Indian Market 90th Anniversary SWAIA Official Guide 2011

IndIan
Swaia oFFicial guide
MarkeT
2011 arTiSTS direcTory & BooTh locaTor Map
anniverSary
2011 The Sa nTa F e new Mex ic a n wwwSa n Ta F en ew M e xi can .co M
90th
George Rivera Melanie Yazzie Allan Houser

Plan to visit Glenn Green Galleries + Sculpture Garden in Tesuque and at our downtown Santa Fe Showcase at Buffalo Thunder Concierge 130 Lincoln Avenue. Exhibiting sculpture, paintings and prints by George Rivera, Melanie Yazzie and Allan Houser (Haozous).
CLOCKWISE FROM LEFT:
Photos (top): Glenn Green
Allan Houser (Haozous)
MORNING WALK 49" x 23.5" x 16", bronze edition 10 1986
Melanie Yazzie
WALKING IN THE MORNING 40" x 30", acrylic on canvas 2011
George Rivera
BEAR 5 feet tall, black granite 2011
(505) 820-0008 www.glenngreengalleries.com P.O. Box 1000, Tesuque, New Mexico 136 Tesuque Village Road, Tesuque, New Mexico Hours: 10 am to 5 pm daily
Photo: Philip Karshis
Miles Standish
watercolors
photography: Eric Swanson
Packards Artist Reception

Thursday, August 18, 5 to 9 PM On the Plaza, Santa Fe 505.983.9241 or 800.648.7358
Indian Market Hours

Friday, August 19, 10:30 AM to 7 PM Saturday, August 20, 7:30 AM to 6 PM Sunday, August 21, 9 AM to 6 PM
www.shoppackards.com
MARTHA HOPKINS STRUEVER
ALL SHOWS CONTINUE
SATURDAY, AUGUST 20 & SUNDAY, AUGUST 21, 11:00AM-5:00PM AT THE ELDORADO HOTEL
Wednesday, August 17 2011 , 2:00 5:00pm
Richard and Jared Chavez Jewelry
Tuesday, August 16, 2011 2:00 4:00pm

Martha Struever Lecture & Jewelry Preview Master Jewelers: The Modern Era Top American Indian Jewelers, Post WWI I - Present
Thursday, August 18, 2011 4:00 8:00pm

Jody Naranjo Pottery Contemporary American Indian Jewelry Contemporary Pottery
Friday, August 19, 2011 11:00 am 5:00pm

McKee Platero Special Exhibition
GALLERY SHOWINGS ARE AVAILABLE BY APPOINTMENT. CALL (505) 983-9515, OR VISIT OUR ONLINE AMERICAN INDIAN ART GALLERY AT WWW.MARTHASTRUEVER.COM
Pot: Jody Naranjo, Necklace: McKee Platero, Bracelets from left: McKee Platero, Richard Chavez, Jared Chavez. Photo Wendy McEahern.
MANITOU GALLERIES
Be sure to visit our newest location at 225 Canyon Raod!
Walter Wilson, Indian Woman With Sash, oil, 16 x 22;
TOP LEFT: Manitou at 225; MIDDLE ROW L-R: Palace Jewelers at 225 Canyon; Billy Schenck, Burning Bushes, oil, 32 x 38; B.C. Nowlin, Goes There, oil, 48 x 36
Indian Market Artist Demos

Martha Pettigrew: August 17-20, 9-5 Jennifer OCualain: August 17-21, 9-5
LEFT: Martha Pettigrew, Corn Maiden, bronze, 26 x 20 x 20; ABOVE: Jennifer OCualain, The Great Debate, oil, 12 x 24
123 West Palace Avenue, 505.986.0440 ~ 225 Canyon Road, 505.986.9833 Santa Fe, NM 87501 ManitouGalleries.com
MANITOUGALLERIES
IN DIAN M A RK E T GRO UP S H O W
featuring
Miguel Martinez
preview 8/18, 5-7:30 opening 8/19, 5-7:30 8/20 & 8/21, 8 - 6
CLOCKWISE FROM TOP LEFT: Miguel Martinez, Mother of Peace, oil pastel on canvas, 40 x 30; Ed Archie Noisecat, Raven Totem, bronze, 99 x 23 x 13, Kim Wiggins, Vision Seeker, Narbona (17661849), 96 x 72; Star York, Grandmas Gifts, bronze, 24 x 24 x24; Ethelinda, Moonstreak, oil, 52 x 72; Liz Wolf, Dreams in Flight, bronze, 38 x 37 x 27
Visit ManitouGalleries.com to view works by all gallery artists.
Buying or Selling Indian Art? Know the Law!

TC Cannon, Caddo/Kiowa, The Collector, 1971
Under the Indian Arts and Crafts Act, Native American art and craftwork must be marketed truthfully regarding the Native American heritage and Tribal affiliation of the producer. Take Home a Treasure from Indian Country-Buy works produced by members of federally recognized Tribes. For a free brochure on the Act, including how to file a complaint, please contact: U.S. Department of the Interior Indian Arts and Crafts Board Toll Free: 1-888-ART-FAKE or 1-888-278-3253 Email: iacb@ios.doi.gov Web: www.iacb.doi.gov
For additional information, please visit the Indian Arts and Crafts Boards booth at the 2011 Santa Fe Indian Market.

Thursday, August 18, 5 to 9 PM
Friday, August 19, 10:30 AM to 7 PM Saturday, August 20, 7:30 AM to 6 PM Sunday, August 21, 9 AM to 6 PM On the Plaza, Santa Fe 505.983.9241 or 800.648.7358
Indian Market Hours
Hopi Katsinas
In cooperation with Hopi Way
WHERE THE FOREST MEETS THE SEA
WE ARE THE TLINGIT, HAIDA & TSIMSHIAN from Southeast Alaska. Our people were legendary traders who traveled great distances to share their stories and trade with other cultures. In this way, our artists could share their unique work and in return nd inspiration. Today, our artists still reect our proud heritage in all they create. This weekend, we honor our ancestors traditions by traveling from our homeland in Alaska to New Mexico to share our story and art with you. Please stop by to share in our journey.
Dont miss performances by the renowned Mt. St. Elias Dancers, performing on the Sealaska stage!
PERFORMANCES & ART:
SEALASKA from IAIA Museum PAVILION Cathedral Park, across

Sealaska Heritage Institute
Brianna Clark
3rd Phase Chiefs Blanket

Friday, August 19, 10:30 AM to 7 PM Saturday, August 20, 7:30 AM to 6 PM Sunday, August 21, 9 AM to 6 PM On the Plaza, Santa Fe
Indian Market Hours
In association with Steve Getzwiller
505.983.9241 or 800.648.7358
S a n ta F eS P L ayg r o u n d
e n t e r ta i n m e n t
GaminG
DininG
3rd anniversary Fireworks Celebration

Sunday, September 4
Dusk
Join now and win up to $500
Monday, Tuesday & Wednesday
Red Sage 29 Prix Fixe
Like us on
877.848.6337 buffalothunderresort.com
New member program can be modified, changed or cancelled without notice. Management reserves all rights
2 01 1 SA N TA FE IN DI AN MA R KET
15
18 July 29 -A ugus
t 4,
2011
. (9 more appealing him ham ed Ballet on as at ve m d p continues with ald. w from aroun ds pts to make ro ura year his only. The Scree re Plac . 12:30ge do nsic ed by or all-a siCarmen, onic sum g an encore.cdb te this e md the to the fairer lays himself Fi Scre play & Moto heard ugh l blu s, I ca musi n showing of ust th (Not p.m. Sund at the young playe aby. . Bizet performed g by C sex with the (27n, SantarFe.e at the Le anday, July 31, Sa Tru gs an som a M inby the ou r (Ryan Gosli s com help of a that amin keyb Eggs. wn R him nta es voic n sa c b the d p ets fo Fe review) Chor ed) ng). Will Cal should have Ti gu ike atch an e toNationaleTheatreHBrno o ntryus and Orchestra THE SMURFS ck s Santa tafe.org / big Jay oard I ev evue sing Fe. I es o y actually made realize that of St. its colays gu itar an et en f the Blu s an Garg f ve of he his wife? Will hims fid acouMargarethen in ) an dle at goo Roman quarr tssan Smurfs out Tick amel (Hank Azari a st Hawk with rem d go soul h dle Susan untr itar eastern r (w d-t es Rev y of the player stop elf more appealing Julystic af Meadows d of their w.ticke a) Austr retc ins. a p em sp wit eard to the right girl M . 31, only.y- , ban I Marc New ime a.m. e. CCA jo The ho ia. 11 b u Sunday, 1980s Satur ww mushroom village casts the fa h. So icku ber el wit h (Emma Stone playing when he finds G y favo revie ir. V blues Cinematheque,Mexican (Not day in lu , an Mal also New p b hea more stupi h Santa es wed) am in New York City morning cartoons and the land of d things. Rated )? Love has done crazie stra bli rite Kel name, d sl in, w sings Fe. Orl and ring into real-life in 2011, wher r, Regal Stadi PG-13. 107 ly p ean for three-dime this ide gu ho all nded n Wh s here e they are um minutes. nsional CGI. s is DreamCatcher, 14 and Regal DeVargas, COWBOYS lays m is m itar.) the his m in Las eels, inclu Surely someb rendered in nt this movie, & Santa Fe; and ostly ody asked for but its diffic wh casin oney Veg whouterth ALIENS Bloodthirst (Not reviewed) Espaola; Storyteller from ic de ult have been. y visitors , Taos. as, e os. on h is space desceolin an Rated PG. 100 to imagine who that B ich An town in Arizoopen could and 2-D at minutes. Scree d Chef Michael Meisel gr rant L featu front som Nevad abo na, in nd on a small minin left the trading floor long Regal Stadi g e u circa th re diersmen ns in 3-D ou um 14, Santa o and a, h t a po g tr 1873, a grab Taos. Scree but hes still surrounded ps/1 eeper s som en th hago, gold. Outla resting onto delicious THE Fe; Storyteller ns in .ranch e Harri by gamblers since beingney av and w ack, o mix of quinoa, tomatillo, NAMES OF LOVE son Ford lead r gufor l Craig and , promoted to chef de cuisine 122423 Check erNew eres F and ingmangoDaniecompletely Espaola. (Not 2-D only at DreamCat Jewis and Indians, April. u , p spen band a satisfying dish. The young h mother hid from A man whose at Red Sageou and O cher, a t y of band reviewed) 42 in misfi nn ro Before earning the top the Nazis and ts its, bab toque, Meisel137393t www rleans toytherotisserie chicken is a whole, plump baby birdwoman whose Alger rates pretty rescue. listed local Parisian neigh ly, deconhigh on the Feestructed Cowboys & Alien .face pia ian father repai a restaurants The Pink Adobe, . li bors hokeg, legs Thecomic outla at the rs his Old Housews book no b nyness into manageable s and breasts. If not dry, appliances out his heart find Eldorado Hotel, and Aqua who .c it lacked meter of the good succulence, with each Santa pointless rsum arent funny, interg , what while the accompanying roasted other, and ness of on a long chase om y country is impro the that also includes Goldman alatic six-gu / potatoes were undercooke s, a resurrectio ved ns, and the other vegetables in the proce karma of an entire Sachs. d hummingbi n scene, and Forestier) is blah. Red Sage is the 2008 reincarnati rd who helps The green chile porkcute ss. The wom outsp key plot point an (Sara the protagonis a enchilada likewise disappointedoken and absen on of Mark Millers come once-trendy Washingto slightly watery pork, . t-minded when t recall asoggy tortillas, s to putting on n, D.C., restaurant of the But for those who book broug and it little withsaffron rice her clothes just name, which closed in 2007 ht tosame cinem that, though bright comic her effort about theminu Miller sold atic life, itll want a yellow, lacked any saffron flavor. s to conve a tic that conflicts BAD TEAC 118 time tes. men to progr Coyote Caf in Santa Fe. do. apple strudel HER Came Rega essive With that DNA, one expectsl Stadium The honeyRated PG-13. call it a baklavudel s by sleep rt politically conservativ ron Diaz gives Red Sage a gutsy perfo Santa Fe; Drea 14 presents a e great things from Red Sage, ing rmance in a mCatcher, was a and Regadessert with and Meisel has been working Espa standout l DeVargas, pion nuts andcurious combinatio with them. The film dark comedy that doesnt (Robert Nott) honey fluff and poign in 30 Buffalo Thunder Trail hard since April; I know the ola; Story layers n of romantic-c quite get succeed. Still, See because I dined at Red Sagereview, page flaky pastry teller, surrounding the apple ant Taos. omedy (at Buffalo Thunder Resort it is sporadicall raunchy enough to filling them 78. .X. in March. Lets just say that scoop of F OReillys delicious you might expec and a es that comes off & Casino, adjacent to and breaks what you can expect now better than ice cream on the side. The t. The trans taboos. It depic y laugh-out-loud funny Pojoaque Pueblo, off U.S. are well-trained, knowledge subtitles other two desserts might lators respo 84/285), 819-2056 money-gru ts a year in able servers who care that have been in thetake a few too 72 July 29 nsible for the bbing, pot-s the life of a experimental many libert Breakfast & lunch buffet you enjoy yourself. Theres also - August 4, moki 7 a.m.-3 p.m. teacher (Diaz ies in an attem a new menu, good off-list 2011 stages when I tried them; there was no dessert ) who break ng, whiskey-swigging menu yet. daily, dinner 5-10 p.m. wines by the glass, and pt The blueberry panna cotta nightly s all the rules out on top. more attention in the kitchen. was forgettable but had Jason Segel good The price category, however, texture. The brownie compensate is quite good and still comes puts d for being too cakelike as a gym teach company of Santa Fes culinary Red Sage in the with thick frosting, caramel Full bar er stratosphere. Meisel sauce, and more of that hasnt quite conquered Vegetarian options good ice cream. those heights, but he has, after all, just begun his Patio dining in season Skip the cavernous dining ascent. room in favor of the bar Noise level: dining room Sustainable is (rightly) or patio, despite the surprising can simulate one of the current buzzwords lack of view in that thundering buffalo in Santa Fes best kitchens, potentially spectacular and Meisel is doing his setting and Handicapped-accessible part with wild Alaskan halibut could win a most-uncomfortable patio chairs that and New Mexico lamb. Shuttle service to & from trophy. Give Meisel The downtown Santa Fe main courses on the summer a chance; hes already worked menu are preceded by wonders. Credit cards, no checks The Trail Head bar snacks like todays taco and a cheese platter plus other dishes that can play light meal or appetizer roles. The calamari are large, tender rings in a light tempura-style batter served on a smear of assertive garlic aioli with The Short Order a fresh, spicy salsa. The Spanish bread salad Recently promoted chef is a copious bowl of fresh Michael Meisel spinach and radicchio studded deserves an A for effort with chunks of housefor the dramatic Dinner for two at Red made bread, marcona almonds, Sage: improvements evident this cured chorizo, red summer at Red Sage Calamari ...................................... onions, and yellow peppers; at Buffalo Thunder Resort .................$ 14.00 its only failing was a & Casino. Keen wait Spanish bread salad ................... slightly-too-sharp vinaigrette. staff, a new menu, and the ...................$ 12.00 The buttermilk ranch pleasant bar and patio New Mexico lamb rack salad unfortunately included .................................$ are all draws (but not of 36.00 some old, tired leaves the poker variety). Wild Alaskan halibut ................... among the butter lettuce If some dishes dont quite .................$ 35.00 and braised baby artichokes meet expectations Blueberry pannacotta ................... that were past their prime (and raised by the restaurants .................$ 8.00 their season) in midsumme association with Brownie ...................................... r. The rich slices of avocado celebrity chef Mark Miller ..................$ 8.00 went better anyway with and the A-list prices, Glass, malbec ................... the strips of good, hot green .............................$ 10.00 theres hope for continued chile, but I also wanted more improvement. Glass, zinfandel ................... goat cheese in the buttermilk .........................$ 15.00 Recommended: Spanish goat cheese dressing. bread salad, TOTAL ...................................... A request for a green salad calamari, wild Alaskan ....................$ 138.00 off the halibut, New Mexico (before tax and tip) little mixed salad with another menu brought a nice lamb rack, and honey apple unbalanced vinaigrette. strudel. The ever-changing, generous basket of house breads Dinner for two, another with assorted house-flavo visit: red butters a bonus for Buttermilk ranch salad ordering a main course .................................$ might warrant skipping 9.00 Green salad ................... the Trail Head in favor of spicy ................................$ corn bread sticks sweet 8.00 Young rotisserie chicken as corn candy or miniature ...............................$ 25.00 muffins that you want to Pork enchiladas ................... take home for breakfast. The .........................$ 20.00 halibut had a crunchy crust Honey apple strudel ................... and perfectly cooked interior. ...................$ 8.00 The tomatillo salsa spiked Glass, chardonnay ................... with sweet shrimp and .....................$ 11.00 chunks of chorizo make Glass, pinot noir ................... this an outstanding dish marred ........................$ 13.00 only by a little watery pool Glass, moscato ................... Ratings range from 0 that collected at the bottom to 4 chiles, including half ...........................$ 10.00 chiles. of the bowl This reflects the reviewers TOTAL ...................................... experience with regard Though the lamb rack arrived one evening. ....................$ 104.00 to food and drink, atmosphere, service, and value. (before tax and tip) than the medium-rare ordered, closer to medium it was meltingly tender
RES TAU RAN T REV IEW
333 mo muse 333 Mo ntezuma um op enin an As Tre ntezuma gs Ave nex es, receptio Walking, ., 699-28 THE SANTA FE NEW MEXICAN July 29 - August 4, 2011 33. n wo comp addis 5-7 p.m., rk by Luc I See Men ile pamb d by Pame 229 E. on rowe through Sep as Reiner, t. 12. each@s la MovemMarcy St., Fine art fnewm Beach, ent: The 982-1533. sculptu exica Fem Sus n.com receptio re and bro ale Form pended on the cover nzes by in Cla n 5-7 y, p.m a sea Mic 60 saints, sinners, and aliens in the ., through hael Young, 407 Venta Aug. 26. Artist Alex Chavez has roots in Taos, where he works today, but he grew up in East L.A. 660 S. Guada Desert Town na Fine ar ga lup and The imagery he found in the religious art displayed in churches there informs his work. gro -1509. Tes e St., 988 llery Dawson Country t 400 Can ting the up sho -4920 yon Roa , pain , w, rece and A selection of his pieces is shown alongside work by six other artists in Curiosities, Beals Willia reception 5-7 tings and d, 983 ptio Water, ina & -8815. pas p.m., an exhibit that runs through August at Pop Gallery. On our cover is Chavezs Divine 713 Can abbat n 5-7:30 p.m ugural 540 S. m siegal through tels by Dou e ., ong Gu group yon Road, Fine art Judy Tuw adalupe gallery Intervention, a 2011 mixed-media work on canvas. Image courtesy Pop Gallery. Aug. 15. g oing. Kin sho 5-8 p.m w, grand- 438-8881. mixed- aletstiwa St., 820-33 Les gs Ret ., thro ope throughmedia work, : A Pattern 00. o Blue ugh Au ning rece ablos, ed Ro s than f th ra ption 130 Lin in galle g. 8. Wind Aug. 23 (se reception 5-7 Language, Dea oster a ye e ro ry paintin coln 143 Linsor Betts e story, Pag p.m., ar af os Moving iMAgesgs by Ave., 954-99 coll d, th s firstBooKs t sculptu award-wcoln Ave., art Broker e 70). Roseta 02. Me e gr al14 ter th ec Santiag mento 72 pasa pics w, re by Gu Sho ou bum in other Words Latin American poetry today inning cro 820-1221. age e D tio , stav o; onl sses, rece Spanish this ecen n of w p cr16 , My Faraway One Alfred & Georgia, sittin in a tree 76 Rejoice andptionew paintin o Victor new devotio rece Shout O re Zane y. Market ow A ld G lease Go ption n its ragt t Peo hat it66 s ag million little holy pieces Relics of the lost saints 5-7 p.m 78 Cowboys & Aliens p.m gs by Brando ler; Theme nal of eileen 5-7 oo 435 S. Bennett ., thro p s ., Co app no sl ag gagg le is call ain w d Poo Imper 54 E. Braziel Fin ugh Au n Maldonad Addic Guadalupe ntempora u g. 13. the s g o; St., New Dec eal an mp. le o Music on ith a r Cra ial photogtions and Oth 982-8111. ry art cAlendAr MeSan Franciscoe art so w zo St., ups group xico Art 5-7 p.m raphs by Doner Kodak Mo Attraction per ent P d in In fact f Esp pterrells tune-upzy 18 hom roo hole Empire of the rooster s sp a 82 pasa Upcyc show of s Centennia tairs, 699 Week ., thro ald ts info form eople ired , wit20 ola ore thistu newOver the Rhine ugh Aug Woodm ments, ins -49 l led an, rece an ho onstage fo Week wac ef recycled , Repurp tallations, Project Spa 14. oper . 26. nes in rmed ce th displa slop 22ut listen up Chamber music no laughing matter thro ption a spir Olsen, mixed-meosed, and Pos ugh Sep ce, losi kos. rt fro . And , grisel an ys m o24 pasa tempos CD Reviews f t. 9; ongoin dia t-In I p it. jug-b its ore the fi ng th But m el Za Vivald da g; rece work by Bet dustrial, and pre this erfo 10 Mixed Media rs ption dep royal e za 545 guan Opera is drama in 5-7 p.m h Rekow -in dec 28 th t albrhythm Jazz master Randy Weston n 13 star Canyon ga ow year rmed 30 Jim gale Official photographer of hot and cool flu compiled codes Roallery . William tickets , 7 miles nor three acts, in m, y enceessor. WoewisuWozzeck Alban Bergs opera at SFO by Robert 9 p.m start at 80 restaurant lson d, 983-25 th of earn n tack . The with through Ne review Ker B. d34 Its b ritin $35, 986 Santa Fe ., Santa McLan 67. Paintin , an sho ing y son grou this g 91 d sound Waves Ninja with a Monome Clas e, rece lu -5900, off U.S. Fe galle Aug. 14. b p bra w siCal ption gs by trag 84/ santafe pu egra and ry gg gs. I back and in 5-8 p.m santa nk Dog Da 203-B 203 opera.o 285, musiC Sp at this ic an -ro ss., rg. Esp Peo eak Reds ing ri didnt ed m Art Canyon The sea Fe Cham receptio ys of Sum ck in ber me Roa my tune d vio n R. Mu son continu music anth ple st g of Steak ghts th get p e on aola le gF Co 5-7 p.m., r, work by d, 992-03 July 15-21, 2011 a fe Lin d Itsonly chid utopia! earl nte Oval Takem rray Schafer es with mu Festival Th em, arts o surv Hou at I aid 38 w frame by frameevil rotoscopees nt end 707 Can mpora through Au da St. Cla 33. Culture Orb ainment & , iv se 52 Art inier surv Wi g. 13. 1613 ir, h ai chil d 6 p.m itsu, pre-co Christophe sic of Peter exce of m review Painting meets poetry o aud e lyrics Anyt ff the ing . paintin yon Road, ry Paseo th nce ine of Arts, Entert de Sectioned ived70 ptrueygrid Judy one /B nt go ds dea is wo f a lo Tuwaletstiwa Museu., $21, St. Fran rt talk 5 r Rouse, and Etvs, Peralta Ring, Weekl man ve. throughgs by Paul 983-3707. y Magaz t fo Sata ience des hing song Roost tn y p.m O th aR by Joh o New Aug. ans santafe m of Art, 107 cis Auditor ., performTru TheHa Mexic Shapiro, receMagic Mir Th ne h puttin othin . T to create Engli n Kile w The oost r toss n ab reac cribe Goes know er gigs 11. chamb mark ium, Ne anc e y, Lew hn ro ror, ption sh parallels er ermusic W. Palace santa sublet to MArKet, tWopMArKets g on he refrho bla narra ing out tion dru at a n as , D the Im uge su g all Allen w Me e ss ga 5-7 p.m 409 Can Translating stir to French jokes 602-A Ave., .co Galleri te me llery ., Jacques The sea Fe yon 983-18 xico rin sala inn s (L nken Roo the ecen pick your flavor Contemporary, Traditional, andnmore ed tor o sala grou erial R rprise my fa all th ai go m , however. Desert Ch m. the Mo Canyon Roa dicine 90, t son f monotype Road, 984 example, es at the Rai Martin as Dea st ban 54 m D g co d w er li . R ma d o ensur lyard, th segura p heart of here. it in e beating m n MartiMusic: The continues orale Dennis ther Road, d, 820-7451. n galler 56 The wro WI ckta ith h ght, on H ayhemer Sh ds gregoryat -shoo can d osterSanta Fehis stillwron es, W e for through Aus by Matt Mit-8434. Ne n, for Spi with Mende out of the flow es that viewers will be o w pai chell, tiBusy r cou I al to walthe e through Ziemiensk Route 66, pai West Alo y bei ng m Marij ils w is legs a six ubbar , su w. 58 Whats tz thbuzz? n. obee Arthur Lpez you g that ell th inart Som g. 11. pulled rightlssohn, rit Soars, muGreat Cathed receptio ntings and read ng Cathed b i, santa ntin Joh ga e and In French with of the movie. Rated R. sic of B ootin ld ral bea wit and n 5-7 patina Aug.12. reception 5-7 gs by sho ngs, b essage uana ith ru ), an -arm d tell rreal 62 lives of the saints Colorful indeed do ra y k , hon I hav e Mi Vistan llery 219 Del 131 Cat ral p.m., 100 minutes. Basilica ofAllegri, 8 p.m Bach, ca ut 112 W. Fe Fine pro n y, o the gad p.m., e Escude Encantfada 131 W. gallery folk utifu h a b n al the so tooti uco new . CommuniFran arsubtiker The Screen, t Bro tles. o alb uldn ut if to Blues sty d d bar ed Je ing discou hed Suite San ty Audi Santa Fe; Taos ral Place, St. Francis of., su si dro, receHit , tunes St., ri ch cisc toriu age b l voca itters so d ng n, lo us. nts 104 Rust, Palace Ave Jaym uctio ptio ch paintings 983-6537. sw um in t be li you d ildre pro ll bit tend s M o work by , 982 mix I 575-758-20-0446.o St., Plam, 133 Paseo del 988-2282, available, $20-$55, stu Assisi, by D alla ple w w Die etk ac lle n H p.m h thro ee receptio ed-media ., 986-3432. 703 Camin gans w 5-8 o ., ere David Per ers dig ecen d that l harm eet m prett cGin -falu knew Pueblo Norte988-12 desertchor dent or Travels za Me through Patricia52. ( Jeff Acker) rcado, no t trib the fi stenin ont la n an bably s. TgiF ez , Cinoou ry h oker n 5-7:30 sculptu it Reveren tP y. ugh Au Barr Cla , 901 in Pri -55 t phil spa de ic re by st ban ital d eopl I ca onie elod Its a tys tin, an A g. ce p.m., Music string or 34, ticketss ale.org, rke, rece Watercolo a gr afraid ute rst p g to ugh, d oth send scarle August. ce 0-0064. la b full n through Polly Wh for ce Sheldo o hunkPai Familia, ho ar hrz 30. che r, 1410 to ption lu rece dcam ownlo e is cu t pu s that y and slow show d Suite Copla of Tchaikovsk stra re antafe.org. F et Sec 983-70 tts gaREJOICE Aug. 21. itcomb ntin ove ocery to ge a fo lace. an Im well, er livi s the 5-8 lle t 5-7 p.mn f Bee and es su rn 310 e cital , alb ind th Krevit, y, an gs ,by Les sect 3, fair ta, paintings ond St., 983 y, Fau I AND SHO p.m., Churchnd, 5:30 cam ntly p.co ad; vi rren my fi remin stran , sad s and Mo 92. 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So n, ably yl are to ciate gospeations appreci Ave., 982 sbyterian pippin 5:30-8:30 t and Tom es + Orb new1613 Paseo etta llem g. 20. honky, Weption m If media of San ct Marcy st. w.t by The st Mexican. our officesve at 202ue. ed ease santa fe, la 87501. f a nM n. y rz al rie selby receptionsomeworkthePasqual p.m s, l music. ated. -8544, s. wh d Th t Dayicken som olent girl WayNewer me b ra H h and footage 1-5 p.m by rare archival in Co rs web the de -c altaat at the editorial: 505-986-3019. fax: 505-820-0803. e-mail: pasa@sfnewmexican.com. Ext.16 bee Inclinationtim Perhu ,s ww ra y-ton kin T e ar236 Delgad ikle Fin ., through Martinelli, 600 CanFleetwooin this film Sylvia Ma Ive ere ar ions. ise m a succ How eimp le only e recordings ., thro , lik at The e Bea , is . 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un in Sc cket r in (adm hting yo ents he , at the from Ti es 31 lig lable spot ation pr ay, July e avai rg). ci Asso m. Sund s, $30, ar antafe.o p. et at 4 Tick w.ticketss lta). Pera 234, ww 88-1 (9 y thon el An a Fe icha nt rist M e Sa Guita ) plays th iritual (right for Sp mino de er Cent (505 Ca m 4 to . 31 fro Livingarquez) ay, July los M m. Sund arlie ing! p. Ch 5:30 eme is ing Sw50 trify th The tian Elec teran of rkwo ve Chris y a ing, rt nes, mak on l Hai Anth of music- s, Hube er Ca an s umm 88. years th Gil Ev William th dr 10 e dy wi ew, wi Call 989An erqu zz ing y Sh . , and Albuqu Bobb the door ico Ja . e Laws Mex th aster ed th at open the New this mon mpet m are $20 tru ckets of rlier atures end fe n. Ti val ea ived Festi ly 31 gig ky Patte n rece Is Ju ic Deh The ssist M Ellie le in Life s ba ano and sopr for her ro e return . m mer, sum applause Opera. Sh s at 8 p. r the Last fo ia dant Santa Fe s and ar Center St.). abun m at ic g songthe Lens Francisco who ea a Dr n to sin yer, . San 1, at w 11 W encer M music to to y, Aug. ts (2 o da Sp N play Mon ming Ar pianist Liszt. and or her is pieces by yer talk out Perf M ting ab Assis fers solo to hear e film sical il ut of as also should fa ght-min iving cl eb at ei rv r ew ts love ignant s last su on th tal ticke po ty ci sted in a rk Ci ore, po 807. Re ing Yo visit 1234. ic st /24595 New e by m 8t-mus shee vimeo.co e availabl lling 98 ca www. to $45) ar tafe.org ($15 ticketssan www.
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You turn to us.
80
July 29 - August 4, 2011
162 Years of Trust and Reliability in the Santa Fe Community
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James Reid, Ltd.

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16 2 01 1 SA N TA F E I N DI A N M A RK E T
t r a di t ion
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Handmade in Santa Fe since 1982
Southwest Spanish Craftsmen proudly continues the 400 year legacy of furniture building in Santa Fe. Learn more at our website: southwestspanishcraftsmen.com
Tony Malmed Jewelry Art

Photo: Wendy Mceahern/the Santa Fe Catalogue
New Works
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108 Don Gaspar, Santa Fe 988-9558
201 1 SAN TA FE I ND IA N M A RKET
17
COVER PHOTO Kitty Leaken Wakeah Jane and her brother, Phillip Fuji Bread, both past winners of top honors at Indian Markets Native American Clothing Competition. Shes the current Miss Navajo Nation Fair Powwow Princess and champion Southern Plains Buckskin dancer, while he loves karate, X-box 360 and the Northern Plains Chicken Dance. Students at the Santa Fe Indian School, they live in Santa Fe and are Blackfoot/ Comanche. Their regalia was made by their mom, Jhane Myers, a traditional doll maker and fourthgeneration buckskin dress maker. Wakeahs accessory pieces were made by her aunt, Daneta Kaulay. COVER DESIGN Deborah Villa EDITOR AND PUBLISHER Robin Martin ASSOCIATE PUBLISHER Ginny Sohn MANAGING EDITOR Rob Dean EDITORIAL Magazine editor Inez Russell 986-3093, irussell@sfnewmexican.com Magazine art director Deborah Villa 986-3027, dvilla@sfnewmexican.com Magazine designer Linda Johnson Copy editing Staci Golar Director of photography Clyde Mueller ADVERTISING Advertising director Tamara Hand, 986-3007 MARKETING AND DESIGN DEPARTMENT Advertising layout Christine Huffman DESIGNERS Elspeth Hilbert, Scott Fowler, Dale Deforest, Bill Jacobi, Enrique Figueredo ADVERTISING SALES Michael Brendel, 995-3825 Gary Brouse, 995-3861 Belinda Hoschar, 995-3844 Cristina Iverson, 995-3830 Alex J. Martinez, 995-3841 Jan Montoya, 995-3838 Art Trujillo, 995-3820 Rick Wiegers, 995-3840 COMMERCIAL PRINT SALES Rob Newlin, 505-670-1315 printsales@sfnewmexican.com SYSTEMS Technology director Michael Campbell PRODUCTION Operations director Al Waldron Assistant production director Tim Cramer Prepress manager Dan Gomez Press manager Larry Quintana Packaging manager Brian Schultz WEB Digital development Henry M. Lopez www.santafenewmexican.com ADDRESS Office: 202 E. Marcy St. Hours: 8 a.m.-5 p.m. Monday-Friday Advertising information: 505-986-3082 Delivery: 505-984-0363, 800-873-3372 For copies, please call Reggie Perez, 428-7645, or email rperez@sfnewmexican.com
INDIAN
MARKET
PHOTOS BY KITTY LEAKEN
WHATS INSIDE
MAPS
20 32 76
Downtown Santa Fe Parking Indian Market events
STARTING OUT
22 24 28 30
A welcome from SWAIA 90 years later, Indian Market flourishes. Official SWAIA Indian Market schedule A light-hearted photographic look at last years best-dressed.
AT THE MARKET
38 43 44 46 48 50 52
The Native American Clothing Competition sparkles. Judging behind the scenes: Careful deliberation About those Best of Shows? A look back Authors tent brings Native writers to the forefront. Let it roll. The spotlight remains on film. Bring out the dazzle for the annual gala and auction. Volunteers bring art to Native inmates.
144 Booth locator map
SA N TA F E I N D I A N M A R K E T
TH ANNIVERSARY
ARTISTS DIRECTORY
PUBLISHED AUG.
BOOTH LOCATOR MAP
HONORS
54 56 62 65 70 72 75
Best of Show winners Stetson Honyumptewa and Blackhorse Lowe Meet the Best of Classification winners. Innovating an ancient art Meet the 2011 Indian Market Fellows. Houser Legacy awards Povika awards Looking to the future with 2011 poster honorees
116 At Cathedral Park, find Alaskan culture in the Southwest. 118 Artists band together to aid Japan after tsunami.
AROUND TOWN
121 Your guide to this weeks events 126 At the Wheelwright: Gathering round for market 128 Virgil Ortiz and family on display at MIAC 130 IAIA continues the celebration.
CULTURE
102 Earth and Sky tour takes you into Santa Clara Pueblo 106 Reflections on a master: Allan Houser 110 Basketry renaissance is happening now. 114 Taos Pueblos Robert Mirabal interprets Popay.
MEET THE ARTISTS

134 Official SWAIA artists directory
Railyard The
Railyard Plaza
Railyard Park
1. Plaza 2. Loretto Chapel 3. San Miguel Chapel 4. Cathedral Basilica 5. Manhattan Project Office 6. Sena Plaza 7. Cross of the Martyrs 8. The Santa Fe New Mexican 9. Padre Gallegos House 10. U.S. Courthouse 11. Palace of the Governors 12. New Mexico History Museum 13. New Mexico Museum of Art 14. Lensic Performing Arts Center 15. Georgia OKeeffe Museum 16. Santa Fe Community Convention Center 17. Post Office
18. Museum of Contemporary Native Arts 19. State Capitol 20. Bataan Memorial Museum 21. Santa Fe Childrens Museum 22. Center for Contemporary Arts 23. Museum of Spanish Colonial Art 24. Museum of Indian Arts and Culture 25. Milner Plaza 26. Museum of International Folk Art 27. Wheelwright Museum of the American Indian 28. El Museo Cultural de Santa Fe 29. Site Santa Fe 30. Santa Fe Farmers Market 31. Santa Fe Depot/Vistor Center 32.Warehouse 21 33. Canyon Road
2 01 1 SA NTA F E IN DI AN MA R KE T
21
SWAIA Board
CHAIR, STEPHEN WALL WHITE EARTH CHIPPEWA VICE CHAIR, STOCKTON COLT SECRETARY, DR. JENNY AUGER MAW TREASURER, BIDTAH N. BECKER DINE RICHARD ALTERMANN NOCONA J. BURGESS COMANCHE JED FOUTZ ROGER FRAGUA JEMEZ PUEBLO ELIZABETH PETTUS STEPHANIE PHO POE KIGER SANTA CLARA PUEBLO PAT PRUITT LAGUNA PUEBLO JENNY KIMBALL CHARLES KING L. STEPHINE POSTON SANDIA PUEBLO BRIAN VALLO ACOMA PUEBLO
A STRONG NATIVE NARRATIVE

WELCOME TO THE 90TH SANTA FE INDIAN MARKET!
What began in 1922 as a small effort to assist Pueblo people enter the cash economy has grown into the largest Native art festival in the world bringing fame, prestige and income to Native artists and New Mexico. Pueblo people continue to be the backbone of the Santa Fe Market. Twothirds of the artists are from the 19 pueblos. They have helped welcome the world to Santa Fe, where today there are now 160 tribes and nations represented. The modern art market and Native fine art movements all began in Santa Fe and at Indian Market. Indian Markets magic is its inclusiveness all art forms and types of artists helping to show the breadth and depth of the Native Art world. There is no other place to meet a thousand different artists with so many stories to tell. In the middle of the art is what is called traditional or tribal arts; art making based on time-honored core values. These art forms such as pottery incorporate an artists and societys values, principles and worldviews; they are the container and conveyer for present and future generations. In a world of change and speed of light communication, it is a courageous act that artists continue to work within these time-honored techniques. Indian Market upholds these values by performing a rigorous evaluation and jurying process ensuring that when you talk to the artist, you are talking to the maker. There are certainly lots of ways to buy Native art, but only Indian Market affords such inclusive, extensive and inspiring possibilities. SWAIA has recently undergone a transformation. Following years of languishing in a financial limbo, we have just put together the first four consecutive successful financial years on record. We know that you will enjoy the clarity of these changes as embodied in our newly crafted mission stated: Bringing Native arts to the world by inspiring excellence, fostering education, and creating meaningful partnerships. Now that we are on the other side of these changes it is with transparency and fortitude that SWAIA can and will move forward by continuing in the welcoming and innovative way that Pueblo people began the market 90 years ago. We expect to continue to evolve with artists: new concerns, ancient forms, ancient concerns and new forms. Native narrative has never been stronger. We hope you will enjoy the stories found here. We have selected these from the literally tens of thousands of stories that might be told because we believe them to be informative and inclusive; as well as to provide you with the continuing ethical and cultural contexts that guide and provide the principles for Native people that make art. The board and staff of the Southwestern Association for Indian Arts, producers of the world-famous Santa Fe Indian Market
SWAIA Staff
EXECUTIVE DIRECTOR: BRUCE BERNSTEIN, PH.D DEPUTY DIRECTOR: JOHN TORRES NEZ, PH.D DIN DIRECTOR OF EXTERNAL AFFAIRS: GABE GOMEZ ARTIST SERVICES INDIAN MARKET MANAGER: PAULA RIVERA TAOS PUEBLO OFFICE MANAGER: SHARON LOPEZ FINANCE: MARY ERPELDING, CPA PROGRAMS TRIBAL LIAISON: SHAWNA SHANDIIN SUNRISE DIN KEWA DEVELOPMENT MEMBERSHIP: DENISE KERON EXECUTIVE ASSISTANT AND VOLUNTEER COORDINATOR: LISA MORRIS PR MARKETING: TAILINH AGOYO NARRAGANSETT BLACKFEET PR MARKETING: COREY GARCIA ACOMA PUEBLO GRAPHIC DESIGN: WHITNEY STEWART INDIAN MARKET MANAGERS ASSISTANT: ALLEN DURAN TESUQUE PUEBLO ZONE MANAGER: JAMES ARQUERO COCHITI PUEBLO ZONE MANAGER: KIT HOWARD ZONE MANAGER: LAVITA PAQUIN ZUNI PUEBLO ZONE MANAGER: HENRY BROWN WOLF KEWA CHEYENNE RIVER SIOUX SUMMER ASSOCIATE: MONTANA BROWN SUMMER ASSOCIATE: TIFFANY WIN
SANTA FE INDIAN MARKET 2011
KING GALLERIES + FAUST GALLERY
CLASSIC TO CONTEMPORARY: EXPERIENCE EXCEPTIONAL NATIVE AMERICAN ART
AUGUST 14 16
Antique Indian Art Show at the Santa Fe Convention Center. Featuring important pottery and jewelry, including Collected Memories: Select Pieces from the Alfred & Ellen King Collection
AUGUST 15 21
Returning to our space below the La Fonda Indian Shop & Gallery. 100 E. San Francisco St., Santa Fe Open Daily 10 a.m. to 6 p.m.
The Life and Art of Tony Da, by Charles S. King and Richard Spivey, Available August, 2011
K I N G G A L L E R I E S .CO M
FA U S T G A L L E R Y. C O M
7100 MAIN STREET, SUITES 1 & 3, SCOTTSDALE, AZ 85251. 480.481.0187 AND 480.946.6345
201 1 SAN TA F E I N DI AN MA RKE T
23
CULTURE
BY KIM BACA
MARKET LEGACY CONTINUES TO INSPIRE FAMILIES OF ARTISTS
When Barbara Gonzales of San Ildefonso Pueblo was a little girl, she remembers camping out under the Portal at the Palace of the Governors for the Santa Fe Indian Market with her Great-Aunt Clara to save a shady spot. Back before the rows and rows of white, canvas-covered booths lined the streets, the annual Indian Market spread out just a ways around the Palace and was presented as part of the Fiesta de Santa Fe. Gonzales, who sat with her family, including her great-grandmother better known as world-famous potter Maria Martinez remembers selling her little animal figurines for $1.25 or $1.50, which was expensive, considering that a loaf of bread was about 9 cents and a stamp was a penny in those days. The rest of the family sold pottery for up to $20. Since the first Indian Market, Gonzales family has been participating in the event showcasing Native American arts and culture. No longer a local Indian fair, the annual Indian Market draws 100,000 visitors from across the world to buy and experience the best of Native art, music and culture. But the 90-year-old market is much more than a festival its a time to bring together family, heritage and homage to lineage.
Clockwise from top: 1980 Indian Market; Tomasita Montoya and Reycita Trujillo, two potters under the Portal at the Palace of the Governors from Ohkay Owengeh (San Juan), ca 1930s, Indian Market; Maria Martinezs signature black-on-black pottery wasnt allowed into Indian Market at first; Potter Tonita Roybal of San Ildefonso Pueblo won the first market award for black-on-black pottery in 1925; Photos courtesy Palace of the Governors, Museum of New Mexico.
WARRIORS
designs in art class. The federal commissioner of Indian Affairs requested a year later that all Indians stop traditional dances because he thought it interfered with raising crops and maintaining stock, not knowing that for Pueblo people, the dances were part of their daily lives, and aided in a good harvest.
From what I saw, (Indian Market) was a get-together with old friends, said Gonzales, 64, recalling the time she went to market as a little girl. It wasnt so much the money; it was about trading. A lot of potters didnt do embroidery, so they traded. Farmers would have blue corn and they traded for jewelry, or some of them needed vessels, shoes, leather or beads. Or sometimes different ceremonies were going on, so this was a time that you traded with other tribal members from other places, so that you would get items that you need for a certain ceremony. Originally, there were no artists on the Santa Fe Plaza itself. When the Museum of New Mexico created the first Indian Fair in 1922, the museum was the caretaker of artists items and the event was indoors at the National Guard Armory behind the Palace of the Governors. Beadwork, jewelry-making, Navajo weaving, pottery and sand painting demonstrations took place on the patio. According to the Southwestern Association for Indian Arts (SWAIA), the organization that sponsors Indian Market, then-Museum Curator Kenneth Chapman worked with Maria Martinez and other potters to understand their work, thinking that a fair would provide opportunities for educating both potter and the buyer. Museum Director Edgar Lee Hewett opened the first Southwest Indian Fair and Industrial Arts and Crafts Exhibition on Sept. 4, 1922, with the simple words, the hour has arrived, and then spoke about the importance of fostering and preserving the crafts of the Indian. Ironically, this was taking place at the same time when the federal government was prohibiting the use of Native languages at village day and boarding schools. Children also were prohibited from referring to their culture, such as using Native
INDIAN MARKET TIMELINE

1922 1922 1922 1923-26 1927 1932-35 1932 1936 1939 1938
First Southwest Indian Fair and Industrial Arts and Crafts Exhibition opens on Sept.4. Started by the Museum of New Mexico, the fair was part of the Santa Fe Fiesta. First prize was $5, second prize $3 New Mexico Association on Indian Affairs is founded to help fight the federal Bursum Bill, which would have given Pueblo land to nonIndians. Indian Fairs remain as part of Fiesta. Independent Southwest Indian Fair committee takes over managing the Indian Fair from the museum. No fairs. Instead, judging takes place in various villages or during saint day celebrations, even in schools and at tribal fairs. The Independent Indian Fair Committee officially becomes part of the New Mexico Association for Indian Affairs. Many of the same people belong to both organizations. Indian Market moves to the Portal of the Palace of the Governors. Saturday markets held on eight consecutive weeks beginning in July. Saturday markets slow considerably, they continue through the war years on a small scale. The Indian Market summer markets turn into a regular presence of people selling their wares under the Portal. The New Mexico Association for Indian Affairs establishes the Indian Club as meeting place for young Native people in Santa Fe. During the war years it serves as the principal means of communication between Native people serving in the military and their families because some parents do not speak or write English. In 1944, 183 Christmas packages are sent out. Indian Market grows quieter and quieter and is increasingly lost in the shuffle of Fiestas. The sponsoring organizations members are getting older and each year discuss discontinuing the Indian Market. Traders Al Packard and Rex Arrowsmith, with museum curators Bertha Dutton and Sallie Wagner, step in and keep the markets going. For the first time applications are sent directly to artists instead of governors at the pueblos. New Mexico Association on Indian Affairs changes its name to the Southwestern Association on Indian Affairs. Within five years, Indian Market becomes the groups singular activity. Indian Market moves from Fiesta weekend to the weekend before, giving it its own place and time. Indian Market booths now on Palace Avenue to ease overcrowding. Native American Clothing Contest is introduced, celebrating traditional and contemporary textile handiwork with a fashion show. Indian Market is under the Portal and along the north and east sides of the Plaza. All 200 artists who show up on Saturday get a booth. First Best of Show The market includes 330 booths in rows of three on all four sides of the Plaza. Some artists are turned away. SWAIA creates a fellowship program to encourage Native American artists, age 18 years and older, to reach their full artistic potential. Organizers clamp down on unauthorized squatter vendors. City passes law to discourage other Indian art shows on private property the same weekend as Indian Market. Organizers consider moving Indian Market to other locations, even Albuquerque or Phoenix. Market board decides to add spring and winter markets. Bronzes and sculptures make their first large showing at the market. For the first time, Indian Market officials line up corporate sponsors. Photographers submit 80 entires in the first photography exhibit. The Lifetime Achievement Award is given to first honorees: Allan Houser and Maria Martinez
1955 1958 1959 1959 1962 1964 1968 1970 1976 1980 1980 1983 1988 1988 1988 1990 1991 1993 1995
1993 Name changes to Southwestern Association for Indian Arts. 2002 Market reaches 625 booths and 1,200 artists. 2008-10 The amount of awards for art excellence increases to about $100,000;
SWAIA launches year-round activities including literary events, film festivals and other activities. The organization receives a $75,000 grant from the Ford Foundation for an in-depth study of ways to develop a longterm vision and strategic plan.
2010 2011
PHOTO OF POT: WENDY MCEAHERN
Film is added as an art classification, and baskets receive their own classification.
Photography exhibition organized with New Mexico Museum of Art and Andrew Smith Gallery Source: Bruce Bernsteins History of Indian Market, Santa Fe New Mexican archives
JANE PHILLIPS
JANE PHILLIPS
JANE PHILLIPS
Jason Reed Brown, (Koyukon Athabascan), sculpture, 2010 Indian Market.
Charlene HolyBear, (Standing Rock Lakota Sioux) Best of Classification diverse arts, 2010 Indian Market.
Douglas Miles, (San Carlos Apache), paintings, drawings, mixed media, 2010 Indian Market.
Despite bans on language and culture throughout Indian Country, though, artists in the first few years of Indian Market began to share their once-secluded lives with the world, often using their pottery to tell their stories. They werent just pots or crafts. People used pottery and the arts to teach things about themselves to others in the community, SWAIA Executive Director Bruce Bernstein said. During the first Indian Market, the Fort Peck Sioux Reservation won $15 for best tribal display with a collection of older, beaded garments. Museum curators judged the remaining pieces, with each Pueblo making up a single category. First prize was $5 and second prize was $3. There were a total of 75 artists. Today, the market includes 1,000 Native artists from across the nation, and now, Canada. SWAIA receives more than 2,000 applications annually from artists trying to gain a prized booth at market. Within the past few decades other competition categories, such as photography and now film, have been added as Indian artists continue to push boundaries. In the future, Bernstein says drama and literature categories will be added to the contest. What were doing is trying to build a sturdier platform for Native arts as artists definitions of art expand, Bernstein said. Everything that happens at market reflects who people are today and how theyve changed in the 20th century. Bernstein said one challenge for SWAIA is to continue to maintain a set of principles that uphold traditional Pueblo pottery while at the same time, celebrating the diversity and innovation of ceramics without undermining what
traditional pottery represents. To do this, he said, a specific category for traditional Pueblo pottery will be created in the future. Our support for traditional pottery will increase, Bernstein said. Pueblo pottery and Pueblo people will always be the backbone of Indian Market. Its how it was in the beginning, although how Maria Martinez and other potters felt after the first Indian Fair is lost to history. Today, though, her descendants still feel the impact of the inaugural event. Its an honor to know that a lifetimes work started by my great-grandmother is being carried on now by my oldest son and my grandkids, said Barbara Gonzales, adding that her great-grandmother would be astounded by all the different types of art and categories today. Cavan Gonzales, Barbara Gonzales eldest son who went to market before he was born said he never felt any pressure because of his lineage. If anything, that heritage has helped push him to create his own style, which includes the revival of polychrome, an application of three or more clay slips to create the design on his large signature vessels. The graduate of New Yorks Alfred University, which has a reputation for the arts, however, hasnt forgotten his roots. One thing that has been stressed is a certain approach to design, which has been a family trait that Ive tried to keep very much alive in every piece I do, he said, adding that he also incorporates elements of his familys designs in his work, which he makes his own.
COME TO MARKET
BY KIM BACA
CANADAS FIRST NATIONS PEOPLES

