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BY JA C! L O N! O N
“ ” “
AUTH OR O F P EOP LE OF T H E AB YSS, TH E CALL
” “ ”
OF TH E W IL! , TH E SEA W OLF,
- ETC.
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S ith Co .
CO NT E NTS
!
CH A P TER
CH A P TER
CH A P TER
CH A P TER
CH A P TER
CH A P TER
IL L UST RAT IO NS
‘
All I kn ow is th at y ou feel good in th e ring ’
So h e left h er to re m
i a n in th e sh op in a W aking
trance
m
Th e perfection of l in e and stren gth and dev el op
en t
“
J oe rotec in g,
p t P on ta rushing
THE GA M E
CH A P T E R I
m
But the head of the de
a rt en t w a s ca ll ed awa y to
p
the telephone and in her
,
’
But I don t see what you fi n d to like
in it Joe she sai d softly the note of i nsist
, , ,
THE G AME I7
For a fl eetin g mo
ment a shadow dark
ened his boyish face ,
to be replaced by the
glow of tenderness .
H e w as on l y a boy ,
“ ’
What s the g oo d of worr y in g ? he
“ ’
questione d . I t s the l ast go the ver y
,
”
last
.
B
1 8 THE G AME
feared this thing she did not un d erstand
and which gripped his life so strongly .
”
’
the last payment o n mother s house he ,
“ ’
went o n A n d that s o ff my
.
”
this game you call it Why ?
‘ ’
.
“
A ll I know Genevieve is that y ou fee l , ,
’ ’
he s goin g r o ggy a h
’
b oldin the
’ ’
on an ,
’
referee s dragging him
m
of f so s you can go in
’
a n fi n ish a n al l th e
’ ’ ’
’
house is shouti n g a n
tea rin itself loose a n you
’ ’
’
know y ou r e the best man a n
’
,
22 TH E GAME
that you played ’
fair a n m ’
H e ceased b r o k en ly alarmed ,
, ,
m
H is mascu l inity the m ascul i nity of the
,
’
for Love s own sake he had surrendered to
,
last fi gh t w ou l d never
fi gh t again .
M rs Silverstein
.
’
doesn t like prize
fi gh ting she said
, .
’
She s down on it ,
H e smiled in du l
gently concealing a
,
p r ou d l y conscious of lay
ing at her feet I t.
a guerdon of man
hood fi n er and
greater than any
other man cou l d
o ffe r a n d i t
,
a d ub and a softy , ,
m
and a knocker he ,
“ ’
What s she know
about such things ,
’
hours g oo d fo o d and no makin a pig of
,
y ou Genevieve
,
“
H onest I do he hastene d to ad d at
, ,
TH E G AME 2 7
“ ’
si ght of her shocked face I don t mean ,
m
water a n soap but look there
’
H is hand
,
.
“
Soft you r e all soft
,
’
”
H ere feel this
, .
“
H ard all over j ust ,
“
Now that s what I call ’
m
clean . E very bit of
flesh a n blood a n
’
us
’
, .
tell you
H e paused with swift awkwardness again ,
“ ”
Don t Genevieve don t
’
,
the boy,
’
“
H ere comes M r Clausen she said .
, ,
eyes .
T HE G AME 33
”
discu ssing in grains he continued briskly
, .
, , ,
and a co n fi d en tia l
lowering of voice ,
“
s eein s it s you and I W ouldn t do it for
’ ’ ’
’
anybody else I ll reduce it ,
”
fi v e cents O nly . here ,
”
you really did pay .
“
Sewed lined and l aid
, ,
’
of course that s included ,
“
A nd the little n est ,
“
eh ? he queried When .
”
tiful '
H e rol l ed his eyes ecstaticall y for a
THE G AME 35
a fatherly air .
to follow J oe s retreating fi gu re
’
.
“
A n d to night -
Joe ? M r Clausen
, .
“
shaft
. H ow do you feel ? Think y o u ll ’
do him ?
3 6 T HE G AME
”
better in m y life .
“
Y ou feel all right eh ? Goo d ! Goo d ! ,
m
eh a trifl e ? nerves j ust a bit o ff y o u
, ,
of course of course ,
.
“
A n d go o d —
by M iss Pritchard ,
he ,
“
into the elevator H ope you call often
. .
“
E verybody calls you she sai d
reproachfully as the car dropped downward
,
.
T HE G AME 37
’
Wh y don t they ca ll you
‘
M r F l eming ? That s no
.
