Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
GRAPHIC DESIGN
Typography & Layout Image Branding & Identity Retail & Packaging Editorial & Publishing Design for Screen
CONTENTS
18 28 36 45 55 59 80 Fred Bates Amber Smith Lorenzo Madge Si Scott Mark Howe John Watters Andy Lodge
20 21 22 23 25 26 27 30 31 32 34 35 38 39 40 41 42 43 44 46 47 49 54 56 57 58
Stephanie Bourne Aaron Skipper Elliot McKellar Meryem Meghraoua Joanne Oates Elizabeth Ibbotson Ailsa Marrs Chris Anderson Benjamin McKean Robyn Makinson William Skane-Davis Niall Hargrave Ceara Elliot Naomi Farrar Jack Neville Kimberley Sandford Robyn Russell Stephanie Oglesby Charlotte Warren Alice Vine Natalie Jackson Sai Uennatornwaranggoon Matthew Khan Josh Dazeley Brian Cantwell Rebecca Tipping
SHOWCASES
6 8 10 12 14 16
Typography Branding & Identity Image Retail & Packaging Layout & Editorial Deisgn for Screen
60 61 64 65 66 67 69 70 71 72 73 74 76 77 78 79 81 82 83 84 85 86 87 88 90 91
Gemma Byrne Paul Brandeth William Duffy Pawel Adamek Emma Cooper Tom Cummings Sean Perkins Christopher Starkie Arthur Carey Nicholas Morgan Richard Robinson Kirsty Hair Amy Leigh Maya Srivastava Nicholas Lovegrove Samuel Wallbank Sarah Frackelton Brady Miller Sophie Herring Jonathan Finch Robert Green Hazel Gage Dutch Holland Rosalind Stoughton Ellis Thynne Polly Williams
The course starts with a question 'What is Graphic Design?'. We spend three years investigating the role of the Graphic Designer as a problem solver, creative thinker and professional practitioner. We investigate solving problems of communication through type and image. We consider how production and distribution impact on the work we produce or propose. We consider what we want to say, to whom and why? We ask what is it to be professional? After three years we all have our own answer...THIS IS GRAPHIC DESIGN.
STUDENTS
TUTORS
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8 7
10 11
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3 1
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4 5 6 9
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Image
[im-ij] 1 The practical, conceptual and creative process of designing with images. 2. The communication of ideas, concepts and messages through pictures, drawings and photographs 3. The translation and communication of language through sign and symbol. 1 2 3 4 5 6 Becky Tipping Jack Neville Brian Cantwell Natalie Jackson Steph Bourne Liz Ibbotson 7 8 9 10 11 William Duffy Chris Anderson Polly Williams Alice Vine Richard Robinson
6 1 2 5
20
Steph Bourne
Aaron Skipper
21
The main focus of my practice is illustration based for editorial and publishing with a huge interest in designing for the music industry.
I aim to produce intelligent, simple and effective design solutions which explore the relationship between typography and layout. My work often results in editorial, identity and publication design for print.
Meryem Meghraoua
23
22
Elliot McKellar
Keen interest in Illustration and bespoke typography which aims to communicate. Love investigating print processes backed up by vivid colour combinations. Provoking mentality change through creativity.
Jo Oates
25
Joe
Joe Gilmoure Qubik The way it can *************** ********** ******************* ***** ********** ******* Robbie Porter Freelance The need to communicate. (I spend to much time on my own) +44 (0)7817 146 979 hellotojo@gmail.co.uk joanneoates.co.uk I am an ethically driven graphic designer who focuses on print, colour and craft. I am passionate about the resolution being a result of a conceptual and research based investigation into the subject.
26
Liz Ibbotson
Ailsa Marrs
27
My practice involves creating colourful hand drawn illustrations that are Inspired by fantasy and fiction. I create these images so they can be used for publication and merchandise.
I really enjoy playing with layout with a strong use of typography in my work, which focuses on publication and print.
30
Chris Anderson
Ben McKean
31
Simplistic illustration and hand crafted design is the focus of my practice. I like my work to entertain so if someone finds humor in my work then Ive done my job.
