Lit Hist. A bibliography of selected Western-language works on third-century poetry: Balasz, Stephen. Tsao Tsao Zwei Leider.

Monumenta Serica 2 (1936-37). English translation in Balasz, Chinese Civilization and Bureaucracy, ed. A.Wright, tr. H.M. Wright. New Haven: Yale Univ. Press, 1964. Pp. 173-86. von den Steinen, Diether. Poems of Tsao Tsao. MS 4 (1939-40): 125-81. Whitaker, K. P. K. Tsaur Jyrs Luoshern fuh. Asia Major n.s. 4 (1954): 35-46. _______. Some Notes on the Background and Dates of Tsaur Jyrs Poem on the Three Good Courtiers. Bulletin of the School of Oriental and African Studies 18 (1956): 303-11. _______. Tsaur Jyr and the Introduction of Fannbay into China. BSOAS 20 (1957): 58597. Roy, David T. The Theme of the Neglected Wife in the Poetry of Tsao Chih. Journal of Asian Studies 19 (1959-60): 25-31. Frankel, Hans H. Fifteen Poems by Tsao Chih: An Attempt at a New Approach. Journal of the American Oriental Society 84 (1964): 1-14. _______. Yeh-fu Poetry. In Studies in Chinese Literary Genres, ed. Birch. Berkeley and Los Angeles: Univ. of California Press, 1974. Pp. 69-107. _______. Some Characteristics of Oral Narrative Poetry in China. In tudes dhistoire et de littrature offertes Professeur Jaroslav Prusek. Paris: Presses Universitaires de France, 1976. Pp. 97-106. _______. The Problem of Authenticity in the Works of Tsao Chih. In Essays in Commemoration of the Golden Jubilee of the Fung Ping Shan Library (1932-1982). Hong Kong: Fung Ping Shan Library, 1982. Pp. 183-201. _______. Cai Yan and the Poems Attributed to Her. Chinese Literature: Essays, Articles, Reviews 5 (1983): 135-47. _______. The Relation between Narrator and Characters in Yuefu Ballads. Chinoperl Papers 13 (1984-85): 107-27. Kent, George W. Worlds of Dust and Jade: 47 Poems and Ballads of the Third Century Chinese Poet Tsao Chih. New York: Philosophical Library, 1969. Diny, Jean-Pierre. Les Sept Tristesses (Qi ai): propos des deux versions dun pome chant de Cao Zhi. TP 65 (1979): 51-65. _______. Lecture de Wang Can. TP 73 (1987): 286-312.

_______. Les Pomes de Cao Cao (155-220). Paris: Institut des Hautes tudes Chinoises, Collge de France, 2000. Cutter, Robert Joe. Cao Zhis (192-232) Symposium Poems. CLEAR 6 (1984): 1-32. _______. The Incident at the Gate: Cao Zhi, the Succession, and Literary Fame. TP 71 (1985): 228-62. _______. On Reading Cao Zhis Three Good Men: Yongshi shi or Deng lin shi. CLEAR 11 (1989): 1-11. _______. To the Manner Born? Nature and Nurture in Early Medieval Chinese Literary Thought. In Culture and Power in the Reconstitution of the Chinese Realm, 200-600, ed. Pearce et al. Cambridge, Mass.: Harvard Univ. Asia Center, 2001. Pp. 53-71. _______. On the Authenticity of Poem in Seven Paces. In Studies in Early Medieval Chinese Literature and Cultural History, In Honor of Richard B. Mather and Donald Holzman, ed. Kroll and Knechtges. Boulder: Tang Studies Society, 2003. Pp. 1-26. _______. Personal Crisis and Communication in the Life of Cao Zhi. In Rhetoric and the Discourses of Power in Court Culture: China, Europe, and Japan, ed. Knechtges and Vance. Seattle: Univ. of Washington Press, 2005. Pp. 149-68. Kroll, Paul W. Seven Rhapsodies of Tsao Chih. JAOS 120 (2000): 1-12. Knechtges, David R. Sweet-peel Orange or Southern Gold? Regional Identity in Western Jin Literature. In Studies in Early Medieval Chinese Literature and Cultural History. Pp. 27-79. _______. Liu Kun, Lu Chen, and Their Writings in the Transition to the Eastern Jin. CLEAR 28 (2006): 1-66. _______. From the Eastern Han through the Western Jin (AD 25-317). In The Cambridge History of Chinese Literature, vol. 1: To 1375, ed. Kang-i Sun Chang and Stephen Owen. Cambridge: Cambridge Univ. Press, 2010. Pp. 116-98. (Jianan period through end of Western Jin, pp. 166-99.) Holzman, Donald. Les Sept Sages de la Fort des Bambous et la socit de leur temps. Toung Pao 44 (1956): 317-46. _______. Literary Criticism in China in the Early Third Century A.D. Asiatische Studien 28 (1974): 128-41. _______. La Vie et la pense de Xi Kang (223-262 ap. J.C.). Leiden: Brill, 1957. _______. Poetry and Politics: The Life and Works of Juan Chi, A.D. 210-263. Cambridge: Cambridge Univ. Press, 1976. _______. La Posie de Ji Kang. Journal asiatique 286 (1980): 107-77. _______. Tsao Chih and the Immortals. AM 3rd ser. 1 (1988): 15-57.

