Roteiro Phantom

"The Phantom of The Opera"
Screenplay by
Beatriz Guilger
Based on the novel by

Jennifer Bassett
© 2010 Doze de Outubro
Book assignment
Teacher Ana Brasko

9th Grade A
"Scene 1 – The Dancers"
FADE IN:
THE OPERA HOUSE - NIGHT
A bilheteria está lotada, e a plateia da ópera cada vez

mais cheia. A diretora está atrás da cortina, com sua
prancheta e seu comunicador, pronta pra o grande show.
DIRETORA
(para o produtor ao
seu lado)
This could be our best show ever!
The dancers better be ready.
NO CAMARIM DOS DANÇARINOS, TODOS SE APRONTAM PARA O

ESPETÁCULO. AS DANÇARINAS SE VESTEM E SE MAQUIAM.
A Diretora do teatro entra no camarim das garotas e

desliga a música que está tocando. As garotas olham
para a diretora.
DIRETORA
Quick, girls! The play begins in
twenty minutes! The theatre is
full, this is a good night!
A diretora vai embora e as garotas continuam a se

arrumar, até que uma jovem garota entra no camarim
assustada, e deixa a porta escancarada.
ANNIE
Close the door, fast, it's him!
Todas as meninas encaram Annie, curiosas, e uma delas

fecha a porta.
ATRIZ 1
What the hell are you talking
about, honey?
ATRIZ 2
Who did you see?
ATRIZ 3
Where?
ANNIE
It was the Ghost! The Opera Ghost,
I saw him in the passage! He came
through, and I saw his face...
"The Phantom of The Opera" 2.
A maioria delas estava com medo, mas uma garota alta e

morena zomba de Annie.
DANÇARINA MORENA
Yeah, right, and I'm the bloody
Queen. Everybody thinks they've
seen the ghost, but it's just a
shadow in the wall! Get over it,
girl.
Todas as garotas começam a falar ao mesmo tempo.
ATRIZ 5
A lot of people say they've seen
the ghost.
ATRIZ 6
Joseph Buquet saw him the other
day, don't you remember?
ATRIZ 7
He said he was tall and wore a
black cape.
ATRIZ 8
He looks like a corpse, yellow with
no eyes and stuff.
ATRIZ 9
And no nose!
E então a pequenina Meg Giry fala pela primeira vez.
MEG
Don't talk about him. My mom says
he doesn't like that.
Então a mesma garota que zombou de Annie pergunta à

Meg.
DANÇARINA MORENA
Your mom? What does your mom know
about the Opera Ghost?
Todas garotas ficaram em silêncio, esperando a resposta

de Meg.
MEG
She says Joseph is a fool. The
Ghost hates people talking about
him all the time. And one day, he
is going to be very sorry.
As garotas ficam um momento em silêncio, até que todas

começam a falar ao mesmo tempo.
ATRIZ 10
But... what does your mom have to
do with the ghost?
ATRIZ 11
What does she know? Tell us!
Meg pensa em silêncio, assim como as garotas esperando

sua resposta.
MEG
Ok! But you CAN'T tell my mom, or
anyone, do you get it?
As garotas fazem que sim com as cabeças, em silêncio.
MEG
You know my mom is the Box keeper
here at the Opera House. Well,
sometimes, the Ghost watches the
plays from Box 5. And he even
leaves flowers for my mom,
ocasionally.
As garotas ficam em silêncio, surpresas, e algumas sem

acreditar no que acabaram de ouvir. Algumas até riem.
ATRIZ 12
The ghost has a box... And leaves
flowers in it?
ATRIZ 13
Your mom is telling stories! How
can a Ghost have a box?
MEG
It's true! Nobody ever buys tickets
for Box 5, but the Ghost goes to
watch the shows there!
ATRIZ 14
So someone does go there?
MEG
Well, not really, the Ghost goes
there, but it's always empty. My
mom can only hear him. There isn't
a man with a black coat, or a
yellow face. Just a voice. He talks
to mom, and he said he doesn't like
people talking about him.
As garotas começam a sair do camarim, para o show.
FADE OUT
FADE IN
CAMARIM DAS DANÇARINAS, APÓS O SHOW
As meninas voltam do espetáculo, e se preparam para ir

