Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
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Finale 2001
for Windows
Index
Next
Chapter
C ODA
MUSIC
TECHNOLOGY
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Index
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Chapter
ii
Chris Anderson
Tom Johnson
Randall Stokes, Chris Cianflone, Beth Sorensen, Joe
Lenarz, Tim Fischer, Scott McSpadden
Scott Yoho, Michael Johnson, Carla Hennes, Allen
Fisher, Trey ZehrGrimm, Curby Rule, Gary Pederson,
Ryan Demlow, Shawn McClain, Bruce Holbrook,
Nathan Carlton, Mark Johnson, Jake Glasgow
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Chapter
Finale and Coda are registered trademarks. Finale Allegro, Finale PrintMusic!, and The Art of
Music Notation are trademarks of Coda Music Technology, Inc.
ENIGMA Music Publishing Toolkit 1987-2000 Coda Music Technology, Inc. All rights
reserved.
Portions 1984-2000 FairCom Corporation. All rights reserved.
The program used to install Finale, Installer VISE for Windows, is licensed by MindVision
Software. All rights reserved.
Acrobat Reader Copyright 1987-1996 Adobe Systems Incorporated. All rights reserved.
Adobe, Acrobat, Illustrator, Adobe Type Manager and PostScript are trademarks of Adobe
Systems Incorporated which may be registered in certain jurisdictions.
SmartScore and MIDISCAN are registered trademarks of Musitek Music Imaging Technologies.
Microsoft, Windows, Windows 95, Windows 98, Windows 2000 and Windows NT are registered
trademarks of Microsoft Corporation.
Apple, LaserWriter and Macintosh are registered trademarks of Apple Computer, Inc.
Other brand or product names are trademarks or registered trademarks of their respective holders.
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C ODA
MUSIC
TECHNOLOGY
6 2 1 0
B U R Y
D R I V E
EDEN PRAIRIE, MN 55346-1718
( 9 5 2 )
9 3 7 - 9 6 1 1
( 8 0 0 )
8 4 3 - 2 0 6 6
F A X:
( 9 5 2) 9 3 7- 9 76 0
TECH SUPPORT:(952) 937-9703
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Chapter
iii
2.
3.
4.
5.
6.
7.
8.
GRANT OF LICENSE. In consideration of the license fee that is a part of the price you paid for this product,
CODA grants you, as licensee, a nonexclusive right to use the SOFTWARE on a single computer (CPU) under
the terms and limitations of this License Agreement.
OWNERSHIP. As licensee, you own the documentation materials and the media on which the SOFTWARE is
recorded, but CODA retains all ownership and rights in the SOFTWARE, including all rights in any portion(s) of
the SOFTWARE present in any output of the SOFTWARE. This License Agreement is NOT a sale of the
SOFTWARE.
USE RESTRICTIONS. You may physically transfer the SOFTWARE from one computer to another, provided
that the SOFTWARE is used on only one computer at a time. You may not install or use the SOFTWARE on a
network, multiple CPU, multiple site arrangement, or any other hardware configuration where the SOFTWARE
is accessible to more than one CPU or to more than one user. You may not use telecommunication transmissions
to electronically transfer the SOFTWARE from one CPU to another. To protect CODAs copyrights and trade
secrets in the SOFTWARE, you may not adapt or make alterations to the SOFTWARE, decompile, disassemble,
translate, convert to another programming language or otherwise reverse engineer the SOFTWARE or digital
files created by the SOFTWARE.
TRANSFER RESTRICTIONS. You may not transfer, assign, sell, or otherwise dispose of the SOFTWARE on a
permanent basis without the written permission of CODA. Should CODA grant such permission, you may be
required to pay a Transfer Fee in effect at the time of the transfer. In no event may you rent, lease, grant sublicenses or any other rights in the SOFTWARE to others on a temporary basis, including renting the SOFTWARE
and CPU together to other users.
COPY RESTRICTIONS. You make one copy of the SOFTWARE solely for backup purposes. The backup copy
automatically becomes the property of CODA and is subject to this License Agreement. You must reproduce
CODAs copyright notice on the backup copy.
