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WA WE J v
A C O B S
F OU R T H ED ITI O N
M ET H U E N CO .
36 ES S EX S T R E E T,
LOND ON
Ed ib
n u rg h Pi
r n te d by T . a nd A CO
. NS TA B L E
.
C O N T E NT S
P AG E
AN O D D F R E AK
A QU E S TI O N OF H AB IT
H A R D LA B O U R
A G AR D EN P LO T
PR V I AT E C LO T H ES
T H E B U LL Y OF TH E
“
C AV E N D I S H
THE R E S U R R EC T O N O F I MR . W I G G ET T
-
A M AR K E D M AN
TO H AV E A ND To H O LD
B R E V ET R AN K
T WIN I TS
SP R I
’
S A M s BO Y
A W I LL AND A WA Y
J ER R Y B U N D LE R
TH E PE AC E M AK ER
F A I S E C O LO U R S
LI ST OF I L L U S T R AT I O NS
“
Now YO U LO O K MOR E L IKE TH E G AL YO U R
F AT H E R U S ED TO K NO W ‘ '
F r on t z sp z ece
P AG E
IT W AS P R ET TY TO S EE T H E WAY W I LL I A M
' ’
A N D LE D
’
IM
“
YOU TO U C H TH AT M AN, H E S E S, I TI N G T O T O M
PO N ,
“
A ND I LL
’
I
G VE YO U SUCH A D R E S S I N G D O WN-
As YO U ’
VE NEVE R
’
AD B EFO R E
H E \V I P E D H I S E YES T O T H E M EM O R Y OF THE F A IT H F U L
BL AC K
W OT ?
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SCRE A M S G I NG E R .
“
T ATT O O ME !
”
ST UD Y I NG T H E S I G N - PO S T
“
DO N
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T TA L K NO NS EN S E, S AI D THE S K I PP E R
T H EN IN A LO W ,
’
I
U S K Y V O C E H E S ES ,
“
I W ILL
H E BU R ED H IS I FAC E I N IT
LIG HT FREI G HTS
AN O DD F R EA K
,
-
’
I t wou l d be a b righter an d a a pp i e r p lace for
”
everybody .
h i s theme .
“ ’
O f cou rse i t s the bei n g short that sharp en s
” “
peopl e he ad m itted thou gh tfu l l y
, ,
the sharpest
m an I ever knew n ever ad a ha p en ny i n i s ’ ’ ’
2 LIGHT FREIGHTS
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pock et an d the ways e had 0 gettin g oth e r
,
’
’ ’
fortin at the law i f c d o n ly a d the e d d ic at i o n ’
.
’
e m wot they were an gin g abou t for bu t I n ever ’
,
’
e ard of a C hap tel l i n g i m They u sed to go away ’
.
"
ward of the L on d on H o r s e p it t l e poor chap , .
l aughe d ru m bl i ngly .
“
The fu n n i est way 0 rais i ng the wi n d I ever ’
’
eard of he sai d i n expl an ation was on e that
, , ,
“
o m i ne al tho u gh o n y fi re m en
’
,
’
.
’
I kn ow it s a tru e s tory bec os I was i n i t a
“
,
'
l ittl e b i t mysel f an d the o ther par t I a d from
,
m o n ey a n d I d e s s a y i f i t a d co m e o ff al l right
,
’
, .
’
of em i n al l : ol d S a m S m al l Gi n ger Dic k Peter , ,
so bu t Sa m u se d to say th at c owe d it to i s
,
’ ’
brother to expl ai n .
“ ’
Wot s to be d on e ? ses P eter Russet arter
‘ ’
,
’
an o w b ad ly sai l or m en was pai d
’
We r e al l -
.
‘ ’
”
goi n g to si gn o n i n the L a n a : E n d bu t sh e ,
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does n t sai l for a fortn i ght ; wot s to b e don e i n ’
“ ’
There s you r watch P eter ses old Sa m
‘
, ,
’
,
’
i n the sa m e boat m ates an I on y w ish a s I d
’ ’
, ,
’ ’
an orph a n n evy wot s k ep m e p o r e .
’
’
S tow it ses the n evy short l ik e
, ,
-
.
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Everyth i n g s agi n u s ses ol d S a m ‘
The re s’
, .
’
’
al l d ead .
’
shak in g is ead th ey u sed to s l e e p wi th m e too
’ ‘
, .
’
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They al l shoo k their ead s then an d R u sse t ,
’
ha d ied H e sai d i f S a m k n ew m ore abou t
.
’
monkeys tha n wot e d i d w h y d id n t e p u t i s ,
’ ’ ’
’
m on ey i n the m i n ste ad 0 gree n parrots wot p u l led
the ir fea the rs ou t an d d ie d o f col d .
“
Tal k i n g abou t m on keys s es Gi n ger D ic k
‘
,
’
,
B eau ty here ? ’
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Wel l wot about h i m ? s es t h e n evy i n a
‘
,
’
,
’
n asty sort 0 way .
’
e s worth forty m on keys an m il l ion s
’ ’
’ ’
0 green p arrots s es G i nger s t arti n g u p ; an ‘ ’
, ,
’ ’
here e i s a was ti ng of i s op portu n i ties goi n g
-
,
’
r ol l your eyes a bi t .
A N O DD FREAK 5
was qu i te e n ou gh fo r m e without th at .
“ ‘
Ter b l ig e m e s es Gi n ger an xi ou sly j us t
’
,
’
, ,
‘
’
m ak e yours el f as u gl y as wot you c an Beau ty , .
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L eave i m a l one s es ol d S am as his n e v y
’
,
’
,
’
sl ow an d sol e m n the re s a fortin i n i m I was ,
‘ ’
.
,
’
I su d d en ly rem e m bere d i t wa s a w il d m an of
Born eo I see whe n I was a k i d u p i n S u n der
lan d W he n I say e was a a n d s o m e good a r t e d
.
’ ’
,
-
’
’
yo u begi n to ge t m y m ean i n g ?
“ ’
‘
Wot s th e i d ea G i n ger ? s es Sa m gett i n g
’
, ,
u p to len d m e an d R us se t a an d with I s n e v y ’
.
,
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a wil d m an of Borne o .
’
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L et go P eter ; l e t go d ye hear ?
, ,
’ ’
6 LIGHT FREIGHTS
“ "
Ol d
you r noise Beau ty whil e your el d ers , ,
’
is speak i ng se s is u n cle an d I co ul d see e was
,
’
,
’
“ ‘
You j es t try d re ss in g m e u p i n a wi n d e r
bl in d se s h i s nevy h al f cryi n g wi th rage
,
’
,
-
.
’
ave you r share of the t i n ; i t l l on ly be for a d ay ’
"
O w -do you m ak e that ou t G i nger ? ses
“ ’
F ou rs in to a u n d e r e d s es G in ge r
’ ’
.
,
“ ‘
S hare and share al i ke se s Russet It s a ,
’
.
‘ ’
“
Gi n ger hold s i s ead u p an d l ooks at i m ’ ’ ’
the wi ld m an Th rees in to a u n d e r e d go .
’
'
go ing to ave m y share ; e lse I l l s pl it to Ted
’
R e dd i sh
’
.
o
fou n d in the fi repl ace m i n e wo t
’
a n k e r c h ie f
’ ’
e ,
’ ’
win der bl i nd which e sai d d id n t fi t ; th en e
-
,
’
’
gru mbl ed abou t goin g b are foot then e wan ted -
,
0 broken c l othes —
’
prop i n the yard an d e d been ,
’ ’
sa id as o w i f Ted R e d d i sh g o t i m for a u n d e re d
’ ’ ’
poun d s e d ge t i m a bargai n ’ ’ ’
.
’
C ab ? se s G i nger What for ? .
‘ ’
8 LI GHT FREI GHTS
’ ’
We shou l d ave h al f Wappi n g fol lowi n g u s ,
’
an d fetch a c ab .
’ ’
c d forgotte n wot ou ght to b e fetche d a t onc e .
'
was sl ip pin g d own They got i m ou t at l as t .
,
’
“
I t ca me back at ab ou t a m i l e an a al f an ’
’
h our an the re m arks o f th e cabm an was eggs
,
’ ’
t ro rd i n a ry Even whe n h e got bac k e wou l d n t
.
“
There was a fi n e sce n e at Te d R e d d is h s d oor ’
.
’
u n d e r e d an d a l l the three of e m cou l d d o they
’
, ,
'
the cabman was h O p p in g abou t arf crazy Every .
'
A N O DD F R EAK 9
’
now an d then t hey d get th e wi l d m an arf out ’
,
’ ’
an d then he d ge t i n a gi n and s n arl ’
E d id n t .
’ ’
I t m u st ha ta ke n two yea rs wear ou t 0 that cab
’
we nt s trai gh t i n .
“ ’
Wot s al l th i s ? ses Red d i sh who was a tal l
‘
, ,
’
I t s a wi l d man 0 Borneo ses G i nger
’
,
’
,
’ ’ ’
an we v e co m e ere to give you the fust o ffer .
’
’ ’
Ted Red d ish was so surprised e cou ld n t
speak at fus t The w il d m an see m ed to take
.
’
i s breath away a nd e looked i n a e l p l e s s k i n d
,
’ ’
’
0 way a t i s wi fe who d j us t co m e d own S he
’ ’
.
,
k nown e m a l l th e ir l ives
’
.
’
Com e i n to the p arl ou r she ses k i nd ly j ust , , ,
’
as Ted was begin n i n g to get i s b reath .
’
They fol l owed e m i n an d the wil d m an was ,
up on the e a r t h r u g i n stead ’
.
"
E a i n t a very fi ne spec i me n ses Ted Red
’
,
’
d ish at l ast , .
Io LIGHT FRE I GHTS
’
I t s the red si de whiskers I d on t l ike ses -
’
,
’
i n a collar an n ec kt i e ? ’ ’
’
Yo u ve g o t hol d 0 the w ron g on e s es Ted ’
,
’
h issel f .
“
O h I b eg you r p ard in ses M rs Red d ish
‘ ’
.
, ,
’
a wil d man shoul d b e wearin g a col lar I t s my .
' ’
ea r t h r u g ?
That s i m m u m ses ol d S am very short
’ ’
, ,
’
, .
,
’
.
i n g h er y a l l e r c u rl s .
,
’ ’
.
'
then the way e wen t o n an d M rs Red d ish said
, ,
.
poor e a t h e n an i m al
’
.
H o w m u ch d o you w an t fo r i m ? s es Ted
’ ’
O n e u n d e re d p ou n ds s es ol d Sa m
’ ’
.
,
Ia LIGHT FREIGHTS
I t s a l l right ses o ld S a m wi n k in g at
’
,
’
,
Gin ger .
’
his l eg I tol d you i t wou l d b e bu t there s n o
.
‘
,
’
need for B eau ty t o o verdo it H e n early ad a .
bi t ou t o my l eg ’
.
’
’ ’
A r ight se s the wil d m an sh i ft in g a lo n g the , ,
’
she sa id .
“
H ow are you feel i n g ol d m an ? ses P eter
‘
,
’
’
is c h air .
i m o ff S am
’ ’
.
,
’
Gu rr ses th e w i l d m a n sn i ffi ng at is legs ;
, ,
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‘
gu rr .
’
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E asy on B eau ty it s n o good bi t in g im t il l , ,
’
,
’
, ,
'
‘
m ind that S am I t s my bel ief Beau ty s gon e , .
’
mad .
’
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i n and sa t d own ag i n a n d after Te d ad a d ,
’
AN O DD FREAK 1 3
’
an d sa i d they d d eci de d to give a u n d e r e d pu n ’
,
’
,
‘
that we coul d ave a b it o f i t n ow to go on wi th ? ’
’
I t s agin ou r way of d oin g bu sin es s ses Ted
’
by S a m an d G i n ger where to pu t i m ,
’
.
’
ses her u s b a n d ’
.
' ’
There s pl e n ty 0 room i n his cage says is ’
,
’
too .
’
Ginger .
’ ’ ’ ’
I m sartai n su re e woul d n t says old S am , ,
shak in g is ead ’ ’
.
’
I s pose ses Redd ish bu t we ca n t be pu t to
’
, ,
‘ ’
awful .
’
“ ’
D on t you spen d too m uch money on cat s
‘ ’
"
m eat for ses S am e d very l i kely leave i t ,
’
.
I4 LIGHT FREIGHTS
,
’
, .
’
y o u . Y .
'
keepin g i s ead t u rn ed away fro m the wild m an
’
’
wo t wos tryin g to catch i s eye Coo k is food ’
.
’ ’ ’ ’
at fu st c o s e s b een u sed to i t
,
.
’
handed ly I ai n t been i n the l in e twen ty seve n
.
-
,
’
I l l pu t i m i n i s n ew o m e
’ ’ ’ ’
.
’
,
’
’ ’
a ti m e says Red d i sh ; len d a han d ere Wi ll iam
,
‘ ’
, ,
’
he says bec kon i n g t o o n e of is me n
, .
,
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al l Ginger s coaxin g to ge t Beau ty to go i n .
A N O DD FREAK
It on y for a d ay or t wo he whispers
’
s
’
,
’
.
’
We l l l ook arter that ses G in ger wh o a d n t
’
, ,
’ ’
’
“
The wi l d m an a d a l ittl e show fo r the l ast
ti me j is t to i m press Ted Redd is h an it was
, ,
’
’ '
on Ginger s shou lder an d wep for a pp i n e s s a s e ,
’ ’
’ "
S pok e of is n e vy s hom e at A ppy Cottage ’ ’
.
’
i n a ar m chair shaki n g e r ead a n d l ook i n g at the ’
carpet ve ry sorrowful .
’
I was afra i d you d com e she ses i n a low
“ ‘ ’
, ,
voice .
’
So was I s es Red d ish , .
’
What fo r ? ses ol d S am I t d id n t look .
’
’
“
W e ve a d a l os s ses M rs Red dish S he
‘ ’
,
’
. .
’
t ie an d a b it 0 crape rou n d i s arm ’
.
’ ’
S orry to ear it m u m se s ol d S am , , .
’
I t was very s u d den too ses M rs Red d ish , , .
,
’
w ipin g e r eyes .
’
That s b etter than l ayin g lon g ses Peter ,
’
’ ’ ’
pou nd s w as wot e u c ome for ; n ot to ear this ’
’
sort 0 tal k ’
.
'
We ve been i n the wi l d beast l i ne seven an
’
- -
’ ’
t im e a n y t h i n k of th i s sort as a pp e n e d ’
.
’
E a l t h y fa m i ly I s p ose ses S am starin g
’ ’
.
, , ,
wh is per .
No you s es Ted
’
.
, ,
I 8 LIGHT FREIGHTS
I t s a n u n fo rt u n it th i n g fo r al l parties ses
’
,
’
’
the e art h r u g .
s es S am u s k il y You ou gh t to ,
’
.
‘
’
to d o .
’
C rool th in g ses P eter Ru sset , .
,
’
,
’ ’
ha kn ow n be tter than th at .
,
’ ’
,
’ ’
, ,
an d Ru sset passed i t o n to S a m .
’ ’
What abou t the u n d e re d qu id ? ses pore
B eau ty s u ncle catch i n g ol d 0 Red d is h as e
’
,
’ ’ ’
passe d i m ’
.
’
Eh ? s e s R e d d is h s u rp r is e d O h that s , ,
’
A N O D D FRE AK 1 9
Ho l says S am ’
H o ! is i t ? We wan t a .
‘
’ ’
u n d e re d qu i d o ff o f you ; a n wo t s m ore we ’
,
’
m ean to ave i t ’
.
‘“
Bu t the tiger s ate i m says M rs Red d ish ’ ’ ’
, .
,
expl ain in g .
’
I know that ses S am sharply B u t e was , ,
.
’
ou r w il d man an d we want to be p ai d fo r i m ,
’
.
station .
’
You l l b e ru in ed i f we d o s es Gi nger
’
,
’
.
’
A l l right ses Ted Red d ish com fortably , ,
.
,
’ ‘ ’
agin .
’
,
.
m ove .
L ea go o my legs m u m s e s S am
’
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’
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20 LIGHT FREI GHTS
pol ice .
’
'
“
O ld S am m ade a d e s p e r i t e fi o r t an d M rs , .
' ’
and id e r face on e r h u sban d s s houl d er as they
’ ’
thin g wi th hysterics .
ol d S a m s l od gi n gs ’
.
’
Wel l what the bl aze s i s u p n ow ? ses Gi nger
‘
,
“
There was three or fou r u n d e r e d peopl e ’
’ ’
stan d i n g i n fro n t of th e ou se an d wom e n s eads ’
,
’
fo r the pol ice an d as they got cl oser they eard
,
'
a i n cessan t knock i n g I t took e rn ne arly fi v e .
’
an d gi v i n g rat a tat tats at the d oor for all
- - -
e
was worth .
“
They n ever got to k n o w the righ ts of i t ,
’
B u t they began to ave a sort o f idea at last
that Ted Red d ish a d bee n a vin g a ga m e with
’ ’
’
em ,
an d that M rs R edd i sh w a s worse than wot
.
”
e w as
’
.
A QU E S T I O N O F HAB I T
IMMIN
aboard ship I d on t ol d with ’ ’
,
’
They l l ars k you a l l sorts o si l ly q u estion s
’
,
’
’
e m c ivil i n answeri n g e m I f you d o treat e m .
’
’
C ivi l what s th e resu lt ? I s i t a bi t 0 bacca or
,
’
’ ’
i t ; j u st a tha n k you a n sa i d i n a way as
‘
,
’
thou gh they ve been gi vi n g you a perfec t treat
by tal k in g to you .
'
’
she l l get o f? an l oo k at you as thou gh you ou ght
’
'
i m as when he fu st m a rrie d .
"
0 c o urse so m eti m es you ge t a gal d own the
’
n
A QUESTI O N O F HABIT 23
fo c s le prete n d in g to b e a m an sh i ppin g as
’ ’ ’
,
’ ’
the wiser I t s happen ed before an I ve no d oubt
.
,
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i t wi ll aga i n .
We a d a qu e er c ase on ce on a b a rq u e I was on
’
’
E n er y M al l ow an the fus t th i ng we notice d
’
’
u d go an d b e took bad qu i te i nd e pen de n t of
the weather .
“
The n B i l l Dowsett a dopted I m an d sa i d he d ,
’
’
’
ave chose I s father h e d sooner ad any m a n ,
’
B i l l g o t al m ost to be afrai d o f i t t i n g i m at
“ ’ ’
d o Then we fo u n d as E n e r y was te n ti m es as
.
’
sarcastic as B il l —c d ta l k al l rou n d i m so to ’ ’ ’
u LI GHT FREIGHTS
’
speak a n eve n tak e the word s ou t of B il l s
,
’
m ou th to u se a gi n i m Then B i ll wou l d tu rn to ’
.
’
i s great n atu ral gi fts an d the en d o f i t was when ,
'
L a n g wi d ge s e s the ol d m an gl ari n g at i m
‘ ’
, ,
as if e d eat i m ’
what sort 0 l a n g wid ge ?
’ ’ ’ ’
’
Bad l a n g wid g e sir ses E mery , ,
’
.
’
Go to you r d uti es roars the sk i ppe r ; go to ,
'
you r d uties at onc e an d d o n t l et m e ea r a ny ,
’
’ ’
lad i es school .
’ ’
“
I k n ow I ou ght sir
‘
E n e r y ses with a , , ,
’
h is eyes a n d stares agin E n e ry wi ped h is eyes .
'
E a ve n s abo v e ses the ol d m an i n a d azed
’
, ,
’ ’
I won t i f you d o n t wan t m e to ses E n e ry
’ ’
, ,
on i s t o e
’
.
“
That eve n i n g the sk ipper an d the m ate form ed
the m selves i n to a co m m i ttee to deci de what was
to be do ne Everythi n g the m ate su ggested the
.
’
sk ipper woul d n t have an d whe n the sk ipper ,
’
pos sibl e A fter th e com m ittee a d bee n si tti n g
.
’
m ate k e p on sayi n g i f i t was n t for d i scipl ine he
’
’
froc k ? se s the m ate .
too thic k .
’
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I k n ow they are ses th e m ate ,
.
A QUESTION O F H A BIT 27
’
had j ust frizzed e r a ir wh ich was rat her l on g
’
, ,
’
e r pl at e u p .
, ,
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Whe n I wen t d ow n to the cabin agi n it was
’
l ike a d ress m ak er s shop There was si l k h and .
’
kerch ie fs an d al l sorts 0 th i ngs on the tabl e ,
begin .
“
I shan t atte m p t anythi n g very grand he
‘ ’ ’
“
The m ate d id n t say anythi n g H e was bu sy
’
.
28 LIGHT F R E I G H TS
“
B y J ove ! I ve got it ses the ol d m an
‘ ’ ’
, ,
wi fe gave you ? ’
,
’
,
’
s lowly . I ve m isl a id i t .
’
“‘
W el l i t can t be fa r ses the sk ipper
,
It s
’
,
’
.