para casa, quando a mãe de Meg, madame Giry, entra no
camarim, seu rosto pálido.
MADAME GIRY
Oh, girls.. Joseph Buquet is dead!
Some stage workers found his body
four floors under the stage, with a
rope around his neck!
MEG
It's the ghost! The Opera Ghost
Killed him!
“Scene 2 – The Directors of The Opera House”
FADE IN
THE OPERA DIRECTOR'S OFFICE – THE NEXT MORNING
Era a primeira semana de trabalho para os dois

diretores da casa de ópera, e eles discutiam a morte de
Joseph Buquet.
MONSIEUR ARMAND
It was an accident! Or he killed
himself!
MONSIEUR FIRMIN
Accident? Suicide? Wich story do
you want? Or the Ghost? It's
neither Ghostbusters nor CSI here,
my good friend.
MONSIEUR ARMAND
Don't even talk to me about that
damn ghost! We have 1500 people
working here and they're ALL
talking about the Opera Ghost, all
mad! So don't even go there, ok?
Os dois ficam quietos por um minuto, até que Firmin

lembra-se do motivo de toda essa discussão.
FIRMIN
And what on earth are we suppose to
do about this letter, Armand?
ARMAND
DO? What Can we do?
Armand pega a carta e a joga de novo à mesa,

enfurecido.
ARMAND
Don't sell tickets to Box 5?!?
20000 francs a month! That's the
best box in the opera, and we need
the money! And who is O.G.? Tell
me!
FIRMIN
Opera Ghost, I suppose. But we've
had enough of this talk! What about
tonight's show?
ARMAND
Well, the usual, La Carlotta will
sing the main song, right?
FIRMIN
Actually, she texted the director
this morning, she's sick, and not
coming.
ARMAND
All Paris is going to be here
tonight, and our main singer is
sick, just like that!
FIRMIN
Don't freak out, Armand. Christine
Daaé can sing tonight, she has a
beautiful voice.
ARMAND
But she's too young, and nobody
knows her! They all come for La
Carlotta, not a new singer.
FIRMIN
Well, maybe she's better than La
Carlotta, who knows?
“Scene 3 – Christine Daaé”
Está na hora do grande número de Christine, e todo o

público a adora. Todos aplaudem, e na saída, só falam
da nova garota cantando. Atrás da cortina, Meg Giry e
Annie Sorelli comentam sobre seu sucesso.
MEG GIRY
Christine's never sang like that
before, why was she so good
tonight?
ANNIE
Maybe she got a new teacher or
something. Well, I'm definetly
asking for his number!
Mesmo já tendo passado algum tempo que a peça tenha

acabado, o barulho no teatro continuava ecoando na
Cabine 14, aonde estavam o Conde de Chagney e seu irmão
mais novo. O Conde vira para seui irmão, Raoul e sorri.
COMTE DE CHAGNEY
So, what did you think of Christine
Daaé tonight, Raoul?
RAOUL
She is an angel, I'm going to see
her after the show, in her dressing
room.
Philippe, o Conde de Chagney, riu.
PHILIPPE
Ah, I see, you're in love! But this
is your first night in Paris, and
you've never been to the Opera. How
do you know Christine?
RAOUL
You remember when I went to the UK
for my vacations? I met her in
Inverness, and fell in love.
Então, Raoul se lembra de tudo que fizeram: passeios

pelo lago Ness, comendo sorvete na praça, se beijando
na beira do lago, e o sorriso de Christine.
RAOUL
And I'm still in love with her.
PHILIPPE
Hmm, I see. But remember, she is
only a singer, we don't know
anything about her family.
O camarim de Christine estava cheio essa notie, e havia

um médico com ela. Seu rosto estava pálido e doente.
Raoul se ajoelha no chão, perto de onde Christine está
sentada, e pega sua mão.
RAOUL
Christine, are you OK? It's Raoul,
from Inverness, remember?
Então, Christine se lembra de tudo que fizeram em