For the first time in its 90-year history, aboriginal people from Canada will compete among the best indigenous artists in the United States in the Santa Fe Indian Market.
The Southwestern Association for Indian Arts board changed the policy last year, which had stated only artists from federally recognized tribes in America could enter the markets contest, at the urging of its executive director. Previously, only aboriginal Canadians with dual Canadian and U.S. citizenship were allowed to apply for a booth and enter the contest. However, aboriginal Canadians have been invited to Indian Market before as demonstrators of their arts, music or dances. The organization is always challenged to keep up or stay apace with Indian people, said Bruce Bernstein, SWAIA executive director. Because of its size, it acts more slowly with some issues. The board took this issue on in the fall and voted the right way to include First Nations people. It was a matter of timing of things. It makes a positive impact, he added. Were also making sure when we say we have the best Native arts here that we have the best Native arts. We have artists who happen to be from Canada, and now Canadians can participate and show their best work. Fifteen First Nations artists will make their debut displaying several arts, including jewelry, paintings, prints, textiles and other items. Bernstein said SWAIA received about 100 inquiries from First Nations folks when the organization made the announcement about the change, but in the end the organization received a limited amount of applications. The change wasnt soon enough, however, for Ed Archie NoiseCat, a full-blood Salish who grew up with
Painter Sheldon Harvey (Din), at his studio on the north side of Albuquerque, July 3, 2009.
CRAIG FRITZ
JANE PHILLIPS
JANE PHILLIPS
Adrian Wall, (Jemez Pueblo), sculpture, 2010 Indian Market.
Rozanne Swentzell, (Santa Clara Pueblo) sculpture, 2010 Indian Market.
MARKET POWER
> 1,000 artists participated from more than 100 Native tribes and > > > > > >
Aboriginal reserves in Canada. 100,000 people visited the 2010 Indian Market. 30 percent of Indian Market visitors were first-time visitors. $122 million was spent on services, such as restaurants and four-day stays in hotels, representing 12 percent of Santa Fes gross tax revenue. Artists in Indian Market earned $18 million. A majority of the earnings stay in New Mexico. About 45 percent of the artists live in the Santa Fe area and nearly 75 percent in New Mexico. 1.4 million visits to the Southwestern Association for Indian Arts website in August.
Source: SWAIA
His daughter, Charine Gonzales, 15, who also has been showing at Indian Market for the past few years and has won awards for her figurines, said following in her familys footsteps was natural. Like her father, she went to market before she was born. As a baby, her father gave her clay to taste so that she would begin to know it well. I believe tradition is a huge part of Indian culture, she said. If we dont carry it on then tradition can get lost I think thats whats mostly driven me. Sometimes lineage, however, can pressure an artist. Potter Jody Naranjo of Santa Clara Pueblo, who also comes from a renowned ceramics family and has honors from this and other art markets, said she strives for perfection for her Indian Market pieces. Sales there make up one-third of her annual income. There was never another option for me to do something else, Naranjo said. It makes me turn around and push harder. Gregory Schaaf, a historian who is creating a book of biographies of the 2,500 artists who have been in market since 1922, said it isnt surprising that artists with a long legacy in Indian Market feel like Naranjo. Every single artist, when we asked, what is it about creating artwork that is most important to you? the number one, the most frequent answer, to that question is, I want to preserve my culture for the benefit of my children, my grandchildren and the generations after me, Schaaf said. The second-most frequent answer is, I want to honor my ancestors. The artists feel a responsibility to keep their culture alive, to do their dances, speak their language and do their work as their ancestors did.
the Canim Lake Band of Shuswap Indians in British Columbia. NoiseCat, a Santa Fe-based sculptor, painter, jewelrymaker and graphic artist, has entered and won awards at other prestigious American Indian art shows, including best of show at the Heard Museums annual market. He said it didnt make sense to him that indigenous people from the same continent couldnt enter the most prestigious art show for Native people in North America. The borderline between the two countries has no meaning to us, although now I need a passport to go home to visit my family and get back into this country. But its a line that has been there a very short time considering
how long our people have been here, he said. We are all very strong, very proud people and very smart survivors of things that have been brought upon us. NoiseCat, who has lobbied SWAIA for a decade to let aboriginals in the competition, said many First Nations artists have the high-level skills SWAIA wants. We do have a lot of artists that will challenge the long-standing artists in Indian Market, he said. I think they really want to bump up the level of work in the show. (This competition) will add more depth and make others step up to the competition a little bit more. It will make a better-quality show.
Left: Ed Archie NoiseCat Far left: Shaman Tance blown and sand carved glass with eight walnut horns 14 x 10.5 x 8
PHOTOS KITTY LEAKEN
Ed Archie NoiseCat,
SANTA FE INDIAN MARKET
SWAIA OFFICIAL
INDIAN MARKET WEEK
SCHEDULE OF EVENTS
2011 Santa Fe Indian Market Week Official Schedule of Events Monday-Sunday (Aug. 15-Aug. 21) See www.swaia.org for updates.
ONGOING
The New Mexico Museum of Art, in partnership with the Southwestern Association for Indian Arts, is hosting New Native Photography, 2011. The show will run through Oct. 3 at the museum. Some 25 works by more than 15 artists will be up in the show. Entrance is by museum admission.
Monday (Aug. 15)

6:30 p.m. Class X Film Screenings, New Mexico History Museum, 113 Lincoln Ave. Free. This special evening of film screenings features the work of Classification X winners. This is the 10th and one of the newest art classifications at Santa Fe Indian Market. Classification X is the moving images category with four divisions: Narrative Short, Documentary Short, Animation Short and Experimental Short. All week. Native Cinema Showcase, New
Mexico History Museum. Free. SWAIA and the Smithsonians National Museum of the American Indian (NMAI), present the 11th Annual Native Cinema Showcase, a celebration of films and videos by and about indigenous peoples.
The Black Eagle Singers from Jemez Pueblo House, 202 Galisteo St. A. Free. Mohawk spoken word performance about living away from their homelands while maintaining Indian identity. Speaks, tonight through Sept. 4 at the Heritage Hotels Lodge in Santa Fe, 750 N. St. Francis Drive. Tickets, $45-$55, available at www. TicketsSantaFe.org. Grammy-winner Mirabals one-man show will showcase the history of PoPay during the 1680 Pueblo Revolt and his continuing influence today.
Center. Contact SWAIA for ticket information, 505-983-5220. SWAIAs Artist Awards Sneak Preview gives SWAIA members the early opportunity to see the best of Indian Market art after the Best of Show Awards Ceremony. The General Preview follows.
Friday (Aug. 19)

11:30 a.m.-2 p.m. Best of Show Ceremony and Luncheon, Santa Fe Community Convention Center, 201 W. Marcy St. For ticket information, please contact SWAIA, 505-983-5220, or visit www.swaia.org. This annual event, which precedes the Santa Fe Indian Market, is where the Best of Show Award is presented to a SWAIA artist. More than 1000 pieces of artwork are submitted for judging. 3 p.m. State of Native Art Symposium, Santa
Fe Community Convention Center, Free. Schedule of events TBA.
Saturday (Aug. 20)

Plaza. Free.
7 a.m.-5 p.m. The 90th Santa Fe Indian Market, on and around the Santa Fe The Santa Fe Indian Market is the
Tuesday (Aug. 16)

Arts and Culture present Breakfast With the Curators, Museum of Indian Arts and Culture, 710 Camino Lejo. Admission is $35 per person, or $30 per person for Museum of New Mexico Foundation members. Museum admission included. Learn all about the history, splendor and future plans of the 90th Annual Santa Fe Indian Market over breakfast with SWAIAs Executive Director Bruce Bernstein, Ph.D. Collected Works Bookstore and Coffee
8:30 p.m. Robert Mirabal Presents: PoPay
8:30 a.m. SWAIA and the Museum of Indian
preeminent Native arts market in the world; it simultaneously embraces the past, present and future of Indian arts. The Santa Fe Indian Market hosts more than 1100 artists from 100 tribes and is the largest cultural event in New Mexico, attracting 100,000 visitors per year.
7 a.m.-5 p.m. Sealaska Corporation and
Thursday (Aug. 18)

Gallery, 131 W. Palace Ave. Free. Tom Maguire, former director of Arts and Cultural Tourism for the City of Santa Fe, will give a brief talk on the rich history, culture and creative energy of our vibrant community. Based on the Navajo Beauty Way, this audiovisual presentation conjures up the wealth of inspiring experiences you can discover during your visit here. Continental breakfast.
Sealaska Heritage Institute Stage, Cathedral Park, 213 Cathedral Park.
6 p.m. Janet Marie Rogers and Alex Jacobs,
9 a.m. Welcoming Reception at Patina
5:30-7:30 p.m. Sneak Preview 7:30-9:30 p.m. General Preview, booth

at the Santa Fe Community Convention
Noon-1 p.m. Lifetime Achievement
Allan Houser Legacy and Povika Awards Presentation, Santa Fe Plaza Stage.
6 p.m. Simon Ortiz and Sara Maria Ortiz, Collected Works Bookstore and Coffee House, 202 Galisteo St. A. Free. Readings by a father and daughter. 6 p.m. SWAIA presents Music on the Plaza Bandstand, the final day of the Santa Fe Music Bandstand Series sponsored by SWAIA featuring Clan/Destine and Levi & the Plateros.
Robert Mirabal Native Roots
Tlingit Helmet, Wayne Price The Houser Award is the highest honor that SWAIA bestows upon a Native artist, recognizing the contributions by a distinguished Native American artist to Native arts and Native culture. The Povika Award recognizes service, leadership and support that Native and non-Native people provide to the annual Santa Fe Indian Market and to Native artists and their communities.
KITTY LEAKEN
Market Preview
Sunday (Aug. 21)

Plaza. Free. The Santa Fe Indian Market is the preeminent Native arts market in the world; it simultaneously embraces the past, present and future of Indian arts. The Santa Fe Indian Market hosts more than 1100 artists from 100 tribes and is the largest cultural event in New Mexico, attracting 100,000 visitors per year.
7 a.m.-5 p.m. The 90th Santa Fe Indian Market, on and around the Santa Fe
UPCOMING Aug. 25
5:30 p.m. Open Studio Santa Fe Art Institute, Santa Fe Art Institute, 1600 Saint Michaels Drive. Free. Each month, the Santa Fe Art Institute hosts an Open Studio for the Artists and Writers in Residence to show their work to the public and to give folks a sneak peek into the closed door world of studio practice. The artists in residence for August will include SWAIA Residency Fellows Ryan Lee Smith,
Emergence Productions Presents: Plaza Stage

1-1:40 p.m. Jir Street 1:50-2:30 p.m. Indigie Femme 2:40-3:10 p.m. Nizhoni Sin 3:20-4 p.m. Native Roots
and Auctions. La Fonda on the Plaza, 100 E. San Francisco St. For ticket information, please contact SWAIA, 505-983-5220. This is the most important fundraising event for SWAIA, as well as glamorous night featuring gourmet food, entertainment and the chance to bid on exceptional art.
painter, and Lisa Hageman, weaver. Others are Lenka Novakova, video and installation; Pricilla Hollingsworth, ceramicist; Alyssa Phoebus and Murad Kahn Mumatz, mixed media; Marylin Waltzer, botanical illustrator; and Judith Stein, writer.
Nov. 26-27
Save the date for SWAIA Winter Market, known as the SWAIA Winter Showcase, held Thanksgiving weekend at the Santa Fe Community Convention Center.
7 a.m.-5 p.m. Sealaska Corporation and Sealaska Heritage Institute Stage, Cathedral Park, 213 Cathedral Park.
Contest, the Santa Fe Plaza Stage. This is the most-photographed event each year at Indian Market.
5-9 p.m. SWAIA Live Auction Gala, Dinner
9 a.m.-noon. The Native American Clothing
Canyon Records Presents: Plaza Stage

1-1:40 p.m. Gabriel Ayala 1:50-2:30 p.m. Shelley Morningsong
Wakeman
2:40-3:10 p.m. Aaron White and Anthony
3:20-4 p.m. Estun-Bah
Anthony Wakeman
Jir Street
all duded up
During Santa Fe Indian Market weekend, its true that so far as clothing goes, anything goes. Folks love putting on their best Southwestern attire and getting down to the Plaza to seen and be seen. So put on your turquoise and get over to market and if you dont have anything to wear, dont worry. Thats another reason to get to Indian Market. The artists will have plenty of jewelry, beaded accessories and clothing ready for you.
KITTY LEAKEN
JANE PHILLIPS
36th Annual Benefit Auction

August 18-19, 2011
Thursday, August 18, 2011 Friday, August 19, 2011
Silent Auction & Live Auction Preview, 4:00 6:00 PM
The Collectors Table 9:00 10:30 AM Art for Wear, 10:30 AM 12:30 PM Live Auction Preview, 10:30 AM - 12:30 PM Live Auction Starts at 1:00 PM
OF THE AMERICAN INDIAN

704 Camino Lejo, Museum Hill, Santa Fe, NM 87505 505-982-4636 www.wheelwright.org
Catered lunch available. Offsite parking and free shuttle from St. Johns United Methodist Church at Old Pecos Trail and Cordova Road.
Funded in part by a gift from
Photo: Addison Doty
33
The Case Trading Post Presents
34
2 011 SA N TA F E IN DIA N M A R K ET
35
36
2 01 1 SA N TA F E IN DIA N MA R K ET
Wheelwright Museum of the American Indian & Case Trading Post

704 Camino Lejo, Museum Hill Santa Fe, NM 87505 505-982-4636 www.wheelwright.org MondayFriday 105, Sunday 15 Free Admission
Projects are made possible in part by the City of Santa Fe Arts Commission and the 1% Lodgers Tax; and New Mexico Arts, a division of the Department of Cultural Affairs and the National Endowment for the Arts.
Photo by Addison Doty

2 01 1 SA N TA FE IN D IA N M AR KET 37
dress
Sunday morning on the Plaza is when Indian Market artists and their families pull out all the stops at the annual Native American Clothing Competition. Its the most-photographed event at market, with competition in both traditional and contemporary clothing. From tiny tots in their feast day finest to regal elders in intricately beaded buckskin, its much more than a fashion show. Rather, the Native American Clothing Competition is a glimpse into the cultures and traditions of a people of many peoples, really, since you can see everything from a traditional Apache womans outfit to the finest powwow regalia. Wear a hat and bring your camera, and prepare to step into a whole other world. The fun starts at 9 a.m. Sunday on the bandstand on the Santa Fe Plaza.
FANCY
2011 SA N TA FE IN D IA N M AR KET
41
ROBERT NICHOLS GALLERY

S A N tA f E
Historic, Classic and Innovative Native American Pottery
Santiago Romero
Nathan Begaye
(Booth 331 FR-N)
Alan E. Lasiloo
The Ortiz Family
(Booth 328 FR-S)
Glen Nipshank
Diego Romero
(Booth 509 SF)
August 1824
INDIAN MARKEt ARtIsts: Diego Romero, Alan E. Lasiloo and Glen Nipshank COYOtEs AND MAsKs: Introducing Santiago Romero + LEgACY WORK: Nathan Begaye (19592010)
419 Canyon Road, santa Fe, NM 87501 | 505.982.2145 www.robertnicholsgallery.com | gallery@robertnicholsgallery.com
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2 01 1 SAN TA F E I N DI A N M A R K ET
HOW TO CHOOSE?
Judges bring years of knowledge, expertise to the table
BY INEZ RUSSELL
The day began early for judges at last years Santa Fe Indian Market. By 6:45 a.m., they were in place at the Santa Fe Community Convention Center, sipping coffee and receiving their instructions. By 8 a.m. judging had started, to continue all day long as the experts on Indian art sorted through hundreds of pieces of the what is simply the best of its kind in the world.
Pottery. Jewelry. Sculpture. Textiles. Basketry. Beadwork and Quillwork. Diverse Arts. Pueblo Wooden Carvings. Moving Images. Painting. Ten different classifications, with work ranging from the most traditional pot to abstract sculpture to a digital photograph to a hand-woven basket. Among these diverse offerings, how to choose? The visual response or the emotional response is really the key thing, said Stuart Ashman, a judge for the 2010 Indian Market in the Paintings, Drawings, Graphics and Photography Classification. Then we look back to see how accomplished the work is, how mature. Ashman, a former Department of Cultural Affairs secretary, also is an artist himself. Judging, he said, was not as difficult as some expect. It seems like we agreed on about 90 percent of the pieces. When you get a group of people who are visually trained, its easy, he said. Its a pleasure to be working with other judges who are as informed as these guys are. We are speaking the same language. The process in 2010 was slightly different than previous years by bumping back check-in one day, judging ended earlier and instead of an evening announcement on Friday, the Best of Show announcement became a luncheon and an bona fide event mid-day. As always, there was the checkin of the art, the complicated and day-long process that has the artists lugging their work to the convention center, watching it get checked in and then entered correctly by the hundreds of volunteers who keep the process moving smoothly. Judging starts with the selection of division winners, then those pieces compete for first in category, finally ending with the Best of Classification. From those top 10 winners, judges must choose a Best of Show winner. The 70-plus judges chosen for their knowledge of Indian arts and culture worked their way through the entries one by one, narrowing the field until only the 10 Classification winners remained. The buzz of conversation, filled the cavernous room, but despite the press of deadlines, the process unfolded in a thoughtful, deliberative way. Judge Cippy CrazyHorse was amazed at an entry in the jewelry classification, marveling at a lamp that glistened with a silvery shine. As an artist, CrazyHorse knew the workmanship that had gone into constructing the lamp: Once you make a mistake you have to start over. The lamp, by Daniel Sunshine Reeves, ended up the Best of Classification winner the other judges joined CrazyHorse in recognizing the skill that went into construction such a lamp. One by one, the winners were chosen, and the top classification piece was moved to the center table so the final deliberations could begin. Toward the end of the day, after hours of thinking and talking, it was time for judges to stop, reassess, and share their thinking about the top winners. A representative from each classification stepped forward to talk about the winning piece, to discuss its craftsmanship and artistry and to make a case about why it should be Best of Show.
NATALIE GUILLN
Janet Smith, Carolyn Kastner, Bill Wiggins and Gaylord Torrence during last years judging at Santa Fe Indian Market
About Dolores Garzas chief s hat, the representative from Classification XI: Basketry said, its not one of the most colorful pieces you are going to see on the table. It is elegant. Its a sign of a real renaissance in the work on the Northwest coast. More words, spoken in support of Veronica Paukeigope Jennings beaded horsepack, winner in Classification VIII: Beadwork and Quillwork. Its gorgeous in the amount of work that went into it. It doesnt just show her art and art work. She is speaking for her ancestors. The lamp returned to the forefront as the representative of Classification I: Jewelry, and its advocate spoke with passion: The Navajo world has had to learn to live in the Anglo world. Hes taken this piece and made it Navajo. This could have been made in 1850 and could have been made three days ago. It speaks from generation to generation. About the Acoma pot by Robert Patricio, winner in Classification II: Pottery, the advocate said: This pot speaks of you and me; of everyone, the earth. This pot speaks with great pride and joy. If it opens up your heart, speak for this pot. The representative of Classification IV, Pueblo Wooden Carvings: was eloquent in support of Stetson Honyumptewas stirring katsina: Just me talking about it makes me quiver, its so beautiful. In my best judgment as an artist, this is what really takes my breath away. And so it went, through all 11 classifications including, for the first time ever, Classification X: Moving Images, until time came for discussion to end and the voting to begin. On a piece of white paper, the judges wrote their choices down, dropping the votes into, of all things, a Tupperware container. Together, SWAIAs executive director Bruce Bernstein and deputy director John Torres-Nez took the container away from the big room, off to count, to discern the judges collective will. Last year, for the first time, two winners emerged that most traditional katsina and Shimsn, the film by Blackhorse Lowe. In a few days, the process will begin all over again, starting over coffee and extending over a day of deliberation and debate until come Friday we have the 2011 Best of Show winner once again.
JANE PHILLIPS
LUIS SNCHEZ SATURNO
Darryl and Rebecca Begay won Best of Show in 2009.
Sheldon Harvey with his painting Trickster Way, which took top honors in 2008.
BEYOND THE BEST

Past winners reflect on the winning the big one
BY UNGELBAH DANIEL DAVILA
Every year more than 1,000 pieces of artwork are submitted to Santa Fe Indian Market by artists hoping to win the Best of Show award, the most prestigious prize in the Native arts community. The pieces are judged, and on the Friday before market weekend, the winning piece is revealed. Over the decades, the Santa Fe Indian Market, now in its 90th year, has seen a diverse assortment of artists and artwork come away Best of Show winners.
Here, a look at just a few of the winners from recent years past and what happened to the pieces they created. In 1989 Santa Clara Pueblo potter Nancy Youngblood received the Best of Show award for her red swirled melon bowl. The piece went to a woman from the New York City area who had been a long time collector of Youngbloods work. I told her prior to Indian Market that I had made this piece, Youngblood said. I told her that if she wanted it shed have to get in line for it, so she waited up all night at my booth and had not even seen the piece but had heard it had won Best of Show. Youngblood, the daughter of Mela Youngblood and granddaughter of Margaret Tafoya, both Santa Clara potters, made her first pot at age 13. In 1973 she began making pottery full-time and has been doing it ever since. The melon bowl stayed with this collector until about six years ago, when it was sold to Andrea Fisher Fine Pottery. From there, the bowl traveled to its new home with a collector in Hawaii. Alaskan Native artist and Chilkat weaver Clarissa Rizal of the Tlingit tribe received the Best of Show Award in 1994 for a button blanket-style wall mural called, Following Our Ancestors Trail. The Tlingit traditionally use button blankets for ceremonial occasions. They are made from wool and are embellished with buttons, glass beads and appliqu designs. Her winning blanket is hand-sewn wool on wool appliqu with mother-of-pearl buttons and hand-pounded copper pieces to enhance the design. The piece went to collectors Bill and Jane Kennedy from Austin, Texas. Rizal began making art for profit 35 years ago with the birth of her son. Creating and selling art allowed her to work from home and spend time with her children. Now a grandmother, Rizal has put aside her thoughts of retirement. Once you become a grandmother, you do what it takes to be near your children and grandchildren, said Rizal who is planning her move from Alaska to Santa Fe to attend the Institute of
American Indian Arts. In addition to her button blankets, Rizal is also a painter and a collage artist. This year Rizal will be demonstrating weaving at her booth as well as participating in the Sealaska Corporation event at Cathedral Park. The year 2001 saw the recognition of Nambe Pueblo potter Lonnie Vigils micaceous work. The winning piece was a gunmetal water jar purchased by New York City-area collector. The piece is similar to a vase, with a narrow base that comes up to a shoulder, then turns at a 90-degree angle to form a narrow neck that flares slightly at the rim. Vigil, who left a career in financial management almost 30 years ago to realize his work as a potter, said that in achieving this award, it made a transition, I think, for all of the people that work in micaceous ware because it reached that level of judging. Din jewelers and husband-and-wife team, Darryl and Rebecca Begay from Gallup, came home winners in 2009 for their piece, Return from the Long Walk. It was like a concho belt, but instead of conchos they were miniature figures. It represented my people, the Navajo people, and our accomplishments since The Long Walk, said Darryl Begay of the winning piece, which was purchased by a collector from Texas. Last year marked a new era for the Santa Fe Indian Market with the introduction of Class X, the classification recognizing moving image arts as the 10th art category to be included in the market. With the introduction of this class came a historic moment, with the 2010 Best of Show Award going to the short film Shimsn by Din filmmaker Blackhorse Lowe, the first time in Indian Market history that a film won top honors. Another first two Best of Shows were awarded, the second for that most traditional of arts, Pueblo wooden carving, to Stetson Honyumptewa. The film, which is 15 minutes in length, shot on black and white 35mm film, tells the story of Lowes grandmother. Its based on my grandmothers story from when she was younger, said Lowe. Its about her desire to go to boarding school even though she has to deal with the idea of being someplace else and doing something different besides sheepherding and staying on the rez. The movie explores that idea and looks at what happens when some sort of foreign element comes into a new area and all of a sudden someones imagination opens up. Unlike other past Best of Show winners, Lowes film cant be placed with one collector or one museum. Scheduled to be released this fall, by Black Mesa Entertainment out of Tulsa, Okla., the story of a girls desire to see the bigger world can belong to everyone. During market this year, catch it Thursday (Aug. 18) at the New Mexico History Museum.
GALERIE ZGER
5th Annual Breakfast with Gib Singleton
Saturday, August 20 9-11am RSVP Required 505.984.5099
Indian Market Group Show

GIB SINGLETON MICHAEL ATKINSON L.M. CHAN JAMES JENSEN J. CHESTER ARMSTRONG FRIDAY, AUGUST 19, 4:00-8:00 PM & SATURDAY, AUGUST 20, 2:00-8:00 PM
ARMSTRONG
JENSEN
ATKINSON
CHAN
2 011 SA N TA FE IN D IA N M AR KET
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VITAL WORDS
Literary arts add depth to market offerings
BY DENNIS J. CARROLL
Organizers of Indian Market, hoping to further connect the literary arts to the many other forms for which the event is internationally known, are stepping up their efforts to recognize Native authors.
We are trying to reinforce the fact that literature has much to do with the other art forms, said Gabe Gomez, director of external affairs for the Southwestern Association for Indian Arts. We want visitors to appreciate poetry, fiction, non-fiction and other Native literary works that literary arts are alive and vital in the Native American community. Dorothy Massey and her daughter, Mary Wolf, owners of the Collected Works Bookstore and Coffeehouse, will be running the newly named Native American Literary Arts tent on the plaza for the second year. Massey said the tent was renamed (from the Indian Market Book Tent) to more appropriately reflect the (literary) tents connection to the visual and performing arts which have been prominently featured at the market for decades. In the past the tent has put more emphasis on works about Native American culture rather than literary works by Native Americans themselves. The tent is expected to include the works of 10 Indian writers, about the same number as last year. Massey said she expects that several, if not all of the writers, will be available to discuss and autograph their works. She said the books will include biographies of Native American artists, as well as books on Native culinary arts, history, literature and poetry. Massey noted that this year the emphasis on literary arts has gone beyond just the authors tent on Indian Market weekend. On June 17, Collected Works and SWAIA launched a series of panel discussions, workshops and author readings at the bookstore at Galisteo and Water streets. They include a presentation of photos by Don James from his One Nation, One Year book, readings by poet Tanaya Winder; a presentation by Janet Marie Rogers and Alex Jacobs on the Mohawk Spoken Word; and readings by father and daughter Simon and Sara Marie Ortiz on Thursday (Aug. 18). Rogers, of Victoria, British Columbia and a member of the Iroquois Mohawk nation, describes herself as a poet whose work focuses on rhythm and voice to convey the experiences of indigenous peoples of North America. A contemporary experience involves (being aware) of the past, present and future, Rogers said. And at the same time, doing your best to stay rooted in what you are doing right now. Rogers, and Jacobs, of Santa Fe, also an Iroquois Mohawk, will use their Indian Market and bookstore appearances to launch their collaborative CD, Got Your Back, which Rogers described as a modern take on current poetry set to music. There is something for the music lover because the beats are well-married with the music, she said, and the verses offer creative information, something of a poetry story. She described Jacobs and her presentations as a different kind of poetry; its more dynamic without being slam very powerful, very animated.
1, DJ Perish s Jacob
e Janet Rog
rs and Alex
PUEBLO GRANDE MUSEUM

ANNUAL
35
TH
December 10-11, 2011
INDIAN MARKET
MASTER JEWELERS: THE MODERN ERA TOP AMERICAN INDIAN JEWELERS, POST-WWII PRESENT Tuesday, August 16, 2011, 2:00 -4:30pm Eldorado Hotel, Zia A Room
Join us for an illustrated talk by Marti Struever, who will discuss work of the most renowned jewelers from the past half-century. The lecture will be followed by a presentation of jewelry of 14 artists.
A CULTURAL EVENT FOR THE ENTIRE FAMILY AT PUEBLO GRANDE MUSEUM IN PHOENIX, ARIZONA!
MARTI WILL SHOW & DISCUSS THE WORK OF:
ARTISTS are ENCOURAGED to APPLY!
THE INDIAN MARKET FEATURES OUTSTANDING FINE ART NATIVE FOODS TRADITIONAL AND CONTEMPORARY MUSIC AND DANCE PLUS VISIT MUSEUM EXHIBITS AND TRAIL WITH ANCIENT HOHOKAM P TFORM MOUND BALLCOURT AND REPLICA OF HOME.
FOR MORE INFORMATION (602) 495-0901
Kenneth Begay Mike Bird-Romero Richard & Jared Chavez Edison Cummings Yazzie Johnson/Gail Bird Charles Loloma Preston Monongye
McKee Platero Maria Samora Raymond Sequaptewa Perry Shorty Sonwai Liz Wallace Lee Yazzie
A M E R IC A N I N DI A N A RT FOR T H E C OL L E C TOR
more than 200 artists at this open air event

WWW. P G I N D I A N M A R K E T.COM
Gallery showings available by appointment. Call (505) 983-9515, or visit our online American Indian art gallery at www.marthastruever.com
Bracelet left: Charles Loloma, Bracelet right: Preston Monongye, Earrings: Maria Samora Photo of Marti: Carrie Haley, Photo of Jewelry: Wendy McEahern
201 1 SAN TA F E IN DI AN MA RKE T
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CLYDE MUELLER
The tent was packed with more than 100 people last year for the first showing of entries in Classification X, the newest category at Indian Market.
VISUAL FEAST
Weeklong festival celebrates film
BY UNGELBAH DANIEL DAVILA
At last years Santa Fe Indian Market we saw the introduction of moving image arts as a legitimate art form. Labeled Classification X, it marked the 10th artistic category to be included in the Indian Market. Class X took the market by storm, offering a diverse screening of films and videos submitted by both Native youth and adults. To top it off, Blackhorse Lowes film, Shimsn, made Indian Market history as the first film ever to win the prestigious Best of Show award, confirming a new era in Indian art.
This year, the Southwestern Association for Indian Arts has partnered with the National Museum of the American Indian to make the annual Native Cinema Showcase part of the Santa Fe Indian Market week. Previously, the showcase, which is in its 11th year, had been held at the Center for Contemporary Arts. This year, it will be held close to the Plaza and market at the New Mexico History Museum on Lincoln Avenue (just behind the Palace of the Governors). The showcase begins Monday (Aug. 15) and lasts through the weekend of Indian Market,
offering a plethora of indigenous voices from as far away as the Arctic Circle and as close as Laguna Pueblo. All the films will be free to the public and screened at the History Museum. It is part of the weeklong festival of SWAIA, said Shawna Sunrise, who works as tribal liaison and in programs at SWAIA. Were just providing an umbrella-type situation to help facilitate this program. Last year they brought films but this year is more of a full partnership with NMAI. SWAIA is also joining forces this year with the Indian Pueblo Cultural Center in bringing the movie, Grab, to the Native Cinema Showcase. Grab, a movie by Navajo, Hopi and Laguna Pueblo filmmaker Billy Luther, documents the annual Grab Day at Laguna Pueblo, a day of community wide prayer for abundance, thanks and renewal. During Grab Day, items are thrown from the rooftops of homes to people standing below. Luthers film chronicles the lives of three families as they prepare for the day, showing the intersection between traditional Native and contemporary Western cultures. Its a documentary about being part of a celebration and receiving gifts from the ceremony, Sunrise said. Grab is scheduled to be screened at 3 p.m. Saturday (Aug. 20), also at the History Museum. Directly after the screening, the filmmaker, along with staff from SWAIA and the Indian Pueblo Cultural Center, will be holding their own grab from the balcony on the east side of the museum (Washington Avenue). The event is open to the public and all
NATIVE CINEMA SHOWCASE

MONDAY AUG.
7 p.m. Class X screenings
TUESDAY AUG.
11 a.m. Let My Whakapapa Speak 3 p.m. A Good Day to Die 6 p.m. Ancient Pathways - Modern Leaders
Blackhorse Lowes film, Shimsn, made Indian Market history as the first film ever to win the prestigious Best of Show award.
are welcome to attend. Sunrise, who is Din and Kewa, talks about grabs in other Pueblo communities, which also are referred to as throws. There are certain people that are expert catchers. My sister caught a fish one time, a live fish. But we wont be going to that extent. This will be a really safe, fun event, celebrating the idea of giving back to the community. Also showing during the week will be a selection of short films from the Imagine Native Film Festival in Toronto called Imagine Native Shorts. Since this year were incorporating First Nations artists, we were thinking it might be a great idea to include the filmmakers as well, Sunrise said. A lot of the films from Imagine Native are Inuit. Also look out for the award-winning short film, Sikumi (On the Ice), by Iupiaq filmmaker Andrew Okpeaha MacLean. Sikumi, named the best new American film by the International Federation of Film Critics at the Seattle International Film Festival, was filmed 320 miles north of the Arctic Circle in Barrow, Ala. Thats the farthest North American city where winters are often over 40 degrees below zero. The film tells the story of Apuna, an Inuit hunter who witnesses a murder while on the Arctic Circle hunting seals with his dog team. It is the first film ever to be made entirely in the Iupiaq language. Its going to be a great festival. We chose to do a whole week because Class X did so well last year as a launch of film celebration, Sunrise said. They are all short films, all under 30 minutes, everything from animation to basic documentary and narratives. Its bringing a kind of a grassroots, independent level of Native voices. The films submitted for Classification X will be shown at 7 p.m. Monday (Aug. 15) and again at 1 p.m. Saturday (Aug. 20). Making a return appearance Thursday (Aug. 18) will be the film Shimsn, a top winner last year. Other films that will be screened during the week are, A Good Day to Die, a documentary on the life of Dennis Banks; 2501 Migrante, a documentary that explores art and indigenous community in the context of global migration; and the comedic love story, Search for the Worlds Best Indian Taco, just to name a few. Sunrise encourages everyone to take a moment during Indian Market to come in from the sun and be entertained. It gets hot in August, so its a good time to cool off, come inside and just take in a little bit of history, culture and knowledge from not just a New Mexico tribal level but all over the United States and Canada.
11 a.m. KidFLIX! (50 minutes). The Visit, How Birds Got Their Song, Walk In the Forest, Dancers of the Grass, Kiss En Concert, My Name is Kobe, Story of Priest Point, Wapos Bay/or Raven Tales 1-4:30 p.m. International Indigenous Art on Film 1 p.m. Art + Soul (55 mins) 2:15 p.m. 2501 Migrants (54 mins) 3:30 p.m. Always Becoming (40 mins)
WEDNESDAY AUG.
THURSDAY AUG. OPENING NIGHT
1 p.m. Showcase Shorts Smiling Indians-or Indian Elvis, Bear Tung, Search for the World's Best Indian Taco, Cousin, Ebony Society, Keeping Quiet, Sikumi, Shimsn 3 p.m. Showcase Shorts (repeat) 7:30 p.m. On the Ice
FRIDAY AUG.
1 p.m. KidFLIX! 3 p.m. Pelqilc/Coming Home 7 p.m. imagineNATIVE Shorts Inuit High Kick, Tungijuq, Wapawekka, Lumaajuuq, Burnt, Savage, File Under Miscellaneous, The Cave
1 p.m. Class X 3 p.m. Grab 7 p.m. From A to S with Tvli and Steven
SATURDAY AUG.
11 a.m. Showcase Shorts 1 p.m. Columbus Day Legacy 2:30 p.m. Apache 8 4 p.m. Smokin Fish All screenings are free, with seating on a first-come, firstseated bases. The New Mexico History Museum is at 113 Lincoln Ave. More information available at www.swaia.org, and www.nativenetworks.si.edu.
SUNDAY AUG.
+ +
+ +
+ +
= SHININGNIGHT
On Saturday, the stars come out for market
STORY BY FLO BARNES PHOTOS BY KITTY LEAKEN
mine is organic. Shes inspired by actual stones while I find stones that fit an idea in my head. It was rewarding working with Robin, her generosity and technical skills. The challenge is thinking in a way you dont normally, Ataumbi said. The artist, of Kiowa and Italian heritage, attended the Rhode Island School of Design, Institute of American Indian Arts and graduated from the College of Santa Fe. Waynee, who is of Chippewa and German descent, credits winning the 2011 Saul Bell international design award for first place in the gold and platinum category with inspiring her donation. SWAIA works very hard to help artists. Its the idea of giving back, showing them some love for all their work, she said. Keri sent me a drawing of two wasps face to face. I took that and played with it. Then its the process of putting it together, whos going to do what. Gala Chair Jenny Auger Maw estimated the necklaces value at $30,000. Every single item auctioned in the silent and live auction is donated to us by the artist and goes directly to support putting on Indian Market. You get to have a fabulous time and take home a treasure or two. These are very special pieces,
Saturday nights gala and auction at La Fonda just might be the jewel in the crown of Indian Market. Patrons support the Southwestern Association for Indian Arts cornerstone fundraising event by vying for artwork, all donated by the artists, and they have a rollicking good time doing it.
The evening starts with a wine reception and silent auction in the La Terraza room. Later, the event moves to the downstairs ballroom for a dinner and live auction. This years event showcases approximately 50 artists, including an artist creating a painting onsite, 14 jeweler-designed bolo ties (men can have fun bidding) and several collaborative pieces including a necklace valued at $30,000. Jewelers Keri Ataumbi and Robin Waynee co-created the art-nouveau style, 18-karat gold, blackened silver, diamond, yellow sapphire and black Tahitian pearl necklace. The artists enjoyed the process so much that they made two more pieces that will be for sale at their booths. The quality that makes our work unique is that Robins style is precise, while
Art donations clockwise from top left, Troy Sice, Dominique Toya, Keri Ataumbi, Robin Waynee, Nocona Burgess, Paul and Dorothy Gutierrez, Sean Rising Son Flanagan, Uppie Ethelbah, Cippy Crazyhorse, Meredith Melero Facing page top, Maria Samora, below, Mark Stevens
UP FOR AUCTION
Verma Nequatewa (Hopi) .................................................... Bolo Sheridan MacKnight (Chippewa) and Dolores Purdy Corcoran (Caddo) ............................................................................................. Ledger Painting Uppie Ethelbah (Santa Clara/ White Mountain Apache) ....................... Bear Sculpture Martine Lovato (Kewa/Santo Domingo) .................... Necklace Kathleen Wall (Jemez Pueblo) .......................................... Clay Koshari Nocona Burgess (Comanche)............................................ Painting Troy Sice (Zuni Pueblo) .......................................................... Carving Veronica Poblano (Zuni Pueblo) ...................................... Necklace Robert Tenorio (Kewa/Santo Domingo) ..................... Pottery Shonto Begay (Navajo).......................................................... Painting NoiseCats (Shuswap/Lillooet) ........................................... Marionette Shawn Bluejacket (Shawnee/Cherokee) ..................... Earrings Dominique Toya (Jemez Pueblo) .................................... Pottery Chandler Goodstrike (Gros Ventre/Arapaho)............................................................ Buffalo Hide Benson Manygoats (Navajo).............................................. Necklace Tulane and Myleka John (Navajo) ................................. Poster Piece Maria Samora (Taos Pueblo) .............................................. Bolo Keri Ataumbi (Kiowa) and Robin Waynee (Saginaw Chippewa).................................................................. Necklace Victoria Adams (Cheyenne) Sheldon Harvey (Navajo) and Marla Allison (Laguna Pueblo) .......................................................................... Live Painting
TYING ON ONE
This year, men have a bigger stake in SWAIAs annual gala and auction. Up for bid are bolo ties made by some of Indian Markets top artists. Heres a rundown on who has donated. Allen Aragon (Navajo) Cippy CrazyHorse (Cochiti Pueblo) Darrel Jumbo (Navajo) Mark Stevens (Laguna Pueblo) Ehren Natay (Navajo/Kewa) Maria Samora (Taos Pueblo) Kevin Pourier (Oglala Lakota) Jake Livingston (Navajo/Zuni) Sheridan MacKnight (Chippewa) Jennifer Medina (Santo Domingo Pueblo) Alfred Joe (Navajo) Tchin (Narraganset/Blackfeet) Verma Nequatewa (Hopi Pueblo)
she said. Some people think Indian Market just happens. It takes a tremendous amount of work and money. Then theres the generosity of our collectors; the economy has been tough for several years now but the gala has consistently raised $200,000-plus every year. Volunteer David Schells enthusiasm for the gala and auction is palpable. Its very innovative what they did a few years ago. Sheldon Harvey was on a platform doing a live painting to be auctioned off. Bidding started at $5,000 and then got down to two men. Sheldon took off his apron and signed it and put it on the painting. Then it went up to $8,500. Next he took off his blazer and signed it. The auctioneer said, what are next, your pants? He got people involved; they were cheering and screaming. Thats the key, Schell said. Collectors Jane and Bill Buchsbaum, who have lived here since 1992, consistently find treasures at the auction. I started collecting pottery when we moved here. First I got a pot, then a couple of pots, then five pots, and then I had a collection. I had been studying indigenous people and art history, and took a course at the Museum of Indian Arts and Culture to become a docent. Its lifelong learning, Jane Buchsbaum said. The objects represent the people. We enjoy lots and lots of relationships with the people we collect. We think its important to collect pottery by artists who are conserving tradition. Theyre made the same as they have been for 2,000 years. The artists could rush out and buy a wheel but they make the pots one coil at a time, Buschbaum said. Another collaborative piece is the work of jeweler Michael Roanhorse (Din) and painter Mateo Romero (Cochiti Pueblo). Its a silver sculpture placed inside the painting like a shadow box. A big accomplishment is the thought process in putting the piece together. We got all these ideas but which one to choose? In executing it, everything has to flow together Roanhorse said. Roanhorse has shown his work at the Heard Museum Guild Indian Fair and Market, the Smithsonian National Museum for the American Indian and the Eiteljorg Museum. He is also creator of a special Friday auction to raise money to fight breast cancer in the Native American population. Michael and I are trying to challenge ourselves, Romero said. The artist, currently a Dubin Fellow at the School for Advanced Research, attended Dartmouth College and received an MFA in printmaking from the University of New Mexico. Part of an artists life is to have new experiences, be open to things. I did it to help the organization. We as artists and a community have benefited and this is one way of giving back, to recommit to the organization.
D E TA I L S
The SWAIA Gala Dinner and Auction takes place Saturday (Aug. 20) at La Fonda on the Plaza. Cocktails and silent auction, 5 p.m., La Terraza Room, with dinner and live auction at 7 p.m. in the ballroom. Tickets are $135 per person or $1,250 for a table that seats 10. Premier seating is $200 per person or $1,750 for a table. For tickets call 983-5220, or visit www.swaia.org for more information.
Prison art program sparks creativity from behind bars

BY TODD BAILEY
BREAKING OUT
Sometimes they have to use a pen or even fingernails to make their art. They arent allowed better tools. They arent allowed to work on their art for long stretches at a time.
But just like any other artist, they feel a sense of accomplishment with a finished piece of art. The only difference is that these artists are prisoners from throughout the United States, including the New Mexico state penitentiary. You can see their work during Santa Fe Indian Market at the nonprofit section. The guys make some incredible art out of nothing, said John TorresNez, deputy director of the Southwestern Association for Indian Arts, which puts on market. They cant have anything unless they buy it through a state prison catalog. Torres-Nez is one of a handful of Native artists who visit these prisoners, called the Grey Eagles. Once a month, Torres-Nez visits the state penitentiary for a two-three hour artwork session. He works with the Grey Eagles on their art projects and often brings SWAIA artists to talk to the group about how they became artists. Most of the artists are self-taught, Torres-Nez said. That is the case For more information on HOPEwith the Grey Eagles. So they have HOWSE, visit www.HOPE-HOWSE. something in common. org. You will find the booth telling Finding something in common with about Grey Eagles and HOPEthe outside world is difficult for many HOWSE in Cathedral Park. prisoners, some of whom will never leave incarceration. Jane Davis understands this too well. Davis, a social worker with the New Mexico State Department of Corrections, is the founder of HOPE-HOWSE or, Hope Other People Evolve thru Honest Open Willing Self Evaluation. It is a nonprofit organization that helps prisoners and society meld together better through a sense of respect. It was Davis who reached out to Torres-Nez for support by visiting the Grey Eagles. When I speak in the prisons, I focus on helping them find and accept the light within, Davis said on the non-profits website. When I speak out here, I help people find and accept the dark within. Knowing and accepting both is what spiritual peace is all about. The Grey Eagles were attracted to Davis work with another group of prisoners and approached her about working with them. She sponsors self-help programs, movies and art projects. Another visitor was Grammy award-winning artist Robert Mirabal, who helped the Grey Eagles construct flutes during his visit. The whole constant of showing up is really powerful to the prisoners, Davis said. The fact that we are going there to help them touches their hearts. They sometimes wonder why we are there. We tell them we are there because we want them to know that they are not forgotten. It isnt just the Grey Eagles who have work displayed at Indian Market. HOPE-HOWSE has sponsored several Native artist prison groups throughout the nation. Davis has works from prisoners in Georgia, Florida, Illinois, Texas and California. She recently began working with another group of prisoners at the Springer Correctional Center called the Red Eagles. The display booth also serves as a conduit to find other Native artists who are in prison and to work with them. It is the start of an overall play
DETAILS
CLYDE MUELLER
Jane Davis, founder and director of Hope-HOWSE, and (top) Barbara Cates, a volunteer, with work done by inmates from the New Mexico State Penitentiary. Top, a truck made by an inmate, built from a saltines box.
by Davis to help these prisoners become more easily acclimated to society once they are released. Eventually, she would like to see a second booth at Indian Market where prison artwork could be sold. But that requires assistance. If we got a booth where we were able to sell Native American artwork, it could only be art created from outside the state because of state prison laws, she said. But we would need sponsorship and booth workers. Some of those booth workers could be the prison artists once they are released. Not only could they work the display booth, but they also could have the opportunity to someday have their own booth at the market. That leads to the second part of Davis plan: education. We are working toward starting a scholarship program to IAIA (the Institute of American Indian Arts) for the prisoners who are part of the Native American artists program, Davis said. This art scholarship could help the prisoners to become more productive members of society. Torres-Nez said that the many of the prisoners are low-end offenders who, through circumstance, found themselves on the wrong side of the law. I started going out there three years ago and what I found out quickly was that they are really talented and creative people, Torres-Nez said. They just needed a way to channel that in a positive way.
53
TOP HONORS
BEST OF SHOW 2010

HOPI CARVER STRIKES GOLD
STETSON HONYUMPTEWA
BY INEZ RUSSELL
In the middle of carving a piece for last years Indian Market, Stetson Honyumptewa stopped cold. Across the room, another piece of wood was calling him. It wanted to be shaped into a katsina, and it would not wait.
The wood I used last year, I had had for four or five years, recalled Honyumptewa. I was working on one last year. It was coming out real good. All of a sudden a had a flash, what was in the other wood. It captivated me. He put down the original piece and began carving nonstop for the next three weeks, working 18 hours on end as he shaped his vision. On check-in day for Indian Market, I was the last one in with the art, he said. I got there five minutes before it closed. I walked in, and this person walked up to me and said, wow, man, thats the one. Thats going to win it. And thats just what happened. When the top award last year Best of Show went to two artists for the first time ever was announced, Honyumptewa was there to be honored. It was unbelievable, he said. He finished the first katsina as well. And I sold both of them, 30 minutes apart. He first heard he had won something when the group that organizes Indian Market, the Southwestern Association for Indian Arts, called and left a message on Thursday before market. Friday I called to see what they wanted at 9 (a.m.). They told me to be there at 11, he said. I was all shaky and couldnt work after that. I couldnt paint. I had too much in my head. Once there, he said, they said there were two winners, and I said, I know I got it. It wasnt really a surprise, yet it was a surprise. Everyone was screaming. It was unbelievable. All of a sudden, its like I was dreaming. That dream come true only happened after years of hard work and more than a few missed opportunities. Honyumptewa, a member of the Hopi tribe from Arizona, learned to carve growing up in Tuba City. He attended the Phoenix Indian school and became a heavy equipment operator, moving to Picuris Pueblo. But there were no jobs, he said. I married up there, but I knew I had to get out of there or I would have died up there. I was about 32 years old when I realized there was more to life than partying, he said. I made things to sell here and there to get money ... in the meantime, I was dreaming I would make dolls out of one piece of wood, with nothing
LUIS SNCHEZ SATURNO
NATALIE GUILLN
The winning piece
Honyumptewa, in his Tesuque Pueblo studio
added on. I got a big-sized wood. I tried it and I did it. Other carvers, he says, add accessories the buckskin and even arms. Honyumptewas katsinas are one piece of wood from top to bottom. He uses sanding and paint to create the buckskin or any other accessories on his carvings. The only thing I add on is the feather, he said. I would rather go for texture. Today, he lives at Tesuque Pueblo with his wife, Sandra. He hasnt taken a drink in years. He is up early, usually around 4 a.m., so he can check his e-mail and then head out to the fields. He grows corn, beans, melons and squash, both in Tesuque and back home at Hopi. When a work day is through, he likes to fish with his children, or maybe travel with the family to see the older kids and grandchildren. I like to be up in the early morning, be in the fields before the sun comes up, doing what the old men tell you to do, he said. I go between the plants, sing to them, talk to them. Then its off to carve, in a workshop by his home. He carves
LUIS SNCHEZ SATURNO
WIN MAKES HISTORY

BY INEZ RUSSELL
BLACKHORSE LOWES
Blackhorse Lowe Below, The two winners shake hands last year.
Blackhorse Lowe made history in 2010, winning the Best of Show award at Santa Fe Indian Market with a movie. He and a Hopi carver shared top honors, another first for market a result that honored the most traditional of art forms alongside one of the newest.
Since his victory, the 33-year-old Lowe, who grew up in Nenahnezhad, N.M., has kept busy working and promoting his winning film. Shimsn will be released this fall by Black Mesa Entertainment out of Tulsa, Okla. It also will be screened on Aug. 18 at the New Mexico History Museum. Below, a conversation with Lowe about his eventful year.
Q: Just how surprised were you last year when you found out your film was awarded a Best of Show for your film? Extremely surprised. I wasnt planning on attending till some friends convinced me to come down. Q. What led you to film-making as your lifes work? Girls, travel, resisting colonialism and dine bee iinabindiia (Navajo philosophy and worldview). Q: Talk about the making of the film, taking inspiration from your grandmother and then finding the resources to capture the story on film. The story for the film is based on my own masanis (maternal grandmother) experience as a teenager in the 1930s. I wrote the script back in 2006 during some downtime at my parents farm; this was after a previous project had fallen apart. But the script received the 2007 New Visions/New Mexico Contract award and was produced in 2008 using crew from LA, NYC and N.M. locals. We shot the film near Burnham, N.M., which is about an hour away from Farmington. Q: How did you get such an authentic look, from the hogan to the automobiles the entire feel of the film, in fact? Making the film feel authentic took a lot of care and preparation, its a good thing I was surrounded by family and friends who were dedicated to making the film as realistic as possible. During pre-production a lot of time went into looking
LUIS SNCHEZ SATURNO
with a dremel, one modern tool he swears by. I cut myself a lot of times and then I heard about a guy using a dremel, he said. I tried it and I put it away. One time I tried it again. It got easier. The second time, it got easier. Thats about all I use now. Why be ashamed to use the dremel if its the tool youre comfortable with? These days, he is working on his piece for this years market called Threesome, it promises to be a somewhat daring choice to take back. The name says it all and its a large piece to better make a statement. Last year, I was, like, on cloud 9. Everything changed so fast. I was in a whole different world. He hopes to return there again.
through old photos and researching the day-to-day happenings of life during that time. We were fortunate enough to find a hogan from the 1930s that was still intact in Burnham and belonged to a family friend. After we secured the location, we built the shade house and sheep corral in the style of the era using pictures and info we had gathered. The original script called for horses and a wagon, but since the costs were too high, the decision was made to use vehicles from the 1930s. My producers then went and found a car club in Farmington and we were able to get two vehicles. Plus, we used real Navajos for the film. No ethnic actors who look Navajo and butcher our language. But a good portion of time was spent looking for our actresses as well, Brigadier Brown and Noelle Brown. They, along with my mother Carmelita B. Lowe, worked tirelessly to make the characters and emotions ring true. Q: How did you decide about the ending? Did she leave ...? Im not sure. But I visually stole the ending from The 400 Blows (Les quatre cents coups) and made it Navajo. As to whether she left or not, Ill leave that up to the viewer. Q: How has this showing at Indian Market impacted your career? I paid some debts with the winnings and met some more cool people to collaborate with. Q: What have you been doing in the months since market? Since market I have been working on a commissioned script about a Native artist. Its something along the lines of Woman Under the Influence and Enter the Void. But Ive also been helping with various productions and gathering ideas for the next movie.
Q: Where will your next film take you? Hopefully someplace funny with a lot of attractive women. Q: Finally, any advice for other Native filmmakers, people who might be just starting out and need a few words of encouragement? Make films in your own native language as much as possible and read Jim Jarmuschs, Golden Rules of Filmmaking. Its all you need to know.
www.moviemaker.com/directing/article/jim_ jarmusch_2972/
TOP HONORS
CLASSIFICATION WINNERS SHINE

Each year, the Southwestern Association for Indian Arts celebrates the best,taking some 1,000 entries and winnowing them down to top Classification winners from which a Best of Show emerges.
2010 Best of Classification

