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  • ORFF - Carmina Burana

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    José M. Román Jiménez
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    81 visualizzazioni128 pagine

    ORFF - Carmina Burana

    Caricato da

    José M. Román Jiménez

    Copyright:

    © All Rights Reserved
    Scarica in formato PDF o leggi online su Scribd
    Segnala contenuti inappropriati
    di 128
    25 ¢8P ‘Klavierauszug / Vocal Score Carl Orff 4895-1982 Carmina Burana Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis Klavierauszug von / Piano Reduction by Henning Brauel ED 2877 ‘smn m-001-0407-3 \ wm schat mt @ SCHOTT ‘Main London - Belin - Madea New York Pals» Prague - Tokyo «Toronto Die Ausfuhrung des gesamten Werkes oder vor aus jst obne vorherige Zustimmung des Verlages nicht ge stattet, Abschreiben, Kopieren oder sonstiges Vervielfaltigen, gleichviel durch welches’ Verfahren und in welchem Um- fang, ist verboten. ‘This work may not be performed, neither in part nor in who- Ie, without the publisher's prior consent. No part of this work may be copied or reproduced in any form or by any means. Parti Vocali Soli Soprano, Tenote, Baritono 3 Tenor, Baritono, 2 Bassi Gran coro. Coto piccolo Ragazzi Orchestra 3 Flauti 3 Tromboni anche 2 Ottevini 1 Tuba 3 Oboi 5 Timpani suche Come inglese anche uno piccolo 1 Clatinetto in Mibe Sit 1 Celesta 2.Clavinetti in Sibe La 2 Pianoforti nce Carnet basso 2 Fagot Violini secondi 1 Contrafagotto Viole 4 Corni in Fe Violoncelli 3 Trombe in Sie Do Contrabbassi Percussione: (5 suonatori) 3 Glockenspiele, Xilofono, Castagnetta, Raganella, Sonagli, THi- angolo, 2 Cymbali antichi (Piati piccoli), 4 Piatti({} ¢ .), ‘Tamtam, 3 Campane $=—=="= , Campane tubolare, Campana, “Tamburo basco, 2 Casse chiare, Cassa grande Index Fortuna Imperatrix Mundi ms i. O Fortuna Ee eteorat ese ae 5 2. Fortune plango vulnera s..sssseesese1e Coro a 1s 1 Primo vere 3, Verisletafacies ..... Coro piccolo Pe 19 4. Onmia sol emperat «6.55 Solo per Baritono . 26 5. Hece gratum ... 7 Coro 28 Uf dem anger 6. Tanz : d 40 7. Bloret silva oesessscses Coro. : B 8. Chramer, gip die varwe mir Soli Seprani) ¢ Coro 54 9. Reie pt 7 Swazhie gat mbes. vscsessevee Com... 58 Chume, chun, geselle min. Coro piccolo a 60 Swaz hie gat wmbe . . Coro . 6 10. Were diu wert alle min Coro. 65 0 In Taberna 11, Bstuans interius 2... Solo per Baritono ..... vee OF 12. Olim lacus colueram ... Solo per'Tenoree Coro (Tenorie Bassi) ....... 71 13, Egosum abbas Solo per Baritono e Coro (Tenori ¢ Bass B 14, Th taberna quando sumus Coto (Tenori e Bassi) B m1 Cour d’amours 15. Amor volat undique sees Solo per Soprano e Ragazzi ....cscesceceeees 8M 16. Dies, nox et omnia . sesse Solo per Baritono ... on 87 17. Stetit puella... fesse Solo per Soprano. 89 18, Circa mea pectora Solo per Baritono e Coro 2 19. Sipuer cum puctlula ses Soli @ Tenoti, Baritono, 2 Bassi) 95 20, Veni, veni, venias ......... tesee Corodoppio . ett ” 21, Intniting «see .eeeccceveeeseseseres Solo per Soprano 2. 103 22. ‘Tempus et iocundum . IID Sot per Soprano e Baritono, Coro e Ragazzi... 105 23, Duleissime ....... fecccesees Solo per Soprano oa us Blanziflor et Helena 2A. Ave formosissima Coralie at eet 15 Fortuna Imperattix Mundi 25, O Fortuna .. pity Cor... . us PROGRAMA ANDALUZ PARA JOVENES Carmina Burana INSTRUMENTISTAS _| Fortuna Imperatrix Mun ARCHIVE 1, 0 Fortuna MUSICAL. Pesante ff Bo J=0 1895+ 1982 S poco stringendo eee Soprant ° ef eee m Contralt For-tu - na, a For- tu - na, Tenosi Bassi tu vari - a bint, poco stringendo > 43 Tan ob... J =120-132 Des Eps sare Bip J=u0-12 he ape 2 tiara apa “apr ara apa wie u snune con 2 3 ae 2. Fortune plango vulnera 4p d=120 sempre ben declamato S, 1. For-tu- ae