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Abstract
A new methodology of scoring and interpretation of the Wartegg Drawing Completion Test is
illustrated. It was born in the clinical field thanks to the administration of the WDCT in a
continuous combination and comparison with the Rorschach test. From this combination it was
possible a) to confirm significant similitudes between the two tools; b) to elaborate a new scoring
but above all c) to provide the WDCT with exhaustive theoretical model of reference. Such a
methodology was born in Italy where is applied by the Armed Forces in their Selection and
Guidance Career proceedings. Presented values and norms are derived from the most recent Italian
A clinical case is illustrated to demonstrate the convergent validity of the new methodology with
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The Wartegg Drawing Completion Test (WDCT) is a projective drawing technique used not only in
the Clinical assessment but also in the field of Selection and the Career or School Guidance.
In German-speaking countries the WDCT is known as “Wartegg Zeichentest” (the test of the signs
of Wartegg) or WZT. It was created in 1926 by the German Psychologist Ehrig Wartegg but the
The Wartegg Drawing Completion Test consists of a form that contains eight panels (P) or squares,
numbered 1 to 8, arranged in two parallel rows of four. There is a different graphic sign in each
Figure 1
The Wartegg form
Many Authors, in different countries, wrote an handbook on WDCT: “”In Sweden (Wass &
Mattlar, 2000), in Switzerland (Avé-Lallement, 1994), in Finland (Gardziella, 1985) and in Italy
Compared to so huge number of handbooks we find few articles: “PsycInfo reports 88 articles on
WDCT. 1 in the ’30, 3 in the ‘40, 33 in the ‘50, 19 in the ‘60, 14 in the ‘70 and, at the end, 16
Such a scarce number of articles can be explained by two factors. By one side, the WDCT in the
psychologist Kinget (1952) published in the USA an WDCT handbook and Buros (1959) spoke
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very well about it. By the other side, the original Wartegg method presents many difficulties and
deficiencies.
According to the rules proposed by its Author, the WDCT presents 2 difficulties that gigantically
the modes of scoring conceived by E. Wartegg are very complex and arduous for the psychologist;
the theoretical model of reference to which E. Wartegg referred (the Psychology of the Totality), is
The starting point of this new methodology is represented by the administration of the WDCT to
more than 20.000 subjects and in 1.500 of them I’ve administered Wartegg and Rorschach tests
together. This huge experience with Rorschach and Wartegg together applied has furnished the
most remarkable contribution to the realization of this new methodology. This huge experience also
permitted a) to find similitudes and analogies between the two tools; b) to create a new scoring and
interpretation system .
The first step was to apply to WDCT the scoring system of the Rorschach (according to the Bohm
method, 1969) for the aim of allowing an easier comparison between the two tests.
In this first step, were applied to WDCT same categories of Rorschach scoring system (the Formal
Quality; the Contents; the Frequency; Peculiar Phenomena; the Movement; the Impulse Responses).
So a first scoring system was born and it was experimented and standardized for the developmental
In a second step, with the increasing of the clinical experience, two original categories of scoring
for each panel were introduced: the Evocative Character and the Affective Quality.
In the third step the new methodology enriched itself trough the study of the order of execution; in
other words the study of how the subject performance the WDCT. This evaluation of the Order of
Succession is called the “Analysis of Succession” that represents the most important opportunity of
the interpretation of the test and it permit us to describe the organization of the personality.
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In the new scoring form (figure 2) the drawing made in each panel is valued on the ground of
Figure 2
The Scoring Form
The categories are: Evocative Character (EC); Affective Quality (AQ); Formal Quality (FQ);
Content (CONT) divided in: Primary (Pr) and Secondary (Se); Frequency (FR): Popular responses;
Presence of Particular Phenomena or Special Scores (SP); Movement Responses divided in: Main
Each category of scoring is transformed in calculations and/or formal indexes and aids in depicting
Here is not possible to illustrate the whole scoring system and so we’ll focus our attention over the
most original contributes: the Evocative Character, the Affective Quality and the Analysis of
Succession.
