Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
ft
as men tor all seasons
if
i
Friday, April. 14 1967 the merciad
Page 3
f other i s . . .
by Judy Pitney
a father is
A father is a willing (playmate . . . the best hide and seek
player on the block . . . great at storytelling . . . not so great
at playing house. I |
| * * * *
bewildered
A father is a fellow explorer . . . eager to bring the world
into focus for his child . X ready for a trip to the zoo, a ride
in the country, a walk in the park with his fast-paced offspring.
by the rapid growth
A father is sympathetic . . . to the worrisome woes of his
daughter's first few days at school | . . concerned over her
present scratched knee . . . assuring her that nightmare's of his unsteady toddler
aren't really real. % W -• '*
A father is involved . . . in PTA meetings . . . in chauf-
fering the Brownie troop to and from their Saturday outings to an energetic teenager . . .
. . . in giving his child the jvalues that she needs for a worthy
andlmeaningful life. £ *
a gallant knight
W-7^>~-
a fatheriis proud when his daughter achieves
academic success . • .
a father I'SH|
impressed as
his daughter
acquires g«KK|»
the serenity B K
of womanhood • • •
a father
is often
aggravated
when he meets
a father is a poor letter-writer but a good
listener... with her
strong-willed resistance
wmmm
^ X v S W
mem
1
F-V-V
Kv.-y
a father is
a willing
Wffi $X
1?j£S®&
playmate . .
fine arts
II
anton ion i/"blow-up
|by Mr. Thomas Dolan not exist. value outside of itself and chooses
Michelangelo Antonioni, director Antonioni is Italian, and? Italy, to deviate from it.
of "Blow Up," is a film-maker in for centuries traditionally Catholic, Amorality, on the other hand, is
the tradition of Prederico Fellini, is now itself beset by the same ma- the denial of objective norms and
who directed 8%, Juliet of the terialism and amorality that is the values, and is thus in itself in-
Spirits, and, (perhaps most signif- condition of modern life, for which, capable of regeneration since it can
cantly, La Dolce Vita. in "Blow Up", London's mod sub- never know it self as deviant.
This tradition is essentially mor- culture is a symbol. The photographer in "Blow Up"
al and audience-oriented, despite its Thus the tension between the is slightly better off than his peers
concern with amoral conduct and Catholic tradition of the past and due to the physical shock of the
its structural obscurities. the amoral, pluralist culture of discovery of the corpse on film,
The contemporary society Anton- the present is the basis for the but even he is incapable of respond-
ioni dissects is what the German film's implied moral judgements. ing to the truth of the situation
theologian Romano Guardini calls Let us turn from the cultural —murder—-except through his role
"post-modem," that is, the indi- matrix to the art produced from as photographer.
vidual member of society has no it. "Blow Up" is not ordinary film As a moral agent, he functions
dignity other than what his talent* fare. •? . I not at all.
money, or role earns for him. Hu- m At leasts since the time of Aris-
H
man dignity or value per se does totle, Western man has seen the
Secondly, if "Blow Up" is without
logical organization and climax, it
new saga director at 'hurst
world as intelligible, orderly, and is not without symbolic organiza- The personnel of Mercyhurst's Replacing Mr. Repack as Mer-
easure valuable, and his art has always tion and climax.
reflected this. That is to say, our
The film is, for instance, bal-
Saga Food Service has recently un- cyhurst's Foods Manager is Mr.
dergone a change. From September Alan Dwyer. Receiving hfe degree
art has had plot and climax which 1965 until several!weeks ago, Mr. in Business Administration from
Ed. Note: Two of the senior Eng- are necessary corollaries ofgorder anced and antithetical. The tawdry,
5 unnaturally brilliant Soho section William Repack was the Saga Food Nichols College injMassachussets,
lish majors, Rosalie Barsoti and and value. v Manager at Mercy hurst. His I role Mr. Dwyer has been well-prepared
Carol |Sabella agreed to share of London is contrasted with the
has recently been changed, how- for his work here. He "has been
some of their thoughts on their ^| But "Blow Up" is in a real sense cool, natural green of the park.
ever, as he has been appointed with Saga Foods for five years—
thesis subject with us. >'• plotless and aclimatic, and one who The cacophonous mod concert Saga Food Service '$ Director for at Wheaton College and at the Uni-
expects logical or plot coherence (attended with deadly seriousness
Walter Kerr's book The Decline will^be disappointed in the film. Erie. versity of Vermont.
of Pleasure, is the primary source by the Iyoung) contrasts with the
The killer is never seen, his quiet antique shop. In his new capacity, Mr. Repack Mr. Dwyer says he will have a
for the theme of pleasure chosen works with the managers of Villa,
pretty accomplice is never found, few innovations for us when he
for the Senior ^English majors co- The doss house at the beginning Gannon and Mercyhurst to find becomes acquainted with the sys-
ordinating seminar. and the corpse itself vanishes*in- of the film contrasts with the ma-
explicably. I better purchasing methods and to tem here.
