Dominant Chord Cycles 225 XII. S22 improviser will on & of dominants never stay + those progressions. DOMINANT CHORD CYCLES jon encounter harmonic progressions consisting of nothing more than a ig in one key for more than two beats, These exercises will help you pre- vycles can be useful for other progressions with fast harmonic rhythms. If you ignore the acciden- imagine other key signatures, any of these cycles will work as key center cycles. The progression a begin like the following: Fmaj7 ~ Bo? ~ Em7 (or E7) - Am7 ~ Dm7 aj7 - Bomaj7 - Eg?= Am7 (or A7) - Dm? 07 ~ Bm? ~ Em7~ Am? - D7 ~ Bbmaj7 — Ebmaj7 - Ao7 m7 (or F#7) ~ Bm? ~ Em? ~ A7 Fm? ~ Bb? - Ebmaj7 ~ Abmaj7 m7 ~ Bm7 ~ E7 ~ Amaj7 Outline no.1: descending scale steps from 3rd of chord vbr thy abr226 Chapter 13___Dominant 13.2. Outline no.1: descending scale steps from 3rd of chord change of where octave displacement occurs mate? Mya tr Ary abr ooo 13.3 Outline no.2 & outline no.1 F7 aby aby tbr b Comprebensive Technique Jor Jazz MusiciansChapter 13 Dominant Chord Cycles 227 *54 Outline no.1 & outline no.2 F? abr 8b? ab Outline no.3 & 3-5-7-9 arpeggio FT br eh abr