Wilhelm Reich by Danny Lowe The following is based on a lecture given at Treadwells Bookshop on 1st Septembe r, 2005.

Love, work and knowledge are the wellsprings of our life. They should also g overn it. Wilhelm Reich, as the epigraph to all his books. All systems which liberate rather than delude lead back to the body Vishvanath Introduction Wilhelm Reich is the kind of person whose name a lot of people, while knowing ve ry little about him. Some might be aware of his crazy reputation as the "sex box " guy who built a strange devices to give people better orgasms (immortalised in the Hawkwind song Orgone Accumulator). Those of you who know a little more may be aware that he was a radical psychotherapist who was imprisoned in the US in t he 1950s, died in prison and had his books burnt by the US govt. There was a res urgence of interest in his work in the sixties and seventies, but he pretty much seems to have disappeared off the cultural map in the UK This talk will attempt to re-present some of his ideas and explain my interest. I'm going to talk firstly about his life history and how his psychotherapeutic a pproach evolved and what it entails, as the potential for working on oneself is what interests most people when they first approach his work (including myself). I'm going to break the theoretical side into "chunks" as I find it easier to ha ndle this way, as well s offering some examples from my own experience to clarif y. As I'm speaking in an occult bookstore, I'm then going to offer up some of Re ich's comments and thoughts on mysticism as he had some very interesting (though critical) things to say. I intend to close with a consideration of the breadth of his work and it's unity of which I hope will inspire a few people to do some research and reading of their own. BeginningsPsychoanalysis & Therapy Wilhelm Reich was born on March 24 1897 in Dobrzanic, and grew up in Jujuinetz, both of which were then part of the Austro-Hungarian Empire and are now the Ukra ine. He grew up on a small farm. By all accounts his father, Leon was very bulli sh, dominating man. A key event in his early life occurred when he was 12 when h e discovered his mother was having an affair with a family tutor. Reich told his father about this, and the resulting family arguments led to his mother's suici de, from drinking household cleaner. His father later died not long after of pne umonia contracted while fishing for long hours on a cold lake. Reich felt that h is father deliberately exposed himself as a response to the family tragedy. With a double familial suicide in his background, we can perhaps see here the root o f his drive, as well as his passionate interest in sexual and emotional life. He had to leave his family farm shortly after his father's death, when the Russian s invaded, and as he wrote in his book The Passion of Youth "I never saw my home land or possessions again". He joined the Austrian Army and fought in the war until it ended in 1918, when h e moved to in Vienna and enrolled at the university there as a medical student. He was more orientated towards psychoanalysis than any other area, organising a seminar in sexology as an undergraduate in 1919 which brought him to the attenti on of Sigmund Freud. He was accepted as a member of the Vienna Psychoanalytical Society in 1920 and completed his studies in 1922. Psychoanalysis at the time wa s gaining wider acceptance in society, but therapists still felt very "at sea" i n terms of what to do with patients in a practical sense. As an emerging discipl

ine it didn't have an established methodology. Reich states that he was told to "just keep on analysing" despite sitting with a patient in silence for hours at a time. In addition, the average time for treatments was getting longer and long er, growing for an optimistic six months when Reich began his studies to one or two years or more by the early 1920s. I think we can see this as almost a collec tive state of "beginners mind" in that the early insights of psychoanalysis were so radical that people didn't know how to defend themselves against them. Reich reports that as knowledge of psychoanalytical concepts became widespread, some patients would produce dreams and associations almost on demand, but without the breakthrough of strong emotion. In psychoanalytical jargon, this is known as an "effect block". Reich was particularly interested in the way that the patients offered this, and other attitudes and strategies, as resistances to the process of therapy. Character Analysis In response to their practical problems, a group of young psychoanalysts set up a technical seminar, working on technique rather than the underlying theory. Thi s group was chaired by Reich who was gaining continual clinical practice from hi s job. He was in his mid twenties here, and I think it was this continual exposu re to clinical practice from such an early age that gained him his insights. In the technical seminar, Reich, began to explore the notion that a person's actual character and habitual attitudes could be seen as resistances, both to therapy and to threatening situations in wider life. Reich refers to the stoicism of a w aiter who he had analysed for three years for impotence without success. He real ised later that "it was precisely this emotional tranquillity, this unshakeable equanimity which formed the pathological basis on which the erective impotence c ould be maintained". Basically put, he saw a relation between this man's charact er and his impotence. From here, Reich began to look at his patients' manner in therapy: were they haughty, rigidly polite, evasive? In Reich's view, these atti tudes had arisen in childhood as a way of protecting oneself against strong emot ional stimulation, and they carried out the same function in analysis. A later a nalyst, Nick Totnes has called the habitual character "the spastic I" - habits a nd attitudes which block free expression of