Classification I: Jewelry Daniel Sunshine Reeves Classification II: Pottery Robert Patricio Classification III: Paintings, Drawings, Graphics and Photography Eve-Lauryn LaFountain Classification IV: Wooden Pueblo Figurative Carvings and Sculpture Stetson Honyumptewa* Classification V: Sculpture Jason Quigno Classification VI: Textiles Patricia Michaels Classification VII: Diverse Art Forms Charlene Holy Bear Classification VIII: Beadwork and Quillwork Veronica Paukeigope Jennings Classification IX: Youth (17 years and under) Trent Lee Classification X: Moving Images Blackhorse Lowe* Classification XI: Basketry Dolores Dolly Garza
Using strict standards and expert judges, the daylong process is arduous. At the end of the judging, the finest in Indian art is spread out on a center table for all to see and enjoy. In 2010, SWAIA added filma modern art formand broke out basketryone of the more ancientto its classifications, expanding once again the definition of what Native art is and can be. Last year, Sean Brander talked to the top Classification winners about their art, their lives and their dedication to maintaining culture and tradition.
* BEST OF SHOW
PAINTING
PHOTOGRAPHY
CARVINGS
JEWELRY
POTTERY
SCULPTURE
TEXTILES
BEAD WORK
BASKETRY
JEWELRY CLASSIFICATION I
Daniel Sunshine Reeves
BACK TO LIFE
DANIEL SU NSHINE R EEVES remembers growing up on the Navajo reservation without electricity, lighting the night with the flickering glow of hurricane oil lamps. It was that past that brought Reeves to craft the luminous silver lamp that won the jewelry Classification. Reeves made the fully functional lamp, with an engraved glass flute, in a marathon two-day session of nearly 30 straight hours of heating, soldering, and stamping. But thats normal for Reeves. I usually work 18-20 hour days, he casually explained. You cant work eight-hour days, thats a week, two weeks of work. To make the lamp, Reeves bought one 30-inch long strip of 16-gauge silver and sliced it into six or so pieces of varying sizes, then soldered them together with his big ol acetylene torch. Reeves heated and molded each piece three or four times, using a hole-filled tree stump to form the silver without scratching it. He doesnt ever worry about drafting his design. From the beginning, I have the final product in my head, he said. It gets stuck in there till I feel its done and then it all comes out. Reeves loves to coat ordinary objects in silver, whether they be model train sets and yo-yos (gift for his son) or a whiskey flask (this years Indian Market entry). Why make the same old thing? he asked. Anything I see, I want to put into silver. Theres something special about lamps, he said, the way the light reflects off the gleaming finish. When Reeves finished his winning lamp, he knew its
brightness was even greater than the ones that had come before. For some reason, this piece brought out the light in people, he said. It brings out their light and attracts them to it. Its like they say, go toward the light! he laughed. Reeves learned his craft from his older brothers. He had started earning a living as a construction worker, but in his early 20s found himself short on cash. One day he walked into a jewelry shop where his brothers worked, looking to learn their skill. They started him stamping copper. It came naturally, Reeves recalled. Everything I did from that point on was so easy, no problem. Ten or 11 years later I won Best of Show. After his 1997 win at Indian Market, though, Reeves faced a long, dry spell with no competition victories. He was growing desperate and wanted to try entering something different. He had made the lamp just months before. I made (the lamp) to sell, not compete, he said. But I thought, OK, lets try it. For the longest time I thought the lamp had a good meaning behind it. I think its one of the best pieces I ever made in my silversmithing career. SWAIA woke me up, Reeves continued. I felt down, I hadnt won anything in a long time. Winning with this lamp brought me back to life.
FULL OF SUNSHINE
ROBERT PATRICIO of Acoma Pueblo won the pottery Best of Classification for his admittedly imperfect piece, an unusual orange on orange pot with Anasazi step designs filled with fine lines. It ended up leaning to one side because of the way the paint dried, Patricio said. It left bumps and grooves, but that gave it a natural look. The judges agreed and in the vessel found an uncommon, authentic vivaciousness worthy of the prestigious prize. I was amazed they liked it, he admitted with a laugh. The alternating dark orange on light orange coloring was a departure for Patricio, who up until then, dressed his pots in the traditional Acoma black and white or orange and black. It just came to me, he said of the change. I did it to commemorate my mom, who is a member of the small sun clan, he said. The orange represents the sun and the fine lines, rain. But the whole thing, even the rain, is full of sunshine. She loved the pot. Everyone (on the pueblo) did.
Robert Patricio
POTTERY CLASSIFICATION I I
With the exception of using an electric kiln for even, controllable heat, Patricio makes his pots in the traditional manner. It took him two days to construct the pot and another four to paint it. For the dark orange color, he sifted sandstone through water, and for the light, ground up mud with the roots still in. To paint, he plucked a single blade of yucca then chewed and pounded it until it softened and its fibers separated into a brush. When fired, the dark mud and light sandstone switched their pigmentation, dark lightening and light darkening. Last year was Patricios first time competing in Indian Market. He was encouraged by a kiva brother to get his work out there. A potter since the age 9, Patricio had worked his way from earning small change selling pots to visiting tourists to selling whole collections to galleries for thousands of dollars. But participating, and winning, in Indian Market was something else. Next year, he said, Im going to shoot for Best of Show.
PAINTINGS, DRAWINGS, GRAPHICS, PHOTOGRAPHY CLASSIFICATION III
Eve-Lauryn LaFountain
REMEMBERING is an act of reconstruction, one Eve-Lauryn LaFountain knows is flawed and subject to fault-accidental, but also intentional. Her digitally broken and reconstructed 30x40 image won the Paintings, Drawings, Graphics and Photography Best in Classification because of its playful exploration of social and personal memory. Growing up in Santa Fe, you interact a lot with the constructed mythology of the Wild West, she joked. You see it everywhere. A work of photography has never won this Classification, an achievement LaFountain attributed not just to the beauty of the image Lamy in winter, bare trees and a boxcar, train tracks trailing off the horizon defined by mountain and cloud but for its undercurrent charge of political commentary. The image is broken into nine pieces, each of which are printed on a page of antique ledger book paper at least a century old. Plains Indians used ledger books to record their history after the white man wiped out the bison and with them the hides the people used to paint upon. Ledger books were used by Indian Affairs agents to record rations and rolls, and in time, the plentiful books found their way into the hands of the tribes, who used the pages to preserve what was left them. In time the pages became attractive as works of art, and the individual pages were torn from their books and their singular narrative was shattered. Though her Chippewa tribe was not part of the ledger tradition, their legacy summons a personal passion in LaFountain. The ledger books were the records of those on the other side of history, she said, the only written record from the other side. And they were dismantled. I wondered what it would mean if these stories could come back together. Inspired, LaFountain snapped 300 35-millimeter negatives and whittled them down to the 10 that would form the series from which the winning image came.
THE OTHER SIDE OF HISTORY

She scanned in each at an extremely high resolution, 4,000 dpi, and used Photoshop to split them into an even nine-piece grid. The hardest part was figuring out how to print on ledger paper it was so old, it usually just fell apart. The series took her a year of work, with five months of that spent tinkering with the printing process. Even the final, reconstructed image comes with clues that its revival isnt perfect. While it may include classic icons from the imagined West the tracks, the clouds, the sheer space it also undermines that idea. The boxcar sits rimmed with icicles, off the rails and useless. A bird in a distant tree is fake. The West is not what we imagine or recall. I was shocked to be on the center table, LaFountain said of her win. I was shocked and overwhelmed. I hope this helps me make a show of the whole series. Im definitely going to continue going forward with ledger art. I want a way to continue the history (the ledger book writers) started.
SCULPTURE CLASSIFICATION V
MOVING, FLOWING STONE

JASON QUIGNOs whirling sculpture, Spiral of Life, was inspired by the sun spiral petroglyphs he glimpsed one day on the land of his tribe, the Saginaw Chippewa. Once in his mind, Quigno began drawing the shape on paper and then across the surface of a 160-pound block of medium-soft Indian Limestone. It took him three weeks of steady work to bring out the 60-pound, 24 inch-by-30 inch shape that won 2010s top prize in the Sculpture Classification. I love making flowing, moving stone, Quigno said. You look at a stone and all you see is a still block. I like to make it move so that people can no longer tell its stone. Wielding a diamond-tipped grinder, Quigno fixes his mind on how he can bring out such a dynamic form while still maintaining the stones internal stability and integrity. Once he whittles it down with his power tools, he switches to hand files, less the machines vibrations break the piece apart. With sandpaper, oil, and wax, Quigno coaxes out a final, almost wooden luster from the normally dull rock. I wanted to get more contemporary, Quigno said, and come up with
Jason Quigno
something different. Best-known in his home state of Michigan for large public-space sculptures, Quigno said he is by no means finished with this new motif hes created. I want to take this design to the next level. I hate making the same things. And with this design theres so much more to do. This piece wasnt meant to be entered in market, he chuckled. But the piece I wanted to enter wasnt finished in time! A sculptor since he was 14, Quigno is still playful about his work. I love the process of changing stone from a hard, immalleable object. Im still amazed every time I make something from it, something thats normally so unyielding. Yet Quigno is far from adversarial in his relation to stone. You have to work with the stone in order to bring the design out, he said. Im always thinking ahead. I mean, screw ups happen, and once you take something away you cant put it back. But no matter what, you have to always commit to the stone. Because sometimes you mess up and it turns out for the better. Its always a lot of fun.
TEXTILES CLASSIFICATION VI
Patricia Michaels
THE STRENGTH OF WHERE I AM
FOR PATRICIA MICHAELS, fashion is the art of observation. Her light, hip-length hemp canvas jacket, which won the Textiles Best of Classification prize, is tattooed with layers of words and letters taken from a sign in the forests above Taos Pueblo, her home. No Trespassing. No Motorbikes. No Fishing. No Hunting, the sign reads in part. With digital photography, hand painting, and silk screen printing, Michaels transferred those words to the jacket, blending their hard and straight edges with scraps of soft silk organza normally used in lingerie and topped it all with a rich collar of velvet. It could be a piece of urban camouflage. Or a shield against civilizations affronts. Or is it a fragment of nature meant to slip foxlike into the unsuspecting city? Whether it is all these things or none, it is nothing less than a sight to be seen and a statement about being seen. You need to know what people want without shoving down their throats one look or one idea, Michaels, a 20-year veteran of the industry, said of fashion. You have to be sensitive to that, she continued. I want my garments to be contemporary, and not scream Native. But at the same time, my fashion is answering back to non-Native cultures, when they ask if it is hard to be both Native and modern. Michaels grew up in a family of dancers. When they traveled for shows she ran around backstage drinking in the fabulous outfits and the intense preparation and process that went into every dance. I learned that there is so much to express through the process of fashion and appearance, she said. Dancing is a ceremony of observation, she elaborated. Its the observation of the graceful, of you being observed for your grace while you observe it in others.
Michaels finds her inspiration in nature, in the realms of the mountains where her eyes are transfixed by the patterns and colors of the living-changing land. On an average day, she might snap photos of or even haul out from the woods branches, rocks and flowers she finds particularly beautiful. Nature is so full, she said, sounding still amazed. In the sign she copied for her jacket, she saw a different side of nature: erosion. Its the same force she finds and loves even in the steel and concrete forests of the city gradual wearing, mortal transience laid bare by wind, rain, and snow. I love the way rust looks, she said. Even there, theres nature. To Michaels the jacket has a personal as well as universal power. I felt very strongly about this piece, she said. It shows the strength of where I am, where I have the first Native fashion label shown during New Yorks Fashion Week. Yet (the garment) is made of silk. Its soft for the nurturing side of womanhood. Women need to be resourceful, just not harsh, she explained. Our women (on Taos Pueblo) werent hard when they didnt have water or electricity. We worked hard, but we didnt lose our ability to nurture.
DIVERSE ART FORMS CLASSIFICATION VII
BECOMING SOMETHING BIG

CHARLENE HOLY BEAR is a patient woman. For three years she has been working on her self-sculpture that won in the Diverse Arts Classification, carefully wrapping layer after layer of buckskin around the figures wire frame, sewing tiny beads at the rate of a quarter inch an hour, and meticulously rolling dozens of tiny cylinders of aluminum to adore the dancing womans bright jingle dress. Her older sister taught Holy Bear dollmaking. The younger sibling entered her first doll in Indian Market in 1986, at age 5. She did not return to market competition until 2004 and the 2010 win marked her first Best of Classification victory. This piece was a big departure for me, Holy Bear said. With this doll, I wanted to explore gesture and form, and see what kind of movement I can come up with. This piece jumps, and not just with her feet, but with vibrant colors and untraditional accoutrements such as a beaded butterfly fan reminiscent of Holy Bears earlier, flapper girl sculptures. It was a huge surprise to win, she said. But
Charlene Holy Bear
I did want to put out a showpiece. I didnt plan it, but I am happy I did it. Holy Bears process starts with research lots of it. For this piece she studied the healing dream dances that emerged from the Chippewa tribe around the turn of the century only to fade and find resurgence in the 1970s. Holy Bear finds that her art helps give her an impetus to explore her curiosity: all this started, after all, when Holy Bear wanted to learn about the traditions and culture of the powwow. Its not a tradition I come from, she explained, but I wanted to research it to add history to the piece. Once her research is done, Holy Bear drafts and draws, sometimes with little idea how the final piece will look. In the case of this sculpture, she started with little more than the yellow beaded moccasins, with no idea of where they would take her. The draft never looks like the finished product, she said. The final always takes on a life of its own. Im proud of her, she said of the doll. Shes like a child, becoming something big.
BEADWORK AND QUILLWORK CLASSIFICATION VIII
Vanessa Paukeigope Jennings
THE LINK BETWEEN PAST AND FUTURE

VANESSA PAUKEIGOPE JENNINGS
still lives on the 160-acre spot of earth near Ft. Cobb, Okla., that was left to her grandmother when the federal government abolished its treaty that promised Native Americans forever ownership of their own unmolested land. For Jennings, a self-described round, brown grandma, her work as a Kiowa woman and artist is to fight against both the deterioration of her tribes traditions as well as the depredations committed unto her culture by outsiders. This drive, this conviction and purpose, is the force behind every bead she has sewn onto the vibrant horsepack that won for Best of Classification in Beadwork and Quillwork. I dont think of myself as an artist, she said. I think of myself as the link between past and future. This horsepack, thats all thats left of grandma and grandpa. Im the only Kiowa woman left making horse gear. Im fighting to hold onto that tradition. With horns of German silver, a frame of English broadcloth, and a shaggy saffron mane of hand-dyed alpaca hair, Jennings horsepack is an assembly made for grandeur. She declined to say how long she has been working on this piece but the impression is of years of work already invested and years still to go. Whenever
it is finally completed, it will be a gift for Jennings daughter-in-law, a statuesque, six-foot-tall Crow, who needed a horse outfit to parade in. It was a big shock to win, said Jennings, despite having been a market participant and periodic category champion for over 30 years. Her bridles, saddles, buckskin suits and dresses have brought the family thousands of dollars. In 1989, she was named a National Heritage Fellow by the National Endowment for the Arts, further bolstering her reputation. But for her, this piece of loving patience isnt about profit. Normally Id tell my kids Ill just replace the piece if I sell it, but not this time. I grew up in a house where nothing we made could leave unless we would be proud to wear it, she went on. For my family, everything has to be the best you can do. No matter how long it takes.
YOUTH 17 YEARS AND UNDER CLASSIFICATION IX
A SYMBOL OF SUCCESS
Trent Lee
THREE TIME MARKET COMPETITOR and two-time winner in the youth classification, Trent Lee is, at 17, an already accomplished Navajo jeweler. With his 2010 silver and turquoise Best of Classification Youth necklace, however, Lee aimed to push the talent hes been developing since he was 12. I wanted to challenge myself with something big, Lee said of the 24-inch necklace. It turned out to be the largest necklace Ive ever made. Taught by his father, master silversmith Allison, Lee spent several hours a day for about a month working the silver and putting each piece together. In their shared studio, Lee and his father heat and mold the metal, stamping and hammering out their fantastic forms. The key to a good work, Lee said, is to build the piece around the stone. You have to look at the stone and start there. The whole piece illuminates from the stone and gives it that spark.
After gazing into the turquoise heart, a natural Nevada No. 8, Lee spent a day sketching out a preliminary design on paper. I use No. 8 turquoise a lot, he said. Its my favorite stone, because of the softer colors and the gold matrix of veins. Its natural and unstabilized, meaning the color isnt artificially enhanced. (The necklace) is a symbol of success to me, Lee said. I didnt think the judges would pick me. I won the previous year and I thought theyd want something different. Lee said that his necklace brought to mind the jewelry of artist Herbert Taylor, a good friend of his fathers whom he met once as a child. Its like his work not so much for the design, but for the size, Lee said. Moreover the necklace makes him think of old photos of Navajo chiefs, ...the manner in how they would wear their jewelry thats what encouraged me to make (the necklace). I would like to try making concha belts, Lee said, imagining his future career. Something old-school, something that brings back the old style. This year, Lee will be competing in the market for the first time as an adult. Confident from his previous victories, he knows that he has the chance to take home first place once more.
BASKETRY CLASSIFICATION XI
Dolores Dolly Garza
THE STRENGTH TO GO ON
DECADES AGO Dolores Dolly Garzas grandmother signed away her name and identity. In writing she pledged never again to speak her Haida language or carry forward the culture of her ancestors. Many years later, the younger Garza finds herself digging for that past beneath the sand of the wind-whipped beaches of Haida Gwaii, the Queen Charlotte islands, off the Northwest coast of Canada. Garza is a weaver, and in 2010 she won the Basketry Best of Classification for her Haida chiefs hat with attached potlatch ring. Its intricate, mathematically beautiful patterns are composed entirely of interlaced spruce root. To find that root, Garza spends her springs and summers walking 10 hours a day along the shore and through the forest, carefully extracting the young roots from the sand or beneath emerald blankets of moss. She never takes too many roots from one tree, never causing them harm. She builds fires to roast the bark from the roots, revealing their snowy, undressed forms. In winter she splits the roots four or five times until she has just the right width strands. It takes 12 hours to correctly split just 20 roots from her pile of thousands. For four months while it snows and storms she weaves and splits. The beauty of this art is gathering the material, the smell of the moss, the sound of the waves, she said. You can close your eyes and feel your ancestors are there helping you along. It gives you the strength to go on. She learned to weave in the 1980s from Dolores Churchill, whose grandmother managed to preserve the traditions of the Haida. For Garza, learning to weave later in life became a way to reconnect with her culture. Its interesting to know how smart the ancestors were, how they were able to use the resources they had, Garza said. More, its all math in the weave. To make it beautiful you have to understand numbers. The design goes off without numbers. A potlatch ring atop a chief s hat signifies that the chief was successful in hosting a potlatch, a daylong event where all his people gather to witness a momentous occasion. Garza believes she won at least in part for her skill in attaching the ring by means of elaborate weave work. It was her first ever attempt to create and attach a potlatch ring. Its funny, I finished the hat and it didnt look right without the potlatch ring, she said. It needed to have the ring, I can have an idea about how I want the hat to be, but the hat can say, no, Im going to be this. The spruce roots have their own mind. It took three years for Garza to follow a friends advice and enter Indian Market. Three years of thinking she wasnt good enough. When she got the call from the market staff, she thought she had won some minor prize, and slept soundly. The next morning, when she met the other Best of Classification winners, she learned few had slept a wink. Its such an honor to win! she said. But its scary to go back; its hard to imagine a repeat. But oh yes, I will go back!
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CARVER FAST FORWARDS BUFFALO HORNS TO RIGHT NOW
a buffalo horn spoon inlaid with mother-of-pearl to create a three-dimensional cube design reminiscent of an M.C. Escher drawing.
By Ungelbah Daniel-Davila
glala Lakota buffalo horn artist Kevin Pourier is living proof that you might not be able to re-invent the wheel, but you can certainly bring it up to speed. Last year, Pourier received the Innovation Award at Santa Fe Indian Market for his piece, Escher-ish,
While buffalo horn carving is a traditional Plains art form, Pouriers artwork places Native art in conversation with the rest of the modern world. Perhaps the best-known buffalo horn artist today, Pourier works exclusively with traditional materials, such as local earth pigments and of course, buffalo horn. However, while his art form is traditional, Pouriers style is cutting-edge, often dealing with subject matter such as identity issues and indigenous injustice. For example, his necklace Four Generations and Four Gigs of Memory is made of inlaid buffalo horn but has a four gigabyte flash-drive incorporated into it that is both removable and usable. Im a 21st century Native artist and to do the designs that my ancestors did, it worked for me when I first started, but Ive been doing this for 18 years now and as an artist I think you tend to grow and change, Pourier said. I think its cool to see Native art evolving with the times, reflecting what the rest of the world is doing. Native art is becoming more mainstream. Were still here and were making art and its not what youd expect. I always knew I was innovative. It was just good to finally get recognized by an organization such as SWAIA. Maybe now people will expand their minds beyond the stereotypical idea of what Native art is and can be. In 2005, Pourier and his wife, Valerie, received the Smithsonian Research Fellowship and traveled to Washington, D.C., from their home on the Pine
I think its cool to see Native art evolving with the

Ridge Reservation in South Dakota to learn more about the art of their ancestors. Id been working with inlaid buffalo horn jewelry and I eventually wanted a bigger canvas, Pourier said. I had seen photographs of buffalo horn spoons. At the Smithsonian the Pouriers found collections of buffalo horn spoons and cups created hundreds of years ago by the people of the Northern Plains. The pieces that affected them the most were those that had been inlaid with yellow, red and white
earth materials, including a cup made by Crazy Horse that had been inlaid with a blue stone material. At shows they tried to label my work as a chip inlay, Pourier said. I wanted to prove it wasnt a chip inlay. It was something that Northern Plains people had been doing for hundreds of years. The bison provides many important uses to the Lakota people, who consider it a sacred creature. It is believed that the spirit of the buffalo, which possesses great power, lives in the buffalo horn cap, the primary material Pourier uses in his work. Obtaining horn caps is a difficult process. Because the horn caps thicken as the buffalo ages, finding horns that are suitable for Pouriers work is not always easy. In fact, Pourier suggests that buffalo horn is more rare than gold sometimes a project has to be postponed until the right horn is found. Pourier carves his design into the horn, sanding as he goes so that the design retains the same roundness as the horn. The process is tedious, involving many different carving bits and grits of sandpaper before the piece can be inlayed with earth pigments. The pigments that Pourier inlays into his work come almost primarily from the Plains. Seeing the collections of ancient buffalo horn spoons and cups in the Smithsonian was life-changing for Pourier, who regrets that there are so few examples at home of what his ancestors made. Upon returning home from the Smithsonian, the Pouriers began brainstorming ways to share what they had seen with the young people in their community. Though funding is an issue, the Pouriers have not lost sight of their dream. Pine Ridge Reservation is the poorest in the whole country, Pourier said, and all of these collections are being held at museums on the East Coast and we thought, what if there was some way we could come up with a little program of our own where
times, reflecting what the rest of the world is doing...

we could take a small group of kids out there to see these collections and affect their lives by the beautiful things their ancestors made? To hold a piece that Crazy Horse had made, it was a real powerful moment for us and to impact a young persons life like that would be really something.
2011 SA N TA FE IN D IA N M AR KET
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2 011 SAN TA F E IN DI A N M A RK ET
SWAIA FELLOWSHIPS
CELEBRATING CREATIVITY
SWAIA FELLOWSHIPS GIVE ARTISTS SPACE TO WORK
By Shaun Griswold
The Southwestern Association for Indian Arts, sponsor of Indian Market, is a key organization in providing a leg up to the stars of tomorrow while making sure we remember those artists and activists who have helped Indian Market and Indian people over the past 90 years. Not keen on sitting still, SWAIA has broken its coveted Fellowships into Discovery and Residential awards, giving rising artists both resources and space to concentrate on their most important task creation. With its Lifetime Achievement Allan Houser Legacy Award, SWAIA singles out the exceptional for personal and professional achievement. The Povika Award named for potter Maria Martinez goes to individuals for their service to Native communities.
from left: Lisa Hageman Yahgulanaas, Ryan Lee Smith, Pam Lujan-Hauer, Steve Wall, Orlando Dugi, Melissa Cody, Chris Pappan, Ryan Singer
The 2011 honorees were celebrated at a ceremony in June at La Fonda on the Plaza.
H ER E A R E T H EI R S TO R I E S
RESIDENCY FELLOWSHIP WINNERS RYAN LEE SMITH Told he cant do something, Ryan Lee Smith is inspired to do it anyway. Smith, Cherokee and Choctaw, is an abstract painter with an expressionistic eye for detail. I have a lot of friends tell me, you have to do one or another. You have to do something identifiable like a wolf or horse or buffalo, or you have to do nonabstract art. You cant do one and the other. Thats what has inspired me to do both, he said.
Smith carries an undergraduate art degree from Baylor University and a graduate degree from the University of New Orleans. The training allowed Smith to explore different styles that are popular among non-Native artists. When Smith moved back to the reservation, he said he found his true self. He has expressed that passion through the images in his new surroundings that often dominate his canvas. I have always said there is a drumbeat within all Native peoples compelling them to remain resilient and proud, he said. I want to capture this pure and innate pride. In Smiths art he can exhibit abstract strokes that piece together to convey the concrete image his friends said was missing from his work. Perhaps Smiths desire to not pigeonhole his art comes from his work outside of the art world. He said he has labored through work as a machinist, mover and tattoo artist. Currently he holds a desk job with the Cherokee tribes community development office to promote wellness and nutrition for tribal members. He also runs a screen-print T-shirt business to showcase some of his art. But Smith is most comfortable with a paintbrush and canvas. These paintings are meant to represent my feelings not only toward Native pride, he said, but also to encompass the true character of the Native American.
Residency Fellowship Winners Contd
SWAIA FELLOWSHIPS
The process is tedious. She weaves one stitch at a time. A single row could take up to an hour, and untying mistakes can last just as long. In 2005, Yahgulanaas learned the ravens style from her cousin, Evelyn Vanderhoop. In 1991, Vanderhoop and her aunt, Delores Churchill, wove the first ravens tail chief robe in more than 100 years. By 2009, Yahgulanaas was practicing the z-twist technique, a defining trait of Haida weavers. This means that when you look down the shaft of the wool, it twists in a counter-clockwise direction. This counter-clockwise direction occurs in the motion of the weave also, she said. Yahgulanaas made the first full z-twist robe on Haida Gwaii in more than 150 years. Its very humbling because when I look at the robe, before the idea came into my mind it wasnt in existence it came out of my imagination and came to life, she said. The completion of the robe earned Yahgulanaas the distinction of master weaver. For this years Indian Market, she completed a 56-inch-by-54 inch full bordered robe called, Unity Robe, which brings together her culture with elements that respect Southwest weavers. The top pattern are the geese that fly between Canada and the U.S., she said. In the center will be an eagle, which is my homage to my culture, as well as the U.S. culture. The robe uses colors my ancestors used, red white and blue, it just seemed to fall into place.
LISA HAGEMAN YAHGULANAAS With a steady hand and unwavering composure, Lisa Hageman Yahgulanaas weaves ravens tail style textiles in Haida Gwaii, British Columbia. Her work is continuing the revival of the weaving style the Haida, Yahgulanaas tribe in Canada, practiced hundreds of years ago.
I was thrilled when SWAIA honored me, she said. I think I was a little bit incredulous because I know how famous the weavers are in the Southwest and how their style is much different than ours. Yahgulanaas does not use a loom and loose wool strands hang over a box frame. The textile has no tension and the wool hangs from the ends of the finished piece. It looks like horses strands hanging loosely over a barn, she said. The weaver must remain calmly cool while weaving in order to create a consistent, even piece. If you arent good about controlling your emotions your weaving can undulate horribly, she said. I have to stop and judge myself personally before I walk into my weaving.
SWAIA has broken its coveted Fellowships into DISCOVERY AND RESIDENTIAL AWARDS, GIVING RISING ARTISTS both resources and space to concentrate on their most important task CREATION.
DISCOVERY FELLOWSHIP WINNERS
MELISSA CODY Before Melissa Cody could transform Navajo textile weaving she had to be schooled in the traditional method. It was a mandatory thing that I go into traditional weaving before I could really dictate where my own art goes, she said. My peers have been waiting for these ideas and to have someone new, who has traditional training, to do something new with it.
Cody, 28, grew up in Leupp, Ariz. and is a fourth-generation weaver. Her mother taught her the Germantown style weaving at age 5. Drawing inspiration from that legacy, Cody also infuses her works with skateboarding, street art, music and traveling, creating hyper-eclectic patterns on a bright color palate. To make her piece, Weavers Union Local No. 408, Cody mixed shredded yellow police tape and neon-colored spray paint into her wool with materials she gathered from her fathers tool shed. The concept was inspired by her fathers bout with Parkinsons Disease, and the piece is named after the carpenters union in Flagstaff, Ariz., where he spent 26 years as a member. I did this whole body of work around Parkinsons Disease and it sparked this idea of the male role within weaving, since women are always the faces of weav-
ing, she said. The males in my life who affect my life as a weaver are my father and brothers. They are carpenters and they build my looms. While her technique has created bright and vibrant styles, it still follows geometric patterns typical in traditional textiles. My grandmothers really like my work, she said. They were really happy to see the stories of the young people come out of the art form. Cody, like other Native contemporary artists, jumps between contrasting lifestyles on the reservation and in urban settings. The two worlds run parallel, but have to converge at some point in order for her art to convey its true meaning. I was skateboarding with friends and into music a lot, I was only interested in things outside of the reservation, she said. Now that I am back I want to take inspiration from my travels but also from my family, the nucleus of those homely ideas. They are almost being exhumed from my work now, thats what fuels my career is my attention to family.
SAN TA F E I N D I A N M A R K E T
FELLOWSHIP ARTISTS
Chris Pappan
Lisa Hageman Yahgulanaas
Melissa Cody
Orlando Dugi
Ryan Singer
Ryan Lee Smith
PHOTOS BY KIT T Y LEAKEN
Pamela Lujan-Hauer SA N TA F E I N D I A N M A R K E T
Discovery Fellowship Winners Contd

ORLANDO DUGI New to the art scene, Orlando Dugi has quickly made an impression with his beadwork. Dugi, 32, produces haute couture by incorporating silk, chiffon, satin, fur, leather, peacock feathers and silver into his beaded designs.
Ive always been interested in fashion and with my ability to do beadwork, I meshed them together, he said. And the only way I could start doing that is doing one bead at a time. He uses vintage beads that range in size from 13mm and 22mm, including beads that are the size of a grain of sugar and are no longer produced. He uses a single stitch method, which means he attaches
each bead to the base of whatever he is sewing on. We are really trying to push the limits of what is done with beadwork, he said. And its exciting to know that Im able to contribute to that. Dugi, Din, grew up in Gray Mountain, Ariz., and would sell his beadwork at powwows across the country. The turning point for Dugi was the 2009 Utah State Fair, where he won the Best of Show award for Midnight Essence, a coraland-pearl necklace that is strewn with a beaded rose pendent. He was recently awarded first place in Contemporary Beadwork at the 2010 Cherokee Art Market and took the 2011 Heard Museums Indian Market Conrad House Award. The ultimate compliment came during the 2011 Oscars when actress Kateri Walker strolled the red carpet with Dugis Regal Dignity evening purse in her hand. Thats something that people always said, These are things that belong on the red carpet, and it did happen, he said. Its only the beginning.
PAM LUJAN HAUER

Shes a traditionalist with a skill that dates back to 700 A.D. Now, Taos Pueblo potter Pam Lujan-Hauer is a recipient of a Discovery Fellowship for her most traditional art. Its an incredible honor, something Ive been working toward my entire career, she said. Its very important to preserve and continue traditional pottery.
For almost her entire life, Lujan-Hauer has been making intricate micaceous clay vases, using an intensive ancient process that only certain members in Taos Pueblo can learn. About half the labor involved in traditional pottery involves hand-gathering the raw materials, she said. Micaceous clay is always left unpainted. The only design elements are from how you manipulate or alter it, I dont sand mine, each piece I form is the shape I formed it. She picks micaceous clay, or decomposed rock, from the rivers that flow through the Taos mountains. After she sifts the clay to remove any rocks and sticks, she lets it sit in the sun for a couple of weeks to give the clay a completely smooth and uniform finish. Excess clay that remains after she shapes her pots is returned to the Earth. We like to age our clay. The old ladies call it, a blessing from the river. Its a celebration of our traditions and our history, she said. When the pot is fired it gives off a orange or yellow color, the only clay in the New Mexico to exhibit those colors naturally. While Lujan-Hauer works with other forms of clay shes also known for her white pottery that often feature silver inlay she is committed to the traditional micaceous pottery form because of its importance to the Taos Pueblo religion. There are practices in each pueblo that have been institutionalized for centuries that are part of the religion, she said. Traditional pottery-making will be endangered eventually, so this is for the religion, primarily.
CHRIS PAPPAN
Chris Pappan is taking a style once used to document Native peoples dying culture and reinventing the imagery of how Natives are perceived.
Plains Indian ledger art started in the 1860s when, out of necessity, Native peoples began using accounting ledger books, rather than animal hides to record images from their daily life. Pappan, 40, deploys a similar technique. He uses drawings and photographs from his own tribes, Osage, Kaw and Cheyenne River Sioux to create his own form of ledger art. He creates distorted, or slightly warped images in a three-dimensional form. His effort is intended to question the stereotypical image of a Native American. Its a distorted image, because modern society tends to distort images of Indian people and Indian people tend to distort images of themselves, Pappan said. Or its two images coming together to create something new, or it can be seen as one person pulling themselves apart in two different directions. Pappan was raised in Flagstaff, Ariz. He graduated from the Institute of American Indian Arts in Santa Fe. He married fellow alum, Debra Yepa. The two have a 9 year-old daughter. In 2010, Pappan won Best of Class at the Heard Museums Indian Market and won second place for drawing at last years Santa Fe Indian Market. Pappan wants to explore and research maps created in the late 1880s and the early 1900s to visually show the displacement that occurred to Native peoples during that time frame.
SAN TA F E I N D I A N M A R K E T
S WA I A
RYAN SINGER
F E L L O W S H I P S
Singer grew up in Tuba City, Ariz., and is Todichiiinii (Bitterwater Clan), born for Kinyaaaanii (Towering House Clan). As a kid, he spent time at his uncle Ed Singers studio and became familiar with the painting form. He started his professional career with the National Parks Service but left to nurture his artistic talents at Northern Arizona University and later, Arizona State University. Id invite people over for parties and Id borrow a projector from work, he said. Id show my slides and people would ask why I wasnt in art school. In 2007, Singers last semester at ASU, he was commissioned to do art for a childrens book about Navajo folk stories, as well as four large paintings for a traveling show. He left school, but his career would quickly blossom as a leader in the contemporary Native arts scene. Im showing basically what Im about. Im just like everybody else in America, he said. So I intertwine pop culture with my culture and kinda morph them together.
Hes already proved a Native painter can break away from traditional imagery and still find success, but now Ryan Singer is ready to take his pop surrealist paintings into a new medium. I want to put my 2-D art into 3-D form, like the native Navajo images in 3-D sculptures, he said. Its been a struggling experience, but I want to continue to do something different and do something as an innovator.
Singers paintings reference popular culture, but the images are depicted with a stroke of his cultural identity. His works include Navajo mutton stew done in the style of Andy Warhols Campbells Soup Cans series, a slot machine robot as the Virgin of Guadalupe and the Navajo Princess Leia. His first foray into clay sculpture came last year when he collaborated with Santa Clara potter Jody Naranjo. She integrated his designs on her pottery, while he dutifully observed her process to gain confidence to make and fire clay sculptures himself. Singers first clay sculpture is a Navajo depiction of the Fisher-Price Little People barnyard complete with hogan, sheep and silk-dressed grandmother a style he wants to attempt with his other work so his images can literally jump out of the canvas.
YOUTH FELLOWSHIP WINNERS DAMON CLARK For Damon Clark, inspiration is stepping out his front door.
The photographer snaps portraits of the landscape near his home in Navajo, New Mexico. He likes to follow his family, friends and his pets to offer insight into the day-to-day life on the reservation through real life images. The 16 year-old shares a passion for photography with his mother. She taught him traditional darkroom methods, a skill lost by many in the digital age, he said. Although he can produce images from negative film, Clark is adamant about exploring digital techniques and graphic arts. Eventually, he wants to infuse regular photographs with his own graphic designs and create new images that enhance the overall creative process.
ALAN EARLY Pottery is a family passion in the Early household. Alan, 17, learned how to make pottery from his father, Max Early, when he was just 4 years old. The Laguna Pueblo native started making pinch pots and animal
figurines such as snowmen, porcupines, cats and dogs. Now, Alan makes large canteens and pots and has developed the same passion as his father who taught him. Alans father continues to inspire his work as he paints designs he learned from his father onto his pieces. I enjoy making pottery because it doesnt feel like work, Alan said. Alans brother David is also a potter trained by his father. Alan, a junior at Bernalillo High School, is studious about his work and wants to develop into a serious potter who can innovate the traditional methods.
MARLON MELERO The youngest Youth Fellowship Award winner is 9 year-old painter Marlon Melero. Melero spends a lot of his time painting with his mother,
Melissa, in her studio. The two have collaborated on different pieces. Generally, he paints acrylic on canvas or wood panels. His subjects consist mostly of animals, dinosaurs, landscapes and popular cartoon characters. Melero was born in Reno, Nev., in 2002. He is half Paiute and half Tlingit Alaskan Native. He said he is excited and honored to be mentioned in the same breath as other distinguished artists. Melero won an award for his painting, The Sunset of Life, during the 2010 Santa Fe Indian Market, his first.
From left: Alan Early and Damon Clark with SWAIA board chair Steve Wall.
LIFETIME ACHIEVEMENT ALLAN HOUSER LEGACY AWARDS

POPOVI DA When Antonio Martinez changed his name to Popovi Da, he made the commitment to stand tall for his San Ildefonso Pueblo heritage at every stage of his life. Popovi Da, which means Red Fox in Tewa, was a potter, painter and most notably, a leading advocate for Native arts.
Born April 23, 1923, to Maria and Julian Martinez, Da started making art at an early age when he learned to gather clay and fire pots for his parents. He attended the Santa Fe Indian School with Harrison Begay, Pop Chalee, Pablita Verlarde and Allan Houser. At the Indian School, Da expanded his art into watercolors, jewelry and paintings. He grew his subject matter to include animals, geometric designs and
STANDING OUT
WINNERS SINGLED OUT FOR CONTRIBUTIONS OVER DECADES

abstract symbolism. Da was drafted into the U.S. Army in 1944 and stationed at Los Alamos where he worked on the Manhattan Project. When he was discharged, he and his wife returned to San Ildefonso Pueblo to open the Popovi Da Studio of Indian Arts, which served as a studio and prominent gallery. There, Da followed his fathers footsteps and painted designs on his mothers pots. The collaboration led to some of his most notable work. He departed from the black on black pottery his parents made famous and experimented with brighter polychrome pottery. Through this process he invented a new color for pottery, sienna. Eventually he would develop a two-step firing process that would combine black and sienna on the same pot. He also created pottery with a gun-metal finish and he was the first potter to inlay turquoise into his pots. He continued innovating until his death in 1971. Popovi Da was also a religious and governmental leader for San Ildefonso Pueblo. He served as the governor there in 1952 and was the chairman of the AllIndian Pueblo Council. He was a member of the New Mexico Arts Commission.
Joyce Odell daughter of Popovi Da
JOSEPH LONEWOLF Growing up in Santa Clara Pueblo, Joseph Lonewolf would listen to creation stories about the Tewa people. The images his storytelling grandparents would create stirred his young imagination and eventually would inspire his work as a potter.
One can see this imagery on his pots with his depiction of characters like avanyu, the water serpent that separated the water creatures from the land animals. Lonewolf also depicts creatures like insects, the wolf, the bear and Mother Earth. His images and the approach he uses to include them on his pottery transformed Pueblo ceramics. Lonewolf was the first to incorporate the sgraffito technique a process that adds two layers to an unfired piece, allowing the artist to etch color designs now used by many modern potters. He was one of the first Native artists to incorporate contemporary techniques with traditional methods. His use of the bas-relief technique created three-dimen-
sional depth to the images he learned about as a child. Lonewolf also developed red and black pottery that was created in a single firing and is known for his use of Mimbres designs. In 1975, he was the first Native American artist to publish exclusive work in a book, The Pottery of Joseph Lonewolf. His work resides in permanent collections at the Heard Museum, Wheelwright Museum of the American Indian and Eiteljorg Museum of American Indian and Western Art. In 2009, Lonewolf received the New Mexico Governors Award for Excellence in the Arts of Pottery.
Gregory and Rosemary Lonewolf, children of Joseph Lonewolf, with his great-granddaughter Mia Speckled Rock
TONITA PEA When her mother died in 1905, Tonita Pea left her birthplace in San Ildefonso Pueblo to live with her aunt and uncle in Cochiti Pueblo.
Pea still referred to herself by her Indian name, Quah Ah or White Coral Beads, and would learn to be self-sufficient through her painting. Eventually, she would be the only woman in the early Pueblo artist collective referred to as The San Ildefonso Self-taught Group.
At 25, Pea was a successful easel artist the first of her kind to practice in Cochiti Pueblo with her work featured in museums in Santa Fe and Albuquerque. By the 1920s, her paintings were hanging in La Fonda on the Plaza. Her subjects were the life she knew. She painted scenes of Pueblo life, such as ceremonial dances, everyday events and pottery designs. Although all of her early paintings include the signature, Quah Ah, she later altered it slightly to QuaH Ah. The capitalized H is in honor of her late husband, Joe H. Herrera. Pea used her baptismal name from 1921-23. These paintings are very rare. In the early 1930s she began to add combinations of cloud, rain and storm images along with her name that grew more intricate as she grew older.
Bruce Bernsteinn, SWAIA executive director, and Joe Herrera, son of Tonita Pea
on the plaza in santa fe

NEW MEXICO MUSEUM OF ART
EARTH NOW: AMERICAN PHOTOGRAPHERS AND THE ENVIRONMENT 505.476.5072
NEW MEXICO HISTORY MUSEUM/ PA L A C E O F THE GOVERNORS

HOME LANDS: HOW WOMEN MADE THE WEST 505.476.5100
on museum hill in santa fe

MUSEUM OF INDIAN A R T S & C U LT U R E
A RIVER APART: POTTERY OF COCHITI AND SANTO DOMINGO PUEBLOS 505.476.1250
MUSEUM OF I N T E R N AT I O N A L FOLK ART

FOLK ART OF THE ANDES 505.476.1200
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HONOREES EXEMPLIFY
POVIKA AWARD
WHAT IS RIGHT WITH THE WORLD

advocacy efforts remained strong. When Natives originally did the bead work, they didnt have needles and thread either, they would make bones, bone fractures they would put a hole in it and then use sinew and thats how they would do the bead work, she said. When Ah-Be-Hill retired in 1989 she moved to Santa Fe and continued to work as a trader and Native arts advocate, including years of volunteer work at the Native American Clothing Contest at Indian Market. She has seen the transformation of Native arts, yet has a firm grip of the traditional practices from where arts evolved. Now artists have all modern things like everyone else. Its faster, easier and a lot stronger, she said. A lot of the old beadwork is real fragile because the sinew breaks and the beads fall off.
Povika Award winner Jeri Ah-Be-hill.
JERI AH BE HILL At an early age, Jeri-Ah-Be-Hill committed her life to celebrate Native arts. To her, dignifying the work was more than recognizing traditional practices, but sustaining the livelihood of many Native peoples whose sole income came from their art.
For more than 25 years, Ah-Be-Hill (Kiowa/Comanche) owned and operated the Fort Washakie Trading Company on the Eastern Shoshone and Northern Arapaho Reservation in Wyoming. Her post was a must-stop for travelers looking to be immersed in traditional beadwork and other Native crafts. It was also known for the compassionate owner who rarely turned away prospective sellers. People would visit me with their family and everything they owned would be in their car. Sometimes they would live in their car, she said. I always treated them fair and bought whatever I could at a good price. Her avid trading spirit created a museum, with Ah-Be-Hill acting as curator. In my trading post that was a very common question people would ask, how did the Indians make beads? I would say the Indians were introduced to beads by the traders that came among them, she said. Prior to that time their work was quill work and paintings on hides, once the beads were introduced to them, they really enjoyed it. She supplied artists with materials at her post and along the powwow circuit, where she was a constant presence. Her knowledge about Native crafts and her
AGNES DILL At the University of New Mexicos 2010 graduation ceremonies something, and someone, stood out among the cherry caps and gowns. As fresh faced 20-somethings prepared to take their degree and embark on a journey into the world, one graduate already had set a path for the new generation.
During the ceremony, UNM awarded Agnes Dill, 98, an honorary doctorate degree for more than 70 years of work improving Indian Country. For a woman who used education as a lifesource, the honor was more than she could imagine. I really never expected something like that to happen, but I am proud of all of the work we have been able to do over the years to better the conditions in our Indian communities, she said. Dill was a social justice pioneer at a time when Native Americans had no voice, let alone clout, to speak out against injustice. Education was always key to unlocking avenues to make things better, she said. Dill (Isleta/Laguna) graduated from New Mexico Highlands in 1937, one of a handful of Native students to do so. She taught in Oklahomas Bureau of Indian Affairs schools until 1948.
While on the job, Dill met her husband. Her marriage would open new opportunities for Dill to educate Native people about their history and culture. The couple operated the Fort Cherokee Indian Museum and Trading Post in Vinita, OK, for 17 years. However, her husband, Clarence, developed emphysema and the couple decided to move to Isleta Pueblo in 1965. Dill cared for her ailing husband, but he would pass away within five years. During that time, Dill volunteered as substitute teacher at a local elementary school, an area that allowed her an inside view into tribal affairs. When her husband passed away, Dill turned the tragedyinto an oportunity to fight for what was right. In 1971, she became a founding member of the New Mexico Chapter of North American Indian Womens Association (NAIWA), a leading advocacy group for indigenous womens rights. By 1973, Dill was the groups president and led one of its most ambitious initiatives, the Talent Bank for Indian Women, a service that helped recruit jobs for Natives on and off the reservation. Soon enough, Dills tireless efforts gained national recognition. In 1975, President Gerald Ford appointed Dill to the National Council on Womens Educational Programs. Dill has continued her social justice advocacy well into her elder age. She led an effort to establish the New Mexico Geriatric Education Centers Council on Elders, which provides Native elders access to quality and culturally sensitive care. Ill always fight for whats right, she said. Even when I cant fight any more.
Povika Award winner Agnes Dill with Bruce Bernstein, SWAIA executive director
three new exhibitions
Roxanne Swentzell: Native Treasures Living Treasure
Vertigo: A Spin on Tradition ~ Reviving the Past by Virgil Ortiz
Sunday, August 14 2 p.m. Illustrated Lecture and Booksigning Tuesday, August 16
Charles King, author of The Life and Art of Tony Da. (MIAC Theater, free with museum admission.)
8:30 a.m. Breakfast with the Curators 2011 Indian Market Highlights by Bruce Bernstein, Executive Director of SWAIA Santa Fe Indian Market ($35 per person/$30 for MNMF members. Tickets can be purchased at ticketssantafe.org or call 505988-1234. For additional information call 505-476-1247 or 476-1271.) Charles King will lead a tour of the exhibition Creative Spark! The Life and Art of Tony Da. ($35 per person/$30 for MNMF members. Tickets can be purchased at ticketssantafe.org or call 505-988-1234. For additional information call 505-476-1247 or 476-1271.) 2 p.m. Panel Discussion and Dialogue Who Speaks for the Ancestors? Repatriation and Indian Identitywith Suzan Shown Harjo, well-known Cheyenne and Hodulgee Muscogee advocate for Indian rights. (MIAC Theater, free with museum admission.)
Friday, August 19 8:30 a.m. Breakfast with the Curators
Sunday, August 21
Creative Spark! The Life and Art of Tony Da
Museum of Indian Arts & Culture

Museum Hill off Old Santa Fe Trail in Santa Fe | (505) 476-1250 | indianartsandculture.org |
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NATALIE GUILLN
Tulane Nataanii John and his sister, Myleka Nizhoni John, during the unveiling of the 2011 Indian Market poster at the Hotel Santa Fe.
POSTER POWER
Brother, sister create the 2011 image of market
BY INEZ RUSSELL
Myleka and Tulane John have all the pressures of every other Indian Market artist: conceiving their pieces, completing them and getting everything to market on time.
On top of that, the 2011 Santa Fe Indian Market poster artists have other concerns: there was basketball camp each went a week; Myleka was looking forward to having her braces removed; and for the John family as a whole, there was the big decision to leave Phoenix and return to the rural Navajo reservation for a slower-placed, but more traditional life. While everyone else is worrying about getting finished for market, the John family parents Alvin and Iverna, Myleka and Tulane and the youngest, 5year-old Terion will be finishing the move. Were just going to box stuff and leave it in storage, said Iverna, whose job as a medical technologist is shifting, probably to Kayenta, so the family can return to the reservation. Weve been out here in the city long enough. Their dad, Alvin, said the family always made a habit of returning to their rural roots. We visit elders and have (the kids) experience how it was a long, long time ago. All of those life experiences combined to help the teen-age brother and sister team be selected as the youngest (and first collaborative) poster artists. For 2011, the Southwestern Association for Indian Arts organization asked
younger artists to submit a piece to be considered for use on the poster. It was a way to anticipate the future. With 90 years, the important thing was to look forward, said SWAIA Executive Director Bruce Bernstein, speaking last spring at the unveiling of the official poster. Thats what we were looking for. This year, we decided we would have a youth artist. The two siblings, though, werent thinking of collaborating. They put in separate entries, Bernstein said. They were on separate walls, and we said, what better way to look forward than to have a brother and sister? Both children have been attending Indian Market for much of their lives, accompanying their dad, Alvin, a sculptor and painter. To make the poster piece, the brother and sister worked together. Tulane incorporated his Legos, something he has loved since he was very young. The blocks give his work of a yeii, a Navajo deity a more sculptural feel, as well as adding a touch of whimsy. Hes a past winner of the Youth Smile Award. Mylekas painting featured the four sacred directions, inspired by her recent puberty ceremony. The two had a true collaboration, offering advice and suggestions, creating jointly. We got used to working together and helping each other with ideas, Myleka said. Its a great honor to win this poster contest, Tulane said. Its pretty exciting because everyone knows now that I like Legos. And how.
Palace of the Governors Plaza Cathedral Park Milner Plaza Museum of Indian Arts and Culture/Laboratory of Anthropology Santa Fe Community Convention Center Wheelwright Museum of the American Indian Warehouse 21 IAIA Museum/Museum of Contemporary Native Arts La Fonda New Mexico History Museum Patina Galllery Collected Works
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THE RAILYARD
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E AN T A F
S AN TA F E S NE W P L AC E TO ME E T
The Railyard is where Santa Fe comes to meet friends and neighbors, shop at New Mexicos largest farmers market and other unique stores, have a great meal, see thought-provoking art, experience live performances, or just relax and PL AY. WWW.R AILYARD SANTAF E .COM
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401 W. San Francisco Street (corner of Guadalupe ) Customer parking across the street on W. San Francisco
WELCOME TO INDIAN MARKET
The Ranch Gallery

at double take
KW Moore, Sr. is an internationally known western artist whose career has spanned over 40 years. His paintings and drawings are masterfully executed in a realistic style that is reminiscent of the old masters. View the entire KW Moore, Sr. Collection August 15-21 CORNER OF AZTEC AND GUADALUPE 505-820-6934
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Yazzie Johnson Gail Bird

A SPECIAL EXHIBITION during Indian Market week featuring Yazzie Johnson and Gail Birds acclaimed contemporary jewelry
ARTIST RECEPTION:
Friday, August 19, 57 pm
ZANEBENNETT
CONTEMPORARY ART
435 South Guadalupe Street, Santa Fe Tel: 505 982-8111 www.zanebennettgallery.com MondaySaturday 105, Sunday Noon4 Railyard Arts District Walk last Friday of every month
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WE WILL HEAL
Photo 2011 Kari Greer | U.S. Forest Service
Donate to the Santa Clara Pueblo Fire Relief Fund, a fund of the New Mexico Community Foundation, August 2021 at our Cathedral Park information booth or online at www.nmcf.org.
Paid for 01 1 the N TA FE IN DIA N MA R KET National Laboratory Foundation 8 2 2 with SA generous support of Los Alamos

PRESENTING FOUR SPECIAL SHOWS AT THE ELDORADO HOTEL TUESDAY, AUGUST 16 FRIDAY, AUGUST 19, 2011
All shows continue Saturday, August 20 & Sunday, August 21, 11:00am-5:00pm
Martha Struever Lecture & Jewelry Preview

Master Jewelers: The Modern Era Top American Indian Jewelers, Post WWI I - Present Tuesday, August 16, 2011, 2:00 - 4:30pm, Zia A Room, Eldorado Hotel
Jody Naranjo Pottery Contemporary American Indian Jewelry Contemporary Pottery

