Documenti di Didattica
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Step Outline
Action:
• Top down shot of text book lying school desk.
• The camera travels towards it, zooming closer and closer.
• The camera zooms in so close that it is at a microscopic level, and zooms into the
paper weave.
Notes: Little of the classroom is seen, simply the context understood. The text is open on a page
about HIV infection, but the page is doodled on and grubby.
Notes: Factual information could be projected onto the side of paper, to convey information, in
the style of a text book.
Action:
• Amidst this calm flowing of the system, a different particle enters.
• It's more yellow in colour, dirtier, it seems immediately out of place, at odds with
the sterilized surroundings.
• With in it seems to carry a burning centre, an evil fire.
Notes: The particle is immediately seen as antagonistic, a foreign body to be destroyed as soon
as possible.
Action:
• A Macrophage spots the HIV particle and ensnares it with its pseudopodia.
• It pulls it in to ingest it, and the camera follows its progress.
Notes: The catch must seem like a bit of an anti-climax, a feeling of 'oh, it's all over'... little do
they know...
Action:
• The HIV particle is scene attached to the cell membrane.
• It then emits a spark, representative of the HIV capsule containing viral RNA.
• This spark floats gently down to the Macrophage nucleus where it burns its way
through.
Notes: The journey of the spark to the nucleus is slightly ponderous, a moment of calm before
the storm begins to stir.
Action:
• Once inside, the spark aims for the bottom of the DNA strand.
• At first little seems to happen... then, slowly, the DNA strand begins to catch
alight, to smolder.
• There's a pause, a moment of doubt... then, as a precursor of what's going to
happen to the whole system, the DNA is consumed, the 'fire' of HIV corrupting
it, a representation of the reverse-transcription process.
• At the end we're left with a burnt, blackened strand of viral DNA, glowing
malevolently with the destructive power of HIV within it.
Notes: The transformation must be almost shockingly destructive and quite sudden, it must be
clear the macrophage stands no chance.
Scene: Back outside the cell, a few white blood cells take notice.
Sound: It must be a classic moment of music building as the HIV is nearly discovered, and then
silence as it is dismissed and passed by. The resulting sound must convey a sense of
defeat and of the inevitable.
Action:
• The now infected Macrophage seems to be struggling slightly, its inner blue-ish
glow struggling with something, flickering with a yellowish light.
• Another macrophage or two, and some lymphocytes take notice, halting their
flow and approaching the struggling victim.
• As they close in, the macrophages extending their pseudopods, the music builds,
the tension builds, the HIV is caught!
• But then it seems the blue glow wins out, all is returned to normal. The other
white blood cells dismiss it and move on.
• Once they are gone a suitable distance, the yellow, burning glow emerges. HIV
has successfully dodged the patrols.
Notes: This really must seem like the last chance for the immune system, and the audience must
really feel the tension over whether HIV will be caught or not.
Action:
• The viral Macrophage makes its way through the system, approaching a bend. As
it makes its way round it pauses and observes.
• The 'tunnel' is dim at first, seemingly normal. Then, yellow lights begins to
conquer blue ones and the scale of the HIV stealthy operation is clear.
• The viral macrophages begin to swarm.
• The macrophages lose all appearance of hiding and are consumed, converted into
host cells, producer of new HIV particles.
• These newly created HIV particles begin to spread into the system.
Notes: There's got to be a real sense of 'the reveal', a shocking realisation of the scale of the
infection.
Scene: A montage of destruction, showing both the effect inside and outside of the victims.
Sound: A crescendo of violent music and crackling, consuming fire. Swooping camera noises
and a sense of overpowering destruction.
Action:
• The HIV particles begin to target the T Cells, latching onto them and corrupting
their cores, destroying them in their thousands.
• DNA is turned viral and the immune system is burnt out, turned desolate, lined
with ash and burning veins of evilly glowing fire.
Notes: This sequence is pretty much an action sequence, an apocalypse of infection. It has to
have the feel of a forest fire, of unstoppable spreading destruction.
Action:
• As the now wasteland is observed, a projection defining AIDS is observed.
• It describes the vulnerability of the system after HIV and consequences.
• The camera then zooms out, exiting the system.
Action:
• The camera zooms away from the book, slowly and smoothly, leaving the
audience to reflect.
• Fade to black.
Notes: The scene provides a moment of reflection on what the audience have just seen, and the
message must bring home the danger of HIV that the words on the page don’t.
THE END