emotion and feeling. Reich called th is process of addressing character, character analysis, which became the title o f one of his first books. Character analysis worked by drawing attention to these mannerisms or traits con sistently, in such a way that the patient would began to question them themselve s, and perhaps experience them as "symptoms" rather than identifying with them. Reich would repeatedly point out, say, the forced politeness of a character and try and penetrate it's meaning. In turn he would see what emerged from behind th is trait, and work on the deconstruction of these layered defences, piece by pie ce, working with a few traits or patterns at a time, consistently. He would not move onto analysing deeper conflicts or unconscious material until he judged the patient was ready to "feel" these and thoroughly understand them. Case presentations at the seminar were one of the first instances where Reich no ted how overlooked non-verbal expressions were in the analytical process. Dress, tone of voice, facial expressions, posture, bodily attitude all played a role i n the process of resistance. What someone said was perhaps not as important as t hey way they said it. From the mid 1920s onwards, Reich became increasingly inte rested in this area. He took this method of analysis beyond the seminar (and ind eed, beyond psycho-analysis), and it became one of the keynotes of his therapeut ic approach. We can see here Reich moving away from the verbal and intellectual orientation o f psychoanalysis to working directly with the body Although Reich stated that he was never opposed to good analysis, he increasingly moved away from solely verb al techniques. By his time in Norway (1934 - 1939) he was beginning to work dire ctly on the body, breaking psychoanalytical protocol by touching patients and se

eing them in the nude or semi-nude. He became particularly interested in the res piration as this seemed to be key to our emotional states. Armouring His work with the body became systemised in his early years in America. In his a nalytic work, he'd talked about character functioning as an armour. He took this metaphor quite literally now as referring to the patterns of tensions in our bo dies which grow up to protect us but can limit our movements. He talked of the m uscular armour as consisting of seven overlapping segments, at right angles to t he spine. By this time he was beginning to use an energetic paradigm and saw the segments as blocking the free movement of energy up and down the body. The segm ents in turn were ocular, oral, neck, chest, diaphragm, abdomen and pelvis. This shouldn't be taken as too literal a map but simply a way of approaching the bod y. Reich would work from the eyes (ocular segment) down, using the logic that de eper conflicts were likely to be "buried" in the genital region and were less li kely to be resolved until the rest of the armouring was free. In this he followe d the method of character analysis - working with what was nearest to the "surfa ce" i.e. the patients consciousness. Perhaps the best way to understand this is to reflect on your own emotions and t heir relationship to different areas of the body, perhaps to contemplate the way your breath changes in relation to states of arousal, fear or release. Our habi tual reliance on our intellects and lack of bodily awareness can detach us from our emotions, and conceal or distance us from them, but every one has a somatic side and understanding this gives us a key to working with them. Reich would com monly work by encouraging the patient to breath deeper which, depending on the e xplanation you prefer, either raises the energy level or excites the metabolism. He would notice any tics, changes of expression, breathing, movements on the co uch - anything by which the patient might block any feelings that the excitation s are provoking. Simultaneously, he would work with any verbal defences or chang es in attitude the patient might throw up. He would use all of these as a road t o take him deeper into the analysis, uncovering layers of character defences. Wh ere was he hoping to get to - well, his model of health was called orgiastic pot ency which I'll cover in a second. The evolution of Reich's therapeutic technique (& personal experience) I think it's perhaps best to flesh out these ideas by giving some examples of my own practice, I've been working for several years with these ideas, starting wi th some exercises giving in Dr. Christopher Hyatt's book Undoing yourself with E nergised Meditation, and adapting other procedures for various therapeutic case histories. . I'd stress that in no way do I consider this equivalent to full blo wn Reichian analysis, but it's useful to get to know your body and gain a sense of where you might be armoured, and shows the power of this type of therapy in a way that reading doesn't. It's a process I've found invaluable, but I certainly don't think I've removed my own armouring - if anything, I've only scraped the surface if anything. Top begin with I worked with my breath. Reichian work differs from pranayama in that in doesn't try and impose a rhythm on the breath instead; it just tries to loosen it, to allow it's natural function and depth to return. This can be reall y powerful the first time I tried it, I couldn't conclude the session, I found m yself overwhelmed by the intensity of feeling. With breathwork, moods can shift rapidly and I've frequently found myself completely exhilarated, laughing ecstat ically or on the brink of tears. . I began working with the ocular segment by allowing myself to notice my peripher al and the area to the sides of my eyes. I think this is worthwhile as it's an a rea of the body we don't normally notice. I noticed that allowing this alongside becoming conscious of my peripheral vision brings up some odd indefinable sensa tions hard to describe, a "deepening of feeling" is the best I can come up with.