Opens Thursday, August 18, 2011, 4:00 - 8:00pm DeVargas Room, Eldorado Hotel
Richard & Jared Chavez Jewelry

Opens Wednesday, August 17 2011, 2:00 - 5:00pm , DeVargas Room, Eldorado Hotel
McKee Platero Special Exhibition

Opens Friday, August 19, 2011, 11:00am-5:00pm DeVargas Room, Eldorado Hotel
GALLERY SHOWINGS ARE AVAILABLE BY APPOINTMENT. CALL (505) 983-9515 , OR VISIT OUR ONLINE AMERICAN INDIAN ART GALLERY AT WWW.MARTHASTRUEVER.COM
Photos: Wendy McEahern
creative process
Darren Vigil Gray
Untitled # 5, acrylic on canvas, 24 x 48 inches. 2011 Darren Vigil Gray, courtesy Gerald Peters Gallery.
August 19 - October 1, 2011

Opening Reception with the artist: Friday, August 19th from 5-7pm
For information contact Evan Feldman, Contemporary Art at efeldman@gpgallery.com or (505) 954-5738
T O V i E w M O R E w O R k S V i S i T w w w. G P G A l l E R y. C O M
1011 Paseo de Peralta, Santa Fe, NM 87501 | tel (505) 954-5700
J e w e l ry at Ge r ald pe te r s G a llery
JiMMy Calabaza | ben nighthorse CaMpbell | Carl & irene Clark
Carl & Irene Cl ark wIll be In the Gallery FrIday, auGust 19th From 2-5pm
For information contact John Macker at jmacker@gpgallery.com or (505) 954-5757 IndIan market bo oths: Jimmy Calabaza: booth 533-sF e. Carl & irene Clark: booth 744 lin-W
1011 paseo de peralta, santa Fe, nM 87501 | tel (505) 954-5700
Dian Malouf
American nobility
dian malouf

Indian Market Hours

Friday, August 19, 10:30 AM to 7 PM Saturday, August 20, 7:30 AM to 6 PM Sunday, August 21, 9 AM to 6 PM 505.983.9241 or 800.648.7358
On the Plaza, Santa Fe
Blue Rains Annual Celebration of Contemporary Native American Art
August 1721, 2011 in Santa Fe

Visit our website for a complete show schedule and list of participating artists.
Deer Dancer Series Mixed media and oil on panel, 36"h x 46"w
M AT EO RO M E RO
P R E S TO N S I N G LE TARY
Oystercatcher Rattle Blown and sand-carved glass 24"h x 14" l x 5.5"w
Pueblo Sisters Acrylic on canvas, 22"h x 26"w

DAV I D B R A D L EY
130 Lincoln Avenue, Suite C, Santa Fe, NM 87501 | 505.954.9902 | www.blueraingallery.com
SANTO DOMINGO PUEBLO 2011 Annual
Arts & CrAfts MArket
Meet the Artisans
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For more information, call: 505.465.0406 between 8am and 5pm or write to: Santo Domingo Pueblo Arts & Crafts Market P Box 369 .O. Santo Domingo Pueblo, NM 87502
Santo Domingo Pueblo
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FREE ADMISSION & PARKING
Directions: Centrally located between Albuquerque and Santa Fe. Exit 259 , look for our signs
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experience the arts and history of our people, and other Pueblos and tribes as well enjoy quality crafted products from traditional pottery, jewelry and baskets to contemporary sculptures and paintings taste our Indian food!
September 3, 4 & 5 8 am to 5 pm
SANTA FE

Friday, August 19, 10:30 AM to 7 PM Saturday, August 20, 7:30 AM to 6 PM Sunday, August 21, 9 AM to 6 PM On the Plaza, Santa Fe 505.983.9241 or 800.648.7358
Indian Market Hours
Lawrence Baca
contemporary antiques
RICHAR D CH AV EZ
SONWAI
K ER I ATAUMBI
CODY SANDER SON
M A RY I R E N E J A R E D C H AV E Z R E B E C C A B E G AY S E A N O. B E N N A L LY T E R I G R E E V E S J E N N I F E R C U RT I S T H O M A S C U RT I S E R N I E L I S T E R N ATA S H A P E S H L A K A I N O R B E RT P E S H L A K A I P H I L L O R E T TO R AY L O VATO C I P P Y C R A Z Y H O R S E S H E L D O N H A RV E Y WA D D I E C R A Z Y H O R S E F R I T Z C A S U S E H E I D I B I G K N I F E V I R G I L O RT I Z S O N WA I R I C H A R D C H AV E Z K E R I ATA U M B I C O DY SANDERSON HARRISON JIM JARED CHAVEZ R E B E C C A B E G AY C H E RY L Y E S T E WA M A RY I R E N E S E A N O. B E N N A L LY T E R I G R E E V E S J E N N I F E R C U RT I S T H O M A S C U RT I S E R N I E L I S T E R N ATA S H A PESHLAKAI V I R G I L O RT I Z P H I L L O R E T TO R AY L OVATO K E R I ATAU M B I C O DY S A N D E R S O N S H E L D O N H A RV E Y J E N N I F E R C U RT I S T H O M A S C U RT I S H E I D I B I G K N I F E N ATA S H A P E S H L A K A I N O R B E RT P E S H L A K A I P H I L L O R E T TO R AY L O VATO C I P P Y C R A Z Y H O R S E S H E L D O N H A RV E Y WA D D I E C R A Z Y H O R S E C H E RY L Y E S T E WA H E I D I B I G K N I F E V I R G I L O RT I Z S O N WA I R I C H A R D C H AV E Z K E R I ATA U M B I C O DY SANDERSON HARRISON JIM JARED CHAVEZ S E A N O. B E N N A L LY N O R B E RT P E S H L A K A I C I P P Y C R A Z Y H O R S E S H E L D O N H A RV E Y WA D D I E C R A Z Y H O R S E C H E RY L Y E S T E WA H E I D I B I G K N I F E V I R G I L O RT I Z S O N WA I R I C H A R D C H AV E Z K E R I ATA U M B I C O DY SANDERSON HARRISON JIM JARED CHAVEZ NORBERT PESHLAKAI MARY IRENE REBECC A B E G AY S E A N O. B E N N A L LY T E R I G R E E V E S J E N N I F E R C U RT I S T H O M A S C U RT I S C O DY SANDERSON N ATA S H A PESHLAKAI SONWAI P H I L L O R E T TO R AY L OVATO K E R I ATAU M B C H E RY L Y E S T E WA M A RY I R E N E R E B E C C A B E G AY S E A N O. B E N N A L LY T E R I G R E E V E S J E N N I F E R C U RT I S T H O M A S C U RT I S E R N I E
WELCOME TO INDIAN MARKET

CURRENT EXHIBITION
Shared Intelligence:
American Painting and the Photograph
While in Santa Fe Dont Miss Seeing:
A N D Y WA R H O L CHUCK CLOSE CINDY SHERMAN NORMAN ROCKWELL FREDERIC REMINGTON & MORE...
C O U N T E R C L O C K W I S E : Cindy Sherman, Untitled (#213), 1989. Color photograph, 41 x 33 in. Courtesy of the Artist and Metro Pictures. Georgia OKeeffe,
Blue Flower, 1918. Pastel on paper, 20 x 16 in. Georgia OKeeffe Museum. Gift of The Burnett Foundation (2007.01.011) 1987, Private Collection. Andy Warhol, Jackie, 1964. Acrylic and silkscreen ink on linen, 20 x 16 in. The Andy Warhol Museum, Pittsburgh. Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. 2010 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), New York.
217 JOHNSON STREET, SANTA FE 505.946.1000 OPEN LATE, UNTIL 7 PM THURSDAY SATURDAY
OKMUSEUM.ORG OPEN DAILY 10 AM 5 PM FREE 5 7 PM FIRST FRIDAY OF EVERY MONTH
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LUIS SANCHEZ SATURNO
MAKING CONNECTIONS
Santa Clara shares history, culture with visitors
BY EMILY DRABANSKI
Throngs of visitors in straw hats sporting squash blossom necklaces come to Indian Market to savor the scents of roasting corn and sizzling fry bread drifting through the air while the beats from cottonwood drums reverberate through the Plaza. But they sometimes find that peering into the hundreds of white-canopied booths that have sprouted downtown like mushrooms after a heavy rain just isnt enough.
Some want more than just a souvenir pot or necklace. Many have traveled thousands of miles for the opportunity to speak face-to-face with Native artists, a personal interaction that makes their purchases treasured finds. But Indian Market hubbub often precludes leisurely chats, leaving some visitors frustrated because their natural curiosity about the artists and their environment, history and culture is left unfilled. Now theres a way for Indian Market aficionados to experience more. The Southwestern Association for Indian Affairs, the Santa Claran Hotel and Casino and the Puye Cliff Dwellings of Santa Clara Pueblo have forged a partnership to address that deeper interest by offering a weekend getaway called The Earth and Sky Cultural Experience. The package gives people the opportunity to have an engaging, interactive weekend where
JOHN DRABANSKI
Maria Padilla sells black animal pottery figurines outside the Puye Cliff Visitors Center.
they can be fully immersed in the history, culture and artistic roots of Santa Clara Pueblo, about 20 minutes north of Santa Fe. On the next experiential weekend (Sept. 16-18), participants will arrive Friday evening at the sparklingnew, Pueblo-style Santa Claran Hotel in Espaola, where they will be welcomed with a buffet of traditional Santa Clara Feast Day foods such as red chile stew, posole, horno-baked bread and other specialties. Both an elder and younger tribal member will then engage the group with traditional storytelling. After Saturdays breakfast, the group will head out for a day-long excursion to Puye Cliff Dwellings (Santa Clara Pueblos ancestral home) for a guided tour, art activities and a birds of prey demonstration. The dwellings were home to about 1500 Ancestral Pueblo people, who lived there from the 900s to 1580 A.D. (Because of fires in Northern New Mexico this summer, Puye Cliffs might still be closed this fall. However, if that happens, other activities will be substituted. You can call for the latest information.) Lucretia Williams, Puye operations manager, welcomes the partnership with SWAIA, sponsor of Indian Market. Weve got something special that people wont see anywhere else, she said. This is not a national park. Its an important part of our culture. Its tribally owned and operated. The guides are all tribal members who are proud of their heritage and see their jobs as a sacred trust to protect
and preserve their ancestral homeland, she added. Williams spent much of her youth in the Northwest and developed a love of basketball. The vivacious 28-year-old now speaks about her dedication to Santa Clara Pueblo with the same degree of passion and drive that led her to a college basketball scholarship at Indiana University Northwest a branch in Gary where she earned a degree in business. Calvin Tafoya (CEO of Santa Clara Pueblo Development Corp.) has been my mentor, she said, and he challenged me to take this position. So Ive harnessed that fierceness that I had on the basketball court, yet remain humbled by these sacred surroundings. Kateri Wallace, one of the tour guides, shares Williams enthusiasm. With a ready smile, she reminded visitors that the Santa Clara tribe has a long history of hospitality as she began her tour from the Harvey House. Built in the early 1900s to provide accommodations for those exploring the Southwest, it was the only Harvey House developed on a reservation. Today it serves as a museum and cultural center. Puye Cliff Dwellings is a National Historic Landmark, and is part of the Puye Cliffs Scenic Byway. She, as all the guides, is encouraged to give historical and cultural information, but from a tribal perspective. I love my job because I find out more about this place every day and its fun talking with the people, she said. Tina Whitegeese, assistant manager of sales and marketing at Puye, also enjoys meeting people,
JOHN DRABANSKI
Above, Going down the ladder at Puye Cliff is a painstaking activity. Below, Andy Padilla teaches participants in the Santa Clara Earth and Sky Cultural Experience how to make gourd rattles. Here, he sells gourd pots outside the Puye Cliffs Visitors Center.
JOHN DRABANSKI
JOHN DRABANSKI
Along the trail at Puye Cliffs, visitors can see the petroglyphs left by the ancestors of presentday Santa Clara Pueblo residents.
Santa Clara dancers do the bow and arrow dance at the Saturday evening reception at the Santa Claran Hotel.
particularly international visitors. When we talk, I realize how much we have in common, Whitegeese said. Wallace is often surprised by what she hears from visitors. One woman from the East came here and wanted to apologize for what her ancestors had done, she said, with a catch in her voice. But Wallace says her most amazing encounter was with another woman from the East whom she met at the Santa Clara Casino. She said she didnt realize that there still are Indians alive today. That was shocking. But we talked and we actually became friends. The cliff dwellings were closed for WHAT: Earth & Sky Cultural nine years after the 2000 Cerro Grande Experience weekend package Fire, which scorched parts of Santa Clara WHEN: Sept. 16-18 Canyon. It was a long time to have this WHERE: Santa Claran Hotel, 460 N. closed, Williams said. But it gave the Riverside Drive in Espaola, Puye Cliff tribe an opportunity to bring in experts Dwellings at Santa Clara Pueblo from all over the world to see how we could best preserve the site. We came to HOW MUCH: $425 based on double understand how fragile this place is and occupancy and 11 percent lodging fees that we can destroy it with the soles of our RESERVATIONS: www.santaclaran. feet and by touching the walls. So we only com, 877-505-4949. Check Web allow people to visit with a guide now. page for any changes in schedules This summers fires, while devastating or additions to the tour. You can also to the tribes cultural properties, will follow Puye Cliffs on Facebook to get not have the same affect on Puye, the latest information about attractions. Whitegeese said. Were going to re-open OTHER AREA ATTRACTIONS: strong, she said. www.santaclaranregion.com The two-hour guided hike along the cliffs offers participants the opportunity to see petroglyphs and ancient pottery sherds, as well as the natural alcoves where the ancestral people lived along the cliffs during winter. The hiking trail leads to a sturdy Pueblo ladder that rises above the remnants of the multiple-story dwellings to the top of the mesa where the people lived in the summer. We can accommodate those who need a ride to the top of the mesa, Williams said. After the strenuous hike, participants will eat lunch under the junipers. Afterward, they will have the opportunity to decorate a gourd rattle guided by Indian Market artist Andy Padilla. During the Memorial Day weekend, Padilla and several artists spoke to visitors and me. I plant the gourds in March and harvest them usually in
DETAILS
September, he said. I do the hard work of cleaning them out and getting the driftwood for the handle. But I give people paints and ideas on how to decorate the rattles. It could be a traditional design like kiva steps or something fun like hot-air balloons. His wife, Marcia, has won awards at Indian Market for her black pottery and also enjoys chatting with visitors outside the Harvey House. She displays her popular figurines of women along with her miniature animals such as sheep. Her nativity sets often sell out on the first day of the market. A younger couple, Jennifer Tafoya-Moquino and Michael Moquino, eagerly showed visitors their intricately etched pieces of black pottery. The 33-yearolds are part of the latest generation of Santa Clara potters to wow the judges at Indian Market. Michael pulled out a box of natural pigments to show visitors while Jennifer painstakingly drew designs on her latest pot. They also displayed a series of endangered fish with amazing detail. I love having the opportunity to talk to people about my work, she said. Inside the visitors center, Candelaria Suazo demonstrated how traditional Santa Clara pottery is made. She compared miniature pots that have been fired and those that havent so people can see the color variations. Suazo explained how she gathers clay from Mother Earth, sifts it with volcanic ash through screens and ultimately kneads the wet clay mixture by spreading it out on a tarp and walking on it. I call it my dance to get out all of the bubbles, she said, with a hearty laugh. She also showed visitors her cherished polishing stone and explained her particular way of firing pots. Folks are often surprised to learn about a key ingredient for firing: cow patties. After their all-day Saturday excursion, participants will wrap up their Sky City Earth and Sky Cultural Experience back at the Santa Claran Hotel. They can sip area wines while they attend a reception on the hotels top floor for even more Santa Clara artists painters, potters and jewelers. Visitors will be encouraged to stroll onto the outside balconies to enjoy the sunset, but will probably quickly come back inside once they hear the resonant beat of the Pueblo drum. It means that one of the tribes many dance groups has arrived. The sounds will include rhythmic sounds of traditional gourd rattles like the ones the visitors made with Andy Padilla earlier in the day. On Sunday, folks have a leisurely breakfast and then are free to explore the many regional attractions. The Santa Claran Hotel is at the hub of Northern New Mexico, so weve created a website (www.santaclaranregion.com) to help people find out more about the many area attractions, said hotel General Manager Dennis Pendergast. We know that once folks visit here, theyll want to keep coming back.
Observe/ Recognize
WORKS FROM CONTEMPORARY AMERICAN INDIAN ARTISTS
Organized in collaboration with Legends Santa Fe and the Berlin Gallery at the Heard Museum Shops, this exhibition reveals new frontiers in the contemporary American Indian art field. The show offers a unique perspective of vibrant works from established and emerging Native artists using diverse mediums. Featuring the work of NATALIE M. BALL (Modoc/Klamath), JULIE BUFFALOHEAD (Ponca Nation of Oklahoma), JEFFREY GIBSON (Mississippi Band of Choctaw/Cherokee) in collaboration with CROWS SHADOW PRESS, DAVID HANNAN (Metis), JACOB MEDERS (Mechoopda Maidu), WENDY RED STAR (Crow Nation), DUANE SLICK (Meshwaki), TIFFINEY YAZZIE (Navajo) and STEVEN YAZZIE (Navajo/Laguna Pueblo).
August 18 - September 15, 2011 at LegendS SAntA Fe Opening Reception: thursday, August 18, 5 to 8 p.m.
Legends Santa Fe 125 Lincoln Ave., Santa Fe, NM 87501 505.983.5639 Monday-Saturday, 10 a.m. to 5 p.m. Legendssantafe.com Heard Museum /Berlin Gallery 2301 N. Central Ave., Phoenix, AZ 85004 602.346.8250 berlingallery.org heard.org
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Wendy Red Star (Crow Nation), Indian Summer (Four Seasons Series), C-print
AN AMERICAN MASTER
Housers artistic legacy cant be stereotyped
BY ARIN MCKENNA
According to Merriam-Webster Dictionary, definitions of a master include an artist, performer, or player of consummate skill or a great figure of the past (as in science or art) whose work serves as a model or ideal. A master is also defined as, a worker or artisan qualified to teach apprentices.
Allan Houser Haozous (1914-1994 his name was anglicized when he was a boy) was a master by all those definitions. Housers talent shines through every artwork he created, which includes more than 700 sculptures and over 19,000 drawings. His modernist aesthetic and use of metal and stone as his media helped redefine American Indian art. Houser also taught hundreds of students over the course of 24 years and influenced countless others through them. His legacy impacted not only the entire Native art world but in ways he has not been given credit for is still changing the definition of American art. The great part of his legacy is that he was the first at so many things, said David Retting, curator of corporate collections for the Allan Houser Foundation. He was the first Apache child born out of captivity at Fort Sill, Okla. (Magnus Coloradas was Housers great-grandfather and Geronimo was his great-uncle.) He was the first Native American sculptor. He was the first faculty member at IAIA (Institute of American Indian Arts). Some also credit Houser with initiating a renaissance in stone carving by training what Retting called an army of stone carvers, at a time when most art schools viewed it as an arcane art. Houser was also the first American Indian artist to receive a Guggenheim Fellowship in 1949 and the National Medal of Arts in1992. Numerous other awards included the Palmes dAcademique by the French government. He was posthumously acknowledged with an inaugural Lifetime Achievement Award from the Southwestern Association of Indian Arts (SWAIA) and a Visionary Award from IAIA. I think he was a catalyst for change. I say a catalyst because he never really became a contemporary Native American artist, but he never was one of the old school. He was one of the people that helped create the transition, said Bob Haozous, one of Housers five sons and executive director of the Allan Houser Foundation. Bob and his brother, Phillip Haozous, also are renowned sculptors. Houser studied with Dorothy Dunn, the first person to teach painting in an American Indian school. Dorothy Dunn wanted to give these young people a trade as painters. Its sometimes referred to it as a votech (vocational-technical) approach. It was a decorative painting for the curio market, made for an Anglo
FILE PHOTO
Allan Houser (1914-1994)
consumer and what Anglos thought Indian painting should look like, Retting said. Housers attraction to modern art conflicted with Dunns demands for unassimilated tribal authenticity and her refusal to teach modern techniques. His Native American heritage is integral to his life and work, its something that drove him, Retting said. But he didnt say, I want to be an Indian artist. He wanted to be an artist. He wanted his work to have an international flavor to it. Housers first monumental sculpture, Comrade in Mourning (the first commissioned from an American Indian) reflects that. The Haskell Institute in Lawrence, Kansas commissioned the work in 1948 as a memorial to American Indian servicemen killed during World War II. It isnt this highly detailed little narrative, cute thing. Its this massive, clean, powerful, flowing, impactful form, and it already exemplifies that modernist influence, Retting said. His works in bronze and stone comingled realism with quasi-abstraction kind of idealized figurative forms. He demonstrated that you could make art about Native people in a modernistic style, said W. Jackson Rushing III, author of Allan Houser: An American Master (Chiricahua Apache 1914-1994). But gaining acceptance of that style was a struggle.
DETAILS
Housers work is found all over Santa Fe. The New Mexico State Capitol Building, the Wheelright Museum of the American Indian and at the Museum of Indian Arts and Culture each have a Houser sculpture. The Allan Houser Gallery, (125 Lincoln Ave., 9824705) is featuring Allan Houser Works in Stone, with an opening reception from 5-7 p.m. Friday, Aug. 19. Houser/Haozous Family Legacy, an exhibition of works by Houser and his sons Phillip and Bob Haozous is on display at the Santa Fe Community Convention Center, 201 W. Marcy Street, from Aug. 12-21. From 10 a.m.-4 p.m. Saturday and Sunday, Aug. 20-21, the Allan Houser Compound hosts its free Annual Indian Market Open House, with tours of the Allan Houser archives and the historic Allan Houser Studio House and an exhibition featuring graphic works by Woody Crumbo. 30 minutes south of Santa Fe. 471-1528 or fineart@allanhouser. com for driving directions.
ARIN MCKENNA
ARIN MCKENNA
ARIN MCKENNA
Resting at the Spring, Allan Houser
Spirit of the Wind, Allan Houser
Prayer Song, Allan Houser
The market demanded that artists talk about a romantic, decorative, emotional history not their real history. Allans gallery was totally against his abstraction. Hed take an abstract piece in and theyd put it in the back room. They were feeding a very nave market that demanded Native people be decorations for their house, Haozous said. Allan thought we should talk about who we are today, that we had our own statement as valid as any other art in the world. He told his students, Portray your life experience. He didnt say, Portray your fathers or your mothers or your grandfathers or your cultural life experience. That was also very important, and he did that, too. But he always said, Tell the world who you are, Haozous continued. The sad part of this whole story is that Allan is and should be acknowledged as one of the finest artists of this whole world, Haozous said. Despite tremendous evidence of Housers influence, he is virtually unknown beyond the Southwest. I think that Allans presence is still very much felt throughout the Native art world, sometime acknowledged, but often people dont even realize its his influence they feel. Im perplexed why he doesnt have more of a national presence, and an international presence, said Bruce Bernstein, executive director of the Southwestern Association for Indian Arts (SWAIA). This is not just a local or regional phenomena. This is someone of immense talent and immense range, who generated an immense amount of creative power that we still feel today. What is it about the marketplace that has boxed him in? What can we do to loosen those shackles?
Bernstein believes Housers ethnicity has marginalized him. I think thats the crux of the matter. Being Native was an essential part of him, just as being from New York City is an essential part of someone from there. Any artists own heritage influences their work, Bernstein said. But when that persons influence is Native, people immediately segregate that from other American art. And I do think thats a shame, because I think Allans work can stand the test of quality, craftsmanship and aesthetic beauty. It disturbs Bernstein and indigenous artists alike that non-Native artists many obviously influenced by Housers work receive acclaim for stereotypical depictions of Native people while masters like Houser remain obscure. What are we so afraid of that we look to non-Native sculptors to give us insight into the Native world, when Allan was so generous in sharing his understanding of that Native world through his work? Bernstein said. Scholars are finally starting to think about American art in a way that includes people like Houser. But when a work is ethnically specific, its often disparaged as not being universal, even though Housers work communicated universal human values, Rushing said. There are different rules for different players, Rushing continued. Why are four or five French guys all about the same age, all surviving the German occupation during World War II not considered ethnic? Native artists are getting a better critical reception, but they are still marginalized, and more so those of Housers generation than current artists. Pioneering indigenous artists from that period are still under-appreciated. The immensity of Housers legacy also works against
him. He was really a transformational figure. He created this whole style, the Houser style, which has became so emulated, so widespread, so much in the public domain that it has, in some sense, become a caricature of itself, Retting said. People look at Allans work and say, oh, thats just more of that Southwest art or thats Indian art, when in fact its the genesis for all of that. Housers legacy spread to hundreds of students, with a sizeable number who have major careers today. Houser taught for 11 years at the Intermountain Indian School in Brigham City, Utah, and in 1962 he founded the sculpture department at IAIA, where he taught for 13 years. Rushing said that because of Houser and other faculty at the Institute, there are at least two generations of Native artists now who have an incredible sense of freedom about what they can and should do. Still, some young Indian artists insist they owe nothing to Houser or his generation. Id like to figure out who they think they owe it to, said Doug Hyde, one of Housers students. Hydes awardwinning work is in many prestigious collections. The whole new movement of Indian art is very modern and all the museums are collecting it. But before Allan and the Institute, their collection of Indian art was basically utilitarian: pottery, beadwork: everyday things that people used. Thats one of the big barriers Allan broke. Now the young guys are pushing the envelope in all directions. They owe that acceptance of their work to the fact that the groundwork was laid by people like Allan. Hyde believes Housers years as a teacher may have delayed his career. He would have been a lot better known had he just continued as a working artist, Hyde said.
Youre not self-promoting while youre teaching, and thats how you get known. Cliff Fraguas sculpture of Popay, leader of the 1680 Pueblo Revolt, is one of New Mexicos two statues in the National Statuary Hall at the United States Capitol Building. Fragua attended IAIA to study painting, but was drawn to sculpture after studying with Houser. Fraguas memories of Houser could help explain why he is overlooked. He wasnt flamboyant. He was quiet. His approach to his art was more personal, Fragua said. Every person who knew Houser remarked on his generosity of spirit. Although Houser was 80 years old when he passed away, his creative energy was as powerful as ever. He began exploring abstract forms after retirement and sketched new ideas with every spare moment. He never felt he had done the ultimate composition of a piece. He was always striving and always searching and always looking, Retting said. Tony Lee, one of Housers assistants in the final years of his life, said, If he was still carving today, Im pretty sure thered be another thousand sculptures out there. I dont know which direction he would have been going, but I would have loved to have seen his new ideas and abstract forms.
HOUSER FOUNDATION WORKS TO EXPAND HIS LEGACY

The Allan Houser Foundation was established by the Haozous family in 1982 to promote Housers legacy. The legacy is still in its infancy stages. People dont know any Native American artists. And weve never tried to promote him as a Native American artist. Weve tried to promote him as a world-class artist that happened to be an Apache and Chirachaua, said his son, Phillip Haozous. Haozous designed the Allan Houser Compound and convinced Houser to let him create a sculpture garden there. It troubles Haozous when tour groups visit the compound and half the group elects not to come, but he is gratified by the reaction of those who do. They say, we cant believe this. Its the most amazing place weve seen. Weve had people from all over the world say this is equal to the best sculpture gardens in the world. Why doesnt anybody know about it? Through the foundations work, Housers legacy is being recognized. The Denver Botanical Gardens hosts a major exhibition of Housers monumental sculpture through Oct. 1, 2011, and the Denver Art Museum is featuring a historical crosssection of his paintings, sculpture and drawings through March of 2012. Housers work has been exhibited at the Gilcrease Museum in Tulsa, Okla., the Desert Botanical Garden in Phoenix, Ariz., and the Heard Museum in Phoenix, Ariz. His Sacred Rain Arrow was chosen for the image on Oklahomas license plate. Housers work was also featured at the 2002 Winter Olympic Games in Salt Lake City, Utah. Haozous created a statue of Houser for that exhibit. I wanted him to be there so people could see the man that created that beautiful work, Haozous said. And people would say, Thank you, Allan, this is beautiful, and go up there and touch him. The family is exploring ways to generate interests in Housers work by making it more accessible. They are considering duplicating some of his 30,000 sketchbooks, using his designs on T-shirts and tote bags and creating puzzles from his pastels. They have even discussed the possibility of a feature film about Housers life. But building Housers legacy is slow-going. Its frustrating, because its not happening fast enough, Haozous said. We need somebody that knows the people, knows where to go, knows how to get the financial backing. Its not free. Artwork doesnt speak for itself. You have to have somebody to speak for the man to get in the doors, to get in these major exhibits. David Retting believes the problem is even greater than that. There is, amongst certain major institutions like the Whitney Museum of American Art, a curatorial prejudice, Retting said. They have shown other artists of the region, like OKeeffe and Agnes Martin. But when you present Allans work even if its offered as a gift the curatorial response will be, Yes, hes a great American Modernist, he sold thousands of pieces and has collectors all over, but our museum doesnt show Indian art. Its a challenge to change the way people think, Cliff Fragua said. But he has left a legacy, and its a proud legacy, and its something that inspires young artists even today, even after hes gone.
ARIN MCKENNA
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Arnold Herrera gathers branches for his willow baskets. He learned basket weaving from Rose Valencia, a demonstrator at Pecos National Historic Park and taught his sons, Tomas and Carlos. They live at Cochiti Pueblo.
Artists revive ancient art from the brink of extinction

STORY BY ARIN MCKENNA PHOTOS BY JANE PHILLIPS
This has been passed down from generation to generation, and this is hard, labor-intensive work. This is black ash basketry, which involves harvesting a tree, pounding it until the growth rings separate, then splitting those into strips fine enough to weave with. Because its so labor-intensive, the young people were saying, why should I make a basket when Im going to get paid more to work at McDonalds, Goeman said. And I said, Im going to promise the people that came before me that Im going to change this. Now baskets are selling for fair value, which is motivating more people to weave. Goeman is determined to see that continue. Its just so much part of our culture. Its utilitarian. Its religious. When we get married, we exchange baskets, not rings, Goeman said. I dont know what the future will bring, but I feel its my obligation, if someone wants to learn, to pass what I know down. Theresa Secord is one of the founders and executive director of the Maine Indian Basketmakers Alliance, which has been instrumental in reviving black ash basketry. All the basketmakers were extremely concerned that they would be the last ones. I didnt want to see that happen, Secord said. She helped arrange the meeting where the basketmakers formed the alliance. The basketry traditions were almost lost when we formed our organization. We counted about 55 basketmakers statewide among the four tribes, and the average age was 63, Secord said. Today we have about 125 basketmakers in the alliance, and the average age is about 40. Funding from state and national arts organizations has supported initiatives such as a traditional arts apprenticeship program that has sponsored 145 apprenticeships over 10 years. But the economic downturn has brought a decrease in nonprofit funding and the closure of an alliance-sponsored gallery which represented more than 100 artists. We raised this whole generation, but we saw early on that a market was critical to keeping them engaged. After hiking
BASKET CASE
One of the worlds oldest art forms has been hovering on the brink of extinction. Few were willing to carry on this labor-intensive art, which has been undervalued and disparaged as craft.
But basketry is finally gaining the respect it deserves and a renaissance is underway throughout the United States. Last year, baskets were given their own category at Santa Fe Indian Market Classification XI. Tina Santiago remembers when baskets were nothing special. Her (Coushatta) mother and aunts bought food for their children by selling beautiful baskets for 25 cents to a few dollars. And now you see baskets on eBay for hundreds, if not thousands of dollars especially old, old ones. Its kind of awesome to see that, Santiago said. This art form is still precarious in Louisiana and elsewhere. Fewer people are doing it, but the ones that are doing it are still deep into it. The older people are trying to teach the younger people, but theyre not as receptive. Theyre too busy doing their young thing, Santiago said. She herself abandoned basketry at 12 years old, after making half a basket under her grandmothers tutelage. But Santiago is one of many who have returned to basketry as adults and become strong advocates for it. Another strong supporter is Ronni-Leigh Goeman (Onondaga). I was really concerned many years ago, because they were selling baskets so cheap, it was hard for anyone to make a living, Goeman said. Weavers such as Goemans teacher, Big Tree, survived by selling a dozen baskets to the trading post for a couple of dollars. That mentality stayed with them for years even with her, who I believe was one of the best. People thought, oh, its just a little craft. And I wanted to say, this is an ancestral art.
Herrera says of his weaving, one of my drives is promoting cultural awareness and acceptance of our people.
Baskets and weaving materials from Tina Santiago, who hails from the Coushatta Tribe in Louisiana but now lives at Cochiti Pueblo. Above, she works on a basket, made of willow reeds.
through the woods for two weeks trying to find a suitable tree and pounding the log and then splitting and scraping and braiding the sweetgrass, youre not going to be able to weave if you cant find a market. Jeremy Frey (Passamaquoddy) is a product of the alliance. His mother apprenticed in the program and Frey learned from her. He now sits on the board of directors, leads workshops and takes on apprentices himself. Weavers were getting $100 to $200 a basket when Frey began weaving. But those baskets could take a week to make. If youre making a hundred a week, its not good, Frey said. I didnt see it as a cheap little craft that you sell for five dollars on the side of the road. I saw it as an art form. In Kelly Churchs (Grand Traverse Band of Ottawa and Chippewa Indians) Michigan community, black ash basketry is so integral to family life it has never died out. The entire family helps harvest and pound the tree, which Church calls, a real labor of love. The house is filled with the smell of black ash, and its like the smell of chocolate chip cookies to us, it smells that good. Baskets served as baby cradles or for gathering wood or food. Selling fancy baskets helped feed families. Church has baskets holding everything from bread to business cards. Church has traveled as far as Canada to teach workshops where this basketry has died out, but is concerned that those workshops rarely address the basics of harvesting and preparing a tree. But the greatest danger is the emerald ash borer, which has destroyed 40 million trees in Michigan since it was identified in 2002 and has spread to other states. The entire ash population could be lost within 40 years. Church is part of an effort to see this art survives. Basketweavers collect seeds so black ash can be reintroduced after the beetle dies out. But Churchs daughter will be in her 60s by then, and it will take 20 to 40 years for the trees to reach maturity. So Church is documenting every step of the black ash basketry process for future generations. A handful of weavers are reviving the willow basketry of the Rio Grande pueblos. Arnold Herrera (Cochiti Pueblo) calls it an endangered art, although he can recall when
every village had basketweavers. Herrera was in charge of interpretive activities at Pecos National Historic Park when he learned basketweaving from Rosa Valencia, one of his demonstrators. Herreras sons, Carlos and Tomas, learned from him. Were trying to maintain a little bit of what we had, Carlos said. Everybodys pushing for us to become modernized, and if something breaks, just go buy a new one. But baskets have given me a connection with the past, and we need to be able to carry this on for the future. Its about keeping the tradition alive, Arnold said. A lot of our Native people in the pueblos would prefer, when theres a ceremony, to take food into the kiva in a basket instead of Tupperware. All three teach basketry, including a program for troubled youth through the Santa Fe County Youth Development Program. Our dad has taught us, dont ever be stingy with your knowledge, Carlos said. One of my drives is promoting cultural awareness and acceptance of our people. Weve been spoken of in a very derogatory way. We want to bring ourselves back up onto this level plane with other commendable societies, Tomas said. Men were traditionally the basketweavers in the pueblos, but that is changing. When Jill Oyenque studied basketweaving at the Poeh Arts Center 13 years ago, no one of her Ohkay Owingeh Pueblo heritage had practiced the art for several years. It just came through my heart to my hands and I just absolutely loved it, Oyenque said. The scent of the willow draws Puebloan people into Oyenques booth. They remember that smell, from young kids to the elders. They say, oh, that reminds me of when we would put warm bread in the baskets to take to the kiva or for feast. Access to materials is one obstacle to revival. The state has permits for clay gathering and other gathering, but there are no permits for us to cut willow, Oyenque said. She hopes to initiate rule changes with the Legislature. Los Luceros has invited indigenous basketweavers to gather on their property, and Bandelier National Monument has commissioned a basket and given Oyenque permission to gather.
Oyenque shares her knowledge freely. Im not one to withhold the information. If there are Native people that want to learn, Im more than happy to show them, whether they just enjoy it for the day or it hits them in the heart like it did me. The Southwestern Association for Indian Arts honored Mary Holiday Black with a 2008 Lifetime Achievement award for being the major force behind the preservation and revival of Navajo basketry. Blacks daughters, Sally Black and Agnes Grey, are part of that revival, as are other weavers. Navajo basketweaver Kathryn Kooyahoema is concerned about the decreasing numbers of weavers. It hasnt completely died out yet, but it eventually will if the younger generation doesnt continue on, Kooyahoema said. Basketrys importance to Navajo ceremony helps sustain it. As part of a womens ceremony, godmothers teach young girls to weave. Thats one of my responsibilities, to teach my goddaughters how to make these baskets, Kooyahoema said. At least three of Kooyahoemas goddaughters seem interested in carrying on. There was no one to teach Royce Manuel how to make Tohono Oodham burden baskets, so he spent 15 years researching and experimenting. He perfected the knotting techniques using cotton twine, but his first attempt to make agave cordage left him with a rash from the agave toxins. Manuel eventually learned how to boil agave, soak it until it rotted or cook it three days underground to release the fibers. He has one apprentice, and his two sons are also learning from him. Carol Emarthle-Douglas is of Seminole/Northern Arapahoe descent, but has lived near Seattle for many years and studied with basketweavers in that area. She is actively involved with the Northwest Native American Basketweavers Association. Although the Northwestern basketry traditions have never died out, many weavers undervalue their work and some techniques, such as cornhusk weaving, are virtually unknown outside of the Northwest. There are so many talented weavers, its just amazing, but people dont recognize it. Theyre not getting the exposure they should, Emarthle-Douglas said.
CLASSIFICATION XI
SWAIA recognizes basketry renaissance
The Southwestern Association for Indian Arts recognized basketrys renaissance by creating a new classification for it in 2010. Before that, textiles and basketry were classified together, so very diverse basketry techniques competed for fewer awards and relatively inconspicuous baskets were competing against eye-catching textiles for Best of Classification. I never could grasp how they could see us in the same classification. They use animal fibers, we use plant materials. Two-dimensional work, three-dimensional work. Our gathering processes are different. We actually have to go look for our materials; you can call in the sheep. It was just the word weaving that held us together, said Kelly Church. The classification certainly supports the trend of the basketry resurgence. SWAIA is one of the organizations taking an active role in helping to bring back and bring forward traditional and contemporary basketry, Theresa Secord said. Five or six years ago, I was part of an effort to try to get this changed, just kind of informally. I think the word came back to us that there really werent enough weavers in the market. And I could see that. I can remember when there were about five of us in some of the Indian markets and thinking, gosh, where are all the weavers? Secord was in full support when Carol Emarthle-Douglas circulated a petition requesting a separate classification in 2009. It was something Id been thinking about for a few years, but just never thought anything could be done about it, Emarthle-Douglas said. The consensus was overwhelming that the weavers wanted this. Everybody was on board that I talked to. John Torres-Nez, director of artist services, presented the petition to the SWAIA board. He also was working to create a new film classification. That basically Theresa Secord allowed me to balance something really contemporary with something really ancient and say, lets add two new classifications to keep everything balanced. Basketweavers were elated at the change. This legitimizes basketry as a field of art, said Dolly Garza, who was the first Best of Classification winner. Basketry has been a part of all our Native American cultures for generations. Baskets served to store and cook and gather, as well hold cultural treasures and babies. The ancient baskets served these purposes but were also works of art, with tribes and individual artists infusing their style into these works. There are so many types of baskets based on local materials and techniques that a separate division was needed just to recognize the diversity of basketweaving. Torres-Nez echoed that sentiment. Other than storytelling in general, basketmaking is probably one of the oldest art forms out there, before textile weaving or anything else. Im really glad to help continue some of those things, help keep them alive, help promote them and elevate them as an art form, because I think they are under-appreciated. So playing a small role in that makes me feel good.
Dolly Garza ARIN MCKENNA
Basketweaver Tina Santiago
Mother and daughter Judy and Heather Gobin (Tulalip), who won first place for a collaborative pair of woven dolls, come from a long line of basketweavers. Judys training was cut short when the aunt teaching her passed away. Tulalip basketry had virtually died out, so it was another 20 years before Judy had a chance to learn. The Tulalip nation used gaming revenues to initiate a Rediscovery Program in traditional arts, and Judy and Heather were in the first basketry class. They studied dollmaking with Stephanie Blachford. We had a lot of dolls in our tribal collection from people who had made them years ago, but she was the one who really brought it back, Judy said. Judys other two daughters also weave, and they teach anyone who wants to learn, often around their kitchen table. The tribe sponsors an annual canoe journey focused on cultural revival, which has generated renewed interest among young people. A University of Alaska program sparked a revival by sending weavers to teach in villages throughout Southeast Alaska. There is now an explosion of Haida weavers in Southeast Alaska and Haida Gwaii. Haida basket weaving is safe from extinction and is stretching into new exciting forms, said Dolores Dolly Garza (Haida), a product of that program, and winner of the 2010 Best of Classification award. A small weaving economy is developing, but Garza noted, Weavers are paid just barely enough to keep their habit going. Although the future of basketry is still tentative, the passion of the weavers bodes well for the future. Garza concluded, Basket weaving is almost an addiction. Once your fingers know what they should be doing they just want to keep going.
EMBRACING POPAY
Taos musicians new show focuses on revolutionary
BY RICK ROMANCITO
When Robert Mirabal walks on stage, he commands the audiences attention with seemingly little effort.
His is a larger-than-life presence that transcends stereotypes and assumptions about contemporary Native music, and yet he also works hard to project the sense that he is a simple man, with humble motives. As Native men, the mountain calls us theres a calling to the wild, he said. Mirabal, a two-time Grammy Award winner, will be performing a new one-man show titled, Popay Speaks. This presentation will premiere Tuesday (Aug. 16) at the Heritage Hotels Lodge at Santa Fe. Once, when a reporter showed up for an interview at his Taos Pueblo home, he and his brother had just brought down a deer he killed from the mountains nearby and were frying up slices of fresh venison in the kitchen. (He gave a nice piece of meat to the reporter to take home after the interview.) Mirabal also can sometimes be seen anonymously as one of many dancers during his tribes sacred ceremonials. Other times, he has traveled PoPay Speaks is being the world, shared a stage with famous rock developed with the aid of a stars, and most recently, appeared in the film, grant from the New Mexico Georgia OKeeffe, playing Taos icon Tony Multi-Cultural Foundation. Luhan with the likes of Joan Allen and Tyne Collaborating with Mirabal on Daly. the production are Taos writers He lives a life of many contradictions, Stephen Parks and Nelson Zink. but then, so do a lot of Native people who must tread a path between two worlds. Deep For more information, contact beneath the rock star image, Mirabal is a man Danette Lovato at 505-242-8355 with a deep commitment to the ways of his or visit online www.Mirabal. people and to using his celebrity as a tool to com. Tickets range from $45wedge some measure of understanding into $55 and are available at www. being. TicketsSantaFe.org. With his new show, Mirabal acknowledges PoPay Speaks will run Aug. 16the challenges of being alone on stage, but Sept. 4 at the Heritage Hotels also that this show is, in many ways, the Lodge at Santa Fe. destination to which the many paths he has walked were bound to lead. Its just going to be me on stage, pushing that artistic level, he said. A lot of times it was easy to hide behind a band or hide behind a melody but this time its pushing me through to a whole other place as an artist and as a performer. That place stems from his interest in Popay, the Ohkay Owingeh insurgent who organized the 1680 Pueblo Revolt from Taos Pueblo, where he fled to avoid Spanish persecution. A stone sculpture of Popay created by Jemez Pueblo artist Cliff Fragua now stands in Statuary Hall at the nations Capitol Building in Washington, D.C. However, the man who was called Americas first revolutionary by House Speaker Nancy Pelosi at the statues dedication ceremonies in 2005, is still considered controversial. Yet, many Pueblo people, including Indian leaders Joe Garcia and Herman Agoyo, believe that Popay literally saved Native culture from being obliterated by Spanish forces. Decades of persecution after the Spanish settled in 1598 led the Pueblos in New Mexico to rise up in revolt one August day, on the Feast of San Lorenzo. The survivors then fled to Santa Fe, and then to El Paso.
DETAILS
RICK ROMANCITO
Two-time Grammy winner Robert Mirabal will bring Popay alive in a new, one-man show.
At one point, Mirabal thought of calling the show, Deconstructing Popay, because he wanted to peel away the layers of myth to reveal the man beneath. The theme of that whole show is what happened to Popay after the Pueblo Revolt. Within the context of the shows narrative, Popay has been living all this time, for over 300 odd years, hes been living, kind of just hanging out, Mirabal said. Thats the basis of it and so theres a lot of historical implications of what happened and then there are some other implications about our own life, our modern-day life, and how he perceives it. Discerning PoPays message to Pueblo people today is an important element to the show, one Mirabal intends to drive home using a certain amount of razor-edged commentary that he often quietly slips under the door. What Im noticing, he said, is that its based on a fear of sustainability. Its a reminder of the human condition and in understanding what we need to do as a society, instead of destroying ourselves through the chaos of our becoming consumer junkies. Its about going back to our agrarian roots as Pueblo people. So, theres that philosophy. In his statement, Mirabal said, These are, once again, perilous times for the Pueblos. Consumerism is nibbling at the edges of our culture. Our young people are more interested in Facebook than traditional dances. They no longer grow corn, and without corn, why do the Corn Dance? Well see what PoPay has to say. Mirabal, a Taos Pueblo tribal member, has released nearly a dozen CDs, ranging from traditional ceremonial music to contemporary Native rock. His highly praised PBS special, Music from a Painted Cave, was aired in 2002. He is also an artist and published author. His novel, Running Alone with Photographs, was published in 2009, and, Skeletons of a Bridge, a book of poetry, was published in 1994. When not touring, he lives a traditional life at Taos Pueblo with his wife, Dawn, and three daughters.
2 011 SA N TA FE IN D IA N M AR KET
115
BILL HESS, COURTESY OF SEALASKA HERITAGE INSTITUTE
Dancers from Alaska will be part of this years Santa Fe Indian Market through the Sealaska Heritage Institute. Below, Tlingit Helmet, Wayne Price.
NORTH FROM ALASKA

Sealaska takes to the road to share culture
BY DENNIS J. CARROLL
Indigenous artists and performers from Alaska will add a vibrant twist to Santa Fe Indian Market this year as their sponsors try to show folks in the Southwest that Northwest Indian art and cultural expressions consist of much more than just totem poles.
The Native nonprofit Sealaska Heritage Institute and its founding Native company, Sealaska Corp., will sponsor art demonstrations and sales, dance performances and a The nonprofit Sealaska Heritage fashion show to showcase Institute will be at Cathedral Park the Tlingit, Haida and for the two days of Santa Fe Indian Tsimshian cultures of Market, educating market-goers southeast Alaska. about Alaska Natives and their "It really is an introduction cultural expressions. of Northwest Coast peoples to the Southwest," said Rosita Worl, a Tlingit from the Ch'ak' (Eagle) moiety of the Shangukeid (Thunderbird) Clan. Worl is director of the heritage group and a vice chair of Sealaska. Both are based in Juneau. We also want to strengthen our cross-cultural relationships between the Pueblo and other Southwest Indians and Alalska natives, Worl said. We view it as an opportunity
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where they can learn about us and we can learn about them. The cultural and artistic delegation will consist of 18 Yakutat dancers, and eight artists representing various media including weaving, woodcarving, silversmithing and storytelling all representative of Northwest arts that have evolved over some 4,000 years. Her institute hopes to introduce Alaska Native art to collectors and other buyers more familiar with Native art from the lower 48 states, Worl said. We hope they will come to love and appreciate our art as well, she said. Indian Market is familiar to Worl she has visited several times (her daughter and granddaughter live in Santa Fe). She said plans are in the works to create a similar market and festival in Juneau. To that end, Juneau Mayor Bruce Bothelo is expected to lead a delegation of city and state officials to this years market. I am hopeful that they are going to see that its a wonderful thing thats going on there, and that it will build support for having one here, Worl said. The Sealaska Heritage Institute promotes Southeast Alaska Native art through an art web site, a retail store, a juried art show, workshops, and a Native artist market held every other year at Celebration a dance and culture festival organized by the institute. The heritage institute operates cultural and educational programs for Sealaska Corp., a for-profit Native company formed under the Alaska Native Claims Settlement Act of 1971, to improve the economic life of southeast Alaskas indigenous tribes. Sealaskas ventures include timber and plastics interests, a security company, environmental remediation and oyster farms. On the Web: www.sealaskaheritage.org, and www.sealaska.com.
2 01 1 SAN TA F E I N DI AN MA RKET
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Native artists reach out to Japan after tsunami

BY TODD BAILEY
GIVING BACK
For decades, Japanese art collectors and gallery owners have had a fascination with Southwestern Native art. Entire galleries in cities such as Tokyo and Osaka are filled with Native American jewelry, paintings and sculptures.
During his 20-year career as a Native jewelry artist, Lyndon Tsosie has built friendships with several Japanese collectors and gallery owners. So in March, when he heard the news about Japan suffering a tsunami after an 8.9magnitude tremor north of the island nation, fear struck his heart. I remember talking to one of my Japanese friends a day or two before the tremor about a smaller earthquake that took place, Tsosie said. He returned to Japan on Wednesday and I think the huge earthquake hit the next day. Normally in mid-March, Tsosie takes a two-week hiatus to recuperate from the work he put in preparing for the annual For more information about Native Heard Museum Guild Indian Fair in American Artists for Japan, visit Phoenix. I was totally wiped out following www.nativeamericanartistsforjapan. this years Heard show, Tsosie said. I had com, or on Facebook, like Native worked 12-to-18-to-20-hour days preparing American Artists for Japan. for the Heard show. Thats draining on my body. But when I saw what happened in Japan, I knew I had to do something. Jewelry artist Raymond C. Yazzie had the same reaction. He called Tsosie and fellow jewelry artist Darryl Begay to meet and brainstorm ideas on how they could help with the relief efforts. When I first saw it, I was still in Phoenix finishing up some stuff from the Heard show, Yazzie said. I was watching the news and I felt really bad how these people lost everything. I dont normally do fundraising for anyone, but this touched my heart. I have a lot of customers from Japan, and over time, they became my friends. I knew I had to do something, and I knew I was going to need help to do it. Within days following the tsunami, the three Din artists met in Gallup. By then Tsosie and Begay had a list of other prominent Native artists willing to donate their time, money, and most importantly, some of their artwork, to the cause. The group formed the nonprofit organization, Native American Artists for Japan. Its plan was simple: create a series of online art auctions with all proceeds going to the Red Cross relief efforts in Japan. Begay built the organizations Facebook page, which was used as a conduit to gather more artists. It also allowed me to find out quickly that our friends in Japan were all right, Begay said. Most of our friends live further inland and away from the destruction area. Begay said the social media outlet rapidly ignited a collaborative effort. Suki Soltysik of Boston and John Paul Rangel of Santa Fe built a website to help gather the artwork and donations. Yazzie, Begay and Tsosie recorded interviews that were placed on YouTube and the website encouraging others to donate. I am not very tech-savvy and was just amazed how Suki and John Paul could put together such an incredible website while being so far apart, Yazzie said. I remembered thinking that if people living so far apart can create something so beautiful, then we can surely do the same thing for the people of Japan. Another key factor to gaining nonprofit status was the assistance of the Southwestern Association for Indian Arts, sponsor of Santa Fe Indian Market. The trio turned to the organization before donations began to show up. We wanted to legitimize our efforts, Begay said. We were able to create a nonprofit organization under the umbrella of SWAIA. That was a huge help.
DETAILS
DIEGO JAMES ROBLES
Raymond Yazzie works on a piece for the Native American Artists for Japan auction. Yazzie is one of three artists who decided to create a series of online auctions to help Red Cross relief efforts for victims of the Japanese tsunami.
John Torres-Nez, deputy director of SWAIA, opened a bank account, received cash donations and set up an eBay account creating the auction platform. The trio divided up responsibilities once the donations came. At first, Yazzie said, Tsosie took care of taking photos and writing inscriptions for each piece of art but he became overwhelmed. Thats when Begay, and his wife, Rebecca, stepped in. To solicit donations, Yazzie started making phone calls. He made it a point to track down the artists and call them himself. His first phone call was to well-known jewelry artist Verma Nequatewa, also known as Sonwai, the niece of famed jeweler Charles Loloma. The reason I called her was that I knew if I could get a donation from her everything else would fall into place, Yazzie said. And thats exactly what happened. More donations poured in. It all took off fast, said Torres-Nez. It was amazing. Everything came together in a matter of two weeks. We began having auctions and building a fund. It was incredible how so many people came together so quickly for one cause. The first auction was in mid-April. By mid-June, four auctions all with 15 pieces of work were complete, with $30,000 raised. The winning items were shipped locally and to far-off destinations such as Japan and Australia. Thats when everyone finally took that much-needed break. Were exhausted, Tsosie said in mid-June. I have been going non-stop since early January when I started working on Heard show. Weve been working with the auctions, and once that is done we still need to work on our stuff for Indian Market. Its been crazy. Yazzie, Tsosie and Begay also needed the break to finalize their donated works for the final auction, which started June 28. In mid-June, the group expected the auctions final total to be around $50,000. We, as Native American artists, benefited so much from the Japanese and their economy, Yazzie said. For me, this is payback in the little way that I can. Its like giving someone who is thirsty a drink of water, its about being generous. That was how my mom was and I get that from her. Hopefully, I have now given it to others.
Celebrating three Generations of Pueblo Pottery August 19-21st