’ ’
“ ’
What s the matter Joe ? ,
m
she asked with a tenderness
,
“ “
Oh nothin g he sai d
, I w as onl y
, .
”
thinkin g and wishing .
“
Wishin g ?— w h a t P ”
H er Voice was
se d uctio n itself and her eyes would have
,
“
hers. I was wishin g you could see m e
”
fi gh t j ust o nce .
“
I d l ike to
’
I she said hastily
, ,
'
”
Will you ?
A gain his eyes lifte d an d
looked into hers H e .
,
THE G AME 39
ha v e been the
clarion call of
adventu re ringing
through the nar
row co n fi n es of
uneventful exist
ence ; for a great
daring t h r i l l e d
through her and ,
”
simply I will , .
“
I didn t think ’
’
you would or,
I wouldn t have asked ,
“
But can t it be done ?
’
’
didn t think you would .
40 T HE G AME
’
I didn t think you would he repeated
, ,
m
the neighborhood H er father a mild
.
,
A n orphan at twe l ve ,
m
Ge n evieve h ad go n e
strai g ht fr o m her father s u
’
m
the neighborhood as was the custom of girl s
,
“
fr o their fi fteen th year . That stu ck -u p
”
doll face
-
, was the w a y the girls of the
n ei g hborhood describe d her ; an d though
she earne d thei r en m it y by her beaut y an d
aloofness she none the l ess com m an d e d
,
“ ”
their respect . Peac h es and cream she
,
!
50 THE G AME
she was one of those wonderful working
class blooms which occasionally appear ,
appear .
m
one hot Saturday afternoon to cool himself
with ice— crea soda She had not.
”
for Five Cents .
“ ”
aske d What fl avor ? with
,
m
she did not understand .The way they
looked at her ade her uncomfortable she ,
’
Joe s face and she experienced on the
,
m
But at the fountain fi llin g the glass she
, ,
“
H e must be hand
some then was her
, ,
next thought as ,
m
ra ss ed than h e while she betrayed her em
,
about him .
desire .
60 THE G AME
The urge of this desire he could not
escape Day after day it worried him and
.
,
ofl
’
the desire He .
to go back to th e
candy shop H e solace d
.
“
his fear with I ain t a
,
’
la d i e s
’
man No t once nor twice
”
.
, ,
near .H e h a d re
motely considered this
walking out to be a
mere fo r m or o bserv
ance preliminary
t o m atri m o n y .
No w h e saw the
deeper wisdo m in
it wanted it
,
himself and con
,
love words
- For a long time they were
.
’
at a time merely gazing into each other s
,
'
because of a fl ow er Straightwa y he be
.
’
or anybody s sister She was more than
.
creation .
m
the abuse Joe her Joe was Joe Fleming
.
, ,
’
“
Silverstein s hysterical sneer keepin ,
’
“ ”
and his wife fell to di ffering on noted
“
and notorious as applicable to her
lover .
“
But he iss a g oo d boy Si l verstein ,
“
w a s contending . H e make der m oney ,
’
an he safe der money .
Y o u tell me dat ! ”
M rs Sil v erstein .
“
screa m ed . V at y ou know ? Y o u know
THE G AME 73
m e dat ! H ow y ou know i ‘
“
I know v a t I know ,
H is fader die ,
he go to work
in H ansen s ’
sai l - loft H é
.
’
meat a n pay der rent O n Satu rday night
, .
.
74
. THE G AME
gif him twelve dollar — Vat he do ?
H e iss der liddle fader , h e bring it
home to der mudder . H e vork all der
time he get twenty
, dollar vat he
’
ders a h sisters go to school vear g oo d
,
’
clothes haf better pread a n m eat ; der
,
“
H e go m any times before der clubs ;
he get m any purses ten dollar fi fty dollar , ,
sa
y ,
V at for I pay der rent Silverstein ? ,
76 THE G A ME
to me Si l verste i n he say dat Nefer mind
, , .
H e bet
’
A n he iss all der ti me strai ght .
T HE G AME 77
”
time to Vin .
m
repairing its street assessments and ta x es
, ,
! b
‘
‘
h r
fi
GE NEV I E V E
’
slipped on a pair of Joe s
shoes l i g ht soled and dapper and lau g hed
,
-
,
87
THE G AME
m
Now g et up those skirts Lottie he
, ,
’
There that ll do
, .
’
Now let s see how
it ll fi t
’
.