The term “evokes” comes from the Latin “ex-vocare” and means “call out, bring again to the
mind”. It points to the capacity of a specific stimulus (in our case a graphic sign) to recall and
facilitate the projection of particular psychic contents. Such an argument has been studied also in
the Rorschach test by some Authors (Merei, 1947; Andronikov, 1995) but, at first, it was examined
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by Wartegg himself. He wrote about “the archetypical function” of the 8 graphic elements, that is,
the internal and universal ability of the signs to evoke unconscious experiences.
He also asserted that the choice of the 8 stimulus-signs was made taking in consideration the
“capability of the graphic elements very poor by a quantitative point of view but the most
At first, Wartegg deliberately created an easy test. Looking the Wartegg form we are struck by its
linear structure so immediate, easy and almost disarming. The principle of simplicity is the logical
criterion of WDCT. According to the ideas of Mc Cully (1988) it’s possible to say that the
simplicity of the 8 stimulus-signs is the way in which we can bypass the defensive mechanisms of
the subject.
At second, the WDCT is a projective drawing technique, whose graphic elements are hemi-
structured signs on which the individual is prone “to project contents and specific dynamics of his
personality which are, then, revealers of his organization” (Rapaport, 1977). The WDCT can be also
classified as a performance based personality test an, according to Bornstein’s proposal (2007), as
The scoring of the Evocative Character. Score = 1 if the client picks the implicit suggestion of
the panel stimulus-sign and graphically realizes a drawing corresponding with the evocative
character.
Score = 0.5: Drawings in which the evocative character is partially picked up.
Score = 0: Drawings completely inadequate; the subject does not pick up the suggestion of the
stimulus-sign.
The psychic areas evoked by the 8 graphic element-signs of the WDCT are illustrated in the
Figure 3
The Evocative Character of the 8 panels
It is a kind of evaluation exclusively based on the subject’s affective connotation of each drawing.
In part, the affective quality (QA) can be compared with the GHR and PHR scores of the CS. But,
in WDCT, it concerns drawings of all contents not only the Human representations.
Score = 1: For positive contents (this concept is similar to GHR score and it also includes COP).
That is: H = human (H, (H), Hd, (Hd), Hx, Ay); A = animal (A, (A), Ad, (Ad); NAT = natural
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elements (Ge, Ls, Na); BOT = botanical (Bt); CIB = food; (Fd) FIG =i.e. pictures, sculptures; (Art);
Score = 0.5: For neutral contents (such evaluation represents an intermediate position between
GHR and PHR; we should call it NHR). That is, OBJ = objects (Cg, Hh, Sc, Ay); SIG = letters,
numbers, symbols; MIN = mineral; ARC = architectural (Sc); ABS = abstract (Ab).
Score = 0: For negative contents (similar to PHR score and it also includes AG, MOR). That is:
ANA = anatomical (An, Xy, Bl); AM = weapons; ESP = explosion (Ex); PAT = pathological; NUB
But, in the clinical practice, things are not so linear and so, in order to score this category,
immediately it appears that was necessary create and apply a fixed and defined list. And being
awake of the difficulties and dangers involved in facing the thematic analysis, a list of the contents
was arranged.
In order to do it, the list was based, in part, on the psychodynamic writings of various Authors; in
Where the contents were ambiguous and in need of explicit clarification of the subject during the
inquiry, it was preferred to give a value of 0,5: is the case of contents like moon, sunset, night,
At the same time, great consideration it is given to the verbalization so, for example, a score of 0 is
given to all those contents that belong to a positive or neuter categories, but were represented in
negative sense: for example: "a cold and desolate landscape"; "a fierce dog"; "a sad face"; "a
broken leaf," "an abandoned house," "a broken toy," or to all those contents defined in a pejorative
or derogatory manner. To the contrary, it has appraised as positive those neuter or negative contents
This list acts as a guide for the administrator for the purpose of guaranteeing a standard for the
administration and of scoring and to increase the reliability of the WDCT. This list was not created
for the purpose to categorically define positive versus negative; nothing being totally “written in
stone”, however it was created to provide the psychologist with a consistent standard for clinical
assessment.
