Godsmack IV

from Godsmack IV
Bleeding Me
Words and Music by Sully Erna, Tony Rombola, Rob Merrill and Shannon Larkin
Ebsus2
Bb5
8fr
1134
111
Drop D tuning:
(low to high) D-A-D-G-B-E
Intro
Moderately slow Rock q = 92
D5
F5
Bbsus2
Riff A
Gtr. 1 (slight dist.)
mf
let ring throughout
D5
7
7
10
10
10
F5
10
8
10
10
Bbsus2
10
8
10
D5
12
F5
10
mf
w/ slide

Gtr. 1
7
7
10
10
10
10
8
10
10
End Riff A
10
8
7
7
10
10
10
Copyright 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC, HAMMERCLAW, MICK DOG and SHANNON LARKIN PUBLISHING
All Rights for MEEENGYA MUSIC, HAMMERCLAW and MICK DOG Controlled and Administered by UNIVERSAL MUSIC CORP.
All Rights Reserved Used by Permission
10
8
10
1
Digital Conversion 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bbsus2
Asus2
D5
Gtr. 2
*Gtr. 3 (dist.)
divisi
F5
P.M.
0
0
0
3
3
3
3
3
3
0
0
0
*Doubled throughout
10
10
10
Gtr. 2
F5
let ring
10
10
10
10
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
3
3
3
3
3
3
3
3
D5
F5
3
3
3
10
2
Sorgdal
10
10
12
12
10
3
3
3
3
3
3
10
10
8
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
12
10
10
D5
10
10
10
10
10
Bb5 F/Bb
Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)
Gtr. 2
0
0
0
F/Bb
Rhy. Fig. 1
Gtr. 3
Bb5
Gtr. 1 tacet
D5
10
10
End Rhy. Fig. 1
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
F5
let ring
10
10
10
10
10
10
10
10
10
10
13
Bb5
F/Bb
D5
10
10
10
10
10
10
10
12
12
10
10
Ebsus2
Gtr. 3
let ring
13
F5
(cont. in notation)
10
Verse
Gtr. 2 tacet
C5 D5
Eb5 D5
1. Way,
2. May
way
be
Eb5 D5
down
this
in
ba
time,
F5
G5
F5
side,
by,
theres a hol - low

its
meant
G5
Ab5 G5
D5
soul.
be.
to
Rhy. Fig. 2
Gtr. 3
5
3
7
5
C5 D5
7
5
0
0
0
0
0
0
And
No
emp
7
5
0
0
0
Eb5 D5
7
5
7
5
0
0
0
D5

And
And
0
0
0
8
6
7
5
Eb5 D5
find
paid
it
the
7
5
7
5
0
0
0
0
0
0
8
6
0
0
0
3
3
3
5
5
5
0
0
0
8
6
7
5
0
0
0
7
5
0
0
0
5
5
5
C5
to - mor
ing
you
5
5
5
5
5
5
5
5
5
3
3
3
5
5
5
5
5
5
5
5
5
6
6
6
Bb5
5
5
5
5
5
5
0
0
0
C5
row.
or
me.
Oh,
yeah.
0
0
0
7
5
0
0
0
hard
price,

5
3
0
0
0
ti - ness
shall
lose
more
suf - fo - cat
-
I
I
5
3
Eb5 D5
8
6
8
6
to
7
5
Eb5 D5
breathe
0
0
0
0
0
0
0
0
0
7
5
7
5
8
6
7
5
5
3
5
3
5
3
sen - tenc
0
0
0
5
3
5
3
3
1
3
1
F5 G5

0
0
0
5
3
F5 G5
for
but youre
5
3
me
-

in your
ing
com
me
pa
3
1
to
3
1
5
3
5
3
5
3
Ab5 G5
ny,
life.
ah.
3
3
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
3
3
3
5
5
5
5
5
5
5
5
5
6
6
6
5
5
5
5
5
5
5
5
5
3
Sorgdal
Bb5
F/Bb
Seems
And I
8
8
8
10
10
10
8
8
10
10
10
8
8
Ive
feel
been
Ive
tak
put
en
in
for
let ring
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8

8
8
grant
my
C5
8
8
G/C
ed.
time.
10
10
12
12
12
10
10
10
10
D5
F5
And youre
End Rhy. Fig. 2
12
12
12
10
10
12
12
12
10
10
12
12
12
10
10
12
12
12
10
10
12
12
12
10
10
3
3
3
0
0
0
0
0
3
3
3
Chorus
1st time, Gtr. 3: w/ Rhy. Fig. 1 (3 times)
2nd time, Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)
D5
break
ing
F5
Bb5
F/Bb
and
bleed
me
ing
me
down
D5
to
F5
noth - ing.
Its
1.
Bb5
F/Bb
tear
ing
me
down.
Youre
D5
break - ing
F5
me
Bb5 F/Bb
bleed
ing
me
down
and
to
2.
Asus2
noth - ing.
9
9
7
7
9
9
9
7
7
9
9
9
7
7
9
9
9
7
7
9
9
9
7
7
D5
Bb5
Yeah!
Gtr. 3
E/A
bleed
14
Sorgdal
me
down
ing
11
10
8
8
8
11
10
8
8
8
11
10
8
8
8
10
10
10
8
8
10
10
10
8
8
8
8
F5
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
0
0
0
3
3
3
3
3
3
3
3
3
Gtr. 3
noth - ing
F/Bb
Ebsus2
gain.
3
3
3
3
3
3
3
3
3
3
3
1
1

to
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
10
10
10
8
8
Interlude
Gtr. 1: w/ Riff A (1 1/2 times)
Gtr. 3 tacet
D5
F5
Bbsus2
Oo,
youre
Bbsus2
and
bleed
Gtr. 2
break
D5
ing
ing
Bbsus2
me
F5
me,
F5
D5
gain.
Youre
mp
w/ wah-wah
w/o slide
Harm.
D5
F5
Bb5
Gtr. 3
bleed
Gtr. 2
ing
youre
me,
mf
bleed
ing
me.
Gtr. 1
7
7
10
10
Harm.
10

10
10
10
8
8
5
Sorgdal
Guitar Solo
Gtr. 1 tacet
Gtr. 3: w/ Rhy. Fig. 2
C5 D5
Gtr. 2
Eb5 D5
Eb5 D5
F5 G5

F5 G5
Ab5 G5
D5 C5 D5
let ring
10
10
10
f
w/ slide
10
10
10
10
10
10
C5
10
10
10
10
10
10
10
10
10
10
Bb5
10 10 10
10 10 10
C5
10
F5
10
G5
F5
G5
10
D5
13
12
13
12
10
10
10
Ab5 G5
10
10
10
10
Eb5 D5
10
Eb5 D5
10
10
Eb5 D5
13
10
10
10
12
10
10
Bb5
F/Bb
12
Eb5 D5
let ring
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
Outro-Chorus
C5
G/C
D5
let ring
10
12
10
10
10
F5
D5
And
youre
break
10
10
10
10
9
9
10
10
10
10
ing
F5
me
and
Gtr. 2 tacet
Bb5
bleed
F/Bb
6
Sorgdal
ing
me
down

to
D5
noth - ing.
F5

Youre
Bb5
F/Bb
tear
ing
me
down.
Youre
D5
break
Bb5
tear
ing
F5
ing
me,
tear
Gtr. 2
- ing
F/Bb
bleed
and
Bb5
me
F/Bb
D5
me
ing
me
down
F5
Bb5
a - gain.
D5
10
F5
10
10
down
10
10
10
12
12
10
10
10
12
Tear
10
10
10
10
break - ing
bleed
F/Bb
ing
me.
10
10
10
10
10
10
10
ing
10
10

me
10
F5

and
10
10
10
me
10
10
10
Ebsus2
10
Gtr. 3
bleed
ing
F5
Youre

let ring
13
let ring
D5
Free time
Bb5
me
10
D5
Youre
F/Bb
10
10
10
10
a - gain.
Bb5 F/Bb
10
F5
Youre
let ring
noth - ing.
to
down
D5
10
13
gain.
*w/ delay
10
10
10
12
12
10
10
10
*Set for quarter-note regeneration w/ 4 repeats.
7
Sorgdal
from Godsmack IV
Hollow
Aadd9
G6
Fmaj7#11
A7sus4
Em
5fr
1342
1342
1342
32 1
12
Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro
Moderately slow q = 90
Gtr. 1: w/ Rhy. Fig. 1 (5 times)
C A7sus4
*Gtr. 1 (acous.)
** pp
Em
C A7sus4
Rhy. Fig. 1
Em
End Rhy. Fig. 1
0
0
0
2
2
0
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
0
0
0
2
let ring throughout
1
0
2
3
0
0
0
2
2
0
3
0
0
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
1
0
2
3
0
0
0
2
2
0
3
0
0
0
*Two gtrs. arr. for one.

**Fade in to mf, next 12 meas.
A7sus4
Em
***Gtr. 2
A7sus4
Em
Riff A
mp
let ring throughout
12
13
12
10
12
12
12
17
17 15
12
15
15
10
10
10 12
12
12
12
12
12
12 12
12 13
12 12
13 13
12 12
10 10
12 12
10 12
***Mandolin arr. for gtr.

Fade in to mf, next 8 meas.
12 12
12
12
17 17 17 17 15
A7sus4
Em
12
15
12
A7sus4
13
12
Em

10 12
12 12
10
12
12
12 12
12 12
12 12 12
12 12 13
10
12
12 12 12 12 12
13
12 12 12
12 12 12 12 12 12 12 12 12
12 12 13
10
12
12 12
12 12
12
12 17 17
17 17 15
12
12 12 12 12
15
13 13
13
12
12
17 17 17 17 17 15
15
12 10 10
10 10
A7sus4
Em
End Riff A
12
12 12
12
12 12
13
12
10
12
12
1
Sorgdal
Verse
1. One
Riff B
12
If
it
step
and
could
fall
- way.
12
or
would
it
A7sus4
12
0
0
0
2
0
0
0
2
13
0
0
0
2
12
12
10
1
0
2
3
3
0
0
0
And
13
13
pic - ture feels so
12
13
12
13
cant
0
2
3
0
3
0
2
3
0
3
0
0
3
0
0
0
2
3
0
3
0
2
0
2
3
can
an
An
2
Sorgdal
oth
bod
er
page
know whats
best
End Riff B
12
10
12
tell
if
should
A7sus4
Em
13
13
0
3
0
0
3
0
0
3
0
2
How
0
3
0
2
0
3
0
2
12
for
13
12
13
Fill 1
End
12
10
0
3
0
2
3
0
3
0
0
3
0
0
0
0
2
3
0
3
0
3
0
0
0
A7sus4
3
0
0
3
0
0
0
0
2
2
0
Em
me?
turn
in
shame.
12
End Rhy. Fill 1

Gtr. 2: w/ Riff B (2 1/2 times)
12
13
0
3
0
2
3
Em
hol - low.
mat - ter?
Cadd9
12
C A7sus4 Em
A7sus4
Same old

2
2
0
stay.
Rhy. Fill 1
2
2
0
hap - pened,
more
Fill 1
Gtr. 2
Gtr. 1
12

go
A7sus4
Em
Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.)