Inverness aquele verão. Sgurando mãos embaixo de um
guarda-chuva, os olhos de Raoul, as noites assistindo
Doctor Who embaixo do cobertor comendo miojo... Mas
algo está a perturbando, e ela começa e ver um homem,
uma máscara na escuridão, e ela volta à realidade.
Ela olhou para Raoul, seus olhos com medo. Ela tirou
sua mão de baixo da de Raoul, e disse:
CHRISTINE
No, I don't. Please go away, I
don't feel well.
Raoul ficou confuso, mas logo o médico disse:
DOCTOR
Yes, please, she is not well.
Everybody please leave. Ms. Daaé
needs to rest.
Todos foram embora, como o médico disse, e Christine

estava sozinha em seu camarim. O Visconde estava do
outro lado da porta, pensando em como ela poderia ter o
esquecido tão fácil. Ele estava indo embora, mas ele
volta e pressiona o ouvido contra a porta, pois ele
ouve a voz de um homem dentro do camarim.
PHANTOM
You must love me, Christine!
CHRISTINE
How can you say that, when I only
sing for you? I gave you everything
tonight. And now I'm so tired...
PHANTOM
You sing like an angel.
Raoul se afastou da porta, e esperou Christine sair do

camarim, para ver seu inimigo, mas quando ela foi
embora, ninguém a seguiu. Raoul entrou no camrim,
fechou a porta e o chamou.
RAOUL
Where are you? I know you're in
here! Come out!
Mas ninguém respondeu. Raoul olha para todos os cantos

do camarim, mas não havia ninguém lá.
“Scene 4 – The Phantom is Angry”
FADE IN
ESCRITÓRIO DOS DIRETORES DA ÓPERA - NO DIA SEGUINTE

Na mesa, podemos ver mais uma carta de O.G. Os

diretores encaram a carta, enquanto pensam no que
fazer.
ARMAND
So, Firmin, is this still a joke?
What are we going to do? Is O.G.
The director here or are we?
FIRMIN
Don't shout, Armand. We need
answers. We must talk to Madame
Giry, she can tell us about Box 5.
Mas Madame Giry não ajudou. Ela não tinha medo de

fantasmas, nem de diretores de óperas.
ARMAND
Some people say you are the Ghost's
friend.Tell us about him.
FIRMIN
Yes, what do you say?
MADAME GIRY
I say the directors of the Opera
House are fools!
ARMAND
WHAT?
Armand se levanta, furioso.
ARMAND
Listen to me, woman-
FIRMIN
Oh, sit down and listen, Armand.
What do you mean, Madame?
Armand se senta e Madame Giry continua.
MADAME GIRY
Well, the Ghost is mad at you. When
he wants something, he must have
it. He is very clever and
dangerous. The last directors tried
to stop him. You know what
happened? Strange accidents,
according to the police. All
because the ghost was angry. So
they learned it quickly. If he
wants Box 5? Let him have it! 20000
francs? Just give him the money!
They understood well.
ARMAND
But we are the directors of the
Opera House, not the Opera Ghost!
Armand vira para Firmin.
ARMAND
This woman is mad. Why are we
listening to her? Friday, Carlotta
is going to sing, and we will be
watching from Box 5!
FIRMIN
Well, we can try. But I don't want
any accidents.
Madame Giry se aproxima deles e fala.
MADAME GIRY
Do you remember Joseph Buquet? The
Ghost is a good friend, but a bad
enemy.
Os dois homens a encararam.
FIRMIN
Why do you say those words?
MADAME GIRY
Because I heard it from him. I
never see him, but I hear his
voice. He has a nice voice. And he
doesn't shout at people.
“Scene 5 – A letter for Raoul”
FADE IN
RAOUL'S HOTEL ROOM – MORNING
Raoul come na mesa do café, a televisão ligada,

