CONTEXTUALISM: URBAN IDEALS + DEFORMATIONS" 'om Schumacher Fa a a RECs Baeamenity". Modern architecus« pro- roach to solving urban ‘Very beep the argument might be tested a fliows: because form need at follow. function (rams and woce need not be expres” i's the conficration of buildings nd towns This renders” out-of Sigultion of forms at lee Felates directly tothe erpanizational patterns of buildings. ‘Sock smaller cal works serves analogue m0- Gels for larger projets Thus. urban orm is scem a possessing 2 fe of lee awn, bvespective of use. cule fine" reonomie conditions Formal ‘Sonne transcending periods ther felore become an. hnportat com Seraton’. Moreover, the commu Gaive mature of architecture as Imimesc at ven new lnportance ‘This astade depends upon the pro- {anol be tested. While they do Bot ‘Sppear to relace avec to the so Inti of 50 many of out urban pro- Biems,‘ie‘ean be. arewed thet those Prableme cannot be solved by archi Planning proces other crea ace wich allow wr to mabe fodee- ‘The shove statements yply an at {ide "toward architectural form wich, wile gave modern archtce: fer meighbors, mull-sded and without Dreferemial faces, i of ‘course not Bows What, was mew for. modern srchiecrare he sistence tat uration be typical ing tpes rather than spe cial to particularly important buid- ‘The development of Renaissance ar Chitecrore te generally described a5 {he historical progresion from the Loggia desl Yenoceat af Brunel: Sch to the Tempieto. of Bramante. ‘This rowrestion i presented as the Continuing refinement of motte fro Incribed to real forms — trom sur- face to volume — culminating io fequired fo soften the ial and Com form to both wse and situation * The Villa Badoer of Palacio isan exam- ‘of the alterations made to. a Fideat™, mulivsded. form tn ‘order Sons hosed tn de wines Ths bulls: ‘igural balding hich ‘Srpendent upon reparation from is coment, But ange from being figural {ike the Vila Badoerh it alsoUE aa iP ee r