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eEL E B RA TED PIE C ES FOR THE PIANO

BY THE OLD M.l\STERS~



K. P. E. BACH

Allegro in F minor. .40

Solfeggietto m C minor [Oesterle] .40

Solfeggietto in C minor (including an arrangement for left hand >

alone) [Parsons]. ..... .40

J. S. BACH

Chromatic Fantasy and Fugue [Bulow]. Concerto in the Italian Style [Bulow] Prel ude and Fugue in C# [Bauer] Prelude In C minor [Buonamici] Toccata in D [Bauer]

Toccata In G [Bauer]

L. V AN BEETHOVEN

Bagatelle in E!;. Op. 33, No.1

Gavotte In F [Batur] (Concert Version) Gavotte in F [Dm] (Simplified Version) Mmuetin G

Rondo in C. Op. 51, No.1

L. BOCCHERINI Minuet in A

A. CORELLI

Gigue In A r Brocea]

,J. B. CRAMER

Le Petit Rien

e. CZERNY

Toccata in C. Op. 92 [MosZkowskiJ

J. L. DUSSEK

La Chasse [Dm]

La Matinee. Rondo.

Sonata in BI>. Op. 9, No.1.

e. W. VON GLUCK

Gavotte in. A, from "Iphigenie en Aulide" [BrahmsJ Melody, from "Orfeo" [Bauer]

G. F. HANDEL

Air and Variations, "Harmonious Blacksm.rh" [ButowJ Ana con Varrazioni, "Harmonious Blacksmith" [Bauer] Dead March, from "Saul" [Hoffman]

Gavotte In BI> [de ,fivrai]

.90

G. F. HANDEL

Gigue in G minor [Bulow]

fI allelujah i from "The Messiah"

He rnpip. Irom the "Water MUSIC" [Gratnger]. ",,'11'0, ,"om "Xerxes" [Parsons] (OriglDai Version) .~~,;,. .. go, Iro.n "Xerxes" [Deis] (Simple Version)

Pastoral Symphonv, from "The Messiah"

.85 .50 .30

J. HA~DN

Allegretto ill BI> [Sem]

Andante. from the "Surprise" Symphony ID G [Delioux]

.. Andante con Variazioni In F minor Fantasia In C [Bulow]

Gipsy Rondo [Kohler]

Minuetto Giocoso ID C Ochsenmenuett in C

Presto. Finale from String Quartet, Op, 33, No.2 [Bauer] Rondo ID A.

Serenade, from the Quartet No. 74

1.00 1.25

.40 .50 .50 .30 .50

.35

.40

J. N. HUMMEL

Rondo In Ei>. Op. 11

.35

J. B. LULLY

Gavotte ID D minor [Kletnmtehei].

50

W. A. MOZART Fantasia 1D D minor.

Minuet, from the Symphony in EI> Pastorale Variee

Rondo a la Turque, from Sonata 16 In A

.40 .s« .50

n. SCARLATTI

Capriccio in E [Tausig] Cat-Fugue [Bulow] Pastorale [T austg]

Sonata lD A [LeschetiZky]. Sonata in A [Bauer]. Sonata in F-

Study in G

.40 -50

.50 .50 .35 .50

(Prices apply to U. S. A.)

.60 .40 .50 .35 30 .30

.40 .60 .70 .75 .50 35 .50 .50 50

.35

so

.30

.40 .40 .50 .35

:40 50 .40 40 .35 .40

.30

G. SC'HIRMER, Inc.

NEW YORK

2

Edited and fingered by Sieg'mund Lebert.

Andante. (J!= 1'18) P.s. I

Andante con Variazioni.

HAYDN.

.

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P "-

II ~~

11

Translations by Dr. Th.Baker.

Copyright. 1 1'199, by G. Schirmer, Inc. 14823rx

(b) or 'urrf

(c) As at b.

(d) Let the embellishment begin on the beat.

CoPUrz"ght renewal assigne~ tfJ27; to (J. 8ckirmer, Inc.

(a) Passages to be rendered somewhat more prominent than the piaNo of the accompaniment, are marked lIIp (mezzo piaI/o, half- soft).

