Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
SEPTEMBER, 2011
The life of the arts, far from being an interruption, a distraction, in the life of the nation, is close to the center of a nation's purpose - and is a test to the quality of a nation's civilization. John F. Kennedy
Children with music training had signicantly better verbal memory than those without such training, and the longer the training, the better the verbal memory. Researchers studied 90 boys between the ages of 6 and 15. Half had musical training as members of their school's string orchestra program, plus lessons in playing classical music on Western instruments like the ute or violin for one to ve years. The other 45 students had no training. Students with musical training recalled more words in a verbal memory test than did untrained students, and after a 30-minute delay, students with training also retained more words than the control group. In a follow-up one year later, students who continued training and beginners who had just started learning to play both showed improvement in verbal learning and retention. -- Summary by MENC. Original source: Ho, Y. C., Cheung, M. C., & Chan, A. Music training improves verbal but not visual memory: cross-sectional and longitudinal explorations in children (2003) Neuropsychology, 12, 439-450. (Continued on page 2)
OFFERING QUALITY MUSIC LESSONS IN GUITAR, PIANO, VOICE, VIOLIN, AND DRUMS
SEPTEMBER, 2011
MITs Athinoula A. Martinos Center for Biomedical Imaging. (http://news.stanford.edu/, Nov. 2005) Young children who take music lessons show different brain development and improved memory over the course of a year, compared to children who do not receive musical training. The brains of musically trained children respond to music in a different way to those of untrained children, and that the musical training improves their memory. After one year the musically trained children performed better in a memory test that is correlated with general intelligence skills such as literacy, verbal memory, Visio spatial processing, mathematics and IQ. Dr. Laurel Trainor, Prof. of Psychology, Neuroscience, and Behaviour at McMaster University, Director of the McMaster Institute for Music and the Mind; Canada; published 9/20/06; http://www.sciencedaily.com/releases/2006/09/060920093024.htm
I guess that we can cite academic studies and statistics until were blue in the face, however, as one of my old guitar teachers used to say, the proofs in the pudding!. So I asked this months lessons have helped her in school:
Anakaren Romero
We would like to extend a special thanks to the Romero family for referring their friends to Allegro!
OFFERING QUALITY MUSIC LESSONS IN GUITAR, PIANO, VOICE, VIOLIN, AND DRUMS
SEPTEMBER, 2011
PRACTICE TIPS!
Do you practice with a metronome? If not, you should be-at least part of the time! Playing with a metronome can sometimes be a struggle, but the benefits are well worth the effort. So, what is a metronome and why should you use one? A metronome is the tool by which you learn to control the time element of your performance. How can you know whether your tempos are even if you don't know what "even" truly is? Musicianship is about developing control over all aspects of music, and timing should not be overlooked. Just how important is timing? Beginning musicians invariably pay more attention to notes than to timing. But did you ever stop and think about the fact that it is just as "wrong" to play the right note at the wrong time as it is to play the wrong note at the right time? An inexperienced musician may tend to push the pulse, giving a stilted, jerky quality to the performance. Laying back "in the pocket" makes magic happen. This comes with experience, of course, but you can do a lot to hone your rhythm and timing ability by correctly using the metronome in practice. Metronome tips: 1. Learn the music first! Unless you are focusing specifically on your sightreading ability, it can be helpful to practice without the metronome until you have a solid grasp of the notes before attempting to play the piece with a metronome. If you're focusing too much on what notes to play or how to finger a particular chord, you can't focus on rhythm. 2. Start slow! Don't try to push the pace immediately. Find a tempo that is comfortable and at which you can perform the piece while making the fewest mistakes possible, then slowly increase the speed from there. 3. Find the trouble spot! Playing with a metronome will often help highlight the areas of a piece of music that need the most work. Without it, you are likely to unconsciously slow down at these points, as you attention falls away from the pulse and becomes absorbed in the difficulty at hand. Once you find your trouble spots, focus in on them specifically. Don't start over at the beginning every time you make a mistake! 4. Change it up! Hearing the relentless click of the metronome can be tiring for some over time. In that case, don't forget that you can also use other methods of keeping time, like a drum machine or the CD backing tracks included in most method books. If you're learning a popular song, try to play along with the CD or audio track. If you know a drummer, try practicing together! Use these tips to master the metronome, improve your sense of time and take your playing to the next level!
Allegro School of Music would like to congratulate guitar instructor Aaron Hultstrand, whos band, The Tryst just won the best new release for their new album, Truth Be Told in the 2011 Tucson TAMMIES!
Stephen Marstall Rafaela Marstall Lucas Mulcahy Libby Axen Nathan Gabelsberg Jose Ybarra Samantha Ybarra Leilani Hernandez Aurica Komie Andrew Vo Ana Haubner Ubain Ahmed Hannah Sher Gabe Brinkerhoff Gracie Brinkerhoff Cecily Brinkerhoff April Zhang David Lam Zach Hatcher Hannah Sher Sonia Shaikh Zoe Hamil Niki Marstall Emma Floerchinger Alex Sandoval Annika Patel Rohan Patel Matthew Butcher Payton Baker Elena Martinez Lorandi Sandoval Abbie Lee Alexis English Rebeca English Andrea Martinez Sara Shaikh Peter Peterson Julie Lewelling Mia Kenworthy Damira Keagy-Hadzic Isabella Carrion Nicola Carrion Trinity Hatcher Jake Hatcher Kristal Nunez Kevin Dawkins Daniela Acuna Misa Leyva Sage McCollough Alyssa Siwik Anna Latta Leila Kutob Aidan Harman Nicole Handorf Ayla Ahmad Shane Fortier
OFFERING QUALITY MUSIC LESSONS IN GUITAR, PIANO, VOICE, VIOLIN, AND DRUMS
15 things you dont know about our Saturday office manager, Suzanne Amador!
1. I have lived in Tucson for 19 years 2. I enjoy listening to 70s rock 3. I am a big baseball fan...especially fond of the AZ Diamondbacks!! 4. I am a native Arizonan 5. The beach is my favorite place to relax 6. I love to bake...mostly cakes and cookies 7. I enjoy reading suspense novels 8. Iced tea is my favorite drink 9. I have an 11 year old toy poodle who is my Baby...and her name is Baby 10. I would love to learn how to drive a race-car 11. I am the youngest of six girls 12. I currently do not play an instrument but plan on taking piano lessons in the future 13. I enjoy walking my doggies every evening 14. I am a huge fan of Arizona Wildcat Men's Basketball 15. and I love working at Allegro School of Music every Saturday!!
OFFERING QUALITY MUSIC LESSONS IN GUITAR, PIANO, VIOLIN, VOICE, BASS, AND DRUMS