‘ ’
i n g of ? ’
‘
Wel l ses the s k ipp er
,
’
.
’
ses the m ate They r e very d ark an they d
.
‘ ’
,
’
hang beauti fu l .
’
“‘
L et s try th e d ress i n g gow n fu st ses the
’
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,
’
sk i pp er hearty l ike
,
T hat s e as ier I ll hel p
-
.
‘ ’
.
’
yo u look for i t .
’
’
I ca n t thi n k w hat I ve d on e wi th i t ses the
’
,
’
m ate .
“‘
Wel l l et s t ry you r cabi n ses th e o ld m a n
,
’
,
’
.
,
~
e
A QUESTI O N O F HABIT 29
,
’
bu sy cu tt in g bu tton s O ff .
’
“ ‘
Why yours ses M r J ac kson
,
L et s see
,
’
. .
‘
No M r J ac kson se s the ol d m an I m
’ ’
“ ‘ ‘
. .
, ,
’
wan t e m ’
.
“ ‘
Wel l I wan ted my d ressin g gow n i f yo u
,
-
,
’
come to t hat ses the m ate i n a sul ky voice
, , .
“ ‘
Wel l wha t o n earth d id you give i t to m e
,
’
you r ow n m in d Mr J ac k son , . .
’
“
The m ate d i d n t say any m o re H e s at an d .
’
the front I t real ly d id n t l ook hal f bad when
.
’
was weari n g an d a ban d m ade 0 s il k h an d k e r
30 LIGHT FRE IGHTS
’
father used to k n ow ses the sk ipper My , .
I l l m a ke you a bon n et
’
.
’
’
I d l i ke to see it ses the m ate ,
’
.
’ ’
my w i fe d o e m S h e c al l s e m tokes You
. .
’
make the h u l l ou t o c ardboar d an d S pread you r
canvas on th at .
’
“
That dress m ad e a wond erful d iffere n ce i n t h e
gal Won d erful ! S he see m e d to C han ge al l at
.
to wai t o n e r ’
.
“
I m u st s ay she a d a good ti m e of it We w as
’
.
’
ha v in g s ple nd id wea the r a n d the r e w asn t m uch ,
d i d n t d o i m a i nj u ry
’ ’
.
A QUEST I O N O F HABIT 31
S he ne v er a d n o re st pore th i n g I f s he was u p
’
,
.
’ ’
The sk i pper eard i t too an d bein g su spic iou s 0 ,
“
There was n o d oubt abou t the m two you ng
fe ll ers bei n g ge n u i n e S he a p p e n e d to say on e .
’
’
o f e m d id n t give e r their p ipes to chuck over
’ ’
“
I t g o t to su ch a p itch at l as t that the m ate ,
H ow se s the s k i pper .
“
T he S k i pper was so s tru c k by what he said ,
su l ky .
“
T hin gs got bac k to their ol d styl e a gi n i n a
very c u ri ou s way I d j us t se t the tea i n t he
.
’
’
M r F is her co m e d own whe n we s ud d en ly eard
.
,
voice wha t s th i s ?
,
‘ ’ ’
’
A s k her shou t s th e m ate
,
’
I thin k she s .
‘
“
Cu rse the co m m i ttee screa m e d the m ate
‘ ’
, .
‘
Cu rse
H e l ook ed al l rou n d wit h h is eyes s tartin g
“
,
’ ’
ou t of i s ead an d the n s ud d e nl y shu t his m outh
,
'
’
her the pay as b o y an d I don t thin k I ever s ee,
'
a nd com es b ac k abou t a hou r l ater wi thou t e r .
,
’
’
“
S he d d i sappeared as com pl etely as i f she d ’
good to hear .
walk i n g st ic k -
.
’
Good cave ns se s the sk ipp e r
“ ‘
,
’
I hope ,
‘
’
n othi n g 5 happe n e d t o t hat pore gal
’
.
l ow voi ce .
“ ‘
S he took this se s the fust c aptai n ,
very ard ’
.
“
The three c aptain s shoo k the ir ead s agi n an d ’
’
I d o n t u nd erstan d se s the s k ip per ,
’
.
,
’
short .
“
H e l ooke d rou n d at the others an d they all ,
’
m an he was Q u it e a crowd got rou n d a n
.
,
’
wou l d n t g o away fo r al l we coul d d o to e m i n ’
'
t h e shape 0 bu ckets 0 water and lu m ps o coal
’ ’
.
o u t of i s m i n d
’
.
H A R D LA B O U R
O L I CE C O N S T A B L E C 49 paced s l owly
up Wappi n g H igh S treet i n the c ool of the
even in g The ware h ou ses wer e c lose d a n d the
.
,
sl owly al on g m on a rc h of al l h e su rveyed
, .
n
‘Bfl r m t‘ '
L
K E P T B E H I ND C 4 9, A N D C O NT E NT E D H I M S E L F W i l
’ ‘
li I N S U LT I NG RE M A R KS
40 LIGHT FRE IGHTS
tem pl e .
H e reached hi s h om e a s m al l hou se i n a
,
pl i ed h i m wi th qu es tio n s .
“
S pen d a al f hou r wi th me ? she rep e ated i n
’
-
,
’ ”
a dazed voice A i n t you well Charl ie ?
.
,
” ’
“
Wel l ? s ai d th e fi rem an frown in g 0 c ou rse , ,
“
’
a l ittl e of m e so m eti mes wh en I m ashore .
“
That s gen eral ly wh at I d o see sai d M rs
’
, .
P in n e r °
i t s bee n a l on g ti m e stri k i n g y o u
“ ’
,
Charl i e.
HARD LAB O U R 41
“
Bette r l ate than n e v er m u rm u red h e r hu s ,
“
Wel l I m glad you ve turn ed over a n e w l eaf
,
’ ’
sa id M rs P i n n er
. I t ai n t afore it was ti me I m
.
’
,
’
”
su re I l l go u p an d fetch the baby d own
.
’
.
”
What for ? d em an ded her hu sba nd shortly .
wi fe .
“
U p to t h e present i t cal ls every m an it
’ ’
sees farver I t ai n t its fau l t pore l i ttle d ear
.
, .
s om e ti m e wi th o ff en sive cu riosity .
’
U nti l n ex t morn i ng M r P i n n er s o dd reason s .
of i t.
“
I t served hi m ri ght sai d hi s wi fe j u d icially , , ,
a r a g i n gl y a n d e m i tte d a groa n
p , .
”
H e a d n o wi tn esses h e re m arked except
’
, ,
“
’ ’
a boy that is a nd e d id n t l oo k the sort to be
, ,
' ”
fond o pol i ce m en .
“
You ca n t tell by l ook s repl ie d h is wi fe i n
’
, ,
’ ”
m u st n t ge t nabbe d for my sak e .
“
I won t g et n abbed for m y own s ake
’
,
“
rej oi n ed M r P i n ner expl ic itly . I won der , .
’ ”
whethe r i t s got i nto t h e papers ?
”
S u re to s ai d h i s wi fe shak i n g her head
, ,
.
’
gl an cin g at the baby “
I l l l oo k a fter i t bu t .
,
’ ”
don t b e lon g .
“ ’ ’ ’
I do n t s pose he was m u ch u rt he said , .
”
d o n t I l l j u s t kee p my eyes ope n when I m ou t
’
.
’ ’
.
“
I d o n t thi n k you ought to go out sai d h i s
’
,
H A RD LAB O UR 43
’
d rov e the roses from M r P i n n er s che e k an d .
“
W o t i s i t ? h e stam mered
”
.
i ng hi m to s il en ce re ad a s fol lows ,
”
watched .
”
an noyed H o i n d eed
.
, .
“ ” ’
T ha t s al l sa id h is w i fe pu tti ng down the
, ,
papen
”
“
A l l ! ec hoed the i n d ignan t fi re m an “
Ow .
’
’
m u ch m ore d o you wa n t ? I m i n a n ice ol e ’
,
’
I don t thin k S ee m s to m e I m i ght as wel l
.
”
be in qu od as ere ’
.
’
You d on t k n ow whe n you re well o ff re ’
,
t o r t e d h is wife .
’
You l l be q u i te safe i n d oors S a id h is w i fe
“
, ,
’
i s peop l e l l won d er what you re s tayi ng i n d oors
,
’
al l d ay for .
M r P in n er took hi s p ipe ou t of h is m ou th
.
an d sta re d at her bl an k ly .
” ’
Yes bu t you ca n t tel l the m that s aid his
, ,
“
wi fe .You wan t a rea son everybody can u n der
stan d an d k e ep em fro m tal k i n g ’
.
“
Yes al l very fi n e for you to tal k said M r
, , .
’
P i n n er “
i f you c oul d thi n k of a reas o n i t u d
”
be m ore sen sib l e .
”
W h ite was h the kitc h e n c e i l i n g she said , ,
su d d e n l y .
"
O w lon g wou l d that tak e ? d e m an d e d h er
“ ’
roo m con t i nu ed M rs P i n n er
,
a n d pu t the m .
,
d isagreeably .
“
“
A nd I was thi n ki n g said his wi fe i f I got , ,
’
a s ugar box fro m th e grocer s an d t wo pairs 0
-
’
P i n ner .
“
Whil e you re d oi n g thos e thi n gs I l l try a nd
’ ’
”
thi n k o f so m e m ore i nterru p ted his wi fe , .
sulle n reveri e .
stran ge .
whitewashin g .
pape n
’
I t don t say m u ch about i t s ai d his wife , .
”
Read i t sai d th e firem an st ern ly
, , .
”
The i nj u red co n stable read M rs P i n ner , .
,
gl ibly “
i s still go in g o n satis factory an d th e
, ,
”
publ ic hou ses are s ti ll be in g watched
-
.
“
They d o seem fon d O the m p ubl i c ho uses ’
-
,
’
th e cha p s gettin g o n a l l right bu t I op e e ,
’ ’
’ ”
“
I shou l d n t thi n k he wou l d said his wi fe , .
“
I d b ette r go ou t an d get the wal l p aper a d n t
’
-
,
’ ’
”
I ? W hat co l ou r wou ld you l i k e ?
M r P i n ne r sai d that a ll wal l pap e rs were al i ke
.
-
m i sgivi n gs .
“
Wai t ti l l I ve see n the paper she protest ed
’
, .
”
Wot s the good o f seei n g the paper ? repl i ed
’
’ ’
M r P in ne r
. . We k n ow a s e s i n bed an d i t
“
,
’
see m s to m e wh il e e s i n be d is m y ti m e to be
’
”
o ff
’
. I ought to ha thou ght of i t be fore .
O h, dear m oane d h i s wi fe
,
.
”
What s the m atter ?’
sa i d M r P i n ner .
,
anx ious ly .
P i n ner .
“
Worse tha n that s aid h is wi fe , .
”
Wors e than that ! sa id her husban d whos e ,
H ow can it be ?
”
H e s d ead sa id M rs P i n n er sole m n ly
’
, .
, .
”
D ea d ! rep eated h e r husban d starti ng ,
violently .
M rs P in n er w i th a l i ttl e s n i ff took u p t h e
.
, ,
“
The u n fortu nate pol i ce m an who was assau l t ed
the other day dow n at Wapp i ng passed awa y
peacefu lly yes terd ay even in g L ady V e ra x i s .
it is
T he u n fortu n ate pol icem a n who was assau lted
the other day d own at Wapp i n g passed away
peace fu lly yesterd ay eve n in g i n the arm s of his
wife a n d fa m i ly Th e ru ffi a n l s bel ieve d to b e
.
”
at s ea
’
.
te arful ly .
D ye thi n k I m m ad or wo t ? I m goi n g to
’ ’
,
’
,
’
’
i n a cab Wot d ye thi n k I wa n t to go out
.
for ?
H e sat i n a frighten ed con d i t ion i n the d arkest
corner o f the room a n d s pok e on ly to hi s wife ,
m ade y o u d o
’
I t s the d ri n k as it ,
sa id his
wife .
H A R D LAB O U R 5:
“
i ll
’
neve r tou ch a d rop agi n a ffi rm ed M r ,
.
P i n n er shiverin g
, .
i ts be i ng i n fectiou s .
“
“
Charl ie s h e cri ed ; Charl i e
, .
’
What s th e m atter ? S h e c r i e d i n a lar m , .
’ ”
What s t h e m att e r ?
“
I v e s e e n i t said M r P i n n e r i n trem bl in g
’
, .
,
“ ’
tones . I ve see n a ghost I wa s j u st p eepi ng .
“
Non sen se said h i s w i fe , .
“
n atu ral att i tude an d shi verin g V i ol en tly red ,
be a t u p an d d own thi s st re et I s h a l l go m ad . .
’ ”
i t s been by twi ce .
s tate o f a ffai rs .
’ ’
“
You mu s tn t ave s u ch fan cies s aid h is ,
wi fe .
“
I see i t as plai n a s I see you persisted the ,
when it was al i v e .
’
I ll d raw the bl in d down said h is wi fe , .
“
Can you s e e i t i cried h e r husban d .
”
No ,
said Mrs P i n ner recoverin g hersel f
.
, .
”
S hu t your eyes .
”
“
I m u st sai d her husband
, .
“ ”
Won derful sai d Mrs P i n n er nervously
, .
, .
"
L i fel i ke I cal l i t
,
.
“
W oul d y o u l ike t o hea r what I cal l i t ? he
thu nd e red .
”
“
No t be fore th e baby C h arl i e q uavere d M rs , , .
P i n n er d rawi n g bac k
, .
” ’
“
Yo u v e kep m e her e s a id M r P i n ner i n
’
, .
,
ti m e m y l ittl e S pa re ti m e an d my m on e y i n
, ,
’ ’
the l a rfi n g stoc k 0 th i s house a n d I v e bee n
-
,
’
work e d l i k e a co nvi ct Wot ave you g o t to .
”
sa y for you rs e l f ?
”
Wo t d o you m ean ? i n q u ired Mrs P inn er .
,
’ ’
recovering herself “
I ai n t to bl am e for what s
.
’
I t a in t what i t was whe n I was a b o y ,
“
bl in g fi n gers I m i n d whe n the gri n dston e
.
’
was stu ck j u st ou ts id e the wi n der o the forge
so
A GARDEN PLOT 57
”
I was a you n g u n ’
.
e ye flas h ed .
“
I t s the peopl e abou t ere as chan g e d m ore
’ ’ ’
”
than the pl ace as h e said with s u dden fi e rc e ’
, ,
’
ne ss there s a s et 0 m en abo u t here nowadays
“ ’
’
or two as cou ld n t be beat i n L on d on i ts el f .
’
started wot e cal led a B e n e vol e nt Cl ub Three .
’
W e d id n t th i n k m u c h of i t at fi rs t n ot u n d er ’
,
’
To m s debt on e pou nd seven tee n an d s ix - -
.
’
H e is n t th e on ly o ne 0 that sort i n the pl ace
’
,
’
ear o f i m th rou gh hi s s ister i s that he s st i l l
’
, ,
’
be back .
n o way of be i ng up to i m I t s thro u gh i m ’
.
’ ’
’
to ear the rights 0 that I don t S u p pose there s
’
,
’ ’
wou ld n t tel l i t to y o u as pl a i n as I c an
’
.
“ ’
We d on ly ad the F l owe r S how on e year
’
,
s mel l t h e pl ac e a m i le o ff i n the su m m er an d on ,
’
h ower a n d other places .
A s I s a id we o n l y a d i t two years Th e fa s t
,
’
.
’
that y o u u n derstan d spec ial ly as Bi l l d id i s very
, ,
’
’ ’
best to get i t th e n ext year too E d id n t get i t , , .
’ ’
an d thou gh p r a p s most o f us was glad e d id n t
’ ’
,
at i ts best O n the 1 st h of J u n e B i l l Ch a mb e rs s
.
’
an d J o e Gu bbi n s a n d S am j on e s a n d H enery
Wal ker was al most a s good an d i t was u n der ,
’
wh ich th e y d p rod uc e at the last mom ent too l ate ,
an d pu t m on ey on it I pu t m in e o n H en e ry .
i m is a s i n a n d a sham e to thi n k of
’
.
O f co urs e so m e of em u sed t o m a k e fu n o f i t
’
'
ever see i m do any wor k r e a l ard w o rk but the
’
, ,
“
I t was the d ay arter thi s on e I m speak in g ’
an d whose on ly m is fo r t in wa s that e wa s a ’
’
a d go ne to A u stral i a to l ive H e d ad l etters
’ ’
.
to d o ab ou t i t .
“
W hil e h e wa s won d eri n g B il l Cham bers passed .
’ ’
H e al ways d id pass Geo rge s ou s e abou t that
’ ’
tim e i n the e ven i n g it b eing on i s way om e an d , ,
’ ’
i n is an d looki ng very puzzled .
62 LIGHT FRE IGHTS
’
A n d wo t I m to d o abou t i t B i l l he ses I ’
, , ,
‘
’
e thin k s it was the te n th cottage on the ri ght an d
’
-
” ’
flower H e th in ks i t s the te n th b u t e s n ot
.
’
,
’
’
qu ite su re D o you t hi n k I d better m ak e it
.
to any on e who fi n d s i t
’ ’
ses B i l l shak i n g i s ead I shou l d
, .
’ ’
I shou l d n t tel l an othe r si ngle s ou l i f I was you ,
.
’ ’
I b l ie ve you re right ses George j oh n
“ ‘ ’ ‘
.
,
B ill ? ’
’
B il l swo re h e woul d n t tel l a sou l a n d e wen t ’
’
the road t o the C au l i flower an d back an d then ‘
,
’
take n the troubl e to n ot i ce be fore that i s very ,
’
hou se was the te nth o n e from the C a ul iflower .
’
“
M rs Cha mbers wok e u p at two o clock n ext
.
at fi rst bu t sh e d id n t th i n k m u ch o f i t an d
,
’
’
thought what happe ne d to be tru e that e was
, ,
’
w hen she wok e u p she coul d d i st i nctly ear B il l
w ork ing i s ar d e s t Then she wen t to the wi n d er
’ ’
.
“
B i l l stood u p straight and wi ped i s face with ’
’
What on earth are yo u a doi ng o f B il l ? she -
,
scream s .
“ ’
G o i nd oors ses B il l sti l l d iggi ng
‘
, ,
.
’
w h o al so thou ght e ad gon e m ad and d id n t
’ ’
,
’
ed ge a nd asked i m the sa m e thi ng ’
.
’
A sk no questi o n s an d y o u l l e ar n o l ies an d ’
,
.
’
'
H enery w al ked o ff o fl e n d e d an d B i l l we n t on ,
’
e ad his breakfast i n the ga r den an d his wi fe
’
,
64 LIGHT F REIGHTS
’ ’
to er and as k in g whether e coul d n t be l oc ked
,
’
up fo r i t .
’
m ou th S everal o t h e chap s looked i n i n the
.
’
l onge st wou l d s e e the m ost By n ight ti m e c d .
-
’
ru i ned .
bl es t i f P ete r S m i th d i d n t go an d cu ltivate is ’ ’
’
cou l d say a word The cu rate who ad com e over
.
en ou gh to say m u ch .
“
Whe n j o e Gu bbin s started d i ggi ng u p i s ’
i m th e n i ght b efore
’
’
A l l e sai d was More fool .
,
y o,u
’
an d went o n d i ggi ng a ol e i n his garden ’
’
I n a for tn ight s t i m e there was n t a garden ’
of al l t he si l ly bad te m pered m en i n th e pl ac e
,
-
wu st .
“
I t was j u st a few days before th e day fi x e d
for the F l ower Show an d I wa s wal ki n g u p the ,
’ ’
That s a p retty gard en you ve got there ,
B o b ses j o e gri n n in g
’
.
, ,
’
I ve seen wu ss s e s B ob ,
’
.
66 LIGHT F REIGHTS
’
Goi n g in for the F l ow e r S how B ob ? s e s ,
H en ery wi th a wi n k at u s
, .
’ ’ ’ ’
0 cou rse I a m ses B ob ol d in g is ead U p
’
, ,
’
H en ery wou l d n t be l ieve i t at fust bu t whe n ,
’
d own w ith the bac k 0 th e s pad e an d hold the
n ail s for e r whil e s he n ai l ed a cl i mbi n g n astu rtiu m
’
“ ’
I t s th e b e st kep gard en i n the pl ac e ses
‘ -
’
,
’
' ’
Bob .I ai n t afra i d 0 you r n e w way 0 c u l t iva t
‘ ’
’
m y father .
“ ‘ ’ ’
You a i n t a d th e chee k to g i ve you r n a m e
in Bob ? ses S a m J ones starin g
’
, .
, ,
’ ’
’
‘
they l ook u n tidy a n d u n ti di nes s I c an t abear ,
’
.
'
preten d i n g n ot to n otice H e n ery Wal ker wot a d ,
’ ’ ’
c d see n e m afore bu t was n t q u i te s ure wher e
’
.
A GARDEN PLOT 67
at l ast .