Gtr. 2: w/ Fill 1 (1st 2 meas.)
And
my
de - ci - sions brought me
to
my
knees.
A7sus4
Aadd9
C A7sus4
need - ed
Fill 2
13
Gtr. 1
13
12
13
12
13
12
10
some - one
to
so
hol -
17 17 17
10
End Rhy. Fill 2
blame.
Riff C
Rhy. Fill 2

feel
End Fill 2
G6 Fmaj7#11
Gtr. 2
Chorus
Aadd9
Gtr. 1
Rhy. Fig. 2
Cadd9
17
17 17 17 15 15 15 15 12 12 12
12 15 15 15 15
15 15 12 15 15 15
15 X 13
(cont. in slashes)
0
2
3
3
0
2
0
3
0
2
0
3
0
0
3
0
0
0
0
2
3
0
2
3
3
0
0
0
3
0
0
0
3
0
0
0
0
0
6
7
7
5
G6
Gtr. 2
low.
13
Aadd9
End Rhy. Fig. 2
13
13
13
12
17
17
17
17
15
15
15
15
12
12
12
15
15
15
15
End Riff C

15
15
20
15
15
17
15
17
17
3
Sorgdal
G6
Rhy. Fig. 3
17
17
17
12
17
17
17
15
15
15
15
12
12
12
15
15
15
feel
so
hol -
15
15
20
15
15
17
13
Time
12
15
13
13
13
13
13
17
17
to
do
whats
best
12
12
12
12
12
13
G6
15
low.
Sorgdal
17
13
Riff D
Fmaj7#11
17
15
15
15
15
12
12
12
Fmaj7#11
15
15
15
15
15
20
15
15
15
12
12
G6
12
12
Aadd9
for
me,
be
lieve
can
12
12
12
13
12
13
12
12
12
12
12
12
12
12
12
12
13
12
13
12
13
12
13
12
10
12
12
12
12
12
12
12
change,
12
12
12
10

12
10
17
17
17
17
17
17
17
17
17
17
17
17
A7sus4
Em
End Rhy. Fig. 3
ah.
12
13
12
10
End Riff D
12
Interlude
Gtr. 2: w/ Riff A
*Gtr. 3: w/ Riff B (2 times)
A7sus4
Em
Female: (Ah.
A7sus4
Em
Ah.
*Mandolin arr. for gtr., played mf, let ring throughout.
12
C A7sus4 Em
Ah.)
Gtr. 3
12
Em
Ah.
A7sus4
12
12
13
12
10
12
12
12
12
12
Verse
Gtr. 3 tacet
2. Once
up - on

time
in
bro - ken
A7sus4
Em
dreams,
re - flec - tions

that
cant
Gtr. 1: w/ Rhy. Fill 1

Gtr. 2: w/ Fill 1
face.
A7sus4
Em
So
hold
your breath

and
make
wish
for
me.
A7sus4
Cadd9
Take
5
Sorgdal

me
to
bet
pass
ing
ter
place.
A7sus4
Em
it
If
could
do
it
al - ways
waits
Waits
for
for
me.
me.)
seems
nev - er
all
one
more
C A7sus4 Cadd9
time,
to
be
A7sus4
Em
would
by,
Time
(Time.
Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.)

Gtr. 2: w/ Fill 1 (1st 2 meas.)
Em
A7sus4
nt
change

thing.
Chorus
Gtr. 2: w/ Fill 2

Gtr. 2: w/ Riff C (3 times)
A7sus4
Aadd9
6
Sorgdal
(Feel
so
G6
feel
hol
low.
G6
Aadd9
low.
Fmaj7#11
so
hol
G6
Fmaj7#11
feel
so
G6
hol
Feel
so
hol
low.
Aadd9
low.
G6
feel
so
Fmaj7#11
hol
low.
Feel
so
hol

Gtr. 2: w/ Riff D
G6
Aadd9
I
-
G6
Fmaj7#11
feel
so
hol -
low.
G6
low.
Feel
so
hol
low.
Aadd9
Fmaj7#11
Time
be -
lieve
can
G6
to
do
whats
best
for
change.
me.
Me.)
A7sus4
Em
Ah.
Outro
Gtr. 1: w/ Rhy. Fig. 1 (till fade)
Gtr. 2: w/ Riff A (till fade)
A7sus4
Em
A7sus4 Em
(Ah.
1st time, Begin fade
A7sus4
Em
2nd time, Fade out
A7sus4
Em
Ah.)
7
Sorgdal
from Godsmack IV
Livin in Sin
Dsus2
Bbmaj7
13
114
Drop D tuning:
Intro
Moderate Rock q = 132
* Dm
(Sound effects
& Dialogue)
26 sec.
Bb
**Gtr. 1 (dist.)
mp
grad. cresc.
w/ phaser
P.M.
P.M.
2
0
P.M.
let ring
*Chord symbols reflect implied harmony.

**Doubled throughout
Dm
P.M.
Bb
P.M.
P.M.
Dm
Bb
Riff A
End Riff A
mf
P.M.
P.M.
2
0
P.M.
P.M.
0
1
let ring
Dm
Bb
P.M.
2
0
P.M.
0
0
let ring
1
Sorgdal
Verse
*Gtr. 1: w/ Riff A (2 times)
Dm
Bb
gain,
tween
my
the
friend,
lines,
1. Once
2. Caught
a
be
**
*Phaser off
**w/ echo repeat set for dotted quarter-note regeneration w/ 1 repeat.
Dm
clouds
life
are
of
roll
worth

storm
my
Dm
Bro
Shed
Bb
in
less
ken
ding
in
my
in.
lies.
Bb
side
skin
to
my
be
self,
gin
Dm
cant
life
seem
that
I
to
Gtr. 1
know
this
how
2
to
P.M.
0

let ring
Bb5
P.M.
0
break
dont
Sorgdal
P.M.
P.M.
slight P.M.
3
3
1
3
1
3
1
3
1
3
1
Bb
3
1
3
1
3
1
3
1
3
1
3
1
trend.
live in.
0
1
P.M.
Well,
Cant
cant
break
take
it!
it!
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
Chorus
D5
F5
E5
Rhy. Fig. 1
0
0
0
0
0
0
10
8
10
8
D5
9
7
E5
D5
0
0
0
0
0
0
C5
Bb5
And
Ive
seen
C5
it
End Rhy. Fig. 1
9
7
9
7
7
5
0
0
0
0
0
0
7
5
7
5
5
3
3
1
3
1
3
1
3
1
3
1
5
3
D5
F5
E5
D5
E5
D5
C5
all.
And
D5
Bb5
F5
E5
D5
G5
E5
D5
Ive
C5
tall.
Gtr. 1
0
0
0
0
0
0
10
8
10
8
9
7
0
0
0
0
0
0
12
10
12
10
9
7
0
0
0
0
0
0
walked
it
T o Coda
Bb5
Lived
in
C5
C5
this
7
5
7
5
5
3
3
1
3
1
3
1
3
1
3
1
5
3
1.
D5
F5
E5
D5
C5
Bb5
sin.
0
0
0
0
0
0
10
8
10
8
9
7
0
0
0
0
0
0
7
5
7
5
5
3
3
1
Where
do
be
3
Sorgdal
Interlude
Dm
Bb
Dm
gin?
mf
w/ phaser
P.M.
P.M.
2
0
let ring
9
0
0
0
9
0
7
0
let ring
3
0
3
0
P.M.
2.
Bb
Where
P.M.
0
let ring
X
X
5
0
5
0
7
0
let ring
10
10
0
10 10 10
0 0 0
12
do
be -
dist. off
3
1
Bridge
Dsus2
Gtr. 2
(clean)
Rhy. Fill 1
mf
w/ tremolo
gin?

mf
let ring
let ring
3
4
Sorgdal
3
0
3
2
0
0
0
Gtr. 2: w/ Rhy. Fill 1 (2 times)
Fsus2
Dsus2
End Rhy. Fill 1
know
3
2
0
dont
3
0
0
3
0
0
now,
where
3
2
0
3
0
0
let ring
3
3
0
3
2
0
0
0
3
2
0
to
go
now.
9
X
7
9
X
7
7
5
7
X
5
Fsus2
Dsus2

let ring
let ring
3
dont
know
if
Ill
3
2
0
0
0
3
0
0
3
0
0
ev - er
get
a - head,
no.
let ring
3
2
0
3
2
0
3
0
0
1
0
2
3
0
0
0
Gtr. 2: w/ Rhy. Fill 1 (3 times)
Fsus2
Dsus2
Fsus2

Its

let ring
let ring
Dsus2
3
0
3
2
0
0
0
bro
3
0
0
3
2
0
3
0
0
And
dont
know
3
2
0
how
3
0
0
3
0
0
3
2
0
3
0
0
to
go
3
2
0
out.
word
spo -
9
X
7
3
2
0
0
0
let ring
not
3
0
0
ken,
3
2
0
ken.

let ring
let ring
all
3
2
0
0
0
Fsus2
Dsus2
9
X
7
God,
7
5
7
X
5
help
me
now!
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
1
0
2
3
5
Sorgdal
Guitar Solo
f
1/2
1
1/2
1
12
12
1/4
12
12
12
12
10
10
10
10
Rhy. Fig. 2
w/ dist.
let ring
6
5
3
3
3
3
w/ wah-wah
Gtr. 1
D5
Gtr. 3 (dist.)
F5
D5
F5
F5
6
5
3
X
X
3
2
0
0
0
D5
3
0
0
3
0
0
3
2
0
6
5
3
3
3
3
6
5
3
10
1/4
10
12
10
1/2
12 10 12
let ring
3
2
0
0
0
3
0
0
grad. release
1/4
X
X
let ring
3
0
0
12
13
14
12
let ring
12 10 12
1/4
3
0
0
3
2
0
3
0
0
1/2
13
13
12
12
12
12
12
12 10 12
12
12
let ring
6
5
3
3
3
3
6
5
3
Gtr. 3
X
X
3
2
0
0
0
13
13
6
Sorgdal
D5
13
let ring
F5
10
13
10
3
0
0
3
0
0
3
2
0
10
3
0
0
F5
12
15
15
13 15
10
12
12
10
1
0
2
3
D5
13
15
15
End Rhy. Fig. 2
13
15
0
0
0
grad. bend
1
1/2
15
12
let ring
10
13
15
1
15
15
15 13 15 13 15
15
13
D5
F5
1/4
13
15 13 15
15
1/2
10
13
13 10
13 10
12
13 12 10 12 10
grad. bend
10
12
15
D.S. al Coda
12
10
12
10
Yeah,
yeah,
yeah,
yeah.
13
12
10
13
12
10
13
12
10
10
Coda
D5
F5
E5
D5
E5
D5
C5
Bb5
sin.
Liv
C5
Bb5
Liv
C5
in
D5
in
sin.
F5
E5
D5
in
E5
C5
D5
F5
in
E5
D5
E5
D5
sin.
D5
C5
Bb5
Liv
C5
in
in
Gtr. 1: / Rhy. Fig. 1 (last 2 meas.)
D5
F5
E5
D5
E5
D5
C5
sin.
Bb5
Liv
in
C5
in
D5
F5
E5
D5
C5
sin.
Free time
Bbmaj7
Gtr. 2