B orrowed it
fr o m Chris ; he s a ’
my he went o n ,
whom it is made .
m
his handiwork H ow much
.
’
money you got ? I layin ’
”
the short end ?
THE G AME
Who s short
’
she asked .
”
Ponta of course Lottie blurted out
, ,
“
O f course Gene,
”
about such things .
waist .
That I ’
mthe long end the favorite
“
, ,
bo d y bet against
you
“ ’
Th at s what
makes prize—fighting
di fference of opin
’
ion he laughed Besides there s always
“
.
, ,
”
Lots of chance he said gravely
,
.
’ ’
Y o u wait and you ll see
,
A n don t
’
.
ds l l
’
be something fi erce That s
’
jo u n .
‘
better men than him I t s up to me to live .
’
m
Then I go after him j ust watch Y ou ll , .
’
m
too .
m
for pulling o ff fi gh ts and keeping within the
police ordinan ce Joe drew away fro h er
.
'
’
i t ll be all right O nly a couple of minutes
.
”
of it .
THE G AME 93
H e s with ’
e m ,
“
I t ll be all right Genevieve he said
’
, ,
“ ’
encouragingly I ve got it all fi xed
. .
No b o dy l l tumble
’
.
” “
I t s you Joe she said
’
, , I don t care .
’
”
for mysel f I t s you
.
’
.
“ ’
Don t care for yourself ! But that s ’
anything ?
A sharp double knock at the d oor and ,
RU? 1
'
He l ft
e h er td
se a e on a d ty b r
us ,
b tt
o ke n - o o m h ir
d
e c a .
THE G AME 97
“
a sharper Get a m ove on y ersel f you ,
“ ’
whispered almost holily
,
I t s m y last .
l ookin at me
’
.
m
lips y et war m o n hers she w a s in a g r oup
,
u p a side ais l e .
G
98 T HE G AM E
s tifl e There were shrill cries of boys sel l
.
w a s a great bass r u m
ance w a s monotonous
— hopeless it seemed ,
quick thrill I t w as .
w a s crowded to su ffocation
“
N ow don t make no noise an d stay
’
,
TH E G AM E 1 0 1
’
shut o fl The ring was well lighted by an
.
m
ing gu m B ehind them o n the other tw o
.
,
10 7
1 0 8 THE G AME
from the near by engine—house and several
-
m
A y o u n g m an in a black suit W ith a
, ,
o
p of hair and a preposterousl y tall
starched collar walked to the centre of the
,
H is e ffort was a p
p l a u d ed by groans and
cat calls and she noticed
-
,
m ost .
m
The race of men was to her a race of gar
en ted bipeds with hands and faces and
,
m
of sacrilege or blasphemy .
H er chromo trained s-
H
1 1 4
. THE G AME
an d deve l op m ent gave pleasure without her
,
boyish .
“
shoul d er said : Joe Fleming the Pride
, ,
”
of West Oakland .
“
and she heard a ffecti onate cries of O h ,
you Joe ! ,
”
M en shoute d it at him again
and agam ,
th e p rf ti
e ec on of li ne a nd s tr gth
en and dvlp
e e o mt en .
THE G AME 1 1
7
’
ligen t
. She did not have the expert s eye
for the depth of chest the wi d e nostrils
, ,
“
seemed to her frightened eyes the s tifl bris
tles on a hog s back H ere were coarseness
’
.
m
and his bo d y w a s covered with a hairy
growth that atted like a dog s on his ’
of strength .
“
John Ponta West Bay A thlet i c Club
, ,
m m
Joe with its sympathy .
Go in a n eat Ponta ! E at ’
i
’ ’
u
p ,
’
atavism to draw the crowd s admiration .
m
A nd he felt that the crowd had no relish
for him H e w a s like an ani al in the
.
The announcer és
co rted a third man to
fellow in s hi rt—sleeves .
m
“
Oh y ou E ddy
, , men shouted in the
idst of the applause and it was apparent to
,
”
fought before this cl u b o
THE GAME
He crawled through the r opes and
dropped from the ring to the floor .
m
and for a fraction of an
instant e t in a per
fu n cto ry shake Then .
done.
“ ”
ond Break ! of
the referee Joe ,
”
y ou Joe,s !
