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GALEON

CONDUCTOR'S BY VICTOR LOPEZ


FULL SCORE RE-ARR. BY B. D. ZAPANTA

PICCOLO IN C
FLUTE IN C
OBOE
ALTO CLARINET
1st, 2nd, 3rd B CLARINET
BASS CLARINET
BASOON
SOPRANO SAXOPHONE
1st, 2nd E ALTO SAXOPHONE
TENOR SAXOPHONE
BARITONE SAXOPHONE
1st, 2nd, 3rd B TRUMPET
1st, 2nd E ALTO HORN
1st, 2nd TROMBONE
3rd/BASS TROMBONE
EUPHONIUM
B TUBA
ELECTRIC BASS
MALLET PERCUSSION
(BELLS/XYLOPHONE)
SNARE CYMBALS
QUAD TOMS
MULTIPLE BASS DRUMS
CYMBALS
AUXILIARY PERCUSSION
(TAMBORINE and/or SHAKER, COWBELL, BONGOS/CONGAS)

MARDICAS BAND TERNATE CAVITE


  
                                                                 
Piccolo   44      

  
                                                                 
Flute   44      

        
Ob oe   44                                                                  

Alto                                                                  
Clarinet
 44         
   


1 st B♭
                                                                 

Clarinet
 44         

2 nd B♭                                                            
Clarinet
 44              

3rd B♭                                 
Clarinet
 44                                  

Bass
Clarinet
 44           

Bassoon
   44
          

Sop rano 4                                 
Saxop hone
 4                                  

1 st Alto 4
Saxop hone
 4           

2 nd Alto 4
Saxop hone
 4           

Tenor  
Saxop hone
 44          

Baritone 
Saxop hone
 44  
        

1 st B♭                       
 44      

           
Trump et

2 nd B♭                       
 44      

           
Trump et   

3rd B♭ 4                            
Trump et
 4              

1 st E♭ 4
Alto Horn
 4           

2 nd E♭ 4
Alto Horn
 4           

          
1 st    44 
Tromb one

2 nd    44           
Tromb one

3rd /Bass    44  
Tromb one         

          
Eup honium
   44

B♭ Tub a
   44
          

Electric Bass
  4           
 4

Mallet                                           
Percussion
  44                                         

Snare Drum  44                                                   

Quad Toms  44                                                   
    

Tonal Bass
Drum  44          
            
            
      
(4 Pitches)
   

C.R.

Cymb als  44                  

Aux. Perc.  44       

2 MARDICAS BAND TERNATE CAVITE


    A   
8
                     
          
 
           
 
                                  
     
            
 


                  

          
           
     
      
 

    
              
                        

   
        

    

                       
                         
  
 

   
                                              
  
 

   


                                             
 
 

    

            
         
                            
            
 

      
        
                                            
         
             
                                       
  
 

                
      gl iss.     
                           
 

           
      gl iss.     
                              
 

              
        
                    
      
 

     
           
                             
                    
 
      
                       
            
     
    
 

                           
            
      
     
  
 

   
                                              
  
 

                
      gl iss.     
                           
 

           
      gl iss.     

                             
 
                                
                 
  
 

                                
               
       
 

          
                        
         

      
 
                           
       
                
 

      
        
                
                        
              
                  

                                               
 
  
 
 Roll for Xylo. only  
        
                  
                  
                 
 H.H. Closed/Rim Click
R.S.
     
                       
 
 
  
                   

 
R.S.
 
               
     
  for additional player
H.H. style
 
       

Tamb. and/or Shkr. 


                 

MARDICAS BAND TERNATE CAVITE 3
B 
16

                           
             
         


                           
             
         

   

                                              
    
      
                                            
     
 

                           
                  
   
  
                                      
        
 
 
                                                
 

      

                      
                                 
     
    

       
          
                                            
          
 

                    
        
                  
   

gl iss.
         
             
            
    

                       
gliss.         
        


         
                           
   
 

      
            
                                
                   

 

                           
                   
   
 

                           
                   
   
 
                                                
 
gl iss.
                                
    

 


                     gliss.
           
    

 



                   
          
            

             
                         

 
     

              
            
                 

       
                      
              

      
          
              
                           
     
  
    
 
          
   
                                                         
  
  

    

                      
      
               
 
  
 H.H. Closed/Rim Click
Ch. B oth Hand

                         
   
R.S. R.S. 
 