Gtr. 1
Gtr. 2 tacet
Bbsus2
Where
do
be
gin?
1
3
3
1
7
Sorgdal
from Godsmack IV
Mama
Fsus2
1134
Drop D tuning:
Intro
*A5
F/A
A5
Riff A
End Riff A
Gtr. 1 (clean)
mf
0
0
w/ chorus
let ring
**Gtr. 1: w/ Riff A (2 times)
A5
F/A
Gtr. 2 (dist.)
A5
mf
1
A5

F/A
A5
1 1/2
8
9
10
10
10
10
**w/ slight dist.
Verse
C
Gtr. 2 tacet
A5

2nd time, Gtr. 2: w/ Fill 2
F/A
A5
1. Oh,
2. Oh,
ma - ma,
ma - ma,
what
if
you
have
I
could - ve
gone
and
on - ly
A5
F/A A5
done
seen
Fill 2
Gtr. 2
1
Sorgdal
Gtr. 1: w/ Riff A (2 times)
G5
A5
F/A
with
all
ev - ry
Gtr. 1
Fill 1
these
thing
years
Ive
that
done
Ive
and where
been
Ive
gone?
been.
End Fill 1
let ring
A5
let ring
*Gtr. 3 (dist.)
mf
X
X
X
X
X
X
*Doubled throughout
Pre-Chorus
A5
F/A
A5
me
thing
3
3
3
F5
E5
If
My
on
steady
gliss.
P.M.
12
2
2
2
2
2
2
D5
too
would
E5
3
3
3
3
3
3
fast.
ask...
I
why
P.M.
3
3
3
3
3
3
5
5
5
2
2
2
2
2
2
5
5
5
5
5
5
5
5
5
5
5
5
0
0
0
Fill 4
Gtr. 3
X
X
X
X
X
X
X
X
X
F5

changed
one
X
X
X
2
2
2

2
2
2
0
0
0
2
2
2
0
0
0
D5
0
0
0
2
2
2
2
2
2
E5
dont
did
3
3
3
life
ly
3
3
3
E5
2
2
2
3
3
3
D5
Rhy. Fig. 1
way
I
Fill 3
Gtr. 3
G5
E5
Sorgdal
F5
know
you
3
3
3
if
let
me
2
2
2
2
2
2
0
0
0
P.M.
0
0
0
0
steady
gliss.
12
0
0
0
2
2
2
2
2
2
3
3
3
Chorus
3rd time, Gtr. 2: w/ Fill 5
I
grow
can
G5
A5
A5
last.
up
so
god
damn
fast?
End Rhy. Fig. 1
3
3
3
3
3
3
3
3
3
3
3
3
5
5
5
3
3
3
3
3
3
5
5
5
5
5
5
5
5
5
0
0
0
2
2
0
C5
Help
me
Rhy. Fig. 2
2
2
0
2
2
0
2
2
0
A5
2
2
0
2
2
0
2
2
0
5
5
3
*w/ echo set for half-note regeneration w/ 1 repeat, 1st time only.

find
5
5
3
my
5
5
3
F5
E5
way
5
5
3
5
5
3
and,
10
X
8
10
X
8
10
X
8
10
X
8
9
X
7
ma
ma,
0
0
0
2
2
0
2
2
0
save
2
2
0
C5
me.
2
2
0
2
2
0
2
2
0
5
5
3
2nd time, Gtr. 3: w/ Rhy. Fig. 2

3rd time, Gtr. 3: w/ Rhy. Fig. 2 (3 times)
F5
E5
A5
Help
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
C5
me
End Rhy. Fig. 2
3
3
3
3
3
3
3
3
3
3
3
3
2
2
2
2
2
2
Fill 5
Gtr. 2
0
0
0
14
14
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
5
5
3
14
3
Sorgdal
To Coda 1
To Coda 2
find
to
F5
E5
A5
day,
ma
ma,
please
come
and
(cont. in slashes)
5
5
3
5
5
3
5
5
3
5
5
3
10
X
8
10
X
8
10
X
8
10
X
8
9
7
9
X
7
0
0
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
2
0
0
0
0
Guitar Solo
Gtr. 3 tacet
Fsus2
Gtr. 3

save
A5
me,
4
Sorgdal
F/A
D.S. al Coda 1
A5
Gtr. 2
A5
oh.
Gtr. 2
A5
F/A
5
7
Coda 1
Bridge
C5
save
me,
ing
more
Eb(#4)
Its
gone
be
8
7
6
8
7
6
yond what
you can
8
7
6
8
7
6
8
7
6
Eb(#4)
An
emp
8
7
6
ti
8
7
6
ness
P.M. let ring
0
0
0
8
7
6
has
cov - ered
8
7
6
12
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
D5
0
0
0
0
0
0
0
0
0
me
through.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
12
0
0
0
Rhy. Fig. 3
help
steady gliss.
8
7
6
0
0
0
End Rhy. Fig. 3
0
0
0
D5
12
8
7
6
0
0
0
do.
End Rhy. Fill 1

8
7
6
you can
P.M.
0
0
0
0
0
0
steady gliss.
0
0
0
that
8
7
6
P.M.
let ring
8
7
6
0
0
0
Theres noth
Rhy. Fill 1
Gtr. 3
Eb(#4)
P.M.
D5
oh.
E5
F5
D5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
me.
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5
Sorgdal
Guitar Solo
Gtr. 3 tacet
Eb(#4)
Oh,
ma - ma,
A5
come and
save
1 hold bend
8
7
6
Gtr. 2
A5
me.
P.M.
8
7
6
F/A
8
7

let ring
let ring
Gtr. 1: w/ Fill 1
A5
F/A
A5
G5
A5
F/A
A5
*Gtrs. 2 & 4
let ring
0
4
*Gtr. 4 (dist.), played mf.
Gtr. 3: w/ Fill 4
C
Gtr. 2
A5
F/A
A5
string
let ring
noise
0
2
0
4
0
5
0
4
0
4
let ring
0
2
0
4

Gtr. 4 tacet
E5
Gtr. 2
0
5
F5
E5
0
4
0
4

E5
F5
15
15
1
15
15
15
15
15
Sorgdal
13
15
X
X
X
15
15
13
D5
3
grad. bend
15
3/4
15
G5
**Gradually release bend while picking rhythm indicated.
1/2
15
3/4
**
3/4
0
0
D5
w/ wah-wah
X
X
X
Gtr. 4
15
15
14
14
12
15
D.S.S. al Coda 2
E5
D5
E5
F5
13
13
G5
A5
14
14
12
14
15
14
13
0
0
13
Coda 2
C5
F5
save
me,
E5
A5
13
Help
C5
me
13
14
A5
oh.
F5
E5
15
15
C5
15
F5
Help
me
find
my
E5
way
find
to - day,
F5
and,
E5
A5
12
12
14
14
A5
ma - ma,
save
ma - ma,
me.
please
C5
come
C5
and
Bridge
save
F5
me,
E5
D5
oh.
Eb(#4)
Theres
D5
Its
gone
be
- yond
what
you
can
Eb(#4)
noth - ing

more
that
you
can

do.
D5
help
me
through.
Eb(#4)
An
emp - ti - ness

has
cov - ered
me.
D5
Eb(#4)
Oh,
ma - ma,
come and

save
7
Sorgdal
Outro-Guitar Solo
Begin fade
Gtr. 3: w/ Rhy. Fig. 3 (till fade)
D5
Eb(#4)
me.
12
12
10
D5
ma,
come
and
save
3/4
10
12
12
3
1
12
12
ma
Oh,
Gtr. 2
10
13 13 12 12 12 13 12
13
13 12 13
12
10
13
13
12
13
12
10
10
12
me.
12
10
13
10
13
10
10
12
12
10
13
save
10
13
10
13
10
13
10
10
13
13
10
10
13
10
Whoa,
13
12
10
Eb(#4)
D5
13
no.
12
13
12
me,
1 1/2
13
10
3
1
10
Oh,
10
12
Eb(#4)
1/2
12
3
1
13
12
13
please,
ma
3/4
12
ma,
1/2
12
12
8
Sorgdal
12
12
12
12
12
12
12
10
12
12 10 12 12 10 12 12 10
12
10 13 10
10
15 10
12
15 10
12
14
D5
save.
let ring
13
13
14
17
17
13
13
17
13
17
13
17
13
17
13
17
13
17
13
17
13
17
17
Eb(#4)
1/2
15
15
13
15
13
1/2
15
15
13
15
13
13
15
1/2
15
15
13
15
13
Eb(#4)
15
15
15
15
15
13
15
15
1/2
1/2
15
15
Fade out
15
15
1/2
15
1/2
15
15
13
3
1
3/4
1/2
15
15
3
1
15
1/2
D5
13
13
13
15
13
14
13
15
13
14
13
14
12
14
13
12
10
13
12
10
9
Sorgdal
from Godsmack IV
No Rest for the Wicked

D5
Drop D tuning, down 1 step:

(low to high) C-G-C-F-A-D
Intro
** D5
*Gtr. 1 (dist.)
Eb5
Riff A
D5
C5
Ab5
G5
D5
Eb5
D5
*Doubled throughout
**Chord symbols reflect implied harmony.
***Gtr. 2: w/ Riff A
F5
D5
G5
End Riff A
P.M.
P.M.
3
3
3
5
5
5
D5
Riff B
7
5
7
5
Eb5
D5
8
6
7
5
C5
Ab5
G5
7
5
7
5
5
5
5
7
5
6
6
6
***Gtr. 2 (dist.) w/ talkbox, played f.
Verse
D5
Eb5
D5
F5
D5
G5
D5
Gtr. 2
1. Walked
a
fine
2. Been through the skin
line,
of a
slipped
drag -
End Riff B
7
5
7
5
8
6
7
5
7
5
7
5
7
5
P.M.
P.M.
3
3
3
5
5
5
0
0
0
1
Sorgdal
Gtr. 2 tacet
the
on
edge
0
0
0
Rise
ev - ry
bove
day
a
I
su
live
i - cide
and
for you,
G5
Yet
Ab5
me.
times.
un - der
a thou - sand
D5
C5
tak - ing
still
Im
it
out
not
0
0
0
ta
a -
me.
live.
15
Eb5
D5
Pre-Chorus
F5
D5
G5
D5
F5

Got
Got
a
a
feel - ing
feel - ing
Im
0
0
0
5
5
5
5
5
5
5
5
5
3
3
3
3
3
3
5
5
5
0
0
0
5
5
5
5
5
5
0
0
0
Fsus2
Sorgdal
G5
0
0
0
3
3
3

its go - ing
gon - na

3
3
3
5
3
3
far
fall
a - way.
a
-
way.