_______. On the Authenticity of the Tetrameter Poetry Attributed to Ruan Ji. In Proceedings of the Second International Conference on Sinology, vol. 1 (Taipei: Academia Sinica, 1989). Pp. 173-200. _______. Immortality-Seeking in Early Chinese Poetry. In The Power of Culture: Studies in Chinese Cultural History Presented in Honor of T. T. Chen and F. W. Mote, ed. Peterson et al. Hong Kong: Chinese Univ. Press, 1994. Pp. 103-18. _______. Landscape Appreciation in Ancient and Early Medieval China: The Birth of Landscape Poetry. Hsin-chu, Taiwan: National Tsing Hua Univ., 1996. Frodsham, J. D. The Origins of Chinese Nature Poetry. AM n.s. 8 (1960): 68-104. _______ and Cheng Hsi. An Anthology of Chinese Verse: Han Wei Chin and Northern and Southern Dynasties. Oxford: Oxford Univ. Press, 1967. (For 3rd-c., see pp. 24-97.) Miao, Ronald C. Literary Criticism at the End of the Eastern Han. Literature East and West 16 (1972): 1016-28. _______. The Chi Ai Shih of the Late Han and Chin Periods (I). Harvard Journal of Asiatic Studies 33 (1973): 183-223. _______. Early Medieval Chinese Poetry: The Life and Works of Wang Tsan (A.D. 177-217). Wiesbaden: Franz Steiner Verlag, 1982. Rushton, Peter. An Interpretation of Hsi Kangs Eighteen Poems Presented to Hsi Hsi on his Entry into the Army. JAOS 99 (1979): 175-90. van Gulik, Robert. Hsi Kang and his Poetical Essay on the Lute. Tokyo: Sophia Univ., 1941. Fang, Achilles. Rhymeprose on Literature: The Wen-fu of Lu Chi. HJAS 14 (1951): 527-66. Hughes, E. R. The Art of Letters: Lu Chis Wen Fu. New York: Pantheon, 1954. Gaspardone, Emile. Le Discours de la perte du Wou par Lu Ki. Sinologica 5 (1958): 189-225. Graham, William T. Mi Hengs Rhapsody on a Parrot. HJAS 39 (1979): 39-54. Straughair, Anna. Chang Hua: A Statesman-Poet of the Western Chin Dynasty. Canberra: Austrailian National Univ., 1973. Lai, C. M. River and Ocean: The Third Century Verse of Pan Yue and Lu Ji. Ph.D. diss., Univ. of Washington, 1990. _______. The Art of Lamentation in the Works of Pan Yue: Mourning the Eternally Departed. JAOS 114 (1994): 409-25. _______. The Craft of Original Imitation: Lu Jis Imitations of Han Old Poems. In Studies in Early Medieval Chinese Literature and Cultural History. Pp. 117-48.

Berkowitz, Alan. Courting Disengagement: Beckoning the Recluse Poems of the Western Jin. In Studies in Early Medieval Chinese Literature and Cultural History. Pp. 81-115. Declerq, Dominik. Writing against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Brill, 1998. Owen, Stephen. The Making of Early Classical Chinese Poetry. Cambridge, Mass.: Harvard Univ. Asia Center, 2006. Wu, Sujane. The Biography of Lu Yun (262-303) in Jin shu 54. EMC 7 (2001): 1-38. Goodman, Howard L. A History of Court Lyrics in China during Wei-Chin Times. AM 3rd ser. 19 (2006): 57-109. _______. Tintinnabulations of Bells: Scoring-Prosody in Third-Century China and Its Relationship to Yeh-fu Party Music. JAOS 126 (2006): 27-49.

See also: von Zach, Erwin Ritter. Die chinesische Anthologue, 2 vols. Cambridge, Mass.: Harvard Univ. Press, 1958. Wong Siu-kit, ed. and tr. Early Chinese Literary Criticism. Hong Kong: Joint Publishing Co., 1983. Owen, Stephen. Readings in Chinese Literary Criticism. Cambridge, Mass.: Council on East Asian Studies, Harvard Univ., 1995.