Violin II

In una e Lei Mattia Clera

for string quartet Milano, aprile 2018

q = 76, deciso (sul tempo)

  
MP MP P MP

r r r
(max press.) (max press.) batt. (al tallone) (max press.)

r r r
8va r r
r
Violin II & 
r
r
r
Fingering & r (fino al segno) Simply strike the string (no "tratto"!)
percussive-like sound.
IVc. IIIc. IIc. Ic.

 
MP P MP

r r
(max press.) batt. (al tallone) (max press.)

r r
8va r
Vln. II &

11

 
P MP P MP P

r r  rr
batt. (al tallone) (max press.) batt. (al tallone) (max press.) batt. (al tallone)

r8va r r 8va r r
8va
r r
Vln. II & 
 In una e Lei

17

  

batt. (al tallone)
r r r r r
Vln. II &
5 5 5 5 7 6 6 5

21

 
P MP P MP P

r r
batt. (al tallone) (max press.) batt. (al tallone) (max press.) batt. (al tallone)

r
8va r r
8va r r r
8va
r
 
r
Vln. II & 
6

25


MP

r
8va (max press.)
batt. (al tallone)


r
8va
r r
Vln. II &
6 6 6
sub.

29

O
Lento
MP


(max press.)
MP
r r

P

r r
(max press.) batt. (al tallone)
r r r r r r r r8va
r r r r

r
Vln. II & 
3
sub.
°

_3_
 In una e Lei

34



Lento MP
P (max press.) MP


P

r  rr r
batt. (al tallone) (max press.)

r r r r
8va r
r r

r
Vln. II &  
5 7

° °

38

r
P MP P

r
(max press.) 8va
batt. (al tallone) batt. (al tallone)


r
8va
r
8va
r
8va
r
Vln. II & 
6
sub.

42

  
Lento
MP MP MP

 
(max press.)

r r
(max press.) (max press.)

r r r
r
r
Vln. II & r r 
sub.

° °

46

(alla punta)
P
batt. (al tallone)

 
r8va r
8va
r
8va

Vln. II &
5 5 5 6 6 6 6

_4_
 In una e Lei

52
MP
P (alla punta) P P


batt. (al tallone)

Vln. II & r   r r r   r r r r

56


Lento
MP

 
(max press.) O

r r
r r
&  r
r r
Vln. II r r
 IIIc. IIc.
3
°

_5_
 In una e Lei

60

O
MP Lento MP
P
(max press.)
P

   r
8va

 r  r r
r
r r rr r r

r r r r r r r
Vln. II & r r
sub.
°

64
MP
MT P (alla punta)

 
batt. (al tallone)
r r r r r r
& 
Vln. II
3 5 5

68


MP P
O
MP

r
P P (max press.)

r
batt. (al tallone)
r r
r
r r
8va
r
Vln. II & r
°
°

p
72

 
MP MP MP
O O O


(max press.) (max press.)

  

&   
r r rr r

Vln. II

r r
3

sub.
°

_6_
 In una e Lei

76

 
Lento
T MP
P MP


(max press.)

r r r r r r
(max press.) P
r r r r r
batt. (al tallone)

 r
batt. (al tallone)
r r

r r
Vln. II &  
 3 3
3
° °

80


Lento

r
MP
(max press.)
MP


r r
r r  
(max press.) pizz.
r r r r r r r
 r
r r r r r
Vln. II & r
3
 5 3 3
3
sub. sub.
°

84

 r r  
Lento
MP P


(max press.) (max press.) (max press.)

r r  r r r r
r rr r r r
r r
r

r r
Vln. II & 
3 3 3

° °

88
MP


T pizz.

r  
r r r
r
Vln. II &


5 3 5

_7_
 In una e Lei

94

Lento
MP MP
O P (max press.)


r
IIIc.
rIIc.
r
r
r r r r

IVc.
r r
Vln. II & r
 
3 3

98
 MP
r r
Ic. O O


8va

r r 
 r
r 8va 8va 8va

r
Vln. II &  r r
r
3
IVc.