Printed in the U. S. A.

When performing and programming this number on the air, kindly give credit to THE BOSTON MUSIC COMPA1\!Y

2 1

~.

fl f'~l _~1'":' l -- ~ ====e~ 21 2/ 1
-
/
, @J ·
·
, .
........ ! 2 4~ ~ .. 4'----' 4 I P i ....
p f 7 P
( 2
. ...- _._ l1t_i .
. :
. ·
·
_"'" , .
<L III' U ~>----~'=-~-

" .. -

--

4

Trio. I

, ::> 3 1'-~

7

7

3

fl / , ~r:1'". 7~3--~~ :)' h .. ~ .. ."
--- r- 111- / _1111 2 ~
~
I @ -, ·
·
Ii - I" - ,- n- I. 'LI
f dimin.l 1/% p
) I ====---
f! I • ~~~.
fl 1- • If!- b; - ~ i 1':, ,,_ _ _,. .".'f!"_ , ,~ fI. ..:f"
I : . .
·
\ _ ·
. ~
~ '--'~ ....... ~~
o 14823

(b) Pray this undulating figure crescendo in ascending and dim17l11elldo in descending, with strong ernphasison tbe highest tone. The septuplets are divided 3+ 4) 1.e.,3 notes to the first i), and four to the second.

(a) Arpeggiate from the lowest bass tone to the highest-in soprano, and with increasing force, so that the strongest emphasis falls on the high m.

4

2-~

• 0 0

Var 10

dimino

p

23 3ctr_

fl :::::,.. ~ <tr ~I <tr ~ t- f· f.. ,_. _1!_~r-. ,_-r. .,.."". ._;,_~. 3 5~ I
._ ..;.
~ r
""--'
.
I@ q.p f~2 ~
) ~ 3 <tr
... - ,......, I'lP
5l ,..... I!!!!!I 1 5 .
I . :
. .
. . .
- 21 - ----- 3~~-~ .-* 32

b) _rt e) rFrfrrcr=qrp;fE

f) The accompaniment in quarter -notes and eighths, at first m the left hand and then in the right, must be kept subordinate to the 32d- note passages.

la

I=!!

~.

~.

iyi·PJ=

a) The 4 notes in the left hand and the 3 in the right, are combined as a septuplet occupying one eighth-note. 111823

--.

I 2 ~.

3 4-

1 2

3 .

14S23

8

(Finale.) 'Ilp 0

f} I ::.1! ~ 1'" _ .:. . .:. -=..:. • ..:.-=.:..;. . .-fIlJ~""' .. .~
,
@J _..-!!..l'C.fC. ~ J I ....
~ r: I~ ~ I dz"m.
!..J .J = 1= ~ ~I " .....__
!
.
.
p--- ~ iO r· .r'! I f} I ~ ~ --. ,.;..-.-, ~ ~ ~ .
-
, '-v . .
@J J V~ I i 11J.- r . p D;i.5'Co f -r:.r ~ 0 '-
-I <c:» ~~
)
fl I .;..~ 1'"~
.l~ =--, ..
f, . -
: .

• ~ III i p

148:!3

9

'1 I rr !l2~. !12~ !1 ~ ~ ;c:r::::;,.!! _------ ~ _M ~ ~ v.---; ~
\ IJ ~'!' , ;'-V .. :.. "1 1 ~~ --J'; __ V n : ~ Iiiiiiiiiiiiiii
I@ I
I
cre sr t I if p
/ 1 L 7ll ~ t
fJ I I J. 3
".1
, ,
" 2 :::::>- '----..._ ~ ------ *

5

14R23

10

>- >-
!
@J ..
~. * i~

I

I

a tempo j'

I

t;?j

a) Six notes to each .;\ as indicated by the accent on each _J) -beat.

11

.2 f~ ~ ~
fl I f l- f
- - ..;,.. l- . In
\ .
@J ~ "': ~I,- :I: V"lr q1 v~ 1 -I [B:Ipp
./ rif.
fl " calando
I 1':'1

\ ~ ... _ ... ~- ,..,. ~ !. ~ ~.~~ ~
. \__~ . \j . ~~ a) Carefully observe, that this rest IS only a 16th,and that the triplet-figure runs twice as fast as the preceding one in the left hand.