’ ’ ’
“ ‘
Wh ere d you get em ? ses H e n ery a rd l y
’
abl e t o sp eak .
’
Your wot ? as ks H en e ry .
’ ’ ’ ’
A n d who m ight e b e whe n e s at home ?
aske d H e n ery .
" ’
Tai n t so l i kely I m goin g to tel l you that
’
,
’
’
you rsel f whether i t s l i kely I shoul d tel l you i s ’
’
afore I ve be e n n u rsin g em i nsi d e al l the
.
’
’
su m m er a n d j u s t pl an t e d em ou t
,
’
.
slowl y .
’
was d i gg i n g for gravel this year .
“ ‘
That on e se s Bob poi nt in g at a broken ,
’
,
,
‘
”
0 Wel l i ngto n an d that whi te on e there i s wot
’
“
I m goi n g to call Pretty s Pride
’
That fi n e ’
.
68 LIGHT FREIG HTS
“ ”
is called Gol de n Drea m s .
“ ‘
Com e al on g H e n ery s es Bi l l Cham bers
, ,
’
,
‘
,
’
taste ou t of you r m ou th .
'
I m sorry I can t o ffer y ou a fl o wer for you r
’
’
so n ear the F low e r S how n ow I can t afford i t .
’
woul d n t want to go to the p ubl ic hou se so o ften -
.
’
’
“
H e shook i s ead at em and tell i ng h is wi fe
’ ’
,
' ’
to give the Dook 0 Well i ngton a m ug of
‘
’
the sweat o ff i s brow .
“
B i l l C hambers d id a b it 0 t h in k i n g as they ’
’
wal ke d u p th e road an d by and by e tu rn s to ,
J oe Gubb in s a n d e ses ’
“ '
‘
See n a nyth ing 0 G e orge E ngl is h l ately ,
Yes , se s j o e’
.
’
Wot s u p P ses George i n surpris e
‘
,
.
G a r den s s e s H ene ry .
’ ’
S o I ve eard ses Georg e , .
fu l an d severe at the s am e t i m e .
“ ’ ’
S o I eard an d I could n t b el iev e my e ars
‘
,
’
ti l l I we n t and looke d for myse l f he ses an d , ,
‘
’ ’
referri ng to I f a ny m an as fou n d wot don t
.
b el on g to h i m e kn ows who t o gi v e i t to I t ’
.
’
ain t wot I shou l d ave ex pected of m en wot s
’ ’
’
abou t ho nesty e ses s hak in g is e ad agi n I ,
’
,
’ ’
,
‘
’ ’
be e r at the sam e ti me an d i f S a m J on es a d n t ,
’
ha d ied t here an d then .
’
i n g very slow a n d sol em n there l l be n o bless ,
‘
’
coat an d n ew trou sers o n S u n d ay but e won t ,
’
’
b e a p py
’
I l l go an d g e t my l i ttl e taste 0
’
.
A GARDEN PLOT 71
‘
beer som ewhe re el se e se s I can t breathe , .
’
here .
’
“
H e wal k e d off b e fore an y on e cou l d say
’
a word ; B il l Chambe rs d ropped is pipe and
sm ashed it H en ery Wal ker sat staring afte r i m
,
’
’
was al ways on e to take advan tage d ran k i s own ,
’
beer u nder the fi rm bel ie f that i t was J oe s .
“ ’ ’
I shal l take care tha t M rs P awlett ear s 0
‘
.
’
this ses H enery at l ast
, , .
“
A n d be asked wot you d u g your gard en u p
‘
’
you r prom is e to George Why she d tal k at u s .
,
’
“
A n d parson u d preach a sermon abou t i t
‘ ’
,
’
ses Sam where s your sen se H enery P ,
“
W e shoul d b e the l arfi n g stock for m iles
‘ -
“ ’
Pete r S m ith as always bee n a u n fo rt un it
’
m an ; h e s got the n am e for i t H e was j ust .
’
avi n g another d ri n k as B i ll sai d that an d this ,
’
ti me we al l thou ght e d gorn H e d i d hissel f ’
. .
“
Mrs Pawlett and the parso n cam e ome n ex t
.
’
’ ’
d ay an e r vo ice got that s queaky with surpri se
,
’
fri en d wrote i n i t .
“
A l l thi ngs con s idered Mrs P awlett was for , .
’
two oth er c haps e n cou raged by Bob s e xam pl e
, ,
’ ’
cou l d h a got out ; i t m ust ha pu t its foot
through a hole too s m al l for i t and tu rn ed the ,
’
kitchen wi nd e r arf crazy Th ey w e nt to every .
earthqu ak e s .
’
“
Ev e rybody el d their breaths tha t even i n g i n
the school roo m when M rs P awlett got u p on .
’
porch Then M rs P awlett pu t e r gl ass es on her
. .
Mr Robert P retty
. .
“
O n e or two peopl e patt e d Bob on th e bac k as
’
e wal ked U p the m i dd le to take the p rize ; then
'
the e a rt ie s t o f e m al l B ob stop p e d and spoke
’
.
to i m about i t
’
.
74 LIGHT FREI GHTS
’
e d id H e s ai d it gave i m great pl easu re to
.
’
’ ’ ’
p l easure becau se e fel t that e had earn ed em .
’ ’ ’
H e said tha t i f e tol d e m al l e d d one to m ak e
’
’ ’
that e d been l i ke Ral ph Tho m son s pig u p early ’
and l ate .
“ ’
H e stood u p the re tal k i ng a s thou gh e was
n ever goi n g to l eave o ff an d sa id that e hoped ,
’
“
H e fi n ish ed is re m arks by sayi ng that e was
’ ’
’
going to gi v e a tea party u p at the C au l i flower -
‘
’
to christ e n th e teapot where c d be pleased to ,
’
’
d issol vi n g views an d c am e bac k arf a n hour ,
’
a r t e r wa r d s sayin g th at u n ti l they d got a s far as
,
p e rt i c k l e r who e m ixed w i th
’
.
’
chi ld ren who d n ever a d any a n d wi m men who
’
’ ”
cou ldn t get i t .
PR I V A T E C L O T H E S
“ ’ ”
D id y o u ear a nythi ng Ted ? , i n qu ired a
voice i n an i n terva l o f si le n ce .
“ ”
Who i s i t ? d e man d ed T ed ign orin g the ,
’
q u e sti on . Wot d yer wan t ?
’
“
I l l l e t you k n ow wh o I a m s a id a thic k
,
“
I ve broke my b l ars t ed bac k
’
a n d angry voice . .
L igh t the l am p B i l l s ai d Te d
, , .
re
73 LIGHT F REIGHTS
si lence .
“
You ain t kil led i m B i l l ? said a n ol d
’ ’
,
”
“
Course n ot was the reply ; give u s so m e,
“
”
wat e r .
” ’
“
I d on t l i ke the way h e s breathi n g h e sai d
’
, ,
i n a trembl in g voice .
”
“
You always was p e rt ic k l er Bi l l said t h e , ,
“
h is staircase I f I was you.
” ’
“
Wot are w e goi n to d o with it ? i n qu ired
Ted as the m ate wal ked away
,
.
”
7 172 T ed sa i d B i l l nervously H e s al ive
“ ’
.
, , ,
al l right .
,
’
”
non e of u s k now noth i n g abou t i t .
”
“
Wot cheer mate ? sai d th e d e l ighted B il l
, .
”
O w goes i t ?
Where am I ? i n q u i re d Private H arry Bl iss ,
i n a wea k voic e .
“
Bri g M er ma n sai d B i l l ; b ou n d fo r Byster
“
,
m outh .
’
“
Wel l I m d am n e d sai d P rivate Bl iss ; it s
,
“
,
’
a bloom i n g m irac l e O pe n th e wi nd er i t s a b it
’
.
,
”
You co m e to see m e last n ight sai d Bob , ,
’
an fel l d o wn I s p ose ; then y o u pu n ched B il l
’
"
’
ere in th e e y e an d me i n th e j or .
'
so L IG HT PR EIG HTS
’
his regard s to the other m an s j aw .
“
I m a d evi l when I m boozed he sai d i n a
’ ’
, ,
”
s hal l get c e l l s for this I expect , .
up to hi m pu t a h e a vy han d o n h is shou l d e r
What are y o u d oi ng aboard thi s ship ? h e
d e m and ed au sterely , .
” “
“
Go away said Pri vate Bl is s fai n tly ; tak e
, ,
”
“
L ook here ol d m an sai d Private Bl iss who
, , ,
”
a bi t an d put me ashore wil l y o u ? ,
“
I l l p ut you ashore at B y s t e r m o u t h said the
’
,
ski p p e r wi th a gri n
,
You r e a d eserter that s
.
’
,
’
”
what you ar c an d I l l take care you re took care of
,
’ ’
.
”
“
You pu t m e a shore n ow l roared Private
Bl iss with a very fi n e i m i tation of th e s ergean t
,
“
Get ou t a n d wal k sa id the sk i pper con ,
”
“
H ere said Mr Bl iss u nbu ck l i n g his be lt
, .
, ,
”
hold my tu nic one of you I l l learn i m .
’ ’
.
”
ad dress i n g hi m as Whiskers told hi m to c al l
“
,
him .
“
This said t he s k ipper bi tterly as he turn ed
, , ,
’
to the m ate i s wh at y o u an m e have to pay to
,
, ,
’
not for a h pu n n ote ’
Deserter that s what .
,
’
you are !
H e t u rn ed a n d we n t below a n d Pri vate B l iss , ,
wist fu l ly an d hi s m ou th wa te red .
’
“
Can any 0 you chap s l e n d m e a pipe 0 ’
“
B ad thi n g to sm oke on a e m p ty stom ach ,
“ ’ ’
Tai n t my faul t it s e m pty sai d Private ’
,
Bl iss pathetic al ly
, .
’
“
Tai n t m i ne sa i d B i ll
’
, .
’
heart e d m an as o w it s a good thi n g to go for
,
’
”
a d ay or so without food so me ti m es .
”
“
Who sai d so ? i nq u ired P r ivate Bl is s hotly , .
”
D i ff r e n t p e opl e repl ie d the cook
’
.
,
”
fool s said M r Bl iss
, . .
”
No i t was a b it flat he said at le n gth
, , , .
”
Wel l I won t stop you cha ps at you r grub
,
’
,
p ar t .
84 LIGHT F REIGHTS
’
You re n ot s toppi n g u s sai d Ted cheer ful ly , , .
'
I d o ffer you a b it on l y ,
”
O n ly what ? d e man d ed th e o ther .
” ’
S kippe r s ord ers s ai d Te d H e ses w e re , .
“ ’
not to H e se s i f we d o it s he l p i n g a de se rter
.
’
,
’ ”
an d we l l al l ge t s i x mon ths .
Bu t y ou r e h el p i n g m e by havi n g m e on
’
” “ ’
board s aid Private B l iss
, b e sid e s I do n t want ,
”
to dese rt .
“
We coul dn t e l p you com in g ab oard sai d ’ ’
,
’
Bil l that s wot the ol d m an said but e ses we
,
’
’
can el p g ivi n g o f hi m vi ttle s h e s es ,
.
“ ”
Wel l have I got to starve ? d e m an ded the
,
horror stric k e n M r Bl i ss
-
. .
“ ” ’
L ook ere said B il l fran kl y go an d s peak
“
, , ,
”
Go an d have i t ou t with hi m .
“
I want to k now where I m to have m y ’
”
d in ner b awl e d bac k the thoroughly rou sed M r
, .
B l iss .
86 LIGHT F REIGHTS
”
No n s e n s e l sai d that gen tl e m an s harply ,
.
’
I l l lay I l l fi n d hi m ’
.
n o si gn o f Mr B l i ss Th e n a n ide a a horrid
. .
,
”
What i s i t ? bawle d the l a tter .
bac k .
whic h se rved as a d i sh .
“
L et h i m be said the sk ipper i n a chok in g
,
“
voi ce ,
let hi m b e H e l l have to a n swer for
.
’
tal k to you by a n d by .
’ ’
“
I t s the l ast d in ner you l l ave for som e
’
“
ti m e he con c l u d ed spi tefu l ly ;
, ,
it l l be sk il ly ’
’ ”
You wo n t be usi n g i t you rself he u rged , .
”
whe n I was four years old .
’ ’
F r ap s som ebody s got e m on thei r b ed thin k
’ ’
,
”
i n g they was a p atchwork q u il t he sai d col d ly ; , ,
“
it s a m istake anyb ody m i ght m ak e
’
H ave .
’
you got the j ac ket ?
“
I ai n t got n othi ng repl ie d th e bewild ered
’
,
ol d m an “
cept wot I s tand u p i n
,
’
.
” ’
That ain t m u ch sa id B il l fran kly “
Where s
’
, ,
.
that bloom i n g s oj e r he d em an d ed su d d en l y ,
“ ’ ’
I d on t k n ow whe re e is an d I don t care ’
, ,
’
repl ied the ol d m an O n d e ck I s pose .
“
,
.
’ ” ’
P r ap s e s got e m on said the u n forgiving
’ ’ ’
’ ’
e d id n t s e e m a very p e r t ic k l e r s ort of
“
Bill '
chap .
” ’
“
H e s gon e he sp lu tter e d ; t here a in t a
“
,
’
,
-
”
th e gal ley as gon e t oo Wot am I to d o ? ’
.
“ ”
Wel l they was very ol d c l oes sa id Bil l
, , ,
’ ’
soot hi n gly a n you ai n t a b ad fi gg e r n ot for
, ,
you r ti me 0 l i fe Thom as ’
, .
“
There s m an y a woode n le gged m an U d be
’
-
’
”
gl ad to change with you a ffi rm ed Ted who had , ,
PR IVAT E CLOTHES 9 1
”
the feel in g 0 shyn ess Thom as ’
,
.
his frie n d s .
’
Don t be a fool Thom as sa id B ob anx i ou sly , , ,
.
” ’
I c an t h el p it s ai d the ol d m an struggl ing , ,
”
hyst e rical ly ; it s th e bes t j oke I ve heard “ ’ ’
.
” “
“
H e s gon e dotty said Ted sol em n ly
’
I , , .
l o rs t i s cloes
’
.
’
the spare su its i n th e m e n s ch e sts had gon e ;
an d B i l l a prey to acu te despai r sat down an d
, , ,
’
E s take n one su it and chu cked the rest over
’
’
board I expect s o a s we shan t be able to go
'
, ,
92 LIGHT FRE I GHTS
”
swi m arter al l Bi l l , .
heed .
’
We m u s t go an tel l the ol d m a n said ,
Ted .
“
Im
’
Be tter be careful cau ti one d the cook ,
.
’
a n the m ate ad a go at t he wh isky l ast n ight
’
,
’ ” ’
an you k n ow wot e i s n e x t m or n i n g .
“ ’
Yo u go d ow n T h om as yo u re th e ol d est , , ,
said B i l l .
“
I was th i n k i n g 0 Te d goi n g sai d Tho m a s ’
, ,
’ ’ ”
e s the yo u n gest .
“
Te d sn orted d eris iv e ly O h wa s you ? he .
,
”
O r Bob , sa i d th e ol d m an
“ ’
“
d on t m att e r ,
”
wh ich .
”
Toss u p fo r i t s a i d t h e c ook , .
”
Wai t a bit said Ted earnestly ,
Wot tim e , .
t o th e c o o k .
94 LI GH T F RE I GHTS
“
Get ou t roar e d the sk ipper recoveri n g hi s
, ,
voi ce .
“
W e ca m e to t e l l you i n terpos e d B i ll “
as , ,
”
you co m e to m y state room a n d l i ke this too -
, , .
’
A l l ou r c l othes av e gon e an d s o as the ’
”
s oj e r chap s ai d B i ll
,
.
”
George ? he sai d i n a n od d voi ce ,
.
”
Wel l ? was the reply .
”
playi ng l arks s aid the sk ipp er wi th severi ty
, ,
.
“
L ark s ? repeated the m ate as t h e ala rm ed ,
’
ai n t You do n t m ean to tel l m e
’
.
PR IVATE CLOTHES 95
”
got repl i e d the sk i pper d esperately as the m ate
, , ,
sprang out “
. I shal l have to borrow so m e of
you rs I f I catch that i n fern al
.
”
You re qu ite wel com e s ai d the m ate bitterly
’
, , ,
”
That s what com es o f sleepi n g t o o heavy
’
.
s
a a e
“ ”
o f shi pwrec ked sa i l or bei ng so m ewhat too
hazard ou s even for his bold spiri t .
T H E B U L LY O F T H E
CAVE ND I S H
A L K I NG
o f prize fig h t e rs s i r said the -
, ,
’
“
they ai n t wot they u sed to be whe n I was a
boy They advertise i n the p ape rs for m on ths
.
’
com e o ff they d o i t with gl oves an d they re al l
, ,
’
I s aw a p ic t e r the other d ay 0 one pu n chi n g
’
a b ag wot coul d n t p u nc h back for practice , .
’ ’
age ; whe n e wanted practice i s plan wa s to d res s
u p i n a soft a t a nd b l ac k coat l i k e a ch ape l
’
’ ’
ha n o m ore thought 0 h ittin g a pore arm less bag ’
w
e
98 L IGHT FRE IGHTS
’
an d woul d n o t stan d . I t u sed to fl y t o h i s ead
d ire c k l y .
’ ’ ’
“
Th e v y g e I m sp e ak in g o f we u se d to -
the l ad d e r an d To m Baker p u t i s an d to i m to
,
’ ’ ’
’ ’
Who are you pu tti n g you r a n ds o n ? s es
B ill glari n g at i m
,
’
.
’
O n ly ol d i n g you u p B il l s e s To m s m il i n g
’
.
, , ,
’
O h ses B i l l , .
’
H e p u t i s bac k u p agi n a b u n k an d pu l led
hisse l f together .
O l d i n g of m e — u p —wa s you ?
’ ’
he s es
wh a ffo r i f I m i ght be s o bol d as to ars k
,
’
I thou gh t you r foot a d s l ip pe d B il l o l d , ,
m an ses To m ; bu t I m s orry i f i t
,
’ ’
B i l l l ook s at i m ag i n ard ’
,
’
.
’
S orry i f m y foot d i d n t s l i p ? h e ses ’
.
a u n easy s m i l e .
’ ’
D on t l au gh at m e roars B i l l ,
.
’ ’
I was n t l au gh i n g B i ll ol d pal ses To m , , ,
.
E s call e d m e a l i ar se s B il l l oo k in g rou n d
’ ’ ’
, ,
T H E B U LL Y OF THE C A VE N D I S H 99
an d I ll S p l it i m i n hal ves
’ ’
.
’
an d he k nel t d own to d o i t U p an d th is yo u ng ,
’
ead ou t o f h is bu n k an d he s es qu iet l ike ,
-
“
You a in t afraid of that thin g m ate are
‘ ’
, ,
,
.
g rascal ?
’ ’
u l k in
an d n ot look in g at al l stron g .
“ ’
G o easy m ate whispers To m ; you don t
‘ ’ ‘
, ,
’
u a
Bosh ses J o e he s n o good H e s t oo fat
,
’
,
’
.
’ ’
an d too sill y to d o any arm H e sha n t u rt y o u ’
.
whil e I m ere ’ ’
.
’
“
H e j u st rol le d ou t o f I s bu n k an d stan d in g ,
I oo LIGHT FRE I GHTS
’
You tou ch that m a n he ses q u ietly po i nt , , ,
’
i n g to Tom a n d I l l give you su ch a d ressi n g
,
‘
’ ’
d own as you ve n ever ad afore M ark m y .
word s n ow , .
’
’ ’
“
I was n t goin g t o i t h i m ses B i l l i n a
‘ ’
, ,
stran g e m i l d vo ic e
,
.
’ ’
Yo u d bett er n ot ses th e you n g u n shak in g
’
, ,
h is fi st at i m ; you d b e tter n ot my l ad I f
’ ‘ ’
, .
’ ’ ’
th e re s any fi gh t i n g to b e d on e i n th i s fo c s l e
’
’ ’
I l l d o i t M i n d tha t. .
’
I t s n o good m e say in g w e was staggered ;
b e cos staggere d ai n t n o word for i t To see B i ll ’
.
’ ’
you t o u m I l l tel l you
’
.
“
B il l l e ft o ff U m m i n g an d th en h e gives a ’
,
’
l i ttl e cou gh beh i n d the bac k o f i s a n d a n d arter ’
, ,
’
fid g e t in g abou t a bi t w i th i s feet wen t u p on ,
d e c k agai n .
’
J oe an d spea k when you re spoke n to m y l ad
,
’
, .
’
cou l d stan d i t we su ppose d as we d better
, .
“
B il l staye d u p on deck t i ll we was u nder
way an d is spirit seem ed to b e broke H e wen t
,
’
.
“
J oe m ad e a s pl en d i d b reak fast an d when ,
’
he d fi n ished e wen t to B i l l s b un k an d chu c ked
’ ’
’
the thin gs ou t al l over the p l ace a n d said e
was goin g to ave it i n stead of h is own A n d ’
.