°
°

105 p

O P


MT MT T
MT

Vln. II & r  r r r r r r r
r  r
3 IIIc. 3
3
° IVc. 3
sub.
° °

111
O
P MP MT
O

    
 r r r
8va 8va 8va 8va

Vln. II & r r r r r
  
IIIc. 3 3

_8_
 In una e Lei

115

  
MP MP
O P O
(max press.) (max press.)
MT (max press.)



r
r
8va


8va
r
r r
r r


& r r r

Vln. II r
   

IVc.
3
3 3 3
° °

119

 
MP


(max press.) MT
O

r
MT

  
&
8va IIIc.

 rr
r r r r
Vln. II 


3 3
3 IVc.
° °

123

 
MP P MP P
O


T

 
(max press.) MT


 
8va 8va 8va

& r  r r
3 3

r r r r r

Vln. II r r
 
 IVc. 3

_9_
 In una e Lei

129

 
Lento
MP MP
O O



(max press.)


r r
 
(max press.)

   
8va

r r r
Vln. II & r
IIIc.

133 p

T
P MP MP O

  
T (max press.) T

 
r 
r  r r r r rr 
 
 r
IIIc.
r r



Vln. II & r



3 IVc.
sub.
3

137
MP P

 
rr

r
r r r
Vln. II &
°

141

  
Lento Lento
MP MP MP
P
T T (max press.)
(max press.) (max press.)

r r r 
r  
r r r 
 r r r
r r r r r r r r
r r
IIc.

 
r r
    r
r
 
r IIIc.
& 
r

Vln. II r
3 3
r
sub. IIIc.
sub.

_10_
 In una e Lei

145

 
Lento
MP MP MP
(max press.) (max press.) T


r r
r r r r r r r r 
IIc. r r r r r
r
IIIc. 3
r r
 r 
r
Vln. II & r 

IIIc. 3 IVc. 3

149
MP


O

 r
MT


8va

r
8va

Vln. II & r   r r
IIc.
3
sub.
°

153

MP


O O P

 r   

IIIc.

Vln. II & r r r r

° °
°

159

Vln. II &

_11_
 In una e Lei

163
O P


8va



r
IIIc.

&
r
Vln. II r r r
IVc.

166 p

 O T
Lento Lento
MP MP MP
O


(max press.) T (max press.) (max press.)

r 
(max press.)
r

r
r rr r  r
IIIc.

r
rr r
r
Vln. II & r  r r

r
r 

3

IVc. sub. sub.

°
°

169 p

 
p

   T
Lento

 
MP MP MP MP MP MP
O P O (max press.) O
T (max press.) T T (max press.) (max press.)

 
(max press.) (max press.)


8va


342 342

   r
Ic.

r r  r rr r    r r r
3 5
IIc.
r r
 
IIIc. IIc.
r r
41 321 4 3 2 4 3 2

r  r r rr r r r
r r r IIIc.

 


1 1 1

& 
r
  r r r r r r r r r 
Vln. II r


r
 r

3
IVc.
5
sub. sub. sub. sub.
° ° ° °

173
p
MP P O
T T

r r r r r r r r r r
IVc. T IVc.
MT
MT 15ma
4 3 2 1 4 3 2 1 4 3 2 4 4 1 3 2 1 4 1 3 2 1

& r r r r r r r r r r r r r 
1
r r
     
Vln. II
9
° ° °

_12_
 In una e Lei

177


MP P MP P

        
(max press.)

r
8va
1 4 3 2 1 2 3 4 1 3
r r 8va

rrrrr rrr rr
IVc.


Vln. II & r r r r
r r
 Ic. 3 IIIc. r r r r r
9 3
IIc.
3

181

MP


O
sulP
4 3 2 4 3 2 4
1 1

&
r r r r r r r r r
Vln. II
 
r r r r

°
°

_13_
 In una e Lei

187 p

O
 
MP MP P MP
O T O (max press.)