The reader will certainly have understood the delicacy and complexity of scoring these two
categories. To ensure uniformity of scoring between psychologists and consequently increase the
reliability of the test one can find scoring material in the handbook (Crisi, 2007) but the reader will
find a huge list of drawings accompanied by their scoring on the website of the Italian Institute of
Wartegg (www.wartegg.com). The list is continually updated in due time and is based on
For obvious constraints of time, it’s not possible here to illustrate such a list. To concluding it’s
important to keep in mind that the affective quality doesn't intend make a wild analysis of the
contents: it is obvious that the same content could engage different meanings according to age, to
The conclusive element is not the list itself but to succeed in understanding the climate, the
atmosphere, the emotional tone of the drawings. For example, the flowers belong to the botanical
category and must be scored with number 1 and yet verbalizations like "A very beautiful exotic
flower", "a chrysanthemum" or "a dry flower, without petals" depict completely different meanings
The subject is free to choose the order of succession of the drawings and the connection of panels
with which effects the test. The Order of Performance, for its high diagnostic meaning, has been the
object of attention of many Authors; Wartegg himself affirmed that: "the succession of the drawings
must no considered coincidental because they have a connection with the archetypical signs."
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A very special phenomenon happens in this respect: the WDCT panels are numbered from 1 to 8
(see figure 1) and such an strong conditioning let us think that the most of the subjects during the
performance follows the numerical order of the panels. At the contrary, psychologists who use the
We observe the numerical (or normal) Order of Succession (from 1 to 8) only in the 15% of the
subjects in the developmental age and only in 7% of the adults (Crisi, 2007).
Therefore, the Evocative character of the 8 panels of the WDCT represents a press so strong that in
92% of administrations is able to subvert the conditioning of the panels numbering. The subject in
front of WDCT is inspired by the Evocative Character or better by the meaning of the psychic areas
connected to each panel (see figure 3) and, doing so, he follows his/her personal gifts, preferences
or aversions.
The experimental data affirms that the order of performance represents an extremely personal and
individualized way and therefore must be analyzed each time subject by subject.
It has been possible to analyze in a deeper way the Order of Succession and this analysis permitted
to individuate two different procedures called Analysis of Succession 1 and Analysis of Succession
2.
Analysis of Succession 1.
We depart from the following assumption shared by all the scholars of the Wartegg:
the panels that the subject draws in the first half of the test (from the I to the IV panel in the Order
those drawn in the second half (from the V to the VIII panel in the order of succession), represent
DELAYS. The subject draws at first those panels that feels closer to him/her while draws at least
the panels that don’t harmonize with him/her. It is a significant data but is too much vague and not
On the ground of such considerations, a different procedure has been worked out( see figure 4).
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Figure 4
The Analysis of Succession 1
ANALYSIS OF SUCCESSION 1
I II III IV V VI VII VIII
OoS 8 5 3 6 2 7 1 4
EC 0,5 1 0 1 1 1 1 0
AQ 1 0 1 0,5 1 1 0 0
VAL S SA SA S CP CP RA R
FQ 1 1 1 1 1 1 1 1
A/F 1:1 0:1 1:1 0,5:1 1:1 1:1 0:1 0:1
I.R. * *
The scoring is that of the Clinical case
On the first raw we write the Order followed by the subject during the performance: in the example
of the figure 4 the subject drawn at first the Panel 8, as second the panel 5 and so on.
In the two rows below we write the valuation that each panel obtained in the scoring of the
Evocative Character and in the Affective Quality. So in the example, the subject in Panel 8 (the first
drawn) obtained 0,5 in the Evocative Character and 1 as Affective Quality. On the base of the
scoring got in the Evocative Character and in the Affective Quality we score in the following way:
A) if the Panel has been drawn in the first half we appraise it as:
• Choice (S), if the score, obtained by adding the given values in the Evocative Character and in
At this point, to complete the Analysis of the Succession 1, we write also the scores obtained, in
each individual Panel, in some categories of scoring (Formal Quality, Report A/F, Impulse
Responses).
At last we have 6 different categories of evaluation, each one with a peculiar diagnostic meaning:
The CHOICE (S) represents the maximum of the positive evaluation that a panel can obtain and it
points out the areas of development and integration. In other words the strongest points on which
has been evolving and structuring the organization of individuality of the subject.