  
                    
 

             
        

 C.R. H.H. Style
   
               

                        


4 MARDICAS BAND TERNATE CAVITE
24
         C D
      
    
  
      
      
    


                 
  


                

  

              
    


               

  


               

  


      
                        
         
 

         
          
            
    

  
              
   



                   
  


      
            
 

                  
                     

 

        
 
          
            
   

  
              
   


              
   



               

  


                     
       
            
 

                     
       
            
 
         
                   
       
    
 
             
                     
      
 

           
          
                 
 
             
                       
    
 

         
          
            
    

  

    
                           
         
 


             
   
   
 H.H. Closed/Rim Click
R.S.
                 
                                                                              
R L R R L L R L R R L L R L R L   R L R R R

  Rim
 
                    
  
                            
R L R R L L R L R R L L R L R L
    R R L L R R L L RL RRL L RL RRL L
 
  
     Rim
                   
                            
         
 
C.R.. H.H. Style 
       (3-2 Clave pattern)
                                        
 
 
                       Cow B ell Ch. muffled
       
                      

  B ongos/Congas
MARDICAS BAND TERNATE CAVITE 5

      E 
32
       
      
      
3 3 3
    

     
            
       
3 3 3
  

         3 3
    
              
3
  
3 3 3
          
              
   
  
  3    
                     

3
 3  
3 3 
                     
     
 3  
3 3 3 
                    
        
  
               
                                                      
        
  
  
                       
                            
       
  
 
  
 3    
            
       
3
 3  

                          
                                  
  
  

                  
                                
       
  
  
         
                                                           
         
  

   
                      
                            
       
    
 
  
  3   
                    

3
 3  
  3
                    
     
3
 3  
3 3
      
                    
 3  

                   
                                                 
          
   

                     
                                           

         
   
  

  
 
                     
   
                    
                          
      
  
                      
                                           
              
  

                     
 
                                                       
    
  
                                         
     
                       
           
  
  
                       
                            
       
   
 
  
                                  
                             

 
              
  

         3 3
  
             
          
    
3
   
  
R.S. 3

                                    
  
 3
 
                  
                       
 R R
          
  
  3 3
3 3 
                      
                        
     
 
Ch. Cr. H.H. Style C.R.
   
               
 
 
             
   
 
 
6 MARDICAS BAND TERNATE CAVITE
  
41 F 
 

 
       
    
    
 

       
    



 
   
     
       



       
           


  
        
       


        


        

   
                                             
     


     
                                              
     


       

                      
                       
  


       
       

            
                              
      


    
         
                                       

Solo
                                  
       
  
      
  


        
       


       

                      
                       
  


       
       
                                     
           


        
                         

 

       
      


               
                         
      


          
        
      
         
 
 

       
 


     
                                           
       
 
                         
 
 
                   
     

   
          
         
                                    
       
 H.H. Closed/Rim Click
On Drum Shell
                
                            
 
 
                     
      


   
        
   
 
H.H. Style

            

   
                                 
       
 Tamb. &/or Shkr. 
MARDICAS BAND TERNATE CAVITE 7
       G
49
                      
              

      
                     
               

    

                                  
    

                   
                 

    
                           
 

                                         
   
 

         

                          
        
 

                 
       
    
 
           
      
            

                     
                
                   
            
    

                         
  
 
 

                              
             

 

     
           
   
      

        
                             

      

       
                            
     
   
            
         

        
                            
 
 

                              
 
        


                                     
    
 

                             
              

 

     
           
   
      

            
                       
           


 
            
                  

       
  
      

           
             
   
      

 
  
       

                       
                         
     

                       
               
                   
            
                              
                               

     

     

     
      
             
 
    

      
       

   
    
 
 
 H.H. Closed/Rim Click

            
                            
   
 

                          

R RLR
     L    
  
  
             
               
    

  C.R.
 H.H. Style
   
                          
  
Tamb. and/or Shkr.
                                      
        

8 MARDICAS BAND TERNATE CAVITE
            
57

                 
     

       
3
  
    
                    
          
       
3

         

                        
       
   
 3

         
                    
     
     
3

           
                         
  3


                   
                   
3

        
                            
 
 3

3
    
                
          
            
   
3
    
      
                                
   
           

                        
  3


    gl iss.
 
               
       
 3


       
gliss.

                   
  3

               
           
 3


 3
            
      
                          

           
                         
  3

       

                            
  3

        
                            
 
 3

    gl iss.
                 
       
 3

 gliss.        
                   