5
3
3
5
3
3
5
3
3
5
3
3
5
3
3
5
3
3
5
3
3
5
3
3
D5
Eb5
D5
F5
G5
D5
G5
7
5
7
5
8
6
7
5
7
5
7
5
5
5
5
7
5
0
0
0
3
3
3
3
3
3
0
0
0
Chorus
from
son
yes
I
that
ter
should
D5
Dsus2
day.
stay.
Lick - ing
Give me
the
a
wounds
sign,
8
8
8
8
8
8
10
8
8
C5

Gon - na
10
8
8
12
12
12
14
12
12
10
8
8
10
8
8
10
8
8
10
8
8
10
8
8
14
12
12
14
12
12
one
rea -
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
14
12
12
14
12
12
Csus2
fly.
10
8
8

10
8
8
Rhy. Fig. 1
X
X
X
8
8
8
2nd & 3rd times, Bkgd. Voc.: w/ Voc. Fig. 1
3rd time, Gtr. 3: w/ Riff C (5 times)
Bbsus2
Yeah!
Bb5
14
12
12
1., 2. Tak 3. Take
10
10
10
10
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
*3rd time. Voc. tacet on beat 1.
Bb5
ing
8
8
8
Bbsus2
C5
my
time,
strip
10
8
8
10
8
8
10
8
8
10
8
8
10
8
8
0
0
0
Voc. Fig. 1
10
10
10
Csus2
down
to
noth
D5
ing.
Rhy. Fig. 2
12
10
10
12
12
12
14
12
12
14
12
12
14
12
12
14
12
12
10
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
try.
End Rhy. Fig. 1
12
10
10
C5
Gon - na
12
10
10
Dsus2
12
10
10
12
10
10
14
12
12
14
12
12
10
10
10
(Fly.)
3
Sorgdal
1.
3rd time, Gtr. 3: w/ Riff D (2 times)
Csus2
Bb5
Bbsus2
A5
But
theres
no
rest
for
the
End Rhy. Fig. 2
P.M.
10
10
10
10
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
8
8
8
10
8
8
10
8
8
10
8
8
10
8
8
7
7
7
0
0
Interlude
Gtrs. 1 & 2: w/ Riff A
D5
Eb5 D5
C5 Ab5 G5
D5
Eb5 D5
F5 D5 G5
wick - ed.
2.
Gtr. 1: w/ Rhy. Fig. 1 (last 2 meas.)
Bb5
Bbsus2
2nd time, *Gtr. 3: w/ Riff C (7 times)
C5
But
Csus2
theres
no
rest
D5
for
Dsus2
the
wick - ed.
C5
Gon - na
fly.
*Grad. fade
Bkgd. Voc.: w/ Voc. Fig. 1
Csus2
Bb5
Bbsus2
my
time,
Take
Riff D
Gtr. 3
C5
12
4
Sorgdal
strip
10
10
Csus2
down
to
noth
1/2
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
10
10
12
ing.
T o Coda
D5
Dsus2
C5
Gon
- na
Csus2
Bb5
Bbsus2
A5
try.
But
theres
Interlude
Gtr. 1 tacet
Gtr. 1
D5

no
rest
for
the
wick
(cont. in slashes)
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
0
0
0
0
0
0
0
0
0
ed.
Rhy. Fig. 3
Gtr. 3 (dist.)
Gtr. 1
F5
0
0
0
0
0
0
*w/ wah-wah
0
0
0
0
0
0
0
0
0
3
3
3
0
0
0
0
0
0
3
3
3
*used as filter
D5
F5
Ab5
G5
D5 Ab5
G5
F5
D5
Gtr. 1
End Rhy. Fig. 3
0
0
0
0
0
0
Gtrs. 1 & 3
0
0
0
0
0
0
0
0
0
Gtr. 3
3
3
3
6
6
6

(Gtr. 1, cont. in slashes)
5
5
5
0
0
0
0
0
0
6
6
6
5
5
5
3
3
3
0
0
0
0
0
0
0
0
0
0
0
0
3
3
3
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
3
3
3
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
3
3
3
12fr
0
5
21
5
Sorgdal
Bridge
Half-time feel
Gtr. 3 tacet
D5
Are
you
Ab5
G5
read
D5 Ab5
G5
F5
D5
to
know
F5
D5
D5

pose
me
Do
you
Ab5
just
G5
who
D5 Ab5
to
F5

your
F5
am?
F5
D5
you
can
make
me
G5
D5
Crack
me
F5
think
D5
F5
D5
D5
bet
- ter
pen?
Ab5
F5
F5
G5
D5
man?
F5
Ex
Ab5
F5
G5
ways?
F5
But
End half-time feel
D5

ig
nor
ance
F5
D5
and
ar
ro
F5
gance
D5
are
my
(My
F5
ways.
ways.)
Gtr. 1: w/ Riff A (1st 2 meas.)
Absus2
Oh,
Gtr. 1
8
6
6
6
Sorgdal
Eb5
D5
D5
yeah.
No
rest
13
12
for
ba - by!
C5
1/2
13
13
10
10
*o = open (toe up); + = closed (toe down)
Ab5 G5
the wick - ed,
*w/ wah-wah
P.S.
X
X
Gtr. 3
10
10
Guitar Solo
Gtr. 1: w/ Riff B (2 times)
D5
Eb5
13
13
13
D5
13
F5
D5
G5
13
10
10
10
13
D5
13
D5
Eb5
13
13
13
13
13
13
13
G5
D5
10
10
13
Ab5
let ring
10
Eb5
C5
C5
Ab5
10
10
G5
10
10
D5
1/2
13
10
13
10
10
12
10
D.S. al Coda
(take 2nd ending)
D5
Eb5
D5
10
10
12
12
10
10
12
10
10
10
10
12
12
10
10
12
10
10
10
10
12
12
Coda

Gtr. 1
no
rest
for
the
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
C5
Ab5
G5
D5
G5
End Riff C
10
10
10
10
12
12
10
10
10
10
12
12
10
10
10
10
12
12
wick
D5
ed.
Eb5
Eb5
Gtrs. 1 & 2
D5
D5
Outro
A5
F5
10
10
Riff C
D5
F5
D5
G5
P.M.
P.M.
0
3
3
3
5
5
5
7
Sorgdal
from Godsmack IV
One Rainy Day

Drop D tuning:
1., 2., 3.
Intro
**3rd time, Gtr. 2: w/ Riff A (2 times)
Em7
F5 G5
G#5 G5 F5
Em7
D5 F5
Riff A
(Rain)

16 sec.
2
2
2
2
2
2
0
0
0
0
2
2
3
3
5
5
5
5
5
5
2
2
2
3
3
2
2
2
2
2
2
0
0
0
3
3
3
Verse
Gtrs. 1 & 2: w/ Riff A (3 1/2 times)

D5
F5
D5
Em7
F5
1. Oh,
man,
2. Oh,
Em7
so
D5 F5
D5
A
I went
D5 F5
D5
ing trau - ma - tized,
yeah.
Fill 2
Gtr. 3
Im
I
times
Em7
gain,
And since
then
G#5
G5
F5
tired
should - ve
and
G5 G#5 G5
why
been
Ive
Em7
must
left
lone
crawled
F5
it
be?
feel -
F5 G5 G#5 G5 F5
man
Raped
G5
F5
run - ning by.
Em7
man - y
ly.
when
*Fade in to mf, next 4 meas.

**Gtr. 2 (slight dist.), played mf.

1/2
2
2
2
Gtr. 1: w/ Riff A (last meas.)
*p
let ring throughout
4.
D5
End Riff A
and
drained
of
an
is
in - no - cence,
drown - ing
slow a
1
Sorgdal
Em7
gift

ly.
weve
lone,
with
no
oh,
one
yeah.
by
my
D5 F5
Chorus
C
Cadd9
2
2
2
0
0
0
2
2
2
0
0
0
3
3
3
0
2
3
skies
Riff B
G5 G#5 G5 F5
bove,
gone
through this one rain - y
O - pen
side.
2
2
2
keep
gaze
D5
F5
cant
still
I
and
2
2
2
o - ver time.
Em7
And he
lost
D5
Em7
*Gtrs. 1 & 2
D5 F5
way too
day,
deep,
a -
fall
tears
are
ing,
*Composite arrangement
2nd time, Gtrs. 1 & 2: w/ Riff B (1 3/4 times)
are
down.
com - ing
2
1
2
End Riff B
Like
drop
Fill 1
of
rain
0
2
3
T o Coda
Cadd9
B7
falls
to
the
o -
Guitar Solo
Gtrs. 1 & 2: w/ Riff A (2 times)
B7
cean
a
a
and comes back
round,
round,
one rain - y
yeah.
Em7
G5
G#5
Gtr. 3 (dist.)
mf
2
Sorgdal
2
2
F5
3
let ring
w/ wah-wah
2
1
2
G5
day.
End Fill 1
F5
0
3
0
5
0
5
0
5
0
5
0
5
D5 F5
F5
G5
G#5
G5
12
14
12
14
14
14
12
14
Cadd9
swear
Ive
12
Nev - er
12
14
12
14
14
14
3
1
12
14
D.S. al Coda
12
14
Cadd9
will
you
14
3
3
14
ev - er
0
2
3
14
D5
Ive
giv
make
feel
me
en
you
all
can.
B7
this
2
1
2

0
2
D5
B7
F5
0
0
en,
0
1
14
giv -
10
12
Gtrs. 1 & 2
Coda
C
12
Em7
F5
Em7
12
1/2
D5

wah-wah off
1
Em7
way
gain,
Guitar Solo
Gtrs. 1 & 2: w/ Riff A (4 times)
oh,
on
this
Em7
3
one
rain - y
G5
F5
let ring
1
G5 G#5
day.
Gtr. 3
F5
15
15
14
14
14
15
12
3
1
15
14
15
12
15
14
15
12
15 15
14 14
3
Sorgdal
Em7
let ring
D5 F5
15 15
14 12 14
12
15
12
14