MT


(max press.) (max press.) 8va

  rr 
4
1 23 32 1 23 2
r
8va

 r
r

9 3 3

& r r r
  
Vln. II r r
r     r   
rr rrr rr r r

r

5 5
5

sub.
°
°

p
191

T   
MP MP MP MP
O O (max press.)
O O


 8va
(max press.)

r
(max press.) MT
r

r
3 2


15ma

r r r r r r r r r r r
r r
    
3 IIIc.


8va


r r r r
r
3



&  r
 
r rr r r r
r
Vln. II
 r

1 2 3 4 1 2 3 4 1 3
IIIc. IVc.

° sub. sub.
° °

p
195 p

 T O
MP MP MP

 
O O MP MP


(max press.) (max press.)
T T O


 r  8va
rr
(max press.) (max press.)

r rrrrrrrr 
3

r3 
1 2 3 4 1 2 3 4 2
r r r

4 3 2 1 4 3 2 1 4 3 2

       r 
&
1


r r r r r r r r r r r r
Vln. II r
rr

r IIIc.
1 IVc.
IVc.

° ° °

199 p


MP MP
T O
(al tallone)

(alla punta)
 
&

Vln. II

sub.

_14_
 In una e Lei

201 MP MP MP MP
T T T T
(alla punta) (al tallone) (alla punta) (al tallone)

 
  
 
3 3
3

Vln. II &
  

205

O P

 
T MT
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4

  r
3

       
Vln. II & r r rrrrrrrrrrrrrrrr r
3
° °

_15_
 In una e Lei

211
MP
MP O
O MT 4 4
4 3 2 2 3 4 1 2 3 4 1 321 2341 2 1


3 4 1 1
4 3 2 4 3 2 4 8va 1 2

 r  r r r r r r r r r r r r r r r   r   r    
8va

r r rr r rr rr r rr 
1 1

&r r
 r r r  r r r  
Vln. II r r
 9 10
IVc.
3 3
sub.

215
p
P MP P
P

   
T T
4 3 2 4 3 2
1 1 1 4 3 2 1 4 3 2 4 3 2

r  r r r r r r r r r r r r r r r r  r
1 1

&r
  
Vln. II r rrrrrrrr



sub.
3

sub.

219
MP MP
MP P P O

   
8va 8va

r r  r  r
3 9

& r r r r r r rr r r

Vln. II
3 4
  
1 2 IIIc. 3 3
1 2 3 4 1 3
°
sub.
°

223
MP P P

               r r   r r      

T

   

8va 8va

r  r  r
5 4 3 2 1 4 3 2 1
4 3 2 1 2 3 42 3 41 32 1 4 1 3 2 1 4 3 2 1

& r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r r
 4  
Vln. II r r r
1 23 1 3
9

9 5 3
sub.

_16_
 In una e Lei

227
p
P

 
O P
T T O


8va
1 2 3 4 1 2 3 4 1 2 3 4

r r
4 3 2 4 3 2 4 3 2 4 3 2
1 1 1 1

     
& r r rrrrrrrrrrrr
r rrrrrrrrrrrrrrrr
           
Vln. II r r
3

°
°

235
sulP
Gradual passage from "sound" to white noise After the bow stops (white noise faded to "al niente"),
(the left hand keeps on hitting the strings - without pressing- producing keep on hitting the string with left-hand fingertips ( ) MT

r  r r
a percussive-like sound, "sonoro" as possible until indicated). (percussive-like sound) until indicated.
4 3 2

& rrr r
1
r
   r
Vln. II r r r
IIIc.

°
°

239
sulP
O

 r r r  r
8va

Vln. II & r r r

_17_
 In una e Lei

245

P O P


T T
MT

   
4 3 2 4 3 2 4 8va

rr rr r r   r r r
3 8va
1 1

&r r
   r    r 
Vln. II r r r r
   
3 3

249

sulP


O

  
Only left hand (sonoro)

r 
8va 3

rr r
5

& 
Vln. II r r r r r r r r r
 
3

253

( )

Vln. II &  r  r r

_18_