: Poetry for a New Perspective embodies the best of who we are now. From Self Love Philosopher Melody Godfred, author of bestselling Self Love Poetry: for Thinkers & Feelers, comes a collection of poems designed to reframe how we see and move through this brave new, post-pandemic world. Each pair of poems inspires a shift from the old way of thinking to the new: from guilt to gratitude, resistance to surrender, and fear to love. The first poem in each pair is dedicated to the old way. The second poem offers a shift in perspective that lovingly illuminates the new. Each seemingly simple poem instantly elicits a profound reset, and is coupled with beautiful line drawings that awaken not just the mind, but also the heart. The Shift’s unique poem pairings uplift the soul by offering a hopeful salve for our collective burnout. Whether you listen to a pair of poems a day, or listen to the entire book in one sitting, The Shift will be your trusted companion as you bravely navigate the great unknown that lies ahead in the months, years and decades to come. Audiobook highlights: Narration by author Melody Godfred, a speaker known for her warm, soothing voice and thought leadership in the self love space An alternate track featuring sound effects that place you at the scene of Melody’s nature-inspired poetry Commentary by Melody on some of the book’s most notable poems and themes, ranging from navigating the pandemic, relationships, motherhood and the journey towards achieving self love and worth A PDF copy of The Shift that provides access to the line drawings that accompany Melody’s poems

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us. An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book. More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.  In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more. Supplemental enhancement PDF accompanies the audiobook.

A specter, haunting the edges of society: because neoliberalism insists there are no social classes, thus, there is no working class, the main subject of Hotel Oblivion, a working class subject, does not exist. With no access to a past, she has no home, no history, no memory. And yet, despite all this, she will not assimilate. Instead, this book chronicles the subject’s repeated attempts at locating an exit from capitalist society via acts of negative freedom and through engagement with the death drive, whose aim is complete destruction in order to begin all over again. In the end, of course, the only true exit and only possibility for emancipation for the working class subject is through a return to one’s self. In Hotel Oblivion, through a series of fragments and interrelated poems, Cruz resists invisibilizing forces, undergoing numerous attempts at transfiguration in a concerted effort to escape her fate.

Sweet, Young, & Worried is the highly anticipated sophomore collection by author Blythe Baird Following her widely successful debut, Baird wastes no time as she reels in her reader with breathtaking imagery and punching narratives. With expert precision and vulnerability, Baird guides us on an expedition embracing queerness, love, loss, mental health, feminism & healing along the way.

A book of poems and augmentations, recording instances of love, self-realization, and recovery in non-binary, queer, and autistic lives.  In their stunning debut collection, A. Light Zachary draws power from a vision of life―especially queer and neurodivergent life―as a journey of continuous self-realization. These poems record the experience of locating oneself over and over again, within gender, language, family, labour, sexuality, fear, and love.   Reaching back to claim queer space in the oldest Western canon, Zachary interrupts famous quotations from ancient Greek and Roman thinkers, asking: what advice might Juvenal or Seneca have handed down to non-binary citizens? Elsewhere, in concise and fluid verses that draw from punk rock and quantum physics, they ground the work firmly in the present. Come: invade the alien. Evade with the coyote. These poems propose a certain supremacy: in these unending journeys of discovery and alienation, “we become more sure of who we are than you.” This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war. A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

From “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange and evolving present The first new collection since Evolution from the prolific poet, activist, and writer Eileen Myles, a “Working Life” unerringly captures the measure of life. Whether alone or in relationship, on city sidewalks or in the country, their lyrics always engage with permanence and mortality, danger and safety, fear and wonder. a “Working Life” is a book transfixed by the everyday: the “sweet accumulation” of birds outside a window, a cup of coffee and a slice of pizza, a lover’s foot on the bed. These poems arise in the close quarters of air travel, the flashing of a landscape through a train window, or simply in a truck tooling around town, or on foot with a dog in all the places that held us during the pandemic lockdowns. Myles’s lines unabashedly sing both the happy contradictions of love and sex, spill over with warnings about the not-so future world threatened by climate change and capitalism, and also find transcendent wonder in the landscapes and animals around us, and in the solitary and collective act of caring for one another and our world. With intelligence, heart, and singular vision, a “Working Life” shows Eileen Myles working at a thrilling new pitch of their poetic and philosophical powers.

