Raffaello Sanzio da

Urbino
A collection of paintings

D. Rafaela da Silva Melo

Raffaello Sanzio da
Urbino
A collection of paintings

D. Rafaela da Silva Melo

Dedicatory to all my friends and pets.
 Sumary
1. Portrait of Raphael by Himself
2. The Knight's dream
3. Coronation of the virgin
4. Head of apostle in the coronation
5. The Marriage of the virgin
6. Portrait study (by Timoteo Viti)
7. Portrait study, formely known as Raphael's sister
8. Combat of Hercules and centaurs
9. Portrait study
10. Portrait of Maddalena Strozzi-Doni
11. Madonna del Granduca
12. Madonna degli Ansidei
13. Studies of Madonna and child
14. St. George and the dragon
15. Madonna in the Meadow
16. Study for picture of St. Catharine
17. Study from Michalangelo's St. Matthew
18. Study for the Borghese Entombment
19. The Entombment
20. The disputa del Sacrament
21. The school of Athens
22. Parnassus
23. Study of figure for the disputa; with sonnet
24. Portrait of Pope Julius II
25. Mass of Bolsena
26. The expulsion of Heliodorus
27. The liberation of St. Peter
28. Madonna di Foligno
29. The four Sibyls
30. Johan, by Lorenzetto from model by Raphael
31. Incendio del Borgo
32. Portrait of Castiglione
33. The Donna Velata
34. St. Cecilia
35. Madonna Di San Sisto
36. Portrait of Pope Leo X and two cardinals
37. The Holy family of Francis I
38. The Transfiguration
 Introduction
Raphaël Sanzio (Raffaello Sanzio) was born in the Duchy of Urbino on
April 6, 1483, and died in Rome on April 6, 1520. He was the son of a
painter and poet for the court of Manto. He grew up at Urbino's court
under regency of the Duke and Duchess of Urbino, who died seven
months before Raphaël's birth. At 17 he was already considered a
master, thanks to everything he learned from his father.

His main influences are Leonardo da Vinci's notable works at the

Palazzo Della Signoria and in particular his Madonnas, Madonna
Esterházy and The Beautiful Gardener, and techniques such as
chiaroscuro (chiaroscuro (chiaroscuro), a contrast of light and shadow
that he used with moderation, and sfumato (smoky), slightly overcast,
rather than dashes, to outline the shapes. And also, Michelangelo, in
the works Pieta and Madona and a lot about the artist Fra Bartolomeu,
whose learning made him achieve greater techniques and more
powerful forms.

The first work recorded by Rafael was an altar for the church of San
Nicole da Tolentino, in the city of Castello, between Perugia and
Urbino.

The main characteristics of his works are the paintings characterized

by balanced compositions and colors, presence of harmony and
tranquility, beautiful and harmonious facial expressions, characters
dressed in light clothes, use of oil on canvas, and the approach to
themes related to Christianity.

His influence is noticed everywhere in the world and his school is one
of the most prestigious. Currently, there are rare painters as notable or
prodigies like him, and his greatest descent is not in Europe or
painting, but music and technology. Raphaël stays alive by influencing
many young artists and marking new generations.

His works are worth one or two humanities.

D. Rafaela da Silva Melo

Portrait of Raphael by Himself
(Uffizi, Florence)

5
The Knight's dream
(National Gallery)

6
Coronation of the Virgin
(Vatican Gallery)

7
Head of an apostle in the Coronation
From drawing in the British Museum

8
The mariage of the Virgin
(Brera, Milan)

9
 Portrait study (by Timoteo Viti)
From drawing in the British Museum

10
 Portrait study, formely knows as
Raphael's sister
From drawing in the British Museum

11
Combat of Hercules and centaurs
(Drawing in the Uffizi)

12
 Portrait study
(Drawing in the Louvre)

13
Portrait of Maddalena Strozzi - Doni
(Pitti, Florence)

14
Madonna del Granduca
(Pitti)

15
Madonna degli Ansidei
(National Gallery)

16
 Studies of Madonna and child
From drawing in the British Museum

17
St. George and the dragon (Hermitage)
Drawing in the Uffizi

18
Madonna in the meadow
Belvedere, Vienna

19
 Study for picture of St. Catherine
From drawing in the British Museum

20
 Study from Michelangelo's St.
Matthew
(From drawing in the British Museum)

21
Study for the Borghese Entombment
From drawing in the British Museum

22
 The Entombment
Borghese Gallety, Rome

23
 The disputa del Sacrament
Fresco in the Vatican Stanze

24
 The school of Athens
Fresco in the Vatican Stanze

25
 Parnassus
Fresco in the Vatican Stanze

26
Study of figure for the disputa; with
sonnet
From drawing in the British Museum

27
Portrait of Pope Julius II
(Uffizi)

28
 Mass of Bolsena
Fresco in the Vatican Stanze

29
The Expulsion of Heliodorus
Fresco in the Vatican Stanze

30
 The Liberation of St. Peter
Fresco in the Vatican Stanze

31
Madonna di Foligno
Vatican Gallery

32
Madonna di Foligno
Vatican Gallery

33
 The Four Sibyls
Fosco in Sta. Maria della Pace, Rome

34
 Jonah, by Lorenzetto: from model
by Raphael
Statue in Sta. Maria del Papolo, Rome

35
 Incendio del Borgo
Fresco in the Vatican Stanze

36
Portrait of Castiglione
Louvre

37
The Donna Velata

38
 St. Cecilia
Bologna Gallery

39
Madonna Di San Sisto
Dresden Gallery

40
Portait of Pope Leo X. And two
cardinals
Dresden Gallery

41
 Rafael Sanzio,
frequentemente referido
apenas como Rafael, foi um
mestre da pintura e da
arquitetura da escola de
Florença durante o
Renascimento italiano,
celebrado pela perfeição e
suavidade de suas obras.

D. Rafaela da Silva Melo, a

Condessa de Melo é uma
escrivã-mor e curadora de
arte independente nascida em
no Brasil em 1986. Desde
criança D. Rafaela estuda as
obras de Rafael e de um
grupo de artistas conhecidos
como os Pré-Rafaelistas.
Recentemente tornou-se
membro da Renaissance Art
Society (RAF).