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Aims:
• Students will develop design skills and visual awareness.
• Students will develop personal skills in small groups in the designing, making,
reviewing.
• Students will be introduced to the history of graphic design, its role, and function in
communicating a message through visual imagery to its target market.
• Students will develop an understanding of logo, branding, typography and subject
matter.
• Students will be able to discuss and describe the work of David Carson and
Bauhaus and minimalist movement
Overall Learning Outcomes for the Scheme:
• Student will explore how to translate their ideas into a design context. Develop the
skills to mind mapping, word association for the brief
• Students will develop personal skills in small groups and as an individual in the
designing, making, experimenting and resolving design issues.
• Student will demonstrate creative and imaginative skills through their design work
i.e. logo, colour, typography, thumbnail sketches, imagery, and layouts in relation to
festival theme.
• Student will be able to identify and discuss designs by David Carson and styles,
fonts and imagery in the Bauhaus and Minimalist movement.
• Students will design a logo for an art festival based on the theme to a high quality
standard that is visual interesting that will promote a message to the target market.
Investigating/Exploring/Creating (include illustrations, especially your own work):
• Voice can be…… sound from human, animals, music; singing; speaking;
instruments, man-made & mechanical sounds; spoken through the mouth or by
unspoken voice through hand symbols; speakers corner; visual imagery that is
literal or abstract; gives ideas, identity; message; talking, bird song; spoken words,
celebration and imaginative.
• Investigate: design concept with small scale thumbnail sketches
• Placement, shape, size, colour, line drawings, design.
Exploring requires:
• Describing the festival theme in words and imagery looking at shapes, form,
texture, space, text
• Investigating… different compositions, design, logo, fonts, size, placement, colour
composition, theme, text…. torn out, cut out, collaged, and stenciled printed, hand
drawn, painted and inked imagery.
• RSA Design Directions UK award for a series of stamps exploring issues of renewable energy and global warming
• Examples of stamp design from RSA Design Competition UK. Illustrate simplicity
of design, layout, font and use of colours, imagery combined with text
ICT:
• Images sourced from internet and books on graphic design and contemporary
designer/artists.
• U-tube clip about creating a logo about Tether http://www.tetherinc.com; David
Carson graphic designer http://www.davidcarsondesign.com/
• Students will use internet for research work
• Record students work by digital camera
• Whiteboard to outline the structure of the lesson
Key words/phrases:
• Mind mapping, word association
• Line drawings, typography, font, text, layout, image, graphics,
• Composition, placement, message, mood board, development of concepts,
• collage, colour, black and white, tonal value, shape, space, line, styles, proportion,
size, rendering, stencils, cutting, pasting, photocopies, refine, simplify, tagline,
thumbnail sketches, torn, cut out, hand drawn, painted, inked
• visuals, concept/mood board, research theme, stamp designs
• Design brief, research, festival, art, voice, theme, target audience, community,
music, symbols, speech, ideas, sound, performance and silence.
Teaching/Learning Strategies:
• Present information on subject matter and key areas of learning through visual aids.
• Group discussion and analysis to compare and contrast key areas and techniques.
• Group description of key area, techniques and subject matter verbally and through
observation drawings
• Teacher guided instructions through demonstrations and guidance
• Homework will demonstrate if the student has grasped the key areas of learning
during the lessons and confidence and skills in subject matter and research will
improve student knowledge.
• Group and individual work assessment, discussion and peer presentation.
• Question and answer time allowed after technical demonstration and lessons
Materials:
• Colour & white cartridge paper (different weights), pens, colouring pencils, post its
paper; pva glue, tracing paper, magazines, acetate, paints, craft knives, scissors, ink,
cutting boards, fabric paint, food colouring, photographs, photocopies of text,
sponge, inks, festival brochures, music- cd and instrument, recorder and music
system
Safety Precaution:
• Safety talk and demonstration on correct use of craft knives and cutting boards
where applicable to lesson plan.
Differentiation:
• Visual demonstration of each tasks
• Use key words on whiteboard to support and map out each lesson.
• Students will be encouraged to work to their own strengths and adapt their designs.
A selection of materials will be available for those who have difficulties with cutting.
• A4 laminated photocopies of visual images, logos and worksheets with key words.
• Encourage students to work at their own pace and capabilities and adjust scheme to
suit this.
Timeline/Sequence of Lessons:
Week One- introduce subject matter, graphic designer, logo, branding and research
Lesson 1 (Double)
Introduce brief and subject matter with visuals and recording of different sounds.
Describe in groups what the meaning of the theme could be? Present findings.
Draw thumbnail sketches on these key words. Homework research and collect
imagery that relates to theme
Lesson 2 (single) – Review. Introduce what logo and branding are in a design
context.
Lesson 3 (Single) Review. Introduce David Carson graphic designer group research
for Design board. Group homework-Collect different type of text from a variety of
sources i.e. magazines, old books, stamps, look around local environment i.e. shop
front, sides of vans, road signs.
Week two: art movement and graphic designer- logo - typography
Lesson 1 (Double) – Feedback on group research. Review homework. Introduce
what is logo and design layouts. Experiment with typography layout, colour studies.
Homework
1 x finish colour studies using only 2 colour and 1 x black and white studies
Lesson 2 (single)
Research feedback and imagery on Bauhaus, Minimalist and De Stije movements.
What type of style is evident what influenced this movement? Homework:
experiment with typography text
Lesson 3 (single) Review. Design text for stencil design using only 2 colour.
Homework :2 working designs for next lesson
Week Three: stencils- colour studies- layout-typography continue
Lesson 1 (Double) Review of work. Introduce and demonstrate stencil technique.
Produce own stencils with simplified design and text
Lesson 2 (Single) Review work. Continue to explore different types of typography,
layout and colour. Explore tearing, cutting, painting drawing. Homework colour
studies
Lesson 3 (Single) Group review of work. Introduce designs used in stamps and
concepts behind them.
Week Four- design logo-imagery - concepts
Lesson 1 (Double) Review work. Show examples of mood boards that support
design work. Work on final design work and finalized concepts. Homework: mood
boards
Lesson 2 (Single) Continue with final design work and imagery
Lesson 3 (Single) Review mood boards. continue with final design work
Assessment Rubric:
• Design concept/ creativity
• Technical skills and development
• Knowledge and understanding
• Effort/ commitment to project
• Evidence of Learning