’
by he took is thi ngs u p an d p ut the m i n J oe s
’
bu n k wi thou t a word .
’
to k now why c d b een b orn I f y o u tal ked y o u
’
.
’
was noisy an d worri ti n g an d i f you d id n t tal k ,
I kn ow he ses ad m iri n g l i ke
,
’
I kn ew you was , .
’ ’
O h ow s that ? ask s J oe
’
.
,
’ ’ ’
The word s a d a rd l y l eft To m s l ip s afore the
othe r u ps w i th a bas i n o f o t tea a n d heaves i t ’
al l over i m ’
.
“
Take that you i n sul tin g rascal h e se s as
‘
, ,
’
,
’
you .
’
I m go in g to ave a go at 1 111 B i ll ses Tom ;
’ ’
, ,
i f you r e afraid o f rm I ai n t
’
,
’
.
’
"
O w d are
’
S it d own ses B i l l starti ng u p , , .
, .
o w i t is m ate
’ ’
.
,
l ic k m e o w c an you l i c k i m P
,
’ ’
’
Moore got clergym a n s sore throat on e art ern o o n
throu gh i t .
“
The n J oe obj ected to u s pl ayin g cards fo r
’
m oney an d we a d to arran ge on t he qu ie t that
,
’
Bak er got u p an d dan c e d an d n early we n t o ff is
’
ead w ith j oy th rough b avi n wo n a few dozen ’
.
’
S weet carti ng an d that sort 0 thin g J oe
-
’
’
I wo n d er wheth er you l l s e e that l ittle gal
at M elbou rn e agi n this tri p B il l , .
’
“ ’
B il l s eyes open ed wi de a n d he s hook is fi s t ’
I c a n see you .
’
“
I d on t k now e r n a m e ses N e d bu t she
‘ ’ ’ ’ ‘
, ,
T H E B U LL Y OF THE C A VE N D I S H 1 05
,
’
.
R a tlz er ses Ne d ’
Tru st B il l for that e
, .
,
’
sleep a n d j u m p in g ou t of i s bu n k
,
’
.
N ow N e d
’
H ol d your ton gu e ses J oe ,
.
‘
,
’
n am e ?
I t was o nly a l ittl e j oke o m ine ses N e d
“ ‘ ’ ’
, ,
who saw c d pu t i s fo o t i n i t ’
B i ll ates e m
’ ’
.
‘ ’ ’
’
You r e te l l in g m e a l ie ses J oe sternly
’
, , .
’
‘
Who was i t ?
I t was o n l y m y fu n J oe s es N e d , ,
’
.
’ ’
O h very wel l then I m goin g to ave a bit
, ,
' ’
o f fu n n ow se s J oe Bi l l I , .
’
Yes ses B il l , .
’
and kee p on t il l e tell s al l abou t you r goings on
with that gal .
’
[ 06 LIGHT FREIGHTS
H i t z m to m ak e rm tel l abou t m e ? s e s B il l
'
’ ’
,
stari n g is a r d e s t
’ ’
.
’ ’
You eard wot I sa id ses J oe ; d o n t repeat ,
‘ ’
0 th in g d own
’
I f you d on t d own i m I w ill
.
’ ’
,
.
’
Ne d w as n t m u ch o f a fi gh ter an d I al f
’ ’
’
is fi st fle w o u t an d a fore we could turn rou n d I m
,
’
'
e was d az e d li ke stru c k out wil d at N e d an d ,
d o i n g m iracl es by m i s tak e .
’
When B i l l go t u p the s eco n d ti m e e wa s that
“
,
’ ’
’ ’
own way u n t i l at las t e g o t B ill s ead u n der is
,
’ ’
’ ’ ’
A l l right ses B i l l ; I ve ad e n ou gh I ve
,
’ ‘
.
m e t my m as ter
’
.
Wot s es J o e s tari ng , .
I ve m e t m y m aster se s B i ll goi n g an d s it
’
,
’
“
J oe looke d at i m speechl ess an d the n w ithou t ’
, ,
1 08 L IG HT F R E I G H T S
’
Bu nyan is Or wot h e s d o ne b ut the thi n gs Bil l
, ,
rep eat in g .
’
A rter we d bee n there two or three d ays we
bega n to feel a mo s t s orry for B il l N igh t arter
’
.
”
n ight wh en w e was a shore J oe woul d tak e im o h
, ,
’
“
You stay aboard to n i g ht B i l l he s es one
‘
-
, ,
’
’
There 11 be an en d 0 that bu l ly in g J oe se s
’ ’
,
To m ta k in g i m by th e arm
,
W e ve arran ged
’
.
‘ ’
pas s i n g .
“ ‘
We ve got Dod gy P e te c om i n g to see u s
’
’
be the se con d o ffi cer aboard an d h e l l l i k ely be ,
’
A u stral ia and i f e don t fi x u p M ister J oe i t l l be
,
’ ’
,
a pity .
’
“ ‘
You re a fai r tre at To rn ses B ill tu rn in g
’
, ,
’
,
’
rou nd that s what you are A fa i r treat ’
. .
’
P leased ai n t n o n am e for i t Tom a n swers ,
“
H e w a s a n asty low look i n g l ittle chap was ,
-
,
’
as J oe was i t d id n t see m to be qu ite the sort 0
,
’
’
A n what s that i n that b u n k over there ? ’ ’
’
‘
that s a prize fi gh t e r
’
-
.
’
O h ses D odgy gr i n n in g I thou ght i t was
, , ,
‘
’
a m on key .
“ ’
You m ight ave heard a p i n drop an d there ,
s ide 0 th e bu n k ’
.
,
.
, .
c igar ? ses J oe .
’
’
ave a l ook rou n d ses Tom as D odgy takes is ,
’
,
,
.
“
Wot a terror e m us t be to the gal s w ith
‘ ’
,
,
’
,
’
is ead B il l ”
’
. .
’
u p the fo c s l e l ad der s es J o e tak i n g u p i s j acket
’ ’ ’ ’
, ,
I ve go t a bit of a e a d ac h e el se I d d o i t m ysel f
’ ’ ’ ’
.
,
o ff i s coat
’
.
’ ’
Wot s the gam e ? s es Dod gy stari n g , .
, .
’
a n d e m ad e m e prom i se to d o as e tol d m e for
’
, ,
’
’
to k i ck you u p that l ad d er .
1 1 2 LIGHT FREI GHTS
wi n k a m o s t an d when B i ll it b ac k e wasn t
’
,
’ ’ ’
anythi n g an d h e s ud de n ly fl u ng ou t is arm s an d
,
’
,
,
’
,
’
“
Charl ie cal l ed T i m e agai n an d we l et e m ‘
,
’
’
ave fiv e m in u tes whi l e w e e l p e d Tom to bed ’
’
an d the n wot e cal l ed the d i sgu stin g e x h i b is h u n ‘
’
and try as Bi l l m ight, he d i d n t see m to b e abl e
,
“
I n fi ve m i n utes m ore thou gh i t was al l over , , ,
to p ic k i m u p ’
.
I s i t al l over ? he asks ’
.
Yes s es so m eb od y
,
’
.
’ ’
H ow i s Bil l P ses J oe s voice a ga in .
’
c o mes rou n d agin an d i n a d az ed sort 0 way p uts
h is ar m roun d Bi l l s n ec k an d beg in s t o c ry’
.
‘
i t s a wom an !
’ ’
’
I t s m y w zf e ! ses B i l l ’
.
’
on es a m on g u s d i d S he d s hipped aboard p artly .
’
b u t i t a pp e n e d the secon d o ffi ce r had been peep
i n g down the wai t i n g fo r ever s o lo n g for
a su i table opportu n ity to stop the fi ght a n d the ,
’ ’
be e n d one e gave er a passage b ack as s teward e ss
” ’
to look arter th e sh ip s ca t .
T H E R E S U RR E CT I O N O F
MR . W I G G ET T
”
Shi p sat i n his snu g bar ris in g occa
, ,
s o n al it ie s M r K e t c h m a id i n h i s capac ity o f
, .
,
th at op in io n th e argu m e n t was at an e n d .
m
1 1 6 LIGHT FREIGHTS
by M r Cl ark s m ack i n g hi s l i ps
. .
a fo l l e r i n g of the sea ?
-
”
’
as bee n throu gh h e re m arked ,
.
shortly .
”
m ost won derfu l of the l ot to m y m i n d said , ,
M r Cl ark . .
c ha i r .
, .
“
i nterest i s that on e where H e n ry W iggett
, ,
~
'
the boatswai n s m ate a d his l e g b i t o fi sa v i n g
’
. 1 1 7
”
im from the S outh Se a H ighl an d ers
’
.
“
I never get ti red 0 heari n g that yarn said ’
the a ffabl e M r S m i th . .
“ ”
I d o sai d Mr C lar k
, . .
”
A nother s m al l bottl e 0 le m on ade lan d l ord ’
, ,
he said sl owly , .
“
Go an d get you r l e mon ad e so mewhere el se ,
”
“
I pre fer to ave i t here rej oi n ed the shoe
’
,
m aker a n d yo u ve g o t to se rve m e K e t c h m a id
,
“ ’
,
.
”
l icen ce .
”
ai n t said the l an dl ord
’
,
.
”
“
Certai n ly n ot sai d the shoe maker ; that s ,
“ ’
why I m s ti c ki ng to le m on ad e K e t c h m a id
’
, .
”
K e t c h m a id s l i fe he s aid
’
l O S t i s leg to save M r
’
.
, ,
’
i s o wn so n when he got k noc ked u p d o i n g th e
work of five me n as wa s drown de d ; l i kewis e th e
’
e al t h 0 D ick L e e w h o hel pe d M r K e t c h ma id
’
, .
say you k il l e d e m K e t c h ma i d ? ’
,
affected n ot to hear .
“
K il l e d th e whol e seven tee n of e m by fi rst ’
“ — ”
K ee hee sai d a hapl ess l is te n e r ex p losively
, , .
K ee — hee— k ee
H e check ed hi m sel f su dd e n ly an d as su med ,
the fu m i n g M r K e t c h ma id “
You re the worse
. .
’
for l ic ker .
, .
, .
O u t you go sa id M r K e t c h m a id b r ie fi y
” “
,
You .
, .
”
Y o u s hou l d s tic k to le m on ad e J em said , ,
”
Mr C l ark. Yo u can say what you l i ke then
.
“
.
rz o LIGHT FREI GHTS
“
Good heaven s ! sai d the a m azed land lord ,
”
I ou ght to k now that voic e .
”
S o l K e t c h m a id bel lowed t he voice agai n ;
“
,
”
H e n nery Wi g gett ! gasped the l an dlord as a
-
,
’
“
I m et Cap n P eters in M elbou rn e said the ,
“
The s ight 0 you H en nery W iggett i s be tter
’
, ,
”
to m e than d i am on d s sa id M r K e t c h m a id , .
,
’
“
A frien d of hi s C ap n J on es o f the barqu e , ,
.
, ,
wi thou t a pe n ny i n my pocket .
”
“
A n d S o l K e t c h m a id s gl ad to see you sir ’
, ,
ad m i ration “
H e s n ever ti red of te l l in g u s o w
.
’ ’
1 22 LIGHT FREIGHTS
'
”
bit o fl i n so d oin g .
“
I d ave m y other bit o ff for i m too said
’ ’ ’
, ,
of S piri ts i n to hi s ha n d s “
Cheerfu l I woul d .
, .
”
ever breathed is ol d S ol K e t c h m a id
,
.
’
l i steners ears .
“
You never e ard anyth i ng m ore 0 pore S am
’ ’
”
J on es I s pose ? sai d M r K e t c h ma id
,
’
. .
“
I ran u p agin a m an i n Rio J ane iro two
”
yea rs ago he sai d m ou rn fu l ly
, P ore ol d S am , .
’
d ied i n I S arm s wi th you r n ame u pon is hone st
”
b lack l ips .
“
E n oug h to k il l any m an m u tte red the d is ,
his m u r m u ri n g fri en d s .
“
Who is th is putty faced swab S o l ? d e m anded -
,
m ak er s d irect io n
’
.
1 24 LIGHT FREIGHTS
of ol d S ol an d I kn ew if I could on ly fi n d i m
,
’
,
.
u p w ith Mr K e t c h m ai d an d d i sd ai n in g to notice
.
, ,
’
that that verac i ou s m ari ne r s grasp was som ewhat
l i m p san k i n to hi s cha ir aga i n an d as ke d for a
, ,
cigar .
“
L e nd me the box S ol h e sai d j ovially as , , , ,
W igg e tt s treat ’”
.
”
“
I op e you re sat isfi ed sa id M r Wiggett as
’ ’
, .
,
’
shortly you shoul d ha been con ten t w ith d oin g
what I tol d y o u to d o A n d who asked yo u to .
’
an d m y c i gars rou n d ?
“
I got a b it exc ited pl eade d the other , .
”
i n N e w Z eal an d add ed the l an d lord
, .
”
S o I d id sai d M r W iggett sm it in g h is fore
, .
,
“ ’
head ; so I d i d I m very s orry ; I l l te ll em
.
’ ’
to m orrow n i ght
-
.
“
M e n t io n i t ca sual l ik e to m orrow m orn in g ,
-
,
”
the fi ve shi ll i n gs as arran ged .
’
To the l an d lord s great a n n oyan ce his gu es t
wen t for a wal k nex t m orn i n g an d d i d n o t re turn
u n ti l the e v en i n g whe n he ex pl ain e d that he
,
“
Wot d y r m ean by i t ? he thu n d ered
’ ’
.
look i n g u p i n s urpri s e .
1 28 LIGHT FREIGHTS
”
“
S ol K e t c h ma id h e sai d w ith d ign i ty ,
“
I , ,
’
ope you re d ru n k ’
I ope i t s the d ri n k an d
.
’ ’
"
l i fe S ol an I ave co m e i n to you r l ittl e harbou r
, ,
’
”
You rasc al sai d the l an d lord i n a sti fle d
, ,
“
voi c e . You i n fern al rascal I n ever s e t eyes .
p reten d .
“
P rete n d repeate d Mr W i ggett i n a horror .
,
’
ove r my leg ? H ave you forgotten o w
“
L ook ere sai d M r K e t c h m a id thru stin g an
’
,
.
,
F A IT H F L L B LA C K
1 30 LIGHT FREI GHTS
i n d ors e .
a n x i ou sl y a n d wi th a sk il l b orn of a l i fe l on g
,
-
d rawi n g to a n e n d A t l as t on e d ay M r K etch .
, ,
.
“
I shal l tel l th e cha ps to n i g h t t h at i t was a -
”
l ittl e j oke o n m y p art h e a n n ou n ced wi th gri m , ,
”
a n d k ic k y o u i n to the road .
”
“
I t l l b e a t e rrib l e S how U p for yo u h e said
’
-
, ,
“
so ftly You d better m ake i t worth m y wh il e
.
’
,
’ ’
an d I l l tel l e m th is even in g that I m goi n g t o
’
, ,
’
’ ”
for y o u I l l d o i t fo r a cou ple o f pou n ds
, .
“
F i v e sh i l l i n gs s narled M r K e t c h m a id
, . .
M r K e t c h m a id rai se d h is o fl e r t o
’
h is head . .
RE S U R R E CT I O N OF MR . W I G GET T 1 31
keepi n g i t .
“
Thi s is my l ast n ight m ates he said m ou rn , , ,
”
m en than wot y o u are .
”
an d a vi n g to beg m y bread he said tea rfu ll y
’
, , ,
’
u nger an d bei n g m o v ed o n by the e a r t l e s s ’
“
B u t s ai d M r S m ith voic i ng the ge n eral
, .
,
Ne w Z eal an d ?
M r Wi ggett shoo k h i s head a n d s m il e d a sad
.
,
swee t s m il e .
’
“
I ave n o n iece he sa id si m pl y ; I m al on e
’ “
, ,
”
i n the worl d .
d eveloped horn s a n d a ta i l .
”
p assage to Ne w Z eal an d s a i d the shoe m aker ; ,
”
s aid a s b lood was th ic ke r even than frie n dshi p .
”
“
A l l l ie s s aid M r Wi ggett sad ly
,
“
I l l stay.
, .
’
’ ”
eve n n o w i f e w ishes i t .
H e paused a m o me n t as thou gh t o gi ve h i s
bewil de re d v ic ti m t i m e to accept th i s o ffer a n d ,
A T T O O I NG i s a g i ft sai d t h e n i ght ,
’
w atch man fi rml y I t as to be a gi ft as
, .
,
’ ’
goin g to t attoo an o w t o d o i t ; there s n o ’
’
ru bbin g ou t or al terin g I t s a gi ft an i t c an t .
’
,
’
’
E was a sl ow pa ins tak in g sort 0 m an an d the
’
, ,
’
work wou l d a rd l y be bel ieved bu t e a d to giv e ,
’ ’
croch e t wo rk i nstead
-
.
“ ’
S om e m en w on t b e tattooed at al l bein g ,
’
prou d 0 the ir sk i n s o r s ic h li ke a n d for a good -
,
,
’
u n fo r t n i t i d e a 0 m a ki ng I S forti n e l et hissel f be
’
done .
“
They a d been ashore abou t three wee ks whe n
’
’ ’
m an groan in g is c art o u t an d an other on e ,
“
Gi n ger D ic k fel l in to a q u iet sleep arter
’ ’
they d gon e ; the n e wok e u p an d a d a sip from ’
’
a d d roppe d th e soap i n i t an d the n d ozed off -
’
agi n I t was l at e i n the aftern oon whe n e woke
.
,
’
an d the n e see S a m an d P eter Russet stand i n g
by the si d e 0 the bed l ook i n g at i m
’ ’
.
hissel f a nd yawn in g .
’
very i m portan t Whil e you ve be en lay in g on
.
‘
1 36 LIGH T FREIGHTS
’
your bac k al l d ay m e an P eter Ru sse t as b e e n ’
’
d oin g a l ittl e e ad work ’
-
.
Oh ses G i n ge r Wot w i th ? ’
.
, .
at hi m .
I t s j u st a l i ttl e b i t 0 b is n e s s w e a pp e n e d to
’ ’ ’
’
a fai r way t o m ak e ou r fortu n es P eter ere .
,
’ ’
th in gs bu t e thi n k s so too
, ,
.
“ ’ ’
I d o se s P e ter
‘
bu t i t won t be m anaged
, ,
‘
“
W e m u s t ave a n other m an i n i t P eter ses
‘ ’
, ,
’
’
p roper that our d ear ol d pal G i n ger s hou l d ave
’
the fust o ffe r .
’
“
I t was n t o ften that S am was so a fl e c k s h u n at e
’
a n d Gi n ge r coul d n t m ak e i t ou t a t al l E ver ’
.
0
’
pl an s 0 m a kin g m on e y wi thou t earn in g i t
’
.
’
they was the m or e ol d S am l i ked e m .
1 38 LIGHT FRE I GH TS
’
an d at l ast e tu rn e d rou n d a n d as ked S a m
whether h e wa s d ru n k or on ly m ad .
’ ’
A l l ri ght se s S a m
‘
,i f you won t tak e it o n ‘
’ ’
we ll fi nd so m ebody a s w ill that s al l ; there s ,
’
’
n o cal l to ge t hu ffy abou t i t Y o u ain t the o n y .
’
’
giv e a l ittl e l ar f wot mad e S a m s blood boil .
’ ’ ’
You ve got n othi n to l arf at G in ger he ses , , ,
’ ’
a t l ast ; the l an d lad y s boy u d b e abou t the
‘
’ ’
sam e a ge as wot you are n o w ; e a d a scar ove r
’
the l e ft eyebrow s am e as wot you ve got though ,
’
I d on t su ppose fie got i t b y fi ghti n g a chap three
’
t i m es i s s iz e ’
E a d bri ght bl u e e yes a s m al l
.
’
, ,
’
w el l shaped n ose an d a n ice m ou t h
-
, .
o f the wi nd er .
, ,
‘
’ ’
I d o n t see o w w e re to go to work I d on t
’ ’
.
’
wan t to ge t l ock ed u p for d eceivi n g .
“
Yo u c a n t get loc k ed u p s e s S a m ; i f you
‘ ’
,
’ ‘
’
get l ocke d u p for i t ? We shall go i n an see he r
a gi n an d l arn al l there i s t o l arn e sp e c ially
, ,
S C R E A M S G I NG E R .
" ’
r a r ro o N F
, 1
'
1 40 LI GH T FRE IGHTS
’
arter al l thes e ye ars tha t e n early cri ed .
“
They we n t d own agi n to the p u b that
e ve n i n g an d Gi n ger who sai d e was cu rious to
, ,
’
’ ’
se e wan te d to go too S a m who stil l ad op es .
,
o f i m wou l d n t e ar of i t bu t a t l as t i t was
,
’ ’
,
’
tra m at A ldgate an d Gi nge r d id n t l i ke i t becos
,
i n the roa d .