Typography, layout & editorial form my areas of exploration. Out of the studio I enjoy cycling and watching Gareth Bale skin world class right backs.
32
Robyn Makinson
The way it can engage people from all over the world without ever having to meet
34
William Skane-Davis
Niall Hargrave
35
When designing, my main focus is to find that clever aspect in a project. The brilliance of a concept is what makes great design stand out from the rest, rather than becoming ubiquitous.
Type led editorial and publications form my design practice. Attention to detail, bespoke letterforms and contemporary layout make my work.
38
Ceara Elliot
I like to approach my design work through the use of a variety of media, particularly the layering of photography and type. I specialise in publication covers and design for print whilst focusing on subjects within the culture sector.
Naomi Farrar
39
40
Jack Neville
Kim Sandford
41
My work is based on branding and packaging but my main aim is design things that excite me and others. Then after that I shall play my Ukulele.
Placements M
My design practice is driven by a creative concept, mainly focussed within branding and promotion, with the use of my own photography.
42
Robyn Russell
Stephanie Oglesby
43
My design practice revolves around branding, and the focus on using experimental print techniques and finishes. As well as having well thought out concepts, which are appropriate to the client and brief.
Creating an experience for the consumer is key within my work, I love storytelling and communicating the philosophy of the brand through creative promotion.
44
Charlotte Warren
46
Alice Vine
Nat Jackson
47
Placements Hallmark
My design practice allows me to be a professional kid. From toothbrushes of the young to book shelves of the old, I combine image with imaginative ideas and apply them to commercially driven briefs resulting in a wide range of deliverables.
A print based investigation into surface pattern, focusing on contemporary culture and brand and identity.
Sai Uennatornwaranggoo
49
SPARE
A concept driven investigation into branding and promotion with a focus on the use of typography and image within printed media, supported by an understanding of social and environmental responsibility.
Graphic Design
20
21
22
23
25
26
60
61
64
65
66
67
27
30
31
32
34
26
69
70
71
72
73
74
38
39
76
77
40
41
42
43
44
46
78
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81
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84
47
49
54
56
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58
85
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54
Matt Khan
56
Josh Dazeley
Brian Cantwell
57
Placements Coolpink
A lovable rogue with a devilish charm, with a keen eye for branding and information graphics. Loved by women & feared by men, I always demand the highest quality from myself & others.
Placements ISC
One thing these three years has taught me, you can teach an old dog new tricks.
58
Rebecca Tipping
60
Gemma Byrne
Paul Brandeth
61
+44 (0)7526 597 249 info@paulbrandreth.co.uk paulbrandreth.co.uk +44 (0)7738 876 954 gemma-byrne@live.co.uk cargocollective.com/gemma-byrne Placements Urban Feather My work looks at branding, identity and promotion with a focus on print and motion. Placements Linney Design
The area of design I specialize in is using digital and image based typography for editorial purposes with a focus on experimental 2d formats.
Placements
64
Will Duffy
Pawel Adamek
65
Placements Hallmark
I like working primarily with illustration across a range of applications. I also like dogs and cats.
The past three years of my life have been; graphic design, music, guitar, books, snooker/pool, good ale, thought-provoking conversation and more graphic design. I will take these things with me wherever I go.
66
Emma Cooper
Tom Cummings
67
Hello everyone my name is Emma, This work reflects my practice and the 3 years spent on this course. I love typography, editorial design, print and the different techniques and methods that are used to create publications I used to like laser cutting. That was a long time ago.
I mainly use illustration in my practice to solve problems and enjoy working with content heavy publication design. The driving force behind my work is anything nerdy: science, videogames and sci-fi.
Sean Perkins
69
The way it can engage people from all over the world without ever having to meet
I could say a lot but they wont let me, so if thats funny then it fits the brief. Im from Wigan and thats not very funny.
70
Arthur Carey
+44 (0)7769 948 026 hello@arthurcarey.co.uk arthurcarey.co.uk Placements The Consult Elmwood My practice outputs a diverse range of work, underpinned by resolving issues concerning identity and promotion for the culture sector. Eclectic working methods coupled with enthusiasm for the inane are what I consider to be my practices defining characteristics.
