Jazz Piano Voicings

Major Chord Voicings

 
C6/9 Cmaj7 Cmaj7 Cmaj7(#11) Cmaj7 Cmaj7
 
 
  
   

  
 

 

  
Piano
   

Minor Chord Voicings


Cmin11 Cmin11 Cmin9
 
 
  


 

 
Pno.


Dominant Chord Voicings

C7(b5)

C9 C13 C7(#9) C7(b9b5) C13(b9) C+7(#9) C13 C7+(#9)

 
  
 
  
C13(#11)
        
 
 
   

(ii) (biii) (bV) (VI) (bVI)

   
Pno.
 

 



  
 
Note - the altered dominants are voiced as polychords -
notes have beenwritten enharmonically to conform to
the polychord concept

Sus 4, Diminished, Half Diminished Voicings

C9sus4 Cº7 CØ7 Cmin7(b5)

  

 

 

 
   
Pno.
  