’
A n d e d id n t l i ke i t whe n they got to the
’
‘
B lu e L ion an d S a m and P eter we n t i n and left
,
’
'
i m ou tsi de peepi n g th rou gh th e d oor
,
The .
’
Pe te r weari n g a white rose w ot the barm ai d ad
give n i m
’
.
’
that they d be en getting val uabl e in form ation ,
A MARKED M A N B
’
u n f ed u p a red aired frien d 0 Peter s n a m ed -
’ ’ ’
C h arl i e Bates .
“
They al l wen t i n somewhere an d a d a few ’
“
They al l we n t o ff o m e wi t h their arm s roun d ’
,
’ ’
’
cou ld n t a cc ou n t fo r i t an e had su ch a j o b to ,
’ ’
’
get G i nger om e that e thou ght they wou l d n ever ’
’
e sat d ow n an d fel l asl eep wai ti ng fo r S am .
“
G in ger was the l ast on e to wake u p i n the
’ ’
m orn i ng a n be fore e wok e he kept m aki n g a
,
1 42 LIGHT FRE I GHTS
’
m oan in g n ois e H i s ea d fe lt as thou gh it w as .
’ ’
chest w as so sore e cou l d ar d l y breathe The n .
m oustache .
’
Ch ee r u p Gin ger s e s S am i n a k i n d voice , , , ,
‘
i t s goin g on beau ti fu l
’
.
’
My ead s ‘
ses Gi n ger wi th a groan
’ ’
, ,
’
a n I ve got p i n s an n ee d l es al l over my chest
’ ’ ’
.
“
G in ger sat U p i n bed an d stared at i m ; the n ’
’
an d nex t m om en t e w as ou t of bed an d al l three
o f e m was hol d i n g i m dow n on the floor to
’ ’
got i m A n d S a m re m i n d e d i m o f wot e a d
’
.
’ ’ ’
’
s ai d the n ight before a n d sai d he d l ive to than k ,
i m fo r i t
’
.
" ’
“
O w m u ch i s there d on e ? s es G inger at ,
l as t i n a d espri t voi ce
,
.
“
S am tol d i m an d Gi n ger l ay sti l l an d call ed ’
,
’
wou l d ave the h a n d l in g of O n ce the tattooin g .
’
They a d a l i ttl e c al l over i n the ir room to se e
“
p i n ts’
S a m worked u p a squ eaky voice an d
.
,
to be t he goo d l ook i n g ba rm a i d -
.
“
They wen t al l through i t over a n d ove r agin ,
“
W e S hal l go rou n d to m orrow for the l ast
‘ -
’ ’ ’
t i m e ses S a m a s w e to ld e r w e re s ail i ng the
, ,
,
’
‘
Mean ti m e ses Peter Ru sset you m ustn t
’
, ,
‘ ’
’
forget that you ve g o t to sen d u s P ost O ffi ce
’
m oney orders every week
-
.
’
an d s al l rou n d an d ad a dr i n k together an d the ’
,
“
I t was qui te early when they ca m e back .
reason s .
I t com e ove r u s al l at on ce as we d b in ’
‘
Co m e over us l i k e a ch il l i t d id ses P eter , ,
’
.
’
D oing wron g ? ses Gin ger D i c k stari n g , .
“ ‘
S om ethi n g the lan dl ady sai d showed u s as
’ ’
we was d o i n wron g ses old S a m very solem n ; , ,
‘
i t co m e over u s i n a flash .
’
’
L i ke l ightn in g se s Peter , .
’
i t at once .
’ ’
G i n ger D ic k look s at e m ard e d id an d then ’
, , ,
’
e ses j eerin g l ik e
,
K
1 46 LI GHT FRE I GHTS
’
I s pose you d on t wan t a ny Post O ffi ce
’
’
m oney ord ers sen t you the n ? he ses
-
,
.
’
Y o u m ay h ave e m al l ses S am ; bu t if ,
‘
, ,
’
’
fo r i t .
’ ’
“
Give i t U p ! shou ts Gi n ger d an cin g u p an
‘
,
’
with y o u ?
I t ai n t fa ir pl ay agi n a wom an says o l d
’
,
’
,
’ ‘
fa ce agi n .
’
“
Gi n ger D ick w as a bi t l on eso me a rter th ey d
gon e bu t e thought i t better to le t a few d ays go
,
’
1 48 LIGHT F REIGH TS
’ ’ ’
I t s a ard l i fe the sea ses th e ol d l ady , , .
’
O ver twenty three years m a a m ses Gin ger
’
-
, , ,
’
avoi d in g the barm a id s eye wot was fi xed o n
’
is wrists an d I ve been s hipwrecked fou r
,
‘ ’
,
’
’
ead I can fee l for you ; m y boy wen t to se a
.
‘
’
barm aid d on t you k n ow whethe r you have ? ’
’
a rd l y any food I got brai n fever an d l os t my ,
-
m em ory .
’
’
P ore thi n g ses th e l an d lad y agi n , .
, ,
my na m e or a n y t h i n k abou t e r
,
’
.
’
’
“
You re m ind m e 0 my boy very m uch se s
‘ ’
,
’
th e l an d lady shak in g e r ead ; you ve got the
,
’ ‘ ’
’
sam e colou red air an d wot s extraord in ary ’
, , ,
’
’
i s eyebrow m u ch the s am e as your s
, .
some th in g .
’
me n ? ses the la nd lady goi n g o ff to attend to ,
a customer .
“
G i nger D ick wou l d ha li ked to ha seen e r
’ ’ ’
’
I l ike sai lors she ses on e thin g i s my b o y
, ,
, ,
.
1 50 LIGHT FREIGHTS
’
and on e of e m was that k i n d carted I thou ght ’
’
H o ses Gi nger prick in g u p hi s ears wot
, , ,
‘
i s fi nger
’
’ "
F i n ger se s the l and l ady
,
E was only ten .
years ol d at the ti m e a n d I d Se n t i m ou t to ,
’ ’
’
G in ger d id n t a n swer e r a word he cou ld n t
’ ’
.
’
A l l e wan ted was i s arm s rou n d both the ir
’
’
neck s sa m e as they was the n i g ht a fore they a d
i m tattoo e d
’
.
1 52 LIGHT FREIGHTS
“
Wot I sa i d j u st n ow abou t y ou being l i ke J ob
Brown w as on ly i n j oke l i ke h e said an x iou sly , , ,
’ ’ ”
he d ha been a bette r man .
’
“
H e was on e o the a r d e s t d ri n kers i n these
’
”
parts began the o l d m an S l owl y fi l l i n g his pipe
, , , .
Th e travel l er than k ed h i m .
“
W o t I m ean t was —said the ol d m an hastily ,
’
th at a l l the ti m e e was d ri n ki n g e was tal ki ng
’
’
teetotal ler H e u sed to si t u p ere o f a n igh t
.
’
ways an d m ean s by wh ich e cou l d give i t u p .
’
H e u sed to tal k abou t hi ssel f as i f e was som e
b ody el s e e was tryi n g to d o good to
’
.
“
The cha ps abou t ere go t sic k of I s tal k ’
.
T H E RE WAS UNI
’
L E A S A NT X ES S A LI . RO UND '
I IIE N
‘
1 54 LIGHT FREIGHTS
’
He ad
th e best of i t the other cha ps avin g ’
,
’
a rd e s t to ex p lai n that J oe Gu bbi n s was only
d oi n g hi m a k i n d n ess H e seem ed to u n derstan d .
se e J oe me an t to d o i m a k in d ness bu t e d better ’
,
’ ’
n ot do a ny m ore .
“ ’
H e k ept a very tight old 0 the n ex t pi n t
’
,
’
a n d as e set d own at th e tabl e he l ooked rou n d
’
nasty l i ke an d as ked e m whethe r there was any
m ore a s wou ld l ik e to d o i m a k i nd ness a nd ’
,
“
I m a n ol d m a n a n I ve see n a good m any
’
,
’ ’
’
l i ke the on e that a pp e n e d the n I t was n o good .
’
able that e ve n wh e n is ow n word s was repeated
to i m he woul d n t l isten H e behaved l i ke a
’ ’
.
’
A rter that you d ha thou ght that J ob Brow n ’
”
they cared A n d i nstead of s e e in g i m sa fe om e
.
’
’
as they u sed to whe n e was worse than u su a l h e
ad to loo k arter h issel f a n d get o m e as b est he
’ ’
coul d .
“
I t was throu gh that at l ast e ca m e to o ffer ’
’
then turne d the a n d l e a n d wen t i n an d began to
try an tak e off is coat
’ ’
.
,
’
“
J ob B rown rubbed i s eyes agi n and then e ’
,
’
,
1 56 LIGHT FREIGHTS
, .
’
su rprise d at you Get u p o u t 0 my bed d i re c k l y . .
’
’
E h ? ses J ob stari n g Wron g ou s e ? Well ,
.
‘ ’
where s m i n e then ?
’
,
’
“
N ext d oor bu t one sa m e as i t always was
‘ ’
, ,
’
s es Dic k Wil l you go ?
.
‘
“ ‘
Good ni gh t ses M rs We e d from u n der the
-
,
’
.
be dcl othes .
Ca n t tal k —why n ot ? se s J o b
’ ’
.
D ic k d i d n t a nswer i m
’ ’
.
ag i n .
1 5s LIGHT F R E I G H TS
an d then J o b wen t om e wi th e r l i k e a l am b as k ’ ’
’
i n g e r where s he d bee n al l the eve n in g an d s ay
’
,
’ ’
e ight years ol d stood outs ide J ob s ou se n early ,
al l d ay shak i ng e r st ic k at i m a nd d arin g o f i m
,
’ ’ ’
’ ’
crowd watch in g e r al l d ay an d givi n g e r good
advice whi ch she wou ld n t take J o b was afrai d
,
’
’
to show i s n ose outside the door .
’
“
H e wasn t l ike h issel f that n i ght u p at the
’ ’
Caul iflower E s a t U p i n the corn er an d wou l d n t
‘ ’
.
’
‘
you a in t th e fust m an as has m ad e a fool of
hissel f .
’
’
M i n d you r own bu s i ness ses J o b B rown , ,
‘
an d I l l m i n d m i n e
’
.
’
“
Why d on t you leave i m alon e B il l ? ses
‘ ’ ’
,
’
’
because I S wi fe c ou l d .
the fool s i n C l ay b u ry .
,
’
, .
’
I cou l d give i t u p ses J o b w ip in g i s m ou th and
,
’
, ,
‘
l ic ker fo r a m on th .
’
“ ‘
You m ay as well save you r breath to bid
”
people good n ight wi th J o b ses B i l l C hambers ;
“ -
, ,
’
’
o ff i t .
i t as witnesses .
“
Bil l Chambers wasn t satis fi ed then He ’
.
’ ’ ’
got so m ad e d i d n t k now wot e was doi n g and ,
’ ’
e an d ed ove r fi ve pou n d s to S m i th the l an d lord
the soverei gn s .
’
H e nery Wal ker e got a e a d a c h e with thi n king ’
,
’
a n d J oe Gu bb i n s e got a e ad ac h e for dri n ki n g
,
’
’
J o b B rown s beer agi’
n There was al l sorts 0 .
bu t they d id n t co m e to a nyth i n g
’
.
“
A rter a wee k had gon e by J ob Brown began
to get restless l i k e a n d onc e or twic e e sai d i n ,
’
’
S m ith d id n t tak e a ny n otice an d at last J ob tol d ,
’
e a d n t got the power to give i t back an d c d
’ ’ ’ ’
,
,
’
.
’
S he sa i d sh e d go u pstairs an d peep for e m an d
’
bi t fl u sh ed bu t sl eep in g l ike a l a mb
, .
,
’ ’
else d i d A s fo r i s e adac h e s h e pu t e m dow n
.
’
,
to over eat i n g-
.
’ ’ ’
n ow that e a d go t the start to keep i t a n d e l ike ,
’
wise poi nted o u t that as e had bee n wi thou t
liqu or fo r over a m on th h e coul d go an d get that ,
fi ve pou n d s bac k o u t o S m i th ’
.
“
J ob p ro m ised that e wou l d giv e i t U p ; b ut ’
’
th e fust d ay e fel t abl e to crawl o n I s crutches
’
he m ad e u p I s m i n d to go u p to the Caul i flower ‘
ses to is wi fe
’
.
“
I a m a b it ti red s es she
‘ ’
, .
’
I d on t l i k e l eavin g you al on e ses M rs
’
, .
shopp in g .
’
’
You go my d ear ses J ob I shal l be qu ite
, , .
’
ap py s i tt in g at the gate i n t h e su n with a glass
0 m il k an a p ipe
’ ’ ’
.
“
H e pers uade d e r at l ast an d i n a fi t 0 ’
, ,
’
,
’
’
ave a dri n k T hen H en ery Wal k er an d som e .
’
to th e Caul i flower they wa s as m erry a party
’
as you d wish t o see .
“
E very m an a d a pi n t o beer which J o b pai d ’ ’
’
eyes with pleasure as e took his The n they .
’
e m i s leg an d descri bed wot i t fel t l i ke t o be a
’
“ ’
A n d I l l trouble you for that five pou nds
‘
,
’ ’
S m ith e ses sm i l i n g
, I ve bee n withou t any , .
‘ ’
No ne of u s d id J ob se s S m ith
’
D ye thi n k , , .
’
1 64 LIGHT FREIGHTS
’
that leg l l b e al l right agi n ? A s good as th e
’
other I mean ? ,
’
Doctor se s so se s J ob , .
’
I t s wond erfu l wot t h ey ca n d o no wad ays
’
,
’ ’
se s S m i th shak i n g i s ea d , .
’
ses J ob ; where s that fi ve ‘
’
pou nds S m i th ? ,
’
You d on t wan t to p ut any su d de n weight or
anyt h in g l i ke that o n i t fo r a ti m e J ob ses S m ith , ,
’
Jo b .
’ ’ ’ ’
Tai n t s o l i kely ses J ob ; d y e thi n k I m a ,
’
“
A h yes se s S m ith look i ng as though e (1
‘
, , ,
’ ’
you abou t that to see i f I v e don e right I m , .
’
glad yo u ve co m e i n ’
.
’
Wot d yer m ean ? he ses c hok i ng ’
, .
’
S he said s he thought 0 d oing so se s S m ith ,
’
HE
d ec k i n th e gloa m in g gaz i n g i d ly a t th e
,
To n ig h t i n d efere nce to th e w is he s o f t he
-
,
’
I n ever eard the l i kes of it said o ne with a , ,
1 66
BRE VET RA NK 1 67
e xam pl e .
’ ’ ’
“
There s a l ot you ai n t eard of B i ll sa i d , ,
”
“
A n d i t was si r I l l be t sa i d the m an who
, ,
’
,
”
H e tried e verythin g s aid the s k i pper then , ,
’
he give i t u p ; bu t he s com i n g aboard t o n ight -
,
’
Why can t he d o i t on d ec k ? said th e m ate ,
“’
Cos he m u st have art ifi cial l ight George , ,
“
said the sk ipp er H e l ets m e a l i ttl e bit i nto
.
’
the secret y o u k n ow a n he tol d m e he l i ke s to
, ,
”
have the m en a b it d aze d l i k e fi rst -
.
”
m om ent he said “
that m a n i s my u n t h in k in
, ,
’
’
’
arf a d ol lar an I thin k i t woul d b e a ighly i n
,
’
”
m erism that wou l d ,
.
, ,
”
O ne at a t i m e said the fi rst speaker sharply
, ,
.
LI GHT FR EIGHTS
, ,
”
m oney you kn ow
, .
”
N o n o said Z in g a l l
, , .
’
Wot d oes e mea n ? Give the chaps m oney ?
said B il l tu rn i n g w ith a sta rtl ed ai r to the c ook
, .
”
I d u n n o said the c ook airi ly
,
“
J us t watc h , .
”
i m B i l l h e ad ded an xiously
’
, , , .
“ ”
L ook at m e sa i d Z in gal l to the m ate aft e r
,
’
I m goi n g to S how you som ethi n g n ow i f I ,
“ ’
can sai d Z in g a l l wi p in g h is b row ; bu t I d on t
, ,
BR E V E T R A NK 1 71
’
k now how it l l com e off bec au se I m only a b e
’
’
ginn er at this sort o f th in g an d I ve n ever tried ,
’
to t e l l h i m he i s Cap n Brad d an d that you are ,
”
the m ate .
’ ’
“
You are Cap n B rad d m aster 0 this ship he , ,
sa id s l owl y
, .
”
A y a y sa i d the mate e arne stly
, , , .
’
A n d that s you r m ate George s aid Z in g al l , , ,
”
T ak e com mand then sai d Z in g al l l eavin g
, , ,
h i m wi t h a satisfi ed ai r an d seating hi ms e l f on
the locker .
”
George he sai d tu rn in g su dd enly to the
, ,
”
S ir sai d th e sk ipper with a pl ayfu l gl an ce
, ,
at Z i n ga l l .
“ ’
A fri en d 0 m in e n am ed Cap n Z i n gal l is
’
”
c o m in g aboard to n ight s ai d the m ate sl owly
-
, , .
”
roo m .
1 7 2 L IG HT FREI GHTS
Ay , s ir s ai d the a m us e d Brad d
ay , ,
.
'
J u st a l ittl e i n the bottom of t h e b o t t l e l l
“ ’
d o con tin u e d th e m at e ; d on t pu t m ore i n for
, ,
”
he d rin ks l i ke a fi sh .
” ’
“
I n eve r sa id su c h a th i n g cap n said Brad d , , ,
'
i n a n agitated wh isp e r I never thought 0 su ch
.
”
a thi n g .
”
No I k now y o u w ou l d n t sa id Z in gal l who
’
, , ,
whisper .
”
i t s hi m sa id the m ate i n a con fi dential whis per
’
, , .
“ ’
ski pper exc i tably
, W hat s th e good o f pl aying .
”
with hi m ?
’
Z i n g a l l s reply which was qui te irrel evan t , ,
’
“
B low i n is face agin s ir sai d the cook ben d , , ,
i ng d own ki n d ly .
”
me !
The sk i pper fle w to the ass i sta n c e of hi s friend ,
“ ’
H e s ou t of my con trol sai d Z i n g al l risin g , ,
“ ’
n i mbl y to h is feet I ve heard o f such cases .
’
be fore I m on ly n ew at th e work you k n ow
.
, ,
, ,
d ign a n t l y W hy d on t y o u b ri ng hi m rou n d ? ’
.
“ ” ’
Because I ca n t said Z in g al l shortly I t ll , , .
’
”
have to wear o ff .
B R E V E T R A NK 1 75
We ar o tl l repeated t he sk ipper
r
.
’
bu t whatev e r you do d on t c ros s h i m i n any
”
way .
“
O h d on t c ross hi m re peated B rad d with
’
, , ,
”
m es meri s t .
”
Wel l s e e what I ve d on e he sai d
,
“
The fact ’
, .
’ ’
came aboard an d he s go t it al l n ow I t s l eft
, .
’
captai n 0 thi s shi p .
” “
You re the m ate sai d Z i n ga l l an d m in d
’
, , ,
’
cros s hi m I haven t any d oubt i t l l be al l right ’
Good n igh t -
.
“
You re n o t goi n g ? said B radd cl utchi ng
’
h i m by the sleeve .
” “
“
I a m said the oth e r ,
H e seem s to h ave .
”
i t l l only m ak e hi m worse
’
.
cl am bered ashore .
’
I m goi ng to bed George s aid the m ate , , ,
”
c al l j u st afore h igh water .
’
Wher e are y o u goi n to s l eep ? d em and ed
the s k i pper .
’ “
Goi n to sl eep ? sai d th e m at e why i n m y , ,
”
stat e room to b e s ure
-
, .
’
I k n ow you re a good s ort Ge orge S m ith , ,
”
m ad e y o u thi n k you were m e .
”
“
I see what it is s ai d the m ate severely , , .
’ ’
You ve bee n d ri n k i n g ; you ve bee n u p t o my ,
”
whi sky .
’
“
Cal l the crew u p a n d as k e m then sai d , ,
Brad d d esperatel y, .
’
“
Cal l e m u p you rse l f you l u n at ic s ai d the , ,
“
m ate l ou d ly e n ou gh for the m e n to hear
,
If .
’
leave a whol e bon e i n h i s body that s al l , .
" “
“
Wel l sai d th e l atter at l e n gth why d on t
, ,
’
’
you s pea k an d tel l George he s gon e off hi s ead ’
”
a bi t ?
’
I t a in t n othi ng to d o w i th u s s i r said B i ll , , ,
'
a m ighty gri p o f his col l ar y o u k n ow I m the ,
“
cap n d on t y o u ?
’
,
’
0 cou rse I d o s i r s ai d B il l
’
.
, ,
”
The re y o u are George s aid the m ate r e l e as , , ,
’
E i ther you ve bee n drin k i ng or el se your ead s
’
,
’
”
non sense I ll overl ook it for this on ce
’
.