F5
G5
G#5
G5
F5
12
14
12
14
12
15
15
14
12
14
14
12
12
14
12
12
14
12
12
14
14

3
3
3
rake
1/2
14
14
D5
14
12
Em7
12
Em7
15
14
D5
12
14
14
12
12
14
12
14
15
12
F5
15
D5
12
15
Em7
F5
15
15
15
G#5
G5
F5
3/4
D5
F5
12
D5
15 12 15 12
12 12 15 12
12
15
15 14 15 14 12
4
Sorgdal
14
F5
1/2
12
14
14
12
12
14
12
12
F5
hey.
3
steady gliss.
12
D5
12
0
G5
1/2
G#5
G5
12
D5
12
14
w/ wah-wah
1
1/2
12
Yeah,
Em7
14
F5
1/2
Em7
grad. bend
1/2
14
Em7
15
15
G5
14
15
12
15
12
15
12
12
12
Chorus
Gtrs. 1 & 2: w/ Riff B
Cadd9
B7
O - pen
skies
are
fall - ing,
12
15
tears
are
15
12
15 12
15
14 12
14 12 11
B7
down.
12
com - ing
12
11
12
14
12
14
Gtrs. 1 & 2: w/ Fill 1
Like
drop
Cadd9
of
rain
falls
to
the
12
12
13
12
cean
and comes back
let ring
round,
one
rain -
1/2
13
12
F5
G5 G#5
14
12
11
12
11
Outro
Gtrs. 1 & 2: w/ Riff A (till fade)
Gtr. 3 tacet
Em7
day,
ooh,
Em7
F5
day,
G5
one
G5
G#5
G5
rain
F5
its
been
F5
just
one
Em7
D5 F5
day,
oh,
D5
rain
one
Em7
D5 F5

rain - y
day,
D5
(Exhaled:)
ha.
(Inhaled:) ss,
Begin fade
Em7
F5 G5 G#5 G5 F5
Em7
D5 F5
D5
Em7
F5 G5 G#5 G5 F5
Fade out
Em7
D5 F5
D5
Em7
F5 G5 G#5 G5 F5
(Rain)
1 min. 37 sec.
Sorgdal
from Godsmack IV
Shine Down
E5
F5
G5
5fr
111

Intro
Slow Rock q = 84
111
111
(Street noise & Harmonica)

31 sec.
A5
*Gtr. 1 (dist.)
*Doubled throughout
A5
G5
A5
2
3
2
3
2
3
2
3
2
3
2
3
2
3
2
2
A5
A5
P.M.
0
0
2
2
**Chord symbols reflect overall harmony.
2
3
P.M.
P.M.
Rhy. Fig. 1
**
0
0
1.
2
3
2
3
2
3
2
3
2
2
2
2
2.
C5
D5
C5
End Rhy. Fig. 1
5
3
5
3
5
3
5
3
7
5
7
5
7
5
7
5
Verse
A5
2. A
1. So
dead
tired
sleep - ing through the
si - lence
o - ver - whelm - ing
D5
G5
A5 Bb5 G5
Rhy. Fill 1
End Rhy. Fill 1
5
3
5
3
5
3
7
5
Bb5
7
5
7
5
A5
7
5
day,
me.
5
5
blood - shot
Day and
eyes
night
7
7
0
0
8
8
and
takes
the
its
sweat
toll
Rhy. Fig. 2
P.M
2
2
2
2
2
2
2
2
P.M
2
2
2
2
2
2
2
2
P.M.
2
2
2
2
P.M.
2
2
2
2
2
2
2
2
P.M.
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2
2
2
2
2
2
2
2
P.M.
2
2
2
2
2
2
2
2
P.M.
2
2
2
2
1
Sorgdal
from
on
my
my
G5
bod
san - i
A5
y.

2
2
2
2
2
2
2
2
2
2
0
0
0
0
0
0
0
0
0
0
0
0
I
I
picked
know
my
Ive
head
been
up
a
P.M.
2
2
And
And
ty.
End Rhy. Fig. 2
2
2
P.M
0
0
2
2
2
2
2
2
2
2
P.M
2
2
2
2
2
2
2
2
P.M.
2
2
2
2
yes way
ter too
Bb5
A5
day.
long.
All
Found no
Ive been
these years
Pre-Chorus
F5 Fsus2
Gtr. 1
3
3
3
5
5
3
3
But
5
5
3
3
5
5
3
3
G5

still
in
im - mor
G5
be
lieve
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
5
8
7
5
5
5
5
5
5
rea
hid
son, no
ing,
8
7
5
5
5
5
5
5
hope
a
tal
love.

8
7
5
5
5
8
7
5
5
5

left
feel - ing
in - side of
Im com - ing
To Coda 1
F5 Fsus2
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
3
3
3
me.
strong!
5
5
3
3
And
5
5
3
3
5
5
3
3

know
theres
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
Chorus

3rd time, Gtr. 2 tacet
E5
G5
some - one
a - bove.
2
2
2
2
2
2
2
Sorgdal
2
2
2
5
5
5
A5
Shine
5
5
5
A5
down,
A5
G5

dont take it
a - way
from

me,

no.
A5
And
And
you
know
you
A5
C5
know
down,
To Coda 2
To Coda 3
A5
A5
Its
tak - ing
for
ev - er
to
some
just
give
me
chance
path
5
5
5
5
5
5
get
me
off
to
find

5
5
5
5
5
5
8
7
5
5
5
8
7
5
5
5
up
5
5
5
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
3
3
3
5
5
3
3
my
way.
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
8
7
5
5
5
3
3
3
5
5
3
3
the
ground.
5
5
3
3
5
5
3
3
feel
it.
5
5
3
3
5
5
3
3
E5
me
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
me
rea - son
D.S.S. al Coda 2
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
3
3
5
5
5
2
2
2
pray.
2
2
2
G5
2
2
2
G5
to
Bb5
A5
Show
G5
And give
to
bove.
F5 Fsus2
Fsus2
thats

5
5
5
F5
D5
8
7
5
5
5
G5
D.S. al Coda 1
8
7
5
5
5
C5
yeah.
Gtr. 1
G5
one
Coda 1
G5
how,
A5
D5
shine
A5
A5

5
5
5
3
Sorgdal
Coda 2
Harmonica Solo
C5
D5
G5 A5 Bb5 G5
E5
Rhy. Fig. 4
get
me
off
the
ground,
*Gtr. 2
Gtr. 1
yeah.
1/2
15
15
15
*Harmonica arr. for gtr.
F5
G5
F5
15
15
15
15
14
14
14
14
14
14
14
16
E5
8v a
15
15
17
15
14
16
14
16
F5
14
14
14
G5
16
17
15
17
14
16
14
1/2
17
17
G5

15
15
E5
End Rhy. Fig. 4
17
D.S.S. al Coda 3
E5
Gtr. 2
8v a
F5
loco

G5
3
1
17
17
15
17
15
15
15
1 hold bend
12
15
12
15
12
12
15
1/2
15
15
15
15
15
15
15
15
15
Gtr. 1
2
2
2
4
Sorgdal

2
2
2
2
2
2
2
2
2

2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
5
5
5
2
2
2
2
2
2
5
5
5
Coda 3
Gtr. 1: w/ Rhy. Fig. 1 (last meas.)
C5
get
me
A5
D5
off
the
Oh,
A5
Shine
G5
yeah,
Oh,
D5
ba - by,
shine
down.
A5
Shine
Shine
A5
Oh,
G5
C5
ba - by,
shi
A5
Oh,
shine
down.
D5
shine
down.
Oh,
A5
down.
A5
yeah.
A5
down.
C5
A5
ground.
A5
down.
ine
down.
Outro
Gtr. 1: w/ Rhy. Fig. 1 (1st 2 meas., 4 times)
A5
A5
Gtr. 3 (dist.)
A5
w/ wah-wah
let ring
f
w/ wah-wah
let ring
A5
A5
G5
5
5
1/2
1/2
1/2
let ring
A5
let ring
Gtr. 4 (dist.)
G5
5
5
1/2
1/2
*2nd time, Voc. tacet on beats 1 & 2.
Begin fade
Repeat and fade

let ring
A5
A5
Gtrs. 3 & 4
A5
G5
let ring
A5
5
7
A5
A5
G5
5
5
Sorgdal
from Godsmack IV
Speak
Words and Music by Sully Erna and Tony Rombola
Intro
Moderately slow Rock q = 104
F5 E5
(Sound
effect)
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5

P.M.
P.M.
P.M.
P.M.
f
3
2
5 X 3 X 2 X 2
3 2 2 2
3 2
5 X 3 X 2 X 2
33 22 22 22
3
2
5 X 3 X 2 X 2
3 2 2 2
3 2
5 X 3 X 2 X 2
End Rhy. Fig. 1
Rhy. Fig. 1
*Gtr. 1 (dist.)
(5 sec.)
*Doubled throughout
F5
E5

3
3
3
2
2
2
2
2
2
P.M.
2
2
2
E5
G5
F5
5
5
5
3
3
3
X
X
X
2
2
2
X
X
X
2
2
2
2
2
2
F5 E5
E5
P.M.
3
3
3
Verse
F5 E5
F5
G5
X
X
X
F5
E5
Free,
way
F5
E5

3
3
3
2
2
2
F5 E5
2
2
2
2
2
2

2
0
0
0
F5 E5
D5
2
0
0
0
F5
E5
you
be
yond
your
con
trol
3
3
3
2
2
2
F5
E5
ing
D5
bet - ter
mind.
love

P.M.
3
3
3

F5
2
2
2
2
2
2
E5
2
2
2
3
3
3
F5
2
2
2
E5
5
5
5
X
X
X
G5
3
3
3
X
X
X
F5
2
2
2
X
X
X
2
2
2
E5
3
3
3
2
2
2
F5
E5
2
2
2
2
2
2
3
3
3
X
X
X
2
2
2
D5
X
X
X
0
0
0
me.
And
And
(Mind.)

P.M.
3
3
3
2
2
2
2
2
2
2
2
2
3
3
3
2
2
2
5
5
5
X
X
X
3
3
3
X
X
X
2
2
2
X
X
X
2
2
2
3
3
3
2
2
2
2
2
2
2
2
2
3
3
3
2
2
2
Copyright 2006 UNIVERSAL MUSIC CORP., MEEENGYA MUSIC and HAMMERCLAW

All Rights Controlled and Administered by UNIVERSAL MUSIC CORP.
0
0
0
0
0
0
0
0
0
1
Sorgdal
F5
E5
F5
E5
G5
F5
E5
F5
hide,
no
E5
F5
E5
F5
E5
D5
or
more
be
liev
X
X
X
2
2
2
3
3
3
ing
in
run
all
pre
way
-
your

P.M.
3
3
3
2
2
2
2
2
2
2
2
2
3
3
3
2
2
2
5
5
5
X
X
X
3
3
3
X
X
X
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
2
2
2
3
3
3
X
X
X
2
2
2
X
X
X
0
0
0
*1st time, w/ echo set for

half-note regeneration
w/ 2 repeats.
F5
E5
F5
E5
G5
F5
E5
D5
all
your
0
0
0
0
2
0
0
0
2
0
0
0
from
cious
3
3
3
2
2
2
P.M.
2
2
2
2
2
2
2
2
2
F5
yes
ter
lies,

3
3
3
3
3
3
2
2
2
5
5
5
X
X
X
X
X
X
X
X
X
days.
yeah.
53
33
2
0
0
0
5
3
3
3
0
0
0
0
0
0
0
0
Chorus
3rd time, Gtr. 2: w/ Fill 1
E5
E(b6)
Speak
the
E5
D5
or
make
truth
C5
your
peace
D5
oth
some
Rhy. Fig. 2

