Documenti di Didattica
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Key Historical Events in Contemporary Computer Music Dawn of Music Notation Iraq:1800BC Cuneiform (melody in 3rds)
Teaching behind the veil-readopted by Schaeffer as the veil of speakers The concept of sound as divorced from source The appreciation of sound for its own sake regardless of origin A numerical basis of sound
Key Historical Events in Contemporary Computer Music Development of Music Notation Byzantine Empire : c. 390AD differential pitch
A Musical game for composing minuets and trios from dice rolls
Key Historical Events in Contemporary Computer Music 1857 E. Leon Scotts Phonautograph
Key Historical Events in Contemporary Computer Music 1861 Philip Reis Telephone
Key Historical Events in Contemporary Computer Music 1863 Helmholtz publishes On the Sensation of Tone as a Physiological Basis for the Theory of Music
Key Historical Events in Contemporary Computer Music 1874 Elisha Grays Musical Telegraph
Key Historical Events in Contemporary Computer Music 1876 Thomas Edisons Phonograph
Key Historical Events in Contemporary Computer Music 1889 Claude Debussy at LExposition Universelle
Key Historical Events in Contemporary Computer Music 1895 Thaddeus Cahills Telharmonium
Key Historical Events in Contemporary Computer Music 1907 Busonis Sketch of a New Aesthetic of Music
Key Historical Events in Contemporary Computer Music 1913 Russolos The Art of Noises
Key Historical Events in Contemporary Computer Music 1913 Russolos The Art of Noises
Wicked noise-makers
Key Historical Events in Contemporary Computer Music 1915 Varse moves to New York in search of a new music
I dream of instruments obedient to my thoughts and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm
Our musical alphabet must be enriched, I refuse to limit myself to sounds that have already been heard...What I am looking for is new mechanical mediums which will lend themselves to every expression of thought and keep up with thought
An organiser of sound
Key Historical Events in Contemporary Computer Music 1915 Lee De Forest patents vacuum tube
Miniaturisation of electronics
Key Historical Events in Contemporary Computer Music 1929 RCA releases the Theremin
Commercialisation of electronic instrument and in the 1930s the Terpsitone and Rhythmicon
Key Historical Events in Contemporary Computer Music 1924 Respighis The Pines of Rome
Key Historical Events in Contemporary Computer Music 1930 Hindemith and Tochs Grammophonmusik
Audio manipulation
Key Historical Events in Contemporary Computer Music 1948 Schaeffers Etude aux Chemin de Fer Musique Concrte
Found sound, sampling, looping, ltering reverb and the sound object
Key Historical Events in Contemporary Computer Music 1948 Nancarrows Studies for Player Piano
Bionic virtuosity
Key Historical Events in Contemporary Computer Music 1952 Luening and Ussachevsky
Live effects
Key Historical Events in Contemporary Computer Music 1956 Louis & Bebe Barrons Forbidden Planet score
Key Historical Events in Contemporary Computer Music 1957 The IIliac Suite The Birth of Computer Music
Live effects
Key Historical Events in Contemporary Computer Music 1958 Varses Pome Electronique
Raymond Scott (1908-94) was a Jazz musician, jingle writer, electronic artist and inventor, and one of the earliest to fully adopt the music technology as a useful -and protable-part of the composer toolkit rather than esoteric experimentalism - similarly Stevie Wonder in the early 70s embraced the studio to make more efcient the compositional process
Key Historical Events in Contemporary Computer Music 1971 NHK rst digital recording
The extraordinary rate of development of processors allows sound to be manipulated beyond physical constraints. And what used to be housed in 200 tons of hardware can be emulated while checking email. If cars developed like computers they would travel at 470,000 mph, get 100,000 miles to the litre, cost 2p, and could balance on a matchstick.
Now
Additional Reading
Holmes, T., (2008) Electronic and Experimental Music, revised 3rd edition. New York: Routledge. Manning, P. (2004) Electronic and Computer Music .Oxford: Clarendon Press. Toop, D. (2001) Ocean of Sound. Serpents Tail.