Opening reception Friday August 19th 3-7
Maria Martinez, Popovi Da, Tony Da
100 West San Francisco Street
Andrea Fisher Fine Pottery
505.996.1234 www.andreafisherpottery.com
New Millennium Fine Art On The Plaza

(Tesuque) Deer Dancers on 1851 Southwest Map (20 X 22 watercolor)
Virgil Vigil
Why Pay Retail Prices?
(Blackfeet) Montana Ledger Drawing (18 X 27)
Terrance Guardipee
RC Gorman Pastel Drawing (22 X 28) 1976

Neil David Paintings (Hopi) Kiowa Five Silkscreens (1931) Traditional Pueblo Painters Darren Vigil Gray Collection (1980s) Japanese Woodblock Prints (1790 1930) Gustave Baumann 1911 Woodblock Prints Anderson Kee (Navajo), George Flett (Spokane), Terrance Guardipee Ledger Art Dominic Monti New Mexico Landscapes
Two Female Nudes
31 Years of the Highest Quality Art Bargains and Happy Customers!
New Millennium Fine Art

Santa Fe Arcade, Suite 110 - Downstairs 60 West San Francisco Street Stephen Fox, Founder
505.983.2002
Most Affordable & Most Eclectic Santa Fe Gallery

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2 01 1 SA N TA F E IN DIA N M A R K ET
AROUND TOWN
ONGOING
Houser / Haozous Family Legacy, an exhibition of works by the late Allan Houser and his sons Phillip Haozous and Bob Haozous. Santa Fe Community Convention Center, 201 W. Marcy St. Kim Obrzut Gallery Show, 10 a.m.6 p.m. Exchange Room, La Fonda on the Plaza, 100 E. San Francisco St., www.kimobrzut.com Annual Indian Market Show featuring Indian Market artists. Coyote features Diego Romero bowls and his son, Santiagos, sculptural coyotes. Works by Alan E. Lasiloo and Glen Nipshank. Legacy work by Nathan Begaye, who passed away in December. Robert Nichols Gallery, 419 Canyon Road, 982-2145. Special exhibit of Navajo Childrens Blankets. Also Navajo blankets from the Classic through the Trading Post era, fine jewelry, pottery and more. Shiprock Santa Fe, 53 Old Santa Fe Trail. 982-8478 or 877-982-8478.
Tony Abeyta, The Climb oil on canvas 66 x 60 Blue Rain Gallery
THURSDAY AUG.
8 a.m.-8 p.m. Group show featuring
Mary Hunt, Denny Wainscott and Marie Barbera. Artists will be in attendance all day. Reception from 4-7 p.m. Kiva Fine Art, 102 E. Water St., 820-7413. American Show and Sale, featuring Cliff Fragua, Caroline Carpio, Mark Fischer, Althea Cajero and others. Great food, live music and fun. River Trading Post, 610-B Canyon Road, 982-2805.
Through Sunday (Aug. 21).
4-7 p.m. Sixth annual Arts of Native
Thursday (Aug. 18)-Aug. 22.
5-8 p.m. Artists reception featuring
Thursday (Aug. 18)-Aug. 24.
Pat Pruitt and Chris Pruitt, Tom Taylor Company, La Fonda on the Plaza, 108 E. San Francisco St., 984-2232. and Harlan Reano, Al Qyawayma, Tammy Garcia, Maria Samora, Mateo Romero and David Bradley. Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902.
5-8 p.m. Artist reception for Lisa Holt
5-9 p.m. Indian Market Artist Reception. Featured artists include: Arland Ben, Scott Diffrient, Cheryl Yestewa, Randy Chitto, Lawrence Baca, Darryl Edwards, Luis Mojica and Michelle Tapia. Artists make appearances throughout market and an award-winning Navajo Master Weaver will give a demonstration. Indian Market
MONDAY AUG.
10 a.m.-5 p.m. The 33rd Annual Whitehawk Antique Indian Art Show. Santa Fe Community Convention Center, 201 W. Marcy St; $10. Tickets available at the door. www.whitehawkshows.com or at www.atada.org.
WEDNESDAY AUG.
9 a.m.-7 p.m. Group show featuring Michael Horse and David K. John. Artists will be in attendance all day. Reception from 4-7 p.m. Kiva Fine Art, 102 E. Water St., 820-7413.
Curators from The Museum of Indian Arts and Culture and The Laboratory of Anthropology are in the lobby of MIAC to look at your treasures. Free. Museum of Indian Arts and Culture, 710 Camino Lejo, 505-476-1250, www.miaclab.org.
SUNDAY AUG.
7 a.m.-5 p.m. Eighth annual Pueblo Independence Day. A commemoration of the successful Pueblo Revolt against the Spanish on Aug. 10, 1680. 7 a.m. A 13-mile pilgrimage run from Walatowa plaza in Jemez Pueblo to Gisewa Pueblo kiva at Jemez State Monument. 10 a.m. Guest speakers welcome runners. 10:30 a.m.-3 p.m. Jemez Traditional dances, Native American flute music, authentic Native arts and crafts and food. Jemez State Monument, State Road 4, 43 miles north of Bernalillo, 575-829-3530. $3, Free to New Mexico residents.
Antique Indian Art Show preview gala. Santa Fe Community Convention Center, 201 W. Marcy St. $75.Tickets available at the door. www.whitehawkshows.com or at www.atada.org.
Noon-2 p.m. Lets Take a Look.
TUESDAY AUG.
Curators: Indian Market Highlights with Bruce Bernstein, exectuvie director of SWAIA Santa Fe Indian Market. $35/ $30 for foundation members, museum admission is included. Museum of Indian Arts and Culture, 710 Camino Lejo, 505-476-1250, www.miaclab.org. (505-476-1247or 476-1271 for reservation.)
8:30-10 a.m. Breakfast with the
5-8 p.m. Artist reception for Marla
Allison, Norma Howard and Jody Naranjo. Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902.
6-9 p.m. The 33rd Annual Whitehawk
10 a.m.-5 p.m. The 33rd Annual Whitehawk Antique Indian Art Show. Santa Fe Community Convention Center, 201 W. Marcy St. $10. Tickets available at the door. www.whitehawkshows.com or at www.atada.org.
5-8 p.m. Opening reception for Hozho Nahastlii or Finished in Beauty, featuring Fritz Casuse and Ryan Benally. Free (donations accepted). Poeh Center, Pojoaque Pueblo, 78 Cities of Gold Road, 455-5041.
Upton Ethelbah, Kiva Woman Beals & Abbate Fine Art
hours: Friday, 10 a.m.-7 p.m.; Saturday, 7:30 a.m.-6 p.m.; Sunday, 9 a.m.-6 p.m. Packards on the Plaza, 61 Old Santa Fe Trail, 983-9241, 800-648-7358.
Houser Works in Stone. Allan Houser Gallery, 125 Lincoln Ave., 982-4705.
5-8 p.m. Artists reception for Paintings
FRIDAY AUG.
8 a.m. Annual Pottery Sale and Lottery. Preview from 8-9:45 a.m., sale at 10 a.m. Draw names for the rare opportunity to collect a piece of pottery by Tammy Garcia or Richard Zane Smith. Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902. 8 a.m.-8 p.m. Artists in attendance all
day: Artist David K. John, Ben Nelson and Michael Horse with entertainment by world-renowned dance company Hula Mai Ka Lanie (Hula from the Heavens). Reception from 4-8 p.m. Kiva Fine Art, 102 E. Water St., 820-7413.
Richard Zane Smith group shot natural clay Blue Rain Gallery
and Sculptures, new works by Raymond Nordwall and Upton Ethelbah. Show runs through Aug. 29. Beals & Abbate Fine Art, 713 Canyon Road, 438-8881.
SATURDAY AUG.
day: David K. John and Michael Horse. Reception 4-8 p.m. Kiva Fine Art, 102 E Water St., 820-7413.
8 a.m.-8 p.m. Artists in attendance all
9 a.m.-5 p.m. Portal Artisans
10 a.m. Opening of Maria Martinez, Popovi Da, Tony Da, in celebration of SWAIAs 90th anniversary. Runs FridaySunday (Aug. 19-21). Andrea Fisher Fine Pottery, 100 W. San Francisco St., 986-1234.
Demonstration with Preston Singletary (11 a.m.-3 p.m.) and Bronze Patina Demonstrations with Bronzesmith Foundry (11 a.m.-4 p.m.). Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902. Native American Show and Sale, featuring Cliff Fragua, Caroline Carpio, Mark Fischer, Althea Cajero and others. Great food, live music and fun. River Trading Post, 610-B Canyon Road, 982-2805.
Celebration, an annual Palace of the Governors event, with hand-crafted art, traditional Indian dances, food and beverages. Enter a different raffle each day. Enter through the Blue Gate just south of the New Mexico History Museum. Free.
11 a.m.-4 p.m. Glass Blowing
10 a.m.-4 p.m. Indian Market Open House. Tours of the Allan Houser archives and the historic Allan Houser Studio House. Gallery exhibition featuring graphic works by Woody Crumbo. Free. The Allan Houser Studio Sculpture Gardens and Gallery, 30 minutes south of Santa Fe. 471-1528 or fineart@allanhouser. com for driving direction. 11 a.m.-4 p.m. Glass Blowing
Demonstration with Preston Singletary (11 a.m.-3 p.m.) and Bronze Patina Demonstrations with Bronzesmith Foundry (11 a.m.-4 p.m.). Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902.
Noon-5 p.m. Sixth annual Arts of
1-2 p.m. Booksigning of The Life and
Art of Tony Da by author Charles King. Andrea Fisher Fine Pottery, 100 W. San Francisco St., 986-1234.
1 p.m. Lecture by Roddy Moore, guest curator for Thunderbird Jewelry of Kewa (Santo Domingo) Pueblo at the Wheelwright Museum. Shiprock Santa Fe, 53 Old Santa Fe Trail. Free, but RSVP for seating 982-8478 or 877-982-8478.
by Taos Pueblo potter Camille Bernal. All proceeds go directly to the artist. Keshi the Zuni Connection, 227 Don Gaspar Ave., 989-8728.
5-8 p.m. Artists reception for Tony Abeyta, Preston Singletary and Larry Vasquez. Blue Rain Gallery Santa Fe, 130 Lincoln Ave., 954-9902. 5-7 p.m. Artists reception for jewelers
Yazzie Johnson and Gail Bird, Zane Bennett Contemporary Art, 435 S. Guadalupe St. Exhibition continues through Sept. 23.
1-3 p.m. Exhibition and sale of new work
2-6 p.m. Jazz Aloft. Booksigning of
5-7 p.m. Reception for artists Dan, Arlo, and Michael Namingha. Niman Fine Art, 125 Lincoln Ave., 988-5091. 5-7 p.m. Opening reception for Allan
Raymond Nordwall, Halting the Wind Beals & Abbate Fine Art
Aloft! At the Albuquerque International Balloon Fiesta by authors Doug Heller and Bobbi Valentine. Steve Stucker, KOBTV co-anchor, will be on hand. Jazz by the John Trentacosta Trio starts at 4 p.m. Champagne, chocolates and hors doeuvres included. Sponsored by the Friends of Santa Fe Jazz in collaboration with La
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Artist works to spread the word about breast cancer

BY ARIN MCKENNA
Desi Cortez, of Oahu and the group Hula Mai Ka Lani, which consists of Sal Toloumu, Rick Kahapea, Yolanda Cardenas (a native New Mexican) and Kalani Hawn, will present Thursday (Aug. 19) at Kiva Gallery.
ROANHORSE FOR THE CURE
Posada De Santa Fe. Tickets: $20, available at La Posada, 330 E. Palace Ave.
9 p.m.-1 a.m. Emergence Productions & White Buffalo
Michael Roanhorse did not want to wait until he was successful or retired to give back to his community. He was looking for ways to contribute when he saw a Susan G. Komens Breast Cancer Foundation presentation at a basketball game. It hit close to home.
I had two aunties who were diagnosed with cancer when I was a child. One of them passed on, and my other auntie is a cancer survivor, but she had treatment for it twice, Roanhorse said. Breast cancer ranks second on the list of cancerrelated deaths in American Indian and Alaskan Native women, and indigenous women have the lowest five-year survival rate of any ethnic group. The low survival rate is due to a lack of early detection, exacerbated by the language barrier between non-Native doctors and the rural tribal communities they serve. Roanhorses mother, who works in Navajo Family Planning, told him that the most critical need was getting information about breast cancer self-examination to Americans Indians in their Native languages. Thats when I thought about getting information translated from English into Navajo, and having those pamphlets sent all the way out to the rural areas of the reservation: down to the chapter houses, down to the small clinics that would be able to hand them out and give classes to teach everybody how to check themselves for early detection, said Roanhorse. So in 2008 he started Roanhorse for the Cure by donating his first tabletop sculpture, which was auctioned off at the Santa Fe Indian Market Gala. The next year Roanhorse organized a silent auction event with pieces contributed by himself and his brother Mark, and donated his first gold and diamond piece. The following year Mateo Romero was the featured artist,
Music present Native Roots and Table Top Sound at The Ore House at Milagro 139, 139 W. San Francisco St. Must be 21+. $10. Advance tickets at www.emergenceproductions.com/shop.
SUNDAY AUG.
8 a.m.-6 p.m. Group show. Kiva Fine Art, 102 E. Water St., 820-7413.
Palace of the Governors event, with hand-crafted art, traditional Indian dances, food and beverages. Enter a different raffle each day. Enter through the Blue Gate just south of the New Mexico History Museum. Free. the Allan Houser archives and the historic Allan Houser Studio House. Gallery exhibition featuring graphic works by Woody Crumbo. Free. The Allan Houser Studio Sculpture Gardens and Gallery, 30 minutes south of Santa Fe. 471-1528 or fineart@allanhouser.com for driving direction.
9 a.m.-5 p.m. Portal Artisans Celebration, an annual
10 a.m.-4 p.m. Indian Market Open House. Tours of
with Roanhorses first paintings auctioned off as well. This years event features sculptor Upton Ethelbah Jr., who has donated a bronze called Corn Maiden. Mark and Romero are participating again, and artists Steve Arviso, Sheldon Harvey, Mary Irene, Ira Lujan, Cody Sanderson and Liz Wallace have also signed on. All proceeds go to the Central New Mexico Affiliate of Susan G. Komen for the Cure. Because of Roanhorses efforts, the Central New Mexico Affiliate received a $5,000 grant from the Con Alma Foundation to continue and expand the translation project. The affiliate printed the first breast self-exam material for distribution at the Gallup Fair in August 2010. It is the first time the materials have been translated into any language but Spanish. Funds raised at this years event will pay for printing more brochures for wider distribution. The project has sparked interest in other indigenous communities. Roanhorse is working with the Eight Northern Pueblos, and is in contact with tribes from as far away as Oklahoma interested in replicating the project. Its starting slow, but it gets a little bigger each year, Roanhorse said. Right now its a cocktail hour, but were hoping that one year we get enough corporate sponsorship that were able to have a dinner event, and that will help us raise a lot more money, which goes right back into the program again. This year Buffalo Thunder, Beals & Abbate Fine Art and Creative Legal Group are corporate sponsors.
DETAILS
Roanhorse for the Cure takes place 5-7 p.m. Friday (Aug. 19) on the Terrace at the La Fonda on the Plaza, with hors doeuvres, cocktails and silent action. Admission is free. Bids may also be placed any time during the week via a new online auction at www. roanhorseforthecure.org. Auction items, along with artists bios, are posted on the website. Online bidding continues through Friday nights silent auction.
11 a.m.-2 p.m. Exhibition and sale of new work by Zuni
fetish carver Melvin Sandoval. All proceeds go directly to the artist. Keshi the Zuni Connection, 227 Don Gaspar Ave., 989-8728.
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Wheelwright is hopping in hours before market opens

BY KAY LOCKRIDGE
BUSY DAYS
If its Thursday (Aug. 18), youll want to be at the Wheelwright Museum of the American Indian just down the road from Museum Hill on Camino Lejo. Its a good bet youll plan to be there Friday (Aug. 19) as well, as the museum presents two days of artist demonstrations, talks, award presentations and live and silent auctions to benefit both the artists and the museum.
Preceding Indian Market weekend on the Plaza, the independent museum marks its 36th year of auctions featuring authentic contemporary art by award-winning and emerging Indian artists in an intimate, informal atmosphere. The museums celebrated Case Trading Post spotlights both artists and collectors in roundtable discussions and demonstrations by artists whose work is available in the museum store. We pitch a tent (in the museums parking lot) and friends and collectors alike look forward to the Thursday afternoon (4-6 p.m.) silent auction, said Jean Higgins, co-chair of the event. They know they will find extraordinary Southwestern art available for bidding. We solicit items from our collectors and members, as well as galleries and dealers in Santa Fe, Dallas, Phoenix, Denver, Boston, Pittsburgh and Cody, Wyoming. Visitors could travel to all these places, or they can make one stop at the Wheelwright, said. The donor determines the value of the item, and there usually is a minimum bid with set increments. Co-chair Mary Dale Gordon added that visitors also may peruse the plethora of art that will be included the next day in the live auction. This will STEPHANIE MENDEZ give them an opportunity to think about items they Morris Muskett, a museum board member, displays a piece may wish to bid on during up for auction last year. In the background, the auctioneer, Russell Kloer (right), and Lea Armstrong (left). the live auction on Friday, Gordon said. Meanwhile, the Case Trading Post will present a full afternoon of activities Thursday in the nearby museum library, starting at 1 p.m. with the Young Artist roundtable, Who We Are. Young Indian artists will share their hopes, dreams and aspirations, said Robb Lucas, long-time manager of the Case Trading Post. Panel members
Entertainment during the afternoons proceedings will feature brothers Joseph and Joshua Namingha, violinists who play boogie-woogie.
include Hopi painter Michael Adams, Din painter and jeweler Sean Benally, Kewa potter Julian Coriz and Navajo silversmith Ehren Natay. The happenings continue on Friday, when visitors to the museum will find a full day beginning at 9 a.m. with the fourth annual Collectors Table in the library, followed by the Art for Wear fashion show and live auction preview in the tent, with the live auction following. Participating in Art Wear are Ohkay Owingeh/Cochiti/Kewa designer Pilar Agoyo, Navajo beader Orlando Dugi, Haida designer Dorothy Grant, Taos Pueblo clothing designer Patricia Michaels, Navajo weaver TahNibaa Naat'aanii, Din clothing and accessories designer Penny Singer and Chickasaw textile artist Margaret Roach Wheeler. Our goal is to keep visitors on campus throughout the day, Higgins said. A catered box lunch will be available for $10. Entertainment during the afternoons proceedings will feature brothers 11-year-old Joseph and 9-year-old Joshua Namingha, violinists who play boogie-woogie. Their father is noted Hopi potter and painter Les Namingha, who opened a new gallery on Canyon Road this summer. Meanwhile, artists demonstrations take place on Friday on the museum plaza, presented by the trading post. Visitors may observe and talk with artists such as Hopi painter Michael Adams, Din painter and jeweler Sean Benally, Hopi katsina carver Randy Brokeshoulder, Kewa potter Julian Coriz, Laguna Pueblo clay artist Michael Kanteena, Navajo potter Samuel Manymules; Navajo sculptor and jeweler Ehren Natay and Navajo/Lakota jeweler Mangas Colorado Slinkey as they work on their art. Other participating artists are master Navajo silversmith Fidel Bahe and his 12-year-old grandson, Sage; Navajo weaver Melissa Cody; Kewa jeweler Isaac Coriz; and Jemez Pueblo storyteller potter Felicia Fragua. All of the
SA NTA FE INDIAN MARKET
AT THE WHEELWRIGHT
AUCTIONS
The Wheelwright Museum of the American Indian kicks off its 36th annual auctions at 4 p.m. Thursday (Aug. 18) with the silent auction and live-auction preview on the grounds of the Camino Lejo museum. All-day events commence at 9 a.m. Friday (Aug. 19) with the Collectors Table, featuring special items for sale until 10:30 a.m., at which time the fourth annual Art for Wear show begins and continues until 12:30 p.m. Visitors can purchase wearable art modeled by the artists during that time. The live auction starts at 1 p.m. and continues until 4 p.m. A catered lunch will be available mid-day for $10.
Book Signing and Biscochitos

Saturday, August 20 Revised & expanded edition Susan's fancy biscochitos will be served Also available online for $22
SUSANS CHRISTMAS SHOP

115 E. Palace Ave.Santa Fe 505-983-2127 www.susanschristmasshop.com
OTHER HAPPENINGS
The Case Trading Post Museum Store focusing on Old Friends, New Faces 2011 presents an afternoon of talks and awards in the Museum Library on Thursday (Aug. 18), beginning at 1 p.m. with a roundtable, Who We Are, featuring young Indian artists. The Fellowship Awards presentation begins at 1:45 p.m. Thursday, followed by the Indian Market Survival Guide roundtable including artists and collectors at 2 p.m. Meanwhile, in the Case Trading Post, authors Mark Winter and Bille Hougart will sign copies of their new books, respectively: The Master Weavers: Featuring 100 Years of Weaving Artists from the Toadlena/Two Grey Hills Region and The Little Book of Marks on Southwestern Silver: Silversmiths, Designers, Guilds and Traders, from 2-4 p.m. Thursday. The books are available for sale in the museum store. Also, a special sales exhibition of new work by Chugach Aleut jeweler Denise Wallace opens at 2 p.m. Thursday when the artist will be present. Friday (Aug. 19), artist demonstrations start at 8:30 a.m. on the museums front plaza. Visitors may observe and talk with the artists as they work. The demonstrations will continue until 10:30 a.m., as will a special showing of Native Chic Jewelry, featuring traditional and cutting-edge jewelry created by museum store artists for this event. Musician Ed Kabotie, Hopi/Santa Clara Pueblo, will play and sing his original music Friday morning. A second book signing spotlights Friday morning activities in the Case Trading Post when Susan Topp Weber introduces the second edition of her book, Christmas in Santa Fe, and Joyce Begay-Foss, (Din), presents Spider Woman's Gift: NineteenthCentury Din Textiles. There is no charge for any of the two-day activities at the Wheelwright, nor does the museum charge admission.
GETTING THERE
Free parking with free shuttle service will be available at St. Johns United Methodist Church (northwest corner of Old Pecos Trail and Cordova Road), the Stewart Udall Building (725 Camino Lejo) and the Museum Hill overflow parking lot (Camino Lejo). The latter two locations also are within easy walking distance of the Wheelwright. artists work is available in the Case Trading Post. The best part of all this effort is the esprit de corps among the 130 volunteers, Higgins said. Its a lot of work and a lot of fun, Gordon agreed. Being part of it keeps us coming back. Were a family. The Wheelwright Museum is a special place, both women agreed, pointing to Case Trading Post manager Lucas as the linchpin of the museums collaboration with the artists. Its the neatest thing, Lucas exclaimed. Our artists, staffers and volunteers are amazing. Why, theres even a group of volunteers who feed us during the two-day event and over the weekend, setting up an area almost like a caf for all of us, including the artists families. We are like one big family.
To become a SWAIA business member email: dkeron@swaia.org or call 505.983.5220 x223