  3

                    
       
3


                        
      
3

  3
       
                   


                        
      
3

3
    
        
            
                     
 
                

  
                       
     
 3


  
     
         

 

 

  
 

       
 3
R.S. R.S. R.S.
3 R.S. R.S.
3   3  
                           

3 3 3
               
            
  

3
3 3         
                   
    

C.R.
           
      
3 3  3
3 3 3

                  

MARDICAS BAND TERNATE CAVITE 9
Piccolo GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 4                                            
 4

       A
5
                           
                     

 
10                 
           

    

         B
15
                  
        

 
20                 
           

       

25
    C D     E   
 
   
4 7  
          

   
3 3 3
    
 F         
41   

 
   

 6       
       
 
G
54
                      
           
       

       
60
       
     
 
     
3


MARDICAS BAND TERNATE CAVITE


Flute GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 4                                            
 4

       A
5
                           
                     

 
10                 
           

    

         B
15
                  
        

 
20                 
           

       

25
    C D     E   
 
   
4 7  
          

   
3 3 3
    
 F         
41   

 
   

 6       
       
 
G
54
                      
           
       

       
60
       
     
 
     
3


MARDICAS BAND TERNATE CAVITE


Oboe GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 4    
 4                                        

5 A
          
   
                              
 
 

10
    
                                        
   

17 B
              
           

            

       
 
   

24 C D 3
E
4 7 3   
                                
  
3
   

41 F

   6  
   
  
      
    
 
 
       
    
 

54 G
              
           

            
 
  

60
                 
         
 
 3

MARDICAS BAND TERNATE CAVITE


Alto Clarinet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 4                                        
 4    

5 A
                      
    
          
    
     
 

10
  
                                     
     

17 B
     
 
        
                        
   

23 C D E
4 7 3 3 3
             

   
                   
     
  

39 F

               6 
    
             
    
  

54 G
 
      


           

           
        

60
              
       
3


MARDICAS BAND TERNATE CAVITE


1st B♭ Clarinet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

                             
 44   

4
                             
   

7          A
   
                                
   
 

13 B
            

                                  
  

20 C D
                          4 7
                   
 


37 E F
  3   
 

   6
    
          
 
             
3
 3   

51  G
         
                              
 

58     
           
        

       
  3


MARDICAS BAND TERNATE CAVITE


2nd B♭ Clarinet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

4                                        
4    

5 A
                                  
     
  
 
 

10
    
               
   
         
   
        

17 B
             
                                   
 

24 C D 3 E
4 7 3 

             
                   
 

 
  3  

41
 F 9 G
 
                                          
   
 

57
              
                            
3


MARDICAS BAND TERNATE CAVITE


3rd B♭ Clarinet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

           
 44                                            

5 A
 
     
                            
            

 

11 B
             
   
   
         
   
              
 

18
  
 
                                        
 

C D E
25
4 7 3 3 3  F 9
                              
   

   

51 G
           

              
  
  
     
             
  
 

58

            


           
      
  
3


MARDICAS BAND TERNATE CAVITE


Bass Clarinet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA
A
               
 44             
      
  
11
 
                                          
         
17 B
 
                                            
        

23 C D
 4      
 
                    
    

         


  
 
32
               
            
 
     

            
 

  
    

38 E F
        
          
       
                         
 
  
46
            
     
                     
              
      
52 G
           
                                 
                

58
3

                          
           


MARDICAS BAND TERNATE CAVITE


Bassoon GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA
A
   44  
                          

   
 
   
11

    
  
  
                                  

16 B
    
                          

      
         
   
21 C
4
  
                     
 
               
30 D
                        
                        


35 E
  
                     
                       
 
41 F
     
                                      

48

    

  
 
  
  
  
 
          
                     
        
54 G
   
                                       
 
59
3
 
                          


MARDICAS BAND TERNATE CAVITE


Soprano GALEON BY VICTOR LOPEZ
Saxophone RE-ARR. BY B. D. ZAPANTA

           
 44                                            

5 A
 
     
                           
             

 

11 B
                     
                
   
      
  

18
            
                              
  

  

25 C D E F
    4 7   3   
 

 9

                     
3
  3  

51
       
       
 

54 G
           
  
           

            

  

60
              

      
3


MARDICAS BAND TERNATE CAVITE


1st Alto GALEON BY VICTOR LOPEZ
Saxophone RE-ARR. BY B. D. ZAPANTA

A
4 
                   
 4              
   
  

12 B
                     
                               
    

19 C D
                            4 4
         



34 E
                          
                      
 
  
 

40 F
                                
            

 

47


                 
   
 
              
        

54 G
        
  
    
     

      