Although he treats several con- terial luxury of the photographer's improve the purchasing power of
Two inferences can be drawn house. the colleges. Not a stranger to the Lake Erie
cepts of pleasure, contemplation area, Mr. Dwyer was born in Olcan,
has been selected for this article from this lack of climax. £ • The zany costumes of the troupe Work will also continue to train New York, and has played base-
because it is considered by him to First, by suiting form to func- of mimes contrast with the only young men in 5 the food managing ball against the* Erie Sailors as a
be the highest pleasurable Tact. % \tionjby presenting the plotless life slightly less zany clothes of the program; and to assist in tri-col- member of the Detroit Tigers.
of his characters in a plotless film, mods. I lege events such as picnics or for-
Contemplation for Aristotle was Antonioni gams artistic unity and Being a sports enthusiast, Mr.
the clue to "perfect happiness," but strengthens the total effect of the The most compelling symbol in mal banquets. Dwyer showedjthis enthusiasm in
for twentieth-century iman, this film. the film is certainly the conclud- Although Mr. Repack has a new his first week here when he joined
I •
term has become empty. ing one of the tennis match. position, his office will remain at Mr. Repack on the Mercyhurst Fac-
To have discovered the killer
Although it is not excluded from and to have brought him to justice The amoral life is here judged Mercyhurst. ulty Basketball Team
our vocabulary, its initial connota- would have indicated the observed and typified: it is playing tennis
it
tion of passivity has been changed world is after all orderly, coherent without a ball, a manifest! absur-
to activity. # £ UtaltiRtatfi and' valuable, fr e., possessed*of dity. igHisAtfHlMtftfMttfeMiUh^iiMi
Contemplation must be a "play- moral standards. The eloquent ambigious look on
art loafing
ful" wondering of the imagination, the photographer's face as he by % Enjoy the happiness of little chil-
But these beliefs are not gen- throws the "ball" back into play
but the process is not really ac- erally held in the modern world. Elaine Wilson (Y. C. S.) dren who forever create, yet never
tivity, f is surely one of the high points
Perhaps one should here recall of the cinema. <<
destroy.
Rather, the mind is idle, and the the distinction between immorality I loaf and invite my soul/' sang
The film is one of the most vis- the poet Walt Whitman.* How confusing this world can be
senses \ and emotions, in^ contact and amorality. wl
ually beautifull ever made. in our constant search for answers.
with reality, telegraph the code of "The art of loafing is following How pressed we are in our ef-
Immorality knows itself as wick- The color of green whichtdom-
externals to the intellect-receiver. the philosophy of the vagabond who forts to succeed. ti
The process is a surrender of the ed since it recognizes a norm or (Continued on Page 6) said, 'I turn my back to the wind/
human will. * It is drifting and dreaming and We unknowingly bury our spirits
with the burdens of life.
Kerri explains that "we have
given | in to the impulse to stay,
book review ! opening
peace and
yourself to
tranquility.
the inflow of
Are we going to let time win
to do nothing, to let happiness hap-
pen if such be our good fortune."
As ant example, a poet does not by Kathy Icardi j§
18 "It is easing the pounding of the race? Will it be too late when
your heart by the quieting of your we finally awaken to the beauty of
mind. It is relaxing the tension
One who is ignorant of the cul- of your body with the music of the the goodness of love? . \f
nature ji in all jits simplicity and to
begin with a determination to make tral milieu of the Polish Jews is singing streams that live in your
a poem. He cannot create until he "Broader in*scope and?perhaps made familiar with the ceremonies, In all ways let us pray as did
his idled, and in the act of idling, less penetrating in individual char- customs and inter-religious con- memory. Matthew Arnold! "Calm, calm me
he overhears something/' g acterization that Hersey's The flicts of the people. "Itjis reminding yourself of the more, nor let me die before I have
Wall but&nonetheless moving and fable of the Hare and the Tortoise begun to live."
