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Please find below an attempt to capture our feelings about our stay in this incredible
house, which we subtly felt to be our own,
Sister’s they were, but turned into Angels for us during, a memorable stay;
Forever our thoughts are frozen to, the compassion which we felt,
Plentiful they shared from their bounty with grace and smile,
Each and every meal was made with us in their thought to file;
Adorable was our kids for the inmates, which made them feel so special,
Care free was our spirit over here, having stayed here without an ordeal,
On the back of the main temple situated to the west (see picture)
there is an ancient pipal tree Ficus religiosa or Bodhi tree. It was
under this tree that Gautama sat for enlightenment. The present tree
is considered only as the descendant of the original tree. There is a
tradition that Ashoka's wife had it secretly cut down because she
became jealous of the time Ashoka spent there. But it grew again and
a protective wall was also built at the time. Many sacred trees in India
and other countries are originally raised from seeds brought from the
ancient Bodh Gaya tree. A shoot of the original Bodhi tree was taken
to Sri Lanka in the 3rd century B.C. by Bhikkhuni Sangamitta,
daughter of Ashoka, where the Lankan king Devanampiyatissa
planted it at the Mahavihara monastery in Anuradhapura where it still
flourishes today. While the Vajrasana was the specific site of the
enlightenment, the Bodhi tree, closely linked to the Buddha's
accomplishment, became a central focus of devotion early in the
history of the Sangha. Pilgrims sought the Bodhi Tree's seeds and
leaves as blessings for their monasteries and homes.
Around the Bodhi tree and the Mahbodhi temple there are
quadrangular stone railings around 0.2m high with four bars including
the top piece. These are of two types and can be distinguished from
each other in style and material used. The older set is dated to about
150 BC and made of sandstone while the latter set is probably of the
Gupta period (300-600 AD) and constructed from course granite. The
older set has a number of designs representing scenes from the
purchase of Jetavana by Ananthapindika at Sravasti, Lakshmi being
bathed by elephants, Surya riding a chariot drawn by four horses, etc.
On the latter set there are figures of stupas, Garudas, etc. In most of
these railings lotus motifs are commonly used.