SUPPORT AND UPDATE POLICY. CODA is not responsible for maintaining or helping you to use the SOFTWARE, except through CODAs FINALE SUPPORT SYSTEM. From time to time, CODA may update the
SOFTWARE. By returning the completed Registration Card to CODA, you will be able to use CODAs FINALE
SUPPORT SYSTEM. In addition, you will receive information regarding updated versions of the SOFTWARE.
Future updates may be made available to licensees who have returned the completed Registration Card to CODA
and paid an Update Fee.
TERMINATION. This License Agreement is effective upon installation of the SOFTWARE and remains in effect
until expiration of all copyright interests in the SOFTWARE, unless earlier terminated. This License Agreement
will terminate automatically without notice from CODA if you fail to comply with any of the terms or limitations
of this License Agreement. Upon termination you must return all copies of the SOFTWARE to CODA.
MISCELLANEOUS. This License Agreement is the complete and exclusive agreement between you and CODA
relating to the SOFTWARE and shall be interpreted under the laws of the State of Minnesota applicable to contracts made in Minnesota.
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Index
The FINALE SOFTWARE and accompanying documentation materials may also be protected
under federal copyright and patent laws. Unauthorized copying or use of the SOFTWARE beyond
the scope of this License Agreement is expressly forbidden. You may be held legally responsible
Next
for any copyright or patent infringement that is caused or encouraged by your failure to abide by Chapter
the terms and conditions of this License Agreement.
iv
CODA warrants to the original licensee of the SOFTWARE that the media on which the SOFTWARE and accompanying documentation materials are recorded will be free from defects in
materials or workmanship under normal use for a period of 90 days from the date of purchase of
the media and documentation materials as evidenced by a receipt. This warranty will be null and
void if the media appears to have been damaged due to unauthorized service, modification, accident, abuse, misuse, or excessive wear.
Index
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Chapter
CODAs entire liability and your exclusive remedy as to defective media shall be replacement of
the defective media. CODA will replace any defective media you return during the 90 day warranty period, without charge, provided you have signed and returned the enclosed Registration
Card. Prior to returning the defective media, you must call CODA for a return authorization number. Returned media should be shipped in a protective package to CODA MUSIC TECHNOLOGY at the address shown in the documentation materials, and should be accompanied by the
return authorization number, a copy of the paid receipt, a brief description of the problem and
your return address. SOME STATES DO NOT ALLOW LIMITATION ON HOW LONG AN
IMPLIED WARRANTY LASTS, SO THE 90 DAY LIMITATION MAY NOT APPLY TO YOU.
Neither CODA nor anyone else involved in the creation, production, licensing, or delivery of the
SOFTWARE and documentation materials shall be liable for any indirect, incidental, consequential, or special damages (including damages for lost profits or the like) resulting from breach of
warranty or any type of claim arising from the use or inability to use the SOFTWARE, even if
CODA has been advised of the possibility of such damages. In any event, CODAs responsibility
for direct damages is never more than the purchase price and license fee you paid for the FINALE
package. SOME STATES DO NOT ALLOW THE LIMITATION OR EXCLUSION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION MAY NOT
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APPLY TO YOU.
