45387 NOVELLO'S ORIGINAL OCTAVO EDITION. FRA DIAVOLO AN OPERA IN THREE ACTS BY D. F. E. AUBER EDITED AND TRANSLATED INTO ENGLISH BY NATALIA MACFARREN, Paice Taree Suitincs anv Sixpence. Cloth, gilt, 58 M Loxpox : NOVELLO AND COMPANY, Limite ano NOVEL-LO, EWER AND CO., NEW YORK.DDYELLO AND comPany, Lexerso,FRA DIJAVOLO. AN OPERA IN THREE ACTS. DRAMATIS PERSONE. Lavy Attcasm (Wife of Lord Alleash) . +» Soprano. Zeruixa (Daughter of Matteo)... : e Soprano, Pra Reser (ander the name of the Meng San Mares)... Tenor. Loro Aurcasu (an Huglish Traveller) eee Denar Lorenzo (Captain of Carbineers) 1. se eee ase ane Tenor Coy} (Companions olive Diavolo) sere eet eer macgs Marzzo (the Inn-keeper) ss wenn Basse Chorus of Soldiers and Ad Vilage, ‘Tom scene of the Opers is Inid in Italy. ‘The first act opens before an Inn at Terracina, where a number of carbineers, sent to secure the bandit known as Fra Diavalo, are drinking success to their expedition. Lorenzo, the Captain of the troop, is in love with Zerlina (the Inn-keeper’s daughter), who is to be married the following day, against her will, to a wealthy farmer. Lord and Lady Alleash arrive in great agitation at tho Inn, having been robbed on their journey by the banditti, Lorenzo, hearing this news, suddenly departs with his men in the hope of speedily capturing the band. Fra Diavolo then enters, disguised as the Marquis San Marco; and in the course of conversation with Lord Alleash, leans that a large sum in bank-notes is sewn up in the lining of his coat and in his wife’s dress. Lorenzo, having defeated the robbers, retumis and restores some of the bank-notes to Lady Alleash, who, finding that the Captain rofuses to be rewarded, persuades Zerlina to accept ten thousand franes in her lover's name, Beppo and Giacomo, two of the banditti, enter disguised as pilgrims, and their lodging in the Inn for the night is paid for by the assumed Marquis. ‘The second act takes place in a chamber in the In. Zerlina, preparing to retire to rest, sings and dances before the looking-giass, when she is startled by a laugh from the robbers, who are concealed in an ante-room, After recovering herself, she goes to sleep, and Beppo is about to stab her when Lorenzo returns with his earbineers. Lord and Lady Alleash are aroused, and the supposed Marquis being diseovered, tells Lord Alleash that he has appointed a meeting with his wife, and Lorenzo that he has eome after Zerlina. Lorenzo challenges the disguised Marquis to a duel; which he favours, believing that he shall thus be enabled to carry out his plans. In the third act, during a scene between Lorenzo and Zezlina, the latter is surprised at hearing the song she sang on the previous evening ; and, looking round, she perceives Beppo and Giacomo imitating her dancing before the looking-glass. She come munieates her suspiciotis to Lorenzo; the robbers are seized, and Gixeomo, under threat of being shot, is made to toll a bell in the hermitage (the signal arranged for his Chief to appear), and Fra Diavolo, descending the monntain path, is instantly smrounded by the “re and seeured. t i |ENITOR’S NOTE. Some portions uf the Opera “Bra Diayolo” are now printed for the first time in England, These are:— In the Introduetion, from the words of Mattoo, «Since it is you who pay,” until the end of the restunption of the opening subject. ‘The dialogue musie that follows, between Zerlina and Lorenzo, is arranged ” as 2 ballad for Lorenzo in Mr. Laey’s adaptation. Tn the Quintet No. 8. ‘The Recitative preceding the Andantino, In the Duet No. 5. ‘The opening Recitative and the first Allegro. Tn the Finale to Act 1, The Allegro in common time, aud the re-eommencemeat of the six-eight, ‘The Recitative preceding Zerlina’s air, No. 11, The presont edition has been corrected by the printed full score, which it is to be presumed represents the author's MS, AND the pianoforte editions vary more or less from this; some notes, some harmonies are altered, dots are substituted for rests, &e., ée. The passage beginning on the words “One short year, then,” in the Trio, No. 8, is printed wherever the phrase ocenrs in all the arrangements ; the alteration is intended probably to give greater lightness to the phrase ; it has uot been adopted, but every one who prefers it so can easily mark it on the copy. At pages 142 and 148, the hort note after the rest is always a demisemiquaver in the score; it has been altered to a semiquaver te avoid the nnpleasant jer of te piano against tho voice, which has this accont sometimes. Vast numbers of slurs have been dispensed with that are inserted in all the pianoforte editions. ‘They render it impossible to distinguish whore the composer has renlly marked slurs, to obtain a more deciiled portamento than ought to be a matter of eourse with every one who sings. As the orchestration of this Opera is exeeodingly rich in new and happy combinations, tho instrumentation is somewliat copiously indicated in the pianoforte purt.OVERTURE. Allegro macstoxo, MARCH. Se = + Ge Ee eeeel eerie eepoeeeas 2 st ghtS=Asters "Fa Diavolo"™-Novello, Ewer and Cos Ontaro Eatonea ae fats. Pere Spee ESE ue er j=Sthapeeotetatiotietat f pases Pet E== ae re [pete fecpee, ft pee ens STEERS EPRESEES eae at eS weltE I rts 5 ae Bie tite ete Toor FF] #1 me = 333 | ted 25233 2 (28 $334 2232333) 3, fh he 1] 7 jai II tall Ril og thr | hy i) an whe Se cise — eS PS - ieee |e ww ow a= Peso fe! = 2 ayy a Auber's ra Dianola:"—Nowello, Ewer ant Cos Ostavo Eton,cyitietresenpee: $ =greet i stegcressereete ~~10 INTRODUCTION, No. 1. Cuonus oF Cansrxtens.—‘ COMRADES FILL YOUR GLASSES” Migr, axe cag eg $52 Erertcee feeettet (é Ses te E * = E von (IS eS a zs aS iene » ee 7 —————— ope = = =| ee ce es po vv (The sotdiers are drinking, Lonnxzo stands Comrades fll your glasses, The joy of wine all else sur - apart afterwards Mawes.) Bh, "bons me 0h at" red icon, bu ve ping ge pee =e be 3S aE = SS Com-Fales fill your gl En bone mi = Ti = tai ret buetons, bu + wine ali else sur - ons“ pleing ft fae PStstats te 22 Sane ame pee Net SSS SS eee a Ze i aa ee Neer of cue hell think, eee cae er oat ae Gee aaa ae P — at = = SSS = a é E ta to wl de Neo of ce bel di, eee ao Aubore "ra Diatol."—Norel, Ewer and Cos Oster Eaton sey - Let the col- dier drink, Never of cite he'll think, En your ee ee oe con se oe eas gee aoe ee cc 2 = =: = =F ph Is ¥ $F Tet the sol det dex, Neer of care boll think, Com “rates ANT year te etm at com - bas, Se Rent cel she at, Zan bow mt=a Pes eee tans -es, The joy Swine all else sur-nass-es, Lat the soldier day Ne'er of care he'll Wisyee busdont, bu sons a pleina ver ree, le vin au com - bat woactient le sul = secu Pe 9 = 5 == = 3 Ge oe t= eet e'er of care he'll etai = ree burcons, bu - vone te vin au cow - bat rouctient lo s0l = = + [ Gases, The joy (wine all else sur-post=en, Let the eol-dier drink, think, Vom the wine eu dat, il méne @ te Neer ous tient te aol ~ SSS SS Note of carol think, Whom the wine eap ee obo be ‘Let the sol = te vin au com = bat - = = che = Netley tae =o ries la vic- toi 72, == Ft By'-ry - tfnghe lear ~ iy Noting cay fur - oth, Ent boson en a Maat ger ta etn ‘nu com - bag / AAuber's “Fra Diaylo."—Novello, Berend Co's Olavo atin,S5= 7 a gee "Bisa chaneo most glo sans comp- ter ta glot - rious, eo Tis a chanco most glo sans comp-ter la gle Abers fra Dlyolo."—Novllo Ewer and Co's Octavo Eton,Nh N, 13 ht —— eae = zy ee Comme give we al=to oe Tenigie well wine, + bot = tons Ne tre o pos fens; ss =e $$ f wine, . . To-night we'll fens ; And be up - roar : oo etetesee Com rads il your ne wi te = Pea = lat * tee ue done tu Svone a pleins ver res’ le flag - ey, The joy of wine al eso surpasses, atthe soldier dink, Neer of care 2G Na “hetote it “gone Bpleersre sun au com ~ votetient te sot SS — ey Glas = ces, The joy of wine all else sur-pas- ses, Let the sol-dicr Nevor of eare ‘souetiont le Sf pS rt Tet the soldier dink, 7 Neter care hell think, ‘Whom the wine up al = dat i mine ee a te Tet the sol-dier drink, ‘Ne'er of care vin au com bat aa Whom the wine eup ‘think, dat i: pete TS ie. — tee = =euw ote == Bet == SS SSS chee on Noni edfth-ly fear - eth, Whomthe winecup clcer - dth, fctilog exetly Se SS SS SS Cheer = eth, Nothing earth-ly” far ~ eth, Whom the wineoup cheat - eth, Nothing sarily ee See TEL oe a ge ae a + CER 2 ay = H E vas eS = Fee te ves fan : So = cS z gilepraeh = <= E eth. - oh 7 a a staccato. a pe Ssiss —_—— Since it is Lore - que c'gt15 - Lonuxzo. = = 4s e== ba: _——— = - = out = word, Gh, mind me nok good comrades, drink with ¥ seo (si : = == ‘out mo! (Oh some (toi je Texon. NNN SS Whet, not to drink? > ann, Bass, D6 bri- ga + dier cote Ee = ee 7 E E ‘What, not to drink? Tt is ab - surd, Le! bri- ga dier a du cha = grin PoE creel Te % (10 the soldiers.) SSS SS =F likes not, our friend may have PASS es, Tet the sol-dier drink, Te vin aw eon - ‘eer of earehe'l think, tle sol dat, but Let the sol-dier e vin au con - eee ‘Auler's Fra Dlasul."—Norello, Ewer and Co’s Octavo Eton= eS Se i Oh dear Tor ~en - 20, to hope yet en ' i i Cher Toren = 50" con= ter tone Vere = =< = t= SF =f rink, neler of caro ho =n - tae ow-tient tev sol ~ att = = SS SS St drink, Neor of care bell think. - Cet fow-timt le sol ~ dat! pe pete fee mes te SS Sf. —$tt$$t5-p tte rat Se ee = FE Ze aS = =6e SE dea- vou. “What hope is left if thou no'er canst bemine? — ‘Nought my af feo t ran ee int res tecteil Bul perd. ter @emoue. Mies = te. dumoimceat cal = ms x nN : Pe Pt Baas z = 3 rae PP _- == While Jifo romgins thy hegst YM ne'er Fe sign, While 4: ee £3 EE Sts 3S ee . es =e : SSS Sas Whercer iow ary tere ny ays wil or er ewe Res tae” ‘au com ~"bate ent te SRE Te remains, hy aver dig. ee me iz 1 * ir f Aubess Fra Diavel."-Noretla, er and Co's Octo Bait,18 M ‘True to the vows that tothy hearthaveboundme, ‘Ah pense mot qui sans toi ne peur vi» trey Where'er Tam twillbe lonely anddrear, Quiai -je be-soin de penser met joure, Fare. ee i a Sp SS SSS Se elal ean —Ttcotlh owed, x tno manana oe pow ioe Juss | ha diets cevdiensgent = te "pour ton joue SSS = one E : Who ae oie? sithout a fate dine, pe - z — E eS a E Grew ai. du te = Who are Quest re = (avithout.) Who are Qwertce re ‘ho Wi 2 ~ Who are on ge ‘Avbers "Fra Dlavole"—Novello, Ewer aud Co s Oetvo Editon,{Lon end Lapy Antoastt enter) ———— Woarerobb'd, weare kill'd, ‘Some mishap! = Pa ea este = Se ery é : E Ie Giveus id, . : srobb'd, maureen 2 tt ii cours, " = =e ——_ == Bome mishap qugit eg donc, == 2 — — ‘Some mishap! aa quest ce. done, | ee Se Some mishap! f=se4 ‘wo arerobb'd, wo arerobb’d, wo arerobb'd, wo arerobb'd, on en veut, "B noe jours,’ ‘on en veut, ‘a mo» jours, ‘Lorenzo. tee ie Tet us hear what PP He a ‘we are robbid, we arerobb'd, we arerobb'd, we are robb'd, om en veut, % nos jours,” on en veut, '& nos jours, - ~ aay =e satel a a a a = en SSS Se dan-gerhath be-falha you? oer je ea pris, _‘Lonp Attcasy, a == gs NSN ae ‘my good agnors, mesne Carchery we ee Auber's Fra Diayole."—Novelle, Ewer and Cos Octave Raltionywt Lapy Auteasm. (= SSS pS ee a 7 oan and hand - samo, “Aad ra Troi Pa ain, eee aight == SEE (hotding avinaigretie fetowards hiswife) BO po se | T faint, T faint, = i= tM? 2 ta iy === etd i TS wbo- mt - na - ble mt aS Ss fgneens ese == * == 5 i - vil look,Hewasno gen-tle-man,I vow. Are. 1 we “duit vraiment on gentle - man bien peu ga-lant je te bri. gand a dresses? You' sulle mee fi i ai a = E Fee eae eel Aubers" Fra Diacolg."—Novella, Ewer and Co. Oetwvo Eston T= ta-ly,No more ite chores I Wish fo ete, Tat these the joys of FS wii e mes’ cha avaisphis Per «tie de re = voir sss@aete aps Bare deaf to my dis - tres-é, What I suffer, no one guesses, My things.where are they vo bes les plue bel-les —re-pon-dex ..' ob sont el-ler? eal i mal heur plas Po ne stay E = SSS SS now? Ne'eragainshall youper-suade me, Foreign lands to see with you ; grands, Oui, My lord,cetiea-ten~ te = “rey me met-tait dans le cour-rouz, Vi geg spp 5 poco piu animato, mae ———— No attentions have you paid me,That un-to a wifeare duo; Ne - vermore shall you per « Je voulais je vows “le jure’ plus voy-a-ger q~vee vous oui My lord eve a= ben igre = = SS fe SSS ——— sae = Fo-reign lands to see with you. No attentions have you me met = tait dane “te” cour. role, Je voulaie je vou te SS feo eee sr tite 2 5 om Ss pe jee eee ee Oe ae oy oe Se = SSS Se if eS SS SSS SSS SSS Z = = E -Auter' “Pra Diavolo."—Novei, Ewer and Co's Oetaro Ron.Zena, They say thot near our village Lapy Atressa. oetrem tle gwen ce ool: SS SS ee f Peep ees due. ‘more for “Tor eign countries Pe oe pe Femme ie . O8EN70g #9 #9» = * -£ al aE = = ez pee: ¥ ge y-ing, Tho brigand chief wasiate I ae aks ae de- pute quel-que tens on, PS soa PEE = = “Fo roam a- broad P'vedone with try-ing, _ ete ea = Se eee SS a= Pa Theysey thei near oor viblage spying, Deren-ble qden Ge wines hecgee NN. ss SS PS] “All” dan. ger scoring, fe a =f Merete other Faaltia ht ‘On. pré-tend quien ce. vot ~ da-puis quel- que tems on Va BAS: aaa Spt CHORUS. ‘that on his star re - Ble quien ce voi-si ~ EN = ast aS ss fhe brigand elie was ilte-ly seen, ee haredi brig- and Wait pa - rey je af i = e Sas : ¢o2¢s Mo stay at home henceforthT mean, omore or foreign countris Becta an pot lek hess he spun jamal te to” ie ee = e 3 ay - ng, aos ens : SSE SSS SSE ‘ts hardships are past all be - lief, To roam a-broad I'vedone with pour longteme flow tain Tee = 1, ron, nom ja- mats plas de 00) = Pepe et ee = 76-6 fe eee = — E The brigand chief was ate-ly ce, haredi brig-and Watt pa - is great, andiime! ‘on pré-tend quence voi ~ tote t PPP ten te et Anber's “Pea Diarolo."