The poet discovers * this some- Each character is a personifica- that you may know that the race is
grimly compelling." (Booklist 57: Loafing is not wasted time if it
thing, and follows it in a hither tion of tragedy, emotion and dedi- not always to the swift, that there adds dimension to your life. It is
636. June 15 '61) I
and yon fashion, ridding himself of cation of the era. Realizing with is more to life than increasing its an art—it is a challenge!
this excitement, through his crea- Leon Uris* wartime novel Mi la 18 each day that an* unknown doom
tion. about the drama of the Jewish speed.
approaches, they characters are
ghetto undergoes much criticism. alive, active and believable. "It is slowing down to look at a
Then he offers to the reader,
The novel is said to be repetative, flower, to chat with a- friend, to
himself, originally finds what de- wearisome, too long and superficial. It appears Uris was not as con- pat a dog, to read a few lines from Barbato's Italian Restaurant
lighted the poet. •;* cerned with developing scope of the a book." and Pizzeria
IfI the reader experiences and ^Mila 18 was an actual command Jewish delemma as he was with 1707 (State Street Erie, Pa.
perceives \ a harmonious pattern in post of the resistence movement or- concentrating on the individual mo- Wilfred A. Peterson in his book Phone 521-2158
the poem he has a playful and an ganized by Warsawf Jews during tivation and reaction that consti- "The Art of Living" views loafing
intellectual outing. <| World War II. tutes the climax of the novel. as an art. I have never looked upon
The modern mind is always act- vUris, himself, a Jew, became in- it as such. Is there, then, such a
The horror of the Warsaw ghetto
ing rather than being acted upon, terested in writing a < screen play was overshadowed by the intimate thing as wasted time? Largest Selection
and, therefore, contemplation has about the Warsaw ghetto fighters. drama of the Polish Jew. Webster's dictionary defines Of Pierced Earrings in Town
lost its original notion of passivity. Becoming so engrossed in the loafing as "loitering; doing Starting at $1.00 per pair
subject he interviewed survivors of Leon Uris is a master storytel- nothing; idle." How then can we
Furthermore, the mechanistic ler. His personal involvement in- master this art of loafing?
trend of society has caused the the Warsaw uprising and re-
searched the Yad Washer (Memor- tensifies his perspective of the Open Mon., Thurs. and Fri.
modern mind to change the idle- Warsaw situation. We can master it by loafing with I p 9:30 till 9
ness necessary \tor contemplation, ial Archives) to find! information
one eye open for the flashes of Other Days Till 5:30 P. M.
and has made analysisj a substi- for a novel. Even though the narrative tends light that may illumine our minds
tute. The result was a fictional, yet to become melodramatic at times, with the answers we seek.
historical novel concerning a hand- Uris never seems to reveal that he BRE AKIRON JEWELERS
In contemporary education, a • #
We can master if by watching —
person is trained to dissect a sub- ful of men and women who defied is a Jew, rather than merely en- by being constantly aware of the "The Pierced Earring: Store of Erie"
ject, causing! a loss of pleasure in German depression with homemade grossed in the ideological struggle world around us.
weapons. 8702 Pine Avenue—Erie, Pa.
recognizing the order and harmony of the Jews.
of Hie whole. Intense characterization of men, Mila 18 is a novel that once you Pause and still your mind!
With this habit of subdivision, women, boys and girls living in the have begun it becomes impossible Experience a change of pace.
real contemplation is becoming threat of German occupation pro- to put down until the last sentence
Slow down in your great j race Make Reservations Now At
ceeds the narrative of the actual is read.
rareJ* with! time and take time ^ to ab- ^ Cappabianca Travel Agency
conflict, f Other novels by Uris are Battle
Twentieth century man, there- sorb. 718 State Street^ jErie, Pa,
Uris uses the technique of tel- Cry, Exodus and Armageddon. For
fore, does not seem to comply with Take time for people, time for
ling whole sections of the stories those who are interested, further Use Boston Store Charge
Aristotle's premise that the high- in the form of journal entries in critiques are available in the 1962 solitude, and time to give of your- 456-5411 £
est life is the life of contempla- a diary. edition of the Book Review Digest. self. J:
tion.
Page 6 the merciad Friday, April 14,1967