You start to see the connection here between the emotional tone of our gaze, pe rhaps we have habitual patterns of staring, or a gaze which flicks rapidly from thing to another. You begin to notice other qualities in the act of seeing. I've followed this with another Reichian therapeutic procedure which is, after some work with the breath, to have someone manipulate an object (such as a fingertip, a pencil or penlight) near the eyes in irregular patterns, while you try and tr ack it with your eye the random movement is supposed to loosen the armouring, th e muscular stiffness around the eyes. I've found this to have very powerful effe cts. When this has really hit home something "clicks" between you and what you'r e looking at, and all of a sudden, you're flooded with emotion and bodily sensat ions, breathing deepens rapidly, and sobbing reaches right down into the chest. Some other techniques of mobilising armouring in the segment would be to have a patient roll their eyes, and raise their brows, or make suspicious or angry or n eedful expressions, expressing as much as they can through the eyes. I've found it a useful meditation to study people's gaze as I go about my day to day busine ss and see if the quality of there eyes tells me anything about their character. Similar techniques are carried out along the length of the body. Working with th e oral segment might take place by encouraging the patient to thrust out their j aw or bite. The suppressed desires to suckle might arise. Working with the chest might bring up feelings of rage, deep affection or longing which might be mobil ised by massage or using the arms to hit, or reach out, while one might work wit h the legs of feet to kick to express aggression. Character armour then, in Reich's terms, is the sum total of our defences agains t external threats and internal excitation or distress. It stays with us in late r life, and limits our freedom of expression, the depth of our emotional respons es and our feelings of aliveness. Reich would say it arises as a response to fea r and threatening situations, as well as from frustration of our primary needs the latter being for healthy, warm physical and emotional contact. It is both p sychic and somatic. He said "functional identity means nothing more than muscula r attitudes and character attitudes have the same function in the psychic mechan ism: they replace one another and can be influenced by one another. Basically th ey cannot be separated tensions are not the "results", "causes", "accompanying m anifestations" of "psychic processes"; they are simply these phenomena themselve s in the somatic realm". The unity of psyche and soma is expressed in the diagra m on the cover of all his books two arrows curling in to meet each other, both e xpressions of an underlying energetic process. Orgiastic potency One key element of Reich's model of health is his orgasm formula, and what he ca lled orgiastic potency. These ideas evolved alongside the concepts of character armour and they are fundamentally interlinked. From early on in his career, Reic h felt there was some connection between the sexual function of his patients and their mental health. Basically put, the patients who got well and stayed well w ould be the ones who were able to establish a satisfying love life. It was his i nsistence on the connection between sexual and mental health that first brought Reich into conflict with the psychoanalytic establishment in critiques of his ea rly papers, some analysts insisted that they knew any number of patients who wer e neurotic yet maintained health love lives. He was also criticised for not defi ning what he meant by healthy gentility. In response, Reich began to qualify the sex lives of his patients, studying sexual response and masturbation fantasies in detail. He was impressed with the range and depth of the disturbances he foun d. Some of the symptoms he uncovered were, for instance, the wish to murder the partner, following the sex act, alongside feelings of depression or self-hatred, the penis conceived of as a weapon with which to pierce or hurt the partner, or a desire to prove potency, by performing many times, regardless of the pleasure in the experience.

