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Growth through English
Revisited

PETER SMAGORINSKY

o makewayfor somenew office space,my departmentrecentlycleanedout a


collection of books left by long-departed colleagues. Most, it turned out, were
worthy of the dust-bin: books from the sixties and seventies that did not withstand
the test of time. While scavenging through the piles of hoary books, however, I
came across a few classics that I added to my own shelves. Among them was a book I
had often seen referenced but had never read, John Dixon's Growth through English, orig-
inally published in 1967. The version I salvagedwas the third edition from 1975, including
the new subtitle, Set in the Perspective of the Most current English teachers had not yet
Seventies. entered the profession in the summer of 1966 when
For those unfamiliarwith this book, Growth the Dartmouth Conference took place; many were
through English was an elegant summaryof the ideas not even born. I myself toiled in a school, but as a
generated through the Anglo-AmericanConference callow thirteen-year-old more concerned with im-
at Dartmouth College in 1966. This conference proving my jump shot than with the state of the art
brought together representatives from the United of the field of English. As I anticipated reading
Kingdom, the United States, and Canadato reexam- Growth through English in my twenty-fifth year as
ine the English curriculum in schools and universi- an educator, I wondered: What would still sound
ties. It was the first and most significant of a series fresh and invigorating nearly thirty-five years later?
of conferences among representatives of English- What would sound quaint and dated? Was this long-
speaking nations designed to reconsider the English out-of-print book still worth reading?
curriculum. Until the English Coalition Conference
in the late 1980s (itself informally known as "Dart- Vision
mouth II"),it was the only one of these meetings that
generated landmarkpublications whose aim was to Shortlyinto my reading I began to see why this book
change the field. Growth through English succeeded had been so important then and why it is still so im-
notablytowardthat end. The Dartmouth Conference portant today. Dartmouth and Growth through En-
found its imperative in its opposition to the teacher- glish have been credited with major changes in the
and-text-centered tradition that dominated schools teaching of English: the launching of the National
at the time and that has endured through the ages. Writing Project in 1974, renewed attention to
Indeed, strengthened by policymakersbent on stan- Rosenblatt's transactional theory of literature, a
dardizing instruction and assessment, teacher-and- shift in attention from learning product to learning
text-centered instruction is now imposed on the process, and other changes based on the British
profession much as it was for Dixon and his Dart- "growth model" for viewing the discipline of En-
mouth colleagues over thirtyyears ago. glish. What was common to all of these changes was

ENGLISH journaL
a shift in attention from the subject matter of En- It seemsanelementarymistaketo demanda listof
andknowledgeasthe basisfor
skills,proficiencies
glish to the learners in English classes. The Dart-
mouth participants, particularly those from the an Englishcurriculum. Demandsof thiskindpro-
ducetwowrongkindsof answer:answersso
United Kingdom, argued that the purpose of en- detailedthatwe determine,let'ssay,the books
gagement with an English curriculum was to pro- everychildshouldreadby a particular stage;or an-
mote the personal growth of individual learners. swersso generalthatthe skills,etc.,describedare
This emphasis was a dramatic departure from what not amenableto beingputin orderone afterthe
was more typically practiced: a teacher-directed other.(85)

emphasis on the texts themselves. John Dixon ar- Yet fact-and-skill-based curricula are what we con-
gued that emphasizing texts at the exclusion and tinue to see, including those mandated by state de-
expense of the learner prevented students from partments of education. And they are frequently
growing as people through their engagement with tied to curriculum-drivinghigh-stakestests that have
literature, writing, language use, drama, art, and
consequences for students (promotion), teachers
other aspects of a dynamic curriculum.
(merit pay), and schools (censure, consolidation, and
closure).
The Dartmouth conference was set in a cli-
mate where schools followed the sorts of authori-
Indeed, often Dixon's illustrations
tarian traditions described above. Growth through