plan - 50 2In—_ For-tu - ne 3.For-t-ne ro - ta ‘ale \ on-ti-bus o-cel - Tis de-ram e= Ta - tus, - = scendo mi-no-re = tas) ae 1s Tira hit rebel — ls fre eo roma ~ tus mis exalt tus Se 1.Ve- rum est, ie - gi - tur fon- te ca- pil - le - t Quio-quid enim flo - tw - i fe-lix et be - a - toy, Rox i se - det in ver ti - ce cave = at om - i - namt 2, Ve - mim est, quod ~ tar fron te ca. pil - la - im quic = guide” im i felix et be - = ts, fex so - det in ces ve atom - P| nant ip P ~ qui = ae mo fot | ms ~ a tr = gi - ms 1” 18 Rip it mosso FE] I Primo vere 3. Veris leta facies 2lp- J=60 a Bip. 8/p- J. =80 Coro piccolo Up J=40 2p. molto flessibite a gun do pro - pi-ma = tur, z pro ~ pi SS =: fh Peer = tis Ie - mundo pro - plena tur, 8/p: 4. =80 mr Apd=40 Rye ; - a Me 1 cies vie = te iam fuga - u_ A _ hi - e-ma- lis a - ci-es vie — te iam fu-ga - 8k tur, — ip d=40 le er fle di =80 PP spr. : in— ve-sti- tu va - rio Phe ~ busprin-ci pa ne = mo-rum dul-ci PP 8898, in vesti-tu va- ri-o — Phe~ busprin-ci-pa - tury. ne mo-rumdul-ci_ -$0-no = que— 2p poop ent, tanguilo eee Sip Ble can-tu ce-e- bra - tu. Ah —— ean-tw ce-te- bra = ture a a tempo. 8p 4 = 80 pew. 2 Flo - re fu- sus gre ~ mi-o Phe ~ bus no ~ a tempo Flo - re fu sus gre - mi-o Phe ~ bus no - vo mo - re. ima Bio. d. = 80 Mp4 240 Bip. 8p: J. =80 Tr~ sum dat, hoc va - ri-o iam sti-pa - "ta flo ~ re si - sum dat, hoc va = ri-o — fam— sti-pa - la flo ~ re 16! Wed =40 2p 8p. d. =80 5 2 ip d=40 Rie Ale d. = 80 pp esr, Ze phy-rus neo-ta - re-0 spi= rans in odo re; pp espn. Ze phy-rus nec-ta - 1e-0 spi rans In 0 ~ do Up 4 40 Rip a Alp. J. cer = ta tim pro bra = cor = tae tim pro bra rasmus in a - i7 Rio" come prima 2h & 8p r Ah Rip» come prima * a tempo come prima ie + dem. Up Jado ape 8 80 i tha-ri- zat can ti-co dul. cis Phi - lo-me = na a tempo thai = zat can = ti-co dul - cis Phi - Io-mo ~ come prima Wp 4 40 Rie S —— a ec nf Ue =40 Bier 8p d. = 80 +7 flo - re ri- dent va - ti-o pra - ta iam se-re ~ ma, a eer ergo eee rec een ae flo - te ti-dontva - ri-o pra - ia iam se-re ~ 8p d. = 80 Up J =40 Ber Ale J. = 80 per. sa - fit ce- ms 8 = vi-um pew, sa- lit co ts a = vi-um = ve per a~ me 25 cho = sus pro-mit vir ~ - i gm - dia mil-le = gan - dig mille ~ atempo 2/p. 2p comeprina ; 2p Ups=a0 Fr 2 ip ee eee ee ree ee eee ee a tempo oe Bip come prima 26 4, Omnia sol temperat sempre molto rubato 2p 4=7 [79] gn D aeitnose Baritono ‘Solo 7 T Om ~ ni-a sol temperat purus et sub ti-tis, ‘sempre ep rit, =r pees nio-vamundo re-se-rat facies A-pri-lis, ad____ A-mostempro-pe-rat_ a ni-mushe-ri - lis, ——————4 = ia” & = — 2 et jo-cundis im-pe-rat de-us pu-e-ri- lis. ~ mumtan-ta no-vi-tas in sollem-ni ve - re et ve-ris aue-to-ri-tas iu-bet nosgau-de-re, vi ~ 2 a me = as pre-bet o0-livtas, et in W-0 vere fides est et pro-bi-tas — W-um re-ti~ne - re, oS = ——e “es ‘2 rubato atempo A intensivoma pp A = mame fi-de~li-tert ae |p intense g 2|& fiedem me-am no - (a: de corde to-ta-li-ter gf exmen-te to-ta sim presen-ti-a- Titer << OOOO GOn-vn—™ 1s > & Eee err eget regret gree ree ere Here em ‘ab-sens in re-mo- ts, quisquis a-mat ta-[i-ter, vol-vi-tw in ro - (a. eee . cS 2. attacca 2% 5. Boce gratum Egnampieza i Flo 3 =120 Coro r sempre quasi stacc. Ho- co gra-tum, ec - ce : op - & - tim we - du cit _ Pe i 2 ce ce gra tom Con ampiezza quasi allegretto PESESTOl SESTSEST PIeTeTe: 2 Ver te - du- cit ‘gen tam Ver re-du-cit gan i et op - aii et op = t-tum Ver legato e pit sciolto pid pote pir pur- a - tm. flo - ret pa - tum, Sol_ se - re - mal om- ni - a 2 ay ———— por pura - tm flo - ret pra- wm, Sol_ se - re - nal om~ mi - 2 por -pur- a - tum. flo - set pra - tm, Sol se - xe - nt om- nh Pi Sa > = ~ por por- a - tm. flo - ret_ pm- wm, Sol_ se - re - mi. om- ni - a legato e pid sciolto gagdadd didddgdd