Here Reich was one of the first to qualify the sex act, and look at subjective e xperience rather than accepting an unexamined "normality". Talking about healthy sexuality, he was nothing if not concrete here, giving as the centrepiece of hi s book The Function of the Orgasm a detailed description of this the orgasm itse lf, a description which combines subjective experience with biological function. Of particular interest here are his emphasis on the melding of tender and sensu ous strivings towards the partner (the unity of sex and love) and involuntary mo vements. It is precisely this kind of emotional expression and free, natural mov ement which is inhibited by armouring. He defined orgiastic potency as "the capa city to surrender to the flow of biological energy free of any inhibition, the ca pacity to discharge completely the dammed-up sexual excitation through involunta ry pleasurable convulsions of the body." That was his definition of health. Reading Reich, one can read orgiastic potency as simply an overpowering, jaw-dro pping orgasm. I think what's more important is the emphasis on the capacity to y ield, to give in and surrender to the body. If one thinks about character armour as rigidity, then orgiastic potency is the ability to give into your own body's spontaneous movement. I feel that the ability to give in physically, is related to the ability to give in, to surrender, psychically. This simple idea of movem ent, pulsation in an organism is fundamental to an understanding of his later wo rk. Reich held that the goal of his therapeutic process, through the removal of armo uring, was the establishment of orgiastic potency. Sharaf has stated that he fel t Reich had a tendency to over-estimate the possibility of people establishing o rgiastic potency through therapy. The complexities of real life and the human ch aracter mean that any therapy can fail to reach its stated goals Reich himself s aid that "once a tree has grown twisted, you cannot fix it". Sharaf also states that he felt Reich ignored the possibilities inherent in sexuality that felt sho rt of this - it's certainly possible to be open and loving without being fully " potent" in the Reichian sense. It seems to me to be a therapeutic ideal, like th e resolution of the Oedipus complex in psychoanalysis or Jungian individuation. Perhaps the purpose is not to reach to goal, but to go on the journey. Having sa id that, to judge from the case studies of Reich and the many analysts that foll owed him, therapy can have a powerful effect on ones' sexual life. I can testify to this from my own experience. When I began to explore armouring in the genital segment for myself, I was surprised to find the emotion of fear a nchored in my hips. It's a strange sensation when you find conflicts and issues you have actually expressed in your body, lurking there beneath the range of con sciousness all the time. This further confirms the Reichian model's therapeutic validity for me. So, what have been the effects on me, working in this way? Well, with the caveat that my work is still very much in progress, I'd say I feel much more in touch with my body, I feel it IS me in quite a profound way. I'm more aware of the def ensive patterns I slip into to, and how these are related to my bodily attitude. Emotionally I'd say I'm aware of the somatic root of all of my feelings and the y don't feel like strange unwelcome visitors anymore. I feel a lot more open and in touch with the gentler side of my emotions than I did previously. Of course, it's possibly I've just made this happen as I'm aware it's an attitude I aspire towards, rather than just a knock on effect of the physical work either way, it 's a positive thing. As for my orgiastic potency, my ability to surrender to bod ily convulsions in the sexual act well, perhaps I'd better draw a veil over that . Orgone energy I'd now like to begin exploring the part of Reich's work I personally still have difficulty with the discovery of what he called orgone energy, and the strands of his work that built upon this. I can only skip through it quickly in this tal

k, but you this quick summary shouldn't make you think from it's not as well res earched and documented as any part of his work. On often hears that Reich went c razy at a certain point this point is usually judged to be when the accuser star ts to disagree with him. However, Reich's work on orgone fits with the unfolding logic of the rest of his work and is as rigorously documented as his earlier ps ychotherapeutic work. To the orthodox scientific world, he's a total lunatic, bu t I found his work rich enough and pregnant with possibilities that I'm happy to pursue the "crazy" strands. If he is right, he's discovered something incredibl y important. This work touches on not just one, but two, scientific heresies vitalism and spo ntaneous generation Vitalism is the belief in a life energy, an energy that inha bits the organism the presence of which separates the living from the dead. We m ight draw parallels with chi or prana. Both of these are linked to breath, and w e've already seen the importance of respiration in Reich's therapy. Spontaneous generation is the belief that "life arises from life" the idea that not just in terms of reproduction but rather that the breakdown