EXCEPT AS EXPRESSLY PROVIDED ABOVE, CODA MUSIC TECHNOLOGY MAKES
NO WARRANTIES REGARDING THE SOFTWARE, DOCUMENTATION MATERIALS, Index
OR MEDIA, EITHER EXPRESS OR IMPLIED, INCLUDED BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURNext
POSE. No oral or written information or advice provided by CODA, its dealers, distributors,
Chapter
agents, or employees shall create any other warranty or increase in any way the scope of this warranty, and you may NOT rely on such information or advice. THIS LIMITED WARRANTY
GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS
THAT VARY FROM STATE TO STATE
Contents
Whats New in Finale 2001 . . . . . . . . . . . . . . . . . . . . . . . .xxii
How to Use the Finale User Manual . . . . . . . . . . . . . . . . .H-i
The parts of the Acrobat Reader window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-i
Adjusting the page size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-ii
Moving forward or backward in a document . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-iv
Using links . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-v
Searching for topics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-vi
Printing the Finale User Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-vii
Command summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . H-viii
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Index
File menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Setup Wizard. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Save As dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Save As Web Page dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Import dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Save Library dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
File Information dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
File Statistics dialog box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Count Items. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Compile PostScript Listing dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Additional PostScript Information dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PostScript . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Encore Conversion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Importing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Scanning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Next
Chapter
2-1
2-7
2-11
2-13
2-14
2-15
2-17
2-18
2-19
2-20
2-22
2-23
2-23
2-25
2-27
3-1
3-8
3-9
3-9
3-11
3-15
3-17
3-18
3-18
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Chapter
vi
5-1
5-6
5-6
5-7
5-7
5-9
5-10
5-11
5-13
5-14
5-16
5-16
5-18
5-19
5-19
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Chapter
6-1
6-3
6-5
6-6
6-7
6-7
6-9
6-10
6-14
6-17
6-20
6-21
6-22
6-23
6-25
6-25
6-27
6-30
6-33
6-33
6-34
6-35
6-38
6-38
6-39
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Chapter
vii
7-4
7-6
7-8
7-9
7-12
7-13
7-14
7-17
7-19
7-22
7-24
7-27
7-28
7-29
7-31
7-33
7-34
7-35
7-37
7-41
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Chapter
8-1
8-3
8-4
8-6
8-7
8-10
8-12
8-12
8-13
8-16
8-18
8-19
8-20
8-21
8-23
8-25
8-27
8-29
8-31
9-1
9-5
9-6
9-10
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Chapter
viii
Change Noteheads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Change to Default Whole Rests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Change to Real Whole Rests. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Check Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Check Region for Durations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Classic Eighth Beams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Command Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Find Parallel Motion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Find Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Ledger Lines (Hide), Ledger Lines (Show) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Midline Stem Direction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Move Rests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Piano Reduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rhythmic Subdivisions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Single Pitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Voice 2 to Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
9-11
9-12
9-12
9-12
9-15
9-16
9-17
9-20
9-21
9-21
9-22
9-23
9-23
9-24
9-27
9-27
9-28
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Chapter
ix
Group names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Barlines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Brackets: Staves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Distances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Percussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10-59
10-62
10-66
10-68
10-69
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Chapter
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Next
Chapter
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Index
Next
Chapter
15-1
15-1
15-2
15-3
15-4
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Chapter
xi
Courtesy accidentals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Parentheses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Dotted notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Grace notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Note positioning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Note values (durations) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Multiple voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16-19
16-19
16-20
16-21
16-23
16-24
16-25
18-1
18-1
18-2
18-2
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Chapter
TOC
Index
Next
Chapter
xii
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Chapter
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Index
Next
Chapter
xiii
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Index
Next
Chapter
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Index
Next
Chapter
xiv
Pedal markings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Pizzicato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rallentando . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Tempo markings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Grand Pause . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Metronome markings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rehearsal letters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Masks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
23-45
23-51
23-51
23-53
23-54
23-55
23-58
23-59
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Next
Chapter
TOC
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Chapter
xv
26-11
26-13
26-14
26-16
26-18
26-18
26-19
26-21
26-23
26-24
26-25
26-26
26-28
26-31
26-32
26-34
26-35
26-35
26-36
26-38
26-38
26-39
26-39
26-42
26-43
26-43
26-44
26-45
26-46
26-46
26-47
26-48
26-49
26-49
26-51
26-52
26-52
26-54
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Next
Chapter
TOC
Index
27-1
27-2
27-5
27-6
27-7
27-8
Next
Chapter
xvi
TOC
Index
Next
Chapter
29-1
29-1
29-2
29-3
29-4
29-5
29-7
TOC
Index
Next
Chapter
xvii
TOC
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Next
Chapter
TOC
Index
Next
Chapter
xviii
TOC
Index
Next
Chapter
35-1
35-3
35-4
35-7
35-8
35-9
TOC
Index
Next
Chapter
xix
TOC
Index
Next
Chapter
TOC
Index
Next
Chapter
xx
39-32
39-32
39-35
39-39
39-41
39-42
39-45
40-1
40-2
40-4
40-5
40-6
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Chapter
Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .A-1
Finale Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-1
Finale Score Templates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-7
Configuring Pagesizes.txt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-9
Configuring Instrument.txt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-10
Finale File Extensions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-11
Finale and Explorer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-13
About the Finale.INI file. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-14
About the FINMIDI.INI file . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-21
Plug-in filenames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-23
Finale Notational Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-24
Equivalents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-26
Edit Frame dialog box. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-27
Quantization Settings Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-32
More on MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-34
General MIDI Patch Set Groupings Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-36
General MIDI Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A-36
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New area code for Technical Support - (952) 937-9703, FAX (952) 937-9760.
