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Robert Savage
I hear what the mountains and the forests and the farmyards have to say. I go
up to see my old friend, a 75-year-old peasant. He has read about the call to
Berlin in the papers. What will he say? He slowly fixes the unwavering gaze
of his clear eyes on mine, holds his mouth tightly shut, carefully lays his faithful
hand on my shoulder and – almost imperceptibly shakes his head. That is to
say: implacably No! (Heidegger, 1983: 12–13)
Adorno would spend the best part of a lecture poking fun at this
passage, and it is not hard to see why he found its glorification of rural
backwardness, its ‘laudatio to the simple, rustic life’, both nauseatingly
kitschy and ideologically suspect (Adorno, 1973: 152). Clearly, taciturn hill-
billies can be relied on to give better advice than smooth-talking university
professors, for there is no doubt in Heidegger’s mind that his No to Berlin,
unlike his Yes to the rectorship, was the right choice, nor that he has glossed
the peasant’s tremulous gesture correctly – perhaps because it confirms what
he has already been told by the ‘voice of the friend’ which, according to
Being and Time, every Dasein carries in its ear (Heidegger, 1977: 217). In
both cases, the decision seems to have been taken out of his hands by
those around him, requiring only his consent to what is presented to him
as a fait accompli. But two very different kinds of idiocy are involved here,
which I am tempted to classify according to the well-worn Heideggerian
schema of the ‘authentic’ and the ‘inauthentic’. On the one hand, there is
what Heidegger privately referred to as ‘the greatest stupidity’ of his life, a
failure to speak up at a critical moment that severely compromised his
personal and philosophical integrity, earned him a ban on teaching in the
immediate aftermath of the war, and was eventually to spawn a minor
academic industry. On the other, there is the eloquent idiocy that derives
from ‘a centuries-old, irreplaceable Alemannian-Swabian rootedness in the
soil’, an unspoken and unspeakable attunement to one’s native land and
its people which city folk, mired in ‘chatter’, tend to mistake for slow-witted
reticence (Heidegger, 1983: 11). The task that confronts any serious investi-
gation of Heidegger’s politics is to explain how these idiocies relate to one
another.
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so long kept Germany, the ‘delayed nation’ (Plessner), from enjoying its
place in the sun, Heidegger set himself at odds with the regime which sought
from the beginning to annex that place for the master race; to that extent,
one may argue for the incompatibility of the philosopher’s ‘private National
Socialism’ with Party doctrine (Phillips, 2005: 99).
Yet before we jump to the conclusion that Heidegger’s daimon should
have prevented him from putting his name forward for the rectorship – a
conclusion that would force us to dismiss Heidegger’s engagement for
National Socialism as an (in)excusable inconsistency or error of judgment
on the part of a thinker who ought to have known better – we would do
well to consider the highly idiosyncratic understanding of the daimonic that
informs Heidegger’s telling of the anecdote. The topic receives its fullest
treatment in the 1942/3 lecture series on Parmenides, where it is reproduced
in German as the uncanny (or the monstrously unfamiliar: das Un-geheure).
The daimonic, for Heidegger, names the intrusive shining into the accus-
tomed realm of beings of that which pertains to Being as such. A daimonic
gaze – the unwavering gaze of the peasant, for example – is one which
silently and attentively gazes into its own ‘appurtenance to Being’
(Heidegger, 1992: 114). ‘The Socratic-Platonic talk of the daimónion as an
inner voice’, Heidegger explains, ‘signifies only that its attuning and deter-
mining do not come from the outside, i.e., from some being at hand, but
from invisible and ungraspable Being itself, which is closer to man than any
obtrusive manipulable being’ (Heidegger, 1992: 117). Accordingly, the daimon
who counsels Heidegger to remain in the provinces is not in the first instance
to be construed in the customary sense of the term, as a divine signal which
flashes up in warning whenever the philosopher seems likely to make a
faux pas. Rather, he is an ambassador of ‘Being itself’, and the setting of
their meeting is a daimónios tópos, that is, ‘a “where” in whose squares and
alleys the uncanny shines explicitly and the essence of Being comes to
presence in an eminent sense’ (Heidegger, 1992: 117): the Alemannian-
Swabian homeland.