9
7

er
End Rhy. Fig. 2
9
7
7
5
7
5
9
7
9
7
9
7
9
7
10
7
10
7
10
7
10
7
10
7
9
7
way.
9
7
7
5
7
5
7
5
7
5
5
3
5
3
5
3
5
3
5
3
7
5
7
5
1st time, Gtr. 1: w/ Rhy. Fig. 2 (3 times)

2nd & 3rd times, Gtr. 1: w/ Rhy. Fig. 2 (7 times)
E5
E(b6)
E5
Oh,
D5
C5
yeah,
2
Sorgdal
E5
yeah.
Fill 1
Gtr. 2
14
D5
14
Well,
nev - er
E(b6)

knew
E5
but
1.
D5
C5
D5
be
lieve
that
E5
your
trust
E(b6)
in
me,
E5
D5
C5
will
speak
oh,
D5

to
me.
Interlude
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
2.
F5 E5
F5 E5
F5
E5
D5
D5
C5
P.M.
3
3
3
2
2
2
D5

make
2
2
2
2
2
2
3
3
3
2
2
2
oh,
C5
D5
your
peace
some
oth - er
E(b6)
E5
D5
E5
will speak to
5
3
2
0
5
3
2
0
5
D5
E(b6)
2. In
Gtr. 1
G5
me.
E5

Speak the truth
or
E5
E(b6)
E5
way.
D5
Oh,
yeah,
C5
D5
yeah
yeah,
yeah.
T o Coda
E5
Well, I
nev - er
D5
knew
C5
but
be
lieve
that
your
E5
E(b6)
trust
in
E5
D5
C5
oh,
me,
D5
will speak to me.

*1st time, w/ echo,
as before
Interlude
E5
D5
12
D5
E5
let ring
C5
12
12
let ring
10
let ring
8
5
10
7
12
12
12
3
Sorgdal
Find balance between lies and trust,
* Spoken:
D5
C5
10
E5
let ring
D5
but therell never be a better source
D5
8
5
12
12
let ring
10
D5
8
5
10
7
let ring
12
C5
*w/ echo set for quarter-note regeneration w/ 1 repeat (next 4 meas.).
than
E5
to
speak
the
truth,
or
make
D5
let ring
12
12
your
peace in some other way.

F5
7
7
5
7
7
5
10
10
8
Guitar Solo
F5
E5
F5
E5
G5
F5
E5
F5
E5
Gtr. 2 (dist.)
F5
E5
G5
F5
12
9
1212
w/ wah-wah
12
11
F5
E5
F5
E5
G5
F5
E5
F5 E5
F5 E5
D5
12
15
P.M.
P.M.
P.M.
Gtr. 1
2
2
2
4
Sorgdal
1/2
12
12
12
3
3
3
12
12
Gtr. 2
E5
2
2
2
2
2
2
3
3
3
2
2
2
5
5
5
X
X
X
3
3
3
X
X
X
2
2
2
X
X
X
2
2
2
3
3
3
2
2
2
2
2
2
2
2
2
3
3
3
2
2
2
15 12 15 12
2
0
0
0
15 14 15 14 12
2
0
0
0
14
2
0
0
0
12 14
P.M.
F5 E5
F5
Gtr. 2
1/2
E5
G5
(14)
F5
14
14
E5
F5
E5
P.M.
3
3
3
2
2
2
2
2
2
2
2
2
E5
F5
2
2
2
Fsus2
12
12
5
5
5
E5
1/2
D5
P.M.
3
3
3
F5
E5
G5
fdbk.
F5
D.S. al Coda
(take 2nd ending)
Gtr. 1
(14)
14
G5
F5 E5
Gtr. 2
3
3
3

F5
E5
X
X
X
3
3
3
X
X
X
2
2
2
X
X
X
2
2
2
14
14
14
14
12
12
2
0
0
0
2
0
0
0
14
12
12
14
14
14
14
14
12
12
14
5
5
3
3
12
12
14
14
14
5
5
3
3
5
5
3
3
12
12
14
12
12
Coda
Outro
F5
E5
F5
E5
G5
F5
E5
F5 E5
F5 E5
Speak!
F5 E5
F5
G5
F5
E5
Oh,
E5
G5
F5
E5
F5
E5
F5 E5
G5
F5
E5
speak!
5
Sorgdal
F5 E5
F5
E5
G5
F5
E5
F5 E5
F5
E5
Speak!
F5
E5
Oh,
*Gtr. 3 (dist.)
G5
0
12
0
13
0
13
f
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
12
0
13
0
13
0
13
0
13
0
13
0
13
0
13
0
13
0
13
*Doubled throughout
F5 E5
F5 E5
G5
F5
E5
F5 E5
F5 E5
G5
F5
E5
speak!
0
15
0 0
15 15
0 0
17 17
0
17
0 0 0
15 15 15
0 0 0 0 0 0 0
15 15 15 15 15 15 15
0
17
0 0 0
17 17 17
P.M.
P.M.
P.M.
Gtr. 1
3
3
3
2
2
2
2
2
2
6
Sorgdal
Speak!
Gtr. 3
2
2
2
3
3
3
2
2
2
5
5
5
X
X
X
3
3
3
X
X
X
2
2
2
X
X
X
2
2
2
3
3
3
2
2
2
2
2
2
2
2
2
0
17
0
17
3
3
3
2
2
2
5
5
5
3
3
3
2
2
2
0
13
0
13
from Godsmack IV
Temptation
Eb5
D5
6fr
134
Drop D tuning:
Intro
Moderately q = 116
** D5
F5 D5
F5 D5
Ab5
D5
F5 D5
F5 D5
Eb5 F5 Eb5
*Gtrs. 1 & 2 (dist.)
mf
1/2
1/2
1/2
1/2
*Composite arrangement
**Chord symbols reflect implied harmony.
D5
F5
D5
F5
D5
Ab5
D5
F5
Spoken:
1/2
F5
D5
D5
Ab5
D5
F5
no,
shit!
6
6
6
6
6
6
6
6
6
0
0
0
D5
F5
1/2
Oh,
3
3
3
D5
Eb5 F5 Eb5
1/2
F5
1/2
F5
1/2
1/2
D5
D5
1/2
1
Sorgdal
D5
F5
D5
F5
F5
D5
F5
1/2
F5
6
6
6
D5
D5
F5
6
6
6
6
6
6
D5
6
6
6
6
6
6
6
6
6
D5
6
6
6
Eb(#4)
8
7
6
8
7
6
D5
F5
D5
Eb5 F5 Eb5
Ab5
D5
1/2
1/2
F5
F5
1/2
D5
D5
6
6
6
Ab5
1/2
1/2
D5
F5
1/2
Riff A
D5
1/2
D5
Ab5

1/2
D5
6
6
6
Eb(#4)
P.M.
1/2
8
7
6
D5
Eb(#4)
P.M.
8
7
6
D5
Eb(#4)
P.M.
D5
Eb(#4)
End Riff A
P.M.
8
7
6
12
Verse
D5
Riff B
It
crawls
down
deep
in
C5
side,
with
X
X
X
0
0
- out
pulse
5
X
3
5
X
3
fdbk.
7
X
5
7
5
Pitch: A
2
Sorgdal
7
7
5
0
0
Ab5
D5
will
let ring
6
6
6
to
1/4
Not
6
3
known
sym
pa
C5
thize.
0
3
2
0
0
0
0
0
0
to
1/4
die.
Dsus2
6
6
6
D5
or
F5
X
X
X
0
0
End Riff B
5
5
3
5
5
3
5
5
3
Gtr. 1 tacet
Gtr. 2: w/ Riff B
Eb5
D5
And now
it
takes
what it
Fill 1
Gtr. 3 (dist.)
takes
and
lets
the
mf
feel - ings
End Fill 1
suf - fo
cate.
Its
Riff C
End Riff C
*w/ wah-wah
8
8
6
8
8
6
0
0
0
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
* + = closed (toe down); o = open (toe up).
C5
noth - ing
new,
it
- ll
Ab5

get
Dsus2
gets
its
way.
D5
F5
D5
An - oth - er
thing
C5
in - side of
Eb5
Gtr. 2
me
and
tears

a - way
my
X X X X X
X X X X X
X X X X X
life.

that
see
is
how
it
(cont.
in notation)

Its
Gtr. 3
time
to
Gtr. 3

Gtr.
divisi
X X
X X
X X
X X X X
X X X X
X X X X
X X
X X
X X
X X X X
X X X X
X X X X
X X
X X
X X
X X X X
X X X X
X X X X
X
X
X
X
X
X
X X X X X X X X X X X X
X X X X X X X X X X X X
X X X X X X X X X X X X 15
3
Sorgdal
Chorus
Gtr. 3 tacet
D5
F5
D5
F5
D5
love!
Rhy. Fig. 1
Gtrs. 1 & 2
C5
face
Its
time
to
to
face
try - ing
to
des
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
5
5
3
X
X
X
F5
D5
all
1/2
C5

ta
5
5
3
4
tion
6
6
6
Ab5
to
break
Ab5
com - ing
1/2
crate.
6
6
6
6
6
6
No
time
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
D5
F5
D5
F5
6
6
6
Ab5
6
6
6
6
6
6
D5
6
6
6
at
Ab5
way.
Temp
1/2
D5
End Rhy. Fig. 1
6
6
6
still
F5
1/2
D5
Its
6
6
6
Ab5
D5
6
6
6
F5
F5
hate!
6
6
6
D5
1/2
1/2
D5
Sorgdal
Ab5
1/2
1/2
6
6
6
6
6
6
got
hold
on
me.
6
6
6
Verse
Gtr. 4 tacet
D5
2. Its
Gtr. 4 (dist.)
C5
e - ven when you
sleep.
wake
Ab5
It
D5
breathes
with - out
F5
heart -
mf
P.S.
X X X X
X X X X
X X X X
Gtrs. 1 & 2
X
X
X
1/4
3
2
0
0
0
5
X
3
D5
Dsus2
beat,
C5
3
mak - ing
me
let ring
0
0
0
0
3
2
2
0
Gtr. 1 tacet
Gtr. 2: w/ Riff B (1st 3 meas.)
Gtr. 3: w/ Fill 1
D5
know

what
know.
0
0
0
6
6
6
6
6
6
6
6
6
Eb5
6
6
6
in - com - plete.
Gtrs. 1 & 2
5
X
3
5
X
3
5
X
3

And now
1/4
5
X
3
8
X
6
X
X
X
X
X
X
8
X
6
X
X
X
X
X
X
Ex - pect
the
de - mon

down
be
low
C5
to
sur - face
through
my
mor -
5
Sorgdal
Ab5

tal
Gtr. 2
soul.
F5
And
now
it
let ring
6
6
6
looks
to
be,
smil - ing
as
its
kill - ing
its
me
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1/4
6
0
1/4
6
6
6
D5
D5
0
0
0
0
0
0
5
5
3
*Using a guitar with Les Paul-style electronics, set lead volume to

