STATION VISIT

DZJM JAM 88.3 1.1 History DWJM-FM was originally launched as a smooth jazz radio station, Citylite 88.3 under the callsign DWCT-FM, and owned by Francis Lumen, With its studios at Strata 2000 Bldg. It played smooth jazz and rhythm and blues from May 27, 1988 to June 30, 2003 competing directly with 105.1 Crossover and Kiss Jazz 101.1 (now Yes FM 101.1). On October 1996,
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Citylite 88.3 launched on the internet with its live streaming on the old website, After 2 years, Raven Broadcasting Corporation was acquired by The Radio Partners, Inc. while Francis Lumen switched to Joey @ Rhythms 92.3 (now U92). In March 2001 - June 2003, it was known as Smooth Jazz Citylite 88.3. On June 30, 2003, after 15 years on DWCT-FM, Citylite 88.3 bids farewell. In July 1, 2003, Raven Broadcasting Corporation relaunched the station as Jam 88.3 (it also changed its callsign to DWJM) to cater to a larger more advertiser-friendly audience. Jam 88.3 was originally launched as an "easy listening pop" station. Within a year of launching, the station quickly established itself as a popular trend-setting station in The Philippines with unique programs and segments. Jam has a reputation for discovering new talent and music. It is largely recognized in the Philippine music industry for starting the Acoustic music trend of 2003 and 2004. The station can also be credited for propelling the return to prominence of OPM ( Original Pilipino Music ) beginning in 2005. The radio format has since developed into a mixture of music - collectively defined as lite pop alternative, then dropping the entire "less talk more music" feel.

1.2 Mission To broadcast mixture of music - collectively defined as lite-pop alternative, then dropping the entire "less talk more music" feel. 1.3 Vision Satisfaction of the listeners through fresh musics
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1.4 Objectives To be the best FM station To bring the best lite-pop music to the listeners To entertain listeners by providing music fresh for the listeners ears.

1.5 Organizational Chart

1.6 Equipments 1.6.a Specification and Operation

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TRANSDUCER: Dynamic Cardioid Microphone (Electro-Voice RE27N/D)

General Description: The Electro-Voice RE27N/D is a professional quality dynamic cardioid microphone designed for broadcast production announce and voice-over, high-quality recording and sound reinforcement application. The RE27N/D utilizes a revolutionary neodymium-alloy magnet and a reinforced diaphragm dome, a combination offering increased sensitivity (up to 6-dB more output), undistorted output at high sound pressure levels and an extended high-frequency response. The exceptional sensitivity of the RE27N/D excellent transient response and inherently low noise of the dynamic transducer, all combine to ensure a superior signal-to-noise ratio, easily comparable to the finest condenser cardioid microphones, to further reduce noise, a highly effective hum-bucking coil is used to attenuate hum from lightning and other sources. The RE27N/D's continuously Variable-D, design reduces bass boosting "proximity effect" to maintain a uniform low-frequency response, up-close or at a distance. Two easily operated bass roll-off switches, offering a sharp low-frequency cut at 200Hz or a gentle roll-off, are available for special situations where bass attenuation is required. A third switch is available for reducing a high-frequency treble boost. The true of uniform cardioid polar pattern of the RE27N/D offers the greatest radiation of 180 degrees of axis, insuring superior gain-before-feedback. An integral blast and wind filter covers each acoustic opening on the RE27N/D, allowing "close-talk" situations with no worry of "P-pop" breath sounds or excessive sibilance. Part of the filter also shock mounts the internal microphone transducer, reducing the transfer of vibration from external sources. This shock-mount system along with the extremely rugged exterior steel casing allows the RE27N/D to withstand all the rigors of professional use.