ddadd 2/p allerro molto d = 132 7 Tam-iam ce-dant tris - tial Bs-tas red-it, mune re-ce-dit Hy-e-mis se - vi-ti- a, opps 5 Repeated leet Tam-iam ce-dont tis - ti Hs-tas red-it, mune re-ce-dit Hy-e-mis se - vi- 2p allegro molto J = 132 a5 30 I = a red it, mine re-ce- dit Hy -e- mis Tam inm fy = ee > > RR pF FR Re jam-iam ce-dant tis - ti-al Bs - tas red it, mune re ~ ce - dit erate iam iam red it, nine we -ce- dit Hy - e- mis ze eter eet eee ae ere Jam—iam ce-dant tris tial Ts - 1s red-it, mune re-ce-di Hy -e- mis se - 22 zz 26 > mune te - co SP% 3% mune 16 - ce - dil ‘mune Te ~ ce = dit -tie a Bs-tas red-it, munc re - ce - dit, Hs-tas red-it, mune re - ce - dit 7g gs “we Hs-tas red-it, mmo re - ce - dit, Bs-tas red-it, mune te - ce - dit 26| poco rit, .atempod ta > > 55 — Hy-e-mis se - fe Aa > Hy-e-mis Se - te Hy-e-mis be te zz Hy e-mis be poco rit. 2 come prima ma un poco pli accelerato Ebo 4lp da132 S Tam li-ques-cit, Iam li - ques - cit gran - do a? , és ; Tam li = ques - cit de — eres — ci n= do nix come prima — ques ~ ci et eit gran = a et ‘ma un poco piit accelerato Sie. é Me d=132 ie me or? - Vordpdp Psp dedi dri BD Hi ques-cit de eres -cit Hi ques cit i= ques-cit de ctes cit come prima mp _— —— ——, & IS = a = GS] \e Lee f F ea es ba me fe gi. et ims we git Ver Bs tw be om 2 eo = ; 2 : EE : pea SSS pea i a SS wee me fh gy tim we gt Ver Be we bo=> | Bass = SSS a a > i i SS eS bos me fe gh et mn git Ver ss me tee a EE BAAD ~ Pree eae eae Soe BLL Leesa oe bru = ma fa = glk ct iam su Ver Bs - in - tis ou be om ‘come prima Apu aa naa _—_—__——_|___—_——_|_. , piste aS Ee = Rip d=1aa 29| a 5 il li menses! mi - sera, qui nee vi-vit, nec las-ci-vit sub Hs~ta- tis dex-te - ra; Spe s ys - li mensest mi - se-ra, qui nec vi-vit, nee las el- vit sub Bs- te. tis dex-te- ra; 2ip d=144 29 ti, mens est 23 mens est mens est zg mens est nec vi- vit, zo i nee vi- vit, S nee as - nee Ins - cj - vit nee las - of ~ = > Tas ~ oi - vit aa las - cl - vit sub Bs - ta qui nee vi qui neo vi-vit, nee las ppg 30] 35 poco ritard. atempod = 152 sce HSee O -eceesecee enema &, sub Bs ~ ta ti fA > F dex-te-ma AR If, sub Es- ta tis S, > sub Beta. tis dex-te-mm Ab = 8? eo So pap 2g sub Bs—ta- tis dex-te-ra. Ah poco ritard, atempod = 152 36 aneora pli 4/ox di prima z a Alp d= t44 pigenestaeed Glo-ti- antl Glo - i - 8 xh F geno sce) Glo- i= an-tt Glo - i ~ an - ancora pid presto ai pri 4le dalad Glo - ri» Glo = si = an - tue fz» glo - Hi - an- tur SB ane an ~ tur mel - Te mel - Ie a. = di sis, a7 come prima i np legato One S S S Qui co + mon = tu. utu = ten = tor nf le Sane esas vo f # > ta = tie qui co ~ nan = tur, mf Ao aaa 7S f f qui co = nan = tur, ut w= tan = tur pf fe a se ly iy ae oP qui co = nan — tor utou = ten = tar come prima legato. _— errrrerrrrrry) sismus ius-su Cy ~ prisdis — glo~si- an-tes tz z33 3 f si-mus ins su Cy ~ pricdis Rie J =182 t et z Te-tan-tes pa-res €9~ $0 zzze 3 Te-tan-tes pares. es- se 33 38 Te - tan tes fe - tan tes pps 5s Teo tants pa res Te = tan = tes, RR os le - tan = tes fan = tes, glo ri - antes poco rit, peePrestod = 160 i qe e panes esse 2 Fe pa-res esse Pa-ri-dis. Uf dem anger 6. Tanz pesante allegro ee °p 2g Alp d= un poco pitt lento atempo le 4 = 138 : ce a tempo Al TOGetetel elit het Spee eect Eee Ct Te poco rit. atempo attacca 43 7. Floret silva 3/p J = 176 2p ie Coro by Mo + re Se Flo fo Flo fe Flo - re, Bip J =176 7 en : oe. ra veto gpa bi ewan u in PP ses $<. — ub et oan Rip J =66 cullando =Pnian —— 45 poco pid mosso atempo Ble 2l 2/p come prima Bp 2 die min wen - gal - ty damit ich die = gen. man an nec - lh - che - went min — ne tuot in hoch ge - uot un ~ so fre ~ den = che! ich will die sin. un ~ der - tan durch - mS oa 62. ey ees ae ie Sasa Sree amen eet mete ane oeert ee “Sorageande, Siting