sound as though they are taken English is therefore an argument against what we
have come to think of as traditional teaching, what
Dixon refers to as a curriculum built around skills
from post-millennium schools and cultural heritage. To Dixon, the consequence of
these predominant approaches to curriculum de-
rather than schools of the 1960s. velopment was that it
leftanuneasydualismin Englishteaching.Litera-
tureitselftendedto be treatedasa given,a
ready-made structure thatwe imitateanda content
Although these ideas were quite familiar to
thatis handedoverto us.Andthisattitudeinfected
me by the time I read Growth through English in the
composition andallworkin language.Therewasa
year 2001, I found myself excited and inspired by the fatalinattention to theprocessesinvolvedin such
passion and urgency behind Dixon's appeal. I began everydayactivitiesastalkingandthinkingthings
to marvel at how pervasivethe influence of this book over,writinga diaryor a letterhome,evenenjoying
had become; it anticipates virtually every student- a TVplay.Discussionwasvirtually ignored,aswe
centered idea generated since. The teacher-and-text- knowto ourcosttodayon bothsidesof theAt-
lantic.In otherwords,thepartof the mapthat
centered curriculum Dixon critiqued back then was relatesa man'slanguageto hisexperiencewas
much the same as the centralized and standardized (Thinkof thetrivialessaytopics
largelyunexplored.
curriculadecreed by many current school districts. thatstillresultfromthisignorance.) Thepurposes
Indeed, often Dixon's illustrations sound as andpressuresthatlanguageservestendedto be re-
ducedto a simpleformula-a lumpsumviewof
though they are taken from post-millennium schools inheritance. note:I retainDixon'suse
rather than schools of the 1960s. He says, for in- (4) [Author's
of masculinelanguage,recognizing thathe wasfol-
stance, that when culture undergoes rapid change, lowingthe conventions of histime.]
"there is a tendency to panic, to define an external
curriculum-a system into which teacher and pupil In reaction against the skills and cultural
must fit-instead of helping teachers, in depart- heritage approaches to teaching English, the Dart-
ments and larger groups, to define for themselves mouth participantsproposed a curriculumbased on
the order and sequence that underlies their best personal growth. As readers of educational debates
work"(84). This description could fit many present- are aware, the type of curriculum that Dixon and
day school systems that are resorting to centralized colleagues opposed has many influential supporters
curricula and standardized assessment as a way to today.These include William Bennett, Allan Bloom,
force uniformity upon increasingly pluralistic com- Chester Finn, E. D. Hirsch, Diane Ravitch, Sandra
munities. Dixon continues by saying: Stotsky,George W. Bush, and others whose political