—Noall, Bwer tnd Co’ Oetavo Eaton,23 r= =z = ae Sr ycee areata Ghar il” trig end watt pa SPSS peo To stay at home henceforth I @ tien reae ct d AGT eg eecal on pote nl ieee tag SSS pee capitelin we foams Thay = que tems on ta on pretend qu SSS Tehardships are past all be - lief pour longtems j'en ‘suis re-ve ~ nu, = 2 ace e— =p ce haredi brig and wait pa - sy Tn o-pen high-ways has he been, 7 a ‘Thisnight to de-puis quel - que tems on Ua capturehim we mean, on prévtend quence vot~#i SE pad et pane pee [a eee ae : Be Sea at Je tremble quence voi-st - 7 a z LS Te GR cates eo ESSN: BSS SSS foreign countries ‘To stay at home henceforth I on ja = maisplus de y= Ce-tal un point Bien r= to \G2—-4 = = z The brigand chief was lately seen, mae des puis quel = que tens on Pav lee ee ee oe og a ‘To roam «broad ve done with ying, Telardahipe are part all be - pote non aePaeey srurlngons Fem Bs_fe~ te eS Se SSeS SSS ‘They say that near our village Je tremble qwen ce voi-at = spy ing, na deg The brigand chief was Inte - 1 ce hard os ‘orig -and wait pa ~ fy-ing, er Saas eee nant pap op te=e oe sof set Higa poe oP elie a SS Asters © Fra Dinvolo."Novelo, Ewer and Co's Otavo Raton,—— Teta ae canes No ue ver === The br-gind = =a ee ‘The bri-gand, ae cee ass a Dan-ger and fear de - fy- ing, the prize %e great and timo is fly ~ ing,Comowherehe last was ‘gag nons =e Cou ~ Fa - ge” gag-nonsgag ~ mone a-vec cou - ra - ge le pric gui mous est BSS pees He 5 SF a Soa Pose so oe gan oe Weaeed ate ae Ss Pa a Tie ordgacoun > Wish oo nesver Yor Dogs coun T Will ais Bsa pi de tay se = ge” _nonnonjnomy_ etait um Doin gre ig = te ee ee gree near our vil - lage -hehatu¥eenseen, near our vii-lage has been au cou - 14 - ek te ban diy et le ban-die ext pe Ea ee Se for foreign cout - tries, none-ver for fo-reign countries I will” sigh. plus decoys @ = ge" _rumnomnam, pour tongtems Jen suis re-'ve_-hhe apap ete eee |p ele eo ee pee = vole = re pe 3 ‘the brigand on his star xe - ly - ing, On o-pen highwayanearour village has been seen, deerme ie eso at = na > ge gue ce ar = at began brand Walt pa “re SS a . fee to capturehimwe mean, Comewherehelastwas + To cap-ture him we mean, an” ie gelsqutncwses au” gagnons asace cow te pels qui nous at eee a =o = — Bt te. opt et- tee st Se Auber Fra Diarelo™=-Noralio Ewer and Co"s Ostavo Eaton25 these the joys of I- ta - ly, No more its shores I wish to see, oh what shall I do for dresses, you're Se eee ree nae Ti oe" marcha -peaus mee den tlctar met eee Sete deaf to my dis - tres-sts, What I mf-fer noone gueses, My things, where are they to- bee es plas” belles’ re-pom des, ou sont elles? ext = il’ mal hewr pla + * ‘Ne-vermoreshall you per-suade me, Foreign lands to see with Oui My lord cette “a ven~ tu = te sme met- Cait dans le cour = = BSS ee Sa No at-tentionshaveyoupaidme,Thatun-to a.wife aro due, Ne-ver-moreshallyou per - Me teint Je vous Ye us re plu voyager eee woud oui My tod eet a= ton ae = SS Sat ——f 1 = $ 2 -— t te ae ae eee = = = E ee A Forcign ands to see withyou, No attentionshaveyou paid me, No at ~ Tre mt fal dane te cour: Fou Meveutile je wows le Yo te' je aoe aes! EE ame ——- f + * & a} a p> a ae “buber's Fra Diyolo"—Novello, Ever and Coe Octave Eatin.28 —Zenuiw. Tempo Imo. ‘Theyeay tbat se iremtie Fase] SE E oe ae + tentionshave you pald me,that un jo mare for 1 dale jer cour “le” "hes re” plas voy Non wn o- Lomitzo. = = z= foe E ‘The that vil-lag = eyanythal near our village spy ing, Lonp Auroasn. On pretend quem ce woke = “ha og ‘To roam a Martro. Howton je - = 7 et Thoyaay that ae trouble RRR RK Non, ee = —= = Sas a at ‘All dunger_scoming,feardo - fy~ing, CHORUS. ‘On pretend quen coool =a na ger ee 7 es : = olla pate. 8 iS ' SSS aoa i village spy-ing, : ——— pS SSS fo-reign countries sigh-ing, ‘To stay at homehenceforthI mean; eS Ee eterna = poe The brigend chief was la Deepa yer oa ontte ea aay eee ‘road T'vedone with Tishardships enipmaiaeto Bout iene ae SSS age “ The brigand chief was late-ly quien ce voi =a = Ce har=ui bri-gand wait pa = =e eae a Z Come whorethe brigand last was ‘the pire e Be pall goe- gatons ont at On Becton a — eH =] eee fos ot ye 7 fF ‘Auber's “Fra Diavolo."Norell, Ewer and Go. Octavo Eaton,27 7 a = = = = SS Se ee == i They cay that on his star ro - ly- ing, de” trem-ble quence vols si + na - ge, =—= = == SS E a a ae ae 1o more for “fo-reign countries sigh- Nom, non ja - mais plus de voy - @ ~ ge ~ z 2 ee SSE = SS SSS great and time ie ly ing, This night to eap-ture him we Gaon ‘we bat > nas oe Depa teed = gue tone on Ve NN = eceeeeae = SSS SS Ss oe E To roam a brosdT'vedme with try-ing, Non, ‘non ja» mais plus de voy - 9 - z = pS : E 5 = << — E They say that on his star Ty: ing, de> trem-ble quien ce voi si - na -9ey : =] = 3 ss = Gre lar : =F FE tt erent and thae fe fy ing, ‘This night fo eap-ttre him we Goes ce < nas ge De pile qual - fue tons om Va SSS $a Ee ———— pdodicder. =] a =o Se *. J ray Open bigi-ways "he las Thoy say that har a bri-gand n’ait pa - Je _trem-ble = = 7 = NE = sf = = SF o—— ig Sara ae = stay at home. heneeforth I mean; a more for sail tn point bien ran 00 = tue oy non a ae aus = le — Tis lardshipe avo pest all bo lely T> yom & ee eens Peete vel eo ant eal ete ee SS =Fs : ee ——— + att a ———— i aE Teepe highweys be has been ney say thal Ge tar Pat “inks gand wait pa + rus : de. tren ble = = z SS aS == - Aa aS a ‘meas dan gor soten-ieg, bar fe - fy - ‘On ‘pré-tend quien ce” vol - ti + a tt ‘Auber’ “Fra Diavolo-Novelo, Bmer and Cas Octave EditonSe Z re E 2 7 ‘spying, ‘The bri-gand chief was late - ly = ina = ge, ce harsdi —brigand wait pa - = =z — To stay at home henceforth I clé-tait um point bien 6-60 SSeS = == Chief wes lke y sean, Spite ete Oe a eee Tis havdshipe aro past all bo = ee To eign countries «mols plas de ooy = = NN ss = broad I've done with = mais plus de voy - tS 2 ‘hear our vil - lage quence vol-a- na Ss = ese] Saar ae Decpue qual gus tones ona See ‘The brigand chief was late - ly Ce har-di bri-gand wait pa - Been, bri-gend one Je trem-Dle = SN N=E =—— - = ae ‘mean, = ‘No, ne -ver Non,'non, nom, The Wei gand — a nthe SS aE > lief ~ ae ver ca Non, non, non, = = = = = a = Tho brand ve a eG trot ee ee ee ee 7 ace eee SS ' Daneel al tar «ty «ing, Teaptce & grat and ine in By ~ ing,Comowhorebo lua was Pao oxt aed fear 8 vie opie Oe acts oe «On propio tee fo pes St ene fel ee oe $5 $ugt + pg sty Si = tn 5 — ? SSS eae ene wa eee ~* a r=] The bee gand, on Dis alar re - de treme’ quence tole a nN Jae ho, ne - ver for fo-reign coun tries, for fo- reign fon, non mony Plus de way a oe tall we =z = # E = JS SS SS The bri- aan near our vl ~ age, We hth been séen—néar our ea awe pa ee ee a oe ade "at Se Vs os Sse ee ee ee SSS = no, ne - ver for fo- reign coun - tries, no, ne = ver for fo - reign hn tim, noty plas de ty soe fon, non, nom, __pour long -tenpe w= eee Te a = SS = 55 =F ‘The bi-gand om ing, Ono pen high-waye near our fe fete quien ae ue ce har - dl trl sgand ce = EE a soem, exp-ture him we mean, come where ho lat was een, . to ‘he pr ge sous et des ge npuons_@-vee wu mets yt te is Ae =Seee eee as . ‘countries I will sigh, My wrath T_ can't point bien 16-40 ~ ly, non, non pius de ee the ts w= Tage Bat hath been” seen, iteems beh tnae Ban aa ‘trem = = “My wrath : can't dis ~sem = non, non plus de wy >a >t + ble, T can't dis - ge, plus de Se ee vil-lage ina been seen, Oh, how with fear I~ trem how Ra nat a Pe rei e te Se ie a . fe aps s = = = pti hin ween Trem be thou ban ~ ti thoatan- ait it noe oa inna : SSS rombe Corn, ah Fra Diaculo."Norella, Emer and Cos Octave Edition, —_ae ont # - fax —* Se E ae ae How fig TE = ganda cn, Dolo : oe — = pene ble, ff 1 saya here, I soon chould have the spleen, webs Eg, eaten eat > ‘Ble, Nought thy Tate eas ae bon as cats = SS = now ean screen, et per - du, = Fata > i tt tape boee REE GR eal sen Env eae 2 ge myn amy ting ~ tome fen nua “bien re be vin, = = SSS aE =f = ble, Oh, how I trem-bleyhere the bri + Bley que ee. tri = gand, que’ ce bri gand = gand was seen, Wait pa - ru, = See = £ f E pacers = ble, Noughtnow thy fate from att aaa garoans oa 3 ee a ae Sree Oh, how with fear Se revdow-te 0 SSS SEF ‘MywrathI can't die-sera - - - Dio, I can'tdia - ‘nom, non plus de voy = @ 9; plus de voy = oo. ne: — a ge) du cou SS Mywrath I can't dis -sm - - - ble, I can't dis - ‘non, non plus de voy - a. > + + ge, plus de voy ~ SS Teoma da bande, (da gnons ace cow a= =# = wl tlou banat, trem =~ Src ecedew amt e = ble, Nought now fom = ger ga guons te ioe e [= Aube’ “Fea Diagalo Noval, Ener end Co's OMe Eton.Toro the B-gand was ue mince ee : SSS E ew toon sgl havotho leon, Nowy wrath T a Cat ng buat Sin rb so "le nimshom wn pa de oy ~ Be * £ = ot : oP ep _——S SS Te SSS Trougitt thy fate now ean seroon, TOWEAT Ey fife ow ot ee eee eer abet a pe ==: ts = AAS —_ = =e sae PS hore soon thonlhave the tposs, Ro day weit cast fie ~nam=ble, i a ee ee ee ; as e es = .—— = aaa E SSS Sw = araras ‘trem - ble,Here tho bri - - gand was seen, here the bri-gand was. = gand, que’ ce bri-gand ait’ pa- ry, ce bri-gand ait pa == 2 = = EE <= Es eee te thy ‘to ean Nought thy {ito now dan me aud = = ie eg on ; - x : E oa 3 See = SSS SS hore the bri-gand was atugmon cau est "6 = aera SS == No, my wrath Tean't ds sane No, m0, my gotten non pine de bay ag nm t_ ton = == aS SE — Tafenow ean sree, then trem - Dl ae te mis aaa 5 ss ~ No thy whth {cant dis ce No, my went T can't dis = fon nom, nom, plus de voy =a oon, me Tage ne ci : = 7 $5: fr ae E- t E won, Thre tc bri gand was sea, ho hore war soen, Ol, bore ae o ce bri-gand ait pa- ru, je = ble es ete ae a — . == "ea = = e screen, ough tenbs ca ekeon tee ie te gat moma ae pes ape ae - Aare _—— = ‘ubere "Fra Diavola'—Nowell, fer, and Gn's Octave Paltion,32 - = = E ane a Se ieee case ieee = = te =e: = = f siayd (4 have I the spleen. gt om "point _ Hien re _ ig So E —|=4 i+ ‘Nought now thy fate . . can’ ‘screen. tH bon - dit went : per + dee = = z = SS E f aay'd Id Soon have the spleen. a ee Ie é- eee ae =o = hore the ta gand. ~~; ~~SCWas woo, ce Ort = gand ‘ait : Patrol C———~_ (rhe soles gather round Lorene. ought now thy fate : ‘an pereen. . rae. ty me $- - Nought now thy fate. . can ‘screen. rs ot iu, onp Anteua Zoreas)-—Now, Signor youl will declare my lost property. Lonunz6.—-1 am at your service, my lon. Tonn A.-Taman Englishaan, ‘Thave hid the honour to elope ‘with thie Indy, my vito, a wealthy Iheireet. A powerful inclination Eapy A. (eghing) Abn yes! Gretna Green o elude pursuit we camo to Ttaly—T, my ‘wife and. her fortune, which we took with ws ‘A powerful inelination— igadier, to Lavx A. (sighing).—Ah, yest Lond A.—At a league's distance from here our postil- Tien was sfopped. Lapy A—By bandits. Loxexzo.—From what quarter did they come? Lox» AI was asleep when they attacked us— Lapy A.—Yes, hs lordship was fast asleop. I said to myself, this will lead to some unpleasantness, my dear lord. Mnonp.—Oui, Messié te brigadier, c'est 2 vous que je “Jaisais ma déctaration. Lonenz6.—de vous écoute, milord. Mutoxp.—Je havais Thonnewr détre Anglais; Je havais ‘enlevé, selon Pusage, Miss Paméla, une riche héri- ‘itiare que je havats Spows6e par inelination. Teapy Atteasm—Oh oui! a Gretna Green! MiLonD.—Bt pour éoiter les poursuites, je havate voulu ‘voyager en Italie ance elle, et ta'dot que je havais cenlevée aussi, comme je disais & vou par snctinae Lapy A—Oh ot Nimmoan.—Et, 2 une Uewe d'ici, le postilton 2 moi, it avait id arrité. Lapy A.—Oud, par des bandits, O Diew! LOnENz0.—De quel efté venaient-ite? ‘invonn.—Quand ile ont atiaqué mot, je dormais dans te Tanda, pres de Madly. Lapy A.-Oui, maintenant slord dormait beaweoup, aussi ie inns Cela: porter mathew & sous, mon cherTonsxz0.—Of what have they robbed you? Tany A--Of all my jewels. Lono Ao—Such beatiest Tapy A'—And so becoming to me! Lonaxzo-—Tt mst have been the band of Fra Diavolo, ‘iat we are in pursuit of What direction did they take? Lorp A— es ‘took the way to the mountains, and our jewels too. Lonexto (to his soldiers) Up, comrades, drink a parting Cup, and let os after them without dolayy (ovate atte pours wine tthe soldiers, Zerlina approaches "Lorenzo, and says ety) emurva.—Thoy sny this brigand is 60 fereo. Tf any ‘hing doula pen to yon! LonrxzoWhat if it did? Teste for life no longer. Zeuixa.—Loronzo! Lonexzo—To-morrow you are to wed another. I will 3 furewoll. ‘Think of me Lorenzo ‘wipes away a tear)—Come, como; duty before ‘all. "My lord, I hope to bring you good news. Good byo, Mattoo. Zorlina, oneo moro, fare: well. (Lo hie soldiers) Away (Ezeunt Lorenzo and soldiers.) Los A—He seoms quite sad at going away. This Diavolo frightens everybody. Martmo-—You are misiaken; Lorenzo is no coward. ‘He has served in the Tialian army, and there ‘no braver lad} indeed, he has but one fault. ind that is Miarri6.