of living organisms can give birth to new life. As we have seen by the time Reich arrived in Oslo he was beginning to simplify h is therapeutic technique. He was looking at it in terms of the free movement of energy rather than complex psychoanalytical schemas. He also perhaps unwisely mo ved into a completely new area of study for him, that of microscopy, and began t o examine amoeba. Why? Why on earth was he doing investigating this field, one i n which he had no training and little experience. Well, either as his detractors had it, he was a megalomaniac lunatic who knew no shame or sanity or, as he and his defenders would put it, he felt he was on the brink of discovering somethin g fundamental about life and living processes, and he felt compelled to do this by looking at life in it's most simple forms to see if his ideas still held. Thr oughout his work he'd been trying to look for a real and physical basis for Freu d's "libido" he'd began to study biology with the aim of understanding of how en ergy moved in organisms and individuals cells. We can see his microscopy work as following this, looking at fundamentals, asking "what is life"? To quote Sharaf again, he was trying to "to drive life into a corner, to reduce it to its lowes t terms". Early on in this work, he asked a laboratory assistant where amoebas came from. The assistant told him, with a startled look, "from the air, of course". This is the common explanation for the birth of amoeba they are carried in the air to t he bodies of water were they grow. Reich began some experiments in biogenesis, s ubmitting disintegrating plant material to continuous observation. At the edges of the material, he observed that the cells gradually disintegrated into small s hapes which floated off into the surrounding fluid. Often these shapes which wou ld grow into amoebae. Reich called the structures Bions transitional forms between the living and the non-living. He carried out a number of safeguards to make sure that what he saw wasn't the result of contamination - such as heating to incandescence which is s upposed to destroy all bacteria and creating hermetical sealed systems but he st ill found these motile forms creating coming into creation. He tested other subs tances such as foodstuffs, soil and coal and found similar forms arising. It's h ard to convey what a real heresy this is it challenges fundamental ideas about t he origin of life, which is said to have occurred once and once alone in the pri mordial soup in aeons past. Reich's work implies that this might not be the case . Unsurprisingly, this work unleashed an incredible storm of controversy in the Norwegian press, which alongside Nazi aggression contributed to Reich's decision to leave Norway in 1939. As he carried out these experiments Reich began to notice radiation phenomena co ming from particular preparations. An assistant had mistakenly placed some ocean

sand in the steriliser. Some bions appeared which had a strong effect on ia and refracted light powerfully and when studied through the microscope eich slight conjunctivitis. He isolated them metal box in a darkened room and contain the radiation phenomena, where he noted some peculiar visual s. His description reads:

bacter gave R to try effect

The observations in the dark were somehow weird. After the eyes adapted to t he darkness, the room did not appear black but grey blue. There were fog like fo rmations and bluish dots and lines of light, violet light phenomena seemed to em anate from the walls as well as from the various objects in the room. He attempted to build an apparatus to contain this radiation with metal inner wa lls to reflect the energy back in and organic outer ones to reduce the outward d eflection. He was somewhat surprised to find that he found the same light phenom ena though not as strong within the metal box after he'd removed the bion prepar ation, though not as strong. Over the course of several days, he tried everythin g, taking apart the box and cleansing and airing the plates. He built another bo x and kept this in rooms separate from the bion preparations but still the pheno mena persisted. He continued this work after his relocation to America, and at a vacation in Ore gon in 1940 he felt he'd finally solved the mystery. While out at night, observi ng the stars, he saw similar phenomena as he had seen in the box. Therefore he c oncluded the atmosphere contained an unknown energy. Now, I've gone over this incredibly briefly as I wanted to fit it all in tonight , but those are the bare facts. I'm conscious of the fact it might sound like a schizophrenic fantasy, but when one reads Reich's words for oneself, one notes t he tentativeness, the uncertainty as well as a great facility for observation an d logical argument. He doesn't read like a madman or a fantasist, but rather a c autious but courageous researcher, the logic of his work compelling him to posit a whole new paradigm. Also, there is lengthy investigative and experimental justification for it every step of the way. His work has been replicated by independent workers following him but unfortunately, from the point of view of orthodox science, they exist in that weird Catch 22 zone where if you do report positive results from his work, you become a "Reichian" and