M JULY2002
and policy efforts have helped to institute the kind This liberation would include freedom
of curriculum that Dartmouth participants argued from strict adherence to textbook language.
so strongly against. In Growth through English, Speaking and writing ought to focus more
Dixon outlines the tenets of the personal growth on students' expression than on the correct-
curriculum that was emphasized at Dartmouth: ness of their language; "pupils should be
freed fromdisablingconceptionsof
* Discussion should play a greater role in correctness' and 'dialect'" (77). When
classrooms. These discussions should in- students share in setting the direction
volve the students speaking to one another of learning, a continuity in the curriculum
about things that matter to them. They will follow, consisting of
should also allow for expressive or ex-
a flowof talkbetweenpupilsandteacher,a quest-
ploratory talk; that is, discussion in which ingexploratory a sensitiveearto
the process of talking leads to new insights. atmosphere,
emergingfeelingsandideasanda richsenseof
This emphasis moves away from classrooms theirthematicpossibilitiesandconnections.Atthis
in which the recitation of correct answers is level,a teacher'sartliesin takinga pupilwherehe
the rule. is interestedandin somesensesharingwithhim
* Writing should similarly take on an ex- the searchfornewpossibilities.(86)
ploratory character rather than always
following formal conventions. Writing SSchool ought to provide abundant opportu-
nities for students to engage in drama. By
can thus lead to a process of discovery
rather than simply reporting correct or drama the Dartmouth participants did not
mean the formal theater. Rather, they saw
approved information. It can also be in- drama as a means for students to engage in
formal, creative, and appear in various
a kind of talk unavailable through most
and hybrid genres.
classroom activities. Douglas Barnes is
* Attention to exploratorylanguage processes
quoted as saying that drama
suggests awareness of the process of writ-
ing and thinking, rather than focusing only differsfromothertalkin threeways:movement
on the finished products of student work. andgestureplaya largerpartin the expression
Dartmouth Seminar participants "moved of meaning;a groupworkingtogetheruponan
from an attempt to define 'What English improvisation needsmoredeliberately and
is'-a question that throws the emphasis on to
consciously collaborate... ; the narrative
nouns like skills, and proficiencies, set framework allowsforrepetitionandprovidesa
books, and the heritage-to a definition by unitythatenablesthe actionmoreeasilyto take
on symbolicstatus.(Dixon37)
process, a description of the activities we
engage in through language" (7). Takentogether, these recommendations sug-
* The lives of the learners ought to play a the need for what the British called a "growth"
gest
central role in their education. Thus their curriculum, one that centered on the individual stu-
writing might concern personal experiences dent's personal growth through engagement with
and their discussions might draw on knowl-
the texts, activities, and processes of English lan-
edge outside the range of formal academic
guage arts. These beliefs undoubtedly sound famil-
knowledge. Dixon says, "A teacher of En- iar to anyone who has regularly read the English
glish, one could well say, spends his time in
his better hours discovering through his Journal or other NCTE journals in the last thirty
pupils .... It follows inevitably if we accept years, who attends NCTE-sponsored conferences,
personal experience as the vital core of En- or who participates at all in professional discussions
glish work" (48). An emphasis on personal about the quality and process of education. And
connection inevitably requires attention to now, as then, the skills and cultural heritage curric-
students' feelings: "The structure of experi- ula provide the monolith against which this discus-
ence that we aim for in English certainly sion takes place.
involves the affective as well as the cogni-
tive" (80). A More Social View
* Teachers should be less authoritarianin the
classroom to allow "the liberation of pupils Thus far I have expressed my great admiration for
from the limits of the teacher's vision" (48). the vision and urgency that Dixon provided in

