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Thirty Daily Exercises


for High Voice, Op. 11

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Thirty Daily Exercises -

for High Voice, Op. 11

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Concone -

Thirty Daily Exercises -

for High Voice, Op. 11

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Concone -

Thirty Daily Exercises -

for High Voice, Op. 11

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Concone -

Thirty Daily Exercises -

for High Voice, Op. 11

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The diatonic progression of the major or minor scale is so natural that even a perof mediocre endowments readily succeeds in producing, to any given tone, the six others separating' it from its octave. This is not the case, however, when the succession is chromatic, i.e. progressing by semitones. The ear needs to grow accustomed to this less usual mode of progression, in order to vanquish a sort of repug-nance which the v 0 ice feels to their easy and accurate execution. It is the aim of the following exercises to prepare for conquering' this diff'iculty.one ought not to proceed to a new exercise before assuring oneself that the last can be well and correctly executed with respect to the accurate intonation of each tone. Nor should one practice self-deception as regards this good execution; it can be obtained only by dint of very considerable study. In the exercises now f'ollowlng , the sign A does not indicate a ritifoJ'zando of the voice, but a light rhythmical accent; a device, the high value- of which will be speedily recognised, for the surer attainment of the goal.
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II

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