—Ho js in Tove, and he hag nothing but his ‘soldier's pay, and,in perspective, good chance of being shot some day. = Loap A—‘That is not enough to live upon. Natrao —Otherice things might have begn diferent ‘bat prudence belore all Come, Zerlina, take tweay these glasses. Loup AnT'should ‘ike to stimulate the bravery of ‘hese soldiers with some of my” guineas, Signor host, I beg you will write out a pla, ty ofering a idsome reward for my fost operty. Marreo! With pleasure, (Seats hinaeY at the table LIL, and writes white Lord A. sehen inertne) or hes Zerlina oho ts eaten a corner, RL (orig Zero crying? hat isthe matier? Zemuawa (drying her tears)=-With me, Madam? ob, otling. Lior An-Ahy E know! ‘That young brigadior hae omelhing to do with it Zena (alorned)—Ob, Madara! Libr ADon't be flgened.’ Love matches are Iwvays so interesting! (Tendery) Are they not By ond? UAT dt fo once, voi) By Lon A. {Jom the other side, Buy with Matteo)—You s00 Van Reagent altcarh: mer’ Hiane you written that I will give three thousand francs? Lapr A." Itis not enough “Write fen thousand, They ‘are worth three hundred thousand; and if they. fre los its your fault, a8 you would tae cross road. Lono A Yeu to avoid mesting that handsome fellow ‘who followed us everywhere, and always Mopped at the same inn Lar A."T'eould not prevent his going tho way be iiked: ‘Lorp A.—But you could prevent him from staring at ‘on in the way holdid; nd you cow provent urself from singing with him, as you did Lavy A.You object to alittle music? Lorp A.—It was not music, it was flirting. Lapy A.—Flirting? Lop A—Yes, madam, 1 saw you; and I tell you 1 ‘wont allow it. "It’s not correct. Lapy A.—Not correct?-You wont allow it? Lono A—That isto say, there are some things— ONG. (During the song, Matteo and Zertina put up the placards that have just been weritten on the diferent walls inside and outside the Tn.) 33 Lonenz0.—Et que nous ont-ils derobé ? apy A-~Tous mes diamants. Mitonp.—Ils étaient si beau! Lapy A.—Et ile allaiont i bien & moi! Lonenzo.—C'est la bande que nous poursuivons, celle de ‘Fra Diavolo. De quel e6t6 v@ somt-ile réjugiée? ‘Mrronp.—Vers le montagne, et nov diamants aussi. -Allons, messicurs, en route! buvez le coup de rier, et dirigeons nous de ce eité. Lonexz0- Zenuiva——On dit ce brigand si redoubtable. Sit vows ‘arrivait malheur ! Lonenzo,—-dutrefois je pouvais tenir & la vie, mais main- tenant— Zuensana.—Lorenzo! ‘Lontxzo.—Demain vous Epouseres un autre. Je ne vous ‘en ferai point de reproches; adiew Soyes heureuse, fet penaez a moi quand je ne serai plus. ‘Zanuawa.—Vous vierez, vous vivres! je ferai des veur pour Lonenz0—dllons, allons; le devoir avant tout. Jesptre, ‘milord, de'vous apporter de bonnes nouvelles. Adieu, pire Matteo. Adieu, Zerlina.—En marche! Muono.—It avait air én, le brigadier. Ce Fra Diavolo W eprayatt tout le monde. Marreo.—Vous tous tromper; Lorenzo na peur de rien. seri dant Carnie @lealic, Crest wm brave ‘argon qui wa qu'un défaut. Lapy Ade Teguet— MAaPri0.—I er amoureus, ct wa ‘te soldat, et dea coupe de jour sétablir que ea paie il en perspective. Mrorp.—Ce n'était pas assez pour vivre. ‘Matreo.—Sans ecla je wWaurais pas demandé mieue. Mais id faut de 1a raison. Allons, Zerlina, serrez ces verres, ces bouteilles. Mronp.—Je havaie envie de donner du cowrage aur gene ‘du pays avec des guinéer. Messié U'hitesve, voules vous rédiger une pancarte, ou je prometirai de Pargent beaucoup 2 celui qui rapporterait & now ‘ce que nous avons perdu. Marreo,—Volontiers. Lapy A.—Miss Zerlina pleurait? Elle avait du chagrin? Zoenuma—Moi, madame? pas du tout. Lapy A.—Yee, je m'y connaissais. La petite brigadier é ‘avait tance & vous un regard qui disait: Oh! je ‘vous aime beaucoup. Zweruina—Madame! Lapy A—Ce était bien Ce était st jolt lee mariagee ‘Finclination! ‘Nest ce pas, milord? Milord Mmvonp.—Vous voyer que jétais oceupéet vows tourmenter int de sats la ancart pour te recompense, Yous aves Gert que je promctial tots wile anes Lavy A~Ge fiatt pasate?” Meter de: mille francs, ‘Deerin, it én atait trois cont miliey et vl Gait Jordy te deel te fante & suum gut ote wale Prendre te chemin di troserse Muwonp.”Pour Eoitrce cavalier dligant qui nous euivat ‘artout, et qui Warrdtalttojours dans ta mime taberges. Lape Ae ne ponvats pas empleher Int de faire te méme ote Musonp.—Vous powves emplcher vow de le regarder etd chante comme hier attr : Lapy A.—On peut pas faire le musique Muonp.—Vour faisiez pas le musique, vous faisies ts ne voulais pas. Vous ne voulez pas? Creat D dine, je voulais bien, mais je ne vowlate “pas! entendons now! (Gouptets,)ot Deernve.—“ITS QUITE CORRECT Allegro guoderato. idee HESS fete Sees It’s quite cor-reet; it's quite correct, a pret-ty wife should be ad -mir’d, In cir-cles pri-vate and se - cx dig tnatt Bien, je Boal Bien que Pon trouve vow rte fai = muble et que de loin maint fashion ~ + = lect, To be by - one do - sir'd, It's quite cor-rect, it's quite cor- rect! it’s quite cor - yay WS one de «sid, eeauocme seek Me galecer sett egies rect But when at ev'ry step I turn, Of somo phian-decting I learn,Whileme your hus-band youne - Bien, mais gwen tous les lez ou” je paste en lorg-nant vous a ~vec au-dace un ga-Tan. tir sui ore vos SSS rect, it's not cor- rect, it’s not correct, and I ob: pas; je vowlats pas, AE doulas pao je vowlats ay je tote Beings & Foo. guts =e i FF cotcants aS = = Ss es Co = It’s not cor ject, No, no, no, no, no, no, no, pas, Now, HOM, ROR, NOM, ROM, NOM, No, -Auyer's Fra Diavoto”-Norello, Ewer and Co's Octavo Baton,no, by Jove, i's not cor-reet, No, mo, no, no, m0, no, no, no, my love, ‘nom, goddam, je vou-lais pas, non, non, mon, non, mon, mon, non, nor, it's not cor eee - Ee Ne = SSS SS ~ recite not correct its not correct, isnot eorrect. fart gelato py Bo Cot pone vowtate pans Sa Seooxp Vense. =S—s N eS SSS SSS BSS zee Ws quite correct, i's quite corzect, To dress rewrd-lese_ of manatee is im - Je tte ben eof bo payer fs Boas ele wie_et_your qu la modeon pvt =a atts a Pi Seed ee =3 Se aero $4 Seem ense) To poyyour bills 1 don'tob - - jectit'squitecorrectit'squitecor-rect, re ray ee em-aer “toutmon Stew jewonctaisbien je toutes bk ‘oye, par an — it's quite cor - je eou-lais —— “Asbers ra Diavelo."~ Novalo, Bwer en Cots Octo Raion,36 er es SSS Tp + rect, But do youthinkI will stand by, Dien mais moi gui-vre vo - tre mé-thodg.mate dire wm 6 ~ ad Jee you dit gute 9 - pon - ly, Such do-ings, madam, must be ieee ecmnen ie reesei ee $e ie fant tt I pbltet Ae ae , 7 Bao," je wows pany Je vncate por’ Jo vows pase, owls pao et none nah nok po =5 =r We S S 2S SSS it's not_eor- a 70, 0, Ho, 0, no, Je tou iait Pannen, nok non, Rn, nh ony Noy os ‘you must re-ileat, ere ee ett ASS a= SSS SS SS SSeS Tes not cor-reet, i's not cor- Fepotcals Yen, Jeena rect that of ‘our wife youso should re tte tage et in mats con think, Why queite fad-mirers shoald I le faut pour ma_ toi ees Nitrate pee ed ast ‘Aoter's “Fea Diewolo"—Novello, Ber and Co:BSS Se SS 7 shrink, Who not a fault in me de it's not cor - ee te et ja-mais Je vqulais eats gee SSS eet bat be et SES SSS SSS Sey > rect. Pi a good nab wie, Pm sue, But Stain tage Tea cy-dor, And when « husbald “ahs you Wet ae purgout et spar eu ruc-trey Jets tie deuce Wor diag Mats Wa q’on diy E 5S p= htt tes tt toe Spans SSS SSS Shan't, he mustre ~ cant, hemmustre-eanb hemust ecant t's not cor-teet, U0, 20,20, Bo, 20s 20, No, eae aS ae : E eye — = SSS SS tS SSS SS SS CC Ld a ee 2 ee rest, it'sotcor - reet, Hen®t oor - rect, it'sn6tcor - rect. pas, sje vaults pas, ‘je voulais pas, evoulais pas, N =| =e — + 9 Set Lonp A—Say what you will, I shall not let you seo ‘hat Neapolitan marguis again. A.—Ah, vous voulier pas! Tl fawdra pourtant bien, ‘ntends plus que vows voyes jamais ce marguls Napolitain, Marreo.-I hear the sound of a earringe. Marrno.—Ciest le bruit Pune voiture, Aber’ "Fra Diavoln’~Novello, Ewer and Cos Oetavo alton,38 No. 3. Quiyrer.—* THERE'S A SOUND AS OF WHEELS.” Aligro moderate, d= 12. _ —= eatog tits ait git te Se: [Gree a ES Puyo. Marrxo (looking off the stage). ‘There's a sound aa of Un lan-daw qué Par ppp $ -3-6 Fo 2-$ $556 ‘wheelsjandob, a splendid carriage is stopping at the door, a gen-lemansepsout, a nobleman, Tin a widle "ah! quel homeur ex treme eeatqul yueprand.clgncur, qui ientlo=ger "t= chr eas Cust un pnd sct= om Lapy ALLcasn (embarrassed). = pS Saxony inane EA atl ago, I declare it's the Mar ve aie Ee Gailpa ihim,it je he39 lamas, ra padantin Y 2108 : * . z = = (eee ge ape eee Strange for- tune at - tends me, {fear ‘heir co - emt Lao Auem ng > etd se que cher = chait mon sieur a What for - tune at - tends me, = who hi- ther did his Mangois. aftr 7 BET now = vel ~ Ue a aon = eh nous =p ae Tee = ae E Cogs pe pap gee ie og Ghet Good for - tamo be - fiiends me, thie plea - muro Tid a bo ee tir meee ee ea gp ees Mis - for- tune at - tends me, who hi ther did his Sur > pri - se iow tel - le comme — ile = gar - de Ss ea Saas er Gee aoe amend a eee vere » Nats f &. & a a! = = 2S SS E SSS SERS ae oe 2 —t eeaEe $ rt r a (@ceepapaa a St eens cans coear an ea es enn ua SS SE SSS SSSR ae ee e_ eye dic rect? What amoral vase - ver by te to, wre- 7 jut - qui ci, Sur - pri - ce now - vel > le com = ment c'est en ~ core aa Tee oP his ee Mi - ta "ay," Que qe Se Fe = trowe ayey aS SSE sioye ai-root? What motive but mig-chiof seo how ‘her hand ho eee TT Fe SSeS Se he mh emeshs ev iit, woh hey ey Ea & = \oaerere 2 aes : | fy wey = 6 on SES ‘Aubers “Fra Diavola."Norelo, Bner and Co’e Octave Ration,40 What for ‘tame at - tends ‘Sur pri se mou = vel tone at - tonds me! lejctet els = Tel Kind for - time, Cet ad. ty Strings ace, Cor. # Fag. tain, — = “Wn ihe hte aot? Whey step frat rot : 3 SSS This pleasure See ae ‘ex- pect, Rereee i tt ae ae eee cz = o ae ol = a—— E one ue chershatt, = Seis =e “ ee ' Jo == Asters "#04 Disvoln’Novella, Ewer and Co's Octavo Eiltion,41 ose SSS Sees a ae a a = SSS at - tends me, who ere a = gg os ae ee = == 5 2S et See Inymy eigelgaae fen, Mb fs tage at tan pe (See ow my edystand be seized, Mis >for tune aa come SS Se eee a = eee oe = ———— 2 = 2 gg es } = 2 be. pa $= fear their eo- ert I de~ ct, The Mar quis four isle mon-seur de Mar quiy Cet = ey + zs RS = SS: = = 5 =e PReSse hap ape Ay ther alli teps Gi rect? What or - tl ni ther owe Sl gut sek ner p> ee eee ees a aa ea plea-sure I did not ex- pect, This vi - sion ia’ ehar~man- te Mi la> dy’ que woie je eee ee com + ing here much sus - pect, What mo - tive ire - garde Mi ae fur + pri ge g i : sc whos pare mich ree Dut alqw lim eee. Se meme a peinfstgt ata: eae toe a at ee oe 8 ra Dinyla "Novello, Baer and Cas Ostavo Fulton,42, —— aa isnot = pleas’d, Bris, ‘The Mar eet de Fee ‘Pris, eek =e een rss tieabtenme et Bet oat aoe eee 3 eS perms lated ote = Sees Se © ‘ied for eta ae oe : oa quis admires a one ‘Who hi-thor did his step: ia aud - i nous jus-gu’ : ee ; Ss This pleasure Y——+ eat alas : sends a guest, que cherchait 1 al sHity | sitepoate sisi ‘The Mar - quis admires her,and sho is not displeas'd,The Mar - quis ad - ie, Gest el ~ le que cher-chatt le Mar-quis, eat el ~ te, eat SS el Gti ul ser sa iy em tae Wintaor= al Tac Ole. nN yo . == eS pS ae ee ee ee Ta aaa meh op peg > Hon al Te oh = Sewiath oy ry ae op ee eg ae “RR ER = Se [ae oy See zal Bee howmy lady’shandheselvd,whatmo - tive, and how her hand he seiz/d, whatmo - tod Gomme Ht ro-garcde aft ta Le ne Bat ems cor daly carpet = ae! come SS= Se sends a gust, how great - ly, how great - I Tam. pleas nd gu sreat - ly, how @ ly vl show great = ly, how Marquis, cert el quecher ~ chait le Mar ~ quis,cestel ~ ley que E a= Sa er oe oe RB ° 5 —- a - — Ie e a es ~ miles enand che is. not diepleas'd not displeasd, not dis - plese. se que cher-chait le Mar® quis,’ que cher -chait te Mar+ quinn. ee eer by fate so teas'd, by + ment cet cre IM, Cant e5 = 2 le poe ze ee ey - ty wish ap - peas, each ie pe ems oe eet eras \e==e AS as how her hand he ‘seiz'd, her «mat cet en cw th,” cont What doth your ue Von aor = ft ‘Acter's" Fra Diroto"—Novello, Ewer and Cos Ove Eaton,Mapauys. Theres nolasle, ~—Youmey sland ae ‘ parngetaah === = ——— me? ieee eS ala « a - [= SSS Tmorjow inthis Tog tel Mp re = GS. gah es ins the = ye = = Tom Autism. : BSS ee = He will re - main, he will re - main, Ma - - dam, gma cote ee este === eS ee aed ofp Se tr > cious, An ag sig -na-Gou it must be, an as ~ai de” 20~ date poke vous. ‘ae'= au -'7d= Mey O ~t0i8 poor Pres os ; = For-tne i pro - pi fou, tbat Za tonene fos i +e mim Se + na-tion it must be, an as- sig - na tion it aust bo. rE - ment, e'€ - tait pour vous as - au - 78 = mente oe Asters "Pra Dinwla”Rorao Ever aM Cs Oca iin. |= f oe ious, Her lan - ees soft and ten - der, they pro - mise Tia Gor = tune et (a-mour ae-cond-ent tous Can this be per = De mot bien Jo ~ SS For > tne is pro = tioms, vat = ir La y X e for ns la = at ra + ti cu Stace. with vi — : a = foul that he so om me, SD ate “a. moureus, = i ~ cious, Ya > mou ‘and words show ~ cious, this does look sus - pi - fait ee dows gos re aura mu tut plat jous, His looks tu be [Auber ra Dianlo:"—Norallo, Ewer end Go's Oetaso Faison, if48 — re mete PES PSE EE plain = ig dat to be ma - Tielous, thie Sour” 1S yous Be eee aed dee Es = 2 = i be : —— | son it seams 0 Meat. iow ~ meus, ur prt te, wow celle a ee ee ee =f 2 hes lan - ces as ~ sent, Oh for-tune ro - Pi th’ affair is te = “Con domt mee” want, Cat el = te Vea We te Gat Oh for tune mma -li-cious, this looks most r= pr = ae, tir pri sae now vel le : : as n 2 . z =e 3 Kind for-tune pro- pi-tious, _thou'st made me fat a te Bae Gat ate tt plane : SS _—= mF E rere 2 of. ee = SS SS SS sus - pieiou, Nott be ama - Hi-cious, this docslook gus - son coew ‘tat Beprisy Cate = eat eh te” dont am coeur a not _my fart, fur pri = te de - li-cious, comment ceat 2 =f encore lat j= SSE Et not my fault, it sure-ly's com-ment c'est now vel = Ie de = Kicious, er glances go. ten- der, ——sheraglan-ces so. ten -den, gee ee ee, Sa EMP ee Sap 1p Ss ee greeter ee Eee sos icious, oh forte sma H-cioms, it Tooke most au -pl- cous, tr cpiste” — nmvediele — Gomani east com. ment cest ens core lui ¢ 2. ¢. = fot hn Es = fam - bition, pro - pi-tions, kind for-tune thou'st made me am -bi-tious, eat oon ears gs reel Cee teeta cet de noe ee = Slt SS SSS Fos f rH pS Antec's "Fra Diaolor"—Novt, er and Coe elas Fin,o) : + foe = = pe = = = = Ee E + pi-cions, Too plain-h on her he's bent. em cet Pavin cet de tle le = jo} = st = = = == # = tim he on me : ene core uy Ten —— tor 75] GSS = = com - senting, Yortune is pro - pi - i is de- + trowe “t= eis La bonne fo = et ra ge = : ie oh he will here fens cove lui, en po = =F and great will be... my gain ete = pri, et Lee Brit ' iin stace with oie a = ———-| Sea == Can tisi per De mit tiensj0 = SE For - tune lobe = os ons, Hor lan - eos oft eta for tune et ten - der, they pro- mise. ‘+ mou...” se - con dent v CS a = SSI sure-ly eat be my fault,that he so onme, s0 on ee ma faute 2 moi s'il’ €~ tat a-moureuz, sl € ~ - tater E is de iow, Her gan = Aubere fra Diayoln"—Novello, Bwer and Co: Octavo Filton= - aporpe= 5 = ~ Ii cious, tis does Took sus ~ pi-cous, bia ena ean re ou fat led re! a Mie fatten do eee ESSE eo Sh = me, #9 on mie i bent it mure - I my fault, that be 1 ip Geet amma ae oe a tiga twat pe et reed = === ~ ees as >= sent, For = fae is pro > pi - tous, hor EE dre at eel oe se een ros st =F — : ote E Se SS ee ~ iy that Dents Not tobe ma - H-qious, this Sean," tor_yeus lrewr. Cah Gat ae sn Ocal cue etc a aane é ee ee bent. Can this” be per = some #0 + Pousy eur te, nua “el le = gent. Oh for - tune raz, C'est el ‘this looks most Oh for = ma Ph yr eee for-time pF - pi-tious, thowstmade me Get a > le, bet tt vet el le ? oP Tose Taok mot tobe ma > W-eidas, is does Took aun ~ ‘on cow Z ct Bae hte dont coeur “ent és == eee =a de - li-cious not my fault, ‘it sure-ly’s ‘not my fault, ome nent cost meee «ce amctad- We comment cst fo onder, her glan-cen so tencder a a= z Spt: ‘sus - pi-cious, ‘oh for - tune a - li-cious, ‘this looks most ‘sus - pi-cious, eet ga Z = St be ‘am-Dicious, dont son coeur ‘am - bi- tious, ‘kind for-tune dont son cocur et 6 pris, on49 ea ee = wach potest Po, + + pieiows, ‘Too plainly, — too plain Lis looks and words shewplainly that on her... « ee aS = az f= Pte her glances so ten-der, her glances 80 ton -dor,promivo mo . « eatid-ley cet aie, cet = ly out cet ta’ char man 2 fae re Pa SS Oh fortune malicious, thislooks most gus pi-eious, Oh he will here remain, en ccor lub gurspri-se” nouvel ~ Le Gomemeut c'est,” comment Vest encore Iiy fe ele Kind for-tune _pro-pi-tious, thou'stmademe ambi - tious, Oh great will be my gain, a 2 # Oh for - tune he will Kind for - tune great will dont wn eweury son cur7 ety tee + liseions, ale, Can this be ‘ur ~ pri ae pee Oh for-tune eest el = ley pro - pi-tious, fat ale ry Oh for- tune here ro ~ main, eae jerepisne” ensues : fot fff — be my gain, ind for- tune cert el = ley & & = pro -pi-tious, eet elle. - Ef ety docs look mus pi-cious, not to be ma li-cious, this does look, fon cm at Bc pri) Cet ad de, deat eh ke dont an cour == = —— i ———— == iG 1 : it seems £0) G&- i-cious, it. sure-ly’s. not my fault, comsmeu cet eneenre Iu” gur-prt se fou el ey a 99 rope == SSS 1H affair is de Ti-cious, hor glances so. ten-der, hor glan-ees fue je te = towed ch” Cat dnl, at de que je re ie ae Se Ee E this looks most, ‘sus - pi- cious, Oh for-tune ma - li - cious, this looks most fom-ment Cet ehewaore uy) nureprt = ae sow “eet ly comment cet pap ep a2 22 _e. z f : Ghow'st mado me am--bi-tios, kind for-tune pro -pi-tious, _thou'stmade me “int smcaur el = prie) eat dole Cet d= de, dant von cur Att =aL =F eo £ 7 E Too plain-ly, too. plain-ly, bis Looksand words show plainly that on Gen PSB MU que eherchatt mons aicar “le Marquis, Cost ae ee = not my fault, it sure-ly's not my fault, not my fault, that he on f= rely frp eon sed Ney” Gomtemeht Cesky cimtoment Getty a=, pg — Pe ee aS et so tender, her glances co tender, ‘er glan-con ao. ten- den, trowve Pe ies ot tat est este erent cane ont ta 2 ee =p 5 ge — Se =F eee us pi-eiouy oh for-tune, oh for-tune ma -li-cious, oh he will ns ore by furs prisae” —Mowetel sles” comement com-ment Cet, eee ee pe be ote ee — i = erese = ~ —=— am -bi-tiow, ‘Kind for-tune pro pi-ious, ‘kind for-tune, oh great wil aU lpn = Bat @cly Gat nig’ eet dnl dont aon cour fist peers 4 a * he ee te SSS Sa Peper * as — = ote ft FF =o Fo = ee et a her a hie’s bent, on her ie LoL LL TS te gue” cher = etait - — —- SF a 334 me it beat So aa en = core lui, a ie ei se Ie fa SSH f - promise me. . that she'll as - sent, they pro. - mise ete erate ml heal Tage eee at tote = i =P ees Sse= : = == ee 2 hore. re-main, oh for = tune, on Gone tal eee ere oe ie =— ete ~ prisy dont son carur Auber‘ Fes Diatoo."Novell, Ewer and Co.'s Octavo Eaiton,bz show but too plain - ly ee oar ta a == SS SS et not my — fault, not my fault that = te ows ful bur = pre = se now = vel) Mey com ~ —_ SS = E me bent nat oe eer ce = F, E will oe ee ee ay oat ear Qos ? E i re - main, oh for - tune, he will here re: ee ee * eae eg === SIS a vey finn Kd forte, pet Novella, Be atl Cac etary Eatona 4 ¢ bat foo Pain = ie cat Ta == ee faltnot maple dint 4 mais that, she ae.shell as sent, that shell as - - sent, they promise she'll i ghar” man’ te “B= “Tas = “ayy gue ere ~ trouve =e s==e = : = here re - main, hell here re - ~- main, here re - main. aoa gece a rf ce tay) aes la Saye p= a s (ora Sy =f SSE i my gain great in, ‘fon py gala cher = hale Snow’ = i We. Suis a a a eeceeneg =p lest pee =The Moriiir, seated at tale; Matteo, Zeina, and waiter ofthe Te Marreo (to Zerlina}.—Come, child, see that the gentle- man has all he wants, I hope, si, you will be satisfied with your enteriainment during my absence. Mangots.—Tow, you are going away? Marreo.—Immedistely. I shall pass the night with Francesco, my son-indan, at to leagues ise tance, and to-morrow we shall return together for the wedding. ZunuivA (aside)—Ob, what shall I do? Maxqvss,—Have you many people staying inthis inu? Marrvo.—Only your honour and tie lord and lady who just went out. ‘Manguis (after reflecting a moment).—No one else? The lady is pretty, bu the lord is -tempered. Zanuish—He bas good reason. They have boon tacked and robbed by the brigands of the mountains, Manauts (continuing to eati—¥ou don't say so! T do tot believe in robbers. Marrso—And I believe in them a8 T believe in our ‘racious patron lady. Manquts.—Stories to frighten travellers, I have wan- dered about the mountains by day and by night and bave never been attacked. Marreo.—That must have been formerly; but since Fra Diavolo has haunted this neigh bouthood— Manqurs—Fra Diavolo? what are you talking about? ‘Zeetwa—Did you never hear of him? he is the famous bandit-— Marneo.—Who is overywhere— Zanuiva.—Aud who can never be taken. Marrno.—He wears an anle, that he has stolen from ‘cardinal, which makos him invisible. Marguis.—You don't say so! Zunuisa.—And the soldiers’ bullets glide off him like water. « Mangors.—Indeed! Zanrss,—Yos sir, the song says quite truly — Manevzs,—$o therein a song about him? Marsxo.—Yes, & capital oneal about him-—twenty- two verses, Would your houour like, during your dinner, to hear— Mangyis.—Is one obliged to hear all the verses? Marzio.—That is as one likes, Manguis.—I am glad ofthat. Maxte0 (takes a mandoline down from the wall and offer it ‘ «to Zerlina).—There, child. anus (pus it Beside her’on a corner of the table) — ‘Thanks, father; I would rather sing without it. g Marto. Allons done, petite Jille, serve: MI. le Marquis. Sreapire que Monseignear sera content du ile de mee gens, et de ma fille, car je suis oblig6 ce soir de mabsenter. BMangurs.—Ah! vous partes? MarrEo.—Dans Vinatant. Je vais eoucher & deur Uieues ict chez Francesco, mon gendre, que jaminerat demain matin avee tute ta nove. Zewisva—Aht mon Diew! Manquis.—dver vous deausoup de monde dane cette auerget Marrno.—Vous, moncelgnenr, et ceur que vous venes de voir, Milord et Milady. : Manquis.—Pae dautres? Milady ext jolie; maie Ailend eat de mauvaise humeur. xwsawa—On te serait a moins, Ta été attagué et déva- lind par te bandits de la montagne, Manguis.—Pas possible! je ne erois pas aur voleur Marreo. Moi, fy erois comme en Dieu et en Notre-Dame des-Rameaur, notre pacronne. Manquis.—Ce sont des histoires pour efrayer les voyageurs Sai parcouru de jour et de nuit lex montagnes, et je wai jamais été attagué. -Autrefois, peut-étre; mais depuie que Fra Diavolo ‘Test établi dans ce eanton— Manguis.—Fra Diavolot qu'est-ce que c'est que cela? Zrnuixa.—Vou nen aves pas entendu parler? un fameuz anatit— MarrE0.—Qui est partout— Zenuasa.—Et quon ne peut jamais joindre. Marrzo.—II @ wne amulette quil a volée 2 un cardinal et qui le rend invisible. Mangus. —Voyer vous cela! Marteo, Zonuawa.—Et les Galles des gensdarmes rebondissent sur aa Peau. Manguis.—Vraiment! Zanusxa.—Oui, monselgneur et comme dit la chanson — Manguis.—Il y a une chanson eur lui? Marreo.—Une famouse en som honneur—viggt.deux cou plete, Si pendant son diner monscigneur veut permettre— Mangurs.—Eet on obligé de Ventendre tout entidre? Mavrno.—C'est au choie des voyageurs. Manguis.—A la Bonne heure. Marrno.—Tiens, ma fille, Zuniana.—Merei, mom pore, je chanterai bien tans cela,56 No. 4. Rowaxcz—“YON MOUNTAIN'S BROW ASCENDING.” Allegretto. gf « = 80. = SS SSS ‘Yppmountain’sbrow ascond-fng, Dost seo form sainstthe sky? Bold is mien and dark his-ey0, Vor yes sur cet-te r0- che ce brave aUair jier et hardi, son moue-quetest pres de lu, = His steps aro hi- ther ben ~ ding, His sear let plume the breezes wave, Crestaon findile a ies gar «des i wap pro - che, un plu- met roe % eon chapeau, SS le eee eens ot +e == ei |" Wrapp'd in silken man - tle bravo, Comes he with mar-til stride. cou -vert de son man-tead du ve-lours le. plus beau, a i ? = Auber" Fra Disvolo"—Novelo, Ewer and Go Oetaro Edition57 O-ver the hills ‘tis fly - - ingOn dis - tant © - choes dy - - ing, Com he MM ae DMG tain Be cho” Snes pe DD 2 [ie 2 te ioe ; pees NEE aoe Es a eS eS peng le a ae Se + > ——s (SS Sa a fy ‘gn dla txt er cho ay - fog, Dinworo, Dinvo-, 2A pee Rh gc ee ge pin baete t ee aie ts eee =a = aaa = = 358 ' SSS eS rs ; SW me-na-ce la t-te” da Ven-me-mi qui se dé -fend,’ pour les bel let Gat His wayward rule con - fess - ing, Re- sist his mandates none would dare, Yet they say with Pap all BSS = SS Se maid-en fair, | Hecanbothsmile and woo, With voiee and ook ca -res - sing, When trusting dam-sel’s on prétend quilest tendre et gal-ant,, plus dune quill ar-ré = te,” (té-moin la fil ~ le Ptah 7 ———- == ee ater § is heart ho gains, Soon her youth -ful bean-ty wanes, Ev-er she wears the rue, ‘Trem - + de Pig tro.) pens ve ten-treauhameas,” dane un trowble -tea Trem” When we met her sigh ing,Fromlip to ilip_— tis. ly - ing, car voyant la = fi - lek ~ ty tout bas cha «oun rh = pe > ey Dia - vo = lo, Dia- vo - lo,» Din- vo - lo, ‘Trem - ble, When we meet her Dia > v Diao + to, Dia vo = In trem = = blez, car wyant la fll = ie SCPLPEd an Cos Otero Eilon, Aabers Fra Diavolo."Novetlo,59 sigh - ingFromlip to lip ‘tis fly - ing, sek.” 7B tout bas cha -scam re pe - tee’ Dia -wo Dia-vo- lo, Dia-vo-lo, Dia-vo-lo, Dia-vo-lo, Take heed howyou a- wa-kenThe Ise peut gon Pa bu ~ 88, v0 Jdrost the blame Of ev'ry law levy west il pas pris por listning echoes with his name, Why on him show Delle'en=fani peut - treausl.” Toul ce qui ae perd tcl : : — é = So a oe eee ee eee oe = a =< SSS deed? ‘If maid - en mourns for ken, If fire and sword o'er - spread the land, = prés “de vous maint jou ~ venceat, Pac vent quand on“Tis the chieftain pour quel = que lar = === =f sce SSS a fein mow = veau wD ee Say ara Lost his ac - cu-sers spy - ingyHecome in wrathre- ply - ing, cet amant qui son = pl > repeent de. lat quronpeut & - tey Diae gee SE He come in waathre - rie est Poompens AS Peat = ble, Lesthis ac - en - sera bes, ‘eet _amant gui ow SS Dia-vo -Io, Dia-vo- Io, Dia-vo-1o, Dia-vo -Io, Diav9 «to, Dia-vo = lo. Dia-vo- lo, Dia vo - to, Jove Dia-voro, Diavolo. Dia-vo-loy Diavoslo, Auber's “Fea biavole"-Novella mer and Co.'s Oetaro Edition,61 The preceding ; Beppo and Giacomo appear at the back, Zeewixa.