”
wife an d ch il d re n m y l ads he con ti n ue d wi th , ,
”
som e e m ot io n as I go hom e to m ine , .
, , .
’ ”
Don t be a fool B il l s ai d the cook he m ean s
“
, , ,
’ ’ ’ ” ’
th e c ap n s D on t you see he s the c ap n now
.
’
.
”
No w you go i n the k itchen she said l ook in g , ,
’
how I l l settle h i m .
1 82 LIGHT F REI GHTS
silver .
’
“
There is n t fi ve p ou n ds there said M rs Brad d , .
,
’
b u t I m ay as well tak e l ast week s housekeep i ng
’ ”
whil e yo u ve got i t ou t .
voice “
W h at a m I d oi n g h e re ? Wher e a m I ?
.
“ ’
Good grac iou s what s th e m atte r with th e
,
”
m an ? said M rs B radd wi th a screa m S h e
.
, .
“ ’ ”
W hat am I d oi n g her e C ap n Brad d ? he ,
said i n h is u su al vo ice .
“
H e s com e rou n d ! sai d Brad d ecstatical ly
’
.
,
’
H e s co m e rou nd O h G e orge you have
.
, ,
’
be en pl ayi ng the fool D on t you k n ow what .
’ ”
you ve b ee n d oin g ?
The mate shook h i s head an d stared rou n d th e ,
”
room .I th ou ght we wer e i n L on don he sa id , ,
BR EVET RANK 1 83
”
here ? Where a m I ?
I n a hu rried breathl e s s fashion the sk ipper
,
’ ”
I can t u n derstan d i t he said at le ngth My .
m i n d s a perfect blan k
’
.
”
“
A perfec t bl an k s ai d Mrs Bradd cheerful ly
, .
, .
’
“
I t s most extraord inary sai d the skipper ; ,
”
the m os t ex traordi nary case I ever heard of .
” ’
So i t i s sa i d h i s wi fe a n d what s more
, ,
’
extraordinary stil l for you B en you t e goi n g to
, ,
”
soverei gns i n the p l ate .
T W I N S PI R I T S
“
from the s ight O n al l these t h in gs the Terrace
.
“
I v e got m y U n c l e Josep h fro m L on do n
’
”
stay i n g with u s con tin ued the vis i tor foll owin g
, ,
“
her i n to the hal l s o I j ust got i n to the train an d
,
”
brou ght h i m d ow n for a b low at the s e a .
’
A q u estion o n M rs Cox s l ips d ied away as .
“
My U n cl e J osep h said Mrs B erry ; M r “
, . .
”
J osep h P iper she ad d ed , .
”
A n d M r Cox ? i n q u ir e d M rs Berry i n a
. .
,
col d voice .
’
M rs Cox shook her he ad
. H e s b ee n away .
”
t hi s l ast three d ays she sai d fl u sh i n g sl ig htly , , .
”
L ook i n g for wo rk ? s u ggested the visi tor .
“ ”
We l l I hope h e fi nd s i t said M rs B erry
, ,
.
,
M rs Cox cou gh e d
.
“
I t s be in g m e n d ed s h e .
’
,
“ ’
M rs B erry ey e d he r an x iou sl y
. Don t m i nd .
”
h i m my d ear sh e sa id w i th a j erk of her head
, , ,
“ ’
in th e d irection of Mr P i per he s n obody .
,
.
”
l i ttl e whil e u n cl e ? ,
No sa id M r P iper
’
.
, .
”
pany re m arke d Mrs Berry after a hostil e stare
, .
,
’
“
H e l l pawn the cl ock and anythin g else he
’
ca n l ay h is ha n ds on an d when he s d run k i t u p ,
”
M rs B e rry heate d ly
. that s you me n
,
“ ’
.
“
I never pawn e d a cl oc k he said s trok i ng his , ,
l i ttl e grey he ad .
’ ’
That s a lo t to b oast o f is n t it ? d e m ande d ,
“ ’
h i s n iece ; i f I had n t got anyt h ing bet ter than
” ’
that to boast of I wou l d n t boast at al l .
“ ’
I t l l go on l ike this m y d ear til l you re
’
, ,
’
to her frien d agai n what l l you d o then
“ ”
Yes I k n ow sai d M rs C ox
,
“
I v e had a
, . .
’
1 88 LIGHT F REIGHTS
i n sp it e of i t al l I can t s l ee p at n ights fo r
.
’
’
fearin g that he s i n s om e trou b l e I m s u re I
’
.
”
laid awak e hal f l as t n igh t c ryin g .
wi th feroc ity .
“
What d id y ou s ay ? she d e m an d ed .
”
I s a id i t d oe s h er c red i t sai d M r P iper , .
,
fi rml y .
“
h is n iece hotly, Ca n t you ge t hi m to take the
.
’
”
pled ge M ary ?
,
’
I c oul d n t i nsu l t h i m l ike that said M rs Cox , .
,
wi th a sh iver ; yo u d on t k n ow h i s prid e H e
“ ’
.
’
o n ly take s a l ittl e for hi s i n d i gestion H e d .
” “ ’
Ru bbi sh s ai d M rs B erry tartly you re t oo
, .
, ,
”
easy wi th h i m .
“
I d get b eh i nd w ith th e rent or so methi n g
’
’
a nd have the brokers i n H e d look rather .
’
aston ished i f he ca m e hom e a n d saw a broker s
m an si ttin g i n a chai r
’
H e d loo k m ore asto n ish ed i f he saw hi m
”
sitti n g i n a fl owe r pot suggested the cau stic -
,
Mr P i p e r
. .
“
“
I cou l d n t d o th at ’
sa id M rs Cox I ,
. .
”
settin g h is fam i ly above m i n e .
’
“
I f yo u can t have the brok e rs i n get s o m e ,
”
body to preten d to b e on e she s aid s harply ; , ,
ad d ed n od d in g at her u ncle
, .
’
A n x iety o n M rs C o x s face was exaggerate d .
on th at o f M r P i per . .
’
“
L et u n cl e p reten d t o b e a b roker s m a n i n
”
for the re n t c on ti nu ed th e exc itabl e lad y
, ,
“
rapi dly Whe n M r C ox tu rn s u p a fte r h i s
. .
TWI N SP I R ITS 1 91
”
to and say you l l have to go to the workhouse
,
’
.
”
“
I l oo k l i ke a b rok er s m an d on t I ? said ’
,
’
sarcas m .
’
“
Yes sai d his n iece that s wha t pu t i t i n to
“
, ,
”
m y h ead .
” ’
M r P iper sai d M rs Cox bu t I coul d n t thin k
.
“
, .
,
’
o f it I real ly coul d n t .
’
n othin g better to d o ; it s a n ice hou se an d good
food an d he cou l d s it at the Ope n w i nd ow an d
,
the sea .
“ ’
A n d I l l com e for h i m the d ay after to
m orrow sai d M rs Berry ,
. .
wh ich m ad e h i m a ve ry B l on d i n of fi n a n ce .
”
I shal l h av e to ge t som ethi n g to d o he said , ,
”
“
Yes d e ar sa i d h is w i fe
, ,
.
M r Co x l ean ed back i n h is ch ai r a n d wi pi n g
.
,
”
m oney ? h e i n q u i red .
’
a t the pseud o bro ker s m a n wi th cru shi ng e fl e c t
-
.
”
What d o you wa n t here ? he asked a t ,
s e rvan ts ?
“ ’
I m the fat h er o f al l the s e rva n ts i n the
”
hou se sai d M r P i per sw e e tly
,
.
, .
’ ”
“
D on t a n swer m e s i r sai d Mr Cox wi th , , .
,
’
m uc h pom pos ity ; you re a n ey e sore to an “
”
hon est m a n a vul tu re a harpy, , .
’
H ow d o yo u k now w h at s a n eyesor e to
”
an hon es t m an ? he aske d at len gth , .
M r Cox s m il ed scorn fu l ly
. .
”
y o u c al l i t ? he de m and e d .
“ ’
I ve show n i t to M rs C o x s ai d Mr P ip er .
, . .
”
S how i t to m e s ai d the other , .
“ ’
I ve co m pl ied wi th the l aw by showin g i t
TWIN SPIRITS 1 95
o n c e said M r P i per b l u ffi ng
,
. an d I m n ot , ,
’
”
goin g to show it agai n .
“
Three spots 0 grease on a d irty wes k it ’
,
’
repl ie d M r P ip er read ily a pair 0 bow l egs in
.
, ,
“
”
s ure wi th carry in g off of a d rawi ng room cloc k -
.
”
Vu l ture l h e cri ed i n a te rribl e voic e
“
, .
”
Yes s i r said the trembl i n g M r P iper
, , . .
”
F ly he s aid b riefly
, , .
”
D id you hear w h at I said ? d em an ded
1 95 LIGHT FREIGHTS
Mr Cox
. W hat ar e you w ai ti n g for ? I f y ou
.
’ ” ’
don t fl y o ut of th e w i n d ow I l l throw you ou t .
” ’
“
D on t tou c h m e screa m ed M r P iper ret reat , .
,
“ ’
i n g behi n d a tabl e i t s al l a m istak e A l l a ,
.
’ ’
j oke I m not a b rok e r s m an H a l ha l
. .
”
E h ? sai d the other ; n ot a broker s m a n ?
“ ’
gri e f .
“ ’
The way I v e worke d for tha t wom an h e ,
“
said broken ly to t hi n k i t shou l d com e to th is !
, ,
’
“
I t s bee n very u n pl easa n t fo r m e he sa i d , ,
b u t my n i ec e i s so m asterfu l .
“ ” ’
I d o n t bl am e you said M r Cox k i n d ly ; , .
,
”
s h ake han d s .
the wi nd ow .
“
Yo u m ight hav e be e n ki l l ed i n tryi n g to
1 98 LIGHT FR E I GH TS
'
White H orse at Ne wstead a nd w a i t for me
’
.
’ ”
I l l let you out at the bac k way Co m e al on g . .
’
O r there s a trai n at th ree o c l oc k The re s ’ ’
.
”
“
H ush sa i d the traged i an pu ttin g hi s fi n ger
, ,
t o his l i ps .
”
is the m atte r ?
The broke r s m an said her hu sba nd i n a
’
, ,
thril l i ng wh isper “
We had word s — h e stru c k
.
me I n a fi t of fu ry I —I — chok ed h i m
. .
“ ’
T h at s m y u ncl e a l l ove r sa id M rs B erry , .
,
“ ’
fi ercel y ; that s j u s t the m ean trick I shou l d
’
hav e e x p e cted o f h i m You leav e e m to m e .
,
”
my d ear .
S he s tol d m e al l ab ou t i t sh e sa id n od d i n g
’
, ,
“ ’
at M rs Cox . an d i t s wors e tha n you thi n k
, ,
m u c h wors e I t is n t a brok er s m an —i t s m y
.
’ ’ ’
poor un cl e J oseph P i pe r , .
”
“
Y ou r u n cl e ! re peat e d M r C ox r e e l i n g bac k ; .
,
’
t h e brok e r s m a n you r u ncl e ?
M rs B erry s n ifl e d
'
.
“
I t was a l ittl e j oke o n
.
”
ou r part sh e ad m itte d s i n k in g in to a chai r an d
, ,
“
ho l d i n g h er han d kerc h i e f to her face P oor .
” ’
u n cl e bu t I d ar e s ay he s happ i er wher e he is .
“
S ee w h at you r j ok in g has le d t o he said at , ,
’
s u re poor d ear h e h ad n t got m u ch to live
, ,
”
for .
“ ’
I t s v e ry k i n d o f you to l ook at i t i n that
”
way S u san I m su re sai d Mrs Cox
, ,
’
, . .
“
I was n e v e r on e to m ak e m ischief sai d M rs ,
.
’
B e rry I t s n o good cry in g ov e r sp il t m il k
.
“
.
I f u ncl e s k il l e d h e s k i ll ed an d t he re s an
’ ’
,
’
’
e n d of i t Bu t I d on t thi n k it s q u i t e sa fe for
.
’
”
M r Cox to stay he re
. .
”
“
J ust what I s ay s a id that gen tle m an eag e rly ;, ,
’
bu t I ve got n o m oney .
“ ”
You get away sai d Mrs B erry w ith a , .
,
”
or thirty pou n d s to sen d you .
”
Thirty s aid M r Cox h ardly able to b e l iev e
, .
,
his ears .
“ ’
M rs Berry nodd ed
. Y ou l l hav e to m ak e .
“
A n d as soo n as you ge t i t you had better get
as far away as possibl e before poor u ncl e i s d is
covere d Where are we to se n d the money ?
.
“
The White H orse News tead he sai d at
‘
,
’
,
”
len gth in a whisp e r ; b e tter wri te i t down
,
.
2 02 LIGHT FRE I GHTS
Mr P i pe r r e tu rn in g to th e i n n parl ou r wa s
.
,
-
,
’
am azed a n d d istress e d at h i s frien d s appear
an c e Tw ice he had to a d dr e s s h i m b e for e he
.
“
E h ? sa id M r P ip e r i n a m a z e as he read
.
, ,
sl owly : “
N o — n eed — s en d —
‘
mon ey Uncl e
osep k — lzas —
_
come—back —B E RR Y
j
’
.What d oes .
”
i t m ea n ? I s s he m ad ?
M r C ox s h oo k his h ead and tak in g t h e paper
.
,
2 04 LIGHT FRE I GHTS
sa m e .
“
I l l go ho m e an d as k t o se e you he s aid
’
, ,
’
fi erc e ly ; that l l brin g t h i n gs to a he ad I shoul d ,
thi n k .
“ ' ’
A n d s h e l l say I v e gon e bac k to L o n d on ,
“ ’
cl earness o f vis i on You ca n t s how her up
.
’
u n less you tak e m e wi th you and that 11 show u : ,
’ ”
u p T h at s h er artful n e ss that s S u sa n al l over
.
’
.
’ ”
S h e s a wic ked u ntru th fu l wo m a n gasped , ,
M r Co x
. .
“
I n ever d id l i k e S u san sai d M r P i p e r w it h , .
,
“ ”
ac e rbi ty n ev e r
, .
’
w ith the w eather as ked after M r Cox s heal th
,
.
,
“
Dear U ncle J ose ph has qu i te recov e red an d , ,
’
sen ted to go to the Wh ite H ors e to sati sfy you ‘
”
Besid es it d oes n o good h e ad d e d
, , .
”
I t does me good sa id M r C ox recom m enc in g
, .
, .
’
his frien d s l i ps as a fa m i l iar voice was heard i n
the passage an d th e n e x t m omen t M rs Berry
, .
“
I ran d own by th e sa m e trai n t o m a k e su re ‘
” “
you ca m e u ncl e she r e m arke d
, , H ow long .
at M r Cox for gu id an c e
. .
“
Bou t — b ou t fi v e m i n u tes he sta m m ere d
’ ’
, .
”
mu ch con ti n u ed M rs B erry s m i l in g a n d shak
,
.
, ,
got h i m c l ea n yet .
”
Were n t you su rpri se d to se e h i m ? i nqu ire d
’
h is tormen tor .
“
No t a fter you r letter said M r Cox fi n d in g , .
,
M rs B erry s m i l ed aga i n
. .
’
“
A h I ve got a n other l i ttl e su rprise for you
, ,
“
she said b ris kly ,
M rs Cox wa s so u pset at
. .
”
to l ook after th i ngs Eh ? Wha t d i d you say ? .
”
I was j u s t th i n ki ng said M r Cox , . .
20 8 LIGHT FREI GHTS
to a desc e nt w h ic h appeare d to h av e i nc l ud ed ,
’ ’ ”
“
E s al l righ t s aid the orp h an wistful ly ;
, ,
”
gru b as he wan ts Wis h I d b e e n a d o g
.
’
.
he was as u se fu l as a d og !
T he t h oug h t struck h i m j u st as a stou t k i nd l y ,
’
m om en t s hes i tation an d M aster J on es wi th a
, ,
”
H al loa ! s aid M r S a m uel Brown l ook i n g
.
,
”
rou n d .What d o you wa n t ?
”
“
Wan t you fathe r sai d M aster J on es
, ,
.
frien ds .
“
I m n ot your father m atey he sai d good
’
, , ,
n at uredly .
”
kn ow you are .
“ ’
You ve m ade a m istake my lad said Mr , , .
”
B rown stil l s m ilin g
, H ere ru n away .
“
, .
“
L ook here my l ad excl ai m ed M r Brown, , .
,
”
H arry Gree n you ru n o ff ho m e
“
, .
“ ”
Where d o y o u l i ve n ow ? i n qu ired Billy ,
an xiously .
” ’
You mu stn t fol l ow m e sa i d S a m severely ; , ,
”
d ye hear ?
’
”
A n d d on t cal l m e fathe r voc iferated M r
’
, .
B rown .
21 0 L I G HT FREI GH TS
S am t ol d h i m he d be t he d eat h o f hi m i f he
,
’
’
was n t m ore carefu l .
“
I f you d on t ru n away said M r Brown ’
, .
,
“
harshl y as he turn e d t o the boy I shal l give
, ,
"
you a h id i n g .
“
Where a m I to ru n to ? whi m p ere d M aster
J on es d od gin g o ff a nd on
, .
“
R u n o m e sai d S a m ’
, .
’
T hat s where I m go i n g sai d M aster J on es ’
,
fol l ow i n g .
“
M r L egge i n a con fi de n tia l wh ispe r ; thou gh
.
,
’
“
U n na tu ral ? What d ye m ean ? d e m an de d
his u n fortu n at e frie n d “
W o t d ye m ea n by .
’
”
u n n atu ral ?
’
“
O h i f you re goi n g to tal k l i ke that S am
, , ,
’
s ai d M r L e gge shortly i t s n o good givi n g you
.
, ,
“
”
on it .
“
H ow l on g is i t s i nc e you s aw i m l ast ’
,
”
m atey ? i n q u ired M r Green . .
21 2 L I G H T FR E I G H T S
’ ”
E s a pretty l ittle c hap rath er , .
’
Tak es arter i s m other sa i d the ve ngefu l ,
M r L egge
. .
the wharf .
“
H all oa boy what d o yo u want ? cried the ,
“ ’
Don t ru n away h e s aid an xiou sly ,
.
“ ’
I m n ot goi n g to s ir sai d M ast e r J on es , , ,
S am .
”
“
Yes si r said a worri ed voice
, , .
”
Your boy s a s k in g after y o u sai d the s kipper
’
, ,
gri n n in g mad ly .
“
H e s n ot my boy s i r repl ied M r B rown
’
, ,
.
,
“
Wel l you d better c om e u p an d see hi m
,
’
,
” ’
s aid the othe r A re you s ure he i s n t S am ?
.
,
m et M aster J on es s sm il e of greeti n g wi th an i cy ’
“ ’ ”
H e s be e n rather n egl ected S am said th e , ,
’
Wot s it got to d o wi th m e ? sa id S am ,
this a rt e r n o o n .
“ ” “ ’
D ead s ir whi ned M as ter J one s
, , I ve on y .
’
”
got i m n ow
’
.
sh ip an d a l e a d in g l igh t at D i m p o rt .
21 4 LIGHT F REIGHTS
H ow
wou ld you l i k e to com e to s e a with you r
”
father ? h e i n qu ired .
“ ’
I wou l d n t d o i t for eve ryb ody pu rsued the ,
’
behaving foolishly bu t I d on t m i n d obligi ng
,
you S a m H e c an co m e
, . .
” ’
O bl igi n g me ?
“ ’
to get the word s o ut . I d on t
”
want to be obl ige d .
” “
“
There there i n te rrupte d th e sk ippe r
, ,
I .
”
poor l i ttl e chap .
at h i m .
’
B row n snored throu gh i t al l though M r L egge s , .
21 6 LIGHT FREIGHTS
’ ’
they m ust n t d o i t here tha t s all I t s no good , .
’
” ’
stan d in g there su l ki n g S a m I can t have i t , .
’
withou t h i m an d a t n i n e O cloc k i n th e e ve n in g
,
that h e w as m iss in g .
“
I t s a fact s i r s aid M r L egge shak in g h is
’
, ,
.
,
head .
“
What s to be d on e wi th the b o y ? d e m and ed
’
“
S a m 5 a u n steady u n rel iabl e tricky ol d m an
’
, , ,
21 8 LIGHT F REIGHTS
t h e cook .
“
I d u n no sai d the boy m i serabl y
, , .
H e sat u p i n hi s b u n k i n a brown s tu dy ,
r e m ark s .
’ ”
That s wh e r e S a m l ives said hi s frien d , ,
poi n ted l y
“ “
Yes said the boy n od d i n g al l o f you l iv e
, , ,
’
there d o n t you ?
,
restlessly u p a n d d own .
S AM S ’
B O Y 21 9
“
Wel l what s he goi n g to d o ? i nqu ired the
,
’
m ate i n a l ow voi ce
, .
“
T h at n eed n t worry us s ai d the sk ipper
’
, .