passando “Fatos Impressionantes, Pessoas Reais”.
Tomando chá e comendo croissaint, quando alguém bate na
sua porta. Ele se levanta e atende. Não há ninguém lá,
somente uma carta no chão. Ele a pega, e dá um sorriso
quando vê o remetente: Christine.
OVERVOICE
Dear Raoul, Of course I remember
you! How could I ever forget? Meet
me in the Tuilieres Garden,
Thursday at Three o'clock. Please
do not be mad at me. Christine
Daaé.
Ele guarda a carta em seu bolso, toma mais um gole de

seu chá, e sai de cena.
FADE OUT
FADE IN
GARDEN – THURSDAY AT 3PM
Raoul espera no parque, sentado em um banco. Logo,

Christine chega, e corre na direção de Raoul, que
levanta, e abre os braços, abraçando Christine, que
agora o alcançara.
Eles passeiam pelo parque, relembrando-se de seus

tempos juntos.
RAOUL
But why did you go away, Christine?
Why didn't you write me?
Christine toma alguns segundos para responder, mesmo

assim, responde pausadamente.
CHRISTINE
We were so young! I was just a poor
girl from norway, trying to be a
singer, and you a Vicomte! I knew
we could never be together.
RAOUL
But I love you, Christine!
CHRISTINE
After I came back to Norway, I
tried like crazy to be a singer,
the best in the world. And then I
moved to Paris.
RAOUL
But you are the best singer in the
world! All Paris is at your feet.
Christine virou a cara, em silêncio.
RAOUL
I need to ask you a question. Who
was that man in your dressing room
on Tuesday night?
Christine o encara, pálida.
CHRISTINE
What man? There was no man in my
dressing room Tuesday night.
RAOUL
I heard him. Who was he?
CHRISTINE
Don't even ask me that! There was a
voice in my dressing room, alright,
but there was no man at all in
there. Oh, Raoul, I'm so scared!
RAOUL
Who is he? Tell me! I'm your friend
and I can help you. Tell me his
name!
CHRISTINE
I can't tell you his name, it's a
secret. I never see him, I only
hear his voice, but he's everywhere
at the Opera House. He sees and
hears everything, everyone. That is
why I was so rude with you on
Tuesday. He is also my music
teacher, and a wonderful singer. He
is the reason I am famous now. And
he says he loves me. How can I
leave him?
FADE OUT
“Scene 6 – La Carlotta sings”
FADE IN
LA CARLOTTA'S ROOM – FRIDAY MORNING
La Carlotta toma café em sua cama, enquanto abre suas

cartas. Em uma delas, pode-se ler “O.G.”
OVERVOICE
You are sick. You can't sing
tonight. Stay at home, and don't go
to the Opera. Accidents can happen.
Do you want to lose your voice
forever?
La Carlotta is angry.
LA CARLOTTA
I bet this is from Christine's
friends! They want her to sing
again. She will pay for this. I AM
THE BEST SINGER AND PARIS, AND
NOTHING IS STOPING ME FROM SINGING
TONIGHT! MUAHAHAHA!
FADE OUT
FADE IN
THE DANCER'S DRESSING ROOM – SIX O'CLOCK THAT DAY

As dançarinas se aprontam para mais um espetáculo.

Todas elas se divertem, menos Meg, que está cabisbaixa
em um canto. Annie se aproxima.
ANNIE
Meg, what's wrong?
MEG
It's the Ghost! My mom says he is
angry, and she's afraid something
will go wrong.
Então, aquela dançarina chata do começo do filme diz.
DANÇARINA MORENA
Pfft, who's afraid of the big bad
Ghost?
Todas riem.
FADE OUT
FADE IN
BOX 5 – ONE HOUR LATER
Firmin and Armand sentam-se na cabine, e veêm flores no

chão.
ARMAND
Firmin, are those flowes from you?
FIRMIN
No, I did not. Now shut up because
the music is about to begin.
Firmin e Armand continuam a assistir a peça,

moderamente felizes pois não ouviram nada. Até que La
Carlotta entra no palco, e pode-se ouvir um sussurro.
FIRMIN
Did you hear that?
AMRNAD
No.
Então, uma onde de frio passa pela cabine. Carlotta

canta bem como sempre, até que, de repente:
CARLOTTA
QUACK! QUACK!
Carlotta não pode mais cantar. O público ri e comenta.