The choices indicate areas of development and integration but a very high score (2 for the precision)
can point out to a their excessive predominance in the subject individuality. The excessive
predominance of a area can disturb other functions detracting their psychic energies. For example,
in panel 1, a high score represents certainly, awareness and faith in the subject’s own ability but
also traits of accentuated narcissism and of egocentricity with difficulty in social relationship
In prognostic context, the choices are revealed to be the flags in the areas in which, during the
The AMBIVALENT CHOICE (SA): it points out the existence of a certain degree or level of
ambivalence that demonstrate intense polar feelings within the subject. It indicate a certain level of
conflict that, generally, is perceived by the subject as conscious and experienced as such. For
example, always in panel 1, an Ambivalent Choice points out the presence of a certain quantity of
desire for affirmation and of autonomy. In other words, it testifies to the existence of a conflict in
the axle dependency-autonomy (to demonstrated, I have often found panel 1 to be valued as
accentuated conflict in the psychic area revealed by the specific panel. These feelings, in general,
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are not perceived in a conscious manner by the subject, but instead they are exposed in an
unconscious way.
These evaluations point out the presence of real deficiency and as such, in prognostic sense, their
meaning is rather negative. For example, the subject draws at first panel 7 but the values of the
Evocative Character and of the Affective Quality are = 0. That means that the relationship with the
female, with sexuality, is strongly ambivalent and in conflict on a unconscious level, disguised on a
While the Ambivalent Choices could be, with relative facility, obvious and sorts understandable to
psychotherapeutic work. When the ambivalent choice is prevailing, the indication for a
psychotherapy could be of the cognitive type, when the Negative Compensations are predominate it
The POSITIVE COMPENSATION (CP): it represent a lesser negative degree amongst the various
types of delay because is characterized by high values in the Evocative Character and in the
Affective Quality. Similar to the negative compensation, for the high degree of conflict of the
Compensation the characteristics represent latent potentialities and the base on which to work, in
psychotherapy, in order to realize a higher and more functional degree of organization in the
structure of individuality. The Positive Compensation points out to the therapist the problem of the
For example, if Panel 5 is drawn in the second half obtaining an evaluation greater than 1 in the
C.E. and in the Q.A., it points out that the aggressive energy is deeply repressed but, at the same
time, on a prognostic level, good potentiality for resolution exists and, just in working on them, the
The Positive Compensation testifies, also to the existence in the subject of sthenic characteristics
(positive prognosis).
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AMBIVALENT DELAY (RA). Also in this case it is possible to create a twin ship with the
ambivalent choice; but, to the contrary of it, the Ambivalent Delay is unconscious. The ambivalent
delay points out, in the psychic area evoked by the panel, the existence of ambivalent unconscious
elements. These elements are deeply repressed and represent the origin of generalized strains, and
Prognostically, it indicates a more negative value and points out the necessity of a psychoanalytic
treatment.
DELAY (R). It constitutes the more negative evaluation that a panel can obtain. It represent
therefore elements that the subject tends to delete, to eliminate; they are, therefore, areas that are
completely unconscious and that in latent way determine and affect all the behaviours of the
subject. The Delays are conflicting areas, problematic kernels assets that affect, unconsciously, the
operation of the complete individuality. More over the score draws near to zero and it points out a
The six categories represents a continuum along with which we go from an elevated level of
integration to a lesser level, from a lesser degree of conflict to a greater, from a state in which the
Figure 5
The characteristics of the six valuations
On the base of the clinical experience it was possible to create a theoretical model for which the
Such idea was borne by the observation that the panels of the Wartegg, according to their specific
The first pair consists of Panels 1 and 8: panel 1 evokes feelings and evaluations of the Ego, the
eighth furnishes us with information on the type of relationship lived with one’s surroundings;
the second pair consists of panels 3 and 6: these panels point out, respectively, the levels of the
subject psychic energy and the ability to apply it effectively to the process of adaptation.
The third pair consists of panels 2 and 4. Panel 2 is connected to dynamics of the objectual-relation
with the maternal figure, panel 4 is connected to the relationship with the father figure.