” ’
L et thi ngs take the ir cou rse ; that s my m otto .
s ign s O f Sa m .
’
“
I s pose h e l l b e al l right sai d the skipper
’
, ,
2 20 LIGHT FRE I GH TS
bac k to L o n d o n w ith u s .
gl an ce s .
F ather c ri e d a sm al l voice
,
h u s kfl y .
“
Oryou said the m a t e
,
I n ever took m uch .
”
n oti ce of hi m .
” ”
F ather c ri ed the boy agai n
,
wait for m e , .
”
“
L et s separate h e growl ed
’
a n d see wh o
, ,
“
”
he s call i n g after
’
.
2 22 LI GHT FRE IGHTS
’
Who s t h at boy ? cri ed the i n n oce n t wom an .
’
I t s a poor l i ttl e m a d boy began the ski pper ; ,
he c ame aboard
“ ’
I m n ot m ad fath er i n terrupt e d M aster , ,
J on e s
“
A po or l i ttl e m ad boy c ont i nu ed th e sk ipper , ,
“
hastily who c am e aboard i n L on do n an d s ai d
,
”
H e cal l s ev e rybody h i s father sai d th e ,
“ ’
sk ipper wi th a s m i l e of an gu ish ; that s th e
,
”
h is fathe r .
”
N0 he d i d n t said the m ate b lu n tly
’
.
, , ,
”
No s i r , sai d M r L egg e w ith respectfu l
, .
,
fi rm n es s .
“
We ll h e sai d S a m Brown was sai d th e
, ,
s k ip per .
“
Yes that s right s i r sai d the crew
,
’
, , .
”
Where i s S a m ? i n qu ired M rs H u n t l ook in g .
,
rou n d e xpectan tl y .
h u sba nd
“
I see s ai d Mrs H u n t wi th a b i tter s m il e
, .
, ,
’
H av e n t y ou ?
S AM S BOY
’
2 23
‘
Yes m u m c h oru sed the crew d el ighted at
, , ,
”
Yes I know what the m at e 11 say said Mrs
,
’
, .
”
Hunt . I ve n o need to as k h im
’
.
“
Charl i e a n d Harry were w ith S a m when the
b oy cam e u p to them protested the sk ipper , .
“ ’ ”
I ve n o doubt sai d hi s wi fe “
O h J oe l , .
,
”
Joe ! J o e !
T here was an u ncom fortabl e sil ence du ring ,
“
You u n grate ful l ittle d evi l bu rst ou t M r , .
”
tre ated y o u too , .
“
Di d he treat h i m k in d ly ? i nqu ire d the
captai n s wi fe i n c onversati onal tones
’
, .
thoughtless M r L egge “
Gave im a passage. .
’
H arry ?
’
H e turned to h is frien d bu t o n M r Green s , .
ap pearan c e .
T he si tuati on wa s e nd ed by M rs H u n t enterin g .
m ot ionl ess .
“
L ook here P ol ly ,
he b egan .
m a i n tai n a n a ir o f j u d ic i a l c al m .
“
I f you l l o nl y b e re ason abl e
’
he re
m ark ed severel y
, .
“
I thou ght th ere w as s om eth ing secre t goin g
“ ’
on ,
said M rs H u nt . I ve o fte n loo ked at y o u
.
2 26 LIGHT FREIGHTS
o f the wi nd ow .
”
O h P ol ly !,
s ighed the sk i pper Mrs H u n t . .
d o n t b e a fo o l l
’
“
I what
.
J
’
Yes I ve n o d oub t said the s ki pper t h e at ri
, , ,
cal ly “
.O h P ol ly ! P olly ! Pol ly !
,
viol en tly .
“
Th is sai d the s kipper chok i n g ;
,
“
this is ,
’
what you ve bee n worri e d abou t This .
’
i s the secret what s
H e broke o ff su dde n ly as h is wi fe thrus t hi m
by m ai n force i nto a chair an d stan d in g over h i m ,
“
Yes you are said M a ster J on es
, ,
.
ac ce p t an ce
.
A WI LL AND A WAY
“
C au l i flower his gn arl ed swol l en han d s
, ,
“
No the re ai n t bee n a great s ight 0 s in gl e
’ ’
”
m e n hereabou ts he sai d i n ans wer to a q u es
, ,
“
tion C l ay b u ry as al ways bee n a m arry ing
’
.
”
sh arper ,
H e reache d forward a nd ta ki n g up h is b e e r
, , ,
m
n o LIGHT FRE I GHTS
’ ’
any on e of em an d e wou l d s it u p e re o f a n ight ,
’
“ ”
at the C aul iflowe r and se nd m en with large
fam i l ies a m o s t crazy by c a l k e rl at in g o w m any
’ ’
’
p in ts o bee r thei r ch il dren wore out every year
i n the sha pe 0 boots ’
.
’
S om eti mes is un cl e old Ebenezer Gree n used , ,
’ ’
ol d man an d c d s i t an d l augh at F oxy til l i s
,
’
’
sort 0 m an an d when F oxy tal ked l i k e that e
,
’
’ ’
You l l m arry whe n I m gon e F oxy he d
“ ‘ ’
, ,
’
No t m e , s e s F oxy
’
.
’
Then the old m an u d l au gh a gi n and tal k
’
m ysteriou s about fox hu nts and say e won dered -
’
who d get F o x y s bru sh H e sai d e d onl y got
’ ’
.
’
’
to shu t is eye s a nd e cou l d see the p ac k i n ful l
’
’
cry through C l a y b u ry vi l l age a n d F oxy goi n g is ,
’
“
F oxy coul dn t say anythi ng to 1 11 1 becau se it ,
’
was u nd erstood that whe n the ol d m an d ied e
’ ’ ’
was t o ave is farm an d is m o ney ; so e u sed to
’
si t there an d s m il e as i f e l i ked i t ’
.
’ ’ ’
the l a st a nd e sa i d what a good man e d al way s
,
A WILL A ND A WAY 23 1
’
wa s goi n A n d e men t ion ed a lot 0 l ittl e su m s
’
.
’
cou l d re m e mber .
’
I ve m ad e my w il l F oxy he ses an d s chool
’
, , ,
‘
’ ’ ’
m aster s ta k i n car e o f i t ; I v e le ft i t al l to you ’
.
“
A ll right ses F oxy
‘
Thankee ,
’
.
‘
.
’
’
H e s goi n to read it arter the fu n eral ses ’
,
’
’ ’
is u n cle which i s the proper wa y to d o i t I d
, .
“
Those were is l as t word s bu t e l aughed once ’
,
’
’
i s eyes and behavin g as thou gh e a d los t m on ey
,
’ ’
'
to the farm and the fi rs t thi n g the school m aster ,
’
You l l see ses the schoo l m a s ter ; the m was ’
,
‘
’
my i n structions I t s for you r sake M r Green ; .
,
.
u n cle sai d .
’
“
H e sat d own an d t ook ou t the wil l and pu t on
’
i s spectacl es Then e spread it ou t o n the table .
’
232 LIGHT FREIGHTS
read .
“
I t was al l straight forward enou gh The farm .
ban k wa s al l l e ft to J osiah Gr e e n co m m on ly
, ,
’
to go to e r i n s tea d .
’
“
F ox y tu rn ed rou n d l i ke m a d the n an d asked
H enery Wal k er wot e was p attin g i m on the ’
’
ave i t read a gi n .
’ ’
Wel l there s on e th i n g abou t i t Mr Green
, , .
,
’ ’
you l l be ab le to ave the p ick 0 the pretti e st
’
’
gal s i n C l a y b u r y .
" ’ ’
“
O w s that ? ses J oe Cha mbers very sharp ; ,
‘
he s got t o take the fi rs t wo m a n that as ks i m
’ ’
,
’ ’ ’
d on t m atter wo t e r age i s .
“
H e g o t u p su d d en ly an d wi thou t e ve n say in g , ,
’
good bye to F o x y rushed o u t of the ou se a nd
-
,
’
waite d ti l l e was ask e d to m arry he d wa i t lon g ’
’ ’
en ou gh L ittl e chits o gal s o fou rteen a n d fi fteen
.
’
the askin g bu t they wou l d n t as k O l d wom en
, .
m any ti m e s too .
’
ha m in d ed wot othe r fol ks sa id i f t h ey d caught
’
’
c ou l d n t d o thi n gs on the qu iet be c au se of th e
th re e wit n esses That was the a r d s h ip of i t
.
’
.
A WILL A ND A WAY 235
’
gal that u sed to d o th e d a iry work an d th e ouse -
’
work o ff Then e bought a cou pl e 0 large fi erce
.
’
,
’
dogs an d chai n ed e m u p one n ear the fron t door ,
’
used to work on the farm i n to t h e ouse an d for , ,
’
the fu st we e k o r two e rathe r enj oyed the excite ~
’
The art fu l tric ks th ose wom en ad would n t be ’
’
bel ieve d O ne d ay when F oxy was eati n g i s
.
’
wan ted e s ai d that he ad j u s t bou g ht som e pi gs
,
’
’
fi n i shed i s d i n n e r and then he d go out and ave
’
,
’
a l ook a t e m
’
.
2 36 LIGHT FRE I GHTS
'
I wa s wa n t i n so m e p igs bad he s es an d the ,
’
,
‘
’
worst of i t is I ca n t get ou t to buy any as thin gs
,
’
‘
that s why I brou ght e m t o you
’ ’
.
’
“ ‘
Y o u deserve to ge t on Wi l l ia m ses F oxy
’
.
, ,
‘
George h e ses turn i ng to i m
,
’
,
’
.
’
Yes s e s George
‘
, .
’
D o you k n ow m u c h about p i gs ?
’
I kn ow a p i g when I see on e se s George , .
’
l ook at e m .
’
“
W il l ia m H al l gave a s tart as George wal ked
ou t an d a m i n u te a fterward s both of em eard an
,
’ ’
’
ead and sayi n g that whe n e l i fte d u p the cl oth ’
’
others was e r n ephews Wi l l ia m said i t was a .
“
Two d ays arter that F oxy a p p e n i n g to l oo k , ,
’
’ ’
ou t of i s bed roo m wi nd ow saw on e 0 the C lay ,
E g ave a yel l as e s a w
’ ’
boy wa s al f blow n l i ke -
.
’
2 3s LIGHT FRE I GHTS
u s b a n d he wou ld n t say NO
’ ’ ’
.
a mo s t S he d a d a ard ti m e of i t wi th F l ora
’ ’ ’ ’
.
" ’
E s ol d en ough to be my fathe r she ses ’
, .
’
coax ing e r and besi d es th i n k 0 the farm ‘
, ,
’
.
’
“ ’
That s wot you ve got to thi n k of ses her
‘ ’
,
’
’
thi n k 0 the farm .
’
“
F l ora s tood a n d leaned he rs e l f u p agi n a ches t
’
0 d rawers an d twisted e r han d s an d at l as t she
’
,
“
F oxy Gree n was very m u ch aston ished whe n
’
George too k bac k that an swer H e d thou g h t .
A WI LL A ND A WAY 2 39
eve n
When George S m ith wen t u p to the Pottl es
“
a mos t
’
’
A t fi rs t sh e wou ld n t ave anythin g to
.
’
, ,
’
F o x y s m essage .
“
H e d id F o x y s cou rt in g for i m for an hour ’ ’
,
’
“
F oxy we n t on d read ful whe n e eard that
’
’ ’
F lora a d n t given an an swer bu t G eorge S m ith , ,
’
that it was on y n atu ral a you n g gal shoul d l i k e
to be cou rted a bit a fore giv i n i n ’
.
’ ’
Yes ses F oxy bi ti ng is li p bu t o w s it to
, ,
’
,
‘ ’
’
be d one ?
2 40 LIGHT F REIGHTS
’
You l eave i t to m e ses George S m i th an d , ,
‘
’
it l l be al l right I s it there and tal k abou t the .
"
A n d abou t m e too I s pose ? s es F oxy
‘
,
’ ’
,
catch in g im u p ’
.
’ ’
ses G eorg e ; I tel l e r al l s orts o l ies ‘
’
about you .
'
to wan t i m e o n y fa nci ed e r the m ore N ext
’ ’ ’
.
’
e thou ght that i f i t a d be e n a n ew one i t wou l d
’
’
ave d on e wot was wan ted .
“
You can t kee p secrets i n C l ay b u ry an d i t
’
, .
’
i
“
I t took George S m i th two hou rs a rd cou rti n
’
a fore he cou l d get F lora Pottl e to say Yes bu t ‘
,
,
242 LIGHT FRE I GHTS
’
F l ora d i d n t s ay any th in g
S he sat there .
’ ’
kep t on l oo k i n g at e r an d waitin g for e r to
’ ’
speak an d opi ng that she wou l d n t grow u p l ike
,
’
e r m other .
’
Go on F lora ses M rs P ottl e n u dgi n g e r ,
.
, .
3 ’
er .I s pose you ve c om e to ask F oxy a qu esti on
’
by the l ook o f it
’
Yes ses F l ora l ooki n g u p
,
‘
A re you q u it e , .
we l l M r Gre en ?
, .
’
“ ’ ’
Yes yes ses F oxy ; b u t you d i d n t c om e
‘
, ,
‘
’ ’
u p ere to as k m e that .
’ ’ ’
I t s al l I cou l d d o to get e r ere at al l M r , .
’
G ree n says M rs P ottl e ; s he s that shy you
, .
‘ ’
’ ’ ’
c an t thi n k
’
S he d rather ha ad y ou as k e r .
’
you rse l f .
’
“ ’
That can t b e do n e ses F oxy shaki n g i s
‘ ’
, ,
’
’
ead L eastways I m n ot go i n g to ris k i t
.
,
’
.
’
Co m e on F l ora P ottl e s es B o b H u n t ; , ,
’
’
we re al l a
‘
“
S hu t your eyes an d ope n you r m ou th as i f
‘
,
‘
I can t an d I won t ’ ’
.
’
’ ’
I won t ses F lora fi ri ng u p too ; you ve ’
, ,
‘
A WILL A ND A W AY 24 3
’
u gl iest man i n C l a y b u ry .
’
e s es Very wel l F l ora Pottl e then we 11 say n o
,
‘
, ,
’
“
Good even i ng s es M rs P ottle getting U p
‘
,
’
.
,
’
m aid that s what you ll do
,
’
.
’
’ ’
at George S m i th ; bu t i f you re so fon d 0 Mr ‘
.
say No .
’
Gree n s eyes as he looked fu st at the d oor at the
other e n d of th e room an d the n at th e window .
“ ’
L or bless my s o u l l se s Mrs Pott le i n a
‘ ’
.
,
’
surprised voice I never thou gh t O f i t ‘
.
M r Green
.
O ne m om e n t ses F oxy ol d i n g u p i s an d
“ ‘ ’ ’ ’ ’
, , .
‘
I shoul d be a terrible bad crue l u n ki n d husban d , , ,
2 44 LIGHT FR E I GHTS
’
to anybody I d id n t l i ke Don t say words you l l
’
.
’
’
be sorry for a rt e rwa rd s Mrs Pottl e , . .
I m n ot goi n g to
’
“ ‘
se s M rs P ottl e ; the
,
’
.
‘
’
u s ; I m far m ore su itabl e for you tha n a you n g
gal — M r Gree n wil l you m arry m e ?
.
,
’
’
then e l ooked ro u n d at all the m gri n n i ng m en
wo t h e d brou ght there by m istak e to se e i m
’ ’
s e s I wi ll
,
‘
.
’
24 6 LIGHT F REIGHTS
“ ’
T h at s wh at I ca l l a good sto ry said on e ,
’
i t s an O l d idea t hat sp i rits l i ke to get i n to the
c om pany of h u man b ei ngs A m an tol d m e onc e .
“
That l l d o H irst said an oth e r m an
’
, , .
“
I ve n ever seen an appar iti on m ysel f b u t I
’
,
“
N eve r h eard of it sa i d a n other s peaker , ,
”
and I ve b ee n here s om e years now
’
.
JE RRY B U ND LE R 2 47
George
Wel l I ve j us t eard Odd s an d en ds s i r sai d
“
,
’ ’
, ,
“
the old waiter bu t I n ever p ut m uch cou n t to
,
’
e m There was on e ch ap ere what sai d e sa w i t
.
’ ’
”
an d the go v n e r sacked im p rom pt
’ ’
.
”
the appearance of J erry Bu nd ler i n this hou se .
“
A L ond on thi e f pick poc ket highway m an , ,
”
“
Which bed room was i t ? ask ed two or three
voices together .
”
Th at l l d o said an u neasy voice
’
,
“
I w ish .
i t was .
” “
“
There s n othing to fear said the other
’
I ,
.
B u n dl e r an d go an d give h i m a chan c e of d is
play in g his cou rage ?
B ravo ! sai d M al col m hu sk ily d rown i ng on e , ,
”
or two fai n t Noes “
J u st for the j oke gen tl e
.
,
”
me n .
”
O n l y for the j ok e said H irst s omewh at , ,
“ ’
eagerly I ve got s om e thi n gs u p stairs i n
.
wh ich I am goi ng to pl ay i n th e R i va l s — kn ee
’
breeches bu ckle s an d al l that sort of thin g I t s
, , .
’
a rare chan c e I f you l l wai t a b i t I l l give you
.
’
or Th e N octu rn al S tran gl er .
’
”
You won t frighten u s said the com m erc i al
’
, ,
with a hu sky l au gh .
’ ’
I d on t k n ow that s a id H irst sharply ; i t s
“
,
’
a q u esti o n of actin g that s al l I m p retty good ,
.
,
ai n t I S o m ers
’
,
h is frie nd w i t h a l augh
,
.
’ ’
“
I l l bet you a l evel sov you d on t frighte n .
”
“
D on e ! sai d H irst “
I ll take the bet to .
’
, , ,
J ER RY B U ND L E R 2 51
”
Play .
“
Well I l l try you fi rst sai d H i rst spri n ging
,
’
, ,
”
up . NO gas m in d , .
”
H e s crazy on act in g s aid S om e rs l ighti ng
’
, ,
,
’
, ,
“
yawn i n g ; i t s after twelve n ow ’
.
”
Why you re frightened George sai d the
,
’
, ,
“
I t was the su d d en ness o f i t said G eorge ,
”
bar I nearly trod on i m
.
’
.
“ ’
O h you l l n ever m ake a m an George s aid
, , ,
M al col m .
“
Wel l it took m e u n awares said th e waiter
, , .
’ ’
i f I d kn own e was there an d I d o n t bel ie v e ,
’
”
“
N on se n s e ! sa i d Mal col m “
I l l go an d .
’
”
fetch hi m i n .
“ ’
You d o n t k n ow what it s l i k e s ir sai d ’
, ,
’ ’
fi t to l ook at by you rs el f i t ai n t i nd e e d I t s , , .
go t the W/z a t s tl z a t ? ’
“
W hat i s i t ? Wha t s the m atter ? d e m anded ’
”
M al col m W hy it s M r H irs t
.
“
H e shoo k
,
’
. .
”
“
L i ght th e gas George s ai d M al col m, ,
.
“ ’
the oth e rs I t s the l as t t i me I c om e to thi s
.
house .
“
I leave t o m orrow s ai d George - “
I wou ld n t , .
’
fi fty pou n d s !
’
I t s ta l k i n g abou t the thi n g that s ca use d it
’
,
”
I exp ect sai d one of the m e n ; w e ve al l bee n
,
“ ’
’
P ractical ly we ve been form in g a s p i ri tual istic
”
c ircl e w it hou t k nowi n g i t .
“
H an g the ol d ge n tle m an ! s aid Ma l col m ,
’
to bed I t s od d they shoul d both th i n k they
.
”
saw som ethi ng .
”
“
I s aw i t as pl ain as I see you s ir sai d , ,
’
George s ole m n ly , P ra p s i f you kee p your eye s .
”
tu rne d U p the p assage you l l se e i t for yourself ’
.
’ ”
Who l l com e d own to th e bar ? sai d M al
col m l ooki n g rou n d
, .
“
You can go i f you l i k e sai d on e of the others , , ,
“
with a fai n t l augh we l l wai t h ere for you ’
.
“
D i d you see i t si r ? whispered George .
“
D on t know ’
sa id M alcol m shortly , I , .
”
now H ow are you feelin g now s ir ?
.
,
”
“
O h I fee l a bi t better n ow sai d H i rst som e
, , ,
,
”
b u t you d id n t see it ’
.
”
“
N o t at al l said M alcol m s m il in g faintly
, ,
d espite h i m sel f .
“ ’
I m goin g to bed sai d H i rs t n otic in g the , ,
s m il e an d rese n ti ng i t “
Wi ll you share my
room wi th m e So m ers ? ,
“
I wi l l with pl eas ure sai d hi s friend “
pro , ,
”
ful l a l l n ight .
“
Well I su ppose the b et s
, said the ’
2 56 LIGHT FRE I GHTS
’
poet ic j u sti ce abou t i t i sn t there ? ,
“
N ever m i nd abo u t p oetry or j u st ice sa id ,
“ ’
one of hi s l i sten ers ; w ho s goi n g to sl e ep with
”
me ?