The peasant, it will be recalled, did not need to be told of Heidegger’s
call to Berlin because he had already read about it in the newspaper. This,
his sole concession to modernity, seems to situate him in the fallen world
of everydayness against which he was invoked in the first place. ‘One’ reads
the newspapers, one reads Being and Time, and that is enough to condemn
the ones who read them to inauthenticity (Heidegger, 1977: 169). Crucially,
however, the site of the peasant’s reading is not the locus communis
occupied by the masses, a featureless terrain flattened out by cartographers
to render it always and everywhere the same, but the daimónios tópos of
the people of Being, the ‘creative landscape’ to which professor and peasant
co-respond through their wordless agreement. The ‘initially rhetorical calls
for self-sacrifice’ proclaimed by the Nazis were accepted by Heidegger at
face value, indeed eagerly reaffirmed, because he recognized in them a
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promise to lead the Germans into that singular idiocy where they would be
sealed off from the commonplaces so thoughtlessly exchanged and inter-
changed by other peoples (Phillips, 2005: 55). In his own mind, then,
Heidegger remained faithful to his spiritus rector even and especially as he
was aspiring to the rectorship of the German spirit. His No to the
(metro)polis entailed the Yes to Hitler; it did not preclude it. The ‘greatest
stupidity’ of his life, however much he may have rued it in later years and
however far removed it may appear from the peasant’s unfathomable
wisdom, still attained a measure of greatness unequalled by both the criminal
foolishness of those to whom he pledged his allegiance and the average
intelligence of those who stayed under cover while waiting for the storm to
pass. Heidegger’s two decisions from 1933 demonstrate precisely the indis-
tinction of idiocy and stupidity in his thinking of the mission of the German
Volk.
notes at the bottom of the manuscript, ‘on the day the world [sic] celebrated
its victory and did not realise that it has for centuries been the vanquished
of its own rebellion’ (Heidegger, 1995: 249). This dialogue, conducted
between two German inmates of a Russian prisoner of war camp, recapitu-
lates much of what Heidegger had said and thought about the Germans’
collective Dasein since his resignation. The poets and thinkers are ‘those
who wait in the most noble manner’, and ‘insofar as we become those who
wait, we first become Germans’; the Germans, that is to say, are originally
and futurally the people of poets and thinkers. This Volk, the prisoners add,
is also the most endangered, ‘not through threats from outside’, but since it
‘tyrannised itself with its own unknowing impatience’ in the belief that ‘it
had to wrest recognition from other peoples’, whereas in fact – and here
Heidegger adapts to the national calamity of 1945 the tirade against Auslän-
derei launched by Fichte after the national calamity of 1806 – ‘this overhasty
sham essence remains only the eternally clumsy imitation of the foreign’.
Trapped in a bad mimesis, the Germans succumbed to foreign influences
and paid insufficient attention to their own historical essence. By identify-
ing the Nazi dictatorship with a slavish devotion to un-German ways of
thinking, Heidegger posits an original and uncontaminated Germanness still
to be recuperated from the global malaise of which the dictatorship was
merely symptomatic. Accordingly, Heidegger’s faith in the Volk’s unfulfilled
mission remains as strong as ever, and he sees the steadfast pursuit of that
mission as offering the only way out of the current misery: ‘And this quite
unusable people would have to become the oldest people, since no-one
would care about it and exploit its strange activity, which is a letting-be, and
thereby misuse it and prematurely use it up’. The lesson Heidegger draws
from the war is as logical as it is astonishing. If the Germans had previously
aped foreign manners in their impatient push for recognition, it is now
(1945!) Germany’s turn to teach the foreigners a thing or two: ‘That is why
we must learn to know the necessity of what is unnecessary and teach it,
as learners, to the peoples’ (Heidegger, 1995: 232–7).
By the time Heidegger came to write his next dialogue, ‘The Occiden-
tal Conversation’ (1946–8), the Volk had been quietly expunged from his
philosophical vocabulary. The upper Danube valley, which Norbert von
Hellingrath had called ‘the most German of landscapes’ (Hellingrath, 1936:
135), sets the scene for a discussion of the poet Heidegger had called ‘the
most German of the Germans’ (Heidegger, 2000a: 333), yet the interlocutors
avoid all talk of things German, as if skirting a taboo topic. The balmy late
summer haze that wreathes the countryside through which they walk
appears likewise to shroud their memory of the recent past, for the dialogue,
unlike its predecessor, shows no trace of the geopolitical or historical circum-
stances under which it was written. Instead, the conversationalists give them-
selves over to a lyrical, apparently timeless meditation on the beauty of the
river sung forth by Hölderlin, such that their measured pacing reconfigures
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and piously re-enacts the hermeneutic process held fast in the dialogue form
itself: ‘How beautifully it dwells we learn . . . by walking along its bank and
following it’ (Heidegger, 2000b: 177).
The meaning of this silence with regard to the shared ground of their
conversation may be inferred from the revised conception of German
manifest destiny spelled out at the end of the previous dialogue. If no-one
is to ‘care about’ the German Volk, if no-one is to ‘use it up’ as it was used
up under the last regime, then it must efface itself for the sake of its eventual
self-realization. By the end of the dialogue, the veil has already descended.
The fact that the entire world – not: the rest of the world – believes it has
won the war does not imply that Germany, too, has surreptitiously joined
the victory party, but that it has slipped off the map into the shadowy utopia
where it will remain, virtually undisturbed, for the rest of Heidegger’s life.
In the valley of the upper Danube, Heidegger executes the escape plan he
had hatched in the Russian POW camp: that Germany anonymously become
the teacher of the peoples.