Technical Specifications: General Element: Dynamic N/DYM Magnet Structure

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Frequency Response: 45-20,000Hz Polar Pattern: Cardioid Impedance: 150 ohms balanced Sensitivity, Open Circuit Voltage: 3.1mV/pascal = 1 kHz Power Level, 1 kHz (0dB = 1mV/Pascal): -51dB Hum Pickup Level, typical (60Hz/1millioersted field): -130dBm Polarity: Pin 2 will be positive referenced to Pin 3 with positive pressure on diaphragm Case Material: Steel Dimensions: Length: 216.7mm (8.53in.) Widest Diameter: 54.4mm (2.14in.) Body Diameter: 49.2mm (1.94in.) Finish: Satin nickel Net Weight: 709g (1lb, 9oz) Shipping Weight: 11,446g (3lb, 3oz) Accessories Furnished: 81715 stand clamp Optional Accessories: 309A shock-mounted stand adapter for used with floor stand or recording boom.

MIXER: Dynamax MX Series Modular Audio Console

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A TRULY MODULAR CONSOLE

The Dynamax MX Series is a true breakthrough in the field of cost effective audio mixing consoles. Never before has such a combination of quality and features been offered at such an affordable price. The MX Series asks you to make no compromises. Each input module includes ALL of the active circuitry necessary for its operation. The MX Series precision motherboard has no active electronic components, so youll never to dissemble the entire console to replace a single minimizes hand wiring, and totally eliminates flimsy and awkward ribbon cable bussing. Many other consoles claim to be modular, but close inspection reveals that the modules carry only switches and faders. In these consoles, active circuitry in mounted on the motherboard, defeating the prime purpose of modularity: keeping the console on the air during maintenance or repair. SUPERIOR FLEXIBILITY The MX Series delivers output flexibility that rivals substantially more expensive consoles. Stereo Program and Audition outputs are assignable from the front panel. Two separately assignable mono outputs are incredibly useful for telephone mix minus. Mono simulcast feeds, cue feeds for remote broadcasts and more. Each input module features external logic switching for starting cart machines. CD players and other audio sources when the module is turned on. Each module provides dry contacts, a continuous logic level or a pulse. Every input module has two inputs, one of which may be configured as a mic by use of an optional mic preamp residing on the module. All line inputs may be wired for stereo or mono input sources. Line inputs may be either professional or consumer format, eliminating costly matching interfaces. Voltage Controlled Amplifiers ensure that your audio path stays clean and quiet. No audio passes through the faders, so dust and dirt cant cause scratches and pops. Even the monitor level pot is VCA controlled. THE RIGHT FEATURES

MX Series consoles have a spacious, easy to use layout, and are available with either rotary or linear faders. All modules feature a virtually indestructible control surface overlay, far more durable than paint or silk screening, guaranteeing that your MX Series console will look as good as new for years to come. The optional count up event timer can be triggered by turning on any module. A full range of actively switched cue and monitoring functions is provided, including a built in cue amplifier and speaker, and an amplified headphone output. Internal jumpers allow configuration of monitor muting and dimming to meet your operational requirements. The MX Series uses the highest quality components and construction techniques, resulting in excellent RF immunity and a rugged, sturdy product that will last for many years. The console s modular design and hinged hood simplifies routine maintenance and allows quick, easy access to all console circuitry.

Dynamax MX Series Features True modular design Precision motherboard construction VCA mixer and monitor control Active balanced line inputs, transformer isolated mic inputs Active balanced main and monitor outputs Full monitoring/ cueing facilities with VCA level control and active source selection Built in cue amp with speaker and amplified stereo 8 ohm headphone output Remote start logic Virtually indestructible control surfaces Two input expansion switches standard

 Two inputs per module, mic/line or line/line line inputs may be mono or stereo, consumer or professional format Four Assignable outputs two stereo plus two mono Count up event timer
Available in 6, 8, 10 or 12 channel models