EIIGLISH journaL
GrowththroughEnglish.What I would like to do ception of the individualstudent in much educa-
next is focus on what I feel is a shortcomingin the tional writing since. By elevatingthe individual's
visionof student-centeredlearningthathe presents growthas the object of education,the Dartmouth
and that I feel has been perpetuatedin muchpop- traditionhasoverlookedthe need to takea moreso-
ularwritingabouteducationsince. Thatshortcom- cialview of teachingandlearning.
ing is the wayin whichpersonalgrowthis valorized
withoutattentionto the socialresponsibilitiesthat
accompanygrowingand participatingin a society.
In Growth through English, personal growth is My concern with this axiom-that
viewed as an educationalend in itself. Both Dixon
andmanycontemporary educationalwritersappear
to assumethatthis growthwill alwaysbe noble, re- personal growth and realization
spectful,and sociallyconstructive. are the primary purpose
Thisassumptionpermeatesthe writingthat
emergedfromthe DartmouthConference.In their
forewordto the third edition of Growththrough of education-comes from the
English,DartmouthparticipantsJamesSquireand
JamesBritton,amongthe titansof Englisheduca- fact that the personal growth
tion in the secondhalfof the twentiethcentury,see
"theimpactof the Dartmouthideas-perhaps the
Dartmouthideal-in the enterpriseof individuals"
curves of individuals often come
(x).They continueby sayingthatthe developmen-
tal view of student-centerededucationoutlinedby at the expense of the goals
Dixon suggests that "self-discoverythrough lan-
guage and in self-expression,with writingto real- and growth of others.
ize oneself,has occupiedthe attentionof teachers"
since the book'soriginalpublication(xvii).The sub-
ject of English, they argue, comprises "the sum
total of the planned and unplanned experiences I would like to illustratemy concernswith
throughlanguageby means of which a child gains someexamplesfromclassesI havetaught,observed,
control of himself and his relationswith the sur- or readaboutwhere students'personalgrowthbe-
rounding world" (xviii). These relations, as ex- came a problemfor othermembersof the commu-
pressed in Growth through English, are always nity,usuallythe classroombut sometimesbeyond.
gratifyingand harmonious.They are also byprod- In allcasesthe individualsinvolvedwere concerned
ucts of realizingoneself,whichshouldbecome the withtheirowngrowth.I hopeto show,however,that
centraloccupationof school. theirgrowthcame at the expenseof others.
My concernwith this axiom-that personal In the 1970sand 1980sI includeda lot of op-
growthand realizationare the primarypurposeof portunitiesfor dramain my high school English
education-comes from the fact that the personal classroom.I sharedthe belief of Dixonthat"drama
growthcurvesof individualsoften come at the ex- is centralto Englishworkat everylevel.... it is the
pense of the goals and growth of others. I am most direct representation of life. . . . 'Drama'
tempted to excuse this oversight in Dixon's writing meansdoing,actingthingsout ratherthanworking
by consideringthat Growththrough English is a on them in abstractandin private.Whenpossibleit
work of rhetoric designed to establish the legitimacy is the truestformof learning,for it puts knowledge
of learners' concerns and constructions as a coun- and understandingto their test in action" (43).
termeasure to the ubiquitous skills and cultural her- Dramawas relatedto otherwaysof learningin my
itage curricula. He therefore needed to make a Englishclass.As Dixonsays:
strong case, one unencumbered by attention to the fromaplay
Justaswetakeupanoverall meaning
power relationships through which each person's andfeeling
eachofthecharacters
byinternalizing
growth affects that of others. Yet the absence of at- soinclasstheindi-
thesumoftheirrelationships,
tention to this fact has led, I think, to a romantic con- vidualtakesupfromthediscussion
ofexperience