60
            
      
 3


MARDICAS BAND TERNATE CAVITE


2nd Alto GALEON BY VICTOR LOPEZ
Saxophone RE-ARR. BY B. D. ZAPANTA

A
4  
 4                  
              
  

12 B
                     
                               
    

19 C D
                                 4 4
    


34 E
                    
 
                       
   
  
 

40 F G
 11             
                        
 

57
        
         
         
 
  3


MARDICAS BAND TERNATE CAVITE


Tenor GALEON BY VICTOR LOPEZ
Saxophone RE-ARR. BY B. D. ZAPANTA

A
 
4
4                            
  
     
  

12 B

         
         
  
           
           
         
    
      

20 C
                     4
      
  


30 D
          
                        
                
  

35 E
                     
                          
 
      
  

42 F
                                           
       
 


51 G
                       

       
               
  

59
              
    

 
3


MARDICAS BAND TERNATE CAVITE


Baritone GALEON BY VICTOR LOPEZ
Saxophone RE-ARR. BY B. D. ZAPANTA
A
4  
 4 
                         

   
 
 
11
  
    
    
         
                     
 
16 B
   
                                
      
    
21 C
 4
                          
        
        

30 D
                       
                 
           

35 E
 
                     
                        
  
41 F
    
                                       
    

48

                                         
        
54 G

                         
     
                    
59
 3
                 
               


MARDICAS BAND TERNATE CAVITE


1st B♭ Trumpet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

           
4 
 4                         

8 A
      
                                       
   
 

15 B
        
   

   
                               
  

22 C D
            4 7   3
    
    


  

  
    
3
  3

38 E F Solo
                                   
 
  

46
                                   
          

 

53 G
     
                                      
  

60
              

      
3


MARDICAS BAND TERNATE CAVITE


2nd B♭ Trumpet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

           
4 
 4                              
 

8  A
     
                                         
   
 

15 B
             
           

           

      
     

22 C D
            4 7   3
    
    


  

       
3
  3

38 E F
6

                           
     
   

53 G
                     
           

            
    

60
 
            

       
3


MARDICAS BAND TERNATE CAVITE


3rd B♭ Trumpet GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

4                                
4    

8 A
  
                                           
  
 

15 B
   

    
                                 
   
  
 

22 C D 3
     4 7 3

                                   
 
  3

38 E F
9
                                
  
   

54 G
             
                           
 

60
           
           
3


MARDICAS BAND TERNATE CAVITE


1st E♭ GALEON BY VICTOR LOPEZ
Alto Horn RE-ARR. BY B. D. ZAPANTA

A
4 
                   
 4              
   
  
12 B
                     
                               
    

19 C
           
                  
     
4
    

30 D

                     
                  
 
            

35 E
                             
                 
 
 
  
41 F
                     

                 
 

48


             
   
 
              
       

54 G
        
  
    
     
      

60
            
      
 3


MARDICAS BAND TERNATE CAVITE


2nd E♭ GALEON BY VICTOR LOPEZ
Alto Horn RE-ARR. BY B. D. ZAPANTA

A
4
 4                  
           
      
  

12 B
                     
                                
  

19 C
                             
 4
      
   


30 D
                      
                   

            

35 E
                  
                
            
  
  

41 F G
 11                  
                   

59
         
  
        
 
  3


MARDICAS BAND TERNATE CAVITE


1st Trombone GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

    A
                     
 4       
 4
  

12 B

  
 
  
 
 
 
 
 
  
 
 
 
  
 
 
  
 
 
         
         

C
19
                        4
         


30 D      
   
       
   
  
 
 
                                               
        

E
36
        
                           F    
         

   

43
                                    
          

51 G               

 
 
  
  
  
 
 
  
   
        
   

59               
     
3


MARDICAS BAND TERNATE CAVITE


2nd Trombone GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

A
  4                                
 4    
  

12 B
 
                                            
    
       

19 C D

 
 
    
                  4         
           
   
 

31
  
                                                   
            

37 E F
                                         
        
  
   

45

                                  
        
      

53 G
                               
       
 

60
       
    
  
 

3


MARDICAS BAND TERNATE CAVITE


3rd/Bass GALEON BY VICTOR LOPEZ
Trombone RE-ARR. BY B. D. ZAPANTA

A
  4  
              
 4              
   
  
  

12 B
                                

 
       
             

19 C
    4
   
                        
  


30 D
                       
                          

 

35 E
                             
                 
   
  

41 F
                                         
      


49 G
         
                         

        

56
 3
        
                       