net ete eet Peet gn ene emt Ede ctor a pp bree chia gibocea chinsa Pp: 5 —_——— Rlpd = 7 pd = 00 pocorit, _a tempo Fa on poe a fempo (tempo primo) ZIP (Coro piccolo) [5 2 Scht mich an, jun gen_mant (Coro grande) poco rit. a tempo (tempo primo) co 6 > 56 3ie up Jat mich ju ge - val ~ Jen, set mich an, jun = gen mant See er ee {e) poco rit. Coro grande a bocca chiusa De a bocca ehiusa PP: ‘a bocea chiusa Bw ———_ 2p J=60 v attacca 9. Reie Imdante poco estate Ja 60-6 ap eG 8p oe sat tempo ZF 58 Swaz hie gat umbe ‘allegra molto 3h 4, Pr. Swon fe me-ge-de, me-ge-de, hie gat um-be, ssint al-lez _me-ge-de, int al-lez_me-ge-de, 67 SS =F weltent an man Tent an an man iis EP A 39 2h tempo “e se poco oO 3p x 84 Te dicsen su-mer gan! Ah ah , a= iy al - Ie al-ie, at - fe disen su-mer ‘gant Ah ooh oe gent An. ah a tempo 3p {aia * atracea 60 Chume, chum, geselle min Bie J. =40 [70] Coro plecolo te har 8 din, ‘chum, —_ on cchum, pe ~ sel = le. min, chum, chum, chum, Pope pw poco esp: ae oe i = che mich ge~sumt, su = zer__ = sen = var wer munt. — — 75 “p come prima ra i a ene Swaz hie gat umbe 2 216 Bip sea, ie prima Coro grande 76) fe. Swaz_ hie gat um. be, fe Swaz—_hie gat ‘Swaz hic gat’ um- be, “ sint allen fim, “sint al-lez. ‘Swaz hie gat um—be, sz 76| 1p ==: int alctez me-ge-de, wol-lent an man = 7a ey wel-lentan— man die wel = ent an man s ato i 7 se Aveonte See se bees. >. gan! Ah gal Ab a tempo Bie J. > autacca 5 10. Were diu werlt alle min allegro molto ‘ue J 2138 Pe eee WF estace. SEES g SSSSS F SSSEN SS SESSE gS SESE SASS SS 9M fii sy meee x Ps oe al ~ le— min Von deme me-reyn - zgyn den Rin, walt hm ee oe > ee eee are Bemin ven deme me-rgyn ~ 2gqn ov Rl, al - Ie min von deme me-reya - 2g den Rin, Pater itenuto 2 poco. aw. ddax din chine ~ gin von En-gel-lant, SH > » > es en, az di chit-ne — gin von En-gel-lant, von BE zeae ben, daz di eht-ne - gin von Engel pocoritemuto t 66 tempo stent. a tempo TT err allegro molto Bn -gel-lant le - ge anmicnenar ~ men, a a a Bn - pol-lant Je - ge an mine ar men. a> En — gel-lant le - ge ae = men, Bn ~ gel-lant le - go - men. ‘tempo atempo a allegro molto Il 6 tHE In Taberna 11, Estuans intexius allegro molto 4le J fe J =152 gomsritio Baritono Solo Be- tu-ans in-te~ri-us Seeds fac - tus de ma-te-ri-a, FO ierave-he-men - ti in aema-rictu-di-ne 82). es oz . Se 35B> geet nis e-le-men = ti si = mictis sum fo-li-0, de quo Iu-dunt ven - ti, Cum sit e-nim pro-pri-tm, Qe B Spee Ss popes se-dem fun-da-men - ti, —stul -tus.e- go com-pa-ror st-pra pe-tram po-ne-re viero sa-pi-en ~ ti 6 83. 5 pp pe 2.353% ze ae oS 2 flu-vico a-ben - fi, sub _e-o-dem tra-mi-te —nun-quam per-ma-nen - ti ‘ggnslancio Fe - rore-go ve - lw Molto pit lento (2) genie come prima _ v d = nent cla = vis, que 10 mi hi come prima 86 senate atempo ‘come prima e 2 # avie- 88 Yen pea quo run-quam in 0 —————— a7 x, gonaencto, in - pli-cor et come prima inotostnato, yo-lup-ta- tis a-vi-dus oS attacea n 12, Olim lacus colueram Ale J =84 (89 ‘Tenore fy Solo rit, _atempo lamenteso (sempre tronico) ‘et_westus for — tictert ss i et usstus for inter! Alp te tenasee et aim, Goma rity) B 13, Bgo sum abbas libero e improwvisando, gesticolando e beffardo assai —<—— tes 3h 55 5 e355 3 ke Bagtone pee 3° —_3_Fe SPS SP BE PS Solo ot B - 20, e - gol E-go sum ab ~ bas, sum ab ~ bas, sum ab - bas Cu-ca-nien - sis. tere 4 ied = 132 grant tat : EVE LT » fb pprpnpp ep npcp pp Kh pp ppp ppp pp pee CHEE GREE i AS See SSeS Gah weta Denclst voln-es me-qgi et qi me-oe me que-sionni ly tcbercm, post vera i eet ere (ook 2 speek ) Lume pp ep pF 9 pp oe 2 ose ee pEpssetper ======——— = SS = ‘eit mundus e-gre-die - tur, et sic de-nn-da-tus, sic de-am-da-tus ve-sie cla - ma - bit 4p J =132 4p tempo in co , be z Baritono Solo ws Wat Watnal Azz al = Watnal Ale a tempo We J=132 Spelt See eerste TITETT?Ty == — ” pitt Iento cneno f eu ie stringendo quid fe-cis-ti sors tur-pis-si - ma?