10 and rhythm volume to 0. Strike the strings while the pickup selector
switch is in the lead position, then flip the switch to the rhythm position
and back to the lead in the rhythm indicated to simulate the re-attack.
Chorus
C5
day
Eb5
Gtr. 2

to
day,

eye
to
Its
Gtr. 3
(cont. in slashes)
D5
F5 D5 F5 D5
Ab5
12fr
eye.
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 1/4 times)

Gtr. 3 tacet
time
to
love!
Its

time
to
time
at
Harm.
5
5
3
5
5
3
D5
5
5
3
5
5
3
F5 D5
F5 D5
hate!
D5
all
6
Sorgdal
Its
F5 D5
F5
D5
X
X
X
X
X
X
to
Ab5
X
X
X
C5
com - ing
Ab5
break
X
X
X
face
D5
way.
X
X
X
to
face
F5 D5
Ab5

try - ing
F5
D5
to
des
Ab5
e - crate.
C5
Temp
ta - tion
No
still
Ab5
got
hold
on
me.
C5
face
Its
to
face
D5

time
to
Ab5
try - ing
to
F5 D5
des
e - crate.
No
D5
Its
Ab5
love!
F5 D5
time
time
at
to
F5 D5
F5 D5
Ab5
D5
way.
Temp
Gtrs. 1 & 2
1/2
F5 D5
com - ing
Ab5
to
break
a -
F5
still
ta - tion
Spoken: (Temp - ta - tion.)
F5 D5
got
on
hold
me.
P.M.
1/2
Its
Ab5
Ab5
all
C5
F5 D5
hate!
T o Coda
D5
F5 D5
(cont. in slashes)
6
6
6
6
6
6
5
5
3
6
6
6
6
6
6
6
6
6
3
3
3
3
3
3
Interlude
Gtrs. 1 & 2 tacet
* F5
D5
Gtrs.
1&2

Riff D1
Gtr. 5 (dist.)

mf
10
X
8
12
X
10
15
X
13
7
X
5
5
X
3
3
X
1
7
X
5
7
X
5

7
X
5
7
X
5
Riff D
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
Eb5
7
X
5

Gtr. 3
Gm
7
X
5
10
X
8
5
X
3
10
X
8
5
X
3
10
X
8
5
X
3
10
X
8
5
X
3
10
X
8
5
X
3
12
X
10
3
X
1
12
X
10
3
X
1
12
X
10
3
X
1
12
X
10
3
X
1
12
X
10
3
X
1
8
X
6
15
X
13
8
X
6
15
X
13
8
X
6
15
X
13
8
X
6
15
X
13
8
X
6
15
X
13
8
X
6
*Chord symbols reflect overall harmony.
7
Sorgdal
D5
F5

7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5

7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
7
X
5
Gm
Eb5
Dm
Eb5
10
X
8
12
X
10
10
X
8
10
X
8
10
X
8
10
X
8
10
X
8
12
X
10
12
X
10
12
X
10
12
X
10
12
X
10
8
X
6
8
X
6
8
X
6
8
X
6
10
X
8
8
X
6
5
X
3
3
X
1
5
X
3
5
X
3
5
X
3
5
X
3
5
X
3
End Riff D
3
X
1
3
X
1
Gtrs. 3 & 5: w/ Riffs D & D1
D5
F5
End Riff D1
3
X
1
3
X
1
3
X
1
8
X
6
8
X
6
8
X
6
8
X
6
10
X
8
8
X
6
Gtrs. 4 & 6: w/ Riffs E & E1
F5
Gm
Eb5
D5
Riff E
Dm
F5
Gm
End Riff E
Gtr. 4
w/ wah-wah
Gtr. 6 (dist.)
divisi
mf
Riff E1
End Riff E1
3 0
*Gtr. 4 to left of slash in tab.
Gtrs. 3 & 5 tacet
Eb5
D5

Gtr. 5
Gtrs. 1 & 2

**
P.M.
8
X
6
8
X
6
8
X
6
8
X
6
8
X
6
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
7
7
5
7
7
5
7
7
5
7
7
5
**Gradually lift P.M.

Gtr. 3
8
X
6
8
X
6
8
Sorgdal
8
X
6
8
X
6
8
X
6
8
X
6
7
7
5
7
7
5
D.S. al Coda
F5 D5
F5 D5
Ab5
D5
F5 D5
F5

Its

1/2
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
7
7
5
Coda
to
1/2
time
3
3
3
0
0
0
0
0
0
3
3
3
Outro
Gtrs. 1 & 2: w/ Riff A (1 3/4 times)
got
hold
F5
on
me.
F5
D5
F5
D5
F5
D5
tion.
D5
D5
Spoken: (Temp
Ab5
D5
Eb(#4)
Ab5
D5
Temp
Eb(#4)
Ab5
ta
F5 D5
F5 D5
Eb5 F5 Eb5
tion.
Temp
D5
Eb(#4)
D5
Eb(#4)
D5
D5
Eb(#4)
ta
Temp
F5
D5
D5
Eb5 F5 Eb5
tion.
D5
D5
F5
Temp
Eb(#4)
D5
F5
Eb(#4)
ah.
D5
F5
tion,
D5
ta
F5 D5
3
3
3
D5
ta
F5 D5
6
6
6
D5
Eb(#4)
ta
D5
F5
tion,
D5
Ab5
ah.)
D5
Uh.
Gtrs. 1 & 2
P.M.
P.M.
8
7
6
P.M.
8
7
6
8
7
6
P.M.
12
0
0
0
9
Sorgdal
from Godsmack IV
The Enemy
Drop D tuning:
Intro
Moderately fast Rock q = 164
D5
Rhy. Fig. 1
*Gtr. 1 (dist.)
0
0
0
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
*Doubled throughout
Riff A
Gtr. 2 (dist.)
End Riff A
f
w/ wah-wah
8
X
6
7
5
7
X
5
8
X
6
7
5
7
X
5
8
X
6
7
5
8
X
6
7
5
7
X
5
8
X
6
7
5
7
X
5
8
X
6
7
5
8
X
6
7
5
7
X
5
8
X
6
7
5
7
X
5
8
X
6
8
X
6
7
5
7
X
5
8
X
6
7
5
7
X
5
7
5
End Rhy. Fig. 1
Gtr. 1
8
X
6
**
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
12
**Gradually lift P.M.
1
Sorgdal
Verse
1st time, Gtr. 2 tacet
D5
1. Hey!
2. You!
Oh,
Youre
mis - ter back

an - oth - er shit
stab - bin son of

talk - in punk
a
to
Ab5
bitch,
me.
Youre
Youre
a
Rhy. Fig. 2
Gtr. 1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6
6
0
0
0
0
6
6
6
6
*w/ echo set for half-note regeneration w/ 1 repeat.
D5

liv - ing
liv - ing
in
in

0
0
0
0
0
0
a
spi
world
ra
-

0
0
0
0
0
0
dy
nev - er
in.
want to be.
that - ll
tion
0
0
soon
be
for what I
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
F5
**

And
And
I
I
End Rhy. Fig. 2
0
0
0
0
0
0
0
0
0
0
0
0
3
3
3
3
3
3
3
3
3
3
3
3
3
3
**w/ echo
as before.
Ab5
D5
know!
see!
D5
at
your
best,
back
up and
sit
Ev
Youve
ry - bod - y knows you

been
blind
- ed
try
to
by
as
down,
man
shut
you
up
Fill 1
Gtr. 2
could and act
nt
2
Sorgdal
be like
me.
what you be - lieve.
e - qual
like you
steady gliss.
7
X
5
12
But
e - ven
And now
half
need
of
me.
to be.
F5
Chorus
D5
am
3
2
0
0
0
0
0
re
Gtr. 1
3
2
0
0
0
F5
al
iz
ing
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
5
3
5
3
5
3
5
3
5
3
5
3
that
ev
5
3
10
8
10
8
10
8
10
8
10
8
10
8
10
8
ry
bod - ys
lost
3
2
0
0
0
0
0
their
3
2
0
0
0
Bb5
C5
A5
And
5
3
5
3
5
3
5
3
5
3
5
3
3
2
0
0
0
D5
C5
3
1
3
1
3
1
3
1
2
0
2
0
2
0
C5
see
it,
oh,
so
clear
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
5
3
5
3
5
3
5
3
5
3
5
3
5
3
ways.
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
now
that
its
here,
3
2
0
0
0
0
0
sim - ple
D5
F5
3
2
0
0
0
ly.
10
8
10
8
10
8
10
8
10
8
10
8
10
8
3
Sorgdal
T o Coda
D5
Ive
come
to
3
2
0
0
0
0
0
face
C5
face
the
en - e - my.
with
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
3
2
0
0
0
5
3
P.M.
A5
Oh,
P.M.
3
2
0
0
0
Bb5
the
P.M.
5
3
3
1
3
1
3
1
3
1
3
1
2
0
2
0
2
0
1.
Interlude
D5
Ab5
en - e - my.

0
0
0
0
0
0

0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
D5
0
0
0
0

0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0

0
0
0
0
0
0
10
Come
to
me.
7
7
8
8
5
5
7
7
3
3
0
0
Gtrs. 1 & 2
A5 Bb5 D5 G5 A5 D5 F5

0
0
0
0
0
0
0
0
0
0
6
6
6
6
6
6
G5 D5 E5 F5 D5 Eb5

5
5
2
2
3
3
1
1
1
1
1
1
2.
Interlude
D5
en
- e - my.
4
Sorgdal
Come
to
me.
Oh,
the
Gtr. 2: w/ Riff A
en
- e - my.
Come
to
me.
Come
to
me.
Oh!
Half-time feel
* Eb5
D5
Eb5 D5
Riff B