’
from many throats ,
that she
realized that instead of being c ruelly pun
ish ed he w a s acquitting himself well .Then
he would emerge for a moment again to be
,
1 31
1
3 2 TH E G AME
m
of still another second w h o talked with
low voice in his ear and at the same ti e
m
sponged o ff his face shoulders and chest
, , .
m
’
was cheeri ng
madly Silverstein
.
shouting gesticu ,
m
lating co m pletely
,
out o fh i self A nd .
even M r Clausen w a s
.
nearest neighbor .
’
against the other s enormous Vitality H is .
blocking covering
,
u
p and ,ducking
into the safety
and respite of
the clinches .
ery instant of it
was tense watch
fulness while the
,
break-away w a s
still more dangerous Genevieve had no
.
’
the air from under and missed Joe s chin
,
’
Joe quickly locked his opponent s arms to
prevent a repetition of the blow .
’
Joe s corner for Ponta had made a rush to
,
'
A nother rest an d a n
other round went
b y with no further
,
m
damage to Joe
and no di inu
tion of strength
on the part of
Ponta But in
.
the be ginning
of the fi fth round Joe caught i n a corner
, , ,
’
Joe s quick e y e saw the opening and he ,
’
smashe d straight out upon Ponta s mouth ,
ing sideways .
H e s got
’ ’
m
he s got ,
’
m
l and i t seemed
’
, ,
’
neck Genevieve saw her lover s arms drop
.
“
Four — fi v e — six the count went
on ,
and J oe rolling over on his face
, ,
”
the cou nt ! a dozen voices rang out from
the audience .
’
For God s sake take the count I one of ,
Seven eight
nine the sec
o n d s went .
”
Break ! the referee commanded Joe .
THE G AME 1 45
M ake m
m
held
’
on tighter . break ! Why
the hell don t you make
’
break ? Ponta
’
man d ed
the break Joe refused keeping as
.
, ,
!
1 4 6 T HE G AM E
webs were disappearing from before his ey es .
of it yet to run .
’
deliver it i Joe s ring experience and cool
ness saved him With shaken conscious.
“ ’ ’ ”
V y don t you bite him ? Silverstein
taunted shrilly .
an uproariousness that
had in it the note of
hysteria E ven Gene .
m
and the relief of the audience was com
u n ica ted to her ; yet she felt sick and
faint and was overwrought with horror at
,
“ ’
Bite m l Bite m l voices fro m the
’
“
recovered audience were shouting Chew .
m m
his ear o ff Ponta ! That s the on l y way
,
’
m
’
y ou can get m l E at
’
u
p ! E at up ’
of it was beyond h er .
sweet calm j oy
,
H er bid for the heart
.
H e gargled his
mouth and throat ,
took a suck at a
di v ided lemon and
,
'
I
S7
1 58 THE G AME
m
tente d hi se l f with blocking an d cover i ng
u p in the whirlwind his blow had raised .
’
Ponta s ten but his one blow rarely missed
, .
p .
i t once in each
,
—
in the break aways he be ,
’
l ess did not diminish rapidly Joe s task
, .
,
Th en there .
followed u p .
”
O h y ou Joe ! it y e l le d its a d miration
, ,
an d a ffecti on .
THE G AME 1 63
m
“
I t s a sha m e to take the m oney !
’
it
“ ’
m ocked Why don t you eat
. Ponta ? ’
Go on in a n eat m l
’ ’
m
worke d before Their calm trust i n his tre .
Take your
ti m e he was say
,
m
“ ’
in g .Y ou ve got
’
but y ou g ot to
,
m
take y our ti m e I ve .
’
fi gh t
’
seen He s .
’
m
got a punch to the end of the
’
count I ve seen . knocked out an d clean
’
m
’
ey s o pen in his eyes a n askin what s
’ ’ ’
m
’
doin So you ve got to watch
.
’
No ’
.
’
but I don t call it mine till he s counted ’
out .
P o n ta a ttem p ted
one of his old
time ru shes but was ,
stopped on the
mouth Implacable .
,
m
insist ent ever menacin g never let
, ,
’
sa fety onl y to receive four of Joe s terrible
,
secon d s .
T HE G AM E 1 67
m m
corner.
Now I ’
going to get he said to ’
m
his secon d .
“
answered . Nothin to stop you now but
’
”
a lucky punch Watch out for it
. .
“
Genevieve remembered his Just watch ,
m
once more H e fan ned the air with his
.
’
the wet canvas Ponta s .
m
into the arms of his seconds w h o helped ,
already there .
“
came forward proclaiming irritably : Get
,
room !
A number of men silently obeyed .
m
Who are y o u ? he abrup tly demanded
“
of Gene v ieve A girl as I alive
.