__ Nos-tte vi-tegau-di- a. ab-stu-ti-stiom-ni-at_ De = Waf-nal zs Waf-nat Waf-nal zr Fe Wai-nal Waf-nal Waf-nal stringendo ze = 92 z |, pl tento ors tempo [33] Siz Waf-nal wt Wef-nal Waf-nal He hal Wof-nal zope 5 Waf-nal Waf-nal — Wafonal_ Waf-nat Ha hal atempo 2 93 cattacea 6 14, In taberna quando sumus 4p J-132 Coro fs ecto Te term itedo stems, npgevore eta In ta-berona quan-doSicmus, Alp J=132 BP stoccatssimo pp sempre saccatissina on. qd fG@- mus quid—sit hu-ms, sed ad 10-dum prope -ta-mus, “pp sempre saccatssina sem-per im = su da-rmus. non cu-fa—mmis quid-sit humus, sed ad In-dum pro-pe-ra-mus, cui semeper in~ su - da-mus, Quid a-ge-tur in te—ber-ma, u'- Di num-mus est. pin-cer-na, hoc est o~ pus ut que-ra- tur, 2D wv bi mummmus est pin-cer=na, hoc est o- pus wl que-ra- tur, Quid” a- geotur in ta berne, a) 6 Henge, sg im vs pee > si quid lo-quar, au di-a- tur, hoc’ esto pus ut que-ra-tur, si ee ee BONN NONE if si quid lo-quar, au~di-a~ tur, hoc est O-pus ut que-ra-tur, si fs Quidam tu-dunt, qui-dam bi- bunt, qui-daun i - dis- ore - te vi--vunt if BP eee a mf Sed in Iu- do qui mo. ex his qui-dam de 2 dan-tur, qui dam i -Di ves ~~ un tur, Sed in Iu-do qui mo-ran-tur, ex his qui-dam de ~nu-dan-tur, qui- dam i bi 95 ves = ti un tur, n Pp qui dam sac - cis in = da-un-tur. [bi nul-Ius ti met mor-tem, sed pro Bac~ cho mit-tunt sor-tem, tnt ser-tem, qui dam sae eis bi aul-tus ti met mor-tem, sed pro Bac-cho mit Ee fy > > > >» > > es > ee PSE jel mor-tem, sed pro Bac- cho mit-tunt sos-tem Te > > > > > > >? > T- bi mul-lus ti Thi nul-Tus tiTmet mortem, sed pro Bac-cho mit-tunt sor-tem. Pri - mo Hee B 96] d= 132 _pserore staccato pro vi- vis, qua - ter pro Chri-stia-nis cunestis, se ~ mel bi-bunt pro cap - tl vis, sempre staccatisino ps post hee bi-bunt ter eee se mel bi-bunt pro cap. ti- vis, post hee bi-bunt ter pro vi- vis, qua fer pro Chri-stia-nis eune-tis, 96) J=132 ws i ee se - xi - 6 prose. ro es ale arp 4p = th = es promi- li- t-bus sil - va - nis, Oc- ti- es pro fia-tfi-bus per-ver - sis, ae ope Fe eee ap 2, poco ritenuto p IE de es pro mo-ia-chis dis ~ per~ sis, de-cies pro na-vi-gan-ti-bus,un ~ de-cies pro dis-cor-tar-ti-bus,duo- e g do I> cni-es promo-na-chisdis - per-sis, de-cies pron i-busun - de-cies prodis.cor-tan-ti-bus,duo - ‘tempo page paces |P = 4 J? Sere ee zs de. eies pro pe-ni-ten-ti-bus, tre -de-cies proi-tera-gen-ti-bus, quam pro re- ge 2 = de- cles pro pe-ni-ten-ti- bus, tre ~ de-cies pro itera-gen-ti-bus, quim pro te ge 80 BI- bit he-ra, bi- bit he-rus, bi bit Ps Bi-bit he-ra, bi~ bit he-rus, bi- bit ‘bi bit ser-vus cum an - cil - Ta, bi- bit ser vus cum an- cil - Ia, ‘mi-les, bi bit cle-tus, mi-les, bi bit cle-rus, ‘ve-lox, bi- bit pi- ger, ve-lox, bi- bit pi- ger, ‘i bit bi bit RFE FF Bi bit bi- bit x t-te, il ey albus, bi ~ bit al- bus, 67 ni- ger, f. Ff: al poco poco eres. bi- bit con-stans, bi- bit va-gus, bi- bit ru-dis, bi- bit ma-gus, BY bit pau-per ef —e~ gto-tus, a poco poco eres. bi- bit con-stans, Bi bit va-gus, bi bit ru-dis, BI-bit ma-gus. Bi bit paper et e- gro-ths, eS = = f BPs bit e-xul ef ig-no- tus, D> bit pu-er, bi- bit ca-nus, BT bit pre-sul et de~ca-nus, Di - bit e- xal et ig-no-tus, —bi~ bit pu-er, bi-bit ca-mus, bi bit pre-sul et de~ca-mus, t A Z . . A 100 zo eect Seite 2 bi bit sonror, i= bit flavter, —bi- bit, anus, bi- bit marter, —bi- bit T-ste, BT bit Gece teeter ee Se eas bi- bit so-ror, bi- bit ffevter, bi- bit a=nus, bi- bit manter, bie bit Eoste, Bro bit 100! 