Gtr. 1
8
X
6
7
5
Ab5 G5
8
X
6
7
5
D5
13
X
11
12
12
X
10
10
Eb5 D5
Eb5 D5

8
X
6
7
5
C5
8
X
6
D5
End Riff B
5
X
3
5
X
3
7
5
Eb5 D5
Eb5 D5
Gtr. 2
Ab5 G5
D5
Eb5 D5
0
7
Eb5 D5
Eb5 D5
D5
10
0
D5
0
8
Eb5 D5
C5
10
0
Eb5 D5
Ab5 G5
Eb5 D5
C5
D5
Bridge
Gtr. 2 tacet
D5
Eb5 D5
So
pre
Eb5 D5
dict
Eb5 D5
ing,
youre
Eb5 D5
the
Eb5 D5
rea
Eb5 D5 F5
son
Gtr. 1
P.M.
P.M.
0
0
0
0
0
0
0
0
1
1
0
0
0
0
0
0
P.M.
P.M.
P.M.
P.M.
0
0
0
0
0
0
1
1
0
0
0
0
1
1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
1
0
0
0
0
0
0
1
1
0
0
0
0
1
1
0
0
3
3
5
Sorgdal
D5
Eb5 D5
Eb5 D5
Eb5 D5
why
Eb5 D5
lie.
Eb5 D5
Eb5 D5 F5
Rhy. Fig. 3
End Rhy. Fig. 3
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
1
0
0
0
0
0
0
1
1
0
0
0
0
1
1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
1
0
0
0
0
0
0
1
1
0
0
0
0
1
1
0
0
3
3
D5
Eb5
D5
Sim
de
D5
ple
Eb5 D5
ci
Eb5 D5
time
took
Eb5 D5
Eb5 D5
sion,
Eb5 D5
Eb5 D5
to
fly.
me
Eb5 D5
Eb5 D5
too
much
Eb5 D5
Eb5 D5 F5
Eb5 D5 F5
Oh,
check - mate!
*w/ echo set for dotted half-note
regeneration w/ 4 repeats.
Interlude
C5
Gtr. 2
8v a
fdbk.
12
12
D5 Eb5 D5
Eb5 D5
loco
10
0
6
Sorgdal
C5
D5 Eb5 D5
11
0
Ab5 G5
D5
11
0
Ab5 G5
Eb5
D5
Eb5
D5
D5 Eb5 D5
11
0
Eb5 D5
11
0
Eb5
D5
10
0
End half-time feel
C5
D5
D.S. al Coda
Gtr. 2 tacet
D5
Ab5
Gtr. 2
Gtr. 3 (dist.)
mf
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
* P.M.
6
6
6
*Gradually lift P.M.
Gtr. 1
w/ bar
fdbk.
0
2
slack
Coda
Outro
D5
en - e - my.
Gtr. 1

0
0
0
0
0
0
0
0
0
0
Come
0
0

0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
to
0
0
0
0
0
0
0
0
0
0
me.

0
0
0
0
0
0
0
0
0
0

0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
7
Sorgdal
from Godsmack IV
Voodoo Too
D5
Drop D tuning:
Intro
(Chanting)
10 sec.
* D(b5)
(Bass & Drums)
mp
**w/ wah-wah
fdbk.
Gtr. 2 (dist.)
**o = open (toe up); + = closed (toe down)
Gtr. 1 (clean)
mp
let ring
0
*Chord symbols reflect overall harmony.
13
13
13
13
13
13
12
12
12
12
12
13
13
13
13
13
13
13
13
13

13
13
13
13
13
let ring
1
Sorgdal
Dsus2(b5)
let ring
13
10
10
10
D(b5)
10
10
10
10
10
10
12
12
12
grad. bend
1/2
10
10
10
let ring
12
12
0
0
Verse
Gtr. 1 tacet
1st time, Gtr. 2 tacet
D(b5)
Dsus2(b5)
1. O
2. In
pen
still
your
the
Riff A
*Gtr. 3 (dist.)
eyes...
bod
y...
a
so
chill
warm
pass
with
ev
es
-
you
ry
by.
breath.
End Riff A
mf
F5
let ring
let ring
3
3
*Doubled throughout
D(b5)
A
Dance
prem
to
o
a
ni - tion
vi - sion
com - ing
so
strong.
se - duc
-
D(b5)
with
down
de - si
up - on
Fill 1
Gtr. 2
re...
me...
**
**Rock wah-wah pedal.
2
a
it
Ah.
tive.
Oh.
Dsus2(b5)
Rich
Rain
Sorgdal
F5
su - per
cleans - es
sti
me
in
ev
tion
with
dis
ry
F5
Dsus2(b5)
guise
drip.
D(b5)
Dsus2(b5)
draws
A
me
in
- to
where
scent youve
prom - ised
Bbsus2
I
for
Riff B
that
10
10
10
10
Have you
ev - er
Riff C
won
why
in
dered
ed.
End Riff B
let ring
gift
F5
10
been
oh.)
Chorus
D5
Ive
let ring
ment
ah,
Gtr. 3
Asus2
(Ah,
be - long.
the
nour - ish
F5
F6
dream

you can
Em7
touch
fall
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sky
ing
or
End Riff C
1.
1st time, Gtr. 3: w/ Riff C
2nd time, Gtr. 3: w/ Riff C (3 times)
3rd time, Gtr. 3: w/ Riff C (2 3/4 times)

D5
fly
to
the heav - ens
that
watch
ver
you?
F6
Tell - ing
me
its
all
Em7
voo
doo,
voo - doo
3
Sorgdal
Interlude
D5

Gtr. 3
too.
Voc. Fig. 1

Chanted:
(Boom,
bah,
Gtr. 2
boom,
kah,
chik, boo,
koo,
da.
Boom,
bah,
10
chik, boo, koo, da.)
10
10
13
13
10
13
Gtr. 3 tacet
let ring
10
kah,
let ring
10
dim.
10
12
12
10
12
12
er
won
boom,
10
10
10
Bkgd. Voc.: w/ Voc. Fig. 1
End Voc. Fig. 1
Harm.
1/4
10
12
2.
D5
doo.
F6
dream
you
can
touch
fall
Em7
Have
you
ev
ing
sky
D5
or
fly
4
Sorgdal
ver
you?
Tell - ing
me
its

all
dered
T o Coda
F6
Em7
voo
why
to
the
doo,
in
heav - ens
that
watch
voo
doo
Interlude
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
D5
Gtr. 3
too.
Voo
doo
too.
Its
all
voo
doo
8v a
Gtr. 4 (dist.)
p
fdbk.
Gtr. 4 tacet
dim.
too.
8v a
Gtr. 4
mp
fdbk.
Gtr. 2
mp
fdbk.
0
Pitch: C
Guitar Solo
Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)
Gtr. 3 tacet
Gtr. 2
mf
10
10
10
12
12
12
P.M.
10
10
10
10
10
12
10
12
5
Sorgdal
10
12
10
D(b5)
10
10
12
13
12
10
11
Dsus2(b5)
11
F5
11
12
12
11
12
12
10
10
10
12
Dsus2(b5)
1/2
10
12
12
10
1/2
11
12
D(b5)
semi-harm.
10
1/2
13
12
12
10
12
10
13
13
13
10
13
10
13
12
10
12
12
10
10
12
Gtr. 3: w/ Riff B
F5
Bbsus2
12
10
Asus2
12
10
12
12
1/2
10
13
Sorgdal
13
10
13
13 10
12
13
12
10
12
10
12
Gtr. 3: w/ Riff C (1st 2 meas., 3 times)
D5
steady gliss.
10
10
10
F5
1/2
13
12
12
13
10
10
12
12
10
12
10
12
10
12
10
10
1/2
12
12
13
12
10
13
13
3
1/2
10
10
13
10
10
10
13
13
13
12
10
12
10
12
12
13
12
10
semi-harm.
12 10 13
10
13
Gtr. 2
15
12
10
10
12
12
10
12
10
15
15
F5
13
15
15
15
13
10
12
12
12
12
10
12
10
12
3
3
3
3
3
3
3
3
3
10

w/ bar
13
13
15
1
13
14
13
1/2
10
13
1/2
13
D5
14
12
13
3
1
Gtr. 3
12
13
1 1/2
1 1/2
12
let ring
0
0
0
7
Sorgdal
D.S. al Coda
(take 2nd ending)
D(b5)
steady gliss.

13
13
fdbk.
10
0
0
0
0
0
0
0
Pitch: A
let ring
0
0
0
Coda
doo,
voo
Gtr. 3
doo
3
3
3
3
3
3
3
3
3
(cont. in slashes)
Its
just
voo
8
Sorgdal
dim.
Its
all
voo
doo
too.
3
0
let ring
let ring
too.
Gtr. 1
too.
Gtr. 3
Outro
D5
F5
doo

Its
just
what
you
do.
let ring
3
0
All
that
voo - doo
Bkgd. Voc.: w/ Voc. Fig. 1 (2 1/2 times)

D(b5)
too.
D(b5)
D5
Dsus2(b5)
F5
F5
Gtr. 3
Dsus2(b5)
9
Sorgdal

Godsmack IV

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from Godsmack IV

let ring throughout

Gtr. 2 (slight dist.)

Gtr. 3: w/ Rhy. Fig. 1 (2 1/2 times)

End Rhy. Fig. 1

theres a hol - low

*Set for quarter-note regeneration w/ 4 repeats.

Tune down 1/2 step:

End Rhy. Fig. 1

let ring throughout

*Two gtrs. arr. for one.

***Mandolin arr. for gtr.

pic - ture feels so

End Rhy. Fill 1

Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times)

Gtr. 2: w/ Riff B (1 1/2 times)

Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.)

End Rhy. Fill 2

*Mandolin arr. for gtr., played mf, let ring throughout.

Gtr. 1: w/ Rhy. Fill 1

Gtr. 1: w/ Rhy. Fig. 1 (2 1/2 times)

Gtr. 1: w/ Rhy. Fill 1 (1st 2 meas.)

Gtr. 1: w/ Rhy. Fig. 2 (3 times)

Gtr. 1: w/ Rhy. Fig. 3

1st time, Begin fade

2nd time, Fade out

*Chord symbols reflect implied harmony.

**w/ echo repeat set for dotted quarter-note regeneration w/ 1 repeat.

Gtr. 1: w/ Rhy. Fig. 1

Gtr. 2: w/ Rhy. Fill 1 (2 times)

End Rhy. Fill 1

Gtr. 2: w/ Rhy. Fill 1 (3 times)

Gtr. 1: w/ Rhy. Fig. 2

End Rhy. Fig. 2

Gtr. 1: w/ Rhy. Fig. 1 (4 times)

Gtr. 1: / Rhy. Fig. 1 (last 2 meas.)

*Chord symbols reflect implied harmony.

**Gtr. 1: w/ Riff A (2 times)

**w/ slight dist.

Gtr. 1: w/ Riff A (1 1/2 times)

Gtr. 1: w/ Riff A (2 times)

2nd time, Gtr. 3: w/ Fill 3

3rd time, Gtr. 2: w/ Fill 5

2nd time, Gtr. 3: w/ Rhy. Fig. 2

End Rhy. Fig. 2

P.M. let ring

End Rhy. Fig. 3

End Rhy. Fill 1

Gtr. 1: w/ Riff A (2 times)

*Gtr. 4 (dist.), played mf.

Gtr. 3: w/ Rhy. Fig. 1

**Gradually release bend while picking rhythm indicated.

Gtr. 3: w/ Rhy. Fig. 3

Gtr. 3: w/ Rhy. Fill 1

Gtr. 3: w/ Rhy. Fig. 3

No Rest for the Wicked

Drop D tuning, down 1 step:

***Gtr. 2 (dist.) w/ talkbox, played f.

2nd & 3rd times, Bkgd. Voc.: w/ Voc. Fig. 1

3rd time, Gtr. 3: w/ Riff C (5 times)

1., 2. Tak 3. Take

*3rd time. Voc. tacet on beat 1.

End Rhy. Fig. 1