—Oh! what have T seen! Marrzo (roughly).—Who are you? what do you want? Burro.—Shelter for this night. Gracomo.—For the sake of our gracious patron lady! ‘Marreo.—This is no place for beggars or vagabonds. ‘Berro.—But wo are pilgrims, Zunuana.—Oh, father, if they should be— Marr4o.—They don't look as if they were! ‘Bepro.—We are on a journey in fulfilment of a vow. Marreo.—And what vow? Gracoxo—To make our fortmes. Marg0.—Then you will not find them here. ‘Manquis (rises, opens his purse, and takes out some small evins).—Who knows? ‘There, there's something, for you; take it in the name of this pretty maid. ‘Burro and Gracowo.—The marquis is so kind! Marruo (eurprised)—Then they know you? Mangv1s.—Yes, poor fellows, I met them this morning, and gave them a trifle, Give them shelter this night, and charge their bed and supper to me. ‘Marrz0.—Ieannot do it for less than a crown per head. Manguis.—Per head? more than they are worth. But never mind. ‘Marreo (receiving the money)—If they are under your honour’s protection, they require no other re- commendation, Zentawa.—Father, will they have to sleep upstairs? ‘MarTE0.—Not indoors, especially as I shall be out tor night, John, give them something to eat, and. take them to the stable close by. (To the other servants) You go and prepare my lord's supper. (To Zerlina) You, child, come with me a little part of the way. (Zo the marguis) [ wish your honour good bye, and hope to find you here when I return to-morrow morning. Mangvts.—I hope s0 too. I do not rise early. Good- bye; apleasant journey. Good-bye, pretty one, (The servants re-enter the inn; Matteo, who has taken his hhat and stick, goes out at the back, with Zerlina.) The Marquis, Burro, and Giacomo. (Phe Marquis is seated at a table in front: he hols a toothpick, Deppo and Giacomo spy about whether any Burro (comes forward, seizes the bottle that is onthe table,andd ‘pours himself out a glass of wine).—Your health! ‘Manguis (turning round superetiously)—Eh? Burro (as beforei.—I say, your health ‘Manqvis—What kind of manners do you call these? Gracomo (hat in hand)—Exeuse him, captain; a raw recruit, who does not know yet what is due to you. (Aside to Beppo) Why don’t you take off your hat?) He does not know our ways yet, but he comes of a good stock; a former agent, ‘who has now set up for himself, and wishes to exercise his great talents in private, Zenuiia.—Ah, mon Diew! quiaizje vu! Martzo.—Queit-ce? que demande: vous? Bervo.—L‘hospitalité pour cette nuit. Gracomo.—du nom de Notre-Dame-des-Rameaus ! MarrEo.—On ne regoit pas ainsi des mendiante, des vaga- Bonds. Bupvo.—Nous sommes des pélerins ‘Zunuiva.—Mon pare, si c'était vrai! ‘Marreo,—Sous wn parcil costume? Bupro.—Nous sommes partis pour remplir un voeur Marreo.—Et lequel? Gracomo.—Celui de faire fortune. MarrEo.—Ce n'est pas ici que vows la trowveres. Manguis.—Peutétre! Tenez—tenes, voici ee que je vous donne au nom de cette belle enfant. Brrpo and Gracowo.—Ah! monsicur le marquis. Marrzo.—Ils vous connaissent? MARQuis.—Oui, ce eont des pauores diables, que j'ai ren contrée ce matin, et & qui fai déja fait Taumine. Monsieur Uhite, je ves bien payer leur souper et leur coucher. Marrro.—Ce sera un éeu par tite. Manguis.—Par téte? C'est peut-étre plus qu'elles ne valent —Nimporte! —Déx que monsieur le marquis s'y intéresse, it n'y 4 pas besoin dautre recommendation. Marre ZeRuwwa—Mon pore, on va les loger tous I-haut ? ‘Marreo.—Pas dans la maison, surtout quand je vais passer, a nuit dehors. Jean, vous leur donnerez un mor ceau, et pict vous les conduiree vous-méme a la grange, igi & e6té, Rentrez, et preparez le souper de Mitord. Toi, ma fille, tu vas me reconiuire & quelques pas dict. “Adieu, monsieur te marquis, Gespére, demain matin, en revenant avee mon ‘gendre, retrowver encore votre seigneurie. Manguis.—Je Vespére aust. Je me lave tard. Adieu, sotre héte; bon voyage. Adieu, ma belle enfant. Burvo— ta santé Marquis.—Heint Buppo—Je dis, 2 ta eanté? ‘Mangurs.—Qu’est-ce que c'est que a pareittes manidres? Gracomo.—Exewez, capitaine; c'est une reerue qui ne sait ‘pas encore le respect qu'on vous doit. Ote done ton chapeau! Il west pas encore au fait, mais il art dune bonne maison ; c'est wn ancien intendant qui ‘veut travailler maintenant en brave, et 2 décowert.Manguis.—It is not enough to have talents; one must also have manners, Never in my life have 1 seen a more ill-conditioned band than the one Thave the honour to command! You are bri- sgands without refinement! Tf T did not keep order and discipline amougst you(To Giacomo, ‘pointing to a watery, and turning up his coat sleeves) Pour me out some water. (To Beppo, as he washes his hands) The first familiarity you venture on, I'll shoot you; that will teach you manners. Bepro—Upon my word! Gracomo.—And he will do it too. Bevo (trembling) Eh? Manguis—A towel. (Wiping his hands) Well, have you any news? What did you come for? Bupvo (hat in hand).—We have succeeded. We cap- tured the lord and his jewels. ‘Manguts,—I know that. Is that all you have to say? Gracomo.—We eould not miss them, your instructions were s0 exact. ‘Mangurs—Of course they were. For these three days Thave not let them out of my sight. I stop at the same inns, and exterminate myself with singing to her ladyship every evening. It you ink that is not enough: Gracomo.—We know what sserifices you make for us. ‘Manguis—This lord did not make any resistance, did he? We have lost no one? Gracono,—No one. On the contrary; the postillion was an old chum that had deserted, and wishes to retumn to us. ‘Mangurs.—Is he with the band? Gracomu.—Yes. Manguis (picking his teeth, and arranging his dress by a ‘pocket mirror).—Then shoot him. I hate in- constancy, at least ina brigand. With the fair it ig another matter. Is that all? Gracomo.—No, indeed. We are afraid we have maile a mistake. ‘Manqurs.—How is that? Grtacouo.—The chest which you told us to take out of the lord's earriage— Mangus —Containing five hmndred thousand franes in gold, that he intended to deposit in the bank at Livorno—at least, so his lady told me. Gracoxto.—We could not find it. Idiot! lose such a splendid chance! ‘Perhaps he spent them, in order to defraud us. ‘Mangus —This comes of not doing one’s affairs one- self! But I must find out what has become of them, Leave me. (dside) Now for some more music with her Indyship! How lucky these raseals are to have me over them. (Looking towards the door of the inn There she ist (Per- ceiving Beppo and Giacomo, who are loitering at ‘the back) What. nat gone yet? Manquis.—Il ne aujit pas aétre brave, il faut encore étre Tonnéte, et savoir vivre. Je nai jamais vu, dane Vorigine, de troupe plus mal eomposée que celle que Sai Phonneur de commander. Des banduts les plus ‘mat élevés! Et si je n'y avais pas établi Vordre et la discipline, Verse moi de eau! A la prémiére Sfamiliarité je te fais sauter ta cervelle, cela Cap- ‘prendra. Buppo.—Kh bien! par example! Gracono.—It le ferait comme il le dit, Bepr0,—Hein? Manguis.—Une servietee, ‘vous améne? Buppo.—Lientreprige & réuesi, Nous avons arrété le milord et ees diamans, ‘Manguis.Croie-tu que je ne sots pas au fait? Je le savais aja. Gracomo.—Touter les indications que vous nous aviex don- nées étaient si exactes, Manguis.—de le erois bien. Depuie trote jours que je lee sui 2 la piste, que je dine avec ever dans les mémes auberges, et que tous les soirs je chante des barca- rolles avec milady, vows eroyes que ce nest pas Satigant— Gracomo.—Nous savons, capitaine, ce que vous faites pour Manguis.—Milord ne s'est pas défendu, et nous n’avons perdu personne? Giacomo. —Non, eapitaine, du contraires te postition était ‘un ancien qui nous avait quitté, et qui demande & enroter de nouveau. Mangus. —Est-il entre vos maine? Qu'y a-til de nowwean, et qui Manquis.—Qu'on le jusile! Je n'aime pas Vineonstance, dana notre iat sentend, Pres des belles est autre chose. Betce tout? Gracomo.—Non vraiment, trompés. ‘Mangurs.—Comment cela Gracomo.—Cette cassette que vous nous aviez annoncée et que milord devait avoir dans a2 voiture— Manqurs.—Cing cent mille france en or quit allait placer & Livourne chez un banguier; du moins milady me Pavait di Gracono.—Impossible de tes trouver. Manquis.—Imbécile! manguer une si belle epération! Bepro.—Peut-étre, pour nous faire du tort, les a-til depensée, Manguis.—Ce que c'est que de ne pas faire ses affaires soi-méme! Mais je saurai i tous priz ce que cet or est devenu, Laissez moi. AUons, il faudra encore Jaire de la musique avee milady. Ces coquins ta ‘ontile heureus de mavoir? C'est elle? Eh bien, vous n'étes pas encore partis? Nous craignons @avoir 66638, ‘Tmo.—" YES, I WILL SEE THE PUNCH PREPAR'D FOR YOU." steals axeeeee EE [et Fea Rp So Yes, T wil se he panel pre-par Tor you, a Oui je wv : Mr ranch bes iy. lor wo. 5. ( Miy Ia- yb sani ‘charman= te Myla 2 5 [ptr (SSS Sa here? Hislordshipmademe promise tostay bat a ut eat dans ta chambre ok , ie vous! et mon & = p wie me, li ae ine seems qnite to hand on Bat to ty & du-et surely nonecan of- “pou-vone aur” eet = te swum do Est ce done Poffenceer que chan: ter we du = S eit Tdarenot stay, “tis ANI je Ventonds’ c'est purpose, We will prac-tie that air so. gay, That wa could not end yore lene” 76 tou ter deus cet ‘ee’ que nourcom-men = ga-mer_M-6 [Auber Poa Diavalo."Notell, Ewer and Cn’ Oetavn=a] $ 4 With love his heart is br Dra = ve pour voir_sa bel = | =i (looking at ha.) a fia oe s £4 leeds not foos, Tes auctans straight he goesWhereshe in beau-ty beam - ing Te guer - don be-st eh-ne-mis de lin sil ob-tient @elle un’ re - gard un sou = tows. fat ote Saat its Somethinghe gains est toujours $4, ~_— vain why must [ ste, Wo que tu- te cour Ob pray let mos Monsieur je ne pont may soul 4- feu qui me de~ CSS fF = Asber's “Era Diavo."-Novelly er and Cor Osta1 din -monds are nd Diewe, bear dis a= = em Lapy Auueasit. Ghat es - cap the ban te Sti ‘ wanes t soe iat ary = —— ee ee E = Mid it whore nore could sue fe ee eee eae a plus je const _Lapy ALLCASH. =. = [SS SEES (i SSe = treasure is lock - ot I'm sure, My like - ness, my = tient ‘ P tt moneee had ta. - ken, Be «fore we star - ted at eee te ot = aa ee Se ma nein and hing i Bin) ae _ Manges, = == = pS eet a Doyoe think it > “Ol, - a ee : : Be a See SS Spee yes, tis her smile, “tis that smile o-ver ee Me ord? ee recgard © dime = Fao ee aaans ple From my a veoh ps Que! fa ten vont, (gute tin hia pocket, ae er Shall my Hi- val pos-sess such a gem? TU not bear Et est pour wn ‘ri aly un. ty-rany sun bar = ba ee ra With life a - Tone a= mais, ja > mais, im age TH re - ne me gaye = te > ———— aes JP (Lord Aileash appears at the back, the Marquis ‘quickly seizes the manddoline ond resumes.) fC faly Cest mon ma it here, “tis now for e-ver mine. mon cwur tou -joure i ree te = 4 With love his heart See is brea na + cal Nought he as = = ay ie = =E = 7 ? t Auter's*¥ra Dlavolu’—Novello,Eeer and Cos Octave Bation,> mageso fair of his 18 aj de sa elle presse lex traite ché ~ ris he wears, eS SS =p = = aie gt lo - fe pty something gains, something gains, for a ext tow » jours,” C'est tou + Cet tou 5[ee = lightyYet yon cannot af Be. N= oo 8 aS aS Sh {ord me a pleasure so slight, One would say’twas in fortmais je voiscest u-niquetde en = nie yait my - lord, ja -mais a cee my - spite, one would say'twas in ord’ ja mais avec my = gate rr a == Fs. a That we ne -ver ee 8 gree, accord, pee al-ly too bad, on my word. Music is my de - bien moi fat matt’ la. mu -wique elle me Plal-rate ,—t_te_+ Nt @ + Tight, —— oo ie ‘fort ‘mais'je vote c'est w -nigueclle en =nu-yait My - lord jamais a ~ vee eae BMy- lord’ nous ne somnee Bae & real-ly too bad, on m: sien moi fai-mai¢ lam Mangus. word, Mu- sic ism ipteel ste me plat « word, Our har-mo-nious de ma > si -'que quinous met dae + Ps SSS ‘This mu -si - esl ma-nia's ab-surd, Tt un -sct-tles me Tou-jours ensemble cat w-nigue ils sont tres bien dae - dene tp tt ee — == poeee aw b's “ Fra Diayolo."Noralle, Ewer and Co's Octave Faitlon.ean-not af - ols est uni ford Me que elle slight, One would say ‘twas in en nus yait Ay - lord,” jamais a - evo My + cord, il fau = dra quon sex plique et) “Tight Well xe ssume {il Eve heard Where my birds will ake Sight, With this wile of won minstruise en ~ core,” en Ie = vont id oe = 5 Se duit Bat by her Xin i= nord =x— = ie real-ly not right, For to. sides that Tim moi “me dé-plait fort’ et peut’ fai re du spite, one would say “twas in spite, That we x, lord Ga-mais a - vee My tord' nous ne no -ver a - gree, “Tis real-ly too bad,on my sam mes dae - cord Come bien moi Pak-mais” ta mis « ford, with this wile of = lord, I'm hali =, lord, “en = le= vont 2 My -lord” et sa eae Vored, for _be- sides that Tm ber du tort,' et peut fed ~ 10 tort," & Thou-neur un Mi IFtempted to flee, A ca-pi- tal joke, on my femme et son or. Bra - v0, bra-vo ‘ext la mii = S=NININT dan-ger fore « nique ils sont tres bien @ac-cord aussi cet te = light, Wel re mame when? cord, i fa ~arn quion seaplique etquionminstruiseen = core en = le vone ~ gurdyIt tn-settlesmeauite;That hy her Tim ig-nored,it fo. really hoe Wheretay pda wll ke fight, WHR this wito not rigor be, sides that Dm mesique © mui me do plelt fort” et peat fel re fetes SEs Auters ‘Bra Diavolo "Now ito, Ewer ant Cos Ostavo Fin,GBP DIS es] |” spite, That we ee, Yes, mu - sic, «Teed! nous ne eon com = bien mati be e light, Yes, mu ~ sie, wis la musique e's Teme pe aaeeee Jord, T'm half tempted to lord eta femme et som SSS bored, Ta dan- gor fore - see. tort" Phon-neur Bun My - lord etter o- they I Te Wer Ht qui now met duc ~ corde ettlesme quite that by her lat: Qtr Ho ie ae ma sic's my de- light, yes mt tole Und cet (ws aie ale) im = my sone, al T i where we je eur que sume, yes, or re: = dra que’ Ton ei Auter's “Fea Diyote."