82 npo subito subiiomotistenate — B/Pmaell, a pant cewtim, bi-bunt mil-le, Pa - com sex - cen - fe um-mete ‘a tempo subito a a tempo subito sit fy sfenato oo ‘da sant, eum im = We 23: amt bie bunt om-nes si - me me~ ta pire Zee 3% Re eg ji bunt om-nes si ne me - du rent, cum im - mo - de - m- te 41° comeprima 3/P quam vis bi bant men nos 10 - dunt quam = vis bi bant 3 pgs Qui nes ro - dunt con - fun ~ dan - tr gelvagaio Ste e- gen- tes Qui mos i 4 dunt con ~ fun ~ dan — m scatenato == vy, d= 160 accel. possibile — eum ius = tis non scri- ban - et eum tus = ts non seri-ban tur To Tete ein mS 102 Poteet ete et ESeeeeee cio anteme Ego iol plane Il Cour d’amours 15. Amor volat undique Red 48 Largo Bs se pochiss. rit, é aos conten eu 4lp Jem come prima nas pochiss. it, mpecoimpertinente pv Amor vo-lat un-di-que; come prima pochiss, rit, 104) oP § tempo, lp Jez a cap-tus est li~ bi-di-ne, ome prima Sip stem, pochiss. rit, /P- dem FE PE TT Fre omivre-l = = | 7 7 85 105 voce, 8/@ atone oe come prima ‘con fun-gun-tue me=T - tf, i ochiss. rit, Bp aoletssino ~ dle d=120 ae on esrema civeteria ‘Soprano Solo Jingendo innocenta flebile Ds fe ~ net_noc ~ fis 86 aco rit. 107 Be poots te 2 asaetl? atomno tempo pochiss. 4296 come prima Ht a tempo 3e Se a eee 108 pochiss, rit, a tempo pochiss. rit, Pererrpeeeree ob ee ceeeeeeeay areca b b hie dem i im Bie atempo ae > ie come prima fit res a-ma-tis. a i aicine 87 16. Dies, nox et omnia me tear snore eagerto 7 296 otessimo Oe Baritono f f Solo Di- es, nox et om-ni- a z we oe mi - chi sunt con ~ ta vvir-gi-numa col-lo-qui-a = WI ¢ 110] afempo subito . g Moltorit, atempo = one oy.. su-venz sus-pi-rer, plu me fay te-mer, O50 - da~ les, A116) Re Ale Rp ale : je-sto par-ci-te, vos qui 88 molto, rubato - a flempo subito ee p : _ _ moltoxit, eydo - lu, at-ta-mencon-su-li-te per vos-ter ho - atempo Te - a puch fa = cd - es, ‘peo~tus ha- bet gi rit. a tempo i eo = attacea 17, Stetit puella ie du8d Soprano Soto 414 143 89 Insinghevole rubato poco rit, atempo ap éolessino gs 883 8 &s 8s a tempo liz atiacca 92. 18. Circa mea pectora J =132 Lp ardene 8p 2» conciorecrscene 3.44 = 144 mato appastionato 118] (118) [iis Baritono Solo LCir - ca me - a pec - to-m mul = te sunt sus ~ pi 2Tw - i du ~ cent o ~ cult sie ut so ~ lis ia 3.Vel - let de - us, vel - Jent di quod mene pro ~ po plitmosso pulch- ri - tu - di- ne, que mo Ie - dunt splen-dor ful = gu- ris lu ~ cem do - nat vs vir - gi- me - a re ~ ser - as sem 93, 119] [119%] [119% mpespr, LCir = ca me 2Tu = i lu - cent }93.Vel - let de us, vel mpespr, came - a pec - to mol - ta sunt i lu - cent 0 - cae sic - ut 80 et de = ws, vel lent quod mente le ancora pitt mosso £, = . . 2. 1-5..Man-ds let, maneda Het, min ge-sel- Je chu-met niet, manda iet, mand lie, £ : : 2. Man-da fet, manda liet, ge-sel-le chu-met niet, manda liet, —-man-da. Het, min ge-sel- le chu-met niet, min ge - sel - le chu-met let, Pf brioso 13.Man-da Tet, chu met niet! P briogo man-da let, min ge~ sel - te man-da let, min ge sete chu-met niet 1-3. Man-da_fiet, Z sempre aceelerando eres. min ge~sel-le, min ge-sel-le, min ge-sel-le chu-met niet, min ge-sel-le, min ge- sel le, SF z > gee min ge-sel-le, min ge-sel-le, min ge-sel-le chu-met niet, min ge-sel~le, min ge~ sel le, sempre accelerando 120} (120%) {120°' (orese.) min ge-sel=le chicmot nist, reve) > min ge-sel-le chucmet niet, attacca 19. Si per cum puellula allegro buffo aie J =160 > 4 purer compu = ef=lu- Je mo - ra-re-tir in cellu Ia, 122 puer cum pu~ es lu- Ja mo -ra-re- turin cel-lu- Ia, = li com june ti- 123 Solo con comioa esagevacione PP re sage! a P rai = _ 800 2PZ pa-ti- tere me-di-o.. A + monte suseres - COT- to, pa-ti- tere 124 ~ ae | me-di- oa = vuleso procul = fe=di-6, a ~ vul-so pro-oal = to-di-0, fit sz Iu-dus in- ef - fa-bi-lis mem-bris, Ia-cer-tis, Ja bi-is, fit Nivdus in~ef - fa bi-Tlis mem. 125) allegro molto a> 2 Corot Vea, 5% ah ven, vesnbas, D> mes Ye - ni, ve-ni, So Ps me