LearnTo Play DJANGO-~- STYLE Pa Moing te oud are led gust fe Ho Oo San Face a oun ceded ‘opetarwg ened mae ow a Gypey Jere An ommpleed rutnerneast (gia bs, crn on ster tar, mana Pa he tre arsenal usin or er 25ers. a meno oF an Heke Aste Wnt sopra en stn Cy Limi ‘eng oer venues ouput ‘pecan. ural en ‘San aon onthe reo Dano ern na oer Gy ‘sg ayes Pal erie san iat srs when ‘peti ed earn my ‘teharche, ML, 399961383 HLo06s1389 Taught by PAUL MEHLING 60-minute Video “De tascrating wot at ne a of rerosaton ne psy ace vain shows you how eal su! Pau Meng, lager of The Hot Cub of San Francisco, has 2 cono‘consve inowedge ofall aspects oi mis power ar lectous sv, end he pros a eat et romaton ara ping i ‘gatyou of oa sl stat. Bele eng, youl Be lang ecing sobs i the sty yes by Dargo Fehr, Blt Lagrenne * ad ctr ot payers hs dmc gone. Yat lean tether ane paying tecriqus bhi the ma re fe exons, se, me oe (he hear of he Ferkar. Ser fa wt alow Jou cae pth you" oe Improveaons. Ho neues ade en Tageng, se of he metro, sngng yor sis and how to Soci yeu ater yo! hanes can pay wha your cashes” Paul washes the seca lemons tat gre tis us fs dsnetive rg "snes" ickng craerts (Glsandoe, ls, bons, vendo, vbr, 8), rrnshed ard sugmented urs, hips and the thar oecalcouns at “put re Gypsy Gipsy Sng rcs ste logit Pa ad Tony Mandacca, nym gta. Yves ns ate eves 25. ai 28 serene Test Cow te Tn ih Homespun’Ex. 1) G major Ex. 4) Gé Em’ _GS_Em? Different inversion of = EWa Ex, 6) Sweep picking 2-octave G* Re co EB! (Note: this is a ‘two-finger (Lh.) The related E-7 lick—an insight Vann v nnn EP yy , into Django’s = thinking) a wad” tira? a ti tia ti aeScales Ex. 9) G scale, 3 notes per string Ex. 10) G scale, starting on A |a Ornaments Ex. 12) Hammer-on. Open string (or RYMAN) Hammer-on half step 6 below chord tones G® chord Ex. 13) Harmonics Ex. 14) Pull-off &rl Ex. 15) Combination pull-off and hammer-on a tn 5 Ex. 16) Pick all notes } ie aaa eekEx.17) Trills— jammeré& pull picking ee VRvAVR me Pe ee. 35353535 ‘(keep the rhythm steady) anea “Django” trill lick Aon y rrrr?riaiias. Ex. 18) Bends ‘Thirds Sevenths ipecte eat opetp “Sweet Georgia Brown” intro. Ex. 19) GlissandoNee Ex. 20) Tremolo Ex. 21) Augmented chords $ + Ei i t (A Django chor) (chord repeats every four ets) C whole tone scale vinee Ex. 22) George Van Eps’ arpeggiated picking ai iy 1 ai a aa in| ni v. vucttTeee vm itr re + xf xv] : “Tp Mishray tial eee peeeeen | Ex. 23) Django’s diminished lick , ) chromatic, descendingee Re T’ll See You In My Dreams A tempo Bi Bhspw aoe pb? BY Be u2B“‘Transcription: Paul Mehling & John Roberts inscription: John Roberts 18From The Homespun Mailbag “hope you make the poivt in “I've spent years trying to learn “Tcan’t imagine (shucder to think) your quotes that audio and on my own without any partic- here [id still be musically if Dideo series are complementary, ular direction—a slow and frus- hadn't discovered Homespun and not duplicative, [had trating process. Each Homespun Tapes over ten years ago. I've resisted buying videos where | series has provided me with dis- been a steady student ever since, Jhad audio series, until one of tinct goals and focus enabling You're still the best thing going the helpful Homespun folks me to... grow by ‘leaps and _ st music instruction. Please put convinced me to try a video as bounds.’ Tortly wish Thad my friend on the maiting list.” a complement to the series 1 ~ started sooner! Iam in the Army —Steve Fowler had, I was delighted with the Veterinary Services and I travel Augusta, GA new dimension added by the quite a bit. Homespun Tapes pro- audiofvideo synthesis...the ‘vides me with a ‘teacher’ I can "The lessons are the best learn- visual presentation often adds take with me wherever Igo! Your — ing aidsithat I've come across in the essential spark to assimila- tapes are convenient, ensy tofol- 23 years ts tion (particularly with respect __lowand outright enjoyable. And mote, they re offered at a rea- to improvisational work).” Tint taught by some of the bes sonable price.” —Tim Wenger teachers ai e mS Loomis; CA One mae Auburn, AL —Joe Vangeli “What ean I say that has not Ft. Meade, MD “This, itl been said before by hundreds or thre would have been endangered ‘even thousands of satisfied cus- “I'm a real believer. The tapes —__ were it not for this sort of care im tomers? I think you at Homespun have certainly helped me grow passing it fo future generations.” hhave done more for the spread- as a musician, but even more —Eric Krackow ing of music which can make importantly, they ‘ve given me N. Hollywood, CA people happy than most of the the World's Greatest Response great companies will ever achieve. to an oft-heard question: ‘Gee, “You taught me how to put it all Thope you wil! continue to come 1've altoays wanted to play the together! Since then, my music up with new ideas as well as banjo, Do you give lessons?’ ‘has been something of a joy to preserve your hitherto existing Whenever I get that question _ listen fo, even to myself!” catalog.” now, I just do a five-minute tes- —Ron S. Peicheff —Ulrich Bartmus __ timonial for Homespson Tapes Ontario, Canada West Germany and give them the latest catalog.” —Mark Jolinson Fairhope, AL