,
’
“ ”
That s all right she s his girl spoke
’
,
’
m
plosively at Silverstei n.
“ ”
I
’
Vit her he answered tru culentl y
, .
“ ”
young fellow . I t s all right I tell y o u
’
, .
reporters .
”
papers she could hear Silverstein saying to
,
s t r e t c h e r with ,
M
1
78 T HE G AME
bearded foreign looking m an rose up from
,
-
,
“
Never saw anything like it he was ,
of the skull .
!
“
I was going to be married to day -
,
”
Don t don t ' and covering her face
’
,
’
, ,
sobbed afresh .
,
1 80 THE G AME
and the stress of his being — to the Game ,
h is heart s desire
’
.
the door .
and passionate.
THE G AME 1 81
cl othes.
“
V ot did I tell you eh ? V ot did I tell
,
’
der papers ! A t a prize fi gh t Vit boy s
clothes o n ! Y ou liddle strumpet ! Y ou
hussy ! Y o u
‘
I LLUSTRATE! BY W J AYLWAR!
m
. .
Cl oth la o
O th er fi ction md id d l l i see s ec e y os n g in i sa v or a n d
Thi p qu a ncy .
m
t br t t i i m m m
s ort y su e rl y tv i
h as th e pu re S e en s on anr i g th d v t r gl
n , e a en u ou s a o
th e v er e a e s o c s l ’
Tis su re . y th t r y f th
e s o ki g f o e a n o a a
dm
th e s cu l t rbi
p o ti r
e ng Ca p a n La s en , a n d th l y th l v i g w ll
e c a , e ea s e- o n , e
to-do h a f- l dr ow n e r a n, to a l l a ppea a n c h i h l pl
es pr y s
”
C i ti
e es s e . r c
d ri
mm li t r r y w r l d b vi
m
“ a k
c J L on on is o n e of th e s u rp ses of th e e a o , a n
w i th i
mi mt v li t t b
n th e t
s h o r spa ce of five y ea rs l d h i lf
p a ce g th f se a on e ore os
of A H is t b k Th C ll f th W i l d i
m
‘ ’
er ca n no e s s. recen oo , e a o e ,
o n e of th e
l
p a ce in th e mi os s ou gh
ra nks of A
oo ks o
er ca n no e s s
f th d y e d h t bl i h d f h i
a
v l i t th t i q t i d
an
” a s un
a s es a
!
u es
etroit
s
on e
e
Trzbz
.
'
or
m e.
m
ll Wi l d w th e reig i g t io i l tt r
“ ‘ Th e Ca of th e l as
’
as n n s en sa n n e e s
y ea r, a n d h is r r t b ook i l g i d v
o e ecen f it p d c s ea u es n a a n ce o s re e es s o
v r y d w i t h g d d bl d i h i i
m ll i l i t d l igh t
e e rea er oo re oo n s v e ns wi ha w h e
Th r i e e f b l i g f th tr igg r h r
s no u n o e e e e, n o
m
n er ou s v and u n certa i
m
igh t i g l g th b rr l b t th q i k d i i v e ai a nd th e b ll s-
’
s n a on e a e u e u c , ec s u ey
,
”—
v ry t i M l d E p Nw Y k
'
m
e e e an x ress, e or
m
. az .
P r i t b f ll f t h t v i v id l i f i
w h ch th e ta es of th l '
o ses o e u o a rea s or
w it t d - B kly E gl
”
r er are n o e . roo n a e.
TH E MA CM I L L A N CO M P A NY
6 4 a 6 6 FIFTH AV ENUE , NEW Y OR!
THE CA L L O F THE WIL !
B y JAC! LON! ON
mC
Au thor o f The Children o f the Fros t , etc .
W i th I ll tr ti us a ons C l r by P H
in o o IL IP R Go o n w
. a nd HARLES
L N GSTO N B UL L
m
IV I
! eco a e r t d by CH A RLES E ! W A R! H o op a n
Cl oth
d th fi m f it
iz o
“
A t l th t i lit r t r
a e a h s ity f i pl e a u e t e un o ts an a n e r n ess o s exe cu
i lly r m rk bl t ry th t gri p h r d r d ly It i i
i m
to n a re q e ua e a a e a s o a s t e ea e ee s a rt,
i l it r t r It t d p rt f p rt with m h ki 1 m h
—N w Y k M d d E p
.