mf, yeni, ve= ni, veeni, veoni-es, So > P, Sooo Ve i, vem, ve-ni- yeni, Yeni, ve-ni-as, ve - ni, ve-ni, ve-ni, Eni, ve-ni-as, mp Ye - ni, Yeni, ve-ni, vé-ni, ve-ni-as, 98 127 repre ts} i, ne memo-ri, ne ome mo ~ ri fanci-as, fs > > 2, = mle mo-ri, ne me mo-ri, ne me mo - ri fa-cinas, ne memo-#i, go memo-ri fa- ci-as, 127, sempre evese. a te eee = scm - 5 do J pares. Bozo eS hyr-ca, zara, ma-z0za, (eileli~sievos, tri-li-ri-vos, tti-tiri-vos! Se > 2B a a hyr-ca, hyr-ca, = aaa, ne-20-20, Wi ri-vos, tai ri-vos, tti-li~si-vost zoe tui-li- rivos! Ii rh-vos, tti-li- ri-vos! 99 128 Coro eo 222 nazara, te ; 0-28-28, Coro It Fezg ees uf ‘iaccatssino Rrartellato 100 sempre erese. cla quam cla quam cla - mi spe ~ na-za-2a, na-ze2a, naza-za, Pa na-za-za, w iol maza-28, na-24-70, zr na-za-2a, na-za-23, 102 na zy nae, 32 nazanza, — Ma-zAZa, REZ, —s Ber pee Fee na-za-za, MAzaeza,—Mae7a-2a. zzz zee Ma7e-28, AAT, MANZA-ZA, NA 28-28. martelato 34 |i Ped, i 21. In tratina 3 yp 1-0 150] °F setoonsiomesergreretan "HP Soprano Solo ive-tw - ant con te ‘it, Bip re amore ten x Stave, suave tans - & ~ 0. oS ‘attacca 105 22. Tempus est iocundum ip slearo ilo By tle (132) Soprano = Solo Baritono ‘Solo Regezai ptr we s| “Tem-pus est to - condom, tempus est 2, To-cun-dur, 0, 0, 0 0, 0 vit~gi-nes, o vir~ gi-nes, 2 Mhe ‘Tem-pus est fo - cnn dum, tom-pus est io-cun-dum, gopher Te gene, 0 a lees, aria ‘Tem-pus est lo - cun- dum, fem-pus est Pr. fo-cun-dum, 0, > vir gi-nes, 0 vir~ gi-nes, > 2 ‘Tempus Gt io - cun-dam, tem=pus est io-cna-dum, allegro molto 5, 6 6, Smo vi gi-netyo Wire eines, ny sempre martliacsshao Bp RF ee atl Pes fz zs mio-do con-gau-de = te, mo-do conl- gau-de-te Yo, os, vol, vos i= veenes, Yor Ho = Ve-nes Lp ps3 7 IP ss 53, mo-do con-gen - de - te, mo-do eon- gau-de-te V5, ¥OS, fos It’. veones, vos ft) ve-nes. z zg Pe. = 7 sno-do carngan- de = te, mo-do con- ga-de-t0 ty ares = Vos, OS, Vos, vos iM - vennes, vos fi ~ vounes. 2. mondo con-gau - de - te, ary : sib-do con- gau-de-te BT veanes, vos f= ve-nes. ; Eee? TP errr PEPE eC aceolerando to-tus flo-re- of Tam a-mo-re vir-gi-na-lifo-tus ar-de-o, z 5p 133! gipd =149) 3.5 5. 4/p ategro motto 3/e ‘no.vus, novus, NO-vuS amor est, QUO Per-e-O quo per-e-0, quo per-e-o! 5 z sb 0g BRE = oy Py > quo per-e-0, quo per-e-0, quo per-e-p! Me-amecon-for-tat, me-a me con-for-tat > > > 5 2p P> > “quo pere-ol Me-amecon-for-tat, me-a se confortat = SEE PEI-€- 6, quo per-0-0, quo per-e-o! 2 BEE per-e-0, quo per~0-0, eek he eI-e=0, quo per-o-0, quo por-e-ol 3p @ = 144) aoe 2 2 yp atcgro alto, Bj . sce 5 2s up > ad pro, pro, pro ~ tO, pro-mis - si-o, pro-mis -8i-0, pro-mis-si-o, 107 i Sz rme-a me de ~ por = tat, me-a me de-por-tat 27 > > fe, sos me-a me de~por- tat, me-a me de-por-tat come prima 134 to-tus flo-re-0, to-tus flo-re-0, ne, ne ga ~ ti-o, nega = tio. dp > Pe, Me = Ba vv vw v4 real vw de > 0, ne- ga - ti-o. £ 108 44) accel, se a che famamoco Viegi-na-li feds arde-o —O-ms,nos”us, Nowvus amor est, quo Per -@=0, quo per ~ >> > 5 O.vus, NOUS, NO-WUS @MMOr est, qUO Per ~ 5 sees Quo Per-6-0, quo per-e-0, quoper-e~ ol te p> app > b> quo piTo-67" quo porte-67 quo peF=e~ of Alp anegro motto ie tle Tempo-te bri-ma - Ii, tem-po-re bri-ma-li vin, pe ~ tens vir pa ‘Tem-po-re bra-ma temepo-re bruemacli vir es Pa. tei vir Ba tieens, acnbmo ver-na- i, @=niemo ver-na—It la, dae mf z > sel - viens, Ia-sci - viens Jo > de > acniemo ver-na + li, avniemo ver-na-li le, Way la ~ sch ~ viens, ta-6oh 135) Up. come prima a _pBastone Solo a ee On, 0b, oh, to-tus flo-re-o! Tam a-mo-re viregi-na-li t-ths ar=de-o, come prima no (d = 144) bie 3/e G ) 4p allegro molto , Zp sz gos sos RO-VUSROMUS, NOW'S d-MOr est qUO Per = C-0, qUOpeF - €-0, quo per - e-ol Ste Me-ame-cum In ~ dit, tm, a to = B5;5 R Bare BR BR y Mame diy 1 