0 JULY 2002
whatwillmakesenseofhisownworld.Thispro- obviousand undoubtedlywould raise greaterdis-
cessofinternalizing andextended
is developed by
Towritethenis tomovefromthesocial agreementoverthe rightthingto do. For instance,
writing. I recentlyobserveda high school Englishclass in
andshared worktoanopportunityforprivate
and
work.(44)
individual whichthe teacherwaswhiteandmoststudentswere
AfricanAmerican.The classwasreadingSteinbeck's
I wholeheartedlyagreedwith Dixon'sideal Of Miceand Men.The teacheroverheardstudents
of the potential for drama.Over time, however,I sayingthattheydidn'tlikethe languageof the book,
saw enough examplesof students'use of dramato particularlythe use of the word "nigger."The
knowthatmorewastakingplacethanstudentsmak- teacheraskedthe studentsto explaintheirconcerns.
ingsenseof theirownworlds.Astheyactedouttheir One girl saidthat she foundthe languageto be of-
dramas,they were also acting on other students. fensive.In response,a whiteboy saidthattheywere
One example illustratesthis point well. I taught all old enough to handleit, and if people found it
sophomoresformanyyearsandincludedsomekind offensive then they should just deal with it. The
of dramain each unit. One groupof boys in one of teacher followed by explainingthat the authoris
myclasseswascharming,funny,andverywell-liked. puttingthose words in characters'mouths to give
They were also devotedfans of the misogynistand readersan idea of theirpersonalities."Thisis not a
raunchystandupcomic AndrewDice Clay.During politicallycorrectenvironment," she said."It'snot a
one of theirdramaticperformances,they launched point of whether it shouldor shouldn'tbe used. It's
intoa parodyof Claythatincludedmanyof histrade- notJohnSteinbecktalking.He maybe tryingto turn
marktargets,particularly women.Eventhoughtheir a lighton the waypeople are.Thisbookis a classic.
performance was toned down for the classroom- In Gonewith the Windthey use house N and field
Clay's appeal derives from being obscene and N, andthat'sthe waypeopletalked."Shethenasked:
repellent-the materialwassufficientlyabusiveand Doesanyone wanttodiscussit further? We'renot
offensiveto makemost of the girlsin the classun-
Because tryingtooffendyou.Inmymind,thepersonwho's
comfortable,theirgigglesnotwithstanding.
putdownis thepersonwho'susingit,nottheper-
I did not know where their performance was sonwho'scalledit.Wethinkworseoftheperson
headed,I did not cut it off. But at the end I madeit whousesthewordthanthepersonwho'scalledit.
clearthatwe had seen the last of Clayin my class- Itshowsthespeaker'signorance. I knowit'ssignifi-
room and that any futureperformancesneeded to canttothosewhohavebeencalledtheword,but
be respectfultowardthe feelingsof theirclassmates. you'regivingit toomuchattention. It'sa good
bookandyoushouldn't blowit outofproportion.
I have no doubt that in planningand per- Don'tletonewordaffectyourreading ofthe
formingtheirmaterial,the boyswereengagedin the wholebook.
processesthat Dixon describes.Theywere making
sense of theirworldsthrougha processof doing.Yet The class did not discuss the issue further.
in doingso they were exercisinga formof powerin One interpretationof their agreementis that the
the classroom that worked to the detriment of studentswere persuadedthatone wordshouldnot
others,boththe girlswho felt belittledandhurtand affecttheir readingof this classicand that they be-
the boyswhose abilityto formhealthyand respect- came engaged in quiet appreciationof its virtues.
ful relationshipswith girls might have been dam- Anotheris that they felt silenced and chose not to
aged. By prohibitingfurtherperformancesof this pursuethe matterfurther,at least in the forumof
type, was I violatingtheir rightto free speech and the classroom.Frommy positionas observer,I saw
failing to achieve "the liberation of pupils from the one student's developmental trajectoryendorsed-
limits of the teacher'svision"(48)? Guilty as charged. the white boy who said that the language was inof-
My concern was for the ways in which their personal fensive and that students who found it abusive
expression affected the relationships of the whole should "deal with it." Those students whose life ex-
class, however. periences led them to find the language offensive
This first example is perhaps one where most had little choice but to yield (at least in the class-
teachers would agree that the students were offen- room) to the norms that structured the white par-
sive and deserved censure, no matter how person- ticipants' life experiences.
able and witty they might ordinarily be. Other Later that morning I sat in the school's fac-
demonstrations of power in the classroom are less ulty lounge and talked with some other English

