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Hirshhorn Museum and Sculpture Garden

Independence Avenue at Seventh Street


Washington DC 202-633-1000
VISIT THE EXHIBIT AUGUST 2010 AT THE HIRSHHORN
Open Daily
10 am to 5:30 pm
Admission is free

www.hirshhorn.si.edu
explore
the evolution
of ordinary things

Join us at the Smithsonian’s Hirshhorn Museum as we explore


ordinar y things and ever yday objects from their invention
and ideation through the creation of contemporar y art. The
exhibit will highlight the histor y of ordinar y things, from
paper clips to neckties, and will showcase contemporar y
art using these objects.

Work by prominent artists from around the countr y will be


featured in the lower level galler y during the entire month
of August 2010.
the history
of everyday
objects

MOST EVERYTHING that


surrounds us is artificial, other
than the sky and the trees, lakes
and rivers. Our perception of
life is filtered through the design
process and the touch of human
hands. We live with thousands
of inanimate everyday objects
that often aren’t given a second
thought. Pencils, paperclips, safety
pins, zippers, chairs, rugs, roads
and light bulbs. All these things
have a unique history; a story
behind how they were created
and where they began.

THE OBJECTS and histories on


display throughout the Evolution of
Ordinary Things exhibit are just a
handful of all the items that make
up our everyday lives. It would be
impossible to include everything,
as more things are popping up
everyday. This part of the exhibit
serves as a background and an
introduction to the examination of
everyday objects as a medium for
contemporary art.
concept +
modern art

FROM THE BEGINNING,


humans have taken what
available resources they have
and created art. The urge to
create has embedded itself in
the human experience. From
the early cave drawings, to the
impressionist painter’s expanded
palette, the mediums that are
available for the creation of art
are ever growing. Fast forward
to modern times. We are all
suffering a sensory overload—
our world is full of objects and
artifacts—we often have a hard
time focusing and functioning.
But to the artist, the world is an
unlimited resource for different
media and creations.

THERE IS a required amount


of artistic input, or interpretation
within this form of art, which
sets itself apart from the still
life, portraits and landscape
paintings that had forever been
the backbone of the art world.
As the world gets more complex,
and we as a society are exposed
to much more than we have ever
been before, the way in which
we create our art evolving at an
exponential rate.
the
exhibit

THE EVOLUTION of Ordinary


Things begins with the history of the
objects and artifacts we interact with
on a daily basis and continues to
focus on the contemporary art that is
being created using these objects.

THE EXHIBIT focuses on the North


American folk artists that are actively
creating art today. All of the artists
that are highlighted in the exhibit
are actively contributing and are
continuing to grow as artists in today’s
busy society. They bring with them a
unique perspective, which is displayed
through their compositions and visions.

THE GALLERY showcases many


different genres of art, from sculpture
to mixed media collage. Whether
it’s painting, installation or graphic
design, there is a little something here
for everyone to enjoy.

The exhibit will run the month


of August 2010 in the lower
level galler y at the Hirshhorn
Museum of Contemporar y Art.
contributing THE GAC
The Great Artist Collective, founded

artists in New Orleans in the 1970’s, looks


to further the folk arts in the community
by working with local artist’s to
EUGENE BRUENCHENHEIN produce outstanding collections and
Freelance artist, poet, sculptor, collaborations. The group is active in
innovator, arrow maker, plant man, the community and provides classes and
bone artifact constructor, photogra- resources for those wish to get involved
pher, architect and philosopher, Von and learn more about what it means to
Bruenchenhein is one of the most be a folk artist in America today.
complex and multifaceted American
self-taught artists. Born in Marinette, HENRIK OLESEN
Wisconsin, he self identified at an In his conceptually rigorous and
early age as an artist. Von Bru- often witty work, Olesen investigates
enchenhein produces expansive bod- structures of power and systems of
ies of work in poetry, photography, knowledge to reveal inherent logics
ceramics, painting, and drawing. and rules of social and political
normalization. Olesen’s projects, based
NEK CHAND on in-depth research, have addressed a
Chand is a visionary self-taught artist range of subjects including legal codes,
whose thousands of cement animal and the natural sciences, distribution of
human sculptures occupy a 25-acre capital, and art history, and have taken
site-specific art installation, the Rock the form of posters, fliers, text, collages,
Garden, in Washington, D.C. Chand sculptures, and spatial interventions.
uses large pieces of broken concrete
and bricks to build her sculptures, paint- ANNETTE MESSAGER
ing and arranging them until they seem One of the most important contemporary
to take on a life of their own. artists working in the United States, Mes-
sager fragments images and language
MALCAH ZELDIS to explore the concept of fiction, the dia-
Born in the Bronx in 1931, Malcah logue between individual and collective
Zeldis engagingly taps into and identity, and the social issues of normalcy,
captures the pulse of the urban morality, and the role of women. In her
landscape. Her scenes of everyday work she forcefully illustrates the idea
life and biblical and historical that all things, a child’s beloved toy, a
subjects are often laced with photograph, a piece of embroidery, a
autobiographical elements. Audacious word with unambiguous meaning, can be
in her color palette, Zeldis’s hues transformed into fantastic expressions.
vibrate with rhythmic intensity.
programs
+ events

HENRY PETROSKI: 8.5


Join us as speaker Henry Petroski
talks about his new book– The
Evolution of Useful Things. 8 pm.

PAPER CLIPS PROJECT: 8.7


Full screening of the Paper Clips
Project in the lower gallery. 6pm.

KIDS WORKSHOP: 8.8


Local artists put on a workshop for
kids ages 5 to 12. 2pm.

SCULPTURE DEMO: 8.19


Annette Messager demonstrates her
work from concept to creation. 4pm.
Hirshhorn Sculpture Garden.

PARTY IN THE PARK: 8.30


Celebrate the end of the exhibit with
a special event in the Hirshhorn
Sculpture Garden. 8pm.

All programs and events are free


and open to the public. For more
information visit www.hirshhorn.si.edu.
artists + art + audience
The Smithsonian’s Hirshhorn Museum and Sculpture Garden is a leading
voice for contemporary art and culture and provides a national platform
for the art and artists of our time.

We seek to share the transformative power of modern and contemporary


art with audiences at all levels of awareness and understanding by
creating meaningful, personal experiences in which art, artists, audiences
and ideas converge.

We enhance public understanding and appreciation of contemporary


art through acquisition, exhibitions, education and public programs,
conservation, and research.
when
everyday
objects
become
your medium,
there are
no limits.
life becomes
art and art
becomes
life.

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