The fourth and last pair, consists of panels 5 and 7: the 5th is connected to the ability to overcome
to the survival of the mankind; panel 7 evokes dynamics tied to the female, to the sensivity and,
finally, to sexual energy. Because these two panels represents aggressive energy and libidinal
A) the first two pairs (1-8 and 3-6) are formed by the conscious part of the subject. They, in fact,
include multivarious functions of the Ego: those which are strictly perceptive-associational, to those
which regulate the mental operation (formation of the concepts, memory, anticipation, planning
etc.), functions which include self evaluation, also include social relationships and the levels of
activity in the ability to adapt to one’s surrounding (function of judgment, examination of reality
etc.).
B) the seconds two pairs (2-4 and 5-7) have in common the characteristic of be tied panels by less
conscious appearances; are tied to the unconscious and are connected to both collective unconscious
Then, on one hand, we have 4 panels (1, 3, 6 and 8) concerning the Ego and its process of
on the other hand, we have 4 panels (2, 4, 5 and 7) that are concerned more specifically with the
sphere of Affectivity.
According to this model, the subjects should draw in the first four drawings, the panels 1,8, 3 and 6
Figure 6
The Analysis of Succession 2
Such an hypothesis has been confirmed by the clinical practise that demonstrated that in about 75%
of cases, in the first 4 drawings of the subjects we find panels 1,3,6 and 8.
The order to succession in this theoretical model is very important. It is of great psychodiagnostic
relevance when the subject strays from this model of succession. In practice, referencing to always
The pairs in parenthesis represent the model of theoretical succession, the pairs without parenthesis
are the panels that the subject has drawn. Beneath, the examiner writes the evaluation obtained by
each panel.
panels 1 and 8 drawn in the first half and valued like choices;
panels 3 and 6 drawn in the first half and still valued like choices or at most as ambivalent choices;
In a theoretical viewpoint, then, the normal subject would not ever present the ambivalent delays
The effectiveness of the instrument has been verified through a series of tests. One of the most
important (Italian Navy, 1999) made a comparison between the output data of the WDCT and those
of the psychological tests used by the Italian Navy for the admission to the Naval Academy of
1) High concordance between the general evaluations of the Selection Department and the data
2) Concordance (86.4 %) between WDCT and MMPI-2 and concordance (89.2 %) between WDCT
and Guilford-Zimmermann.
3) Other researches have found a very high (k = 0.91) inter-scorer agreement between expert
A clinical case
This clinical case is a “blind” valuation: Stephen Finn administered the Wartegg test to one client of his.
Then he sent the WDCT to Alessandro Crisi who, without knowing anything about the client (except the
name, the gender and the age), scored and interpreted the WDCT of the subject.
Below you’ll find the Wartegg form: all the words in black are from Wartegg report; all the words in blu are
the observations that Finn made on the base of the therapeutic assessment.
P 1 - eye
P 2 - some guy looking at the eye (in 1)
P 3 - a guy and his car
P 4 - a skull
P 5 - a sword, it had to be a sword
P 6 - a battery
P 7 - a frying pan with 2 eggs
P 8 - a waffle cone with ice cream
Drawing liked most: 6, because it is more interesting. It's not the whole battery, just the important
part
Samuel is a 19-year-old boy referred by his parents for a psychological assessment on the advice of
their neighbour who is a psychologist I know. The parents are concerned because S. is not working or
going to school, and spends a great deal of time playing video games in his room at home. He went to
university last year, but did terribly in his courses and came back home. This year, he tried take a
course at a local community college, but he also did not complete this course.
Some of the parents’ questions for the assessment are:
What gets in the way of S. succeeding at school?
How can we help S. become independent?
Why is he so angry and irritable all the time?
How can S. come to form long term goals, believe he can achieve them, and work to reach
them?
References
Armando.
Gryphon Press.
Crisi A., Shorey H.S.. (2009). Comparing Projective Measures: a case study
using the Wartegg and the Rorschach. Poster presented at the Annual
Crisi, A. (2007). Manuale del test di Wartegg. [ Handbook of the Wartegg test]
Crisi A. (2005) A new instrument for Selection and Career Guidance: the
Crisi A. (1999 July). Some similitudes between the Evocative Character of the
Wartegg Panels and that of the Rorschach Plates. Paper presented at the
Kinget, G.M. (1952). The drawing completion test: a projective technique for
structure and use thereof, and of research supporting its utility. Paper
system when analysing the Wartegg. Paper presented at the XVIII ISR
Congress, Barcellona.
Hogrefe.