—Novelo, Ewer and Co.'s Octave Ration= ait beaw~ coup 3 ei tee sic’s my de they will take their Ton miinstruise en ~ core te_quite that by her I'm ig -nor Tite Tord aus al cet te mt = as reas vm dat youenntot af o) mais, jemais a -ee My “eons, en Le-vons & Aly - ford me_a pleasure so lord mows nesommes ae + : aapaeatant With "Usk ewe a lord I'mhalftemptedto [eee ele ee + sides, yes, besides that I'm me dé-plait fort, Tou + “Jours"en”-sem-ble est u~ 9-800. Dored,I a dan-ger fore - nique ils sont tres bien Wac = = 0 Dad that yon can-hot af - ford me a plea- sure so mais, jamais a ~ vec My lord now ne som- mes dae With this wife, with ‘his a- ok Tord I'm half fempt-ed to = vondenle-vone % My- lord et sa femme et aon BSS SSS SS SSE = je === sides, yes, be-sides that I'm bored, I a dan - ger fore - tou 222 “jours “en's sem = ble c'est ueile sont tres bien Cae - ee a | P eaf=e Seat ae a eee pas ‘uer’s “Fea Divol."—Novelle, Ener and Co.’ Octave Eation.aie real - it is heard whereto my pique et Je vewe TE — fides that bored, cae 7 bad, Ah, mu - sic, am Pacccord, Com-bien mol} sic’s my de- at ae ‘ai = mais la musique, EU le me’ plai-aait beaucoup light, Yes mu ace Ey 14'0n ninstruise en ins will thebrsght Yeowe xe - sume, yes, we'll resume, Till T know whore they will taketheir v0, bra - vo, Cet la mu-si-que,Crest el le qui nous met dae - es pep SRE SSS eee et It un-set-tlesme quite, That by her I'm ignored,For be-sides that I'm bored, I a danger fore - Ils sont tris bien d’ac=cord, aus si cet te mireique, aus = si cet = te mu- sigue, a moi me dé-pigit nate pe eee oft peperee ‘Autors # Fra Diavolo"—Novello, Es nd Co. Octave Baiton,75 3 = ae - = gtaee ee See faery aera pre rtererr trl —t—= Yea well yo _ sume yoxjrolenume, U1 know where they wiltkedheidigh, RegMyh GL REO METon ecg ue gee Pon rai oe ea = SS SS aS ie 7 = SES rs Tt un-cotilesme Is gont tres bien Pac ~ Se ee — quite,That panera rr Taare ‘a danger fore-see; Be - wean cette marci, aul cet =te mul» sigue, moi me déepluit forts Tou 2 : eee ape eee Too - shad that on caPcee, My | londnoue ne 'wm-mce ae cory te wife, with this wife Sm lord, Tmialftempeed tee With this, ‘wena, en = te-vons & My lord, Et 4a femme et om of En = le goa SSS SSS SSE : fides, yer, Be-sides dat im bored, Ta, danger fore see ous nique, Tis gont trex bien dae ~ cordy ‘Auber's fea Davaloc"-Novello, Ewer and Co's Ostavo Btnpaws SS SS bad that you can -fet af - ford me a pl Sage eat ete Ay poe et bad = ton “en = te = vous ep et aly wife, with this wife of a Jord I'm half temrA-ed to flee, et aa femme et som en = PS == ca Sa + sides, yes, be-sides that I'm bored, Ia + jourt en semble eat dan -ger fore.see, > nique ile sont tres bien daceord, —— + EA EEC ool real «ly mais a ~ is too vee My bad. = card, Aly dh Se es eee Till I've heard where fo my binds willtake theix ight, Yes, Pon sex=plis z @t je. vourquion minsruise en ~ core, Bra = sides that sem Die I am eeu dored, I = % would ey it 2M Fat mais, com = bien this tra - wife, yes, bra’ = "vo, — Ee + nowgh, ~ ems ule “tis _Aubers Fea Diaeolo—No Ever & Cae Octaro Ration,e = + ge, ah Ye es, je a SS SSE fice, yes, with this cord, Bra - ty bra bored, But ant ils, let eee = Epead = ee = Sager, Ean sw S* a Free ere : Git wi, Yon with this wile wpe em SS aes SSS — = ough, = + Bea lord oT = fee que qué nous pe am helf tempt - ed to flees Tm half tempt ~ es mis dae - cord, ui now a =a Vem eee ed A dan - ger Monts’ dls sont, ile, «sunt tres en hae ~ Cord - ta” me e = Aubar's “Fra Dinsolo—Novella, Ever and Cos Osta Editon. ¥oe a $ =; 3 = SES ; = = = E sets Fed SS eS I fore - see, a dxa- ger I fore = see, yes, 1 fore de ~ plate” fort ce = + le me de plait” fart, “ee. lay Auber Pew a}"-Novelo, Ener and Coe Octavo EditonLavy A.—-We are trying over this pretty barcarole. Lon A.—Polite of you, I must say, while I am losing ‘ail patience waiting for my punch, Manquts.—Pray exeuse me, my lord; why should we not have a little music while you wore having your punch ? Lonp A.—Oh yes, if I had had it; bat E didn’t have it: Twas only waiting for it. ‘Manguts—Why aid you not mention it? Ho, there, some one! Lonp A.—Never mind about it now; Iam no longer thirsty. Manqurs.—You are thinking of your jewels! Lonp A.~Yes, and of something else besides. Manguis.—Ah! has anything happened to the five Inmdred thousand franes in gold that you were {going to deposit in Livorno? Lonp A—I have them safo. Manquts—Ah! Tbreatho again! If you had lost thera, T should feel as ifT had lost them myself. Sapy A.—How kind! ‘Manquts.—I merely mentioned them that Tight have ‘he pleasure to supply your needs Loap A.~Z thank you, sit; I have abundance here (ras out his pocketb008). ‘Mauqurs.—However did you manage to rescue your money? Loup A.—By a clever contrivance that I ehall keep to myself. Manquts.—You are 4 clever man, Loxp A Well, I think— Lapy A.—Ho exchanged all the gold for banknotes, and had them sewn in— ‘Mangurs (hastily) —Where? Lonp A. (laughing) —Guoss. ‘Mazquis—I nover can guess anything. ‘Loxp A.—Into my coat and into her ladyship's dre ‘Manguis—Indeod! (He looks attentively at Lady 4. drew) Cam that charming garment conceal— (turning to Lord A. and laughing) itis capital. ).—~Yes, we were sewn over with ‘Manguis.—A good thing to know, Lapy A.—Nous répétions cette barcarotte. Lonp A.—Cétait bien aimabie & cous pendant qua j2 nim atientais, moi, pour le punch, Manguis.—Permettes done, milord; puisque vou prenies du punch, nows pouvions bien faire de la musique. Lonp A.—Out, oi j'en avaie pris! mais je n'em prenais pas: ‘sen attendais. Manquis.—Que ne le disier noue? Holi! quelgwun. Lonp A.—Ce était pas besoin; je avaie plus soi perdu, te aol Manguss.—Depuis la perte de vos diamans Lonp A.—Oui, cela et puis autre chose encore. Je avais Manguis—Ah, mon Dieu! est ce quiil serait arriné mal- hheur a ces cing cent mille Jranee en or que vous allies placer & Livourne? Loup A.—Je les avais toujours. Manguis—An! tant micue! je rerpine? Car si vous les sevice perdu, jen aurez éte aussi fuché que vowe- ne. Lapy A.—Que vous étfez bon Manquis.—Ce gue jor diss, etait pour vous ofrir mon portefeulie. : Loup A—Je remerciais vous. Je avais déja reparni te mien. ‘Mazq1s.—Et comment cela? comment avez-vous pu sauver votre orf Lonp A.—Par un moyen bien adroit que je ne disaie & personne. Manquis.—Vous aves de Veeprit. Lonp A.—Je eroyaie bien, Lapy AI avait changé tee pitces dor en billets de banque, et il les avait fait coudre— Manguis.—Ou cela Loup A.—Devines, Manguis.—Moi, je ne devine jamais rien, Loup A.—Dans mon habit, et dans la robe de milady. Manquis.—Il serait possible! Ce tissu ehcrmane et pre- eiews—, C'est impayadle. Loup A.—Yes, yea; nous étion tout cousus or. Manquis.—C't bon & savoir,80 Fream—“ HARK! WHAT SOUNDS.” Lapy Aurgast, fark, what sounds! Lorn Autoasn!- P04 > tee “ark, what sounds ‘Et cous tez SSS SSE = = + as for sol dietsmarching, (Berean Giasina we mysericaly and whlper 1 eee eres argu how infront ofthe sage) Soldiers 1 90 _-Grscoxo.g £ Fe Soldiers I Un bri-ga > ‘coming this way, ‘One Teads them on, Ber, Ce den ‘sot date ra cer leuk oF SE # ‘coming this et det sol Bee Nays oy, ‘aint heart remain, Bee sy ‘oliron” du caury ae are we safe? tent leurs pag See ‘are we safe? = fent Deure pas *81 1, Barro. Mangurs, _ a SSeS For us theyre search - ing. ve gona ge (ae a eS fear? Pa Cronus o VILLAGERS xp Sznvanrs oF THE Ix Cxonus or Soxprens. — na, Vie to - te Vie stot > na, Vie - to re, Vie ~ tot == He, Vie- fo - ia, ry) Vie stot > Fe Hla, Vie - to - ve Vie =i = te ‘Aube*s “ra Diavola."—Novelle, Ewer and Cova Octevo Eaton,$2 ea Hail the joy - fal day, oe re Joust cons aaa, 2, 2 fa ee SF as ig oe eee Hail the joy - fal day, eo te = nid sone so, =H SSS SS es ioe Hail the joy - fal day, Pees re + jouste = sone moat, poe emer oe 2, E le aE et re E : cae Vie - to z HIM the joy - al day, Vie | tt 8 76 gous = eont nous, whe — iP, = E 4 Z eee = Vie - to aa Hinil tho joy - fal day, Vie = to re, 76 jouis. - sons nous, hall the joy - ful day, Give the meed to va lou, give + Sow ou © sone mine pour cur gust te gt ter our é Sa = Se aS wl ae joy - fl day, Give the meed «fou eS aon soe pour aus quel - hail the joy - fal 76 - jou is - sone Se ee = ot a aay, Give the meed to va-lour, give no pour eur quel - le gloi ~ re, pour B gat 24 f=stisk St = Aater's "Fea Diavolo"—Novello, Ewer and Cos Oetara alton, = 5 : eg eae a Mh de ii say, Give the mead to va- lou, give themeed to the meed to eur quel - le the meed to eur quel - leSet mo hartan botulism, Ger an fetta Ys - wa ag, SAE eet ti Ye: a ae ore CS Sa hire fault - way, Mir fone hive Yaniti'da - way, tombe sous leurs coups, Tis pont tombe au leurs epee ee |e = have vanish'da - way, Our fears have vanish'da » way, Tis sont tom-bée sows eure coupe, tom-bér sous leurs cou} f = ra appa E = SS See =e hase vanish'd’a- way, She fears hve tenis - way, toned en ey cop, Te ont) Momebee ne lear oe — 4 ate = 9 9 have vanish’da - way, Our fears havevanish'da - way, tow tous eure Cy Tis ‘sont "tonchen toe leure coupe Vie = Zante (running towards Lorenzo). z =a Toren + 20, it is Crestlud que je re = i SSF ra, Vie-to - - + tim re, Vie- toi = + > re ‘Aver "Fra Diavoi:”=Novetloy wer and Co. Octo Eaition4 Sia aS S5 Pray tell uswhat to -fell, Pray tell uswhat bo « De price e De grice ‘ee-pi- ques Pray tell aswhat be- hi Pray tell uswhat be - pl quer ee Dearice elt gus: moun - tainhol- .~ way, Pree OR Ter = pee ram el te Ciel Bzpro. = SSS = = E a ae z = ‘When dan -ger threatens, vengeance guides mo, And when we meet I shall not Mit la. ‘fue reur et” la" vengeance our te" pucvir erment nos Gucono. Peo 6 pp Ss SS Ee f= bho bp ‘When dan - ger threatens, vengeance guides mo, “And when we meet Ishall not Bt la jucreur et’ da vengeance, ‘pour te pus air arment now Fhe. * = Cp yh Se98 = E —— eee ho =a ‘guides iike,Be a oad lan = + ces Le love and ho eat pene ae coy Le SSS = 2a ———s Tp wack lis lie now all —de- cites me, Bim tang to plete won Of fon > ter ee er eer = Se z ya To sock his life now ail de-eides me,. E eee FE we Wi share, With thee I care not what be - fice dap Pen,” Diawsjur hat ton on-hew com f = E = : => a et et dear I wear, Till bear im pa - tiencewhen he Stet «saa “pone Cher "G+ erin a ele = pe Gree ee fe See + dies me, TU pu - nish him, yes seas, % ek his life now all ae : Cae ee) eee ee ee at ip fee . $e: : ge ee |e ee 7 7 tides ime, Grief and joy wo will share, With thos I care nel what be ence, 4 qual mo enti Wapspan Dian-four - Glad won bons hew com aa = eS ee SS oF chides me, For fowil not mar - nkewhen she primey dK’ tune me quit te + aspen,’ Cher “6 - crim ma colleen = Bs Me e pee ees Ober Asoo —— ae ~ cides me, TN pu - ‘yes, I swear, ‘To seek his les fiscal’ Se kere Bm tings = == itt idee me, Til pu T Jal Se Be oe ——- 4 St we will plein dap chilies me, While 5, rane, An tw 7? > eides me, I a fem. et ig Sure ‘e ~ Giles “me, TI pa = Lye,“ Re SSS = ~ ides me, TAT pa nish jeme, t" jet Sore” LSvs (Lorenso apeats aside with Ne Soldiers, ota evrtnges them im mahi Ser anger ane o Repo and Geom) : a ee 2S SS SF ‘Still all goes well, Tat we must watch them, The Mauna Sou = rt eons tat ent at ef == E 00 +} E eps aie one ie Tet SSS SS SS SS F = SSeS , theyre on the track, Dut well p fle vont par = tir Tathor will not yet come peete ne~ peut ve ve What ean we et aes aol = Suncom ffs “What can we ates aol = ae sue, and 0 -ver- match them. eure pour now sur - pron ~ dre Lonswzo, (at the back.) ie = es Fe = ae Ke way, + ae com-rades brave, a - par tons braver com =" pay Wood and’ Brass oi TTT, t t m a ae ee ee = = Theyare go-ing, now we can stay. iid ee toignent "et nous res = tons ae ee frog iy H = =e Then good-byeZERtNA. 96 Ga —ate= f= Heese Fate now no Mon earur ren Lani more from thee di - vides me, Fly ait aa - pe > ‘an ce de feces pees Ses = == =E — a For - tune now to ho - nour uides thee, Hap - be, ye Die pe. "we gem at Mowe’ ak ame oR Ms angus eo ee. E How ther hap - pi - ness de - ries me, When we meet oT Que ta fae rear, “at nea "ce! Pout fu har jon, SS SSS Sa Fate now mo more from thee di - vides me, Fly a+ way alt Mon cour fer-at k Par pf ~ “Meee ome map Lor Annes. - ~ : a oe BS SS a E For- tune now to —-ho- nour guides thee, Hap - py be, ye Dine. ee ots Sees” ae OR. oe Beppo. For- tune now 0 -ho- nour guides thee, Hap ‘Som coeur re - nait iit aaeecsea oe: ran = eee For-tune now to ho - nowt — guides thee, Hap - Son cru yee nait 8 Ber = es gun «Mee Pe a ——} 5 o For - tune now to ho - nour guides thee, Hap - Son cau re" nait 8 Ter «pes pun = ee Tutt. 3 ‘Dan- ger threatens, ven-geanco guides me, When we meet Que la = fu rem, ‘la tes’ - “gence” pour pas ar Gucowo. ar ee Se A f Dan - ger threa-tens, ven-geance guides me, When wo meet ‘I Que fue rein, la ven “yean'~ "ee pour Pe mr ar Cronus. 