Pode-se ouvir um riso maléfico ecoando na Cabine 5. La
Carlotta tenta cantar novamente, as nada acontece.
Ouve-se mais uma vez a voz. Todos olham para cima, e o
grande lustre da Casa de Ópera cai no público.
FADE OUT
“Scene 7 – My angel of Music”
FADE IN
RAOUL'S HOTEL ROOM – DAY
Raoul está na sala, quando liga a televisão. Pode-se

ver um programa de notícias, reportando a reinauguração
da Casa de Ópera após o acidente, enquanto Raoul liga
para Christine. Não há resposta. Alguns segundos
depois, seu celular apita, e chega uma mensagem de
texto de Christine.
MEET ME ON THE TOP

OF THE OPERA HOUSE
IN AN HOUR.
THE TENTH FLOOR OF THE OPERA HOUSE – AN HOUR LATER
Christine e Raoul estão sentados em um canto escuro.
CHRISTINE
Raoul, I will tell you everything,
but this is our last meeting. You
can never see me again.
RAOUL
But I love you, and we--
CHRISTINE
Shut up and listen! He could be
listening, he is everywhere at the
Opera House!
RAOUL
Who are you talking about?
CHRISTINE
My angel of music. He came to me on
Saturday, on my dressing room. I
saw him for the first time. He was
wearing black clothes and a mask.
He took me through many secret
doors, until we reached the bottom
of the Opera House. There was a
lake, with black and cold water,
and a mansion. He took me into the
house, in a boat. He is not a
Ghost, or an angel! He is a man,
called Erik, and he loves me! He
wants to marry me! He said no woman
could ever love him, because of his
face. Then, he took off his mask,
and I saw his face.
Christine começou a chorar.
CHRISTINE
Oh, Raoul, he had the most terrible
face ever! He was so ugly I wanted
to run and hide, but where to? He
had the face of a dead man, but he
was very much alive! He had no
nose, or eyes, and a terrible
yellow face. And sometimes, there
was a red light coming from his
eye-holes! I stayed in his house
for a few days. He was kind, and
welcoming. I felt sorry for him. He
wants me to love him, and I told
him, I told him!
RAOUL
NO!NO! We must stay together! Run
away with me! You can't go back to
him!
CHRISTINE
I have to. He knows about us, and
he's going to kill you. I have to
go back to him.
RAOUL
NEVER! I love you, and I will kill
this Erik!
Essa última palavra ecoa pelo lugar, deixando Christime

e Raoul amedrontados.
O casal anda pelo andar, em saída, quando aparece um

homem em frente deles, com roupas escuras.
PERSIAN
Not those stairs! Use the ones in
the front! Quick!
Eles correm.
RAOUL
Who was that?
CHRISTINE
That was the Persian. He's always
here. He knows about Erik, and he
wants to help us stop him!
Eles chegam às escadas.
RAOUL
Saturday night. We'll run away and
get married.
CHRISTINE
Yes, Raoul!
Eles se abraçam.
FADE OUT
“Scene 8 – Where is Christine Daaé?”
FADE IN
RAOUL'S HOTEL RESTAURANT – SATURDAY MORNING
Raoul e seu irmão, Philippe tomam café.
PHILIPPE
Don't marry this girl, Raoul, all
this talk about ghosts... She must
be mad!
RAOUL
She is not mad! And I am going to
marry her at any cost!
PHILIPPE
She is only an Opera singer! She's
too young! Are you sure you'll
still love her in twenty years?
Raoul não responde, somente toma mais um gole do seu

