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so far You've come ng! ell done darli W you you had it in you want e knew that W anything that n do oint us! Ta Now you ca Don't disapp oyster! two feet World is an on your own n stand ts Now you ca ugh the stree me thro You can lead Pave the way ms, dream drea me see Yeah we can t you make can see wha llen No-one else g up over fa trees trippin Still climbing leaves hands rstand But holding uld ever unde -one else co No een us e betw What it's lik tween us! And that's be y love Well done m listen to me You'll never me ver listen to No you'll ne e r listen to m You'll neve me ver listen to No you'll ne
t you ething abou there is som with me? don't know, e I e to spend tim ng would you lik nd me anythi said you'd le You pany ve your com I think I'll ha listen to me You'll never to me never listen No you'll e r listen to m You'll neve me ver listen to No you'll ne
ything, d lend me an You said you' ny your compa ve I think I'll ha listen to me You'll never ten to me u'll never lis No yo to me never listen You'll n to me ll never liste No you'
sick game a fool in your brain is just ried that my I feel wor art r open my he So I will neve el ess how I fe ding it hard I try to expr and so I'm fin s every day But it change
I arrive at yo ur house bu t you've just And you are got up wearing a to wel & your ey I help to dry es look dark your body & I see your cu So I give you t a plaster & w e cover it up I say have yo u been crying ? And you say shut up So we sit in the garden & touch the gr ass with our hands The sun is go ing down no w & it's been You tell me OK all the things you did whi & this worrie le I was away s me somew hat But you say youre fine Listen Can you hear it? Does it spea k? Will I feel it? Will it hurt? Am I near it?
Do-Wah-Doo
Everybody th inks that girl' s so fine Everybody's like I'll mak e her mine Everyone th inks she's a bit of alright But I think th at she's not so nice Every guy is looking in he r eyes Every guy is checking ou t her thighs Everyone th inks that girl s a lady But I don't I think that gi rl's shady Well I'll just read a book instead I don't care if we're just friends Well I can ha ng out with myself I'm old enou gh now to pr etend Well I'll just read a book instead Well I know that you thin k she's best Well I don't even think sh e cares I don't know what you se e There's noth ing there x 2
I don't know how more pe ople haven't problems, th got mental he inking is on e of the mos alth come across t stressful th and not bein ings I've ever g able to artic drives me cr ulate what I azy, I think I want to say should read some new w some more ords, my sis books, learn ter used to re gonna start ad the dictio with that. I'd nary, I'm like to travel, pyramids, a I want to see whale and th India, & the at race with I'm not sure all the bicycl about rivers, es in France they scare m I'm good at . e, but I love it, and when swimming, I swim I coun me relax. W t the laps an hen I was yo d this helps unger I saw walked past a house burn it for the next down and I 6 years, dere dangerous, lict, black, ch I wondered if squatters liv alky and but I know th ed there, I'm ere were neve still not sure r any parties shithole. because it w as a After a while the council got round to decided it w tidying up th as an eyesor e town, they e and so they house was a tore it down, wall with a behind the few bits of cr CUNT writte appy graffiti n in giant le and the wor tters and no going to the d w I walk pa park, I like w st that. I like alking throug there, and fri h it, I like ta ends and I lik king my dogs e being alon shout but I e. I like bein wish I could g able to be quiet, whe think I'm sa n I'm quiet pe d and usually ople just I am. Somet noisy train sta imes when tion, one of I'm at a real the ones with Kings Cross ly I feel like pu the big fat tra tting down m ins like out because y bags and sh I've got som outing things ething to say. the Guilt?...d Don't you w on't think ju ant to share st try and sle zzzzzzzzzzzz ep. zzzzzzzz zzzzzzzzzzzz zzzzz zzzzzzzzzzzz zzzzzzzzzzzz zzzzzzzzzzzz z
Mansion Song