MARDICAS BAND TERNATE CAVITE


Euphonium GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

A      
                         
 4      
 4
  

12                         B    
                 
    

19 C D

 
 
    
                  4         
           
   
 

31
  
                                                   
            

37 E F
                                
         

   

44
                               
               
    

52 G
                                         
      

60
       
    
  
 

3


MARDICAS BAND TERNATE CAVITE


B♭ Tuba GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA
A
   44  
                          

   
 
   
11

    
   
  
                     
               

16 B
     
                                  
  
 
21 C
4
  
                     
 
               
30 D
                        
                        


35 E
  
                     
                       
 
41 F
     
                                      

48

    

  
 
  
  
  
 
          
                     
        
54 G
   
                                       
   
59
3
 
                          


MARDICAS BAND TERNATE CAVITE


Electric Bass GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA
A
   44                              
   
 
  
11

                                              
         
   
 
17 B
                                                 
 
     

23 C D
4
                                       
          
 
32 E
                                 
                
            
 
39 F
                                        
       
   
 
47
                         

                      
  

53 G
                          
         
        
     
  

58

                                  
  
 3


MARDICAS BAND TERNATE CAVITE


Mallet Percussion GALEON
(Bells, Xylophone) BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

  4                       


 4                        

5 
                                       
                                  

9 A
Roll for Xylo. only
            
 
  
               
                   
   

16 B
       
                        
                              
 

24 C D 3
E
 4 7 3
                        
              
    3
  
40 F 
 
                    
           
                           
 
 
47  
            
                                     
           

54 G
     

                      
           
60
    

          
       
 3

MARDICAS BAND TERNATE CAVITE


Snare Drum GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 44                                   


H.H. Closed/Rim Click
R.S.A
6 
                                 
 
 
Ch. Both Hand H.H. Closed/Rim Click
B
12
               
         
R.S. R.S.

C
21
                                       
RLRRLLRLRRLLRLRL
 
H.H. Closed/Rim Click
R.S. D
27  
                      
                
R L R R R

E R.S. 3
31 
                        
 
H.H. Closed/Rim Click
F
40
                                          
 
On Drum Shell
43
                      

H.H. Closed/Rim Click
G
52
                         
   
   
R.S. R.S. R.S.
3 R.S. R.S.
61 3   3  
                           


MARDICAS BAND TERNATE CAVITE


Quad Toms GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA

 44                                 
    
  

6  A

                      
                    

 
13 B 
   
                     

23 C
 
                                         
RLRRLLRLRRLLRLRL
    RRLLRRLL
 
27   D Rim 
                        
              
RLRRLLRLRRLL

E
34
  3
                          
     

 R R
        
  
41 F  
4
                      
  

G
51
  
                                         
R RL R    L
  
57 3 3
3
        
                     
 


MARDICAS BAND TERNATE CAVITE


Tonal Bass Drum GALEON BY VICTOR LOPEZ
(4 Pitches) RE-ARR. BY B. D. ZAPANTA
R.S.

 44                                       
     
 

9 A B
         
             
        
 

18  C
 
           
        


28
   D Rim
                
    
      
     
          


37  E  3 3 3 3 
     


                 
   
 
         
 

42 F
 
           
 

51  G
   
                     
      

59 3
3 3
         
                 
   


MARDICAS BAND TERNATE CAVITE


Cymbals GALEON BY VICTOR LOPEZ
RE-ARR. BY B. D. ZAPANTA
C.R.

 44                   

for additional player


A   H.H. style  C.R. B H.H.
 Style
  
9
     
              
 

H.H. Style
C.R..   C   
19
                  


28    D (3-2 Clave pattern) Ch.Cr.

                        

 

H.H. Style H.H. Style


E   C.R. F 
38 4
              
     
 


  C.R.
 G H.H. Style
   
51

                      

C.R.
60
         
           
3 3  3

MARDICAS BAND TERNATE CAVITE


Auxiliary Percussion GALEON
(Tamborine and/or Shaker, BY VICTOR LOPEZ
Cowbell, Bongos/Congas) RE-ARR. BY B. D. ZAPANTA

A Tamb. and/or Shkr.


8
 44                        



17 B
                      

 

26 C Ch. muffled D
Cow Bell
                            
   
    
 
 Bongos/Congas

31 E  
          
   

 

42 F 
                                

       
 Tamb. &/or Shkr. 
  
48

                      
       

54 G Tamb. and/or Shkr.

                

61 3 3 3

                  


MARDICAS BAND TERNATE CAVITE

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