therefore inherently untrustworthy. And of course, no one on the "right" side of the fence ever bothers to replicate the experiment s. In Reich's worldview, "energy" isn't something mystical or hallucinogenic, it 's a scientific fact and he formulated a view of the human character and life pr ocess which rests on this. The box went on to become his orgone accumulator and orgone becomes a "red thread" linking us to our environments, and tying together all of his work. I feel the fully matured Reichan view of character, activity and energy is best expressed in a quote: we are biological energy systems, absorbing and producing energy from the en vironment in the form of air and food. This energy is fuels our life process and its movement and expression is experienced as sensation - love, anger, desire f ear, longing. Surplus energy is discharged in work, play, thought and particular ly sexually. If there are no permanent blocks to discharge we remain healthy, ou r vital life functions maintain themselves without disturbance. If our primary n eeds as children have not satisfied, we form armouring to cut off the awareness of the pain and distress caused by this frustration. Energy, then, is something that underlies all of the life processes and links th

em all together. It was Reich's insistence on the reality of this energy that brought him into co nflict with the authorities, and there was a sustained campaign against him in t he American media from the early 1950s. An FDA injunction was passed against him in 1954, preventing him transporting his books and experimental devices across state lines. Many of his books were burnt. He was found to be in contempt of thi s injunction in 1956 and sentenced to two years in prison. He died in prison in 1957. Reich's work and spirituality I'd like now to talk about a few conclusions from Reich's work that reflect on " the occult".. I've been interested in the occult for over a decade now, and have tried quite a few practices over the years. I've come to the conclusion that ma ny of them may be useful, and give rewarding insights, but also that the occult can be a minefield of self-delusion, and healthy scepticism and rigorous critica l thinking is a must. The occult literally means "hidden" and a definition of oc cultism I like is that "the investigation of that which is hidden" - in ourselve s, and in our relations to others and the world. Armouring and our attitudes tow ards our own energy in motion are then both "occult", from this point of view. R eich has a particularly unique set of insights to apply here - though I should a dd he'd in no way consider any of his ideas "occult", being thoroughly committed to scientific methodology. Indeed, he would probably be saddened to find his wo rk associated with such a disreputable and eccentric "fringe" subculture. Firstly, I'd like to look at a model of Reich's which I find has much explanator y power. He broke out character down into three "layers". The first of these is a "social" layer, a veneer of good behaviour and politeness with which we intera ct in the social world. If we see this layer as partially a product of armouring and learnt restraint, we can see that underneath it might lie a second layer of frustration, anti-social impulses, rage and so on. Where Reich really showed hi s insight was that he posited another layer beneath this, a part of us which is open, loving and vulnerable. Reich argued that this "core" is naturally decent a nd moral. It is the suppression and suffocation of this layer, through the event s of our birth and childhood that produces armouring. I only have to think about which emotions I have easiest "access" to, to see the validity of these ideas r eal openness and tenderness seem much more affecting and come from a much more g uarded place. Often one finds expression of the second layer touted as somehow iconoclastic. A nything one has been told not to do be it violence, promiscuity, substance abuse or shitting on someone's doorstep any acts which break the social veneer prove how "liberated" or "crazy" one is one. Sometimes these impulses are presented as our "true" inner self, which everyone would act out if only they weren't so rep ressed. From a Reichian perspective, a lot of these acts, rather than being "lib erated" are simply one more layer of our defences, a way of warding off deep fee ling. I'm much more interested in the first layer that point of surrender, openn ess and vulnerability. A lot of occult practises - and the "outsider stance" one often encounters in occultists seems to me to be a shield from this openness an d simply another way of armouring. Secondly, Reich's has very interesting things to say about the way we occutlise experience, and use these experiences to stay out of contact with our bodies. Fe eling one's own energy in movement inside one can be a frightening process, as i t can activate our sexual anxieties and childhood conflicts.. Reich often wrote about the orgasm anxiety his patients would experience in the course of therapy the terror that surrounds our deepest pleasurable feelings, fear of letting go, of giving in to the spontaneous movements of the organism. He felt that the hatr ed his work often encountered was due to its ability to provoke these conflicts in people.