s e a u e. s an s a a ar a a so uc s so uc re a
son a bl m h
e n e ss , so g l gi uc co nv n c
,
o
”
c. e or a an
,
x ress.
j k L d
ac i on f h v ry f on y g r writ r h
s on e o m ki g i b l t e e ew ou n e e s w o a re a n env a
r
e co rd f th m lv
s or T h l it r ry q
e se li ty d viri l tr gth f h i t i
es . e e a ua an e s en o s s o r es
i r
nc eas e f h pr t l t h i with t r iv l
or t e H l t tv l m
e s en a t ea s e s ou a a is a es o u
i hi b t i h pi t r q d i m gi tiv q lity f h b r t ry t ll r
.
s s es n t e c u es ue an a na e ua o t e o n s o -e e
Th b k i ri f r m rk bl p i t r b v ll it i p i t r fd
.
e oo s a se es o b e a a e c u es uta o e a s a c u e o o
li f th t
e a i w in d rf l im gi tiv q lity t d q it l
ts on e u p na e ua s an e a on e o s se sse s a r
Y k Cm m
a s u
o rigi lity d rt fviril p try
na an a so t g th r m t pti l b k
l— o e oe a o e e a os e x ce on a oo .
!
N i l Ad ti ew or o er c a v er ser .
“
A b ig t ry i s ob r E gli h d with th r gh i h
n so e tr ti n s an o ou a rt n t e co n s uc on
d rf lly p rf t b it fw rk b k th t W i ll b h r d f Th d g d
,
won e u e ec o o a oo a e ea o e o a v en
iti g y m pl it l d b d M L d w rk m
.
’ ’
lu res a re a s e xc n as a n a n s ex o s c ou e, a n r on on s o an
hip i wh ll y ti fyi g
.
Th N Y kS
!
s s o sa s n . e ew or u n.
Th t ry i
e s o h t wi ll tir h bl d f v ry l v r f lif i i l t r l
s one t a st e oo o e e o e o a e n ts c oses e a
ti on to n a u t r Wh v r l v h p e dv t r f i
oe e k wi ll fio es t e o e n o r a en u e or ts o wn sa e n
Th C ll f h Wi l d m tf i i gb k
.
!
l B kly E g l
‘
e a o t e a os a sc na t n oo . e roo n a e.
Ev h m t l i tl
en t e r d r W i ll b tirr d b y h viril f r f h t ry h
os s es s ea e e s e t e e o ce o t e s o t
t g w pi g tr k with whi h h pi t r f h r h r wil d d h h f
s ro n s ee n s o es c t e c u es o t e no t e n s an t e
,
hri
t e e n
,
p i t d b y h rr t r d h i ight gi v i t h t e na l f h p rim t e t e so u t e
P l m
a re a n e a o an ns en n o o
hv e n i tr na u M r th e th t it i f h v ry b t t ri f h y r
o e an
,
a s o ne o t e e es s o es o t e ea
th t wi ll b f rg t Cl v l d
.
,
l l
!
an d on e a no t !e o o ten . e u ea er , e e an .
“
A m v ll ly i t r ti g t y
ar e
’
ou s t ry h t m t mm d i t r t
n e es n s or a s o t a us co an n e es an
dmir i a t o n. L d h hi v d tri mph i thi t ry i h f ll t n t e
g th t gl w with pl d i d tr th L md l T
a on on as a c e e a u n s s o u es sen s
o f h w rd
t e oIt i writt i m t rly f hi Th r s wh—l p g th t h i
en n as e as on . e e a re o e a es a t r
lik p try wh l p
.
”
e oe , o e a ssa es a o s en u . o w e u n es.
I h fi
n t e p r gr ph f thi p rb t ry h r d r i t r t irr i tibly
rst a a a s o s su e s o t e ea e
'
s n e es is es s
r d d tt ti i h l d h i d h d ; h r i t m t h
a o u se an a en on s e enc a ne to t e en e e s e xci e en to st
h bl
t e d h r i pi t r q l r tr p rt h r d r prim itiv
oo e e s c u es u e co o to ans o t e ea e to e scen es .
d h r i ll f l i t r ry w rk m hip d rvi g f r rv d p r i
,
”
an e e s e xce en ce o e a o a ns e se n o u n e se e a se .
Tb P P hi l d lphi e ress , a e a.