journaL
ENGLISH
teachers. All agreed that students tended to find the the wall,thattheyhavebeen urinating on a home-
lessperson.In a frenzy,the studentsbeginto kick
language of books like Of Mice and Men and Huck-
the homelessperson,stoppingafter"30secondsof
leberry Finn offensive, and all said that their solution non-stopblowsto the body,"atwhichpointthe
was to explain to students that the author himself writersayshe "thought the guywasdead."Terri-
was not racist,only the characterswere. They agreed fied,the studentsmakea runfortheircarand
that students alwaysaccepted their explanation,and eventuallyescapethe city.(392)
they were able to move on. No doubt many readers As it turned out, the student knew that
of this article feel the same way; I'm often outnum-
the teacher, who was gay, would find it offensive.
bered when I discuss this issue with teachers. I
The student himself came from Kuwait and held
would like to raise the possibility, however, that dis-
a culturally-learned contempt for homosexuals.
missing students' affective response to a novel's lan- Dixon says:
guage valorizes some students' experiences at the
Partof ourworkin writtenEnglish,then,is to fos-
expense of others'.
A third type of developmental conflict I'm ter the kindof lookingandthe kindof talkand
familiar with comes through the performance of writingthatdirectobservation of experiencede-
mands.Wedo so, notin the detachedsystematic
writing. Dartmouth participant Douglas Barnes ar- wayof a scientist,butbywatchingfor,andeven
gues that "a wide definition of literature was used helpingto provide,momentswhensuchexperi-
throughout the [Dartmouth] Seminar. Thus, when encesareof personalimportance to pupils.Forit
is theirinvolvement in the experiencethatwill
pupil'sstories and poems, though necessarilyprivate drawthemintowriting.(51)
activities, re-emerge as experience to be shared and
talked over with teachers and classmates, they be- This student'snarrativeundoubtedlyworked for him
come the literature of the classroom" (55). In this in the manner that Dixon describes. While fulfilling
view, a student's stories and experiences ought to his personal needs, however, the writing was quite
contribute to the texts that make up the narrativeof odious to his teacher and those with whom he
the class's experience. This belief assumes that the shared it.
stories will contribute to a sense of classroom com- I should reiterate my profound respect for
munity, and quite often they do. I always encourage Growth through English and the energy, initiative,
teachers to treat students' writing seriously and re- and vision of those who contributed to it. It is well
spectfully and to make their texts important parts of worthy of its status as a landmark publication and,
their engagement with a unit theme. though written for a different era, holds much for
Like the other kinds of performances I have the modern day reader. The curricular disagree-
reviewed, however, student writing can create a ments that Dixon outlined in 1967 are not much
power differential in classroom relationships. A different today than they were in his time. As the
sobering example was reported in the April, 1994, saying goes, the more things change-and much has
issue of the NCTE journal College English. In "Fault changed in terms of technology, demographics,pop-
Lines in the Contact Zone," Richard E. Miller re- ular culture, litigation, and other areas-the more
ported on an incident that took place in a California they stay the same. One nice change is that we can
community college in which a student wrote a paper now make out-of-print books available for free on
for an open-ended class assignment. The assign- the Internet. You can download Growth through
ment, taken from a widely-used college composition English and other canonical publications at http://
textbook, asked students to write a report on some www.ncte.org/rte/Downloadable%20Books.htmand
incident of group behavior. Miller describes the continue this conversation with your colleagues.
paper as follows: Like any provocative book, Growth through
One [student]respondedwithanessaydetailinga English provides room for disagreement. My dis-
drunkentriphe andsomefriendsmadeto "San agreement comes from the romantic notion of chil-
Fagcisco" to study"thelowestclass.., the queers dren that it portrays,which I feel results in a neglect
andthe bums."Theessayrecountshowthe stu- of the power relationships that affect any social
dentsstoppeda manon PolkStreet,informedhim
thattheyweredoinga surveyandneededto know group's dynamics. I have given a few examples
if he was"afag."Fromhere,the narrative follows here; others who have documented the "underlife"
the studentsintoa darkalleywaywheretheydis- of classrooms include Margaret Finders, Susan
cover,astheyrelievethemselvesdrunkenly against Hynds, Timothy Lensmire, Cynthia Lewis, and

JULY 2002
Cindy O'Donnell-Allen. Most teachers who are to relationshipsand responsibilitiesto otherswhile
tuned into their students'interactionscan thinkof pursuing a personal developmental path. For
abundantexamples from their classroomexperi- those who embracethe growthmodelandstudent-
ences to addto thisstorehouseof illustrationsof stu- centeredcurriculumit implies,the greatchallenge
dents usingtheir readingandwritingto controlthe is to encourageindividualsto reconstructthe cur-
discourseandvaluesof the classroom. riculumtowardpersonalends,whilealsogrowingas
sociallyresponsiblecitizensof a respectfuland de-
TheChallenge mocraticsociety.

