THE CRITICAL EDITING OF MUSIC HISTORY, METHOD, AND PRACTICE JAMES GRIERwae most important stvies ad conertutons ofthe mic schoae to ‘ileal fe. Through aeeabe editions, previotsy unknown use fnters the repertory, while well-known works receive eth iterpre tabons. This the Set book to provide an ierodaction tothe ‘methods of tex critcam and thetr pplication to muse eating. 2 swell as proving a history ofthe fl, nd scusion of the er 2nd problems encountered, Tn this volume, ames Grier examines the cet as of music cing and develope theoretical amework for ctl method logy, drawing examples fom the eal manic repertory through con temporary orks, nelading variowr genrer fom opers 0 the symphony. The author alo examines the fire of mie editing ad is appliestion on CD-ROM an elated elecwonic media, The Book Tollows dhe various activities inherent in mani editing incang the tas of the editor, the mare of muss! routes and transcription Grier ako discusses the dial decisions faced by the editor such = sources not sociated with the composer and necenary editorial Jndgement HOE 234750) Wa 96 cRrWw 3 srl The critical editing of music History, method, and practice JAMES GRIER Avi Pon pormant Ma CAMBRIDGE cc naers0 UNIVERSITY PRESS