Ii i fh i f r m r t ri
n o on e o f l if h s h giv pr mi f h pl di d
o e s o es o e as e en o se o t e S en
an d igi l g i h h d i pl y d i Th C ll f h W i ld
or na en u s e Gr t b k
as s a e n e a o t e
’
ea oo s
i mpl t h m ity w r h d p y fthi t l A g t d r
.
are h t e S es u an a ns e s t e ee cr o s a e. rea un e
cu rr t i rri d b l w h rf f h t ry f r ld h w rl d h y
en s ca e e o t e su a ce o t e s o a o ce o as t e o t e cr 0
g r w rl d
, ,
l
!
h y
t e oun e o . a .
THE MACMILLAN CO MP A N Y
6 4- 6 6 FI FTH A V ENUE NEW YOR! ,
AN! O THER S TO RIES
B y JAC! LON! ON
Cl oth lz m o
“
Th ese
f hi m
t ri h l p t
”
s o
L it
fi
es th r p t ti whi h th th r p
e o con rm e e u a on c e au o
’
s en
w on or y ! ig t
. era r es .
M L d r. on t t ry-t ll r wh r m i f t it l f m r tr
’
on s a r as a s o e e no e e an es s se o e s o
th an i th
n wi ft dr m ti l
e s f hi
, t ri a Th r i
a h it
c c ose o s s o es . e e s no es a nc
u n ce rt i t y f t h Fr m th t rt th t y m v tr i ght t th i
a n o ou c . o e s a e s or o es s a o e n
t bl l i C i j
”
a e con c u s on . l ou r er- ou r n a .
I t i i th N rth l d th t
s n e ! l d ik
o ! i p li g i
an t hi b t a ou r on e n s a s es ,
m
th t ri gri p th im gi ti with wi r d tr gth Th y p
ese s o es e a na on za s en . e ossess
l it r ry q l ity d tr g
e a ua f d r m ti v l
an s on m rk d i thi
se nse o a a c a u es so a e n s re
”—
a bl th r B t H l d
e au o . os on era .
F ll f vi g r
u o d th r bb i g with i t r t th
o an ll ti f rm
o nt n e es , e co ec on o s a no
z .
ac
Th y h v
J k L d
fi t-h d h i
e
on
l l th t fr h vit l ity th t h
a
on ,
fw r d ”
e a
th t fi t h d b rv ti f th w y f
Cl
a
a
d H
m t
rs - a n
es r v l ti f
d to
a
se a
a
on
as co
o e
m
e
m a
o u s as a
s o en , an
e e a
,
on
oo,
g R ld
'
rs an c o ce o o s. uca o ecor - e .
Cl oth 12 m o n et
w ll th t thi k i g m h l d k w th f t b t th h rr r b g i
Mr d b k i p w rf l p r t ti f r p ll t th m b t it
L on ’
a e en e e,
m
. on s oo s a o e u esen a on o e u
5 e a n n en s ou no e ac s a ou ese o o s un e
md fi lth l d d tf i g — th t th y t t w rk t h g
’
n d an co yan su y er n a e a se o o o c an e a s s
”—
e th t w rk h i iq ity N / ll N w
a o s su c an n u . as wz
'
e e s.
O f th m t w
ne o d rf l b k th t y h v y r l i t
e os f th
on e u oo s a ou a e on ou s
’
on e o e
Th m r I r d it th m r I m
,
ea d i g b k ll r i th
n oo se try writ i l tt r t th p b l i h r f M
e s n e co u n es n a e e o e u s e s o r
m
.
ac k L d on P pl f th A by
on s
’ ‘
eo e o e ss .
’ ‘
e o e ea e o e a
p d with it d p i i g ht i
ress e w rl d th t i l itt l k w I p t
s ee ns n a o a s e no n.
’
n a os
cr ipt th d l r dd e I t p l t ight t i ll ft r
ea e a r d i g thi b k
s:
‘
sa u as n a e o n e, ea n s oo
or th d ti m
e s e co n C l d Sp i g G tt e.
’
o or a o r n s aze e.
“
M J k L d r. aci r i g l r l i m y fi l d H i l t t w rk
on on s ea n n au e s n an e s . s a es o
P eo pl f th A by
e o l y d d t r p t ti l r dy d rv dl y hig h
e ss,
’
ca n on a o a e u a on a ea ese e ‘
t l t hi
re a es p ri d ri g th mm r f 9 wh h w t d w
s ex e en c es u n e su e o 1 0 2, en e en
‘
o n
t th
n o d rw rld f L d t t dy th l i f f th m i r b l d i
e un e o o on on
’
o s u e e o e se a e en z en s o
h t I fr
a Thi l i f h
n e no. b p i t r d m y ti m b f r mpl t ly
s e as een c u e an es e o e, co a cen
n d th i gl y by P r f r W l t r A Wy k ff l rid l y by M St d i tifi
soo n o esso a e . c o , u r. ea , s c en
a ll y by M ”Ch rl B th B t M L d l h m d it r l d
r . a es oo . u r. on on a on e as a e ea an
r tt
es en Tb I d p d t
o us . e n e en en .