MIAC AND MARKET

The Museum of Indian Arts and Culture (MIAC), repository of New Mexicos patrimony, joins in the week-long celebration of Indian Market with its own events and shows at the museum on Museum Hill. Todays (Sunday, Aug. 14) program at 2 p.m. highlights The Life and Art of Tony Da, the legendary San Ildefonso artist, with an illustrated talk and book-signing by author Charles King, guest curator, pottery expert and gallery owner, in the MIAC theater. The event is free with museum admission. Breakfast with the Curators at 8:30 a.m. Tuesday (Aug. 16) features Bruce Bernstein, executive director of the Southwestern Association for Indian Arts, sponsor of the Indian Market, who will discuss the history, splendor and future plans of the organization and market. For more information and tickets, which include admission to the museum $35 per person or $30 for members of the Museum of New Mexico Foundation call 476-1247 or 476-1271. A second Breakfast with the Curators scheduled for Friday (Aug. 19) spotlights the Creative Spark! of Tony Da, during which Charles King will lead a tour of the exhibition of the late artists work. The fee of $35 per person/$30 for foundation members includes breakfast and the guided tour. For more information and tickets, call 476-1247 or 476-1271. Sunday (Aug. 21), the final day of market, MIAC tackles a challenging subject: Who Speaks for the Ancestors? Repatriation and Indian Identity, a panel discussion at 2 p.m. led by Suzan Shown Harjo, wellknown Cheyenne and Hodulgee Muscogee advocate for Indian rights. The panel will be held in the MIAC theater and is free with museum admission.
BEN WITTICK
VIRGIL ORTIZ
Cochiti Pueblo figures circa 1880s
Cochiti Pueblo figures by Virgil Ortiz and Ortiz family
FAMILY AFFAIR
Virgil Ortiz, relatives, put their spin on tradition
BY KAY LOCKRIDGE
Famed Cochiti Pueblo artist Virgil Ortiz goes back to his roots in a new exhibit at the Museum of Indian Arts and Culture on Museum Hill with Vertigo: A Spin on Tradition Reviving the Past.
Be prepared for a surprise, however, when you enter the museum. The 21 distinctive clay figures in the scene were created by Ortiz and eight members of his family. Were in this together, said the fashion designer and potter. The whole family, ranging in age from 12 to 82, participated in creating this art, from the beginning process right to the final pieces. We worked right along side each other. In fact, I became the teacher, instructing my nieces and nephews in the business of fine art. This includes time management, a crucial aspect of art, and organizationof time, materials, even ideas. The result, Vertigo, is a spin on tradition as it revives the past. Plus, I had fun playing with the title and my initials: Vertigo begins with V and ends with O, the artist said. Ortiz, like his ancestors, uses clay to comment on his life and experiences. Including family members work in the exhibit adds a fresh element and spin to the work, which recreates a scene inspired by a photograph of Cochiti Pueblo pottery from the 1880s. I was a teen-ager when I first saw Ben Witticks photograph of our pueblos pottery placed in front of a bridge on the pueblo, and I never forgot it. In fact, I knew someday I would recreate it, Ortiz said.
The following members of Virgil Ortiz's family (and their relationships to him) joined him in creating the new exhibit at the Museum of Indian Arts and Culture His father, Guadalupe Ortiz Two sisters, Joyce Lewis and Janice Ortiz Two nephews, Kyle and Dominic Ortiz Niece, Lisa Holt, and her husband, Harlan Reano Grand-niece Dominique Ortiz, daughter of Lisa Holt and Harlan Reano The vision began to coalesce in 1999 when, visiting in Prague, Czech Republic, he saw and photographed the iconic Charles Bridge. The bridge and citys famous architecture, including historic churches, provide the backdrop for the clay figures. The family began working on the figures in March, after the Heard show in Phoenix, in which Ortiz participates. They completed work in May and, after visiting MIAC and observing an exhibit of Cochiti and Kewa pottery, agreed that the new work would tie in beautifully with it. Showing at MIAC offers a bigger bang for the buck, Ortiz noted. Its a great museum, and Im happy to have my work there. Those who love Ortizs fashion designs need not despair. In July, he introduced the carpet collection, Indigenous Imprints, designed exclusively for Aqua Hospitality Carpets in Miami. The collection consists of 20 unique patterns that balance between the contemporary and the traditional for guest rooms, corridors and public spaces in some of the most exclusive hotels and resorts worldwide.
Then, beginning next March, he opens a new show, Velocity, at the King Gallery in Scottsdale. This show is fast forward to my older, personal style, Ortiz said. You might say it will be more alienesquepushing the claytaking the work out of this world; in other words, Ill be having fun.
2 01 1 SAN TA FE I ND IA N M AR KET
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HAPPENING NOW
IAIA continues anniversary celebration
BY KAY LOCKRIDGE
Just around the corner from the Plaza and across the street from the Cathedral Basilica of St. Francis of Assisi stands the Museum of Contemporary Native Arts, home to the vast and diverse collections of the Institute of American Indian Arts (IAIA). Visitors to Indian Market will find what amounts to a microcosm of Native American arts through the years at the museum.
Our museum is unique in that its the only museum for exhibiting, collecting and interpreting the most progressive work of contemporary Native artists, said Patsy Phillips, director of the museum, who pointed out that many of the artists in the museum attended or teach at IAIA. Our current exhibits particularly will intrigue Indian Market visitors; they will find the most cuttingedge Native art in a relatively small space thats easy to navigate ... and air-conditioned. The venerable IAIA kicks off Indian Market week with its annual Benefit Dinner and Auction at 5 p.m. Wednesday (Aug. 17) at La Fonda, beginning with a silent auction, reception and Live Paint by noted Cochiti Pueblo painter Mateo Romero. Im very excited to be doing my second Live Paint effort (the first was last year for a benefit at the Wheelwright Museum of the American Indian), Romero said. Its a different but wonderful experience to create a painting within view of hundreds of people. It's kind of like performance art. He plans to do a large piece 40-inches-by60-inches (he will be painting from a prepared drawing, probably of a single Rio Grande Pueblo dancer) using acrylic paint, rather than his usual oil, because it dries faster. Thats important, because the painting goes into the live auction at the end of the dinner, which is a good way for me to give back to IAIA, where I have studied and taught. In fact, I expect to be teaching print making at the college this fall. Continuing IAIAs celebration, The 90s: A vision Forward, the event features two masters of ceremonies: Tom Rutherford, former New Mexico state senator and co-founder of the Albuquerque Balloon Fiesta, and Paul Margetson, Hotel Santa Fe general manager, who also will serve as auctioneer. Co-chairs are Yara Pitchford and
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Mateo Romero will be painting live at the Institute of American Indian Arts auction.
Connie Tsosie-Gaussoin, with honorary co-chairs of the event are sculptor and Pojoaque Pueblo Gov. George Rivera, Navajo designer Penny Singer and Jemez Pueblo artist Kathleen Wall. Singer and Wall are 90s graduates of the IAIA College of Contemporary Native Arts, while Rivera graduated in the 1980s. Proceeds from the evening go to IAIA scholarships. I love IAIA and have had a long affiliation with the museum store. Its a Santa Fe treasure, with the best selection of Native American art, books, jewely my speciality and other gifts in the downtown Santa Fe area, Tsosie-Gaussoin said. Im excited to be co-chairing the dinner and auction because it brings together all the people who are part of and love IAIA and who will have an apportunity to support the organization and its components financially. We artists have donated pieces for the auction, so all proceeds go to IAIA. Then, attention shifts to IAIA Museum of Contemporary Native Arts, with the opening of three exhibitions: Counting Coup presents works by more than 20 Indian artists from the United States, Canada and Australia, including sculptures, paintings, ceramics, textiles, photography, installation, film and video and poetry. Counting coup is a form of prestige, pride and power, said Phillips,
a member of the Cherokee Nation. Counting coup considers the makers mark as a means of action and recognition through the guise of an exhibition of contemporary constructions that features honoring, naming and claiming past accomplishment and victories. By keeping score counting coup we are able to identify, witness and memorialize the greater narrative of our presence as a coup to who and where Native peoples are today. Rock & Roll Photo Coup focuses on internationally renowned Luiseo artist James Lunas photographic works, including both recent and prominent past works playfully merging his performance ideals into stills, said Phillips. Rock & Roll Photo Coup is a lesson in the expressive body of work challenging the standard of performance photographic documentation. Last Supper, a site-specific conceptual installation by C. Maxx Stevens, Muscogee/ Seminole, focuses on the debilitating affects of food that produces or encourages diabetes within an entire community. Using her own familys history and experiences with the disease in the mixed-media installation, Stevens illustrates its impact on traditional values and the drastic evolution of diet as well as economy; and, thereby, creates a larger social awareness of the epidemic
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Jeweler Connie Tsosie-Gaussoin co-chairs the IAIA celebration.
DETAILS
The Institute of American Indian Arts (IAIA) continues its anniversary celebration with the annual benefit dinner and auction, The 90s: A Vision Forward, at 5 p.m. Wednesday (Aug. 17) at La Fonda Hotel on the Plaza, beginning with a silent auction and Live Paint by Cochiti Pueblo artist Mateo Romero, followed by dinner at 7 p.m. and then the live auction, during which Romeros painting and other art will be offered. Music for dancing from the 1990s completes the evening. Tickets are $150 per person or $250 per couple and may be purchased by calling 800804-6423 or 424-2310. At 5 p.m. Thursday (Aug. 18), IAIAs Museum of Contemporary Native Arts (108 Cathedral Place) kicks off its Indian Market weekend events with the opening reception of three shows: Counting Coup, Rock & Roll Photo Coup and Last Supper. At the same time Thursday, the museums store and Allan Houser Art Park present Opulence, a show and sale of new jewelry by Picuris Pueblo/Navajo artists Connie Tsosie-Gaussoin and her sons, David and Wayne Nez, and Orlando Dugi (Navajo). Friday (Aug. 19), Northern Cheyenne jeweler Ben Nighthorse Campbell (and former U.S. Senator) opens a show of his new work at 4 p.m. in the museum store. The museum exhibits will be open to the public from 8 a.m.-5 p.m. both Friday and Saturday, with free admission on Saturday (Aug. 20). Museum members and non-members are invited to the Members Breakfast at 8 a.m. Saturday, which will be free to members and $10 for non-members. At Noon, the museum presents a public art performance, Vestige Vagabond, followed by In Session: A Conversation with (Luiseo photographer) James Luna and (museum director) Patsy Phillips at 2:30 p.m. Both events are free. On Sunday (Aug. 21), from 10 a.m.-2 p.m., the museum hosts Vital Strides 2: Live Paint and Art Auction, an IAIA Associated Student Government fund-raiser. Also on Sunday, Vestige Vagabond, will be presented at 11 a.m.
and its dilemma in all of the United States, Phillips said. Indian Market weekend programs at the museum include two public art performances of Vestige Vagabond at noon Saturday (Aug. 20) at 11 a.m. Sunday (Aug. 21) under the museum portal. Performed by Maria Hupfield, a member of the Wasauksing First Nation and of Anishinaabe/Ojibway heritage, and Charlene Vickers, Anishinaabe, the presentation considers the value of Native American culture, ingenuity, function and aesthetics though a series of new and unexpected objects and actions in an open-market setting, Phillips said. She noted that the artists will interact with the audience during each performance.
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SWAIA
MEET THE ARTISTS
134 137 Jewelry Pottery
DIRECTORY OF ARTISTS
140 Paintings / Drawings / Graphics / Photography 141 141 142 142 143 143 143 144 146 Pueblo Wooden Carvings Sculpture Textiles Diverse Arts Beadwork / Quillwork Moving Images Basketry Booth Locator Map Alphabetical Artist List
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I Jewelry
Abeyta, Richard Santo Domingo Pueblo 532 SF-P Adams, Victoria G. Cheyenne 209 PAL-N Aguilar, Joseph Santo Domingo Pueblo 401 WA-E Aguilar, Richard Lee Santo Domingo Pueblo Choctaw 332 FR-S Aguilar, Wayne Santo Domingo Pueblo 267 PAL Aragon, Allen Navajo (Din) 749 LIN-E Aragon, Loren Acoma Pueblo 736 LIN-E Arviso, Cheryl Navajo (Din) 529 SF-W Arviso, Steven Navajo (Din) 766 LIN-E
Ataumbi, Keri Kiowa 125 POG Atencio, Juanita Santo Domingo Pueblo 525 SF-P Bahe, Fidel Navajo (Din) 733 LIN-W Bahe, Lionel Navajo (Din) 402 WA-E Bailon, Clarence Santo Domingo Pueblo 334 FR-S Bailon, Eleanor Santo Domingo Pueblo 334 FR-S Bailon, Pablita Santo Domingo Pueblo 713 LIN-E Beck Sr., Victor P. Navajo (Din) 259 PAL-N Bedonie, Ron Navajo (Din) 219 PAL-S
Begay, Abraham Navajo (Din) 300 FR-S Begay, Darryl Navajo (Din) 678 PLZ Begay, Eddie Navajo (Din) 769 LIN-W Begay, Erick Navajo (Din) 322 FR-S Begay, Kary Navajo (Din) 220 PAL-N Begay, Larry Navajo (Din) 528 SF-P Begay, Lee Navajo (Din) 756 LIN-E Begay, Leroy Navajo (Din) 768 LIN-W Begay, Nelson Navajo (Din) 220 PAL-N
Begay, Rebecca Navajo (Din) 678 PLZ Begay, Richard Navajo (Din) 246 PAL-N Begay, Steven Navajo (Din) 220 PAL-N Ben, Arland Navajo (Din) 518 SF Benally, Ernest Navajo (Din) 324 FR-N Benally, Veronica Navajo (Din) 324 FR-N Bennett, Donna Acoma Pueblo 720 LIN-W Bennett, George Hualapai 720 LIN-W Betoney Sr., Billy Navajo (Din) 418 WA-E
Bia, Norman Navajo (Din) 761 LIN-W BigKnife, Heidi Shawnee 204 PAL-N Bird, Dennis Ohkay Owingeh Pueblo Santo Domingo Pueblo 260 PAL-S Bird, Gail Santo Domingo Pueblo Laguna Pueblo 262 PAL-N Bird, Jolene Santo Domingo Pueblo 217 PAL-N Bird-Romero, Mike Ohkay Owingeh Pueblo Taos Pueblo 259 PAL-S Blue Jacket-Roccamo, Shawn Shawnee / Cherokee 110 POG Boone, Lena Zuni Pueblo 714 LIN-P
Brokeshoulder, Aaron Shawnee 735 LIN-E Cajero, Althea Santo Domingo Pueblo Acoma Pueblo 521 SF Calabaza, Jimmy Santo Domingo Pueblo 533 SF-E Calabaza, Joseph F. Santo Domingo Pueblo 304 FR-N Calabaza, Marie J. Ohkay Owingeh Pueblo 414 WA-W Calabaza, Mary Santo Domingo Pueblo 304 FR-N Calabaza, Mitchell Santo Domingo Pueblo 414 WA-W Carrillo, Franklin Laguna Pueblo Choctaw 727 LIN-W Casuse, Fritz Navajo (Din) 519 SF
The Southwestern Association for Indian Arts, Inc (SWAIA producers of the Santa Fe Indian Market) reminds buyers that all purchases are between the buyer and artist. SWAIA is in no way responsible for such transactions. The artists set their own commission/sale policies on any and all purchases. SWAIA recommends that these policies are fully understood between buyer and artist and in writing to satisfy both parties. SWAIA is not responsible for any commission transaction and the buyer accepts all responsibility for any commission transaction.
SWAIA
Cat, Barbara Santo Domingo Pueblo 703 LIN-E Cat, Irma Santo Domingo Pueblo 708 LIN-E Cat, Lorraine Santo Domingo Pueblo 708 LIN-E Cat, Mary Santo Domingo Pueblo 703 LIN-E Charlie, Ric Navajo (Din) 407 WA-E Chavez, Clarita Santo Domingo Pueblo 743 LIN-W Chavez, Dorothy Santo Domingo Pueblo 303 FR-N Chavez, Jared San Felipe Pueblo 306 FR-N Chavez, Joseph Kewa Pueblo 527 SF-P Coonsis, Phyllis Zuni Pueblo 620 PLZ Coriz, Alonzo Santo Domingo Pueblo 708 LIN-W Coriz, Joseph D. Santo Domingo Pueblo 623 PLZ Coriz, Juanita D. Santo Domingo Pueblo 305 FR-S Coriz, Lila Santo Domingo Pueblo 524 SF-W Coriz, Mary R. Santo Domingo Pueblo 325 FR-S Coriz, Rudy Santo Domingo Pueblo 325 FR-S Crazyhorse, Cippy Cochiti Pueblo 258 PAL-N Crazyhorse, Waddie Red Dakota Cochiti Pueblo 258 PAL-N
Grant, Dorothy Haida of Alaska 747 LIN-E Gress, Robert Crow 509 SF Harris, Cheyenne Navajo (Din) 508 SF Harrison, Jimmie Navajo (Din) 501 SF Haskie, Vernon Navajo (Din) 646 PLZ Hayes, Lucille Bah Navajo (Din) 313 FR-N Hendren, Shane Navajo (Din) 712 LIN-E Herrera, Grace Ann Navajo (Din) 318 FR-S Herrera, Tim Cochiti Pueblo 670 PLZ Hesuse, Lori Navajo (Din) 529 SF-W Hodgins, L. Bruce Navajo (Din) 501 SF Honahnie, Anthony Hopi 759 LIN-W Honanie, Watson Hopi 714 LIN-E Hoskie, Randy Navajo (Din) 773 LIN-E Howard, Ivan Navajo (Din) 704 LIN-W Huntinghorse, Dina Wichita / Kiowa 420 WA-E Irene, Mary Muscogee (Creek) 236 PAL-N Jackson, Dan A. Navajo (Din) 343 FR-S Jackson, Gene Navajo (Din) 728 LIN-W Jackson, Martha Navajo (Din) 728 LIN-W Jackson, Tommy Navajo (Din) 725 LIN-W Jamon, Carlton Zuni Pueblo Navajo (Din) 216 PAL-S Joe, Alfred Navajo (Din) 525 SF-W Joe, Larry R. Navajo (Din) 706 LIN-P Joe, Oreland Ute / Navajo (Din) 700 LIN-E Johnson, Kenneth Muscogee / Seminole 237 PAL-N Johnson, Yazzie Navajo (Din) 262 PAL-N Jojola, Vernon Isleta Pueblo Laguna Pueblo 721 LIN-W Julian, Rainey Jicarilla Apache 733 LIN-W Jumbo, Darrell Navajo (Din) 413 WA-E Kaskalla, Lela Nambe Pueblo 712 LIN-P Kaskalla, Roderick Zuni Pueblo 712 LIN-P Keyonnie, Julius Navajo (Din) 227 PAL-S Kirk, Michael Isleta Pueblo Navajo (Din) 748 LIN-E Kohlmeyer-Eagleboy, Royce Jemez Pueblo 310 FR-N Koinva Sr., Anderson Hopi 762 LIN-W Laahty, Ron Zuni Pueblo 337 FR-N
Dallasvuyaoma, Bennard Francis, Florence Pima-Maricopa / Hopi Navajo (Din) 286 PAL 761 LIN-W Dallasvuyaoma, Frances Jue Hopi 286 PAL Denipah, Marian Navajo (Din) Ohkay Owingeh Pueblo 512 SF Dial, Isaac Navajo (Din) 627 PLZ Draper Jr., Teddy Navajo (Din) 129 POG Dukepoo, Causandra Taos Pueblo 254 PAL-N Dukepoo, Michael Hopi 254 PAL-N Duwyenie, Preston Hopi 410 WA-W Edaakie, Raylan Zuni Pueblo 230 PAL-N Edaakie, Sheryl Zuni Pueblo 207 PAL-N Emery Jr, Terrance St. Croix Chippewa Jemez Pueblo 731 LIN-W Emery, Sr., Terrence St. Croix Chippewa 731 LIN-W Etsitty, Venus Navajo (Din) 324 FR-N Eustace, Christina Zuni Pueblo Cochiti Pueblo 600 PLZ Eustace, Jolene Zuni Pueblo Cochiti Pueblo 415 WA-E Eustace-Carlisle, Bernadette Zuni Pueblo Cochiti Pueblo 415 WA-E Fendenheim, James Tohono Oodham 757 LIN-W Fragua-Cota, Laura Jemez Pueblo 724 LIN-E Gabriel, Victor Washoe 245 PAL-N Garcia, David Pascua-Yaqui Nambe Pueblo 506 SF Garcia, Dennis C. Santo Domingo Pueblo 740 LIN-E Garcia, Emily B. Santo Domingo Pueblo 642 PLZ Garcia, Lorencita Santo Domingo Pueblo 320 FR-N Garcia, Michael Na Na Ping Pascua Yaqui 506 SF Garcia, Nelson Santo Domingo Pueblo 718 LIN-W Gasper, Dinah Zuni Pueblo 714 LIN-P Gasper, Duran Zuni Pueblo 786 LIN-W Gasper, Ryland Zuni Pueblo 229 PAL-S Gatewood, Anthony Isleta Pueblo Navajo (Din) 781 LIN-E Gaussoin, Connie Tsosie Navajo (Din) Picuris Pueblo 261 PAL-S Gaussoin, David Navajo (Din) Picuris Pueblo 261 PAL-S Gaussoin, Wayne Picuris Pueblo Navajo (Din) 261 PAL-S Gchachu, Smokey Zuni Pueblo 755 LIN-E Gene, Leonard Navajo (Din) 658 PLZ Goldtooth, Laverna Navajo (Din) 418 WA-W
Keri Ataumbi, Kiowa
Chavez, LeJeune Kewa Pueblo / Seminole Crespin, Don 527 SF-P Santo Domingo Pueblo 315 FR-S Chavez, Michael D. Santo Domingo Pueblo Crespin, Nancy 716 LIN-E Santo Domingo Pueblo 315 FR-S Chavez, Phyllis Santo Domingo Pueblo Crespin, Terecita 406 WA-W Santo Domingo Pueblo 307 FR-N Chavez, Richard San Felipe Pueblo Cummings, Edison 306 FR-N Navajo (Din) 207 PAL-S Chavez, Trinnie Santo Domingo Pueblo Curtis, Jennifer 716 LIN-E Navajo (Din) 736 LIN-W Chavez Sr., Franklin Santo Domingo Pueblo Curtis Sr., Thomas 303 FR-N Navajo (Din) 736 LIN-W Clark, Carl Navajo (Din) Custer, Cheyenne 744 LIN-W Navajo (Din) 737 LIN-E Clark, Irene Navajo (Din) Custer, Gary 744 LIN-W Navajo (Din) 204 PAL-S Coochwikvia, Marcus Hopi Custer, Ira 763 LIN-W Navajo (Din) 737 LIN-E Coonsis, Colin Zuni Pueblo Dalangyawma, Ramon 317 FR-N Hopi 717 LIN-W
Michael Roanhorse, Navajo (Din)
Darryl Begay, Navajo (Din)
SWAIA
Laconsello, Nancy Zuni Pueblo Navajo (Din) 323 FR-S Laconsello, Ruddell Zuni Pueblo 323 FR-S LaFountain, Samuel Chippewa Navajo (Din) 763 LIN-E LaRance, Steve Hopi 512 SF Lee, Albert Navajo (Din) 231 PAL-N
Lovato, Anthony Santo Domingo Pueblo 629 PLZ Lovato, Calvin Santo Domingo Pueblo 673 PLZ Lovato, Lillian R. Santo Domingo Pueblo 313 FR-S Lovato, Maria S. Santo Domingo Pueblo 677 PLZ Lovato, Martine Santo Domingo Pueblo 246 PAL-S Lovato, Marvin Santo Domingo Pueblo 313 FR-S Lovato, Peggy Santo Domingo Pueblo 261 PAL-N Lovato, Pilar A. Santo Domingo Pueblo 673 PLZ Lovato Sr., Ray Santo Domingo Pueblo 261 PAL-N Maha, Loren Hopi 218 PAL-S Maktima, Duane Laguna Pueblo / Hopi 752 LIN-E Manygoats, Benson Navajo (Din) 223 PAL-N Mares, Shirley Yakima 263 PAL-S Martinez, Leon Navajo (Din) 793 LIN-W Martinez, Terry Navajo (Din) 793 LIN-W Medina, Jennifer Santo Domingo Pueblo 513 SF Metoxen, Linda Navajo (Din) 626 PLZ Montoya, Louis Navajo (Din) 703 LIN-P Montoya, Rodger Navajo (Din) 703 LIN-P Naavaasya, Hopi / Acoma Pueblo 256 PAL-S Nakai, Bernice Navajo (Din) 728 LIN-W Naseyowma, Gregory Hopi 755 LIN-W Natay, Ehren Navajo (Din) 342 FR-N Naveek, Navajo (Din) 244 PAL-S Neel, David Kwakiutl 770 LIN-E Nells, Albert Navajo (Din) 205 PAL-S Nelson, L. Eugene Navajo (Din) 214 PAL-N Nelson, Peter Navajo (Din) 726 LIN-W Nequatewa, Verma Hopi 602 PLZ Nez, Ned Navajo (Din) 324 FR-S Nez Jr., Sidney Navajo (Din) 668 PLZ Nieto, Christopher Santo Domingo Pueblo 416 WA-W Ohmsatte, Emery Zuni Pueblo 409 WA-E Ortiz, Isaiah San Felipe Pueblo 648 PLZ Owen, Angie Santo Domingo Pueblo 249 PAL-S Owen, Dean Santo Domingo Pueblo 249 PAL-S Padilla, Ellouise Santo Domingo Pueblo 774 LIN-W Pajarito, Cordell Santo Domingo Pueblo 629 PLZ Pajarito, Joel Santo Domingo Pueblo 629 PLZ Panteah, Myron Navajo (Din) Zuni Pueblo 213 PAL-S Paquin, Allen Apache / Zuni Pueblo 410 WA-E Paquin, Isabel Isleta Puebo 711 LIN-W Paquin, Sherman P. Zuni Pueblo 711 LIN-W Parrish, Rain Navajo (Din) 754 LIN-W Peshlakai, Norbert Navajo (Din) 747 LIN-W Piaso, Thompson Navajo (Din) 663 PLZ Pino, Maggie Navajo (Din) 308 FR-N Plummer, Earl Navajo (Din) 534 SF-W Poblano, Dylan Zuni Pueblo 604 PLZ Poblano, Jovanna Zuni Pueblo 604 PLZ Poblano, Veronica Zuni Pueblo 604 PLZ Polacca III, Starlie Havasupai / Hopi 660 PLZ Pourier, Kevin Oglala Lakota 322 FR-N Pruitt, Christopher Laguna Pueblo 405 WA-E Pruitt, Pat Laguna Pueblo 708 LIN-P Rafael, Tonya June Navajo (Din) 217 PAL-N Ramone, Dennis Navajo (Din) 707 LIN-P Reano, Angie P. Santo Domingo Pueblo 249 PAL-N Reano, Arnold Santo Domingo Pueblo 311 FR-S Reano, Charlotte J. San Felipe Pueblo 250 PAL-S Reano, Daisy Santo Domingo Pueblo 252 PAL-N Reano, Debra Santo Domingo Pueblo 311 FR-S Reano, Denise Santo Domingo Pueblo 250 PAL-S Reano, Frank Santo Domingo Pueblo 527 SF-W Reano, Janalee Frances San Felipe Pueblo 527 SF-W Reano, Joe Santo Domingo Pueblo 703 LIN-W Reano, Joe L. Santo Domingo Pueblo 249 PAL-N Reano, Percy Santo Domingo Pueblo 250 PAL-S Reano, Rose Santo Domingo Pueblo 248 PAL-N Reano-Yepa, Dena Santo Domingo Pueblo 232 PAL-N Reeves, Daniel Sunshine Navajo (Din) 227 PAL-N Roanhorse, Mark Navajo (Din) 717 LIN-E Roanhorse, Michael Navajo (Din) 717 LIN-E Rogers, Kay Navajo (Din) 710 LIN-P Rogers, Michael Paiute 745 LIN-W Romero, Ken Laguna Pueblo Taos Pueblo 504 SF Rosetta, Eileen Santo Domingo Pueblo 526 SF-P Rosetta, Jeremy Santo Domingo Pueblo 526 SF-P Rosetta, Jessie Santo Domingo Pueblo 302 FR-P Rosetta, Marlene Hopi 307 FR-S Rosetta, Paul Kewa Pueblo 302 FR-P Rosetta, Reyes Santo Domingo Pueblo 246 PAL-S Samora, Maria Taos Pueblo 311 FR-N Sanchez, Alex Navajo (Din) 235 PAL-N Sanchez-Reano, Charlene San Felipe Pueblo 527 SF-W Sanderson, Cody Navajo (Din) 674 PLZ Sandoval, Lester Navajo (Din) 326 FR-S Schrupp, Nelda Oglala Lakota Sekakuku, Myron Hopi 245 PAL-S Sequaptewa Sr., Raymond Hopi 335 FR-S Shirley, Lorenzo Edward Navajo (Din) 789 LIN-W Shorty, Perry Navajo (Din) 210 PAL-S Shotridge, Israel Tlingit 222 PAL-S Sice, Howard Laguna Pueblo / Hopi 776 LIN-W Slim, Darrell Navajo (Din) 413 WA-W
Ivan Howard, Navajo (Din)
Lee, Allison Navajo (Din) 416 WA-E Lee, Kyle Navajo (Din) 416 WA-E Lee, Trent Navajo (Din) 416 WA-E Lee-Anderson, Wyatt Navajo (Din) 416 WA-E Lister, Ernie Navajo (Din) 202 PAL-S Little, James Navajo (Din) 653 PLZ
Gerald Lomaventema, Hopi
Livingston, Irene Navajo (Din) 525 SF-E Livingston, Jake Navajo (Din) Zuni Pueblo 525 SF-E Livingston, JayJacob Navajo (Din) 321 FR-N Lomaventema, Gerald Hopi 655 PLZ
Ken Romero, Laguna Pueblo, Taos Pueblo
Loretto, Fran Jemez Pueblo Cochiti Pueblo 644 PLZ Loretto, Glenda Jemez Pueblo 743 LIN-E Lovato, Andrew Santo Domingo Pueblo 261 PAL-N
Jennifer Medina, Santo Domingo Pueblo
SWAIA
Slim, Marvin Navajo (Din) 720 LIN-E Slim, Michael Navajo (Din) 720 LIN-E Sloan, David-Alexander Navajo (Din) 342 FR-N Smith, Patrick Navajo (Din) 665 PLZ Soohafyah, Eddison Hopi 308 FR-P Spry-Misquadace, Wanesia Ojibwa 519 SF Stevens, Mark Laguna Pueblo 760 LIN-E Taitsohii, Raynard Scott Navajo (Din) 219 PAL-S Tafoya, Lorenzo Santo Domingo Pueblo 741 LIN-W Tafoya, Mary Louise Santo Domingo Pueblo 741 LIN-W Takala Sr., Jason Hopi 412 WA-W Talahaftewa, Roy Hopi 649 PLZ Taylor, Tsosie Navajo (Din) 524 SF-P Tchin, Narragansett / Blackfeet 522 SF-E Tenorio, George Kewama 628 PLZ Tenorio, Margaret Ann Santo Domingo Pueblo Cochiti Pueblo 309 FR-N Tenorio, Marilyn Navajo (Din) 319 FR-S Tenorio, Matilda Santo Domingo Pueblo 308 FR-S Tenorio, Robert Lewis Santo Domingo Pueblo 656 PLZ Tenorio, Roderick Santo Domingo Pueblo Navajo (Din) 319 FR-S Tenorio, Sidelio Santo Domingo Pueblo 308 FR-S Tenorio, Veronica Santo Domingo Pueblo 411 WA-W Tenorio Sr., Howard Santo Domingo Pueblo 411 WA-W Tewa, Bobbie Ohkay Owingeh Pueblo Hopi 532 SF-W Todacheene, Alvin Navajo (Din) 417 WA-W Tom, Jack Navajo (Din) 212 PAL-N Tom, Mary Lou Navajo (Din) 301 FR-S Tomeo, James Colville / Yakima 727 LIN-E Tortalita, Edward Santo Domingo Pueblo 302 FR-S Tortalita, Vickie Santo Domingo Pueblo 603 PLZ Tsabetsaye, Edith Zuni Pueblo 251 PAL-N Tsabetsaye, Jr., Roger Zuni Pueblo 780 LIN-E Tsabetsaye, Sr., Roger Zuni Pueblo 780 LIN-E Tsingine, Olin Navajo (Din) / Hopi 671 PLZ Tsinnie, Orville Navajo (Din) 667 PLZ Tsosie, Lyndon Navajo (Din) 620 PLZ Tsosie, Raymond Navajo (Din) 773 LIN-W Tsosie, Richard Navajo (Din) 300 FR-N
Bassett, Hiyatsi Passamaquoddy 203 PAL-S Begay, Daniel Navajo (Din) 327 FR-S Begay, Romaine Navajo (Din) 713 LIN-W Begay Jr., Harrison Navajo (Din) 327 FR-S Black Bear, (Stephen LaBoueff ) Blackfeet 228 PAL-S Blaze, Randall Oglala Lakota Sioux 231 PAL-S Borts-Medlock, Autumn Santa Clara Pueblo 664 PLZ Cain, Linda Santa Clara Pueblo 664 PLZ Cajero, Esther H. Jemez Pueblo 320 FR-S Cajero, Teri Jemez Pueblo 622 PLZ Cajero Sr., Aaron Jemez Pueblo 622 PLZ Carpio, Caroline Isleta Pueblo 659 PLZ Cerno, Barbara Acoma Pueblo / Hopi 700 LIN-P Cerno Jr., Joseph Acoma Pueblo 306 FR-P Cerno Sr., Joseph Acoma Pueblo 700 LIN-P Charley, Karen Kahe Hopi 737 LIN-W Chavarria, Denise Santa Clara Pueblo 253 PAL-N Chavarria, Loretta Sunday Santa Clara Pueblo 253 PAL-N Chavarria, Stella Santa Clara Pueblo 253 PAL-N Chinana, Lorraine Jemez Pueblo 764 LIN-W Chitto, Randall Choctaw 725 LIN-E Concho, Carolyn Acoma Pueblo 530 SF-P Concho, Rachel Acoma Pueblo 507 SF Coriz, Ione Santo Domingo Pueblo 531 SF-W Coriz, Warren L. Santo Domingo Pueblo 531 SF-W Cornshucker, Melvin Cherokee 724 LIN-W Correa, Prudy Acoma Pueblo 239 PAL-N Curran, Dolores Santa Clara Pueblo 263 PAL-N Curran, Ursula Ohkay Owingeh Pueblo 263 PAL-N Duwyenie, Debra Santa Clara Pueblo 410 WA-W Early, Max Laguna Pueblo 243 PAL-S Ebelacker, Jamelyn Santa Clara Pueblo 280 PAL Ebelacker, James Santa Clara Pueblo 280 PAL Ebelacker, Jason L. Santa Clara Pueblo 758 LIN-W Ebelacker, Jerome Santa Clara Pueblo 758 LIN-W Ebelacker, Sarena Santa Clara Pueblo 280 PAL Fender, Erik Than Tsideh San Ildefonso Pueblo 702 LIN-P Fender, Martha Appleleaf San Ildefonso Pueblo 702 LIN-P
Tsosie-Sisneros, Michelle Aragon, Delores Santa Clara Pueblo Acoma Pueblo Navajo (Din) 215 PAL-N 301 FR-N Aragon, Ralph Vicenti, Jennie Zia Pueblo Zuni Pueblo 522 SF-W 762 LIN-E Aragon, Wanda Wall, Stephen Acoma Pueblo Chippewa 257 PAL-S 724 LIN-E Aragon Jr., Marvis Wallace, Dawn Acoma Pueblo Aleut 215 PAL-N 241 PAL-N Aragon, Sr., Marvis Wallace, Elizabeth Acoma Pueblo Navajo (Din) 257 PAL-S 333 FR-N Archuleta, Mary Waynee, Robin Santa Clara Pueblo Saginaw Chippewa 265 PAL-S 250 PAL-N Arquero, Martha Weahkee, Sharon Cochiti Pueblo Navajo (Din) 529 SF-P 503 SF Arquero, Mary Willie, Kimberly Cochiti Pueblo Navajo (Din) 529 SF-P 330 FR-N Atencio, Ambrose Willie, Wesley Santo Domingo Pueblo Navajo (Din) 525 SF-P 330 FR-N Atencio, Lawrence Yazzie, Raymond C. (Thunder) Navajo (Din) Ohkay Owingeh Pueblo 210 PAL-S 606 PLZ Yazzie Jr, Kee Navajo (Din) 402 WA-W Yellowhorse, Bryon Navajo (Din) 210 PAL-N Baca, Alvin Santa Clara Pueblo 264 PAL-N Baca, Angela Santa Clara Pueblo 264 PAL-N Baca, Annie Santa Clara Pueblo 702 LIN-W Baca, David Santa Clara Pueblo 264 PAL-N Baca, Jane Santa Clara Pueblo 301 FR-P Baca, Joe P. Santa Clara Pueblo 203 PAL-N Baca, Louisa Santa Clara Pueblo 264 PAL-N Baca-Tosa, Wilma Jemez Pueblo 217 PAL-S Bassett, Hathaweh Passamaquoddy 203 PAL-S
Glendora Fragua, Jemez Pueblo
Elizabeth Manygoats, Navajo (Din)
II Pottery
Abeita, Karen Isleta Pueblo / Hopi 752 LIN-E Abeyta, Pablita Navajo (Din) 111 POG Aguilar, Michael A. San Ildefonso Pueblo 767 LIN-W Aguino, Karen Santa Clara Pueblo 534 SF-E Aguino, Kayleen A. Ohkay Owingeh Pueblo 534 SF-E Aragon, Clarice Acoma Pueblo 257 PAL-S
Karen Kahe Charley, Hopi
SWAIA
Fields, Anita Osage 209 PAL-S Foley, Benina Jemez Pueblo 523 SF-W Folwell, Jody Santa Clara Pueblo 640 PLZ Folwell, Susan Santa Clara Pueblo 640 PLZ Fragua, B.J. Jemez Pueblo 727 LIN-W
Gibson, Rowena Taos Pueblo Santa Clara Pueblo 706 LIN-E Goldenrod, Pojoaque Pueblo Santa Clara Pueblo 126 POG Gomez, Glenn Taos Pueblo Pojoaque Pueblo 223 PAL-S Gonzales, Aaron San Ildefonso Pueblo 247 PAL-N Gutierrez-Naranjo, Carol Santa Clara Pueblo San Ildefonso Pueblo 309 FR-P Lewis, Sharon Acoma Pueblo 306 FR-S Medina, Elizabeth Zia Pueblo 722 LIN-E Medina, Marcellus Zia Pueblo 722 LIN-E Melchor, Crucita Santo Domingo Pueblo 705 LIN-W Mirabal, Martha Santa Clara Pueblo 316 FR-S Naranjo, Kevin Santa Clara Pueblo 341 FR-S Naranjo, Madeline E. Santa Clara Pueblo 265 PAL-N Naranjo, Monica Santa Clara Pueblo 263 PAL-N Naranjo, Robert G. Santa Clara Pueblo 719 LIN-W
Lewis-Garcia, Diane Gutierrez-Naranjo, Kathy Acoma Pueblo San Ildefonso Pueblo 530 SF-P Santa Clara Pueblo 309 FR-P Littlebird, Harold Laguna Pueblo Hanna, Crystal Kewa Pueblo Cherokee (Western) 400 WA-E 513 SF Loretto, Jonathan Cochiti Pueblo 509 SF
II Pottery
Jody Naranjo, Santa Clara Pueblo
Fragua, Glendora Jemez Pueblo 652 PLZ Fragua, Juanita Jemez Pueblo 652 PLZ Fragua, Linda Jemez Pueblo 222 PAL-N Fragua, Melinda Jemez Pueblo 712 LIN-W Gachupin, Henrietta Jemez Pueblo 712 LIN-W Gachupin, Laura Jemez Pueblo 523 SF-W Gala Lewis, Lorraine Laguna/Taos/Hopi 242 PAL-N Garcia, Effie Santa Clara Pueblo 713 LIN-P Garcia, Jason Santa Clara Pueblo 126 POG Garcia, John Santa Clara Pueblo 126 POG Garcia, Margaret Peggy Acoma Pueblo 736 LIN-E Garcia, Mary D. Lewis Acoma Pueblo 527 SF-E Garcia, Sharon Naranjo Santa Clara Pueblo 606 PLZ Garcia, Wilfred L. Acoma Pueblo 511 SF
Histia, Jacqueline Acoma Pueblo Gonzales, Barbara Tahn- 271 PAL moo-whe Holt, Lisa San Ildefonso Pueblo Cochiti Pueblo 247 PAL-N 228 PAL-N Gonzales, Brandan Huma, Rondina San Ildefonso Pueblo Hopi 247 PAL-N 528 SF-W Gonzales, Cavan Juanico, Marie San Ildefonso Pueblo Acoma Pueblo 520 SF 215 PAL-N Gonzales, Jeanne Juanico, Marietta San Ildefonso Pueblo Acoma Pueblo Winnebago 323 FR-N 312 FR-S Gonzales, John San Ildefonso Pueblo 741 LIN-W Gonzales, Robert San Ildefonso Pueblo 247 PAL-N Gonzales-Kailahi, Marie Ann San Ildefonso Pueblo 312 FR-S Gutierrez, Denny Santa Clara Pueblo 301 FR-N Gutierrez, Dorothy Navajo (Din) 254 PAL-S Gutierrez, Gary Santa Clara Pueblo 254 PAL-S Juanico, Melvin Acoma Pueblo 323 FR-N Kahe, Gloria Navajo (Din) 752 LIN-W Kahe, Valerie J. Hopi 752 LIN-W Kanteena, Michael Laguna Pueblo 528 SF-P Kohlmeyer, Reina Jemez Pueblo 310 FR-N Kokaly, Mary Lou Isleta Pueblo Ohkay Owingeh Pueblo 218 PAL-S
Louis, Reycita Acoma Pueblo 339 FR-S Lovato, Manuelita Santo Domingo Pueblo 246 PAL-S Lowden, Virginia Acoma Pueblo 319 FR-N Lucario, Rebecca Acoma Pueblo 741 LIN-E Lucero, Diana P. Zia Pueblo 760 LIN-W Lujan-Hauer, Pamela Taos Pueblo 610 PLZ-Fellowship Madalena, Joshua Jemez Pueblo 403 WA-E Madalena, Reyes Jemez Pueblo 535 SF-E Madalena, Shannan Jemez Pueblo 535 SF-E Manygoats, Elizabeth Navajo (Din) 660 PLZ Manymules, Samuel Navajo (Din) 704 LIN-P Martinez, Frances San Ildefonso Pueblo 709 LIN-P Martinez, Marvin San Ildefonso Pueblo 709 LIN-P Martinez, Pauline San Ildefonso Pueblo 252 PAL-S McKelvey, Lucy Leuppe Navajo (Din) 530 SF-E
Samuel Manymules, Navajo (Din)
Gutierrez, Margaret Rose Lasiloo, Alan E. Zuni Pueblo Santa Clara Pueblo 331 FR-N 248 PAL-S Gutierrez, Rose Santa Clara Pueblo San Ildefonso Pueblo 309 FR-P Gutierrez, Teresa Santa Clara Pueblo 230 PAL-S Gutierrez Jr., Tony Santa Clara Pueblo 707 LIN-W Lewis, Bernard Acoma Pueblo 530 SF-P Lewis, Joyce Cochiti Pueblo 746 LIN-W Lewis, Judy M. Acoma Pueblo 741 LIN-E
Mirabal-Gomez, Tammie Naranjo, Robert T. Santa Clara Pueblo Santa Clara Pueblo Taos Pueblo 304 FR-P 316 FR-S Naranjo, Stephanie Mitchell, Emma Santa Clara Pueblo Acoma Pueblo 248 PAL-S 528 SF-E Natseway, Thomas Moquino, Jennifer Laguna Pueblo Santa Clara Pueblo 522 SF-P 232 PAL-S Navasie, Fawn Naha, Rainy Hopi Hopi / Tewa 402 WA-E 253 PAL-S Nipshank, Glen Nahohai, Milford Cree Zuni Pueblo 328 FR-S 624 PLZ Nunez-Velarde, Shelden Nahohai, Randy Apache (Jicarilla) Zuni Pueblo 765 LIN-E 624 PLZ Ortiz, Eloise Namoki, Lawrence Jemez Pueblo Hopi 305 FR-N 314 FR-S Ortiz, Evelyn Namoki, Valerie Acoma Pueblo Hopi Tewa 709 LIN-W 726 LIN-E Ortiz, Guadalupe Naranjo, Betty Cochiti Pueblo Santa Clara Pueblo 746 LIN-W 304 FR-P Ortiz, Mary Naranjo, Dusty Cochiti Pueblo Santa Clara Pueblo 208 PAL-N 707 LIN-E Ortiz, Virgil Naranjo, Eunice Cochiti Pueblo Navajo (Din) 746 LIN-W 315 FR-N Pacheco, Rose A. Naranjo, Frances Santo Domingo Pueblo Santa Clara Pueblo 311 FR-P 265 PAL-N Padilla, Andrew Naranjo, Geri Laguna Pueblo Santa Clara Pueblo Santa Clara Pueblo 263 PAL-N 310 FR-S Naranjo, Jody Santa Clara Pueblo 402 WA-W Naranjo, Joseph G. Santa Clara Pueblo 315 FR-N Padilla, Andy Santa Clara Pueblo 702 LIN-E Padilla, Marcia Santa Clara Pueblo 702 LIN-E
Linda Cain and Autumn Borts, Santa Clara Pueblo
SWAIA
Padilla, Patricia Santa Clara Pueblo 534 SF-E Padilla, Terrence Santa Clara Pueblo 534 SF-E Padilla, Tony Santa Clara Pueblo 534 SF-E Pahponee, Kickapoo / Potawatomi 268 PAL Pajarito, Florence Santo Domingo Pueblo 628 PLZ Panana, Rufina Zia Pueblo 718 LIN-E Paquin, Gladys Laguna Pueblo Zuni Pueblo 310 FR-S Patricio, Robert Acoma Pueblo 756 LIN-E Pecos, Carol Jemez Pueblo 266 PAL-N Pecos, Irwin Jemez Pueblo 266 PAL-N Pecos, Jeanette Jemez Pueblo 266 PAL-N Pecos-Sun Rhodes, Rose Jemez Pueblo 266 PAL-N Peynetsa, Agnes Zuni Pueblo 666 PLZ Peynetsa, Anderson Zuni Pueblo 303 FR-P Peynetsa, Priscilla Zuni Pueblo 666 PLZ Polacca, Delmar Hopi / Tewa 404 WA-W Polacca, Vernida Hopi 417 WA-W Qoyawayma, Al Hopi 312 FR-P Ray, Marilyn Acoma Pueblo 741 LIN-E Real Rider, Austin Pawnee 211 PAL-N Reano, Harlan Santo Domingo Pueblo 228 PAL-N RedCorn, Jeri Caddo 201 PAL-S Reid, Ulysses Zia Pueblo 533 SF-W Rodriguez, Andrew Laguna Pueblo 278 PAL Roller, Jeff Santa Clara Pueblo 531 SF-E Roller, Toni Santa Clara Pueblo 531 SF-E Romero, Diego Cochiti Pueblo 509 SF Romero, Edna Santa Clara Pueblo 706 LIN-E Romero, Pauline Jemez Pueblo 309 FR-S Romero, Priscilla Cochiti Pueblo 238 PAL-N Sahmie, Rachel Hopi 221 PAL-S Sahmie, V. Jean Hopi Tewa 329 FR-S Salvador, Maria Acoma Pueblo 258 PAL-S Sanchez, Corrine San Ildefonso Pueblo 662 PLZ Sanchez, Gerti Mapoo Isleta Pueblo 264 PAL-S Sanchez, Gilbert San Ildefonso Pueblo 662 PLZ Sanchez, Kathleen Wan Povi San Ildefonso Pueblo 662 PLZ Sanchez, Russell San Ildefonso Pueblo 701 LIN-W Sando, Caroline Jemez Pueblo 740 LIN-W Setalla, Gwen Hopi 651 PLZ Seymour, Mary A. Acoma Pueblo 339 FR-S Shields, Ethel Acoma Pueblo 522 SF-P Shields, Judy Acoma Pueblo 326 FR-N Simplicio, Noreen Zuni Pueblo 240 PAL-N Small, Mary Jemez Pueblo San Felipe Pueblo 318 FR-N Smith, Elijah Naranjo Santa Clara Pueblo 304 FR-S Smith, Timothy Coyote Hopi / Laguna Pueblo 305 FR-P Suazo, Marie Santa Clara Pueblo 230 PAL-S Suazo-Naranjo, Bernice Taos Pueblo 317 FR-S Suina, Ada Cochiti Pueblo 530 SF-W Suina, Dena Cochiti Pueblo 531 SF-P Suina, Mary Vangie Cochiti Pueblo 726 LIN-E Tafoya, Forrest Santa Clara Pueblo 263 PAL-S Tafoya, Harriet Santa Clara Pueblo 314 FR-N Tafoya, Judy Santa Clara Pueblo 661 PLZ Tafoya, Laura Santa Clara Pueblo 314 FR-P Tafoya, Lincoln Santa Clara Pueblo Comanche 661 PLZ
Tafoya, Lu Ann Pojoaque Pueblo Santa Clara Pueblo 251 PAL-S Tafoya, Sarah Santa Clara Pueblo 661 PLZ Tafoya, Starr Santa Clara Pueblo 301 FR-P Tafoya-Sanchez, Linda Santa Clara Pueblo 265 PAL-S Talachy, Pearl Nambe Pueblo / Tewa 676 PLZ Tapia, Sue Laguna Pueblo 255 PAL-S Tapia, Terry Tesuque Pueblo 118 POG Tapia, Thomas Ohkay Owingeh Pueblo 255 PAL-S Toledo, Yolanda Jemez Pueblo 712 LIN-W Torres, Elvis San Ildefonso Pueblo 710 LIN-W Tosa, Phyllis Jemez Pueblo 514 SF Toya, Camilla Mariam Jemez Pueblo 256 PAL-N Toya, Dominique Jemez Pueblo 256 PAL-N Toya, Judy Jemez Pueblo 714 LIN-W Toya, Marie Jemez Pueblo 714 LIN-W Toya, Mary Ellen Jemez Pueblo 714 LIN-W Velarde, Dina Jicarilla Apache 618 PLZ Velarde-Brewer, Carol Santa Clara Pueblo 707 LIN-W Victorino, Sandra Acoma Pueblo 234 PAL-N Vigil, Charlotte San Ildefonso Pueblo 730 LIN-W Vigil, Lonnie Nambe Pueblo 273 PAL Vigil, Vanessa San Ildefonso Pueblo 730 LIN-W Wall, Kathleen Jemez Pueblo 224 PAL Wall, Marcus Jemez Pueblo 224 PAL Waquie, Marie L. Jemez Pueblo 533 SF-P White Dove, Shyatesa Acoma Pueblo 203 PAL-S White Swann Hopi 269 PAL Whitegeese, Daryl Pojoaque Pueblo Santa Clara Pueblo 251 PAL-S Yepa, Alvina Jemez Pueblo 647 PLZ Yepa, Elston Jemez Pueblo 232 PAL-N Youngblood, Nancy Santa Clara Pueblo 255 PAL-N Youngblood Cutler, Christopher Santa Clara Pueblo 255 PAL-N
White Swann, Hopi
Toya, Mary Rose Tapia-Browning, Michele Jemez Pueblo Pojoaque Pueblo 305 FR-N Santa Clara Pueblo 251 PAL-S Toya, Maxine Jemez Pueblo Teller, Christine 256 PAL-N Isleta Pueblo 738 LIN-E Trujillo, Elizabeth Cochiti Pueblo Teller, Lynette 719 LIN-E Isleta Pueblo 738 LIN-E Trujillo, GeralDin Cochiti Pueblo Teller, Ramona Ohkay Owingeh Pueblo Isleta Pueblo 255 PAL-S 738 LIN-E Trujillo, Joseph Teller, Stella Cochiti Pueblo Isleta Pueblo 255 PAL-S 312 FR-N Trujillo, Mary T. Teller Velardez, Robin Ohkay Owingeh Pueblo Isleta Pueblo Cochiti Pueblo 312 FR-N 255 PAL-S Tenorio, Doris Santa Clara Pueblo 230 PAL-S Tenorio, Robert Santo Domingo Pueblo 526 SF-W Tenorio, Thomas Santo Domingo Pueblo 769 LIN-E Tohtsoni Prudencio, Therese Picuris Pueblo Navajo (Din) 777 LIN-W Tse Pe, Dora San Ildefonso Pueblo 605 PLZ Tse Pe, Irene V. San Ildefonso Pueblo 605 PLZ Tsosie, Darrick Jemez Pueblo 313 FR-P Tsosie, Emily Jemez Pueblo 313 FR-P Tsosie, Leonard Jemez Pueblo 313 FR-P
Jason Garcia, Santa Clara Pueblo
Randall Chitto, Choctaw
SWAIA
III Paintings/ Drawings/ Graphics/ Photography
Aguilar Jr., Martin San Ildefonso Pueblo 767 LIN-W Albro, Janice Sisseton-Wahpeton Sioux 510 SF Allison, Marla Laguna Pueblo 708 LIN-P Arquero, Dominic Cochiti Pueblo 711 LIN-P Balloue, John Cherokee 419 WA-E Begay, Shonto Navajo (Din) 225 PAL Begay, Sr., Wallace Navajo (Din) 787 LIN-W BigBee, Walter Comanche 121 POG Blake, James (Buckeye) Cherokee 775 LIN-W
Burgess, Quanah Comanche 734 LIN-W Burgess, Ronald Comanche 734 LIN-W Cadman, Marcus Navajo (Din) 774 LIN-E Cat, Ricardo Lee Santo Domingo Pueblo 743 LIN-E Chaney, Ross Cherokee 409 WA-W Charley, Avis Dakota / Navajo (Din) 339 FR-N Chee, Norris Navajo (Din) 338 FR-S Chee, Ronald Navajo (Din) 721 LIN-E Clark, Don Navajo (Din) 120 POG Clark, Gwendolyn Navajo (Din) 332 FR-N Claw, Monty Navajo (Din) 706 LIN-W Corcoran, Dolores Purdy Caddo 650 PLZ Da, Jarrod San Ildefonso Pueblo 765 LIN-W Dalasohya Jr., David Hopi 775 LIN-E Dark Mountain, Dawn Oneida 759 LIN-E DeJolie, LeRoy Navajo (Din) 722 LIN-W Duwyenie, Mary Lynn Hopi 302 FR-N Edd, Chamisa Navajo (Din) 750 LIN-W Edd, Ruthie Navajo (Din) 750 LIN-W Edd, Santana Navajo (Din) 750 LIN-W Edd, Sierra Navajo (Din) 750 LIN-W Emerson, Anthony Chee Navajo (Din) 113 POG Fowler, Myron Navajo (Din) 777 LIN-E Franklin, William Navajo (Din) 260 PAL-N Gauthier, Amber Ho-Chunk / Menominee 274 PAL Gendron, Richard M. Colville 764 LIN-E Greenwood, Brent Ponca 779 LIN-W Grunlose, Cheryl Colville 415 WA-W Guardipee, Terrance Blackfeet 235 PAL-S Gutierrez, GeralDin San Ildefonso Pueblo Santa Clara Pueblo 309 FR-P Harjo Jr., Benjamin Seminole / Shawnee 103 POG Harvey, Sheldon Navajo (Din) 794 LIN-W Hatch Sr., William V. Navajo (Din) 754 LIN-E Haukaas, M. Linda Rosebud Sioux 127 POG Hemlock, Donald Mohawk (St. Regis) 791 LIN-W Hill, George Spokane / Colville 772 LIN-E Hobson, Andrew Navajo (Din) 282 PAL Hongeva, H. Renauls Hopi 516 SF Honyuptewa, Lorne K. Hopi / Picuris Pueblo 500 SF Howard, Norma Choctaw / Chickasaw 206 PAL-N Hummingbird, Jesse Cherokee 404 WA-E Hunter, Carmen Navajo (Din) 128 POG Jacobs, Alex Akwesasne Mohawk 321 FR-S Joe, Cheryl Navajo (Din) 316 FR-N Joe, Hyrum Navajo (Din) / Ute 233 PAL-N Jojola, Deborah Isleta Pueblo Jemez Pueblo 715 LIN-E Jones-Crouch, Micqaela Shoshone 734 LIN-E Judge, Raymond Navajo (Din) 408 WA-W Kabotie, Ed Hopi Santa Clara Pueblo 618 PLZ Katoney, Jeanette Navajo (Din) 602 PLZ Kemp, Randy Creek 748 LIN-W Kemp, Rykelle Creek / Choctaw 748 LIN-W King, James Navajo (Din) 523 SF-E King, John Navajo (Din) 616 PLZ LaFountain, Eve-Lauryn Chippewa 710 LIN-E Learned, Brent Cheyenne / Arapaho 534 SF-P Little Thunder, Merlin Cheyenne 344 FR-N Lomahaftewa, Linda Hopi / Choctaw 108 POG Lynch, Rhett Navajo (Din) 770 LIN-W MacKnight, Sheridan Chippewa 420 WA-W Maktima, Joe Laguna Pueblo / Hopi 102 POG Martinez, Jocelyn Taos Pueblo 744 LIN-E McCoy Jr., Daniel Muscogee (Creek) Potawatomi 325 FR-N McCullough, Michael Choctaw 257 PAL-N McCullough, Stephen Choctaw 257 PAL-N Melero, Melissa Paiute 751 LIN-E Menchego, Arthur J. Santa Ana Pueblo 733 LIN-E Meredith, America Cherokee 229 PAL-N Miles, Douglas San Carlos Apache 277 PAL Minkler, Sam Navajo (Din) 417 WA-E Montoya, Geronima Ohkay Owingeh Pueblo 116 POG Montoya, Paul Sandia Pueblo Ohkay Owingeh Pueblo 116 POG Montoya, Robert B. Sandia Pueblo 116 POG Mose, Allen Navajo (Din) 226 PAL Murillo, Ramon Shoshone 757 LIN-E Murphy, William Navajo (Din) 718 LIN-E Nelson , Benjamin Kiowa / Navajo (Din) 532 SF-E Nordwall, Raymond Pawnee / Chippewa 114 POG Okuma, Jamie Luiseno Shoshone Bannock 218 PAL-N Ortega, Adam Deer Mountain Pojoaque Pueblo 651 PLZ Ortega, Alicia Pojoaque Pueblo Santa Clara Pueblo 651 PLZ Pappan, Chris Kaw Nation 609 PLZ-Fellowship Paschall, Sallyann Cherokee 105 POG Quotskuyva, Gerry Hopi 234 PAL-S Reynolds-White Hawk, Dyani Rosebud Sioux 771 LIN-W Richards, Rueben Navajo (Din) 783 LIN-W Romero, Mateo Cochiti Pueblo 735 LIN-W Roybal, Timothy San Ildefonso Pueblo 732 LIN-E Salcido Comes Charging, Frank Navajo (Din) 330 FR-S Sanchez, Ramos San Ildefonso Pueblo 701 LIN-W Sevier, Chessney Northern Arapaho 236 PAL-S Sevier, Jackie Northern Arapaho 715 LIN-W Shakespeare, Lindsey Apache (Mescalero) 792 LIN-W Shelton III, Peter Hopi 119 POG
Randy Kemp, Creek
Detail, Norma Howard, Choctaw/Chickasaw Blake, Teal
Cherokee 775 LIN-W
Blalock-Jones, Ruthe Shawnee / Delaware 109 POG Boome, Peter Upper Skagit 621 PLZ Brauker, Shirley Odawa 535 SF-P Bread, Paris L. Navajo (Din) 284 PAL Broer, Roger Oglala Sioux 106 POG Brycelea, Clifford Navajo (Din) 122 POG Burgess, Nocona Comanche 729 LIN-W
Jarrod Da, San Ildefonso Pueblo
SWAIA
Silversmith, Mark Navajo (Din) 104 POG Singer, Jeremy Navajo (Din) 771 LIN-E Singer, Ryan Navajo (Din) 608 PLZ-Fellowship Skenandore, Olivia Oglala Lakota 742 LIN-W Smith, Ryan Cherokee 611 PLZ-Fellowship Smith, Ryan Huna Navajo (Din) Chemehuevi 762 LIN-E Stevens, Shannon Laguna Pueblo 760 LIN-E Susunkewa, Sheryl Hopi 262 PAL-S Tafoya, Francis Santa Clara Pueblo 107 POG Tapia, Thomas V. Tesuque Pueblo 118 POG Titla, Phillip Apache (San Carlos) 523 SF-P Toledo, Ethel Navajo (Din) 701 LIN-P Toledo, Joe Jemez Pueblo 115 POG Toledo-Moore, Lena Navajo (Din) 730 LIN-E Tonips, Gordon Comanche 719 LIN-W Tso, GeralDin Navajo (Din) 281 PAL Tsosie, Nelson Navajo (Din) 789 LIN-W Tsouhlarakis, Anna Navajo (Din) / Creek 244 PAL-S Tyler, Keeaero Navajo (Din) 283 PAL Tyler, Keetahni Navajo (Din) 283 PAL Vigil, Felix Apache (Jicarilla) 723 LIN-E Vigil, Virgil Tesuque Pueblo Navajo (Din) 782 LIN-W Walters, Daniel Navajo (Din) / Pawnee 328 FR-N Walters, Gertrude Ann Navajo (Din) 328 FR-N Walters Jr., Roy Navajo (Din) 745 LIN-E Whitman-Elk Woman, Kathy Mandan / Hidatsa 742 LIN-E Wilcox, Dwayne C. Oglala Sioux 526 SF-E Yazzie, Alice Navajo (Din) 239 PAL-S Yazzie, Gary Navajo (Din) 124 POG Yazzie, Peterson Navajo (Din) 750 LIN-E Yellow Bird Sr., Monte Arikara / Hidatsa 767 LIN-E Yellowman Navajo (Din) 532 SF-E Chavarria, Manuel Hopi 737 LIN-W Chimerica, Darance Hopi 269 PAL Coochyamptewa, Paul Hopi 414 WA-E Cuch, Norman Hopi Ute (Uinta & Ouray) 766 LIN-W Dawahoya, Nuvadi Hopi 214 PAL-S Day Sr., Jonathan Hopi / Laguna Pueblo 655 PLZ Flett, George Spokane 727 LIN-E Gasper Sr., Bart Zuni Pueblo 251 PAL-N George, Ros Hopi 672 PLZ Holmes Jr., Arthur Hopi 219 PAL-N Honanie, Delbridge Hopi 716 LIN-W Honanie, Ernest Hopi 337 FR-S Honanie, Kara Anne Hopi 714 LIN-E Honyumptewa, Aaron Picuris Pueblo / Hopi 500 SF Honyumptewa, Stetson Hopi 500 SF Kaye, Wilmer Hopi 403 WA-W Kayquoptewa, Brendan Hopi 420 WA-W Koruh, Renferd Hopi 307 FR-S Namingha Jr., Wayland Lester Hopi 619 PLZ
Nasafotie, Adrian Hopi 516 SF Naseyowma, Gilbert Hopi 755 LIN-W Nequatewa, Bryson Hopi 602 PLZ Phillips, Loren Hopi 672 PLZ Polequaptewa, Tayron Hopi 413 WA-E Poley Jr., Orin Hopi 101 POG Seechoma, Edward Hopi 675 PLZ Sekakuku, Gilbert Hopi 245 PAL-S Susunkewa, Manfred Hopi 262 PAL-S Taho, Mark Hopi / Navajo (Din) 338 FR-N Taylor, Eli Hopi 759 LIN-W Tenakhongva, Clark Hopi 657 PLZ Tewa, Dennis Hopi 672 PLZ Yungotsuna, Elmer Hopi / Tewa 769 LIN-W Chee Jr, DuWayne Navajo (Din) 705 LIN-E Chee Sr., DuWayne Navajo (Din) 705 LIN-E Chee Sr., Raymond Navajo (Din) 400 WA-W DesJarlais Jr., Larry Turtle Mt. Chippewa 728 LIN-E Dougi, Ishkoten Navajo (Din) 213 PAL-N Eriacho, Felino Zuni Pueblo 230 PAL-N Ethelbah Jr., Upton Santa Clara Pueblo Apache (White Mountain) 654 PLZ Fischer, Mark Oneida 776 LIN-E Fragua, Cliff Jemez Pueblo 753 LIN-E Fredericks, Evelyn Hopi 784 LIN-W Gasper, Debra Zuni Pueblo 714 LIN-P Goeman, Stonehorse Seneca 279 PAL Grandbois, Rollie Turtle Mountain Chippewa 715 LIN-E Hart, Nathan Cheyenne Arapaho 785 LIN-W John, Alvin Navajo (Din) 300 FR-P Jojola, Anthony Isleta Pueblo 711 LIN-E Kaydahzinne, Vincent Mescalero Apache 731 LIN-E Laahty, Ricky Zuni Pueblo 337 FR-N LaFountain, Bruce Chippewa 710 LIN-E LaFountain, Presley Chippewa 723 LIN-W LaFountain, Saige Navajo (Din) Chippewa 763 LIN-E Lee, Tony Navajo (Din) 275 PAL Lujan, Ira Taos Pueblo 607 PLZ Marcus, Robert Spooner Ohkay Owingeh Pueblo 607 PLZ Mitchell-Trejo, Mary Navajo (Din) 507 SF Morrison, Eddie Cherokee 334 FR-N Naranjo, Tito Santa Clara Pueblo 707 LIN-E Nez, Rickie Navajo (Din) 746 LIN-E Obrzut, Kim Hopi 515 SF Oliver, Marvin Quinault 756 LIN-W Othole, Gibbs Zuni Pueblo 203 PAL-N Panana, Matthew Jemez Pueblo 781 LIN-W Quam, Jayne Navajo (Din) 229 PAL-S Quam, Lynn Zuni Pueblo 229 PAL-S Quigno, Jason Saginaw Chippewa 778 LIN-E Reyna, Sharon Dry Flower Taos Pueblo 270 PAL Tsalabutie, Loren Zuni Pueblo 603 PLZ
Joe Hyrum, Navajo (Dine/Ute)
IV Pueblo Wooden Carvings

Acadiz, Lawrence Hopi 205 PAL-N Albert, Robert Hopi 205 PAL-N Brokeshoulder, Randy Hopi / Shawnee 238 PAL-S Calnimptewa, Cecil Hopi 740 LIN-W
Manuel Chavarria, Hopi
V Sculpture
Begay Jr., Frederick Navajo (Din) / Ute 601 PLZ Billie, Gene Navajo (Din) 200 PAL-S Bread, Nathaniel Navajo (Din) / Apache 284 PAL Cajero, Jr., Joe Jemez Pueblo 521 SF Chattin, Daniel Zuni Pueblo 604 PLZ
Eli Taylor, Hopi
SWAIA
Tsethlikai, Ray Zuni Pueblo 714 LIN-P Vigil, James Jemez Pueblo 272 PAL Vigil, Victor Jemez Pueblo 761 LIN-E Wall, Adrian Jemez Pueblo 612 PLZ Washburn, Tim Navajo (Din) 754 LIN-E Weahkee, Daniel Zuni Pueblo Navajo (Din) 503 SF Weahkee, Danielle Navajo (Din) Zuni Pueblo 503 SF Weahkee, Manuel Zuni Pueblo 503 SF White, Terresa Yupik 790 LIN-W Yawakia, Jimmy Zuni Pueblo 786 LIN-W Yazzie, Lance Navajo (Din) 717 LIN-E Various Poeh Arts, 751 LIN-W Tamaya Crafts Co-op, Santa Ana Pueblo 502 SF
Begay, Rena Navajo (Din) 259 PAL-N Begaye, Brittany Navajo (Din) 732 LIN-W Begaye, Sylvia Navajo (Din) 233 PAL-S Blackhorse, Catherine Seminole 235 PAL-S Chopito, Aric Zuni Pueblo 619 PLZ Clark, Irene H. Navajo (Din) 332 FR-N Cody, Lola Navajo (Din) 732 LIN-W Cody, Melissa Navajo (Din) 613 PLZ-Fellowship Eriacho, Jessica Zuni Pueblo 230 PAL-N Galvan, Joselita Zia Pueblo 760 LIN-W Garza, Dolores Haida 237 PAL-S Gonzales, Mary Jemez Pueblo 215 PAL-S Gonzales, Melanie San Ildefonso Pueblo Jemez Pueblo 215 PAL-S Hageman, Lisa Haida 614 PLZ-Fellowship Hanlon, Lorene Tlingit 340 FR-N Harvey, Jason Navajo (Din) 641 PLZ Henderson, Alberta Navajo (Din) 406 WA-E Laughing, Charlene Navajo (Din) 200 PAL-N Laughing, Milton Navajo (Din) 200 PAL-N Laughing, Mona Navajo (Din) 200 PAL-N Laughing-Reeves, Michele Navajo (Din) 227 PAL-N Lee, Emma R. Navajo (Din) 401 WA-W Mallahan, Mae Navajo (Din) 233 PAL-S Manygoats, Florence Navajo (Din) 517 SF Michaels, Patricia Taos Pueblo 758 LIN-E Naataanii, TahNibaa Navajo (Din) 645 PLZ Ornelas, Barbara Navajo (Din) 780 LIN-W Ornelas, Michael Navajo (Din) 780 LIN-W Ornelas, Sierra Navajo (Din) 780 LIN-W Owens, Mary Navajo (Din) 412 WA-E Quintana, Evelyn Ohkay Owingeh Pueblo 260 PAL-S Ramah Navajo Weavers Assoc., Navajo (Din) 100 POG Sandoval, Ramoncita Ohkay Owingeh Pueblo 117 POG Schultz, Marilou Navajo (Din) 732 LIN-W Schultz, Martha G. Navajo (Din) 732 LIN-W Shabi, Geneva Navajo (Din) 202 PAL-N Singer, Penny Navajo (Din) 739 LIN-W Taylor, Lillie Navajo (Din) 206 PAL-S Taylor, Rosie Navajo (Din) 658 PLZ Teller-Pete, Lynda Navajo (Din) 780 LIN-W Tippeconnie, Lynnderra Navajo (Din) 406 WA-E Toledo, April Navajo (Din) 307 FR-P Toledo, Helen Navajo (Din) 307 FR-P Tsosie, Carrie Navajo (Din) 792 LIN-W Tsosie, Jshen Navajo (Din) 775 LIN-E Wheeler, Margaret Choctaw / Chickasaw 285 PAL Williams, Antonio (Toni) Arapaho, Northern 242 PAL-S Williams, Lena Navajo (Din) 732 LIN-W Boxley, David Tsimshian 778 LIN-W Cajero, Joe V. Jemez Pueblo 320 FR-S Carolin, Rex Cheyenne River Sioux 123 POG Chandler Good Strike, Aloysius Gros Ventre / Arapaho 405 WA-W Chavarria, Dave Santa Clara Pueblo 410 WA-W Chavez-James, B. Toby Santo Domingo Pueblo 407 WA-W Chavez-Thomas, Lisa Isleta Pueblo 411 WA-E Copp, Antoinette Haida / Tlingit 739 LIN-E Country Jr., Francis Sisseton-Wahpeton Si 201 PAL-N Darden, Steve Navajo (Din) 705 LIN-P Hewson, Robert Tsimshian 739 LIN-E Honyouti, Richard Hopi 726 LIN-W Jennings, Vanessa Pima / Kiowa 669 PLZ Lance, Stanton Laguna Pueblo 600 PLZ Lent, Mary Laguna Pueblo Santa Clara Pueblo 310 FR-S Lewis-Barnes, Melissa Navajo (Din) 773 LIN-W LT, Patta (Butcher) Choctaw 340 FR-S Maldonado, Alex Yaqui 211 PAL-S Martinez, Marie San Ildefonso Pueblo 700 LIN-W Maybee, Dallin Arapaho / Seneca 242 PAL-S McKay, Glenda Cook Inlet Region, Inc. 221 PAL-N Moya, Daniel Pojoaque Pueblo 341 FR-N Myers, Jhane Comanche / Blackfeet 505 SF NoiseCat, Edwin Shuswap / Lillooet 505 SF Poolheco, Theresa Santo Domingo Pueblo Laguna Pueblo 749 LIN-W Poolheco Sr., Frank Hopi 749 LIN-W Romero, Luke Taos Pueblo Laguna Pueblo 341 FR-S Roybal, Gary San Ildefonso Pueblo 732 LIN-E
Adrian Wall, Jemez Pueblo
Yazzie Ballenger, Virginia Navajo (Din) Emery, Dorothy 276 PAL Jemez Pueblo 731 LIN-W
VII Diverse Arts

Ahtoneharjo Growing Thunder, Tahnee Marie Muscogee (Creek) 247 PAL-S Aragon, Joan Zia Pueblo 522 SF-W Babby, Angela Oglala Lakota Sioux 243 PAL-N Babic, Mary Aleut 241 PAL-N Black Eagle Shoshone / Yokut 331 FR-S Box, Austin Southern Ute 738 LIN-W Box, Debra Southern Ute 738 LIN-W
Esquivel, Dennis Ottawa 729 LIN-E Flett, Jr., George Spokane 727 LIN-E Hemlock, Carla Mohawk 791 LIN-W Her Many Horses, Emil Oglala Lakota 669 PLZ Herrera, Carlos Cochiti Pueblo 670 PLZ Herrera, George Navajo (Din) 318 FR-S Herrera, Theodore Arnold Cochiti Pueblo 670 PLZ Herrera, Thomas L. Cochiti Pueblo 670 PLZ
VI Textiles
Abeita, Frances Santo Domingo Pueblo 524 SF-E Aragon, Nanabah Navajo (Din) 749 LIN-E Begay, D.Y. Navajo (Din) 701 LIN-E Begay, Frances Navajo (Din) 768 LIN-E
Upton Ethelbah Jr., Santa Clara Pueblo/ Apache (White Mountain)
Begay, Nellie Navajo (Din) 220 PAL-S
SWAIA
Sandoval, Carole Ohkay Owingeh Pueblo 117 POG Skeets, Ray Navajo (Din) 736 LIN-W Suina, Joseph E. Cochiti Pueblo 531 SF-P Tenoso, Donald Cheyenne River Sioux 753 LIN-W Tenoso, Paul Cheyenne River Sioux 753 LIN-W Toehe, Rosemary Navajo (Din) 705 LIN-P Tortalita, Faron Acoma Pueblo 788 LIN-W White-Country, Mary Sisseton-Wahpeton 201 PAL-N Worcester II, Daniel Chickasaw 329 FR-N Yellowhawk, Jim Lakota 344 FR-S
Sarracino, Anna Zuni Pueblo 310 FR-P Simplicio, Margia Zuni Pueblo 240 PAL-N Tsosie, Jacinta A. Navajo (Din) 775 LIN-E Van Fleet, Pauline Navajo (Din) 625 PLZ Weryackwe, JR. Comanche 342 FR-S Williams, Kenneth Arapaho / Seneca 237 PAL-S
VIII Beadwork Quillwork

Aitson, Richard Kiowa 344 FR-N Amerman, Marcus Choctaw 757 LIN-W Arquero, Imogene Goodshot Oglala Sioux 711 LIN-P Beaver, Karen Three Affiliated Tribes Yupik (Calista Corp) 779 LIN-E Berryhill, Les Creek 329 FR-N Boivin, Wendy Ann Menominee 773 LIN-E Booqua, Hollie Zuni Pueblo 343 FR-N Bordeaux, Todd Rosebud Sioux 779 LIN-E Bread, Jackie Blackfeet 284 PAL Chitto, Hollis Choctaw / Laguna Isleta 725 LIN-E Claw, Kareen San Carlos Apache 706 LIN-W Dugi, Orlando Navajo (Din) 615 PLZ-Fellowship Fowler, Cindy Navajo (Din) 523 SF-E Frank, Lauren Good Day Arikara / Blackfeet/Cree 335 FR-N Friday, Paula Jicarilla Apache 765 LIN-W Gala, Carol Laguna Pueblo Taos Pueblo 709 LIN-E Greeves, Teri Kiowa 327 FR-N
Growing Thunder Fogarty, Joyce Sioux / Assiniboine 419 WA-W Growing Thunder Fogarty, Juanita Sioux / Assiniboine 419 WA-W Hamilton-Youngbird, Dyanni Smith Navajo (Din) 529 SF-E Hill, Rosemary Tuscarora 772 LIN-W Holy Bear, Charlene Standing Rock Sioux 408 WA-E Ingram, Jerry Choctaw 274 PAL Jonathan, Grant Tuscarora 772 LIN-W Karty, Billie Comanche 303 FR-S Kelly, Craig Navajo (Din) 524 SF-E Laahty, Lorena Zuni Pueblo 310 FR-P Magee, Deborah Blackfeet 244 PAL-N Mitten, Katrina Miami Tribe of Oklahoma 216 PAL-N Okuma, Sandra Shoshone / Luiseno(La Jolla Mission) 218 PAL-N Pate, Elena Choctaw 403 WA-E Peebles, Susan Red Lake Chippewa 643 PLZ Peters, Summer Saginaw Ojibwe 763 LIN-W Printup, Bryan Tuscarora 772 LIN-W Quetawki, Alesia Zuni Pueblo 343 FR-N
XI Basketry
Aitson, Mary Cherokee 333 FR-S Bacon, Eric Passamaquoddy 782 LIN-W Black, Sally Navajo (Din) 725 LIN-W Browning, Ashley Pojoaque Pueblo 251 PAL-S Church, Kelly Chippewa 336 FR-S Croslin, Larry Cherokee 535 SF-W Day, Irma Laguna Pueblo 222 PAL-N Douglas-Willard, Diane Haida 241 PAL-S Emarthle-Douglas, Carol Seminole Northern Arapaho 212 PAL-S Frey, Jeremy Passamaquoddy 240 PAL-S Goeman, Ronni-Leigh Onondaga 279 PAL Honanie, Yvonne Hopi 790 LIN-W James, Darlene Pomo 212 PAL-S Johnson, Terrol Tohono Oodham 508 SF Kooyahoema, Kathryn Hopi 336 FR-N Parrish, Cherish Potawatomi 336 FR-S Romero, Leona Tohono Oodham 413 WA-W Ryan, Loa Tsimshian 739 LIN-E
Saufkie, Griselda Hopi 704 LIN-E Secord, Theresa Penobscot 112 POG Shannon, Louann Tohono Oodham 788 LIN-W Susunkewa, Norma Hopi 262 PAL-S Timmerman, Eliasica Haida 208 PAL-S Willard, Gianna Tlingit / Haida 241 PAL-S Wong-Whitebear, Laura Colville 212 PAL-S
Jeremy Frey, Passamaquoddy
X Moving Images
Benally, Razelle Oglala Lakota Sioux / Navajo (Din) Craig, Velma Navajo (Din) Ernest, Marcella Ojibwe - Bad River Band Harrington, Gary Comanche Henry, Melissa Navajo (Din) Judd, Steven Kiowa / Choctaw Klain, Bennie Navajo (Din) Lujan, James Taos Pueblo Seronde, Sarah Navajo (Din) Seschillie, Donavan Navajo (Din) Worl, Crystal Tlingit / Athabascan
Deborah Magee, Blackfeet
Paula Friday, Jicarilla Apache
Food Booths
764755794 781 LIN-W LIN-E

SWAIA Merchandise
Sheridan Ave.
1922
717717763 754 LIN-W LIN-E
New Mexico History Museum
Native Cinema Showca
Restrooms
Museum of Fine Arts

227-244 PAL-N 227-244 PAL-S 245-266 PAL-N 245-266 PAL-S
Native Literary Arts Booth
Palace of the Governors

100-129 POG
200-223 PAL-N 200-223 PAL-S
224-226 PAL
Palace Avenue
Lincoln Ave.
First National Bank of Santa Fe
667-678 PLZ
Snacks and Soft drink booths Emergence Productions
Plaza Stage
Native American Clothing Contest Sunday, 9 a.m.-noon
600-607 PLZ
608-616 PLZ Fellowship Win