14823

rrRl\NSCRI PTIONS AND EDITIONS FOR THE PIANO BY

HAROLD BAUER

PIANO SOLO

BACH, J. S.

Chorale--"Jesus bleibet meine Freude", from

Cantata No. 147. . .60

Come, sweet death (Chorale: Komm' siisser

Tod) '" .45

Final Aria, from Cantata No. 36 . " .75

My soul doth rest in Jesus' keeping (Die Seele

ruht in Jesu Handen) from Cantata No. 127 .50

Partita in BI>. . 1.25

Prelude and Fugue in Clf .50

Th~~~D 1~

Toccata in G . 1.25

BEETHOVEN, L. VAN

Gavotte in F .50

Also. for 4 Hands .40

BRAHMS, JOHANNES

Four Chorale Preludes, from Op. 122 for Organ

My faithful heart rejoices. No. 4 .45

A Rose breaks into bloom. No.8 .45

My heart is filled with longing. No. 10 .45

o World, I now must leave thee. No. 11 .45

Geistliches Wiegenlied. (Holy Cradle-Song).

Op, 91, No.2. .60

Gestillte Sehnsucht. (Yearning). Op. 91, No.1 .50 Siciliano, from the Variations for Orchestra, Op.

5.6 . .. .50

Sonata in F minor. Op. 5 (Schirmer's Library

Vol. 1561). . 1.00

Two Waltzes. Op. 39, Nos. 15 and 16 .35

CHOPIN, FRtDtRIC Berceuse. Op.57.

I GLUCK, C. W. VON

Melody, from the opera "Orfeo" .50

HANDEL, G. F.

Aria con Variazioni (Harmonious Blacksmith) .50

A Set of Six Pieces 1.50

HAYDN, JOSEPH

Presto (Finale from String Quartet, Op. 33, No.2) .50

MENDELSSOHN, FELIX

Characteristic Piece. Op, 7, No.4 .50

MOUSSORGSKY, MODESTE

Pictures at an Exposition 1.50

SCARLATTI, DOMENICO

Sonata in A (Longo 345) .35

SCHUBERT, FRANZ

Landler and other Dances. 1.25

Moment Musical. Op, <)4, No.3 .30

Rondo, from the Sonata in D, Op, S3 .75

Sonata In BI>. (Schirmer's Libmry Vol. 1367). 1.00

SCHUMANN, ROBERT

Romance in BI> minor. Op, 28, No. I AO

SIBELlUS, JEAN

From the North .SO

Tunes from the Elghteenth Century

No. I. Barberini's Minuet (after Hasse} .7.<;

No.2. Ye Sweet Retreat .50

No.3. Motley .50

No.4. Flourish. .50

No.5. Dolce far ntenre .75

Variations and Finale on a Theme by

Henry Purcell .75

.40

COUPERIN, FRANCOIS Le Carillon de Cythere

DEBUSSY, CLAUDE Reverie.

.40

.40 I

TWO PIAN08t- Two Performers

BACH, J. S.

Concerto in C 'minor

Italian Concerto. . (Arranged In Harpsichord style)

BEETHOVEN, L. VAN

Grosse Fuge, Op. 133

RAFF, JOACHIM

Gavotte and Musette, from the Suite, Op. 200, for Piano and Orchestra (Schirmer's Library Vot. 1543)

[set of 2 copies]

SCHUBERT, FRANZ

Andantino Varte, Op.84, No.1 Fantasia in F minor. Op, 103 Marche Militaire. Op. 51, No.1 Rondo Brtllanta. Op. 84, No.2

SMITH, JOHN STAFFORD The Star Spangled Banner

. [each copy] [set of 2 copies]

" [each copy] 2.00

[each copy] . [each copy] [set of 2 copies] [each COpy;

THREE PIANOS-Three Performers

A-980

BACH, J. S.

Concerto, in C maJor.

[3 copies. required for performance] each 1.00

(Prices apply to U. S. A.)

1.00 3.00

1.50

1.00 1.50 1.25

1.25

.45

II

_ ... _- ......

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