I fancy the hip rock n roll scenes I wanna be te fucked an d then rolle r Cause I'm d over an indepe ndent wom No time fo an of the 21 r knits, i w st century ant sex & I read glam debauche ou ry I like flower r & the guardian s & I'm ha rdy & I take I don't give cocaine a I can get fu fuck about her I wan cked like th t your nam e e best of m Like the be en st of men Like the w Inflicted on orst of pain another yo ung girl ag Impressed ain by anothe r guitar he He's a top ro score & yo u're a zero You're out of your leag ue There ain' t no rubber on the trac You fall ha ks it's grav rd, cut qu el ick and it' You're a si s an STD, de of stage a cut knee grasp, a la An aftersho ugh w party in a bath Fucked an d ex A gasp from pected to be fucked an uninfo rmed intrud The crowd go er They're alre wild and things get ruder ad to take your y out of hand and th ere's no-o hand. It's ne a for a dirty pair of knic cold shower and a sc here kers, don'tg ramble now get ou t of bed, ge et yours m t out of bed, ixed up w Get up, ge ith hers get out get t down & out get GET get undres do best, st sed! Cause out of bed rip, strip st that's wha rip and be im t you pressed, by n shag, fuck get fuck ed n drag the better vegetable , sex, take a and hold it to your br pi for nothin east and sa ece of raw g. You wer y you stoo e just a ho another un d le that lack dignified pr ed passion, oduct of so should ha ve been a ciety. That mansion. girl
Later On
I trusted -one that cute n was no the curtai think that he was behind ation That boy , I didn't ke his face to get some inform I didn't li st d him ju eration ased But I kisse ody and his desp e were ch b e, yeah w ce used my ut of ther scary pla I n was a up, got o u that tow e jumped W g yo me, Yeah I'm tellin ain the sa And I'm, do it all ag e same th t, I would Bu ain o it all ag I would d eyes out y stupid crying m ater on I'm g like a baby And L d I'm cryin appointe Later on get so dis ed aby don't Yeah b anticipat out what you pid eyes I am not g my stu y I'm cryin ab Later on g like a b I'm cryin pointed so disap Later on don't get ah baby ticipated Ye an what you I am not ecisions ake the d did not m at ish that I th Iw into s get back y pocket I'll never r out of m ed my hai I ripp I felt bad Because down sad I let him ake him ean to m I didn't m es out stupid ey ying my on I'm cr y ab And Later g like a b I'm cryin pointed so disap Later on don't get ah baby ticipated Ye an eyes out what you y stupid I am not crying m a baby er on Im Lat like ted H,crying isappoin Yeah YEA 't get so d baby don u anticipated Yeah what yo I am not 1... ,7,8,9,10,1 1,2,3,4,5,6 Chorus
Pickpocket
road fell into the cket and you u out my po Picked yo it better e if I'd make er you asked m ow old togeth we could gr asked me if g to me t mean a thin But you don' ily by quite happ moved on as well So I walked s that you've es intact And now i gu l, keep peace to build a wal s you stacked peacefully e brick rm, live Took me to th them from ha left town family, keep second you Protect your g down the me crumblin But it ca e gone ur family ar And now yo d me nnot be foun Understand d where I ca Undergroun Take me fully me nnot be... Understand d where I ca Undergroun ke me fully Ta rote r that you w ur wall Found a lette ed inside yo d been stash That ha your life l about red Telling me al ite a while really matte there for qu thought had It had been apters that I t certain ch It skipped ou out like I missed & now I feel town t, get out of Out baby ou of town out, get out by Baby out, ba of town ot withstand out, get out by and you cann Baby out, ba up with you re it catches befo
I Hate Seagulls
I hate Seagul ls & I hate be ing sick I hate burnin g my finger on the toaster an I hate falling d I hate nits over I hate grazin g my knee I hate pickin g off the scab a little bit to o early I hate getting toothache I hate when it's a piss ta ke I hate all the mistakes I m ake I hate rude ig norant basta rds & I hate snob bery I hate anyone who if I was serving chip wouldn't talk s to me But I have a friend with whom I like to spen d Any time I ca n find I like sleepin g in your be d I like knowin g what is go ing on insid I like taking e your head time And I like yo ur mind And I like w hen your ha nd is mine I like getting drunk on th e dunes by I like pickin the beach g strawberrie s I like cream teas And I like re ading ghost stories And my hear t skips a beat every time th It's been a w at we meet hile and now your smile Is almost lik e a memory But then you' re back & I am & I'm in love fine cause yo with you u're with me And I can't find the wor ds to make it But honestly sound unique you make m e....strong! I can't believe I found som eone this ki I hope we ca nd rry on, caus e you're so ni & I'm in love ce with you love with yo u
You used to be so far away Now I ca n almost touch I can tast e the met al Feel the gun in m y mouth Who wil l change my life? How can I trust? Who wil l break m y heart? And how can I rest as I must ? His leg tw itches, he Which o looks up ne Takes her will he fuck? by the han you are m d and sm ine tonig iles ht, Forget ab out the sm Leave yo ell urself beh in There is somethin d g in the ai That rem r inds you of your li fe You used to be so far away Now I ca n almost touch I can tast e the met al Feel the gun in m y mouth Who wil l change my life? How can I trust? Who wil l break m y heart? And how can I rest as I must ?