Santaclaran
Plaza
Canyon Records
Santa Fe.com SWAIA Information
651-666 PLZ 640-650 PLZ 700714 LIN-P 700- 700716 716 LIN-W LIN-E 300-320 FR-N 300-320 FR-S
617 P
SWAIA Merchandise
NY T
San Francisco Street
Don Gaspar
Five & Dime
300-315 FR-P
LEGEND
2011
Marcy Street
Packing Shipping
CAT Cathedral Park POG Palace of the Governors FR LIN SF WA San Francisco St. Lincoln Ave. Old Santa Fe Trl. Washington Ave.
ase
Washington Ave.
PAL Palace Ave.
400420 WA-W
400420 WA-E 270-278 PAL
Sena Plaza
Police and EMT
267-269 PAL
279-287 PAL
522535 SFT-P 522535 SFT-W 522535 SFT-E
Cathedral Park
Sealaska Stage
nners
SWAIA Merchendise
Nonprofit Booths
7-629 PLZ
Old Santa Fe Trail
Times
IAIA Museum
321-344 FR-N 500521 SF 321-344 FR-S
Cathedral Basilica of St. Francis of Assisi
La Fonda
SWAIA Gala Saturday evening
Why rent, when you can own an energy-efcient Centex Home in Santa Fe from the 170s?
ALPHABETICAL ARTIST LIST A

Abeita, Frances Santo Domingo Pueblo 524 SF-E VI Textiles Abeita, Karen Isleta Pueblo / Hopi 752 LIN-E II Pottery Abeyta, Pablita Navajo (Din) 111 POG II Pottery V Sculpture Abeyta, Richard Santo Domingo Pueblo 532 SF-P I Jewelry Acadiz, Lawrence Hopi 205 PAL-N IV Pueblo Wooden Carvings Adams, Victoria G. Cheyenne 209 PAL-N I Jewelry Aguilar, Joseph Santo Domingo Pueblo 401 WA-E I Jewelry III Paintings/Drawings/ Graphics/Photography Aguilar, Michael A. San Ildefonso Pueblo 767 LIN-W II Pottery Aguilar, Richard Lee Santo Domingo Pueblo Choctaw 332 FR-S I Jewelry Aguilar, Wayne Santo Domingo Pueblo 267 PAL I Jewelry Aguilar Jr., Martin San Ildefonso Pueblo 767 LIN-W III Paintings/Drawings/ Graphics/Photography Aguino, Karen Santa Clara Pueblo 534 SF-E II Pottery Aguino, Kayleen A. Ohkay Owingeh Pueblo 534 SF-E II Pottery Ahtoneharjo Growing Thunder, Tahnee Marie Muscogee (Creek) 247 PAL-S VII Diverse Arts VIII Beadwork/Quillwork Aitson, Mary Cherokee 333 FR-S XI Basketry Aitson, Richard Kiowa 344 FR-N VIII Beadwork/Quillwork Albert, Robert Hopi 205 PAL-N IV Pueblo Wooden Carvings Albro, Janice Sisseton-Wahpeton Sioux 510 SF III Paintings/Drawings/ Graphics/Photography V Sculpture Allison, Marla Laguna Pueblo 708 LIN-P III Paintings/Drawings/ Graphics/Photography Aragon, Wanda Acoma Pueblo 257 PAL-S II Pottery Aragon Jr., Marvis Acoma Pueblo 215 PAL-N II Pottery Aragon, Sr., Marvis Acoma Pueblo 257 PAL-S II Pottery Archuleta, Mary Santa Clara Pueblo 265 PAL-S II Pottery Arquero, Dominic Cochiti Pueblo 711 LIN-P III Paintings/Drawings/ Graphics/Photography
B
Babby, Angela Oglala Lakota Sioux 243 PAL-N VII Diverse Arts Babic, Mary Aleut 241 PAL-N VII Diverse Arts Baca, Alvin Santa Clara Pueblo 264 PAL-N II Pottery Baca, Angela Santa Clara Pueblo 264 PAL-N II Pottery Baca, Annie Santa Clara Pueblo 702 LIN-W II Pottery
Buying a Centex home gives you:

A HERS score of 70 or better City of Santa Fe Green Program - Silver Certication Tankless hot water heater Energy star rated Low-E windows Lennox 93% efcient Energy star furnace and air conditioning Water conserving landscaping with automatic irrigation Low-ow toilets Low VOC paint Watersense certied Moen xtures Energy usage monitor High-efciency ceiling insulation and blown in wall insulation and much, much more
All of this, a 10 year warranty and prices starting as low as the 170s.
There are 2 conveniently located Centex Communities in Santa Fe to choose from. Go to Centex.com/offers for directions.
Learn about owning a new home by calling 866-216-0020

Continuing a policy of constant research and improvement, the PulteGroup reserves the right to change price, plan, specications or availability without notice or obligation. Please see a sales associate for details. 2011 Centex Homes. All rights reserved. 7/11/11. PGI Realty: 505-761-9606 7601 Jefferson NE Suite 320, Albuquerque NM 87109
Amerman, Marcus Choctaw 757 LIN-W Arquero, Martha VIII Beadwork/Quillwork Cochiti Pueblo 529 SF-P Aragon, Allen II Pottery Navajo (Din) 749 LIN-E Arquero, Mary I Jewelry Cochiti Pueblo II Pottery 529 SF-P II Pottery Aragon, Clarice VIII Beadwork/Quillwork Acoma Pueblo 257 PAL-S Arviso, Cheryl II Pottery Navajo (Din) 529 SF-W Aragon, Delores I Jewelry Acoma Pueblo VII Diverse Arts 215 PAL-N II Pottery Arviso, Steven Navajo (Din) Aragon, Joan 766 LIN-E Zia Pueblo I Jewelry 522 SF-W VII Diverse Arts Ataumbi, Keri VIII Beadwork/Quillwork Kiowa 125 POG Aragon, Loren I Jewelry Acoma Pueblo 736 LIN-E Atencio, Ambrose I Jewelry Santo Domingo Pueblo III Paintings/Drawings/ 525 SF-P Graphics/Photography II Pottery VII Diverse Arts Atencio, Juanita Aragon, Nanabah Santo Domingo Pueblo Navajo (Din) 525 SF-P 749 LIN-E I Jewelry VI Textiles Atencio, Lawrence Aragon, Ralph (Thunder) Zia Pueblo Ohkay Owingeh Pueblo 522 SF-W 606 PLZ II Pottery II Pottery III Paintings/Drawings/ Graphics/Photography VII Diverse Arts
Arquero, Imogene Goodshot Baca, David Oglala Sioux Santa Clara Pueblo 711 LIN-P 264 PAL-N VIII Beadwork/Quillwork II Pottery Baca, Jane Santa Clara Pueblo 301 FR-P II Pottery Baca, Joe P. Santa Clara Pueblo 203 PAL-N II Pottery Baca, Louisa Santa Clara Pueblo 264 PAL-N II Pottery Baca-Tosa, Wilma Jemez Pueblo 217 PAL-S II Pottery Bacon, Eric Passamaquoddy 782 LIN-W XI Basketry Bahe, Fidel Navajo (Din) 733 LIN-W I Jewelry Bahe, Lionel Navajo (Din) 402 WA-E I Jewelry Bailon, Clarence Santo Domingo Pueblo 334 FR-S I Jewelry Bailon, Eleanor Santo Domingo Pueblo 334 FR-S I Jewelry
Bailon, Pablita Santo Domingo Pueblo 713 LIN-E I Jewelry Balloue, John Cherokee 419 WA-E III Paintings/Drawings/ Graphics/Photography Bassett, Hathaweh Passamaquoddy 203 PAL-S II Pottery Bassett, Hiyatsi Passamaquoddy 203 PAL-S II Pottery
Begay, Lee Navajo (Din) 756 LIN-E I Jewelry Begay, Leroy Navajo (Din) 768 LIN-W I Jewelry Begay, Nellie Navajo (Din) 220 PAL-S VI Textiles Begay, Nelson Navajo (Din) 220 PAL-N I Jewelry Begay, Rebecca Navajo (Din) 678 PLZ I Jewelry
Benally, Ernest Navajo (Din) 324 FR-N I Jewelry Benally, Razelle Oglala Lakota Sioux Navajo (Din) X Moving Images Benally, Veronica Navajo (Din) 324 FR-N I Jewelry Bennett, Donna Acoma Pueblo 720 LIN-W I Jewelry Bennett, George Hualapai 720 LIN-W I Jewelry
Black, Sally Navajo (Din) 725 LIN-W XI Basketry Black Bear, (Stephen LaBoueff ) Blackfeet 228 PAL-S II Pottery Black Eagle Shoshone / Yokut 331 FR-S VII Diverse Arts VIII Beadwork/Quillwork Blackhorse, Catherine Seminole 235 PAL-S VI Textiles Blake, James (Buckeye) Cherokee 775 LIN-W III Paintings/Drawings/ Graphics/Photography V Sculpture
For more than 35 years, American Indian Art Magazine has been the premier magazine devoted exclusively to the great variety of American Indian art. This beautifully illustrated quarterly features articles by leading experts, the latest information about current auction results, publications, legal issues, museum and gallery exhibitions and events. American Indian Art Magazine, continuing to bring you the best in American Indian Art.
Beaver, Karen Three Affiliated Tribes Yupik (Calista Corp) 779 LIN-E VIII Beadwork/Quillwork Begay, Rena Navajo (Din) Beck Sr., Victor P. 259 PAL-N Navajo (Din) VI Textiles 259 PAL-N I Jewelry Begay, Richard Navajo (Din) Bedonie, Ron 246 PAL-N Navajo (Din) I Jewelry 219 PAL-S I Jewelry Begay, Romaine Navajo (Din) Begay, Abraham 713 LIN-W Navajo (Din) II Pottery 300 FR-S I Jewelry Begay, Shonto Navajo (Din) Begay, D.Y. 225 PAL Navajo (Din) III Paintings/Drawings/ 701 LIN-E Graphics/Photography VI Textiles Begay, Steven Begay, Daniel Navajo (Din) Navajo (Din) 220 PAL-N 327 FR-S I Jewelry II Pottery Begay Jr., Frederick Begay, Darryl Navajo (Din) / Ute Navajo (Din) 601 PLZ 678 PLZ V Sculpture I Jewelry Begay Jr., Harrison Begay, Eddie Navajo (Din) Navajo (Din) 327 FR-S 769 LIN-W II Pottery I Jewelry Begay, Sr., Wallace Begay, Erick Navajo (Din) Navajo (Din) 787 LIN-W 322 FR-S III Paintings/Drawings/ I Jewelry Graphics/Photography V Sculpture Begay, Frances Navajo (Din) Begaye, Brittany 768 LIN-E Navajo (Din) VI Textiles 732 LIN-W VI Textiles Begay, Kary Navajo (Din) Begaye, Sylvia 220 PAL-N Navajo (Din) I Jewelry 233 PAL-S VI Textiles Begay, Larry VII Diverse Arts Navajo (Din) 528 SF-P Ben, Arland I Jewelry Navajo (Din) 518 SF I Jewelry
Berryhill, Les Creek 329 FR-N VIII Beadwork/Quillwork Blake, Teal Cherokee Betoney Sr., Billy 775 LIN-W Navajo (Din) III Paintings/Drawings/ 418 WA-E Graphics/Photography I Jewelry Blalock-Jones, Ruthe Bia, Norman Shawnee / Delaware Navajo (Din) 109 POG 761 LIN-W III Paintings/Drawings/ I Jewelry Graphics/Photography BigBee, Walter Comanche 121 POG III Paintings/Drawings/ Graphics/Photography BigKnife, Heidi Shawnee 204 PAL-N I Jewelry Billie, Gene Navajo (Din) 200 PAL-S V Sculpture Bird, Dennis Ohkay Owingeh Pueblo / Santo Domingo Pueblo 260 PAL-S I Jewelry Bird, Gail Santo Domingo Pueblo / Laguna Pueblo 262 PAL-N I Jewelry Bird, Jolene Santo Domingo Pueblo 217 PAL-N I Jewelry Bird-Romero, Mike Ohkay Owingeh Pueblo Taos Pueblo 259 PAL-S I Jewelry Blaze, Randall Oglala Lakota Sioux 231 PAL-S II Pottery III Paintings/Drawings/ Graphics/Photography V Sculpture Blue Jacket-Roccamo, Shawn Shawnee / Cherokee 110 POG I Jewelry
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Boivin, Wendy Ann Menominee 773 LIN-E VIII Beadwork/Quillwork Boome, Peter Upper Skagit 621 PLZ III Paintings/Drawings/ Graphics/Photography Boone, Lena Zuni Pueblo 714 LIN-P I Jewelry V Sculpture Booqua, Hollie Zuni Pueblo 343 FR-N VIII Beadwork/Quillwork Bordeaux, Todd Rosebud Sioux 779 LIN-E VIII Beadwork/Quillwork
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511N
ALPHABETICAL ARTIST LIST

Borts-Medlock, Autumn Santa Clara Pueblo 664 PLZ II Pottery Box, Austin Southern Ute 738 LIN-W VII Diverse Arts Box, Debra Southern Ute 738 LIN-W VII Diverse Arts VIII Beadwork/Quillwork Boxley, David Tsimshian 778 LIN-W VII Diverse Arts Brauker, Shirley Odawa 535 SF-P III Paintings/Drawings/ Graphics/Photography II Pottery Bread, Jackie Blackfeet 284 PAL VIII Beadwork/Quillwork Bread, Nathaniel Navajo (Din) / Apache 284 PAL V Sculpture Bread, Paris L. Navajo (Din) 284 PAL III Paintings/Drawings/ Graphics/Photography Broer, Roger Oglala Sioux 106 POG III Paintings/Drawings/ Graphics/Photography Brokeshoulder, Aaron Shawnee 735 LIN-E I Jewelry Brokeshoulder, Randy Hopi / Shawnee 238 PAL-S IV Pueblo Wooden Carvings Browning, Ashley Pojoaque Pueblo 251 PAL-S XI Basketry Brycelea, Clifford Navajo (Din) 122 POG III Paintings/Drawings/ Graphics/Photography Burgess, Nocona Comanche 729 LIN-W III Paintings/Drawings/ Graphics/Photography Burgess, Quanah Comanche 734 LIN-W III Paintings/Drawings/ Graphics/Photography Burgess, Ronald Comanche 734 LIN-W III Paintings/Drawings/ Graphics/Photography Calabaza, Mitchell Santo Domingo Pueblo 414 WA-W I Jewelry Calnimptewa, Cecil Hopi 740 LIN-W IV Pueblo Wooden Carvings Carolin, Rex Cheyenne River Sioux 123 POG VII Diverse Arts Carpio, Caroline Isleta Pueblo 659 PLZ II Pottery V Sculpture Carrillo, Franklin Laguna Pueblo Choctaw 727 LIN-W I Jewelry Casuse, Fritz Navajo (Din) 519 SF I Jewelry III Paintings/Drawings/ Graphics/Photography Cat, Barbara Santo Domingo Pueblo 703 LIN-E I Jewelry Cat, Irma Santo Domingo Pueblo 708 LIN-E I Jewelry Cat, Lorraine Santo Domingo Pueblo 708 LIN-E I Jewelry Cat, Mary Santo Domingo Pueblo 703 LIN-E I Jewelry Cat, Ricardo Lee Santo Domingo Pueblo 743 LIN-E III Paintings/Drawings/ Graphics/Photography X Moving Images Cerno, Barbara Acoma Pueblo / Hopi 700 LIN-P II Pottery Cerno Jr., Joseph Acoma Pueblo 306 FR-P II Pottery Cerno Sr., Joseph Acoma Pueblo 700 LIN-P II Pottery Chandler Good Strike, Aloysius Gros Ventre / Arapaho 405 WA-W VII Diverse Arts Chaney, Ross Cherokee 409 WA-W III Paintings/Drawings/ Graphics/Photography Charley, Avis Dakota / Navajo (Din) 339 FR-N III Paintings/Drawings/ Graphics/Photography Charley, Karen Kahe Hopi 737 LIN-W II Pottery Charlie, Ric Navajo (Din) 407 WA-E I Jewelry Chattin, Daniel Zuni Pueblo 604 PLZ V Sculpture I Jewelry Chavarria, Dave Santa Clara Pueblo 410 WA-W VII Diverse Arts VIII Beadwork/Quillwork Chavarria, Denise Santa Clara Pueblo 253 PAL-N II Pottery Chavarria, Loretta Sunday Santa Clara Pueblo 253 PAL-N II Pottery Chavarria, Manuel Hopi 737 LIN-W IV Pueblo Wooden Carvings Chavarria, Stella Santa Clara Pueblo 253 PAL-N II Pottery Chavez, Clarita Santo Domingo Pueblo 743 LIN-W I Jewelry Chavez, Dorothy Santo Domingo Pueblo 303 FR-N I Jewelry Chavez, Jared San Felipe Pueblo 306 FR-N I Jewelry III Paintings/Drawings/ Graphics/Photography
C
Cadman, Marcus Navajo (Din) 774 LIN-E III Paintings/Drawings/ Graphics/Photography Cain, Linda Santa Clara Pueblo 664 PLZ II Pottery Cajero, Althea Santo Domingo Pueblo Acoma Pueblo 521 SF I Jewelry Cajero, Esther H. Jemez Pueblo 320 FR-S II Pottery VII Diverse Arts Cajero, Joe V. Jemez Pueblo 320 FR-S VII Diverse Arts II Pottery Cajero, Teri Jemez Pueblo 622 PLZ II Pottery Cajero Sr., Aaron Jemez Pueblo 622 PLZ II Pottery Cajero, Jr., Joe Jemez Pueblo 521 SF V Sculpture Calabaza, Jimmy Santo Domingo Pueblo 533 SF-E I Jewelry Calabaza, Joseph F. Santo Domingo Pueblo 304 FR-N I Jewelry Calabaza, Marie J. Ohkay Owingeh Pueblo 414 WA-W I Jewelry Calabaza, Mary Santo Domingo Pueblo 304 FR-N I Jewelry
Chavez, Joseph Kewa Pueblo 527 SF-P I Jewelry Chavez, LeJeune Kewa Pueblo / Seminole 527 SF-P I Jewelry VIII Beadwork/Quillwork Chavez, Michael D. Santo Domingo Pueblo 716 LIN-E I Jewelry Chavez, Phyllis Santo Domingo Pueblo 406 WA-W I Jewelry Chavez, Richard San Felipe Pueblo 306 FR-N I Jewelry Chavez, Trinnie Santo Domingo Pueblo 716 LIN-E I Jewelry Chavez Sr., Franklin Santo Domingo Pueblo 303 FR-N I Jewelry Chavez-James, B. Toby Santo Domingo Pueblo 407 WA-W VII Diverse Arts VIII Beadwork/Quillwork Chavez-Thomas, Lisa Isleta Pueblo 411 WA-E VII Diverse Arts Chee, Norris Navajo (Din) 338 FR-S III Paintings/Drawings/ Graphics/Photography Chee, Ronald Navajo (Din) 721 LIN-E III Paintings/Drawings/ Graphics/Photography Chee Jr, DuWayne Navajo (Din) 705 LIN-E V Sculpture Chee Sr., DuWayne Navajo (Din) 705 LIN-E V Sculpture Chee Sr., Raymond Navajo (Din) 400 WA-W V Sculpture Chimerica, Darance Hopi 269 PAL IV Pueblo Wooden Carvings
Chinana, Lorraine Jemez Pueblo 764 LIN-W II Pottery Chitto, Hollis Choctaw / Laguna Isleta 725 LIN-E VIII Beadwork/Quillwork Chitto, Randall Choctaw 725 LIN-E II Pottery Chopito, Aric Zuni Pueblo 619 PLZ VI Textiles Church, Kelly Chippewa 336 FR-S XI Basketry Clark, Carl Navajo (Din) 744 LIN-W I Jewelry Clark, Don Navajo (Din) 120 POG III Paintings/Drawings/ Graphics/Photography Clark, Gwendolyn Navajo (Din) 332 FR-N III Paintings/Drawings/ Graphics/Photography Clark, Irene Navajo (Din) 744 LIN-W I Jewelry Clark, Irene H. Navajo (Din) 332 FR-N VI Textiles
Concho, Rachel Acoma Pueblo 507 SF II Pottery Coochwikvia, Marcus Hopi 763 LIN-W I Jewelry Coochyamptewa, Paul Hopi 414 WA-E IV Pueblo Wooden Carvings VII Diverse Arts Coonsis, Colin Zuni Pueblo 317 FR-N I Jewelry Coonsis, Phyllis Zuni Pueblo 620 PLZ I Jewelry Copp, Antoinette Haida / Tlingit 739 LIN-E VII Diverse Arts XI Basketry
Cornshucker, Melvin Cherokee 724 LIN-W II Pottery Correa, Prudy Acoma Pueblo 239 PAL-N II Pottery Country Jr., Francis Sisseton-Wahpeton Si 201 PAL-N VII Diverse Arts Craig, Velma Navajo (Din) X Moving Images Crazyhorse, Cippy Cochiti Pueblo 258 PAL-N I Jewelry Crazyhorse, Waddie Red Dakota Cochiti Pueblo 258 PAL-N I Jewelry
Experience SKY CITY
Crespin, Don Santo Domingo Pueblo 315 FR-S Corcoran, Dolores Purdy I Jewelry Caddo 650 PLZ Crespin, Nancy III Paintings/Drawings/ Santo Domingo Pueblo Graphics/Photography 315 FR-S VII Diverse Arts I Jewelry Coriz, Alonzo Santo Domingo Pueblo 708 LIN-W I Jewelry Coriz, Ione Santo Domingo Pueblo 531 SF-W II Pottery Coriz, Joseph D. Santo Domingo Pueblo 623 PLZ I Jewelry Crespin, Terecita Santo Domingo Pueblo 307 FR-N I Jewelry Croslin, Larry Cherokee 535 SF-W XI Basketry Cuch, Norman Hopi / Ute 766 LIN-W IV Pueblo Wooden Carvings Cummings, Edison Navajo (Din) 207 PAL-S I Jewelry Curran, Dolores Santa Clara Pueblo 263 PAL-N II Pottery Curran, Ursula Ohkay Owingeh Pueblo 263 PAL-N II Pottery Curtis, Jennifer Navajo (Din) 736 LIN-W I Jewelry Curtis Sr., Thomas Navajo (Din) 736 LIN-W I Jewelry
$5.00 OFF ADMISSION WITH THIS AD Guided tours, Local potters, Native cuisine, Museum and Gallery
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Claw, Kareen San Carlos Apache 706 LIN-W VIII Beadwork/Quillwork Coriz, Juanita D. Santo Domingo Pueblo Claw, Monty 305 FR-S Navajo (Din) I Jewelry 706 LIN-W III Paintings/Drawings/ Coriz, Lila Graphics/Photography Santo Domingo Pueblo VII Diverse Arts 524 SF-W I Jewelry Cody, Lola Navajo (Din) Coriz, Mary R. 732 LIN-W Santo Domingo Pueblo VI Textiles 325 FR-S I Jewelry Cody, Melissa Navajo (Din) Coriz, Rudy 613 PLZ-Fellowship Santo Domingo Pueblo VI Textiles 325 FR-S I Jewelry Concho, Carolyn Acoma Pueblo Coriz, Warren L. 530 SF-P Santo Domingo Pueblo II Pottery 531 SF-W II Pottery
Pablo Milan
Rainbow Skies
36 x 36 acrylic/canvas
Artist Reception: Friday, August 19, 5-8 pm
2011 Indian Market Show

Custer, Cheyenne Navajo (Din) 737 LIN-E I Jewelry Custer, Gary Navajo (Din) 204 PAL-S I Jewelry Custer, Ira Navajo (Din) 737 LIN-E I Jewelry DeJolie, LeRoy Navajo (Din) 722 LIN-W III Paintings/Drawings/ Graphics/Photography Denipah, Marian Navajo (Din) / Ohkay Owingeh Pueblo 512 SF I Jewelry III Paintings/Drawings/ Graphics/Photography DesJarlais Jr., Larry Turtle Mt. Chippewa 728 LIN-E V Sculpture III Paintings/Drawings/ Graphics/Photography Dial, Isaac Navajo (Din) 627 PLZ I Jewelry V Sculpture Dougi, Ishkoten Jicarilla Apache Navajo (Din) 213 PAL-N V Sculpture III Paintings/Drawings/ Graphics/Photography Douglas-Willard, Diane Haida 241 PAL-S XI Basketry Draper Jr., Teddy Navajo (Din) 129 POG I Jewelry III Paintings/Drawings/ Graphics/Photography V Sculpture
E
Early, Max Laguna Pueblo 243 PAL-S II Pottery Ebelacker, Jamelyn Santa Clara Pueblo 280 PAL II Pottery Ebelacker, James Santa Clara Pueblo 280 PAL II Pottery Ebelacker, Jason L. Santa Clara Pueblo 758 LIN-W II Pottery Ebelacker, Jerome Santa Clara Pueblo 758 LIN-W II Pottery Ebelacker, Sarena Santa Clara Pueblo 280 PAL II Pottery Edaakie, Raylan Zuni Pueblo 230 PAL-N I Jewelry Edaakie, Sheryl Zuni Pueblo 207 PAL-N I Jewelry Edd, Chamisa Navajo (Din) 750 LIN-W III Paintings/Drawings/ Graphics/Photography
Emery, Dorothy Jemez Pueblo 731 LIN-W VII Diverse Arts Emery Jr, Terrance St. Croix Chippewa Jemez Pueblo 731 LIN-W I Jewelry Emery, Sr., Terrence St. Croix Chippewa 731 LIN-W I Jewelry Eriacho, Felino Zuni Pueblo 230 PAL-N V Sculpture IV Pueblo Wooden Carvings Eriacho, Jessica Zuni Pueblo 230 PAL-N VI Textiles Ernest, Marcella Ojibwe - Bad River Band X Moving Images Esquivel, Dennis Ottawa 729 LIN-E VII Diverse Arts III Paintings/Drawings/ Graphics/Photography Ethelbah Jr., Upton Santa Clara Pueblo Apache (White Mountain) 654 PLZ V Sculpture Etsitty, Venus Navajo (Din) 324 FR-N I Jewelry Eustace, Christina Zuni Pueblo Cochiti Pueblo 600 PLZ I Jewelry Eustace, Jolene Zuni Pueblo Cochiti Pueblo 415 WA-E I Jewelry Eustace-Carlisle, Bernadette Zuni Pueblo Cochiti Pueblo 415 WA-E I Jewelry
D
Da, Jarrod San Ildefonso Pueblo 765 LIN-W III Paintings/Drawings/ Graphics/Photography Dalangyawma, Ramon Hopi 717 LIN-W I Jewelry Dalasohya Jr., David Hopi 775 LIN-E III Paintings/Drawings/ Graphics/Photography Dallasvuyaoma, Bennard Pima-Maricopa / Hopi 286 PAL I Jewelry Dallasvuyaoma, Frances Jue Hopi 286 PAL I Jewelry Darden, Steve Navajo (Din) 705 LIN-P VII Diverse Arts VIII Beadwork/Quillwork Dark Mountain, Dawn Oneida 759 LIN-E III Paintings/Drawings/ Graphics/Photography Dawahoya, Nuvadi Hopi 214 PAL-S IV Pueblo Wooden Carvings Day, Irma Laguna Pueblo 222 PAL-N XI Basketry Day Sr., Jonathan Hopi / Laguna Pueblo 655 PLZ IV Pueblo Wooden Carvings
Dugi, Orlando Edd, Ruthie Navajo (Din) Navajo (Din) 615 PLZ-Fellowship 750 LIN-W VIII Beadwork/Quillwork III Paintings/Drawings/ Graphics/Photography Dukepoo, Causandra Taos Pueblo Edd, Santana 254 PAL-N Navajo (Din) I Jewelry 750 LIN-W III Paintings/Drawings/ Dukepoo, Michael Graphics/Photography Hopi 254 PAL-N Edd, Sierra I Jewelry Navajo (Din) 750 LIN-W Duwyenie, Debra III Paintings/Drawings/ Santa Clara Pueblo Graphics/Photography 410 WA-W II Pottery Emarthle-Douglas, Carol Seminole / Northern Duwyenie, Mary Lynn Arapaho Hopi 212 PAL-S 302 FR-N XI Basketry III Paintings/Drawings/ Graphics/Photography Emerson, Anthony Chee VI Textiles Navajo (Din) 113 POG Duwyenie, Preston III Paintings/Drawings/ Hopi Graphics/Photography 410 WA-W I Jewelry II Pottery
F
Fendenheim, James Tohono Oodham 757 LIN-W I Jewelry
Fender, Erik Than Tsideh San Ildefonso Pueblo 702 LIN-P II Pottery Fender, Martha Appleleaf San Ildefonso Pueblo 702 LIN-P II Pottery Fields, Anita Osage 209 PAL-S II Pottery V Sculpture Fischer, Mark Oneida 776 LIN-E V Sculpture Flett, George Spokane 727 LIN-E IV Pueblo Wooden Carvings Flett, Jr., George Spokane 727 LIN-E VII Diverse Arts Foley, Benina Jemez Pueblo 523 SF-W II Pottery Folwell, Jody Santa Clara Pueblo 640 PLZ II Pottery Folwell, Susan Santa Clara Pueblo 640 PLZ II Pottery
Fragua, Linda Jemez Pueblo 222 PAL-N II Pottery Fragua, Melinda Jemez Pueblo 712 LIN-W II Pottery Fragua-Cota, Laura Jemez Pueblo 724 LIN-E I Jewelry II Pottery III Paintings/Drawings/ Graphics/Photography Francis, Florence Navajo (Din) 761 LIN-W I Jewelry Frank, Lauren Good Day Arikara / Blackfeet/Cree 335 FR-N VIII Beadwork/Quillwork III Paintings/Drawings/ Graphics/Photography VI Textiles Franklin, William Navajo (Din) 260 PAL-N III Paintings/Drawings/ Graphics/Photography Fredericks, Evelyn Hopi 784 LIN-W V Sculpture Frey, Jeremy Passamaquoddy 240 PAL-S XI Basketry
Galvan, Joselita Zia Pueblo 760 LIN-W VI Textiles Garcia, David Pascua-Yaqui Nambe Pueblo 506 SF I Jewelry Garcia, Dennis C. Santo Domingo Pueblo 740 LIN-E I Jewelry Garcia, Effie Santa Clara Pueblo 713 LIN-P II Pottery Garcia, Emily B. Santo Domingo Pueblo 642 PLZ I Jewelry Garcia, Jason Santa Clara Pueblo 126 POG II Pottery III Paintings/Drawings/ Graphics/Photography Garcia, John Santa Clara Pueblo 126 POG II Pottery III Paintings/Drawings/ Graphics/Photography Garcia, Lorencita Santo Domingo Pueblo 320 FR-N I Jewelry Garcia, Margaret Peggy Acoma Pueblo 736 LIN-E II Pottery
Gasper, Debra Zuni Pueblo 714 LIN-P V Sculpture Gasper, Dinah Zuni Pueblo 714 LIN-P I Jewelry V Sculpture Gasper, Duran Zuni Pueblo 786 LIN-W I Jewelry Gasper, Ryland Zuni Pueblo 229 PAL-S I Jewelry Gasper Sr., Bart Zuni Pueblo 251 PAL-N IV Pueblo Wooden Carvings Gatewood, Anthony Isleta Pueblo Navajo (Din) 781 LIN-E I Jewelry Gaussoin, Connie Tsosie Navajo (Din) Picuris Pueblo 261 PAL-S I Jewelry Gaussoin, David Navajo (Din) Picuris Pueblo 261 PAL-S I Jewelry Gaussoin, Wayne Picuris Pueblo Navajo (Din) 261 PAL-S I Jewelry Gauthier, Amber Ho-Chunk / Menominee 274 PAL III Paintings/Drawings/ Graphics/Photography Gchachu, Smokey Zuni Pueblo 755 LIN-E I Jewelry Gendron, Richard M. Colville 764 LIN-E III Paintings/Drawings/ Graphics/Photography Gene, Leonard Navajo (Din) 658 PLZ I Jewelry George, Ros Hopi 672 PLZ IV Pueblo Wooden Carvings
The Art Hotel of Santa Fe
BronzE By dalE claudE lamPHErE
Friday, Paula Jicarilla Apache Fowler, Cindy 765 LIN-W Navajo (Din) VIII Beadwork/Quillwork Garcia, Mary D. Lewis 523 SF-E Acoma Pueblo VIII Beadwork/Quillwork 527 SF-E II Pottery Fowler, Myron Gabriel, Victor Navajo (Din) Garcia, Michael Na Na Washoe 777 LIN-E Ping 245 PAL-N III Paintings/Drawings/ Pascua Yaqui I Jewelry Graphics/Photography 506 SF I Jewelry Gachupin, Henrietta Fragua, B.J. Jemez Pueblo Jemez Pueblo Garcia, Nelson 712 LIN-W 727 LIN-W Santo Domingo Pueblo II Pottery II Pottery 718 LIN-W I Jewelry Gachupin, Laura Fragua, Cliff Jemez Pueblo Jemez Pueblo Garcia, Sharon Naranjo 523 SF-W 753 LIN-E Santa Clara Pueblo II Pottery V Sculpture 606 PLZ II Pottery Gala, Carol Fragua, Glendora Laguna Pueblo Jemez Pueblo Garcia, Wilfred L. Taos Pueblo 652 PLZ Acoma Pueblo 709 LIN-E II Pottery 511 SF VIII Beadwork/Quillwork II Pottery Fragua, Juanita Gala Lewis, Lorraine Jemez Pueblo Garza, Dolores Laguna/Taos/Hopi 652 PLZ Haida 242 PAL-N II Pottery 237 PAL-S II Pottery VI Textiles XI Basketry
intErnationally rEcongnizEd artists.
FEaturing sPEctacular art By
tHE Paintings and sculPturEs oF doug coFFin, rolliE grandBois, JoHn FarnswortH, BEtty nancE smitH, katHlEEn Frank, signE BErgman, HErB Edwards, addiE draPEr, darlEnE mcElroy, susan contrEras all sHowcasEd tHrougHout indian markEt and art curator sara EyEstonE
505.986.0000 or 866.331.roCK (7625) 330 East PalacE avEnuE, santa FE laPosadadEsantaFE.com
vail asPEn BEavEr crEEk BrEckEnridgE Jackson HolE santa FE miami dominican rEPuBlic Jamaica st. lucia
NATIVE

Gibson, Rowena Taos Pueblo Santa Clara Pueblo 706 LIN-E II Pottery Goeman, Ronni-Leigh Onondaga 279 PAL XI Basketry Goeman, Stonehorse Seneca 279 PAL V Sculpture Goldenrod, Pojoaque Pueblo Santa Clara Pueblo 126 POG II Pottery Goldtooth, Laverna Navajo (Din) 418 WA-W I Jewelry Gomez, Glenn Taos Pueblo / Pojoaque Pueblo 223 PAL-S II Pottery Gonzales, Aaron San Ildefonso Pueblo 247 PAL-N II Pottery Gonzales, Barbara Tahn-moo-whe San Ildefonso Pueblo 247 PAL-N II Pottery III Paintings/Drawings/ Graphics/Photography Gonzales, Brandan San Ildefonso Pueblo 247 PAL-N II Pottery Gonzales, Cavan San Ildefonso Pueblo 520 SF II Pottery Gonzales, Jeanne San Ildefonso Pueblo Winnebago 312 FR-S II Pottery Gonzales, John San Ildefonso Pueblo 741 LIN-W II Pottery Gonzales, Mary Jemez Pueblo 215 PAL-S VI Textiles Gonzales, Melanie San Ildefonso Pueblo Jemez Pueblo 215 PAL-S VI Textiles Gonzales, Robert San Ildefonso Pueblo 247 PAL-N II Pottery Gonzales-Kailahi, Marie Ann San Ildefonso Pueblo 312 FR-S II Pottery Grandbois, Rollie Turtle Mountain Chippewa 715 LIN-E V Sculpture Grant, Dorothy Haida of Alaska 747 LIN-E I Jewelry VI Textiles Greenwood, Brent Ponca 779 LIN-W III Paintings/Drawings/ Graphics/Photography Gutierrez, Geraldine San Ildefonso Pueblo Santa Clara Pueblo 309 FR-P III Paintings/Drawings/ Graphics/Photography Gutierrez, Margaret Rose Santa Clara Pueblo 248 PAL-S II Pottery Gutierrez, Rose Santa Clara Pueblo San Ildefonso Pueblo 309 FR-P II Pottery Gutierrez, Teresa Santa Clara Pueblo 230 PAL-S II Pottery Gutierrez Jr., Tony Santa Clara Pueblo 707 LIN-W II Pottery Harris, Cheyenne Navajo (Din) 508 SF I Jewelry Harrison, Jimmie Navajo (Din) 501 SF I Jewelry Hart, Nathan Cheyenne Arapaho 785 LIN-W V Sculpture Harvey, Jason Navajo (Din) 641 PLZ VI Textiles Harvey, Sheldon Navajo (Din) 794 LIN-W III Paintings/Drawings/ Graphics/Photography V Sculpture
shuma olowa
G I F T S
Haskie, Vernon Navajo (Din) Greeves, Teri Gutierrez-Naranjo, Carol 646 PLZ Kiowa Santa Clara Pueblo I Jewelry 327 FR-N San Ildefonso Pueblo VIII Beadwork/Quillwork 309 FR-P Hatch Sr., William V. II Pottery Navajo (Din) Gress, Robert 754 LIN-E Crow Gutierrez-Naranjo, Kathy III Paintings/Drawings/ 509 SF San Ildefonso Pueblo / Graphics/Photography I Jewelry Santa Clara Pueblo 309 FR-P Haukaas, M. Linda Growing Thunder II Pottery Rosebud Sioux Fogarty, Joyce 127 POG Sioux / Assiniboine III Paintings/Drawings/ 419 WA-W Graphics/Photography VIII Beadwork/Quillwork Hageman, Lisa Hayes, Lucille Bah Haida Growing Thunder Navajo (Din) 614 PLZ-Fellowship Fogarty, Juanita 313 FR-N VI Textiles Sioux / Assiniboine I Jewelry 419 WA-W VIII Beadwork/Quillwork Hamilton-Youngbird, Hemlock, Carla Dyanni Smith Mohawk Navajo (Din) Grunlose, Cheryl 791 LIN-W 529 SF-E Colville VII Diverse Arts VIII Beadwork/Quillwork 415 WA-W III Paintings/Drawings/ Hemlock, Donald Hanlon, Lorene Graphics/Photography Mohawk (St. Regis) Tlingit 791 LIN-W 340 FR-N Guardipee, Terrance III Paintings/Drawings/ VI Textiles Blackfeet Graphics/Photography XI Basketry 235 PAL-S VII Diverse Arts III Paintings/Drawings/ Hanna, Crystal Graphics/Photography Henderson, Alberta Cherokee (Western) Navajo (Din) 513 SF Gutierrez, Denny 406 WA-E II Pottery Santa Clara Pueblo VI Textiles 301 FR-N Harjo Jr., Benjamin II Pottery Hendren, Shane Seminole / Shawnee Navajo (Din) 103 POG Gutierrez, Dorothy 712 LIN-E III Paintings/Drawings/ Navajo (Din) I Jewelry Graphics/Photography 254 PAL-S II Pottery Henry, Melissa Harrington, Gary Navajo (Din) Comanche Gutierrez, Gary X Moving Images X Moving Images Santa Clara Pueblo 254 PAL-S II Pottery
Her Many Horses, Emil Oglala Lakota 669 PLZ VII Diverse Arts VIII Beadwork/Quillwork Herrera, Carlos Cochiti Pueblo 670 PLZ VII Diverse Arts XI Basketry Herrera, George Navajo (Din) 318 FR-S VII Diverse Arts Herrera, Grace Ann Navajo (Din) 318 FR-S I Jewelry Herrera, Theodore Arnold Cochiti Pueblo 670 PLZ VII Diverse Arts Herrera, Thomas L. Cochiti Pueblo 670 PLZ VII Diverse Arts XI Basketry Herrera, Tim Cochiti Pueblo 670 PLZ I Jewelry Hesuse, Lori Navajo (Din) 529 SF-W I Jewelry Hewson, Robert Tsimshian 739 LIN-E VII Diverse Arts Hill, George Spokane / Colville 772 LIN-E III Paintings/Drawings/ Graphics/Photography V Sculpture Hill, Rosemary Tuscarora 772 LIN-W VIII Beadwork/Quillwork Histia, Jacqueline Acoma Pueblo 271 PAL II Pottery Hobson, Andrew Navajo (Din) 282 PAL III Paintings/Drawings/ Graphics/Photography Hodgins, L. Bruce Navajo (Din) 501 SF I Jewelry Holmes Jr., Arthur Hopi 219 PAL-N IV Pueblo Wooden Carvings
Holt, Lisa Cochiti Pueblo 228 PAL-N II Pottery Holy Bear, Charlene Standing Rock Sioux 408 WA-E VIII Beadwork/Quillwork Honahnie, Anthony Hopi 759 LIN-W I Jewelry III Paintings/Drawings/ Graphics/Photography Honanie, Delbridge Hopi 716 LIN-W IV Pueblo Wooden Carvings Honanie, Ernest Hopi 337 FR-S IV Pueblo Wooden Carvings Honanie, Kara Anne Hopi 714 LIN-E IV Pueblo Wooden Carvings Honanie, Watson Hopi 714 LIN-E I Jewelry Honanie, Yvonne Hopi 790 LIN-W XI Basketry Hongeva, H. Renauls Hopi 516 SF III Paintings/Drawings/ Graphics/Photography Honyouti, Richard Hopi 726 LIN-W VII Diverse Arts Honyumptewa, Aaron Picuris Pueblo / Hopi 500 SF IV Pueblo Wooden Carvings Honyumptewa, Stetson Hopi 500 SF IV Pueblo Wooden Carvings Honyuptewa, Lorne K. Hopi / Picuris Pueblo 500 SF III Paintings/Drawings/ Graphics/Photography Hoskie, Randy Navajo (Din) 773 LIN-E I Jewelry
Howard, Ivan Navajo (Din) 704 LIN-W I Jewelry Howard, Norma Choctaw / Chickasaw 206 PAL-N III Paintings/Drawings/ Graphics/Photography Huma, Rondina Hopi 528 SF-W II Pottery Hummingbird, Jesse Cherokee 404 WA-E III Paintings/Drawings/ Graphics/Photography Hunter, Carmen Navajo (Din) 128 POG III Paintings/Drawings/ Graphics/Photography Huntinghorse, Dina Wichita / Kiowa 420 WA-E I Jewelry
Jamon, Carlton Zuni Pueblo Navajo (Din) 216 PAL-S I Jewelry Jennings, Vanessa Pima / Kiowa 669 PLZ VII Diverse Arts VIII Beadwork/Quillwork Joe, Alfred Navajo (Din) 525 SF-W I Jewelry Joe, Cheryl Navajo (Din) 316 FR-N III Paintings/Drawings/ Graphics/Photography V Sculpture Joe, Hyrum Navajo (Din) / Ute 233 PAL-N III Paintings/Drawings/ Graphics/Photography Joe, Larry R. Navajo (Din) 706 LIN-P I Jewelry Joe, Oreland Ute / Navajo (Din) 700 LIN-E I Jewelry V Sculpture John, Alvin Navajo (Din) 300 FR-P V Sculpture III Paintings/Drawings/ Graphics/Photography Johnson, Kenneth Muscogee / Seminole 237 PAL-N I Jewelry Johnson, Terrol Tohono Oodham 508 SF XI Basketry Johnson, Yazzie Navajo (Din) 262 PAL-N I Jewelry Jojola, Anthony Isleta Pueblo 711 LIN-E V Sculpture Jojola, Deborah Isleta Pueblo Jemez Pueblo 715 LIN-E III Paintings/Drawings/ Graphics/Photography Jojola, Vernon Isleta Pueblo Laguna Pueblo 721 LIN-W I Jewelry
I
Ingram, Jerry Choctaw 274 PAL VIII Beadwork/Quillwork III Paintings/Drawings/ Graphics/Photography Irene, Mary Muscogee (Creek) 236 PAL-N I Jewelry
J
Jackson, Dan A. Navajo (Din) 343 FR-S I Jewelry Jackson, Gene Navajo (Din) 728 LIN-W I Jewelry Jackson, Martha Navajo (Din) 728 LIN-W I Jewelry Jackson, Tommy Navajo (Din) 725 LIN-W I Jewelry Jacobs, Alex Akwesasne Mohawk 321 FR-S III Paintings/Drawings/ Graphics/Photography James, Darlene Pomo 212 PAL-S XI Basketry
Haciendas
A PA R A D E O F H O M E S
Home Building Santa Fe Style
Jonathan, Grant Tuscarora 772 LIN-W VIII Beadwork/Quillwork Jones-Crouch, Micqaela Shoshone 734 LIN-E III Paintings/Drawings/ Graphics/Photography Juanico, Marie Acoma Pueblo 215 PAL-N II Pottery Juanico, Marietta Acoma Pueblo 323 FR-N II Pottery Juanico, Melvin Acoma Pueblo 323 FR-N II Pottery Judd, Steven Kiowa / Choctaw X Moving Images Judge, Raymond Navajo (Din) 408 WA-W III Paintings/Drawings/ Graphics/Photography V Sculpture Julian, Rainey Jicarilla Apache 733 LIN-W I Jewelry Jumbo, Darrell Navajo (Din) 413 WA-E I Jewelry
Kaskalla, Lela Nambe Pueblo 712 LIN-P I Jewelry Kaskalla, Roderick Zuni Pueblo 712 LIN-P I Jewelry Katoney, Jeanette Navajo (Din) 602 PLZ III Paintings/Drawings/ Graphics/Photography Kaydahzinne, Vincent Mescalero Apache 731 LIN-E V Sculpture Kaye, Wilmer Hopi 403 WA-W IV Pueblo Wooden Carvings Kayquoptewa, Brendan Hopi 420 WA-W IV Pueblo Wooden Carvings Kelly, Craig Navajo (Din) 524 SF-E VIII Beadwork/Quillwork Kemp, Randy Creek 748 LIN-W III Paintings/Drawings/ Graphics/Photography Kemp, Rykelle Creek / Choctaw 748 LIN-W III Paintings/Drawings/ Graphics/Photography Keyonnie, Julius Navajo (Din) 227 PAL-S I Jewelry King, James Navajo (Din) 523 SF-E III Paintings/Drawings/ Graphics/Photography King, John Navajo (Din) 616 PLZ III Paintings/Drawings/ Graphics/Photography Kirk, Michael Isleta Pueblo Navajo (Din) 748 LIN-E I Jewelry
Kohlmeyer, Reina Jemez Pueblo 310 FR-N II Pottery Kohlmeyer-Eagleboy, Royce Jemez Pueblo 310 FR-N I Jewelry Koinva Sr., Anderson Hopi 762 LIN-W I Jewelry IV Pueblo Wooden Carvings Kokaly, Mary Lou Isleta Pueblo Ohkay Owingeh Pueblo 218 PAL-S II Pottery Kooyahoema, Kathryn Hopi 336 FR-N XI Basketry Koruh, Renferd Hopi 307 FR-S IV Pueblo Wooden Carvings
LaFountain, Presley Chippewa 723 LIN-W V Sculpture LaFountain, Saige Navajo (Din) Chippewa 763 LIN-E V Sculpture LaFountain, Samuel Chippewa Navajo (Din) 763 LIN-E I Jewelry Lance, Stanton Laguna Pueblo 600 PLZ VII Diverse Arts LaRance, Steve Hopi 512 SF I Jewelry Lasiloo, Alan E. Zuni Pueblo 331 FR-N II Pottery Laughing, Charlene Navajo (Din) 200 PAL-N VI Textiles
Santa Fes Best Open House
AUGUST 12-14 & 18-21, 2011

A self-guided tour of new & remodeled homes celebrating the best in design & construction, including sustainable, green technologies, from traditional to contemporary. Homes will be open for two weekends, Friday Sunday from 11 am to 6 pm. Free admission to the Twilight Tour on Thursday the 18th from 4 pm to 9 pm. Tickets available at the Lensic Box Office 505.988.1234 The official magazine will be available for free at homes and sponsor locations.
SANTA FE AREA HOME BUILDERS ASSOCIATION A driving force for quality building in Santa Fe.
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Kabotie, Ed Hopi Santa Clara Pueblo 618 PLZ III Paintings/Drawings/ Graphics/Photography I Jewelry II Pottery Kahe, Gloria Navajo (Din) 752 LIN-W II Pottery Kahe, Valerie J. Hopi 752 LIN-W II Pottery Kanteena, Michael Laguna Pueblo 528 SF-P II Pottery
Laughing, Milton Laahty, Lorena Navajo (Din) Zuni Pueblo 200 PAL-N 310 FR-P VI Textiles VIII Beadwork/Quillwork Laughing, Mona Laahty, Ricky Navajo (Din) Zuni Pueblo 200 PAL-N 337 FR-N VI Textiles V Sculpture Laughing-Reeves, Laahty, Ron Michele Zuni Pueblo Navajo (Din) 337 FR-N 227 PAL-N I Jewelry VI Textiles V Sculpture Laconsello, Nancy Zuni Pueblo Navajo (Din) 323 FR-S Laconsello, Ruddell Zuni Pueblo 323 FR-S I Jewelry LaFountain, Bruce Chippewa 710 LIN-E V Sculpture LaFountain, Eve-Lauryn Chippewa 710 LIN-E III Paintings/Drawings/ Graphics/Photography X Moving Images Learned, Brent Cheyenne / Arapaho 534 SF-P III Paintings/Drawings/ Graphics/Photography Lee, Albert Navajo (Din) 231 PAL-N I Jewelry Lee, Allison Navajo (Din) 416 WA-E I Jewelry Lee, Emma R. Navajo (Din) 401 WA-W VI Textiles Lee, Kyle Navajo (Din) 416 WA-E I Jewelry
1409 Luisa Street, Santa Fe 505.982.1774 For more information visit sfahba.com haciendasmagazine.com
Fast Signs Firefly Lighting Southwest Spanish Craftsmen Stewart Title Sunwest Construction Specialities, Inc
Klain, Bennie Karty, Billie Navajo (Din) Comanche X Moving Images 303 FR-S VIII Beadwork/Quillwork
Lee, Tony Navajo (Din) 275 PAL V Sculpture Lee, Trent Navajo (Din) 416 WA-E I Jewelry Lee-Anderson, Wyatt Navajo (Din) 416 WA-E I Jewelry Lent, Mary Laguna Pueblo Santa Clara Pueblo 310 FR-S VII Diverse Arts VIII Beadwork/Quillwork Lewis, Bernard Acoma Pueblo 530 SF-P II Pottery Lewis, Joyce Cochiti Pueblo 746 LIN-W II Pottery Lewis, Judy M. Acoma Pueblo 741 LIN-E II Pottery Lewis, Sharon Acoma Pueblo 306 FR-S II Pottery Lewis-Barnes, Melissa Navajo (Din) 773 LIN-W VII Diverse Arts Lewis-Garcia, Diane Acoma Pueblo 530 SF-P II Pottery Lister, Ernie Navajo (Din) 202 PAL-S I Jewelry Little, James Navajo (Din) 653 PLZ I Jewelry Little Thunder, Merlin Cheyenne 344 FR-N III Paintings/Drawings/ Graphics/Photography Littlebird, Harold Laguna Pueblo Kewa Pueblo 400 WA-E II Pottery Livingston, Irene Navajo (Din) 525 SF-E I Jewelry
Livingston, Jake Navajo (Din) Zuni Pueblo 525 SF-E I Jewelry Livingston, JayJacob Navajo (Din) 321 FR-N I Jewelry Lomahaftewa, Linda Hopi / Choctaw 108 POG III Paintings/Drawings/ Graphics/Photography Lomaventema, Gerald Hopi 655 PLZ I Jewelry Loretto, Fran Jemez Pueblo Cochiti Pueblo 644 PLZ I Jewelry II Pottery III Paintings/Drawings/ Graphics/Photography Loretto, Glenda Jemez Pueblo 743 LIN-E I Jewelry Loretto, Jonathan Cochiti Pueblo 509 SF II Pottery Louis, Reycita Acoma Pueblo 339 FR-S II Pottery Lovato, Andrew Santo Domingo Pueblo 261 PAL-N I Jewelry Lovato, Anthony Santo Domingo Pueblo 629 PLZ I Jewelry Lovato, Calvin Santo Domingo Pueblo 673 PLZ I Jewelry Lovato, Lillian R. Santo Domingo Pueblo 313 FR-S I Jewelry Lovato, Manuelita Santo Domingo Pueblo 246 PAL-S II Pottery Lovato, Maria S. Santo Domingo Pueblo 677 PLZ I Jewelry Lovato, Martine Santo Domingo Pueblo 246 PAL-S I Jewelry
Lovato, Marvin Santo Domingo Pueblo 313 FR-S I Jewelry Lovato, Peggy Santo Domingo Pueblo 261 PAL-N I Jewelry Lovato, Pilar A. Santo Domingo Pueblo 673 PLZ I Jewelry Lovato Sr., Ray Santo Domingo Pueblo 261 PAL-N I Jewelry Lowden, Virginia Acoma Pueblo 319 FR-N II Pottery LT, Patta (Butcher) Choctaw 340 FR-S VII Diverse Arts Lucario, Rebecca Acoma Pueblo 741 LIN-E II Pottery Lucero, Diana P. Zia Pueblo 760 LIN-W II Pottery Lujan, Ira Taos Pueblo 607 PLZ V Sculpture Lujan, James Taos Pueblo X Moving Images Lujan-Hauer, Pamela Taos Pueblo 610 PLZ-Fellowship II Pottery V Sculpture Lynch, Rhett Navajo (Din) 770 LIN-W III Paintings/Drawings/ Graphics/Photography
Madalena, Shannan Jemez Pueblo 535 SF-E II Pottery III Paintings/Drawings/ Graphics/Photography Magee, Deborah Blackfeet 244 PAL-N VIII Beadwork/Quillwork VII Diverse Arts Antique Pawn Jewelry Maha, Loren Hopi 218 PAL-S I Jewelry Maktima, Duane Laguna Pueblo / Hopi 752 LIN-E I Jewelry Maktima, Joe Laguna Pueblo / Hopi 102 POG III Paintings/Drawings/ Graphics/Photography Maldonado, Alex Yaqui 211 PAL-S VII Diverse Arts Mallahan, Mae Navajo (Din) 233 PAL-S VI Textiles Manygoats, Benson Navajo (Din) 223 PAL-N I Jewelry Manygoats, Elizabeth Navajo (Din) 660 PLZ II Pottery Manygoats, Florence Navajo (Din) 517 SF VI Textiles Manymules, Samuel Navajo (Din) 704 LIN-P II Pottery Marcus, Robert Spooner Ohkay Owingeh Pueblo 607 PLZ V Sculpture Mares, Shirley Yakima 263 PAL-S I Jewelry Martinez, Frances San Ildefonso Pueblo 709 LIN-P II Pottery Martinez, Jocelyn Taos Pueblo 744 LIN-E III Paintings/Drawings/ Graphics/Photography Jesse Monongye
Alvin Yellowhorse Antique Beadwork
Antique Baskets
Charles Loloma Barbara & Joseph Cerno
Maria Martinez
Stetson Honyumptewa
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MacKnight, Sheridan Chippewa 420 WA-W III Paintings/Drawings/ Graphics/Photography Madalena, Joshua Jemez Pueblo 403 WA-E II Pottery Madalena, Reyes Jemez Pueblo 535 SF-E II Pottery
Navajo Weavings
MIRACLE MILE SHOPS I 702.598.3929