2 * fie «Fo 2 2 fee gases oes Stat Aubert Fen Diavole."—Novalle, finer and Cat Octave Eaton,Auber Fra Ds lo 97 tune now to pro. - te = nour — guides theo, vail =~ lan - o6it Von - geance guides me, Ma" "een - "pean ~ ce ‘Ven - goanee guides me, en Sten = “pean ho - nour guides theo, Breas eres tetra ‘guides thee, Spe = ran! + Novell, Ber tod Cea Oetase Baitin,= care, ‘Then to - mor - + dras, demain songe <> a # = =e SSS thine, .. No-ver more.. to be = deur, 2) que Pa > mour 2 nous des - SSS Then to - mor - rowI'm thine, Ne-ver De-main sm ge au bon - heur’ que Va» po a en ees eS 7 Auber's “Bra Diaeio"—Nowii, Ever und Go's Oetano Bains99 =p Set oe ‘Womust this ve- ry Lor et les ithoth the gemsandthe dow - ry of Zer “diamante et la dot de Zer-li ~ me cette “WT nase - + nuit, . sont as Et more ed. = mour_nowe des - ae a C = 1G = SSS SS | Ce, fel 2k” tent ob, ih ok” Bote, : + ‘ADY.ALLCAS a, _ _ i: 5 Ps oy ee ee 5 = =—ae Ss eee = OW ‘Oh the joy = fal doy, on Gh moncher€ = erly eee 2 2 cs oer 2 Se + etre, Nought "my hand shall stay, sour oul ous tae “te = nom, onus. a Ste F =e = = E: E ‘Oh the joy - fal ‘Oh — the joy fut, ou man” oul, ont mon ono ‘Aten eee aS SSeS = a e joy - fal Oh the joy - ful day, Ey mon ther = ch mmeke es ery pire, : = SS See Nought “Bay hd stall stay, Nought my hand shall stay, te many ul mo ier te = none _“enootge i : pa —_ Se eS —= ge muha? Me Sot Reg eats Stes nowt CHorus, . : “Saas —— [Gr eis . =| E Ve iy - fa ‘the if = Gi the sy - 1 day, wha the 56 = A dey yes Souci sms no = jou enw no, pees f = —s = =| = E Ge t aoe = HI tho joy - fa aay, wha the joy - fal day, atc suede ene tat re jou eite sone nov, ———— = —— rahe jor > At day, athe joy - fal Hint the joy - ful day, wid the joy fal diy, = Sout sone oe, “Auver's Fra Diayolo" Novell Ewer and Cos Octave Réitlon.Se = [ ae Ir = = Zz =a eS SSS Come what-c'er be tides me, come whate'er be - ti /me, Both spears imetn ee expo eies( ieee weet ae an — =: SS SS SSS SSS a T willbear iq pa: + times, when sexttime be otllsi—s—~'me, While es es ng tS SS oS = £ Oh their joy de - rides me, Oh their joy de - riden me, Bub Geer en pee oe + = = SSS SSS ae GP —-= pp wae Come whate'er be. tides me, come what-c'er bo tides me, Both | coed eee ae SS SSS 7S SSS SSS Sete: No, I. will not mur - - mur, when next time she chides ee ee ee ee ee ae Z, =. SSS ee ee 162 a ty =e ‘Ven-geance'tis thet guides mo, ‘Ven -geance ‘tis that guides me And fue peur ek wenn gean + + ee, fu rem even gean =~ ee” pour : f, ee a ee =e tS ‘Ven -geance ‘tis that guides me, ‘Ven -geance ‘tis that guides me, And eh aroma ee id — ae a Sp Gas SaaS =p ae Seen en aan oe en cin ie eel is ero eee. ee : Petar ashe ~ie eS eS E Give the meed to va ~- lour, Give the meed to va - our, Our fw og ke gator pour eus quel» gli + oe, le Z = ; . SS SS Set Give tuo need fo vm - wey Ge tamed fo va - low Our eS ‘ — i care) (eit ph Ee Se . i = _———— pe E ‘beber's Fra Diavolo’—-Novello, wer and Cas Octave Baiten,101 SS + tts | = £ far se £ grief and joy we will share, Both grief and joy we will share, To - feel “womb plain appar att cl ‘mocnicaiplan ap pon fe == SSS ee ice my locket I wear while thee my locket I wean rn meee peltctesrus "pom ee cea guitcte-res "por ee * wpe = EF == SS See when we mect I'll not spare, ‘no, when wemect I'll not spare, ‘Their yes Mi etiuataoe Ban pe “pes mie nerment ne Bran ne + ppp ee [= (Seeee St and joy we will share, Toth grief and joy we will shar, no-nd plindap- pay ah Gad Senbelptete ap “pon = - = SSS 5 3S ES = the portrait for - bear, and for the portrait for - bear, No fae tris oreo en me tena Pealesteseas par ta - — o> (EE a E when we meet I'll not spare, and when wo meet I'll not a. Te Mette eS por "pe. Te Maneent ce a a pp . aA =e ot E when we meet I'll not spare, and when we meet I'll not spare, Ah, oe. Te ateeete tes for "pee Me ariaantees bane ae = =e a aE Se == a & way, our fears have vanish’d a - way, Vie - me, Tis font Mom Oebarus leur cong ve \ ape —e : Se Fe Fa mt fours hive vanish'a « -way, chr fears havo vanisiva 4 - Mam. Yes tus ters Co, “ia wont omar eou lees == ere fears have vanish'd a - way, four fears have vanish’d a - way, Sone Nom bes ous leurs coupe. ‘ls tant” dot "Bee wus lors cou, B53 — a ates ea aempre, Asters “Pra Dinsolo—Novello, Ever and Co's Ostavo Edition.= ze = = *. . = Se = oc ee oe es, to mor - row = Fm for eee Mie’ = main,” “de = maim tap re [i re oe ree ee ee ce Z z at ate: {=r * oe oe ee = Teur Seer ciasigt seidie pinta, steno adaatt et ven-gean + ce Pour pu - sir eee: peas SES SSS i Ge ee le ae a ag s —————— =F ES 20, ee nae er eer ee ee yes, dere cera eee eae vengeance gnides me, eo oe Lee — Ste pe == == 7 ree eee i vengeance === p= aa Our eee ea We fears have sont tom - bee ie Pe eae Pr, ‘A ert Fea VinolasShuveio, Ewer and Co's Octave Btion,~ 2. : == fée = = Sat eo - ver — thine, Fate now nomore’ from di - vides me, Ch aan Ret eee eee see = == qe SSS oa reece et soe soe galas ee - ngewe iat ee =f = SS See ee ee Hoy thir ap BOM? wen >a = = 7 = = Bea BSS BS ee ever thine, Py a eee eee nae Ce cer era re , p _ ees ees E sake for + bear, For - tune now to ho - nour guides thee, ease ee » — “s = = = SS SS SS shall not spare, ‘Dan - ger thwwat - ens, ven geance guides me, So ep eet eee pens 2 : Le a EP shall not spare, ‘Dan -'ger threat - ons, ven geance guides me, a ee ee ee ee le = js — = —— ia ie eer aie te, 7 ee Soe os : Z E fa z - : Ss SSS SS ~ nsid a+ way; For- tino nowt) T= mar gules thee sous leurs coups gon cwur re = nait a Ces 2 pe + ran = eo Se tr 2 mm 3 fae =e “Aubert Fra Divo" Revella, Ewer and Cos Octavo Eatin,104 Sez af = aeE eae te - doubt... and care, Fate now no more from ae erry | SSS faa Goeten (ix 0-0 =: — —— He ee oe When we: meet, a shall not spare, How their lr Ar sh = = =e = 2 rs ete rs ~~ Fly a - way all doubt and care, Fate now nomore from en oo When we mevt, .3 shall not Den - ger threat - ens pour Pus hi ar = mente qe Sig us peur aE - ee Hap - be ye, faith - fal pair, For -tune now to ce Bee maim ee ten Mi ton" eaur re = nat te SSeS t t f + Hap - py be ye, faith =~ fal pair, ‘Yor - tune now to i er ae i won caur re = nat Anber's "Fra Diayolo"-Nollo, Ever ad Co’ Oetaro Ration,——— ———— — Gana vides wg c tes. pe ran ee de main, de> main fe rentien« = F eas a I note gullies thee, Hap faith - fal sa eail lan ~ ee” doit ders ote 2 a ee ee ee a for me ne Ss == SSE a way all doubt and ‘care, ~ main “Wap = par ~ tien = drat — — 2 Hep py be ye, ‘faith - fal pair are cetccore caalk tec eee glee eee Sa SS SS Se = ee ‘yen-geance guides me, When we — meet, T shall not spare. e peony mien Spree er eal : ——* rr *: xT aaa == = = =f i ‘yen-geanco guides me, When we meet, = shall not spare. geance guides me, When me dr ment mor ees == Se a ee a ee eee ete rene ieee ee pane vie are eee st ee = ae ——— jo nour gues tice, Hap - py be ye faith fli ee ea rir mee ee Sra ‘ho - nour peecart eee rs f [, Zepuma. (ee t! t =F ‘mor - rowI'm thine, Ne-ver more tobe part - ed, er fin nes Novy mae CH Maen Ht ————= pad pa Thento- mor - rowT'm thine, Ne-wor hente” caay” "alles howe’ quote - aS ttn thoes ite, EEF =f (SSS ee PERS Se a Ser Coto Fa 7 —— SS ? = deers “Fr Dla Movl Beer and Cot Ota ation106 Manguns, (aside fo Beppo and @tarumo,) StF = SE 2 We must this v Vor et les die ry night Both the gemsand the dow + mants et la dot de Zer- lt - nie cet-te ry ofZer - na se cont ee more tobe part = ed. ‘mour nowsdes ti nes ‘the joy > fal oul om” Bam by ‘day, Se he jay ha day Ben ee oe ; see =a unre ae eet eee Ee ‘oh, the joy - ful oul, out ion bon - ‘Lon Atgcasi the joy - fal ‘out imon "bom - day, eur, = = Sy Oh, the joy - fai day, oh, the joy - ful ah’ jon ther € = crit, ah mm cher riba! stim la say, tee te os Nought any mks ought my lend sll PGracomg, s 2 == SESS Sep ‘Nought my hand shail stay, cult jou tet - none ete aaa Pp Cuower, a z eee tls sad 2 S= the joy - ful day, LG the ify - fal day, jou i © sons noe re + jou is ~ sone now = aaa : 7 to aS = SS aS MG he fs fat das, - eek noe SS fre the joy - ful day, = You Si sona ake Auber Fra Diatle"—Novello, Ewe aod Co’s Oeayo Faition,& f, — — : Ca : ee # Yr ae 4 Come what-c'er be - tides ‘me, Come what-e'er bo - tides. . .me, Both Dew "jour com > met = ee Dee -Jourehat ‘commen See ab — so Gea Goa Twill bear in patience, When next time he chides. . . me, ‘While sr Ma Seta. pe fran = eer Ee > 7 z Lx 2 == SS — te = Py eye = Ok their joy idee me, You their joy de - rides me, Bat Biever wasp + ee De vee tcl et gem ter oe ae Se eS EEE lé == j= ————— Come what-e'er be - tides me, Come what-c'er be - tides = ma, Dest Gardin oe eet ee Taw. Jourdhat com > awn et t — — [ears == pas No, I will not mur - mur, When next time she chides me, And ase ae yon tees We hme ae pee cot Be = = = = x pe f : ss Ven -geanee'tis that guides me, Von geance'tis that guides me, And Put treor cies ven pean er Yew ereir et bon "gean coy Pour ee — —_ ee eee ee = SSS cE Ven ance ‘tis that guides me, Ven- geance'tis that guides me, And Ye crear at ten eee eter et wen geaws = een Daur = Se Gea j SS Give themoed 10 vm loun Give themed to va - Tony One fe att. og for ceed glk. net Te , Ly ee 5 SS pe a ee € SSS ve f rt f . Gia temed f = - lou, Give themed to va - dour, Onr Pour cuz quel - le glob ", Pour eur quet- le gli + rey ls ee =e 5 ; SSS SSS == sa ee a Give themeed to va = dour, Give themeed to va - our, Our Four eur qact - te glot sre Pour eur quel ke gle tm dle Aater's “Fra Diaviio"—Norell, Ewer and Co.'s Octave Eaton.== ee See eee =—t rief and joy we will share, Both grief and joy we will share, To. Suet ‘no ment peta ap pas, An Gul “mo shent plein Cap - Basy be NS aa at NT NS a oS ST = jee = thee my lock-et I wear, While thee my lock-et 1 wear, Th me gatctes sas "port Tu ne ee guitar fos pon Me a ~ a Sa 7 t 2 snish. . a+ sous 2 eur + rin, Vie- to 5 re) View Dt +3 sui doth thee, to love, cies on ry ‘pan te sie, te aie : [ass == I” strike he shall fall, a rents jeune + one ke ig = = strike and .. not spare, I swear. . he shall fall, I swear, . . he shall - a cone We ben js eee se be eh fe fee wee113 a a= way, . now with + pour noe Be quel mo ~ fall, I swear. . ho shall ey je ret sus # a-way . . now with to lowe. Sty, =o = tno = gui - «= doth ar otek eS iwrg ela caigg tencar tet * 2 = == hoe shall fal, yo Twill trike rete ch je fre EG peepee Z E fall, I swear. . he shall fal, yoy, Twill strike soci, je jus f+ tei ch Ge juve Co ek Ef ber =———— : —s ‘ f + rig Veto oda our fears now va rey Views 22pm) tome ber fears now va vit “tom Der ese es te Viowtol => a ‘Aebers Fea Diawlo;"—Novello Ewer and Co. Octave Baton.oe =a way, a - way with doubs and care, = ‘pus’ pour” oi? quet “mo - ment — plein ap pas,” pour mot” quel mo’ ~ ment bp SSS = - E 2 a saa jo ‘ice, to love thy for - time gui deth thee, to for - tune pur te cel pres Be ge + eae pase Cer Pech Gen = — = spare, yes, he shall “Yell night, I swear, yes, he shall fall this a "pays oy je ure won tre + pan,’ ou, je Sure ak == ft — SS StS wey, ns way with doubi ond sary a way, a - way with TY gna "RE. Tint lee! ap = funy pow wal gaat” > mt SPSS] love thy for - tune gui - deth — thee, to ciel pro + + ge - mk eee pas,” Te Pioratap tape spare, yes, he shall fall this night, T_ —ewear, yes, he shall fall this pan, oui) je jure, de ck tone aay! oui, je jure, eh Stayt pest spare, yes, he shall fall this spas,’ buy je jue ek ereesat 1 swear, yes, he shall fall thi tre = Yas,’ ou, je jue ts ok ~ way, our fears now ta - nih all 8 - way, our fears now Ya nish come, leone tom’ = Ber” “out gous tonne cumpey in ‘tant tom = beret eae f=5 = a — : = way, our fears now va nish all a - way, our feara now va nish coups, ls wont tom. «ber ‘ont gous leurs coupe, tis ont tom = ber out i be, Pte fg 7 = = {t= =fasttS = way, our fears now va nish all a - way, our fears now va- nish coups, Ue wont tom - ber ‘ond sous deur coupe, ls, vont tom = ber out watt ee ” te, je suis seule dts Strings or. Stace. Once. .more I now can say, my heart is all thine own. On. 1 me laisse un ‘in-stant,quau moins it soit pour lui. Re say a word of groot - ing, Ah. « fly) yo hours a-way, And de “We “us je Fat) Some De) L per Ge Tous aliseny' Je Ss - Aoter's Fra lvolo"—Novell, Ewer ind Co.'s Oelaro Baton.9 bring our hap-py mest - ing,Wherev'er I go I seo ‘Thy glan-ces bright and ing our happy mes 6 y gl right it = me; non pour moi ce mot la ja - mais ne sou - bie») free, My thought is. all of thee, AhT = ra son souvenir et what joy,.. now at last. . I can be a lone, on - eur’. . je ree - pi "-" re je suieseulet-cly nowean say,My heart is all thine own. ‘Yes, once more can say, My hoare tun in-stantyqwau moins i soit pour lui, ‘on’ me. Taisse ‘in-stent quan moins > afeda | # os, once more can say my hoa "me ita Tin stant quaumoins Auber Pra Diayelo."—Novello, Ewer and Cas Otaro alsin.120 22 Fe ZuRu%A.