café.
THE OPERA HOUSE HALL – THE SAME DAY

ARMAND
Box 5 is free for O.G. Tonight.
Daaé will sing the mian song, and
here is 20000 euros. Madam giry can
leave the money in Box 5. Is that
everything?
FIRMIN
It's a lot of money. What about
some flowers? He likes flowers.
ARMAND
O.G. Can bring his own flowers!
FADE OUT
FADE IN
A Ópera estava mais uma vez cheia, todos esperando

ansiosamente por Christine Daaé. Então, ela entra no
palco, pálida e apavorada, mas ela canta como um anjo.
Logo no começo da música, as luzes do teatro se apagam,

e momentos depois, ouve-se um grito. As luzes voltam,
mas Christine não estava mais lá.
Todos correm, procurando por Christine por toda a

Ópera.
No escritório dos diretores, Firmin e Armand discutem,

quando Madame Giry entra com sua filha, Meg.
ARMAND
Go away, woman!
MADAME GIRY
Sir, there are three people missing
now! Meg, tell them your story!
Então Meg dá seu depoimento.

MEG (VOICEOVER)
When the lights went out, we were
just behind the stage, we heard a
scream. I think it was Christine's
voice! Then, the lights came back
on, and she wasn't there anymore!
We were very scared, and we ran
back to our dressing room. There
were people running eveywhere.
Then, we saw Vicomte de Chagney.
His face was red, and he was very
angry. “Where's Christine, where's
Christine!?” - he shouted.
Suddenly, the Persian came up
behind him, and took his arm. He
said something, and they went into
Christine's dressing room...
FIRMIN
And..?
MEG
Nobody knows, sir, We looked in,
but it was empty.
FADE OUT
“Scene 9 – The house on the lake”
FADE IN
INSIDE CHRISTINE'S DRESSING ROOM – THE SAME NIGHT
Raoul e o Persa estão dentro do camarim de Christine. O

Persa coloca suas mãos no espelho, que revla uma
passagem secreta.
PERSIAN
Quick! Come with me, but be
careful! I understand Erik's
secrets! Put your right hand up
near your head, like this. And keep
it there all the time.
RAOUL
But why?
PERSIAN
remember Joseph Buquet, and the
rope arround his neck? Erik s a
clever man with ropes in the dark.
Eles passam por muitas escadas e passagens secretas.
RAOUL
When do we get to the lake?
PERSIAN
We are not going to the lake. We're
going to enter Erik's house from
the back. I know some secret doors.
Logo, eles chegam no local desejado. O Persa move a

parede, e uma porta de abre. Eles entram em silêncio,
mas a porta fecha-se atrás deles.
PERSIAN
Oh no! It was the wrong door! This
is his torture room! The room of
mirrors! We are dead men.
As luzes da sala se acendem, e eles ouvem a voz de

Erik. A sala está vazia, e cheia de neblina, cada vez
mais quente. Logo, ele não podia se mexer, ou abrir os
olhos, ele está cansado.
RAOUL
Oh, I'm sorry, Christine! I wanted
to save you, and now I'm dying!
Christine assistia a cena por uma outra sala, em um

aparelho de TV. Erik está com suas mãos em seus ombros.
ERIK
He's dying Christine. Watch him,
carefully. Don't close your eyes,
watch him.
CHRISTINE
HOW COULD YOU DO THIS? WHY DON'T
YOU JUST KILL ME?
ERIK
Because I love you! Marry me, be my
wife and love me. Then Raoul and
the Persian can live.
CHRISTINE
Yes, Erik. From this minute, I'm
your wife.
Ela o abraça e o beija.
CHRISTINE
Poor unhappy Erik.
ERIK
I dindn't ask you to kiss me, and
you did it anyway! Oh, Christine,
my angel! That was my firt kiss
ever! Even my mother never kissed
me! She gave me my first mask when
I was two years old.
Erik se ajoelha aos pés de Christine.
ERIK
You are free, Christine, free! Go
away and marry Raoul. Be happy! But
remember me sometimes. Go, quick!
Get Raoul and the Persian and go!
FADE OUT
Nobody in paris ever saw raoul and christine again.