Hear the note as you enter it in Simple Entry. See SIMPLE MENU.
With MicNotator you can play on *your* instrument (not just a keyboard) into a
microphone and have Finale notate it. See MICNOTATOR.
Save As Web Page. Create web pages of your Finale scores that others can read with the free
Finale viewer plug-in. See SAVE AS WEB PAGE.
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Post at Finale Showcase. Dont have a website? Use ours! Just follow the directions on
screen to upload and post your scores on the Finale Showcase website. See FILE MENU.
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Distribute on Net4Music. Takes you to the website of digital music distributor Net4Music.
Publish your music with unmatched security. See FILE MENU.
Use the new Space Systems Evenly option in the Page Layout menu to distribute your staff
systems on the page with the top and bottom systems lining up on the page margins. If Reflow
Systems is checked in Update Layout Options, Space Systems Evenly will reflow the number
of systems to find the maximum number that fit on a page and then respace those systems
evenly. See SPACE SYSTEMS EVENLY.
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a page break set. Just select the system and then Insert Page Break or Delete Page Break to
set or clear a page break. See PAGE BREAK.
Insert or delete systems into your music while keeping the rest of your systems intact or
reflowing measures across systems and pages. See INSERT STAFF SYSTEMS DIALOG BOX.
Now, easily set the distance between a staff system and the staff system above (or the top
page margin). See PAGE LAYOUT TOOL.
Enhanced system dragging uses plain dragging to move one system and all following systems move. Control-drag to move only the system you are dragging. If this is the last system
on a page, it will align the system to the bottom of the page. See PAGE LAYOUT TOOL.
Lock the contents of systems as well as the number of measures. Use Fit Music in the Mass
Mover menu and in the Page Layout menu to set a number of measures in a system and hold
their contents as well. When measures are inserted, the measures stay put. A lock icon
shows you when youve locked the contents. See FIT MUSIC DIALOG BOX.
A new optimization icon
SYSTEMS.
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Fit Music will treat multi-measure rests as a single measure. See FIT MUSIC DIALOG BOX.
Now you can select just the systems you want to change with regional selection in Page Layout. Drag-select, shift-click or select all of the handles to make changes to just the systems
you want to change. See PAGE LAYOUT TOOL.
The value for the top system margin is now the distance between the top staff line of the top
staff and the dotted line drawn around the system. See PAGE LAYOUT TOOL.
Change only the values you want to change with the new checkboxes in Edit System Margins dialog box. See EDIT SYSTEM MARGINS DIALOG BOX.
New Selection Tool! Double-click on most items and Finale will switch to the appropriate
tool. See SELECTION TOOL.
Import SmartScore files! Scan files into the SmartScore program, then import the results
into Finale. Change the key, change the lyrics, and edit like any other notation file. See TO
IMPORT MIDISCAN OR SMARTSCORE FILES.
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Bring scanned files directly into Finale. The MIDISCAN software has been incorporated
into your Finale. Just scan your sheet music, then let Finale transcribe it. See TO SCAN FILES
WITH FINALES MIDISCAN.
Another Plug-in is available for Finale 2001. Analyze your music for parallel fourth, fifths,
and octaves between voices, layers and staves with the Find Parallel Motion Plug-in. See
FIND PARALLEL MOTION.
See our website at www.codamusic.com for more information about our developers kit to
write your own. See PLUG-INS.