PLANET HOLLYWOOD RESORT & CASINO LAS VEGAS, NEVADA
WWW.INDIANRIVERGALLERY.COM
BRONZES I PAINTINGS I KATSINAS I STORYTELLERS I POTTERY NAVAJO WEAVINGS I FETISHES I ANTIQUES I JEWELRY I KNIVES

Martinez, Leon Navajo (Din) 793 LIN-W I Jewelry Martinez, Marie San Ildefonso Pueblo 700 LIN-W VII Diverse Arts Martinez, Marvin San Ildefonso Pueblo 709 LIN-P II Pottery Martinez, Pauline San Ildefonso Pueblo 252 PAL-S II Pottery Martinez, Terry Navajo (Din) 793 LIN-W I Jewelry Maybee, Dallin Arapaho / Seneca 242 PAL-S VII Diverse Arts III Paintings/Drawings/ Graphics/Photography McCoy Jr., Daniel Muscogee (Creek) Potawatomi 325 FR-N III Paintings/Drawings/ Graphics/Photography Melchor, Crucita Santo Domingo Pueblo 705 LIN-W II Pottery Melero, Melissa Paiute 751 LIN-E III Paintings/Drawings/ Graphics/Photography Menchego, Arthur J. Santa Ana Pueblo 733 LIN-E III Paintings/Drawings/ Graphics/Photography Meredith, America Cherokee 229 PAL-N III Paintings/Drawings/ Graphics/Photography Metoxen, Linda Navajo (Din) 626 PLZ I Jewelry Michaels, Patricia Taos Pueblo 758 LIN-E VI Textiles Miles, Douglas San Carlos Apache 277 PAL III Paintings/Drawings/ Graphics/Photography Minkler, Sam Navajo (Din) 417 WA-E III Paintings/Drawings/ Graphics/Photography Mirabal, Martha Santa Clara Pueblo 316 FR-S II Pottery Mirabal-Gomez, Tammie Santa Clara Pueblo Taos Pueblo 316 FR-S II Pottery Mitchell, Emma Acoma Pueblo 528 SF-E II Pottery Mitchell-Trejo, Mary Navajo (Din) 507 SF V Sculpture Montoya, Louis Navajo (Din) 703 LIN-P I Jewelry Montoya, Paul Sandia Pueblo Ohkay Owingeh Pueblo 116 POG III Paintings/Drawings/ Graphics/Photography Montoya, Robert B. Sandia Pueblo 116 POG III Paintings/Drawings/ Graphics/Photography Montoya, Rodger Navajo (Din) 703 LIN-P I Jewelry Moquino, Jennifer Santa Clara Pueblo 232 PAL-S II Pottery Morrison, Eddie Cherokee 334 FR-N V Sculpture Mose, Allen Navajo (Din) 226 PAL III Paintings/Drawings/ Graphics/Photography Moya, Daniel Pojoaque Pueblo 341 FR-N VII Diverse Arts Murillo, Ramon Shoshone 757 LIN-E III Paintings/Drawings/ Graphics/Photography Murphy, William Navajo (Din) 718 LIN-E III Paintings/Drawings/ Graphics/Photography Myers, Jhane Comanche / Blackfeet 505 SF VII Diverse Arts VI Textiles Naha, Rainy Hopi / Tewa 253 PAL-S II Pottery Nahohai, Milford Zuni Pueblo 624 PLZ II Pottery Nahohai, Randy Zuni Pueblo 624 PLZ II Pottery Nakai, Bernice Navajo (Din) 728 LIN-W I Jewelry Namingha Jr., Wayland Lester Hopi 619 PLZ IV Pueblo Wooden Carvings Namoki, Lawrence Hopi 314 FR-S II Pottery IV Pueblo Wooden Carvings Namoki, Valerie Hopi Tewa 726 LIN-E II Pottery Naranjo, Betty Santa Clara Pueblo 304 FR-P II Pottery Naranjo, Dusty Santa Clara Pueblo 707 LIN-E II Pottery Naranjo, Eunice Navajo (Din) 315 FR-N II Pottery Naranjo, Frances Santa Clara Pueblo 265 PAL-N II Pottery Naranjo, Geri Santa Clara Pueblo 263 PAL-N II Pottery Naranjo, Jody Santa Clara Pueblo 402 WA-W II Pottery Naranjo, Joseph G. Santa Clara Pueblo 315 FR-N II Pottery Naranjo, Kevin Santa Clara Pueblo 341 FR-S II Pottery
Leroy Petry.
McCullough, Michael Choctaw 257 PAL-N III Paintings/Drawings/ Graphics/Photography McCullough, Stephen Choctaw 257 PAL-N III Paintings/Drawings/ Graphics/Photography McKay, Glenda Cook Inlet Region, Inc. 221 PAL-N VII Diverse Arts McKelvey, Lucy Leuppe Navajo (Din) 530 SF-E II Pottery Medina, Elizabeth Zia Pueblo 722 LIN-E II Pottery
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Naataanii, TahNibaa Navajo (Din) 645 PLZ VI Textiles
You Need
to celebrate along with the nation to honor our local hero to express your gratitude
Medina, Jennifer Santo Domingo Pueblo 513 SF I Jewelry Medina, Marcellus Zia Pueblo 722 LIN-E II Pottery III Paintings/Drawings/ Graphics/Photography
You turn to us.

162 Years of Trust and Reliability in the Santa Fe Community
Mitten, Katrina Miami Tribe of Oklahoma 216 PAL-N VIII Beadwork/Quillwork Naavaasya, Hopi / Acoma Pueblo 256 PAL-S Montoya, Geronima Ohkay Owingeh Pueblo I Jewelry III Paintings/Drawings/ 116 POG Graphics/Photography III Paintings/Drawings/ Graphics/Photography
Naranjo, Madeline E. Santa Clara Pueblo 265 PAL-N II Pottery Naranjo, Monica Santa Clara Pueblo 263 PAL-N II Pottery Naranjo, Robert G. Santa Clara Pueblo 719 LIN-W II Pottery Naranjo, Robert T. Santa Clara Pueblo 304 FR-P II Pottery Naranjo, Stephanie Santa Clara Pueblo 248 PAL-S II Pottery Naranjo, Tito Santa Clara Pueblo 707 LIN-E V Sculpture Nasafotie, Adrian Hopi 516 SF IV Pueblo Wooden Carvings Naseyowma, Gilbert Hopi 755 LIN-W IV Pueblo Wooden Carvings V Sculpture Naseyowma, Gregory Hopi 755 LIN-W I Jewelry Natay, Ehren Navajo (Din) 342 FR-N I Jewelry III Paintings/Drawings/ Graphics/Photography Natseway, Thomas Laguna Pueblo 522 SF-P II Pottery Navasie, Fawn Hopi 402 WA-E II Pottery Naveek, Navajo (Din) 244 PAL-S I Jewelry Neel, David Kwakiutl 770 LIN-E I Jewelry III Paintings/Drawings/ Graphics/Photography Nells, Albert Navajo (Din) 205 PAL-S I Jewelry
Nelson, L. Eugene Navajo (Din) 214 PAL-N I Jewelry V Sculpture Nelson, Peter Navajo (Din) 726 LIN-W I Jewelry Nelson , Benjamin Kiowa / Navajo (Din) 532 SF-E III Paintings/Drawings/ Graphics/Photography Nequatewa, Bryson Hopi 602 PLZ IV Pueblo Wooden Carvings V Sculpture Nequatewa, Verma Hopi 602 PLZ I Jewelry Nez, Ned Navajo (Din) 324 FR-S I Jewelry Nez, Rickie Navajo (Din) 746 LIN-E V Sculpture Nez Jr., Sidney Navajo (Din) 668 PLZ I Jewelry Nieto, Christopher Santo Domingo Pueblo 416 WA-W I Jewelry Nipshank, Glen Cree 328 FR-S II Pottery NoiseCat, Edwin Shuswap / Lillooet 505 SF VII Diverse Arts V Sculpture Nordwall, Raymond Pawnee / Chippewa 114 POG III Paintings/Drawings/ Graphics/Photography Nunez-Velarde, Shelden Apache (Jicarilla) 765 LIN-E II Pottery
Okuma, Jamie Luiseno Shoshone Bannock 218 PAL-N III Paintings/Drawings/ Graphics/Photography VII Diverse Arts VIII Beadwork/Quillwork Okuma, Sandra Shoshone / Luiseno (La Jolla Mission) 218 PAL-N VIII Beadwork/Quillwork Oliver, Marvin Quinault 756 LIN-W V Sculpture Ornelas, Barbara Navajo (Din) 780 LIN-W VI Textiles Ornelas, Michael Navajo (Din) 780 LIN-W VI Textiles Ornelas, Sierra Navajo (Din) 780 LIN-W VI Textiles Ortega, Adam Deer Mountain Pojoaque Pueblo 651 PLZ III Paintings/Drawings/ Graphics/Photography Ortega, Alicia Pojoaque Pueblo Santa Clara Pueblo 651 PLZ III Paintings/Drawings/ Graphics/Photography Ortiz, Eloise Jemez Pueblo 305 FR-N II Pottery Ortiz, Evelyn Acoma Pueblo 709 LIN-W II Pottery Ortiz, Guadalupe Cochiti Pueblo 746 LIN-W II Pottery IV Pueblo Wooden Carvings Ortiz, Isaiah San Felipe Pueblo 648 PLZ I Jewelry Ortiz, Mary Cochiti Pueblo 208 PAL-N II Pottery Ortiz, Virgil Cochiti Pueblo 746 LIN-W II Pottery
Othole, Gibbs Zuni Pueblo 203 PAL-N V Sculpture Owen, Angie Santo Domingo Pueblo 249 PAL-S I Jewelry Owen, Dean Santo Domingo Pueblo 249 PAL-S I Jewelry Owens, Mary Navajo (Din) 412 WA-E VI Textiles
David K John
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Pacheco, Rose A. Santo Domingo Pueblo 311 FR-P II Pottery Padilla, Andrew Laguna Pueblo Santa Clara Pueblo 310 FR-S II Pottery Padilla, Andy Santa Clara Pueblo 702 LIN-E II Pottery VII Diverse Arts Padilla, Ellouise Santo Domingo Pueblo 774 LIN-W I Jewelry Padilla, Marcia Santa Clara Pueblo 702 LIN-E II Pottery Padilla, Patricia Santa Clara Pueblo 534 SF-E II Pottery Padilla, Terrence Santa Clara Pueblo 534 SF-E II Pottery Padilla, Tony Santa Clara Pueblo 534 SF-E II Pottery V Sculpture Pahponee Kickapoo / Potawatomi 268 PAL II Pottery Pajarito, Cordell Santo Domingo Pueblo 629 PLZ I Jewelry Pajarito, Florence Santo Domingo Pueblo 628 PLZ II Pottery September Chant acrylic on canvas 30x40
Artist in Attendance : For full schedule go to kivaindianart.com Thurs. Aug.18th ,Fri. Aug.19th ,Sat. Aug.20th, Sun.21st
Specializing in Native American Indian Paintings, Sculpture, pottery, Glass El Centro De Santa Fe 102 E. Water St., Santa Fe NM 87501 Tel: 505-820-7413 Fax: 505-820-7414 www.kivaindianart.com info@kivaindianart.com
KIVA FINE ART
Robert Rivera
Extraordinary Gourd Artist
Reception and Drawing for Work of Art created especially for Indian Market Fri. Aug 19, 5-7
Artist also present on Saturday, August 20, 12-5
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Obrzut, Kim Hopi 515 SF V Sculpture Ohmsatte, Emery Zuni Pueblo 409 WA-E I Jewelry
Indian Market Hours: Fri. 10-7 Sat. 10-6 Sun. 10-5
The Torres Gallery

207 W. Water St., Suite 101, Santa Fe, NM 87501 505-986-8914 e-mail: info@torresgallery.com SA N TA F E I N D I A N M A R K E T

Pajarito, Joel Santo Domingo Pueblo 629 PLZ I Jewelry Panana, Matthew Jemez Pueblo 781 LIN-W V Sculpture Panana, Rufina Zia Pueblo 718 LIN-E II Pottery Panteah, Myron Navajo (Din) Zuni Pueblo 213 PAL-S I Jewelry Pappan, Chris Kaw Nation 609 PLZ-Fellowship III Paintings/Drawings/ Graphics/Photography Paquin, Allen Apache / Zuni Pueblo 410 WA-E I Jewelry Paquin, Gladys Laguna Pueblo Zuni Pueblo 310 FR-S II Pottery Paquin, Isabel Isleta Puebo 711 LIN-W I Jewelry Paquin, Sherman P. Zuni Pueblo 711 LIN-W I Jewelry Parrish, Cherish Potawatomi 336 FR-S XI Basketry Parrish, Rain Navajo (Din) 754 LIN-W I Jewelry Paschall, Sallyann Cherokee 105 POG III Paintings/Drawings/ Graphics/Photography Pate, Elena Choctaw 403 WA-E VIII Beadwork/Quillwork Patricio, Robert Acoma Pueblo 756 LIN-E II Pottery Pecos, Carol Jemez Pueblo 266 PAL-N II Pottery Pecos, Irwin Jemez Pueblo 266 PAL-N II Pottery Pecos, Jeanette Jemez Pueblo 266 PAL-N II Pottery Poblano, Veronica Zuni Pueblo 604 PLZ I Jewelry Poeh Arts, 751 LIN-W Various-Co-op Groups Quam, Jayne Navajo (Din) 229 PAL-S V Sculpture Quam, Lynn Zuni Pueblo 229 PAL-S V Sculpture Quetawki, Alesia Zuni Pueblo 343 FR-N VIII Beadwork/Quillwork Quigno, Jason Saginaw Chippewa 778 LIN-E V Sculpture Quintana, Evelyn Ohkay Owingeh Pueblo 260 PAL-S VI Textiles Quotskuyva, Gerry Hopi 234 PAL-S III Paintings/Drawings/ Graphics/Photography IV Pueblo Wooden Carvings
Polacca, Delmar Pecos-Sun Rhodes, Rose Hopi / Tewa Jemez Pueblo 404 WA-W 266 PAL-N II Pottery II Pottery Polacca, Vernida Peebles, Susan Hopi Red Lake Chippewa 417 WA-W 643 PLZ II Pottery VIII Beadwork/Quillwork Polacca III, Starlie Peshlakai, Norbert Havasupai / Hopi Navajo (Din) 660 PLZ 747 LIN-W I Jewelry I Jewelry III Paintings/Drawings/ Polequaptewa, Tayron Graphics/Photography Hopi 413 WA-E Peters, Summer IV Pueblo Wooden Saginaw Ojibwe Carvings 763 LIN-W VIII Beadwork/Quillwork Poley Jr., Orin Hopi Peynetsa, Agnes 101 POG Zuni Pueblo IV Pueblo Wooden 666 PLZ Carvings II Pottery VII Diverse Arts Peynetsa, Anderson Zuni Pueblo 303 FR-P II Pottery Peynetsa, Priscilla Zuni Pueblo 666 PLZ II Pottery Phillips, Loren Hopi 672 PLZ IV Pueblo Wooden Carvings Piaso, Thompson Navajo (Din) 663 PLZ I Jewelry Pino, Maggie Navajo (Din) 308 FR-N I Jewelry VII Diverse Arts Plummer, Earl Navajo (Din) 534 SF-W I Jewelry Poblano, Dylan Zuni Pueblo 604 PLZ I Jewelry Poblano, Jovanna Zuni Pueblo 604 PLZ I Jewelry V Sculpture Poolheco, Theresa Santo Domingo Pueblo Laguna Pueblo 749 LIN-W VII Diverse Arts Poolheco Sr., Frank Hopi 749 LIN-W VII Diverse Arts Pourier, Kevin Oglala Lakota 322 FR-N I Jewelry VII Diverse Arts
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Rafael, Tonya June Navajo (Din) 217 PAL-N I Jewelry Ramah Navajo Weavers Assoc., Navajo (Din) 100 POG VI Textiles Ramone, Dennis Navajo (Din) 707 LIN-P I Jewelry Ray, Marilyn Acoma Pueblo 741 LIN-E II Pottery
405 WA-E I Jewelry
Printup, Bryan Tuscarora 772 LIN-W VIII Beadwork/Quillwork Real Rider, Austin Pawnee 211 PAL-N Pruitt, Christopher II Pottery Laguna Pueblo Reano, Angie P. Santo Domingo Pueblo 249 PAL-N I Jewelry Reano, Arnold Santo Domingo Pueblo 311 FR-S I Jewelry Reano, Charlotte J. San Felipe Pueblo 250 PAL-S I Jewelry
Pruitt, Pat Laguna Pueblo 708 LIN-P I Jewelry V Sculpture
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Qoyawayma, Al Hopi 312 FR-P II Pottery
Reano, Daisy Santo Domingo Pueblo 252 PAL-N I Jewelry Reano, Debra Santo Domingo Pueblo 311 FR-S I Jewelry Reano, Denise Santo Domingo Pueblo 250 PAL-S I Jewelry Reano, Frank Santo Domingo Pueblo 527 SF-W I Jewelry Reano, Harlan Santo Domingo Pueblo 228 PAL-N II Pottery Reano, Janalee Frances San Felipe Pueblo 527 SF-W I Jewelry Reano, Joe Santo Domingo Pueblo 703 LIN-W I Jewelry Reano, Joe L. Santo Domingo Pueblo 249 PAL-N I Jewelry Reano, Percy Santo Domingo Pueblo 250 PAL-S I Jewelry Reano, Rose Santo Domingo Pueblo 248 PAL-N I Jewelry Reano-Yepa, Dena Santo Domingo Pueblo 232 PAL-N I Jewelry II Pottery RedCorn, Jeri Caddo 201 PAL-S II Pottery
Reynolds-White Hawk, Dyani Rosebud Sioux 771 LIN-W III Paintings/Drawings/ Graphics/Photography VII Diverse Arts VIII Beadwork/Quillwork Richards, Rueben Navajo (Din) 783 LIN-W III Paintings/Drawings/ Graphics/Photography Roanhorse, Mark Navajo (Din) 717 LIN-E I Jewelry Roanhorse, Michael Navajo (Din) 717 LIN-E I Jewelry Rodriguez, Andrew Laguna Pueblo 278 PAL II Pottery V Sculpture Rogers, Kay Navajo (Din) 710 LIN-P I Jewelry Rogers, Michael Paiute 745 LIN-W I Jewelry Roller, Jeff Santa Clara Pueblo 531 SF-E II Pottery V Sculpture Roller, Toni Santa Clara Pueblo 531 SF-E II Pottery Romero, Diego Cochiti Pueblo 509 SF II Pottery Romero, Edna Santa Clara Pueblo 706 LIN-E II Pottery
Romero, Mateo Cochiti Pueblo 735 LIN-W III Paintings/Drawings/ Graphics/Photography Romero, Pauline Jemez Pueblo 309 FR-S II Pottery Romero, Priscilla Cochiti Pueblo 238 PAL-N II Pottery Rosetta, Eileen Santo Domingo Pueblo 526 SF-P I Jewelry Rosetta, Jeremy Santo Domingo Pueblo 526 SF-P I Jewelry Rosetta, Jessie Santo Domingo Pueblo 302 FR-P I Jewelry Rosetta, Marlene Hopi 307 FR-S I Jewelry Rosetta, Paul Kewa Pueblo 302 FR-P I Jewelry Rosetta, Reyes Santo Domingo Pueblo 246 PAL-S I Jewelry Roybal, Gary San Ildefonso Pueblo 732 LIN-E VII Diverse Arts Roybal, Timothy San Ildefonso Pueblo 732 LIN-E III Paintings/Drawings/ Graphics/Photography Ryan, Loa Tsimshian 739 LIN-E XI Basketry
Salvador, Maria Acoma Pueblo 258 PAL-S II Pottery Samora, Maria Taos Pueblo 311 FR-N I Jewelry Sanchez, Alex Navajo (Din) 235 PAL-N I Jewelry Sanchez, Corrine San Ildefonso Pueblo 662 PLZ II Pottery Sanchez, Gerti Mapoo Isleta Pueblo 264 PAL-S II Pottery Sanchez, Gilbert San Ildefonso Pueblo 662 PLZ II Pottery Sanchez, Kathleen Wan Povi San Ildefonso Pueblo 662 PLZ II Pottery Sanchez, Ramos San Ildefonso Pueblo 701 LIN-W III Paintings/Drawings/ Graphics/Photography Sanchez, Russell San Ildefonso Pueblo 701 LIN-W II Pottery Sanchez-Reano, Charlene San Felipe Pueblo 527 SF-W I Jewelry Sanderson, Cody Navajo (Din) 674 PLZ I Jewelry Sando, Caroline Jemez Pueblo 740 LIN-W II Pottery Sandoval, Carole Ohkay Owingeh Pueblo 117 POG VII Diverse Arts Sandoval, Lester Navajo (Din) 326 FR-S I Jewelry Sandoval, Ramoncita Ohkay Owingeh Pueblo 117 POG VI Textiles Sarracino, Anna Zuni Pueblo 310 FR-P VIII Beadwork/Quillwork
dian
malouf
Reeves, Daniel Sunshine Navajo (Din) Romero, Ken 227 PAL-N Laguna Pueblo I Jewelry Taos Pueblo 504 SF Reid, Ulysses I Jewelry Zia Pueblo 533 SF-W Romero, Leona II Pottery Tohono Oodham 413 WA-W Reyna, Sharon Dry XI Basketry Flower Taos Pueblo Romero, Luke 270 PAL Taos Pueblo V Sculpture Laguna Pueblo 341 FR-S VII Diverse Arts
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Sahmie, Rachel Hopi 221 PAL-S II Pottery Sahmie, V. Jean Hopi Tewa 329 FR-S II Pottery Salcido Comes Charging, Frank Navajo (Din) 330 FR-S III Paintings/Drawings/ Graphics/Photography
packards on the plaza 61 old santa fe trail santa fe, nm 87501 (800) 648-7358

Saufkie, Griselda Hopi 704 LIN-E XI Basketry Schrupp, Nelda Oglala Lakota I Jewelry V Sculpture Schultz, Marilou Navajo (Din) 732 LIN-W VI Textiles Schultz, Martha G. Navajo (Din) 732 LIN-W VI Textiles Secord, Theresa Penobscot 112 POG XI Basketry Seechoma, Edward Hopi 675 PLZ IV Pueblo Wooden Carvings Sekakuku, Gilbert Hopi 245 PAL-S IV Pueblo Wooden Carvings VII Diverse Arts Sekakuku, Myron Hopi 245 PAL-S I Jewelry IV Pueblo Wooden Carvings Sequaptewa Sr., Raymond Hopi 335 FR-S I Jewelry Seronde, Sarah Navajo (Din) X Moving Images Seschillie, Donavan Navajo (Din) X Moving Images Setalla, Gwen Hopi 651 PLZ II Pottery Sevier, Chessney Northern Arapaho 236 PAL-S III Paintings/Drawings/ Graphics/Photography Sevier, Jackie Northern Arapaho 715 LIN-W III Paintings/Drawings/ Graphics/Photography Seymour, Mary A. Acoma Pueblo 339 FR-S II Pottery Shabi, Geneva Navajo (Din) 202 PAL-N VI Textiles Shakespeare, Lindsey Apache (Mescalero) 792 LIN-W III Paintings/Drawings/ Graphics/Photography VII Diverse Arts Shannon, Louann Tohono Oodham 788 LIN-W XI Basketry Shelton III, Peter Hopi 119 POG III Paintings/Drawings/ Graphics/Photography IV Pueblo Wooden Carvings Shields, Ethel Acoma Pueblo 522 SF-P II Pottery Shields, Judy Acoma Pueblo 326 FR-N II Pottery Shirley, Lorenzo Edward Navajo (Din) 789 LIN-W I Jewelry Shorty, Perry Navajo (Din) 210 PAL-S I Jewelry Shotridge, Israel Tlingit 222 PAL-S I Jewelry III Paintings/Drawings/ Graphics/Photography V Sculpture Sice, Howard Laguna Pueblo / Hopi 776 LIN-W I Jewelry Silversmith, Mark Navajo (Din) 104 POG III Paintings/Drawings/ Graphics/Photography Singer, Jeremy Navajo (Din) 771 LIN-E III Paintings/Drawings/ Graphics/Photography Singer, Penny Navajo (Din) 739 LIN-W VI Textiles Singer, Ryan Navajo (Din) 608 PLZ-Fellowship III Paintings/Drawings/ Graphics/Photography Skeets, Ray Navajo (Din) 736 LIN-W VII Diverse Arts Skenandore, Olivia Oglala Lakota 742 LIN-W III Paintings/Drawings/ Graphics/Photography Slim, Darrell Navajo (Din) 413 WA-W I Jewelry Slim, Marvin Navajo (Din) 720 LIN-E I Jewelry Slim, Michael Navajo (Din) 720 LIN-E I Jewelry Sloan, David-Alexander Navajo (Din) 342 FR-N I Jewelry III Paintings/Drawings/ Graphics/Photography Small, Mary Jemez Pueblo San Felipe Pueblo 318 FR-N II Pottery Smith, Elijah Naranjo Santa Clara Pueblo 304 FR-S II Pottery Smith, Patrick Navajo (Din) 665 PLZ I Jewelry Smith, Ryan Cherokee 611 PLZ-Fellowship III Paintings/Drawings/ Graphics/Photography Smith, Timothy Coyote Hopi / Laguna Pueblo 305 FR-P II Pottery VI Textiles Soohafyah, Eddison Hopi 308 FR-P I Jewelry Spry-Misquadace, Wanesia Ojibwa 519 SF I Jewelry VII Diverse Arts Stevens, Mark Laguna Pueblo 760 LIN-E I Jewelry Stevens, Shannon Laguna Pueblo 760 LIN-E III Paintings/Drawings/ Graphics/Photography Suazo, Marie Santa Clara Pueblo 230 PAL-S II Pottery Suazo-Naranjo, Bernice Taos Pueblo 317 FR-S II Pottery Suina, Ada Cochiti Pueblo 530 SF-W II Pottery Suina, Dena Cochiti Pueblo 531 SF-P II Pottery Suina, Joseph E. Cochiti Pueblo 531 SF-P VII Diverse Arts Suina, Mary Vangie Cochiti Pueblo 726 LIN-E II Pottery Susunkewa, Manfred Hopi 262 PAL-S IV Pueblo Wooden Carvings Susunkewa, Norma Hopi 262 PAL-S XI Basketry Susunkewa, Sheryl Hopi 262 PAL-S III Paintings/Drawings/ Graphics/Photography
Simplicio, Margia Zuni Pueblo 240 PAL-N VIII Beadwork/Quillwork Smith, Ryan Huna Navajo (Din) / Simplicio, Noreen Chemehuevi Zuni Pueblo 762 LIN-E 240 PAL-N III Paintings/Drawings/ II Pottery Graphics/Photography
T
Taitsohii, Raynard Scott Navajo (Din) 219 PAL-S I Jewelry Tafoya, Forrest Santa Clara Pueblo 263 PAL-S II Pottery Tafoya, Francis Santa Clara Pueblo 107 POG III Paintings/Drawings/ Graphics/Photography Tafoya, Harriet Santa Clara Pueblo 314 FR-N II Pottery Tafoya, Judy Santa Clara Pueblo 661 PLZ II Pottery Tafoya, Laura Santa Clara Pueblo 314 FR-P II Pottery Tafoya, Lincoln Santa Clara Pueblo Comanche 661 PLZ II Pottery Tafoya, Lorenzo Santo Domingo Pueblo 741 LIN-W I Jewelry Tafoya, Lu Ann Pojoaque Pueblo Santa Clara Pueblo 251 PAL-S II Pottery Tafoya, Mary Louise Santo Domingo Pueblo 741 LIN-W I Jewelry Tafoya, Sarah Santa Clara Pueblo 661 PLZ II Pottery Tafoya, Starr Santa Clara Pueblo 301 FR-P II Pottery Tafoya-Sanchez, Linda Santa Clara Pueblo 265 PAL-S II Pottery Taho, Mark Hopi / Navajo (Din) 338 FR-N IV Pueblo Wooden Carvings Takala Sr., Jason Hopi 412 WA-W I Jewelry
Talachy, Pearl Nambe Pueblo / Tewa 676 PLZ II Pottery Talahaftewa, Roy Hopi 649 PLZ I Jewelry Tamaya Crafts Co-op, Santa Ana Pueblo 502 SF Various-Co-op Groups Tapia, Sue Laguna Pueblo 255 PAL-S II Pottery Tapia, Terry Tesuque Pueblo 118 POG II Pottery Tapia, Thomas Ohkay Owingeh Pueblo 255 PAL-S II Pottery Tapia, Thomas V. Tesuque Pueblo 118 POG III Paintings/Drawings/ Graphics/Photography II Pottery
Teller, Ramona Isleta Pueblo 738 LIN-E II Pottery Teller, Stella Isleta Pueblo 312 FR-N II Pottery Teller Velardez, Robin Isleta Pueblo 312 FR-N II Pottery Teller-Pete, Lynda Navajo (Din) 780 LIN-W VI Textiles Tenakhongva, Clark Hopi 657 PLZ IV Pueblo Wooden Carvings Tenorio, Doris Santa Clara Pueblo 230 PAL-S II Pottery Tenorio, George Kewama 628 PLZ I Jewelry
Tenorio Sr., Howard Santo Domingo Pueblo 411 WA-W I Jewelry Tenoso, Donald Cheyenne River Sioux 753 LIN-W VII Diverse Arts Tenoso, Paul Cheyenne River Sioux 753 LIN-W VII Diverse Arts Tewa, Bobbie Ohkay Owingeh Pueblo Hopi 532 SF-W I Jewelry Tewa, Dennis Hopi 672 PLZ IV Pueblo Wooden Carvings Timmerman, Eliasica Haida 208 PAL-S XI Basketry Tippeconnie, Lynnderra Navajo (Din) 406 WA-E VI Textiles Titla, Phillip Apache (San Carlos) 523 SF-P III Paintings/Drawings/ Graphics/Photography IV Pueblo Wooden Carvings Todacheene, Alvin Navajo (Din) 417 WA-W I Jewelry Toehe, Rosemary Navajo (Din) 705 LIN-P VII Diverse Arts VIII Beadwork/Quillwork Tohtsoni Prudencio, Therese Picuris Pueblo / Navajo (Din) 777 LIN-W II Pottery VII Diverse Arts Toledo, April Navajo (Din) 307 FR-P VI Textiles VIII Beadwork/Quillwork Toledo, Ethel Navajo (Din) 701 LIN-P III Paintings/Drawings/ Graphics/Photography Toledo, Helen Navajo (Din) 307 FR-P VI Textiles VII Diverse Arts VIII Beadwork/Quillwork
Fine Native American Pawn Jewelry Contemporary Jewelry Pottery Folk Art Vintage Mexican Jewelry Collectible Hispanic Folk Art and Fine Crafts Original photographs Photogravures Goldtones by Edward S. Curtis Featuring Paintings by Tom Russell Folk Art by Ron Rodriguez Jewelry by Angie Owen
Louis Naranjo Traditional Pottery - Cochiti Pueblo Ca 1990
THE RAINBOW MAN

SINCE 1945
107 EAST PALACE AVE SANTA FE, NM 87501 5059828706 rainbomn@aol.com www.rainbowman.com www.therainbowman.com
Tenorio, Margaret Ann Tapia-Browning, Michele Santo Domingo Pueblo Pojoaque Pueblo Cochiti Pueblo Santa Clara Pueblo 309 FR-N 251 PAL-S I Jewelry II Pottery III Paintings/Drawings/ Tenorio, Marilyn Graphics/Photography Navajo (Din) 319 FR-S Taylor, Eli I Jewelry Hopi 759 LIN-W Tenorio, Matilda IV Pueblo Wooden Santo Domingo Pueblo Carvings 308 FR-S I Jewelry Taylor, Lillie Navajo (Din) Tenorio, Robert 206 PAL-S Santo Domingo Pueblo VI Textiles 526 SF-W II Pottery Taylor, Rosie Navajo (Din) Tenorio, Robert Lewis 658 PLZ Santo Domingo Pueblo VI Textiles 656 PLZ I Jewelry Taylor, Tsosie Navajo (Din) Tenorio, Roderick 524 SF-P Santo Domingo Pueblo I Jewelry / Navajo (Din) 319 FR-S Tchin, I Jewelry Narragansett / Blackfeet 522 SF-E Tenorio, Sidelio I Jewelry Santo Domingo Pueblo 308 FR-S Teller, Christine I Jewelry Isleta Pueblo 738 LIN-E Tenorio, Thomas II Pottery Santo Domingo Pueblo 769 LIN-E Teller, Lynette II Pottery Isleta Pueblo 738 LIN-E Tenorio, Veronica II Pottery Santo Domingo Pueblo 411 WA-W I Jewelry

Toledo, Joe Jemez Pueblo 115 POG III Paintings/Drawings/ Graphics/Photography Toledo, Yolanda Jemez Pueblo 712 LIN-W II Pottery Toledo-Moore, Lena Navajo (Din) 730 LIN-E III Paintings/Drawings/ Graphics/Photography Tom, Jack Navajo (Din) 212 PAL-N I Jewelry Tom, Mary Lou Navajo (Din) 301 FR-S I Jewelry Tomeo, James Colville / Yakima 727 LIN-E I Jewelry V Sculpture VII Diverse Arts Tonips, Gordon Comanche 719 LIN-W III Paintings/Drawings/ Graphics/Photography V Sculpture Torres, Elvis San Ildefonso Pueblo 710 LIN-W II Pottery Tortalita, Edward Santo Domingo Pueblo 302 FR-S I Jewelry Tortalita, Faron Acoma Pueblo 788 LIN-W VII Diverse Arts Tortalita, Vickie Santo Domingo Pueblo 603 PLZ I Jewelry VI Textiles Tosa, Phyllis Jemez Pueblo 514 SF II Pottery Toya, Camilla Mariam Jemez Pueblo 256 PAL-N II Pottery Toya, Dominique Jemez Pueblo 256 PAL-N II Pottery Toya, Judy Jemez Pueblo 714 LIN-W II Pottery Toya, Marie Jemez Pueblo 714 LIN-W II Pottery Toya, Mary Ellen Jemez Pueblo 714 LIN-W II Pottery Toya, Mary Rose Jemez Pueblo 305 FR-N II Pottery Toya, Maxine Jemez Pueblo 256 PAL-N II Pottery Trujillo, Elizabeth Cochiti Pueblo 719 LIN-E II Pottery VIII Beadwork/Quillwork Trujillo, Geraldine Cochiti Pueblo Ohkay Owingeh Pueblo 255 PAL-S II Pottery Trujillo, Joseph Cochiti Pueblo 255 PAL-S II Pottery Trujillo, Mary T. Ohkay Owingeh Pueblo Cochiti Pueblo 255 PAL-S II Pottery Tsabetsaye, Edith Zuni Pueblo 251 PAL-N I Jewelry Tsabetsaye, Jr., Roger Zuni Pueblo 780 LIN-E I Jewelry Tsabetsaye, Sr., Roger Zuni Pueblo 780 LIN-E I Jewelry III Paintings/Drawings/ Graphics/Photography Tsalabutie, Loren Zuni Pueblo 603 PLZ V Sculpture Tse Pe, Dora San Ildefonso Pueblo 605 PLZ II Pottery Tse Pe, Irene V. San Ildefonso Pueblo 605 PLZ II Pottery Tsethlikai, Ray Zuni Pueblo 714 LIN-P V Sculpture Tsingine, Olin Navajo (Din) / Hopi 671 PLZ I Jewelry Tsinnie, Orville Navajo (Din) 667 PLZ I Jewelry Tso, Geraldine Navajo (Din) 281 PAL III Paintings/Drawings/ Graphics/Photography Tsosie, Carrie Navajo (Din) 792 LIN-W VI Textiles Tsosie, Darrick Jemez Pueblo 313 FR-P II Pottery Tsosie, Emily Jemez Pueblo 313 FR-P II Pottery Tsosie, Jshen Navajo (Din) 775 LIN-E VI Textiles VIII Beadwork/Quillwork Tsosie, Richard Navajo (Din) 300 FR-N I Jewelry Tsosie-Sisneros, Michelle Santa Clara Pueblo Navajo (Din) 301 FR-N I Jewelry III Paintings/Drawings/ Graphics/Photography Tsouhlarakis, Anna Navajo (Din) / Creek 244 PAL-S III Paintings/Drawings/ Graphics/Photography Tyler, Keeaero Navajo (Din) 283 PAL III Paintings/Drawings/ Graphics/Photography Tyler, Keetahni Navajo (Din) 283 PAL III Paintings/Drawings/ Graphics/Photography
V
Van Fleet, Pauline Navajo (Din) 625 PLZ VIII Beadwork/Quillwork Velarde, Dina Jicarilla Apache 618 PLZ II Pottery III Paintings/Drawings/ Graphics/Photography
Velarde-Brewer, Carol Santa Clara Pueblo Tsosie, Jacinta A. 707 LIN-W Navajo (Din) II Pottery 775 LIN-E VIII Beadwork/Quillwork Vicenti, Jennie Zuni Pueblo Tsosie, Leonard 762 LIN-E Jemez Pueblo I Jewelry 313 FR-P II Pottery Victorino, Sandra Acoma Pueblo Tsosie, Lyndon 234 PAL-N Navajo (Din) II Pottery 620 PLZ I Jewelry Vigil, Charlotte San Ildefonso Pueblo Tsosie, Nelson 730 LIN-W Navajo (Din) II Pottery 789 LIN-W III Paintings/Drawings/ Vigil, Felix Graphics/Photography Apache (Jicarilla) V Sculpture 723 LIN-E III Paintings/Drawings/ Tsosie, Raymond Graphics/Photography Navajo (Din) V Sculpture 773 LIN-W VII Diverse Arts Vigil, James I Jewelry Jemez Pueblo 272 PAL V Sculpture
Vigil, Lonnie Nambe Pueblo 273 PAL II Pottery Vigil, Vanessa San Ildefonso Pueblo 730 LIN-W II Pottery Vigil, Victor Jemez Pueblo 761 LIN-E V Sculpture Vigil, Virgil Tesuque Pueblo Navajo (Din) 782 LIN-W III Paintings/Drawings/ Graphics/Photography
Washburn, Tim Navajo (Din) 754 LIN-E V Sculpture Waynee, Robin Saginaw Chippewa 250 PAL-N I Jewelry Weahkee, Daniel Zuni Pueblo Navajo (Din) 503 SF V Sculpture Weahkee, Danielle Navajo (Din) Zuni Pueblo 503 SF V Sculpture
Wilcox, Dwayne C. Oglala Sioux 526 SF-E III Paintings/Drawings/ Graphics/Photography Willard, Gianna Tlingit / Haida 241 PAL-S XI Basketry Williams, Antonio (Toni) Arapaho, Northern 242 PAL-S VI Textiles
Yazzie, Peterson Navajo (Din) 750 LIN-E III Paintings/Drawings/ Graphics/Photography V Sculpture Yazzie, Raymond C. Navajo (Din) 210 PAL-S I Jewelry Yazzie Ballenger, Virginia Navajo (Din) 276 PAL VI Textiles
W
Wall, Adrian Jemez Pueblo 612 PLZ V Sculpture Wall, Kathleen Jemez Pueblo 224 PAL II Pottery V Sculpture Wall, Marcus Jemez Pueblo 224 PAL II Pottery Wall, Stephen Chippewa 724 LIN-E I Jewelry V Sculpture Wallace, Dawn Aleut 241 PAL-N I Jewelry Wallace, Elizabeth Navajo (Din) 333 FR-N I Jewelry Walters, Daniel Navajo (Din) / Pawnee 328 FR-N III Paintings/Drawings/ Graphics/Photography Walters, Gertrude Ann Navajo (Din) 328 FR-N III Paintings/Drawings/ Graphics/Photography Walters Jr., Roy Navajo (Din) 745 LIN-E III Paintings/Drawings/ Graphics/Photography V Sculpture Waquie, Marie L. Jemez Pueblo 533 SF-P II Pottery
Williams, Kenneth Arapaho / Seneca Yazzie Jr, Kee 237 PAL-S Navajo (Din) VIII Beadwork/Quillwork 402 WA-W I Jewelry Williams, Lena Weahkee, Manuel Navajo (Din) Yellow Bird Sr., Monte Zuni Pueblo 732 LIN-W Arikara / Hidatsa 503 SF VI Textiles 767 LIN-E V Sculpture III Paintings/Drawings/ Willie, Kimberly Graphics/Photography Weahkee, Sharon Navajo (Din) Navajo (Din) 330 FR-N Yellowhawk, Jim 503 SF I Jewelry Lakota I Jewelry 344 FR-S Willie, Wesley VII Diverse Arts Weryackwe, JR. Navajo (Din) Comanche 330 FR-N Yellowhorse, Bryon 342 FR-S I Jewelry Navajo (Din) VIII Beadwork/Quillwork 210 PAL-N Wong-Whitebear, Laura I Jewelry Wheeler, Margaret Colville Choctaw / Chickasaw 212 PAL-S Yellowman 285 PAL XI Basketry Navajo (Din) VI Textiles 532 SF-E Worcester II, Daniel III Paintings/Drawings/ White, Terresa Chickasaw Graphics/Photography Yupik 329 FR-N 790 LIN-W VII Diverse Arts Yepa, Alvina V Sculpture Jemez Pueblo Worl, Crystal 647 PLZ White Dove, Shyatesa Tlingit / Athabascan II Pottery Acoma Pueblo X Moving Images 203 PAL-S Yepa, Elston II Pottery Jemez Pueblo 232 PAL-N White Swann II Pottery Yawakia, Jimmy Hopi Zuni Pueblo 269 PAL Youngblood, Nancy 786 LIN-W II Pottery Santa Clara Pueblo V Sculpture 255 PAL-N White-Country, Mary II Pottery Yazzie, Alice Sisseton-Wahpeton Navajo (Din) 201 PAL-N Youngblood Cutler, 239 PAL-S VII Diverse Arts Christopher VIII Beadwork/Quillwork III Paintings/Drawings/ Santa Clara Pueblo Graphics/Photography 255 PAL-N Whitegeese, Daryl II Pottery Yazzie, Gary Pojoaque Pueblo Navajo (Din) Santa Clara Pueblo Yungotsuna, Elmer 124 POG 251 PAL-S Hopi / Tewa III Paintings/Drawings/ II Pottery 769 LIN-W Graphics/Photography IV Pueblo Wooden Whitman-Elk Woman, Carvings Yazzie, Lance Kathy Navajo (Din) Mandan / Hidatsa 717 LIN-E 742 LIN-E V Sculpture III Paintings/Drawings/ Graphics/Photography VII Diverse Arts
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2 01 1 SA N TA FE IN D IA N M A R K ET
2 01 1 SAN TA FE I ND IA N M A RKET
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2011 SA N TA FE IN DI A N M A R KE T
SHIPROCK S AN TA F E REPRE SENTS THE TOP N AME S IN NAT IVE AME RIC AN ART
53 Old Santa Fe Trail Upstairs on the Plaza 505.982.8478 shiprocksantafe.com Gallery Hours for August: 10 6 Monday Saturday 12 5 Sunday and By Appointment
TERI GREEVES BO OT H 32 7 F R - N
Olin Tsingine
Hopi-Navajo Silversmith
Specializing in High grade Turquoise Lone Mountain, Bisbee Blue, Morenci, Blue Gem, Candaleria, # 8, Lander Blue, Nevada Blue, Indian Mountain, Red Mountain, Carico Lake
Phoenix, Arizona 602-821-7894 OlinTsingine@me.com
Olintsingine.com Booth #671 PLZ
ARTISTS RECEPTION HONORING PAT PRUITT AND CHRIS PRUITT THURSDAY, AUGUST 18, 5:00 8:00PM
New Mexico residents from the Laguna Pueblo, Pat and Chris are award-winning artists creating contemporary, sophisticated designs inspired by their native Pueblo/Apache culture.
JOIN US IN LA FONDA ON THE PLAZA
10 8 EAST SAN FRANCISCO STREET
SANTA FE, NEW MEXICO 87501 505.984.2232
WWW.TOMTAYLORBUCKLES.COM
ORELAND C. JOE
Pre-Indian Market Weekend
Friday, August 12, 2011 5 to 7pm
CHUCK SABATINO
Friday, August 19, 2011 5 to 7pm
Indian Market Weekend
Sea Shells 38" x 16" x 12" Utah Red Alabaster
The Sheep Herder 30" x 30" Oil
MCLARRY F I N E A R T
225 Canyon Road Santa Fe, New Mexico 505.988.1161 info@mclarryneart.com
www.mclarryneart.com
POTEET VICTORY
Indian Market Weekend Friday, August 19, 2011 5 to 7pm
MOCLARRY M D E R N
225 Canyon Road Santa Fe, New Mexico 505.983.8589 info@mclarrymodern.com
Native Falls 48" x 48" Oil on Canvas
www.mclarrymodern.com
Your purchases support the artists of the world and the Museum of New Mexico.
Charlie Bird Turquoise and Shell Mosaic Buckle Santo Domingo/Laguna Pueblo Carlos Laate Polychrome Clay Owl Zuni Pueblo Alvina Yepa Butterfly Carved Clay Pot Jemez Pueblo
M u S e u M O f N e W M e x i C O f O u N D AT i O N S H O P S
A Special Event and Sale

friday, August 19, 2011
Spiegelberg Shop at the New Mexico History Museum on the plaza 5:00 7:30 p.m. Celebrate the creative arts and crafts of our Native American Artists. Join us and our artists for refreshments and community. Museum of New Mexico foundation Members will receive an additional 15% off any items purchased that evening.
Sheldon Harvey Wood and Canvas Sculpture Navajo
Cippy CrazyHorse Sterling Silver Snake Pin Cochiti Pueblo
Peter Ray James Painted Cloth Shaman Doll Navajo
113 Lincoln Avenue, Santa Fe New Mexico Open MondaySunday 505.982.9543
shop NM at www.newmexicocreates.org
Made in America.
CO. INC.
New Mexicoss Largest Source for Contemporary & Traditional Southwestern Jewelry by Award Winning Native American Artists
Belt: Jennifer Curtis
Necklace: Larry Martinez Chavez
AUGUST 19-21 2011 IndIAn M rkeT n rkeT & GeM Show eldorAdo hoTel & SpA Tel SpA AnASAzI GrAnd BAllrooM nd BAllrooM BAllrooM
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Cuffs: Calvin Martinez
Experience
A New Luxury In Santa Fe

Please join us for Trunk Shows featuring:
and
Friday, August 19Sunday, August 21
On the Santa Fe Plaza

photo: Brad Bealmear
78 E. San Francisco Street
505.988.1561
info@santafediva.com

Indian Market 90th Anniversary SWAIA Official Guide 2011

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Indian Market 90th Anniversary SWAIA Official Guide 2011

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Swaia oFFicial guide

2011 arTiSTS direcTory & BooTh locaTor Map

George Rivera Melanie Yazzie Allan Houser

Photos (top): Glenn Green

Allan Houser (Haozous)

MORNING WALK 49" x 23.5" x 16", bronze edition 10 1986

WALKING IN THE MORNING 40" x 30", acrylic on canvas 2011

BEAR 5 feet tall, black granite 2011

Photo: Philip Karshis

photography: Eric Swanson

Packards Artist Reception

Indian Market Hours

MARTHA HOPKINS STRUEVER

ALL SHOWS CONTINUE

Tuesday, August 16, 2011 2:00 4:00pm

Thursday, August 18, 2011 4:00 8:00pm

Friday, August 19, 2011 11:00 am 5:00pm

Be sure to visit our newest location at 225 Canyon Raod!

Walter Wilson, Indian Woman With Sash, oil, 16 x 22;

Indian Market Artist Demos

Visit ManitouGalleries.com to view works by all gallery artists.

Buying or Selling Indian Art? Know the Law!

Packards Artist Reception

Indian Market Hours

photography: Eric Swanson

In cooperation with Hopi Way

WHERE THE FOREST MEETS THE SEA

PERFORMANCES & ART:

SEALASKA from IAIA Museum PAVILION Cathedral Park, across

photography: Eric Swanson

Packards Artist Reception

Indian Market Hours

In association with Steve Getzwiller

3rd anniversary Fireworks Celebration

Join now and win up to $500

Monday, Tuesday & Wednesday

Red Sage 29 Prix Fixe

RES TAU RAN T REV IEW

MBE SANTA FE CHA

TIVAL R MUSIC FES

You turn to us.

July 29 - August 4, 2011

162 Years of Trust and Reliability in the Santa Fe Community

James Reid, Ltd.

Handmade in Santa Fe since 1982

Tony Malmed Jewelry Art

108 Don Gaspar, Santa Fe 988-9558

201 1 SAN TA FE I ND IA N M A RKET

144 Booth locator map

BOOTH LOCATOR MAP

MEET THE ARTISTS

A STRONG NATIVE NARRATIVE

SANTA FE INDIAN MARKET 2011

KING GALLERIES + FAUST GALLERY

CLASSIC TO CONTEMPORARY: EXPERIENCE EXCEPTIONAL NATIVE AMERICAN ART

201 1 SAN TA F E I N DI AN MA RKE T

MARKET LEGACY CONTINUES TO INSPIRE FAMILIES OF ARTISTS

INDIAN MARKET TIMELINE

Jason Reed Brown, (Koyukon Athabascan), sculpture, 2010 Indian Market.

CANADAS FIRST NATIONS PEOPLES

Adrian Wall, (Jemez Pueblo), sculpture, 2010 Indian Market.

Rozanne Swentzell, (Santa Clara Pueblo) sculpture, 2010 Indian Market.

SANTA FE INDIAN MARKET