Perhaps they took a planeto the North and had a quiet
life, together and happy. Perhaps Christine is still
singing somewhere in the cold and beautifel mountains
of Norway... Who knows?
THE END

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"The Phantom of The Opera"

Based on the novel by

Teacher Ana Brasko

THE OPERA HOUSE - NIGHT

A bilheteria está lotada, e a plateia da ópera cada vez

NO CAMARIM DOS DANÇARINOS, TODOS SE APRONTAM PARA O

A Diretora do teatro entra no camarim das garotas e

A diretora vai embora e as garotas continuam a se

Todas as meninas encaram Annie, curiosas, e uma delas

A maioria delas estava com medo, mas uma garota alta e

Todas as garotas começam a falar ao mesmo tempo.

E então a pequenina Meg Giry fala pela primeira vez.

Então a mesma garota que zombou de Annie pergunta à

Todas garotas ficaram em silêncio, esperando a resposta

As garotas ficam um momento em silêncio, até que todas

Meg pensa em silêncio, assim como as garotas esperando

As garotas fazem que sim com as cabeças, em silêncio.

As garotas ficam em silêncio, surpresas, e algumas sem

As garotas começam a sair do camarim, para o show.

CAMARIM DAS DANÇARINAS, APÓS O SHOW

As meninas voltam do espetáculo, e se preparam para ir

“Scene 2 – The Directors of The Opera House”

THE OPERA DIRECTOR'S OFFICE – THE NEXT MORNING

Era a primeira semana de trabalho para os dois

Os dois ficam quietos por um minuto, até que Firmin

Armand pega a carta e a joga de novo à mesa,

“Scene 3 – Christine Daaé”

Está na hora do grande número de Christine, e todo o

Mesmo já tendo passado algum tempo que a peça tenha

Philippe, o Conde de Chagney, riu.

Então, Raoul se lembra de tudo que fizeram: passeios

O camarim de Christine estava cheio essa notie, e havia

Então, Christine se lembra de tudo que fizeram em

Raoul ficou confuso, mas logo o médico disse:

Todos foram embora, como o médico disse, e Christine

Raoul se afastou da porta, e esperou Christine sair do

Mas ninguém respondeu. Raoul olha para todos os cantos

“Scene 4 – The Phantom is Angry”

ESCRITÓRIO DOS DIRETORES DA ÓPERA - NO DIA SEGUINTE

Na mesa, podemos ver mais uma carta de O.G. Os

Mas Madame Giry não ajudou. Ela não tinha medo de

Armand se levanta, furioso.

Armand se senta e Madame Giry continua.

Armand vira para Firmin.

Madame Giry se aproxima deles e fala.

Os dois homens a encararam.

“Scene 5 – A letter for Raoul”

RAOUL'S HOTEL ROOM – MORNING

Raoul come na mesa do café, a televisão ligada,

Ele guarda a carta em seu bolso, toma mais um gole de

GARDEN – THURSDAY AT 3PM

Raoul espera no parque, sentado em um banco. Logo,

Eles passeiam pelo parque, relembrando-se de seus

Christine toma alguns segundos para responder, mesmo

Christine virou a cara, em silêncio.

Christine o encara, pálida.

“Scene 6 – La Carlotta sings”

LA CARLOTTA'S ROOM – FRIDAY MORNING

La Carlotta toma café em sua cama, enquanto abre suas

THE DANCER'S DRESSING ROOM – SIX O'CLOCK THAT DAY

As dançarinas se aprontam para mais um espetáculo.

Então, aquela dançarina chata do começo do filme diz.

BOX 5 – ONE HOUR LATER

Firmin and Armand sentam-se na cabine, e veêm flores no