One expression of this anxiety and hatred is to completely deny the existence of any life-force or energy mechanism, in Reich's parlance. Another response is to mystify the sensations - that is, to project them outside oneself, and project agency onto them. To quote: "Mysticism [in Reich's sense].. is a distorted experience of one's own body energy in motion projected outward either onto imaginary figures or abstra ctions such as "the devil", "god" or "the Jew" or "Asiatic races" or "the angels " or "the age of Aquarius" or some idealised hero or leader. Mysticism is also a ccompanied by a sense of helplessness in the face of social problems , the abdic ation of responsibility for solutions and the fantasy that some force, god or le ader is going to solve these problems without the individual having to do anythi ng for him or herself to deal with them. The obverse of this stage is that cause of all problems are projected outside oneself as others or external abstraction s". In his book Character Analysis Reich presents a case study of a young woman with schizophrenia. She was plagued by "forces" which menaced her from the walls of her room. In the course of therapy, Reich realised that these forces where disto rted perceptions of her own bodily energy. To accept them as her own produced to o much anxiety (centred around sex and childhood conflicts), so she had to exter nalise them. The work with these "forces" and her struggle to accept them as her own bodily sensations ran throughout her therapy. I am not saying that these concepts underlie all "occult" experience but I have often seen attitudes which remind me of Reich's ideas. A very real urge for aliv eness, or frustration with armouring can "flip" into an uncritical acceptance of every kind of cosmic idea, an inflated sense of self-importance because of occu lt forces ("gods" or "angels") interfering with one's life, an over-reliance on the astral plane, and a contempt for this life and the body. In general, I feel occultists should worry less about Universe B, "alien forces" and New Aeons and get back to our bodies. Reich shouldn't be thought of as being totally hostile towards all religious fee ling though later in life, he began to see the openness which unarmouredness bri ngs as perhaps having parallels with the best impulses in religious feeling. Fun damental openness to the body, emotion and nature can produce feelings which the religious would define as contact with the divine. His book The Murder of Chris t is a very moving allegory of how we "murder" Christ with each new generation. "Christ" can be seen as the alive and spontaneous life in every child which is " crucified" and turned into armouring through contact with our own rigidity. In my own experience, I've found all of the practices which have been most signi ficant to me have led back to the body. One of the first practices I tried was s omething called the "lesser energy orbit" derived from the works of Mantak Chia. It involved the circulation of "energy" in a circle throughout the body. I stop ped the practice when I began to have alarming sensations of burning in the fron t of my throat (there were no instructions on how to deal with that in the book! ). Later, when practising the exploration of the elemental tattavs, I triggered a series of dreams which involved my committing homicide through strangulation. I feel both of these experiences were related to the muscular tensions held in m y throat which held in check sensations of anger which I've begun to explore wit h Reichian work. The expressions of I wonder how many other "occult" phenomena a re simply people coming into contact with their bodies, albeit in distorted ways ? To close, I'd like to look at the epigraph quoted above: Love work knowledge are the wellsprings of our life, they should also govern it. It helps to understand this, as with all Reich's work, if we view it from the perspective of the livin

g organism. Love, as we have seen for Reich, involves the genital act with full emotion and involvement. Work, in this sense, means the activity of the organism , as it's natural for us to act, to move, play with and interact with the world. Work, as activity produced by being alive is natural. Knowledge, I think of as the curiosity of the young child, crawling around, picking up things, a curiosit y arising from openness. In Reich's own life, this curiosity led him into biolog y, physics, meteorology and beyond. I'd like to close with some words from Reich himself, from the end of his great book The Function of the Organism which to me sums him up, both in terms of his life and work. Speaking of his work he said "It has its core in the enigma of lo ve, to which we owe our being".