2 quo per~e-0, quoper-e-0, quoper - e-ol te z 2509 BER F: zz 5 > qWO per e-o, quoper - e-0, quoper - e-o! 3/p a1) eas 4le allegro molto 2 3 ay ee Fara me-comluedit vir, vit, vity vit, vir gi ~ nitas, vir-gt ~ nites, me-a me de - tow ~ dit, > me, 2 2 Sf, > > 9 ‘me-a me-cumfu-dit vir, nites, Vir-gi - ni-tas, me-a me de~ tru ~ dit, mal vow vw vo vm vo" vo" vow Wt ae pene tip come prima Oh, oh, oh, 2: Oh, oh, oh me-a me de-tru-dit sim, sim, sim, sim, sim-pli - citas, sim-pli - ci-tas, Po > de> ds > me-a me de-tru-dit sim, sim, sim, sim, sim- pli = citas, sim-pli - cits, vo c acoal. 137 5p ou vw 3 v4 ve vw M re to-tus flo-te-o! Jam a-mo-re vit-gi-na-lito-tus ar-de-0, 1O-vus,NO-Vus, NO-vus a-mor est, quo a a> 22 > —e ES 2 to-tus flo-re-ol Tam a-mo-re vir-gl-na-lt totus a-de-0, O-Vus, NO-VOs, NO-vUs a-mor est, quo nz Bipd= 14H S > mpd? mee He altesro motto ip PEE= 60, qo Fer= 6-0, lo pEr= o- ol Se m2e HE ID age 2 9-0, quo per e~0 quo per-e-o! 2 , Per~e-0, quo per e~ >? ern, do mi-cel-ta, cum, eum, Vern, éo=mi-cel- I, ie + quo per~ eo! =o ‘cura, cuca 2 peF=e-6, quo per= eG, quo par= eo! Veni, do-: i-cel- Ta, vve-ni, do mmi-cel-la, elm, etm, em,clm sos be ‘Verni, do~ti-cel- la, Sst SS. vye-nl, do sii-cel-Ia, com, cum, cum,cunt b> pie Ver, do-mi-eal- la, Sed =ue ‘Mp alegro molto ® verni, do mi-ce-la, chm, eum, ae ‘lp com, cacum e root fF verni, verni, pulch~ ra, ve-ni, ve ~ nipulchza, jam, iano, jam, jam, iam a gat ~ di-o, ct gan « di-o, vecni, ye-ni, poleh- ma, veenl, ve - mipulehza, iam, > a a zp. > > ‘ga - dco, cum gau - dio, ve-ni, verni, pulch- ra, ve-ni, ve ~ ni,pulch-a, iam, fam, iam, > de > Sse tS. fe gare dio, cum gan> di-o, vorni, ve=ni, puleh - vorni, ve - nijpuldhza, jam, fam, iam, iamyjaon tip I 4 vl a) weet Cte vol 3 (38) ancora piit lento di prima Batitono Solo to-tus flo-re- 0, iam a-mo-re vir gi-ne-It to-tus flo-re~ 0, iam acmo-te virgi-ng-It eas iam a-mo-re vir per - eo, iam per - eo. to-tus flo-re- 0, per ~ e-0, iamper ~ e-0. oh, to-tus flo-te~0, fam a-mo-re vie-gi-na-Ii per ~ €-0, iam per ~ e-0, Ob, oh, oh, to-tus flo-r0~ 0, fam a-mo-re virgi-nnIi Oh, ob, of, to-tus flo-re- 0, fam a-mo.te vir gi-na-It 138 ancora pid lento di prima ‘ben marcato 4 je 3p 3. gp) Lf to-tus ar-de-o, ‘no-Vus,no-Vus,no-vus A-morest,qUO per ~ e-0, QUO per - e-0, quo per - eo. e de 2 > mle > zo) to-tus ar-de-o, ‘nO-Vusyno-vus,n0-Vus a-mor esf,quo per - €-0, qUO per - e-0, GUO Per = Eo. to-tus ar-de-o, ‘no-Vus,no-vus,no-vus 4-Mor eS qUO per - €-0, QUO per ~ @=0, quo per - 6-0, ef 2> to-tus ar-de-o, RO-Vus,n0-WUs,no-Vus A-Morest,qUO Per ~ C-0, GUO Per ~ e-0, quO Per = o~0. to-tus are dee ‘No-vus,no-vus;no-vus a-moreSt,quo per - ©-0, quo per - te-0, quo per - e-0. ze es 2 » to-tus ar-de-o, per = c-0, quo per - 6-0. > attacea 23. Dulcissime oe BP concandong 4&4 132 rit. largo larghissimo [139 zB Soprano Solo Dulecis-si-me, Blanziflor et Helena 24. Ave formosissima d=n Mp a tempo gem = ma Coro gem ~ ma rubato ‘olla parte 16 tempo ‘tempo rs See ‘a ve de- cus vir-gi-aum, vir ~ go glo - ti - He AAD prea ~o - sm a= Ve de ous vir-gi-aum, vir - go glo- ri - as —_—s ‘a ~ ve de~ ens vir-gi-mam, 3 a a ve do can vir-gi-nam, vir = go glo - nh - atempo rubato atempo Bip Bip rato = ve tin = db . ave min - dl g se Re ae ve mun hy~ ml nar, 2 Bp rum naa a tempo ppeolta parte 5 ppcollapane wo He d=s2 ae te age a-vemun-d OS Blan ~ ai-flor et He-le-na, 2B), @-vemn-6i ro 6a, Bln - 2i-flor He-le-na, ‘ave mundi ° Din Aferet Helena, bea a z - 3 8 o ‘a-vemun=di FO Tale) Bln —2i-flr et He-le-na, die atmo “Sse & stagtisis = a-Mlor et He ~ leona, Bln == 2i-flor ot He ~ = viefor et He ~ tena, Tai flor et He le- ‘altace 118 25, O Fortuna Fortuna Imperatrix Mundi Pesante wai ere poco stringendo £. > 2 ee ®

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