"Stellar . . . with great humanity, grace and precision." -Nicole Sealey, author of Ordinary Beast Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love. These poems conjure encounters with figures from scriptures, domesticated animals eyeing the wild, and mothering as a shape-shifting, spectral force; they question what it means to love another person and how to exorcise childhood fears. All the while, the Deep South haunts, and no matter how far away the speaker moves, the South always draws her back home. In confession, in illumination, Bates establishes herself as an unflinching witness to the risks that desire necessitates, as Judas Goat holds listeners close and whispers its unforgettable lines.

In her long-anticipated fourth collection, The Engineers, Katy Lederer draws on the newfangled languages of reproductive technology, genetic engineering, and global warming to ask the age-old questions: What is “ the self” ? What is “ the other” ? And how to reproduce “ one' s self” ? In poems that are both lyrical and playfully autobiographical, Lederer imagines form as a kind of genetics, synthesizing lines out of a rigorous constraint. Things can go wrong. The body— or poem— malfunctions, evacuating crucial parts of itself (miscarriage), or growing too aggressively or quickly (cancer). The body— or poem— attacks or even eats itself (autoimmune dysfunction; autophagy). Written almost entirely in the choral “ we,” the poems move among the perspectives of the bewildered parent, the unborn child, and the inscrutable God who looks down upon the human world. In a post-Roe landscape, the poems complicate and ultimately refashion our pre-conceived notions of the self— and of life. Radical, uncanny, and stunningly original, The Engineers takes us on a journey to a place we' ve never been, but that is hauntingly familiar.

From the brilliantly talented National Poetry Series and James Laughlin Award winner comes a third collection of poems that uses the humble pig as a lens to explore the body, faith, desire, and power. This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig—farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law—to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons. Collectively, these poems, borne of Sax’s obsession, offer a varied picture of what it means to be a human being. Delivered in a variety of forms, infused with humor, grace, sadness, and anger, Pig is a wholly unique collection from a virtuosic and original poet.

A long-awaited yet startlingly urgent new collection from “a contemporary master”*—a fierce, big-hearted eye on our last, tumultuous decade, and our fragile environment *Los Angeles Review of Books Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.” From the Syrian refugee and ecological crises, to police brutality and COVID, to the Global Seed Vault buried under permafrost, the poems ask: How does consciousness relate to the individual body, the individual to the communal, the community to our environment? How do we mourn a loved one, and how do we mourn strangers? The magnificent poems in Canopy catalogue and reckon with humanity and the natural world, mortality, rage, love, grief, and survival.

Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement. In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.

A poetry collection where personal is inevitably political and ecological, Motherfield is a poet’s insistence on self-determination in authoritarian, patriarchal Belarus. Julia Cimafiejeva was born in an area of rural Belarus that became a Chernobyl zone during her childhood. The book opens with a poet’s diary recording the course of violence unfolding in Belarus since its 2020 presidential election.  Motherfield paints an intimate portrait of the poet’s struggle with fear, despair, and guilt as she goes to protests, escapes police, longs for readership, learns about the detention of family and friends, and ultimately chooses life in exile. But can she really escape the contaminated farmlands of her youth and her Belarusian mother tongue? Can she escape the radiation of her motherfield?  This is the first collection of Julia Cimafiejeva’s poetry in English, prepared by cotranslators and poets Valzhyna Mort and Hanif Abdurraqib.

I said what I meant but I said it in velvet. I said it in feathers. And so one poet reminded me Remember what you are to them. Poodle, I said. And remember what they are to you. Meat. —from “Patronage” In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself—its foreclosures, affects, successes—she begins to write her way out to the other side of acceptability and toward freedom. Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time.

Previously selected for major prizes by Nobel prize-winning poet Louise Glück Levin’s book are consistently well reviewed and critically-acclaimed Has published with Copper Canyon Press since her debut in 1999 This particular book has many poems sparked, informed, or reshaped by the 2016 presidential election and its aftermath The book hinges upon the poet’s move from Santa Fe to St. Louis Memoir hybrid: personal meditations on the body, grief, and place Poems about the poet’s own medical and homeopathic history The book revolves around three key sequences: “Two Autumns, Saint Louis,” “Pledge,” and “Appointment”—the first two are very much poems “about” America/place post-election, and “Appointment” is very much about healing and the body