Chris Starkie
71
My world consists of football, travel & lots of rum, I also like to design stuff and when I do its type, editorial, print & promotion.
72
Nick Morgan
Throughout my design practice Ive wanted to challenge myself to find my own style of illustration. The work I aim to produce is all about branding and identity with a secondary focus on promotion.
Placements Qubik
Modernist inspired delivery of type, photography and layout across publication and web design for the culture sector.
Richard Robinson
73
74
Kirsty Hair
1. Ability to listen + learn 2. Ability to APPLY that learning 3. A kick ass folio / will they fit in my team?
My practice is a focus on high end type and layout for branding, primarily for print. I am particularly interested in design within the luxury and culture sectors.
76
Maya Srivastava
+44 (0)7718 286 335 hello@mayasrivastava.co.uk www.mayasrivastava.co.uk Placements Promoseven 360 (Dubai) ISC Sports My work is mainly based around branding and creating a brand experience. I love having a problem to solve within a brief.
Amy Leigh
77
Human behaviour and language are the two overarching concepts within my work, which manifest themselves in the form of independent publications. My work is very conceptual and heavily research driven, ensuring that I am always connected to what I produce.
78
Sam Wallbank
+44 (0)774 306 2645 hello@sam-wallbank.co.uk sam-wallbank.co.uk I have hype for type. This is one of my main focuses, exploring typography within identity, layout and editorial design I also enjoy getting my hands dirty crafting and printing, but dont shy away from the screen.
Nick Lovegrove
Placements Elmwood
A committed and highly ambitious perfectionist with an eye for commercial design and love of all things colourful, geometric, sophisticated and refined. I have a keen interest in launching innovative products to market through the medium of graphic design.
Sophie Herring
81
Placements Box-head
I enjoy creating identities and exploring how this can work across a range of products, mainly print, to create a personality. I am influenced by the past and experiences, language and words, fashion and humour.
82
Brady Miller
Sarah Frackleton
+44 (0)7825 729 551 hello@sarahfrackelton.co.uk sarahfrackelton.co.uk My focus lies within typographically driven designs for branding and identity. I enjoy working across a range of media and experimenting with formats and layout.
83
The main focus of my design work is packaging and the formats used. Clever folds and stocks are a few things I am passionate about. I am also highly interested in bespoke typography and letterforms.
84
Jonathan Finch
+44 (0)7878 761 434 rob@funkmonkdesign.com funkmonkdesign.com Placements Warp Records My practice revolves around a screen-based investigation into interactive design with a focus on user experience. I have applied this to a range of platforms to create unique interfaces for specific audiences.
Rob Green
85
Placements Reef
I enjoy designing simple aesthetics that are carefully considered and well executed through print-based design. Different places Ive visited have informed and influenced my design practice that is centered on identity and promotion.
86
Hazel Gage
Dutch Holland
87
Placements Boxhead
My design practice revolves around a print based investigation into publications and identity for the culture sector with a focus on bespoke typography.
My work gravitates towards the fashion and creative industries where I design for publications and brands. I enjoy designing and working in creative collaborations where I seek influence from inspiring creatives in the culture sector.
88
Roz Stoughton
xxx
Blah lah oodb flanger reenoooo happy chpayy cometh up with out happening.
Publication and editorial design for the culture and arts sector that tries to reflect good ethics and a social awareness, using recycled and sustainable materials and innovative processes wherever possible.
90
Polly Williams
Ellis Thynne
91
Applied custom lettering and illustration with a focus on surface application, promotion and identity.
Concept driven type, layout and print finish within the luxury retail market, with a focus on branding, publication and packaging.
Acknowledgments
There have been a lot of people who have helped us in the past 3 years to develop and grow as designers and people. We would like to thank; Fred Bates Amber Smith Lorenzo Madge Lorraine McKee Joe Gilmore Jane Denton John Watters Richard Miles Mike Flowers James McBeath Simon Harrison James Smart
Yearbook Designers Ben McKean Niall Hargrave Jack Neville Will Skane-Davis Portrait Photography Sofia Coombs
Typography & Layout Image Retail & Packaging Brand & Identity Editorial & Publishing Design for Screen