Rotary or linear faders Separate audio and logic power supplies Sturdy, all steel construction All inputs/ output connection via compact, captive screw barrier strips no soldering, crimping or spade connectors necessary Excellent RF immunity Dynamax MX Series Technical Specifications Output: Output Impedances: Line: 200 ohms, Phones: 10 ohms Output Level: Line: - 10 + 10 dBu (+24 dBu maximum), Cue: 12 watts into built in 8 ohm speaker Phones: 2 watts/channel into 8 ohms Frequency Response: Line: 20 20 kHz + 0.1 dB, Mic: 20 20 kHz +0.3 dB Noise: Line: better that 90 dB, Mic: -125 dB EIN Crosstalk: Better than 80 dB between any outputs @ 1 kHz Harmonic Distortion: Less than 0.03% THD, 20 20 kHz Intermodulation Distortion: Less than 0.02% SMPTE Note: Output measurements referenced to +8dBu nominal output level
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Input: Input Impedances: Line: 20,000 ohms bridging, Mic: 1,500 ohms nominal Levels: Line: -15 to +10 dBu (+24 dBu maximum), Mic: -65 to -35 dBu AC Line Input: 100/120/220/240 VAC, 47 63 Hz Physical Characteristics: 8 channel mainframe Height: 7.63 (19.4cm) Depth: 21.75 (55.3cm) Width: 25.75 (65.4cm) Weight: 55 lbs. (25kg) approx. 12 channel mainframe Height: 7.63 (19.4cm) Depth: 21.75 (55.3cm) Width: 37.75 (95.9cm) Weight: 70 lbs. (31.8kg) approx.

TRANSMITTER:
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TFT 5200 Series Analog STL

The new TFT 5200 Series Analog STL features up-to-the-minute technology in a budgetfriendly package. Its rugged construction, frequency agility, and high performance make it ideal for complex or simple analog STL applications. Consisting of a transmitter and receiver pair, the TFT 5200 delivers a composite or mono signal with maximum flexibility and minimum of adjustment or configuration. The transmitter has a nominal output of 10 Watts (also available with 20 watts, see model number 51155290HP). The receiver has improved sensitivity for optimum fade margin and reliability, and built-in automatic switchover. The RF entire system is frequency agile and set by software in the transmitter and receiver. Up/down pushbuttons let you select the desired frequency without need for further adjustment or optimization. Direct FM modulation and true frequency agility make the 5200 suited to a variety of situations, including composite, mono, dual mono, hot stand-by, redundant and multichannel. One transmitter/receiver pair can cover a full 20 MHz band segment and is ideal for back-up applications. Both transmitter and receiver are compatible with existing composite and mono systems. A front panel LCD and user-friendly navigation system give you easy control and setup. You can see and control all operating parameters from the front panel. No tuning is required. Main board jumpers select modes of operation. Features: Frequency Agile From the Front Panel All Frequency Bands 1.7 GHz140 MHz (in 20 MHz sub-bands) 10 Watts (nominal) Liquid Crystal Display Composite or Mono 6.25 kHz Step Size Selectable Pre-/De-Emphasis Direct FM Modulation Receiver Automatic Switchover Built-in FCC ID: BIO5290

Specifications:

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SYSTEM Step Size: 6.25 kHz Frequency Stability: 5 ppm (0.0005)% Occupied Bandwidth: = 300 or 500 kHz (depending upon operation) Frequency Response: 50 Hz to 53 kHz: 0.2 dB, 50 Hz to 75 kHz: 0.5 dB, 50 Hz to 200 kHz: 0.75 dB Distortion: < 0.05% at 1 kHz Noise: > 75 dB Dynamic Range: 80 dB static Crosstalk: < 50 dB TRANSMITTER Output Power: 10 W (nominal) Output Impedance: 50 _ Output Connector: Type N (female) Input Impedances: Mono: 600/10k _ balanced or unbalanced Composite: 10k _, unbalanced, MUX: 2k _, unbalanced Input Levels: Mono:+2.7 dBm (balanced), 3Vp-p (unbalanced) Composite:3Vp-p, MUX:1.2Vp-p RECEIVER Threshold Sensitivity: -75 dBm (40 _V) for 60 dB SNR (composite, 75 _sec. deemphasized) -73 dBm (50 _V) for 60 dB SNR (mono, 75 _sec. de-emphasized) Audio Outputs: Composite: + 3.5 Vp-p, unbalanced 2k _ load Mono: 0 dBm balanced 600 _ load, MUX: + 3.5 Vp-p, unbalanced, 600 _ load, COMP and MUX input for receiver automatic switchover, unbalanced BNC MECHANICAL AND ENVIRONMENTAL Dimensions: 19 x 3.5 x 17 (inches) 483 x 89 x 432 (mm) Weight: 20 lbs. (9 kg) AC Power Requirements: 120/240 VAC 50/60 Hz, Operating Temperature: 0 to +50 C.