These dialogues show Heidegger trying to establish a safe distance
between the conditions of his thinking about the German Volk and the
concurrent breakdown of the German nation-state, a distance that, in
allowing him, Cassandra-like, to expose the hollowness of the free world’s
triumph, helps to relieve some of the anguish of German defeat. Heidegger
focuses upon this second, more optimistic consequence of his diagnosis of
the age in a letter to Rudolf Stadelmann from 20 July 1945. ‘Everyone now
thinks of downfall [Untergang]’, he observes, continuing: ‘We Germans
cannot go under [untergehen] because we have not yet even gone up
[aufgegangen] and must first see through the night’ (Heidegger, 2000a: 371).
While Heidegger’s claim that the Volk’s rise and fall still stand before it may
appear perverse, the thinking behind it is entirely consistent with his earlier
positions. Just as the rapid ascent and belligerent territorial expansion of the
Third Reich should not be confused with the advent of the true Germany –
Hölderlin’s Germany – so its disintegration, unforgettably metonymized in
the images of the capital city reduced to rubble, need not foster the mood
of apocalyptic despair that was endemic at the time. In Heidegger’s account,
the victims of the war fall silently into the cracks that open up between the
centuries-old rebellion of the West and the indefinitely postponed dawning
of the hidden Germany. What is needed, and what the Allied conquest and
occupation of Germany could never deliver, is the authentic Untergang to
be ushered in by Hölderlin, the no longer metaphysical poet, in partnership
with Heidegger, the no longer metaphysical thinker. Two months later,
Heidegger reveals to Stadelmann his conviction ‘that the Occidental spirit
will awaken from out of our Swabian land’ (Heidegger, 2000a: 396).
While ‘The Occidental Conversation’ does not fall under the purview
of Phillips’s study, its narrative strategy is aptly summarized in one of the
book’s most astute and beautifully observed passages. Phillips writes:
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‘Romanticism was never far removed from the art of the saboteur. Into the
smooth space of a Europe that revolutionary imperialism first created before
sweeping across it in conquest, the Romantics injected a fatherland inacces-
sible beneath its garbage. Germany thereby reasserted itself in its barbaric
specificity, in the idiocy by which the classical world named that which is
inviolably and unenviably one’s own. Ahead of the invading armies, the
Romantics depopulated the countryside and the people that vanished left
behind only the intractable and indigestible fragments of its superstitions.
Ludwig Tieck’s Märchen are not dissimilar in purpose to the burning of
Moscow’ (Phillips, 2005: 27–8).
‘The Occidental Conversation’, which is not dissimilar in purpose to
Hitler’s command that the Volk go down with him, places itself squarely in
this tradition. Rather than revise his one-sided philosophy of history to
accommodate the lessons of the war, Heidegger takes his leave of history
altogether. The Swabian landscape he so lovingly conjures up is a sterilized
and depopulated fiction, a bunker disguised as a paradise. The war disap-
pears into this unblemished, virginal landscape as though it had never
happened. There is no room here for the hundreds of thousands of displaced
persons who were trudging across German territory at the time in search of
a new home, nor for the millions of dead and those who mourned them.
Instead, the conversation with Hölderlin in which Heidegger invites the
German Volk to participate provides an exit from history onto a virtual
homeland where nothing ever happens. Stranded by the outcome of events
he had hoped to steer, Heidegger was left to repeat a single, plaintive mantra
to anyone willing to listen: read in reverence, dwell in beauty, wait in hope.
As the Volk speeded past on the autobahn to European integration,
‘economic miracle’ and reunification, the philosopher wandered ever deeper
into his own private Swabia in pursuit of the fugitive ‘hints’ and ‘signs’ of
the gods, formulating his insights in an idiolect few could comprehend, until
he finally joined his peasant friend at that uncanny place where words failed
him.
Robert Savage works in the Centre for Comparative Literature and Cultural
Studies, Monash University. For Thesis Eleven (2004: 78), he has also written the
review essay ‘Adorno’s Family and Other Animals’. [email: robert.savage@arts.monash.
edu.au]
References
Adorno, Theodor W. (1973) Philosophische Terminologie. Band 1. Frankfurt/M:
Suhrkamp.
Heidegger, Martin (1977) Sein und Zeit (= GA 2). Frankfurt/M: Klostermann.
Heidegger, Martin (1983) Aus der Erfahrung des Denkens 1910–1976 (= GA 13).
Frankfurt/M: Klostermann.
Heidegger, Martin (1995) Feldweg-Gespräche (= GA 77). Frankfurt/M: Klostermann.
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Heidegger, Martin (1992) Parmenides (trans. André Schuwer and Richard Rojcewicz).
Bloomington: Indiana University Press.
Heidegger, Martin (2000a) Reden und andere Zeugnisse eines Lebensweges (= GA 16).
Frankfurt/M: Klostermann.
Heidegger, Martin (2000b) Zu Hölderlin. Griechenlandreisen (= GA 75). Frankfurt/M:
Klostermann.
Hellingrath, Norbert von (1936) Hölderlin-Vermächtnis (ed. Ludwig von Pigenot).
Munich: Bruckmann.
Phillips, James (2005) Heidegger’s Volk. Between National Socialism and Poetry.
Stanford, CA: Stanford University Press.