Open Multiple files at the same time in the File Open dialog box. Shift-click to select additional files. See the FILE MENU.
Click the Lyric Tool and go. Type into Score for lyrics is now set as the default setting in the
Lyric menu. See Lyric Tool. See LYRIC TOOL - SPECIAL MOUSE CLICKS.
New How Do I..? chapter gives you a jump-start into step-by-step instructions in the
manual. See CHAPTER 1: HOW DO I...?.
Improved Setup Wizard! Even more options to get your score setup quickly and easily, so
you can get to work entering the music. See SETUP WIZARD.
Tap the tempo with your mouse! Set the tempo by tapping your mouse in the Finale is listening for tempo dialog box. See LISTEN TO TEMPO DIALOG BOX.
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Dockable Playback Controls. Always moving the Playback Controls out of the way? New
Playback Controls are docked by default so theyll never cover up your music. See PLAYBACK
CONTROLS.
Create and edit text blocks in any view. Whether page-attached or measure-attached, you
can always edit your text blocks. In addition, the Text and Frame menus have been combined.See TEXT BLOCKS.
Always have a Final barline on the last measure of the piece. As you change your score,
the last measure has the final barline. See BARLINES.
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Font Annonation. Fine-tune the selection area of font characters. See FONT ANNOTATION
DIALOG BOX.
Staff placement in Scroll View no longer affects staff placement in Page View. Move your
staves around in Scroll View to make editing easier without messing up careful layout in Page
View. See PAGE LAYOUT TOOL.
Easier Swing Playback. No more guessing with the MIDI Tool, just set the swing on the fly
with the Playback Controls. Or, adjust the amount of swing within the piece using expressions with a swing playback effect. See SWING PLAYBACK.
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Fretboard editor. An *easy* way to customize your fretboard diagrams. Save your fretboards
in transposable groups. See FRETBOARD EDITOR DIALOG BOX.
Once youve created the perfect fretboards, save fretboards and fretboard styles to libraries
so you can use them in other documents. When loading a chord & fretboard library, duplicate
suffixes are not added - only new unique ones. See SAVE LIBRARY DIALOG BOX.
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Mass Edit menu has been merged into the Mass Mover menu. See MASS MOVER MENU.
More clefs! Weve added eight more default clefs to bring it to a grand total of sixteen clefs in
a document. New clefs are French violin clef, Bartitone C clef, Mezzo-soprano clef, Soprano
Clef, Alternate Percussion Clef, Treble 8va clef, Bass 8va clef and a blank clef. See CLEFS.
Clefs in any font, mixed fonts or even design your own shape for a clef. See CLEF
DESIGNER.
You can now force a clef to appear, even if its not changing from the measure before it.
You decide whether the clef appears to the left or right of the barline. Useful for creating
exercises where you want the clef to re-display in each measure. See CLEFS.
Metatools for Clefs assigned to letters and numbers. T for treble or B for bass, take your
pick. See CLEFS.
If you re-arrange the order of your staves, Auto Sort Staves will correct the barlines for
you. See STAFF MENU.
Not sure what staff style you applied? Show Staff Style Names will display the name of the
staff style above the measure. See STAFF MENU.
Easier to enter rests in Speedy Entry when youre working in Hand-Free MIDI or with- TOC
out a MIDI keyboard. Weve also added an Insert mode, for either notes or rests. See
SPEEDY ENTRY.
New Scandinavian Chord Style: instead of Bf, B and Bs you get H, Hn and Hs.See CHORD
MENU.
Move accidentals vertically, enter precise offset numbers and change an accidentals
size, character or font. See ACCIDENTAL SETTINGS DIALOG BOX.
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Easier pickup measures from the Set Pickups dialog box will automatically skip the
pickup for measure numbers. You wont have to search for it in Music Options anymore;
weve moved it out to the Document Settings menu. See SET PICKUPS DIALOG BOX.
New keyboard shortcut to switch layers in any tool: Alt-Shift-layer number. See KEYBOARD
SHORTCUTS.
No more searching for parts, have Finale open newly extracted parts automatically. See
EXTRACT PARTS.
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