The Dartmouthparticipants,like manycurrented- Works Cited


ucators,recommendedthat the teacher yield au-
Bennett, William J. The De-valuing of America: The Fight
thorityto the students.The assumptionbehindthis for Our Cultureand Our Children.New York:Sum-
suggestionis that each individualstudentwill then mit Books, 1992.
havegreaterauthorityashe or she followsa personal Bloom, Allan D. The Closing of the American Mind. New
muse and direction,withoutthe ball-and-chainof York:Simon and Schuster,1987.
the teacher'spriorities.As CynthiaLewis has ob- Dixon,John. GrowththroughEnglish:Set in the Perspective
served,however,"Whenthe teachergivesup power, of the Seventies3rd ed. Yorkshire,UK: NationalAs-
sociationfor the Teachingof English, 1975.
powerful students will take up the slack"(198). I
Finders, MargaretJ.Just Girls:Hidden Literaciesand Life
agreewith her view that authoritywill alwaysexist in Junior High. New York:TeachersCollege Press,
in classrooms,whetherimposedby the teacheror 1997.
taken up by the students. The question then be- Finn, Chester E. We Must TakeCharge: Our Schools and
comeshowto embracea student-centered, personal Our Future. New York:The Free Press, 1991.
growthapproach,while raisingawarenessof power Hirsch, E. D. Cultural Literacy: What Every American
ShouldKnow. Boston:Houghton Mifflin, 1987.
relationshipsso that they are less imposing.I think
that doingso requiresthe belief thatclassroomdy- Hynds, Susan.On the Brink:NegotiatingLiteratureand Life
namicsarenotbenignandthatstudentsarenot nec- with Adolescents. New York: Teachers College
Press, 1997.
essarilynoble and pure in intention, as I think is Lensmire,TimothyJ. PowerfulWriting,ResponsibleTeach-
suggested in Growth through English and many ing. New York:TeachersCollege Press, 2000.
publicationsthatfollowin its tradition. Lewis,Cynthia."TheSocialDramaof LiteratureDiscussions
In makingthis observationI am simplyas- in a Fifth/Sixth-GradeClassroom."Researchin the
sumingthatkidsarehumanafterall.If beinghuman Teachingof English 31 (1997): 163-204.
involvesgainingsome degree of control over the Lloyd-Jones,Richard,and AndreaA. Lunsford.The English
CoalitionConference:DemocracythroughLanguage.
world,then we can expectissuesof control,power,
New Yorkand Urbana,IL: MLAand NCTE, 1989.
and authorityto be presentin students'literacyand
relationalpractices.In educational Miller,RichardE. "FaultLines in the Contact Zone."Col-
writingaboutsuch lege English 56 (1994): 389-408.
student-centeredapproachesas writingworkshops,
Ravitch, Diane, and United States Department of Educa-
we see nice, wholesome kids writing about nice, tion. Developing National Standardsin Education.
wholesometopics.Weneversee thesenicekidsdoing Washington,DC: US Dept. of Education, 1995.
thingslikewritingaboutexplosives,asa nicegroupof Smagorinsky,Peter, and Cindy O'Donnell-Allen. "Idiocul-
turalDiversityin SmallGroups:The Role of the Re-
boysdid in one schoolwhereI taught,priorto using lational Framework in Collaborative Learning."
this personal growth experience in a paramilitaryop-
VygotskianPerspectiveson LiteracyResearch:Con-
eration in which they blew up a good bit of personal structing Meaning through CollaborativeInquiry.
property around town. Nor do we see them more Eds. Carol D. Lee and Peter Smagorinsky.New
York:CambridgeUP, 2000. 165-90.
subtly reinforcing social class, gender, or gender hi-
erarchies through their literacy practices (e.g., using Stotsky,Sandra.Losing Our Language:How Multicultural
Classroom Instruction Is Undermining Our Chil-
"gay"as a pejorativeterm). While educationalwriters dren'sAbilityto Read,Write,and Reason.New York:
often refer to students' using literacy to bring order The Free Press, 1999.
to their worlds, they neglect to describe how one per-
son'ssense of order can impose limitationson others.
My argument with the emphasis on individ- PETERSMAGORINSKY teachesin the Englisheducationpro-
ual growth, then, concerns the absence of attention gram at the of
University Georgia,Athens.

ENlGLISH journaL

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