HARRIS HT 25FM (25 kW FM BROADCAST TRANSMITTER)

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Features/ Benefits: Quarter wave PA output cavity for beast performance Low noise air cooling system Solid state, broadband RF driver FlexPatch emergency RF patching Advanced operating features Solid = state 55W high power THE 1 FM Exciter Efficient cabinet size Low cost of ownership Unsurpassed factory support Harris HT 25FM, 25 kW FM transmitter is engineered to give you high efficiency, proven reliability and top performance. Power Amplifier: The HT 25FM uses a single 8990 (4CX20,000A) tetrode operating in a high efficiency quarter wave cavity. Harris quarter wave cavity has twice the bandwidth of a folded half wave design for superior signal performance. It is fine tuned without sliding, high current RF contacts. Low noise air cooling system: A highly efficient, low velocity, direct drive air system provides ample cooling for the PA tube and RF drivers while maintaining extremely low ambient noise levels. Solid state, broadband RF driver: A 150 watt modular RF preamp and 700 watt modular IPA are used to develop about 400 watts of drive for the PA tube. Both modules feature an advanced, ultra reliable design which offers superior performance year after year with virtually no maintenance. FlexPatch emergency RF patching: Flexpatch, an internal RF patch panel, makes it easy to bypass the preamp, IPA, or even the PA to stay on the air in the event of an emergency. Its almost like getting an emergency standby transmitter free!
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High power FM exciter: Harris solid - state 55 watt high performance THE 1 FM exciter is standard in the HT 25FM. Higher power provides improved local coverage during emergency operation. Other advanced operating features include automatic RF power control, proportional VSWR foldback, auto restart in the event of AC failure, loss of phase protection, soft start, adjustable/ metered filament voltage control and a discrete logic solid state controller. Ten analog meters and 31 LEDs monitor all important interface is standard. Efficient cabinet size: Featuring an efficient cabinet size, the HT 25FM requires less floor space and is designed for easy installation. Low cost of ownership: Harris HT 25FM typically costs less to operate year after year than competitive transmitters. Extremely conservative PA tube operation can provide tube life well in excess of the manufacturer s warranty typically three to five years. Factory support: Like all Harris transmitters, the HT 25FM is fully backed with comprehensive service information and 24 hour technical assistance and emergency parts support. HARRIS HT 25FM SPECIFICATIONS

