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Features 37
MEDIA REVIEW UK
Performance art
mong the collateral damage of the London bomb attacks, paradoxically, are some of the people whose condition most offends the Islamic world: the roughly 510 prisoners of Guantanamo still held by the US government without trial, most of them since the war in Afghanistan in 2001. If people respectful of civil liberties and the rule of law were putting pressure on the US before the recent attacks and getting coverage, the cause of the Guantanamo prisoners has hardly been mentioned since. And yet, if these detainees deserved a fair hearing before the bombings, they deserve it just as much now, so a Danish artists group called Parallel Action is embarking on a performance to try to change the dynamics of the situation, if only by a few a degrees. We are not political activists but artists, says Thomas Altheimer, 33, a rangy, fair-haired former actor and dramaturge, Through our actions we hope to instigate more actions, whether parallel actions or parallel realities, that will set off displace-
Altheimer
ments that will diversify the current single strain of reality. All our actions are conducted according to the principle of hope. The new action, which is expected to happen in October if the funds are raised in time, will consist of sailing a yacht full of Europeans and Americans from Jamaica to the coast just off Guantanamo and then playing Beethovens Third Symphony (the Eroica) very loudly at the US base and prison camp from the sea. The inspiration for this is the episode when the US military forced Manuel Noriega from his refuge in the Vatican embassy in Panama by blasting him with pop music (the first piece was Welcome to the jungle by Guns N Roses). Parallel Actions manifesto says that their aim is to conquer Guantanamo and subject the territory to European law, thereby abolishing the Hobbesian, lawless vacuum in which the prisoners are being held and taking a step towards the world order of eternal peace described by Immanuel Kant. Just to be safe, however, their desiderata
Prisoners held without trial at Guantanamo Bay in Cuba, January 2002 include bullet proof vests, shark repellent and survival kits. If this project sounds risky, it is certainly not more so than their Democracy action, when they toured Iraq with a box called Democracy for three weeks in January 2004, in the lead-up to the elections. At first we met with quite aggressive reactions because we were wearing suits and people thought we were politicians or businessmen, says Altheimer: We took all the blame for US and European policy, but then the absurdity of a box containing democracy (actually it contained some tea and coffee cups, pencils, and proposals for world democracy) liberated discussion. People who were too afraid of
the fundamentalists to approach the subject felt empowered to do so with us because we were not the Coalition; we were artists; we were in the position of court jesters. Someone who saw the point of them at once was a British army officer in Kuwait, who was responsible for them getting into Iraq. A Kuwaiti general was about to refuse them permission on grounds that it was too dangerous and they were not soldiers, journalists or businessmen, when Colonel Andrze Frank walked in: But these are Rosencranz and Guildenstern, he said, referring to the characters in Hamlet who, in turn, are the protagonists of Tom Stoppards play. Alright then, lets throw them to the lions said the Kuwaiti general, after some explanation. At the end of the first stage of the Democracy project, the box was left at the Academy of Fine Arts in Baghdad, then brought out via Jordan, shipped to the US in October 2004, where it got lost at JFK airport, retrieved and used in the second stage, in the run-up to the US elections. In view of what has happened in both countries, does Altheimer think they have made any difference? Not in immediate terms, he admits, But the point of the whole project has been to take what the US pledge at face value, for democracy really is a good thing.