“‘
P pl f th Aby
eo e o t b riti i d ; it i r l i ti p rtr y l
e ss
’
ca n n o e c c se s a ea s c o a a o
i
er o u s tr th Writt with th f i ti f t ry it i w rth y th i t r t
u s. n e es
m
en e a sc n a on o a s o , s o e
f y an ri r d r I t i il l tr t d fr m p h t gr p h f th p pl m g
se ou s ea e . s us a e o o o a s o e eo e a on
h oh l iv d e d wh m h e t d i d i th ir h t ”th ir h m d w rk
an o e s u e n e a u n s, e o es a n o
h p th t h m ight d t rm i th d rift f th ir l iv
o s, a e T d C
e e ty ne e o e es . ow n a n ou n r .
It t k tr g g i p ”th r d r i th fi t f w p g d h ld it wit h
d —
a es a s on r on e ea e n e rs e a es a n o s
i
gh t i g l t h t th
en n c u c P l i ! l Cl l d
o e en . a n ea er, ev e a n .
CONTENTS
T H E CL A SS STRUGGLE
T HE T RA MP
T H E SCA B
T 1 1 1: ! UESTIO N 0 1? T H E MA ! IMUM : A Rsv nsw
m
W NEW LAW
m
A NT E! : A OF ! EV ELO P MENT
H ow I B ECA ME A So c sr
md b th r gh l y i t r ti g d d
Mr . L on on s
’
o ok is o ou n e es n , an Mr . Lo n on s
’
po i
vie wi s, a s ay be su rm i d v ry d iff r t fr m th t
se , e e en o a of th e l t th
c ose ee
Sp ri ngfi el d Rep u bl i ca n .
4
H is c eal r and i i iv thi k i g rr t tt ti
nc s e n m yp i t
n a es s a en on on an o n s c
con vi ti —
c on and on th wh l ill m i t t bj t Cki g R
e i
o e
”
u n a es s su ec . ca o e
b k i w rth th ghtf l
Th e oo i d r ti
s o C g g tioul t u con s e a on .
” on re a ona
’
zs .
Th t t m t f thi b k
e s a e b r d b ld th st ry f th
en s o s oo a re a s a e an o as e o o e
m
W lf
o ,d pr
’
t th
an i l i t d l b r r i d f th
e se n m i it
e soc a s s
’
an a o e s
’
s e o e e co n o c s u
with vig r l r d i mp r iv Tb W t h
”
o , c ea ness, a n ess en ess. e a c a n.
Cl oth 12 m o
m
m
m b I
“
I
m h i mpr
a uc esse d b y th b
t rt i i g th ght e o ok ; it is an en e a n n ,
ou
o p ll i g
e kn oo r pri d if it b m
. s h ld t b
ou l i thno e su se eca e a c a ss c on e
u bj t f l v
ec o
” -
E W N M
o e.H M W t r l ig h St t
! I I l d NY A R! A , es e e , a en s an , . .
c ti onth t d rv ri
a i d r ti
ese Th C
e se i l Ad
ou s cons ti e a on. e o erc a v er ser.
Au thor f
o The S on f
o the Wolf ,
”
The God of his
Fa thers, etc.
m
.
Cl oth Ia o
i d iff r
m
with whi h M ! i pl i g m k b ggi g y t d ir t d f ili
r. es u n e n e ec an un a n
”—
n e ence c n a
app l t th ymp th y fh i r d r R h d ! i p t h
ea o e s a o s ea e .
'
zc on s a c .
M L d i gr wi g l it r ry f r H i t b r k d m g th
m
1 on on s a o n e a o ce. e s o e ec one a on
”—
.
y g writ r if t th tr g t
m
t g t f
ron es o our ou n ! R p bl i
e s, no e s on es . e /er e u ca n .
“
S p w rf ll y writt
o o e d u t t lly d i ff r t fr m th gr t
en, an so o a e en o e ea ass 0
”
books . Tol edo ! a ily B l a de .