—Ce ne sora par long, car voila que Yon monte ZenuawA—It is not for long T am left in peace. (To “Gord and Lady 4.,seho enter) Your room is quite ‘ja. "Quand word ef milady voudront, leur ap- xeady, my lord and my lady—at tho end of the partement est pret.” Au bout dit corridor. Passage. No. 8. ‘Tso.—“MY LOVE, I'M SLEEPY." Allegro moderato, Lonp Auteasn, yore, I'm leo - py, af ma" femme to sleep I do-sire. Not yet iu sje dor = min, Eh quoi aé I my eyes cankeep o-pen no oui ae 34 Le sommeit me re ~ teSea SS SE Seoms then, is strong - er, How diff rent"twas a Te" somemeil vous’ re- cla me ja- die je eroie_m'en 3, Nodhoushiton sleep yo tou Ge tee mans prompe 8 dor- mire not fore-go, The greatest blessing guelplatsir, ak quelplai-sir de “His lord - ship Ce bon BM LADY AMLCASI yess = (ysening.) ; = —_2 SSS Se = ore Ie-low, the great - est bless - ing here bo - low... My wif I'm fen dormir, ah “quel "pla - oir ae tice ie Tad sleep, not yet ul’ de - ~ = E lq ae == ——— ee seo - py let us ro te, my wife,lot us rete. I hy y femme, ‘al’ ~ ons dor = mir ‘al ~ ‘lone’ al - lone, dor_-_ mir, oui de‘One short @ prs Fes _ SS SS aS SSS My at-ten-tion, it seems then, is stron-ger, Yes, my: quot dé jx" le gom=meil woud re - ela = me, pres = === = J —— — SEE eyes con Keep o-pen no lon - ger, Yes, one = Fa AE leommeitine re = cla > Ine o's pe X JSS rau. P wed ding, This is what one has to expect, Did I ome oe done son ma =tiy a = ee = =: pee we dingy This is what you have to i ae. ogo tig Fs == Short year af ter the wed ding, This is what ono has to ‘an ma-ri- a > ge” com_= ment dé - ja chan- ger ain-si, toy - e2 a= Sat = sree SS eee le mien dane” mon mé-na- ge’ il wen 88 ~ ra ja mais ain - ai, Ss Seca ge 2 tes one al-ways is dread-ing, Ere you me L think ao, should be dreading, What with joy - ous fhith I, -lee, What with done “te joe amb = nas ge’ tay es Bao : Shee eS pe ee ee ae oe ee eee Z cas one rer dread - ing, on quite _chang’d since I dine “a ee = nate pl Asters “Fra Diavole"—Noveloy wer and Cov's Octave dition,128 ees SSS = aes feo peu eng cua: eS feet, You'd bet-ter, you'd bet - ter reflect yout done’ “Vai-ma- ble ma ri, vey == aS re a chang'd sineeT ean Snais ple Mi - la di can re - col - lech Sheisquitechang'd,sheis quite A = fa Saino re-com nate plas joy - = = = = onsfaith e- leet, Sire ddeinasciinnaganaaistnaciscnal James eae voy see Pai = ma = canifagultechangdaace I can e ~ e - 1G loqechngshelsuhechqueshang die Sy ere men ee urns aera aa ne ere EES ; eS Set joy - ous faith e - lect, with joy - ous, joy a SS tet arom Mt a it : SS = SSS SS SS SS = 7, can re - col - leh she is quite chang'd, she chal quite chang’ nce sonaie plus ME. ta - diy) je re - con - mais plus Mi - la ~124 > one fait 2 ja = mai ih “Tis ve-ry late, amidnigl iL est mi - mult eet bien hon er sme = te it faut par ~ Saat Lapy Atscas. —= = = eae To lekvoto- mor ~ Towsnot to my Ik ig, Ti aonnvraimen’ “jerale ‘3 ld feste te SS = Stan oar * degrand ma Say ——— = RUIN. Boliovel'm grateful for 3 Gar kindness. royner @ ma re-con-nais~san ce. stay un-til the wed - ding’s o'er, ‘My deat, yourteed some xoodad move elle w-vait lien “demain, Geveusvousdon-ner dea a ==SSs5 =e eae ; Le L ~ 1 ‘ As thore'snolovewithoutsome blind - ness,['Uput ease. . . to be con cise: ‘You gee that ris, voy-ez vous == a le aS Sa abana Aubert Pia Diavolo,"—Novallo, Ewer and Cos Oster Paitin.125 1S Zrnana (taking up a lighted candle.) nothin ytarlordelsy - eit gua ane IE SSSSS ee = 7 me “when thesorgspas : bien tous les mari Come, come. Um ai-lons, ma femme, = —— EEE ee ee eee Why, where, my love, is gone the Wp MA A oe le = Took - ot, S—Tieonethe che = re! da medal - lon pe SS ‘Al-ways Pveseen it” on your jai Pha-bi-tude € - ci” de ‘pile___ Have Atacastt (embarrased) = ae — T for ce pre SSS SS Ss rib> > bon long and bleel = ché " parun ra=bun noir. SS - SS sSs5 Sa = = = vot eon et ed iE St L SaaS ae Yl I oe = = flee - py, let ub re - Ure Your eyes will keep 0 - pon no A good nights for = 2 ming 42H Ye sate dour te ~ cla sine” pour” ane = lord,” 7GU= dons 5 (ete q == SSS 2 ree. = aS She ee SSE ian Tess ing’ hese be - low. Ye any ah quel plat - sir de = mir. a+ preayear then af - ter tho wedding, what one iss to ex-peet, 1 van de mah a= ge, td Te date aun mary we RNS = be es*— TSE dear, one year after wed-ding, This ie what you have to ex-pect, tnevan demas + gee com=ment Wes Yn changer al ge * fo eee short year af - ter the wed - ding, This is what one as to ox-pect, Some fre ~ a eat ext ia pe com tems as ge nea pe ata ee tag ee Set 25 yb — 7 Pg ete ea ee ee ae ee ee Sat SSS (ites one always is dreading, Ero yon war-ry, bet - ter ve-floct, Ah re - ome te geting et ge ag mas ble mans,” toy - es faith I ¢- what with, jamais aineti, il. cas oneal - ways is dread -ing, She's quite chang’ ~eol-leet, she isquite done le jo li mé-na - ge, te Mi- la- vreseon = ‘You'd bot - ter, you'd bet - ter Taima - ble’ ma ry toy « s since I = eal - Ie, plu Mi - + led, jee ‘Aubert Fen Divlan™—Sorelio, Eva end Cas Otare Etende wen we = + ous faithe - a ga-mais ain ~ ah, yes, you'd voy vee” Vat SSS i weet, 7 Sho isquitechang’d,she is quite oni, arte chang’ since I je res com-naur plus, Mi - la ais, plus tne t ey “eet Sw gee Nee (ooo eee lect, what with joy ee renales , il nen we + re Sea a Jesmaie ain ~ 7 a ee, She 4 quilechangd,she is, quite ena auite chang sitee oon = nats plus, Mi = = “Anber's “Fra Diavoo."~ Noval, Ever and Cos Otavo Faition.you'd bet - > ter re-flect. Vaima > > ble ma - rie ee Manguis (advancing mysteriously), they havo all re- ‘ired for the might; and, thank the stars, no one saw me go up that stairease. Now lof me Feconnoitre. ‘They said the second room at the end of the pastage on the first floor. This ‘must be the first room where Tam now. Can {his be the second? (looks in at the door Zertina left open, LeHL.) No, here all is in darkness. {Spice about on the other side) Whis must be the door that leads to the Englishman's room. It only opens on this room, so they eannot escape. Now have only to eal my comrades, wha are in the stable. (Opens window at back) They ‘Ought to be ont by this time, I do not see them; it is so dark. ‘They mast be loitering about the place. (He perceiver a mandolin hang- fing on the wall) Ab, this will do for a signal. ‘And if some one should hear met never mind. Tam not inclined to sleep, and so I sing. Oue sings night and day in Italy. Mangurs.—Ils sont fous retirés dans leurs appartemens, et ‘personne, grice au ciel, ne Wa VU mOnter cet esca- Tier. Ortentons-nous, ‘Au premier, maton dit, la seconde chambre avi bout du corridor. Voici Bien la premiére chambre, j'y suis. Pour la seconde, exteee celle-ci? Non, un cabinet noir avec det portemanteauz, des rideauz. Alors voila sans loute la porte au corridor qui conduit ches VAn~ fglais, Pas dautre ise, notre proie ne peut nous Gehapper, 2 s'agit maintenant @avertir mes cone ‘pagnons quion a togés dans la grange. Ils de- ‘braient déja Stre dehors—et je ne les vots pas! Ta uit cst si sombre. Peut-dtre rddent-ils autour de ta maiton. Allons, le ignal conven. EU si on wentendait! quimporte!” Je ne peux pas dormir Ne chante. "On chante jour ef nuit en Italie. Diailleurs ma chanson n'éveillera pas de senpeon Creat cette que fredonnent sowten (28 jeunes ilies qui fattendent leard amourous: et elle est joliment eve sue dans te pays.130 Bancaroue.—“ YOUNG AGNES.” Bo. 9, ngAg - nes,ten - der g-nes la jou = ven 3 Now night spreads her La nuit te = che ~ if soft and low. insti chan-tait tout bas. apy shades of eve ott as Sol == = shines but sessweet scent the gale,'There veil a- far, Bo - ne te ‘ver = ras pas, La nuit rates pas, On Aubeca Feu Diavia’—Novello, Rmer and Co-'# Octavo Eaton.131 * leave me not here a+ Jone, emi men-tends tu pas? oe = (Qe = Auber's "ra Diavol"—Novale, Ewer and Cus Octavo Baton.(Beppo and Giacomo appear at the window.) ‘Mangu1s,—Come in; msko no noise. ‘Burro.—Here we are, punctually to the signal, Manguis.—Silence! the lord and lady have but just tired to their room. Gracouo,—And the jewels they have robbed us of? Burro.—tud the banknotes they have defrauded ua Manguis (pointing to their room).—Are there, (Seeing ‘lem about to rash to the place) What are you about? Gracouo.—Take back our property. ‘Manguis.—Wait a moment, they eannot yet be asleep; besides, there is soine one else in the room— the little servant. Grscomo.—-Zerlins? Barro.—We have an account to settle with her too; for, after all, those ten thousand franes ought to be ours toa. Mangors”Weshall get them, have no wil aginst her; but. as for her lover, that Lorenzo, who has deprived us of twenty of our brave com: panions, by my patron saint Diavolo, I will be Svenged on lim, or Lam no Italian. Zamna itiou Good night may lord You wish for Manguis.—Some one comes. (Pointing to the dor, LHL) Go in there, behind the curtains. Berro thesitating Those curtains? Manguis.—Yes, yes, until she is gone. (They alt three enter the room, LBL, and shut the door) Zentawa (holding a candle}—Good night—good night. ‘You are sure to sleep well; the house is so quiet, and perfectly safe. (Puts down the candle on the table by the bed» Now, thank heaven, they are all at rest, and I long to rest too—T am #0 fired. Tmust make haste and sleep, for itis late, and I must be up by day-break to-morrow. (Going towards the bed, and turning back the ecu terpane) My bed is not like that of his lordship; gerininly not olds up fhe connterpane and puts Aton a chair bejore the door, Lk, She leaves he oor ajar, and. continues standing before the bed swith her back to the door); but for that I don't care. ‘Thave a notion that I shall sleep better than he wii, for Lam so happy. Gracome (peeping out from the open doer to be hier room. Burro (in the same place).—What shall we do? Manauis (in the same place).—Wait tll ste isin bed and nee Berro.—Well, then, I hope she will make haste. Beatin totenso wi be here in the morag; he al ask say tathor for my hand, opt he wil not be refused now, for he is rich, Ten thou- and fnneet (Pahlsg thm ost of the from of hes fren) There they arel they a Meno, hey sre our t wodder if ey areal’ bere” Yeo Indeed? allguive safe OT am 9 atfad of Hoang inom. “Blow mic thoy look! and how dear'io ime (kate then). Taal keep hen lowe by mo (ute thom ader her pile, there fey wi be sate. erro teem Lely es) hove wad bake Mangus Wil you bo quiet? Bian (ot of hos) Gut one say 2 word? Tra ott he fae ted of Sebel And an ior Trancesco whom any ther wil ring 06 Iiesonean lowe shal lf ba all gute anys Pehl sage Yo nat love hu nt wil eat fort him Gnd by tit tame tommorrow fehal erhope ty Tofenase. wiles (Gioppy chr Ps wit! how long have dream of it an ow at lot Oye Grogan comes fruel (purty the nmphany af the folly ong, the ste ton te ed da bet unde tka he tarring ribbon de) This appears 133 ‘Mangurs.—Entres sans bruit. Burpo—Et nous voict exacts au rendez-vous. Manguis.—Silence! milord et milady viennent @entrer dans leur chambre, Gracomo.—Et let cent mitle écus de diamane quiile nous ‘ont pris? Bervo.—Les cing cents dillets de banque qu'ils nous ont aérovse? Manguis.—Soat 1 aves eur. On allez-vous? Gracowo.—Reprendre notre bien. Manquis.—Un instant! ile ne cont pas encore endormis, it y a dane leur chambre quelgwun qui ne va pag tarder a en sortir—cette petite sereante. Gracomo.—Zerline? Bevpo.—Nous avons aussi un compte avee elle, car, enfin, ily dix mille france & now, quelle a détounés deta macs Manguis.—Ils nous reviendront; maie ce n'est pas 2 elle que j'en veus le plus—c'est i Lorenzo, son amou- Feud, qué nous a privés dune vingtaine de Uracer, (et par San-Diavolo, mon patron, je me vengerat de tui, ow je ne suis pas Ration! Zanuixa.—Boasoir, milord; i ne vous faut plus rien? ‘Manquis—On vient. Dansce cabinet-—derriare ces rideaur. Burvo—Ces rideaus Mangurs.—Eh oui! juagu'a ce que ta petite sot partie! Zentaws.—Bonne nuit, milord; tonne mit, milady. Oh! ou darmives bien: Ta: maison est tts sire eres franguile. Grace au ciel soils chee nows tout le smomdeendormi et je ne rite pas faehee hen faire ttutane—je nuts fatigude de ma josrave-epechons- tous de dormir, car lest aja bien tard, e€ demain {tu point di jours! faut tee our pied, on lt ne Sat pare mod; no cerainement, Maa Cent tgal—ai ide que 3'y dormiral mieuz-sje suis si hewreuse! : ae Gracomo.—Il parait que cest sa chambre, ‘Barro. Quallons-nows faire? Manguie.—Attendre qu'elle cot eouchés et endormie. Burro.—Alors, qu'elle se dépiche. Yaenuaa.—Demain matin Lorenzo reviendra; il demandera ‘ma main & mon pere, qui ne pourra ta tut refuser, Car iLest riche. ‘Ila'dtz mille france! Lee vollal ils sont & lui—gu’estce que je dia-—ile gont 2 nous; We compte y ext-il? oui, vraiment. J'ai toujours peur quil nen manque.” Quiils sont jolie! que je les aime!" Aussi, ile ne me quitterant pas. ils Passorant la nuit & e6té de moi, us mon chevet. Burvo.—Ces coguins de billets? Manguis.—Te tairaetut ‘Berpo.—On ne peut plus parler maintenant? Zeauisa.—Ee Francesco, que mon pere doit miamener ‘comme gon gendré! je tui parlerai franchement; je lui divai que je ne Paime pas, cela le eonsolera ; et demain, 2 coite heure-ci, peutstre que je aerat la Jemma te Lorenzo. Sa femme! il eat vrai qwil y ‘asi long-tomps que j'y reve, tour let spire en me eouchant; mais maintenant itm'y a plus & dire,