GENERAL Power Output: 8,000 to 25,000 watts (FCC type notified range) Frequency Range: 87.5 to 108 MHz in 50 kHz steps. Tuned to single frequency. Excitation: Harris THE 1 High Power FM Exciter Type of Modulation: Direct carrier frequency modulation (DCFM) Modulation Capability: + 200 kHz RF Load Impedance: 50 ohms RF Output Termination: 3 1/8 EIA flange, female PA Matching Range: 1.7:1 VSWR, maximum for full output power; automatic power reduction into high VSWRs
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RF Harmonic/Spurious Output: Suppression meets or exceeds FCC/DOC/CCIR specifications AC Input Power: 197 250 VAC, 50/ 60 Hz, three phase, 3 wire closed delta or 4 wire 360 415 VAC WYE. Power Consumption: 37.5 kW typical at 25 kW RF output (0.95 PF) Ambient Temperature Range: -20 to +50 degree C at sea level; derated 2 degree C/ 1000 ft altitude Maximum Altitude: 10,000 ft (50/60 Hz) Maximum Humidity: To 95% non condensing Air Requirements: Main Cabinet: 760 CFM (60 Hz), 710 CFM(50 Hz); Power Supply: 250 CFM (60 Hz), 200 CFM (50 Hz) at zero back pressure Cabinet Size: 33.4 W (85 cm) x 30.2 D (77 cm) x 72H (183 cm) Power Supply: 48 W (122 cm) x 24.1D (61 cm) c 60.25H (153 cm) Weight/Volume: 2,700 lbs/ 150 cu. Ft., domestic packed Asynchronous AM Signal to Noise: 55 dB below equivalent 100% amplitude modulation Synchronous AM Signal to Noise: 50 dB below equivalent 100% amplitude modulation of output carrier with 75 microsecond de emphasis (FM modulation + 75 kHz @ 400 Hz). Phase Response: +0.5/-1.0 degrees from linear phase, 20 Hz to 53 kHz. Transient Intermodulation Distortion: 0.05%, 2.96 kHz square wave/ 14 kHz sine wave modulation. Test Input (Front Panel): Nominal 1.0 volt for +75 kHz deviation at 400 Hz (10,000 ohm input impedance, BNC female connector) Test Output (Front Panel): Nominal 1.0 volt for +75 kHz deviation at 400 Hz(200 ohm source impedance, BNC female connector)
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MONAURAL OPERATION (STANDARD): Audio Input Impedance: 600 ohms, balanced, resistive, transformerless. Audio Input Level: +10 dBm, + 1 dB for + 75 kHz deviation at 400 Hz. Audio Frequency Response: Standard 75 microsecond FCC pre emphasis curve + 0.5 dB, 30 Hz 15 kHz. Selectable: flat, 25, 50 or 75 microsecond pre emphasis. Harmonic Distortion: 0.08%, 30 Hz to 15 kHz, de emphasized. Intermodulation Distortion: 0.04%, 60 Hz/7 kHz test tone pair, 4:1 ratio. CCIF Intermodulation Distortion: All distortion products down 70 dB (reference 14 kHz/15 kHz test tone pair). Transient Intermodulation Distortion: 0.05%, 2.96 kHz square wave/14 kHz sine wave modulation FM Signal to Noise Ratio: At least 80 dB below 100% modulation (reference 400Hz @ + 75 kHz deviation, measured 20 Hz to 200 kHz bandwidth, 75 microsecond se emphasis). SCA INPUTS (STANDARD) External SCA Generator Inputs: Two Input Connectors: BNC female (rear panel). Input Impedance: 10,000 ohms, unbalanced. Range of Sub-carrier Frequencies: 57 kHz to 92 kHz ( 25 kHz to 92 kHz in monaural operation). Amplitude Response: +0.1 dB, -0.2 dB; 20 kHz to 100 kHz.

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Block Diagram of Harris HT 25 Transmitter

ANTENNA:
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FM3 Series Medium Power Fm Antenna

Features: Built like our FM10 version but priced for the class-A station. Provides superior performance for stereo, sca and quadraphonic operation due to its wide VSWR bandwidth. Durable corrosion resitant construction. The antenna system is fabricated from rugged heavy wall copper and naval bass. All joints are tig welded. Full power rating. Each bay is rated at 3kW, with maximum of 15kW for five bays or more. Pressurized and grounded. The entire antenna system is pressurized to the fedd point of each bay and each bay is DC grounded. Thus eliminating the feed to purchase a shorting stub. Beam tilt and/or null fill optional. Custom vertical patterns are available with center fed arrays that have an even number of bays. Custom directional antenna patterns. Directional patterns based on the customers mounting structure are available to meet FCC requirements. Electrical deicers for heavy icing conditions are available. Technical Specification: Frequency Range: 88-108MHz Polarization: Circular Power Rating: 3kW per bay Input: 1 5/8in. EIA Circularity: +/-2dB VSWR: 1.1:1 +/-200kHz

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Block Diagram of Transmitting Signal via STL

Block Diagram of Receiving Signal via STL

1.6.b Floor Plan

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1.7 Picture of Equipments

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Dynamic Cardioid Microphone (Electro-Voice RE27N/D)

Dynamax MX Series Modular Audio Console

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TFT 5200 Series Analog (STL-transmitter)

TFT 5200 Series Analog (STL-Receiver)

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HARRIS HT 25FM (25 kW FM BROADCAST TRANSMITTER)

FM3 Series Medium Power Fm Antenna

1.8 Personnel in Charge

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Personal Data:

Sir Willie Cortel Head of Engineering Department 13 years in Jam88.3 PATTS College of Aeronautics Air Craft Communication Technician Avionics (1991) Delta Aircraft Corporation (OJT for 8 months)

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