ishing Ltd. ck 9, l Music Publ s, except tra by Universa at Rak Studio by Bernard . Published l tracks mixed by Kate Nash ed and mixed ten 5. Al gineered by tracks produc All tracks writ ed at Rak Studios and 35 . All tracks en astering. All ed sh M cord 8 - engineer and Kate Na d at Electric All tracks re except track y Malholtra cks mastere ye Ja d at 355. All tra d mixed by cks mastere d by Adie Ka te tra mixed uced an Butler, assis te Nash. All track 8, prod sh. Track 1 sisted by Ka and Bernard Butler except s by Kate Na d Woodcraft ard Butler, as lson, Richar d Jon ered by Bern track 8 - Drum Robbie Ne ett Alaimo an aimo track 7 and ck 9 - engine Br ltra and tra drews except - Guitars by t Al by Jay Malho te Nash, Bret s by Elliott An by Brett Alaimo. Track 2 itars by Ka r. All drum rs by Brett by Chris Potte o. Track 4 - Gu Jackson. Track 7 - Guita sh, performed d Brett Alaim rs by Kate Na Jon r by Jay Kate Nash an and 5 - Guita Alaimo and k 10 - Guita by ac ett 10 - Bass k 3 - Guitars Kate Nash. Tr Kate Nash, Br ltra. Track 4, Jackson. Trac - Guitars by - Guitars by ks 9, 12, 13 by Jay Malho ton ltra. Track 6 Jackson. Trac d Jay Malho olins by Ever 3, 6, 7 - Bass n an r. Tracks 2, Kate Nash. Vi holtra and Jo Bernard Butle and 13 - Cello mo, Jay Mal Herbert and lly Alai 6, 11 Bass by by ranged by Sa . Tracks 1-4, ack 1, 5, 9 Glockenspiel 6 - Strings ar Bruce White Malholtra. Tr Jon Jackson. ds. Viola by acks 1-4 and d percussion r and Ali Do - Ukulele by n Jackson. Tr by Jo uisa Fulle an. Track 3 ano, keys an d a Slaney, Lo by Ryan Jarm Butler. Tracks 5, 9, 11 - Pi ano, organ an Nelson, Soni - Solo violin Track 10 - Pi ard rdge. Track 14 vocals by rnard Butler. sizer by Bern l Be by Ian Bu 11 - Synthe ard Butler. Al stic guitar by a. Track 4, 9gan by Bern os and acou Gibb Jay Malholtr Track 12 - Or Organ, bong ens by Kate rnard Butler. sh. Track 5 tive. Silkscre Be by Kate Na nd at Big Ac . Bongos by d Mat Maitla by Kate Nash synthesizer Kate Nash an t Direction by . sh Kate Nash. Ar by Clare Na Photography at Big Active.
Thanks to Marie, Steve, Cl Ryan Jarman are, Helen, Audrey & Jo hn Nash, , Alicia Sadl er, Be Brett Alaimo, Elliott Andrew rnard Butler, Jon Jackson, Mei-ling Won s, Jay Malholtra, g, Sophie Gr Brian Messa an ge, Phil Mid dleton, Jim Ch t, Alex Close, Li ancellor, z Goodwin, Ross Anders Ciaran OSh on, ea, Corrado Teve Liz Cardwell, Claudine He re & Good Ol d Days, Gem nderson, Co-operative ma Slack, Designs - Do rothy & Anna Kate Gibb, M lisa, at Maitland, Te Louise Gray, Lizzie Reynol rry & Liz de Havilland, ds, Wesley Go Richard Woo dc ode, Ian Dowdell, raft and Adie Kay at the studio, Simon Slaney Sy Turnbull, , Ben Coughl Six07 & Fluf an, fy.
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cording is is sound re turer and of right in th ac . The copy the manuf s of d (UK) blic Polydor Lt ny. All right nding, pu ic Compa K). c 2010 g, hiring, le iversal Mus lydor Ltd (U ed copyin Un is p 2010 Po Ltd (UK), a . Unauthor ibited. Polydor reserved work proh owned by k produced e recorded of the wor asting of th the owner and broadc ce performan