I wil l sa i d M al col m a ffably
, , .
”
M r L eek ? sai d the th ird m an turn in g to th e
.
,
fourth .
“
N o tha n k you
,
sai d the othe r bri skly ; I
, ,
“
’
T h at won t h urt a sp iri t L eek said M alcol m , , ,
d ecisively .
“
Wel l the n oise l l be l i k e com pany to m e ’
”
i f you re n ervou s s ir he ad d ed wi th a gri n to
’
, , , ,
”
d oor m at i n s i d e you r roo m I k n ow
-
,
.
”
That I wil l s i r sai d George fe rven tly ; an d
, , ,
b e s u ffi ci en tl y grate fu l .
”
fel l o n the fl oor Goo d God l h e cri ed
. You .
’
didn t
N obo dy spok e .
“
I tol d h i m n ot to h e sa i d i n a su ffocati n g, ,
“
voice I tol d h i m n ot to I tol d hi m
. .
’
travell er s arm s .
T H E PE A C E M A K E R
e ar i n cru d e E ngl is h .
i m petuou sly .
’
“
T hat s J o e G u bb s s catch he bawl e d
’ “
S el p , .
’
’
me I d k n ow th at m a n s l u ck anywhere
,
’
.
H e tu rn e d th e fi sh over scorn fu l ly wi th hi s
'
’ ’
“
W he r e d ye get e m from G u b b s P i n q u i re d ,
“
an aggravati n g voic e We n e ver get su ch .
’
thin gs i n ou r n ets I v e n e v e r s ee n so m e 0 ’
’ ’
“
There s a lot you a i n t see n B o b Tarbu t , ,
s ai d G u b b s tu rn i n g u pon h i m a n d what y o u
,
“
’
d o se e don t d o y o u m uch good .
”
l ook i ng l ot j eere d the othe r, .
“
Th e y m ay n t b e u p to m uch bu t ther e s non e
’
,
’
26 2 LIGHT FREI GHTS
“
D i d I k i l l i m i h e i nq u ired i n a wh isper
’
, .
” ’
’
Cos he s won sai d his frie n d , .
G u b b s staggered to hi s feet .
” “
“
I t s n o goo d sai d the lan dl ord of the Three
’
,
”
F ishers who had ru n over to t h e scene o f the
,
’
fray ; you was n t p roperly trai n ed you k now
“
, .
”
i n three w e e ks you c an beat hi m holl er .
”
You d o as M r L ark i n s ses J oe sai d h is frien d , .
, ,
i m press ively .
“
I live d am on g p r iz e fi gh t e r s afore I co m e
”
down ere said M r L arki n s expan d i n g h is
’
, .
,
’ ”
you l l be abl e to kn ock hi m sil ly .
THE PEA C EMAKER 26 3
“
be trained too said on e of the me n ,
F air .
’ ”
p lay s fair play any d ay .
”
“
I l l train im said an ol d e x coas tgua rdsman
’ ’
,
- .
”
I don t want n o trai n in g s ai d T arbu t s u rli ly
’
, ,
.
”
I ve beat i m beat i m easy
’ ’ ’
.
’
frien ds “
.I l l put m y fi ve bob on you Who l l
’
.
take m e ?
F or the n ex t fi ve m in u t es heed l ess o f the ,
’
assertions of both me n that they wou l d n t fight
an y m or e bets we re freely taken Tarbu t i n
, , ,
shak e hand s .
“
You go o ff to you r M oth er s M e e tin g P eter ’
,
“ ’ ”
I t s a fi ght said the l ittl e m an rais ing his
, ,
“
voice . O h my frien ds ,
’
“
I t s n oth in g 0 the k in d said L ark in s hotly ’
, , .
“ ’
I m trai n i n g em for a race that s al l They re
’
,
’ ’
’ ”
I t s q u i t e ri ght sai d a bystan d er “
You , .
’
c an bel i ev e m e ca n t you P ,
“
Whe n s i t goi n g to be ? as k ed Morgan
’
.
”’
I don t k n ow s a i d th e othe r turn in g away
, , .
”
Y o u o u ght t o b e asha m ed o f you rsel ves s aid ,
“
Morgan warm ly ,
I t s b ad e n ou gh to m ake a
.
’
”
tel l i ng a lot o f l ies abou t i t .
surl ily “
.A sk n o qu e sti on s a n d you l l hear n o ’
”
you rs an d the n go a n d spl i t an d have it stop ped ,
.
“
I n ever tol d o f an yth i n g i n my l i fe said ,
“
M orga n sharp ly ,
My m ates here k n ow that
. .
”
e xam pl e n ot forci n g peo pl e to d o what I want
, .
“ ’
There s a pu rse o fi fteen a n d s ix m ad e u p ’
t h e p ic n ic l l be m ad e k n own later on
’
Them .
,
266 LIGHT FRE I GHTS
’
drea m t I k i l led Tarbu t a n it s give m e su c h a ,
’
’ ”
fright that I ve r e solved not to fi ght .
’ ”
That s al l ri ght sa i d L ark i n s briskl y ; , ,
”
d ream s al ways go by con traries .
“ ’ ”
We l l ther e a i n t m uch com fort i n th at s aid ,
“
Y ou d res s an d c o m e d own said the i m ,
p e r i o u s L ark i n s
“
You ou ght to b e as h am ed
.
’
of you rsel f after al l th e troubl e I m taki n g on
”
you r behal f .
p i c i o u s l y .
“ ’
Ru b you d ow n w i th afte r y o u ve b athed ,
“ ”
B ai kal ? sai d M r G a bb s with e m phasis .
, .
”
Bathed ? Wh at for ?
”
“
Train in g repl i e d M r L ark i ns,
H u rry u p . . .
’
I do n t bel ieve ol d B u l l oc k s goin g to m ake
’
” “ ’
T arbu t b athe s a i d G u b b s s h iveri n g ;
, it s ,
”
weaken in g .
“
You d o as you r e tol d sai d the au tocratic ’
,
”
L arkin s Bul l oc k d on t k now n othi n g abou t it
.
’
.
an d ex p l ai n in g to h is aston is he d wife th at he
was go i n g for a l ittl e s trol l gloom i ly dressed ,
”
H ead u p .
”
H ow d o you feel ? in q u ired Mr L arkin s .
,
”
“
I feel ill said the other sh iverin g
, ,
.
“
A d my w—w— w ot ? i nqu ired M r G u b b s
’
.
,
“
You r ru n repeated L ark i n s sternly
,
You , .
“
”
en gi n e or a ru naway hors e
, .
”
I was n t goi n to sai d G u b b s
’ ’
,
.
” “
J u st t rot easy co n tin u ed the oth e r ,
for ,
”
there the n rest two m i n ute s and trot back agai n
,
.
F ishers ,
swal l owed som eth in g he was goi n g to
say —an d it was n e arly s trong e n ou gh to choke
h i m —and set O ff at a stran ge we i rd gait toward s ,
“ ’
I ve got my work cu t ou t for m e I ca n see , ,
’ ”
I d on t wan t B u l loc k to k n ow .
”
“
W h y n ot ? d em an d e d M r G u b b s . .
“ ’ ’
W e l l w h y s h ou l d n t Tarbu t a v e a d oi ng
,
sa m e as m e ? s aid M r G u b b s vi n d ictive ly .
,
.
’
“
Why s houl d e b e a l ay in g i n c om fort i n i s
’
-
be d w h il e I m catc h in g c ol d bathin g an d k i l l in g
’
”
mys e l f ru n n in g ?
D on t you b e a fool sai d L arki ns a ffection
’
, ,
“
at e ly pattin g h i m on t h e shou lder Co me i nto
’
my pl ac e when you have ti m e an d I l l pu t th e ,
”
don e you .
’
“
D on t you go worryi n g o f e m m i n d sai d
’
, ,
“
L ark i ns s t e rnly t o the grou p an l et em ha ve an ,
’ ’
”
’
e m he added generou sly
, , .
“
S pok e l i k e a Bri ton Mr L ark in s said an old ,
.
,
fi sherm an .
M r L ark in s
. i t s to b e a genu i n e sporti ng a ffair
’
.
to on e d ri n k at my ex pens e .
“
I t s ti m e m y m an was bac k sai d Bullock
’
, ,
“ ’
O l d P eter M organ s gon e d own to the place
”
t o o I t hi n k
,
piped a s m al l l ad i n huge boots
, .
“
Th e l an dlord o f the Three F ishers s tarted
27 2 LIGHT F REIGHTS
’
u n easily I t s o n m y m i n d he said in a mel a n
.
, ,
“
c h o l y voice that that bl essed O l d t e e t o t al l e r l l ’
’
hav e th e thin g s topp ed H e l l tel l th e p ol ice or .
som ethi ng .
”
N0 h e wo n t sai d t h e ol d fi she rm an who had
’
,
“ ’
spoke n be fore M e a n P e ter was boy s to gether
.
,
’ ’ ’
a n h e s n eve r d on e a nyth in g 0 that sort i n h is
l i fe B efor e ol d Peter got rel i giou s ther e was
.
’ ’
take part i n on e e ithe r an i t s my O pi n ion he d ,
’
’
l ik e to see this on e on ly he d on t l i k e to say so , .
” ’
“
Wel l he won t sai d L arki n s gri mly
, it m ay , ,
“
’
be as you say bu t we re n ot goin g to take a ny ,
”
risk s .
” ’
H e s overdo i n g i t that s what he i s said Mr
’
, , .
”
h issel f u p .
I t —i t can t b e ol d M orga n wi th e m ? s ai d M r
’ ’
.
L ark in s .
27 4 LIGHT FREIGHTS
“
Whi ch i s G u b b s ? d e m an d ed L ark i n s at last ,
“
What ave you bee n d oin g ? voc i ferated the
’
i n ce n sed l an d lord .
”
“
F i gh t i n sai d G u b b s s peak i ng with som e
’
,
’
an d we re goi n g to hal ve th e m on ey b e twee n
’
you won t h ave a d am ned h a pen ny of i t What ’
.
do you m ea n by i t ? Eh ?
’ ”
“
I ll te l l you al l abou t i t sai d Morgan , ,
G u b b s a n d I tal ked to hi m
,
T he n I fo u n d o u t .
’
fi nger at T ar b u t s vi sage .
“
I urged e m n ot to make such a brutal show
’
”
of them selves for mon ey c on tinu ed M r Morgan ,
.
,
“
bu t they sai d a s o w they woul d G ub b s said ’
.
’
goi n g to earn it A fter a l ittle tal k 0 t h is kind .
,
“ ”
Then they both started to p e el con tinued ,
M r M organ
. .
“ ’ ’
Why d id n t you stop e m ? I n q u ire d the ex
“
coastgu ard ; i t was you r d uty as a Christian to
”
’
stop em .
“
I thought i t was better for e m to fi ght l ik e ’
“ ”
There in that sweet secl u ded spot said M r , .
’
he was su fferi n g an d Peter M orga n s al ways got
,
'
an d whis pered i n h i s c ar .
”
Who c al l e d i t ? i n q u i red a voice with th e ,
” “
“
I d i d said Mr Morgan ; the re was n obod y
,
.
’
e m ke p t gettin g i n a l o t of l i ttl e kn ock s an d the n
d odgin g away agai n The n Tarb u t c augh t G u bb s .
foll ow e d u p o n hi s j aw an d k n ock ed h i m d ow n
agai n I t was a d i sgustin g spectacl e
. .
“ ’ ”
M ust ha bee n said a d ej ected vo ice
, .
’
m arked al l over before t h ey d fi n i s hed O n c e .
27 3 LIGHT F REIGHTS
“ ”
as far as th e Three F ishers and observi n g that
,
them i n.
FA L S E CO LO U RS
’
u n d er an other n am e S ti ll i t s fair i n a way I t
.
, .
, ,
’
he ca n m an age to get the s hip s cat by i tsel f
occasion al ly
’
“
I d on t th in k sa ilo r m e n m i n d bein g bull ied
-
.
’ ’
I n ever eard of i ts puttin g on e o ff i s fee d y e t ,
’ ’
an d that s th e m ai n thin g arter al l s sai d an d ,
don e .
“
F u st o ffi cers are o ften worse than s kip pers .
,
’ ’
an that alon e i s e n ou g h t o pu t e m i n a b ad
’
tem per espec ial ly i f they ve a d their c e r t ifi k it a
,
’
“
I re m em ber a good m any yea rs ago n o w I
, ,
m
2 80 LIGHT F REIGHTS
’ ’ ’
fi ne a barqu e as you d w i sh to see a n we a d a ,
“
There was on e chap aboard B il l Cou si n s as ,
h e u sed to m a ke a p a rt ic k l e r m ark o f B i l l ad .
’
m at e u sed to throw t ha t i n i s face was d i sgrace
ful F ortu n ately for u s a l l th e sk ip per was a
.
,
’
o nly a t i s worst when h e wasn t by
’
.
’ ’
W e was sitti n g i n the fo c s l e at te a o ne arter ’
’ ’ ’
at on ce c d a d a tu rn w ith the m ate H e sat .
’
al l by hissel f for so m e ti m e s i m m e ri n g an th e n ,
’
O n e 0 these d ays I ll swi n g for
’
he broke ou t .
‘
i m m ark m y word s
’ ’
.
’
Don t be a fool B i ll ses j o e S m it h ,
’
, .
,
’
,
c ou rs e i f I i t I m i t s m u t i ny
,
’ ’
.
’
’
You c ou l d n t d o i t i f i t was n t B i ll ses J o e
’
, ,
’
S m ith agai n .
to pl ea s e you ,
B i ll — it
s m y Op i n io n you re back
’ ’
in g ou t o f i t .
’
“ ’
You t e a l iar ses B il l
‘ ’
, .
’
Wel l I v e got so m e stu ff i n a can as m ight
,
’
th e d i ffe re n ce se s the c arp en t e r ; an d i f you l l
,
‘ ’
’
you mysel f .
“
We l l B i l l was a bi t flatte re d t he carpen ter
, ,
’
look l i k e a H i n doo wh at a d been pol ishe d T he n .
’ ’
That l l w e ar off ses the carpe n ter ; i t ,
‘
’ ’ ’
wou ld n t be y ou i f you d id n t ave a gru m bl e B il l ’
, .
A n d m i n d an d do n t s pare i m B il l ses J oe ’ ’
,
’
, .
’ ’
‘
Ther e s two of you a n if you on ly d o wot s ,
’
’
expected of you the m ate ou ght to ave a e asy ,
t i me abed thi s
’ ’
L et the m ate s tart fust ses Ted H i l l He s , .
‘
’
su re to start o n y o u i f you on ly get i n i s way .
on i m
’
“
We l l the two o f e m we n t a shore arter dark
,
’
FALSE C O LO URS 283
’
with the best wishe s 0 al l on board an the res t ,
’
’
of u s sat down i n the fo c s le s p e k e rl a t i n g as to ’ ’
’
go an h e n oticed wi th p a rt ic k l er pl e asu re as o w
,
’
he was d re ss e d v e ry carefu l .
’ ’
I t m u st ha bee n n ear el e ven o cl ock I wa s .
’
whe n we heard a u b b u b approachi ng the ship .
’
wi thou t i s at ; i s n ec ktie was twisted rou nd is
’ ’ ’
“ ’
You do n t m ea n to tel l m e M r F i n gal l ses
‘
, .
,
’
’
n ot s i r I v e been assau l te d li k e thi s by fi ve
, .
’
Germa n sail o r m en A n d I l ick ed e m al l -
.
’
.
“ ‘ ’
Big fe l l ows t h ey was ses h e a n the y give , ,
’
“
T he secon d o ffi cer stru c k a m atch an d look e d
at i t a n d i t c e rt n y was a beau ty
,
’ ’
.
2 84 LI GHT F REIGHTS
’ ’
No s i r s e s the m ate h ol d i n g u p is ead
“ ‘ ’
, , , .
’
‘
I d on t wan t n o p l ic e to protect m e F ive s a
’ ’
.
’
larg e n u mbe r bu t I d rove e m o ff an d I don t ,
’
,
agai n .
’
’
You d better tu r n i n ses the s e con d l e ad in g
‘ ’
, ,
h i m o ff by the arm .
“
T h e m ate l i m p e d o ff w i th hi m a n d a s soon ,
’
as the c oast was c l ear w e pu t ou r ead s together
a n d tri ed to m ak e ou t h ow i t was t hat Bil l
Cous i ns an d B ob ad chan ge d the m s e lves i n to ’
fi ve G e rm an s ail or m e n -
.
’ ’
I t s the m at e s p ri d e s e s t he carpen t e r
’
He , .
‘
’
d id n t l i k e bei n g k n oc ked abou t by H in d oos
’
.
Tit ty d id n t m ak e n o n oi se an d the fu st t h in g we
’
,
’ ’ ’
blac k foot wav in g feebl y at th e top of the fo c s l e
lad d e r fe e l in for the s tep be l ow ’
.
“
That wa s B ob H e cam e d own w ithou t a .
o n a l on g w h il e a n d at l ast I l ean e d ou t of my
,
b un k a n d see B il l b end i n g ov e r a b uc ke t an d
washin g hi m sel f an d u si n g bad l an g wid ge .
’ ’
“ ‘
Wot s th e m atter B i l l ? ses J oe yawn in g, ,
and s i ttin g u p i n b e d .
’
i t s e s B i l l b e n d in g d own an d ri nsing i s face
’
, , .
’
‘
I s i t al l orf ?
’ ’
O rf ? ses j o e ; n o 0 course i t ai n t Why
’ ‘
.
,
d on t y o u u s e so m e soap
’
’
an swer s B il l m ad l i ke ; w h y I ve -
‘
,
’ ’
That s n o good ses J oe ; give you rsel f a
,
‘
’
good wash .
’
thin gs he d d o to h i m wh e n he got stron g agi n ,
'
’
a t ry o n k zs face H i m an B il l kep t washi n g .
,
the fo c s l e ravi n g
’ ’ ’
.
’
“
Wel l the carpen ter pu t i t on ses a voice
‘
, , ,
‘
m ake i m tak e i t orf ’
.
’
’
that m an u p H e was n t fairly wo k e t il l he was
.
’ ’
haule d ou t of is bu n k an set d own opposite
them two pore bl ac k fel lers a n tol d to m ake e m ’ ’
white agai n .
“
I don t bel ieve as there s anythin g wil l
‘ ’ ’
’
that .
‘
i t l l wear o ff i n ti m e ; shavi n g every m orn ing l l
’ ’
’
’
el p i t I shou l d say,
.
’ ’
“
I l l get m y ra zor n o w ses B il l i n a aw fu l
‘
, ,
voi ce ; d on t let i m go B o b ‘
I l l ac k i s
’ ’
, .
’ ’ ’
head orf .
’
“
H e ac tual ly wen t o ff an got h is razor bu t ’
, ,
“ ’ ’
I t s n o good i tel l you ses the carp en ter
‘
, , ,
’
‘
i t s t h e m ost las ti n g bl ack I k now I f I t ol d .
’
bel i eve m e .
“
Well you re i n i t s es B ill his voice al l o f
‘
,
’
,
’
,
a tre mb l e ; you d on e i t s o a s we c ou l d kn oc k
‘
’ ’
t h e m at e abou t W hateve r s d on e to u s l l b e
.
’
d one to you too .
“ ’
I d on t thi n k t u r p s l l tou c h i t s e s th e
‘ ’ ’
,
’ ’
carpe n t er ge ttin g u p bu t we l l ave a try
, ,
‘ ’
.
“
H e wen t an d fetched th e ca n an d poured
so m e ou t o n a b it 0 rag an d tol d B il l to d ab ’
h issel f an d m oa ne d as i f he was dy i n g .
’
D o n t you u se i t B ob h e ses a t l a st
’
, , , .
“ " ’ ’ ’
Ta i n t l i kel y s es B ob I t s a good thin g
, .
‘
.
’
you tri ed i t fu s t B i ll , .
FALS E C O LOURS 2 89
from a bu n k .
,
’
.
“
Both 0 their tem pers was so b ad that we let
’
, ,
’
,
-
.
’
‘
A s soon as the m ate see s you there l l be trouble
’
for all of u s .
F o r al l of u s repeats B il l n od d in g
’
.
, ,
‘
i f we gets u p a l i ttl e col lecti on fo r you an d you
shoul d fi n d it conve n i en t to d e s ar t
E ar ear ses a l o t 0 voi ces
’
,
’ ’
B ravo j o e
,
’
.
, .
’
goi n to d e s a rt to P
’
’
m any a ship short an ded as woul d b e gl ad to -
’
an Bo b f
“ ‘ ’
Ah , an wot abou t ou r bl ac k faces ? ’
ses
290 LIGHT FREIGHTS
0 voice
’
.
’
That can be go t over ses j o e , .
ses B il l a n d B o b togethe r .
“
I t s n o good tryi n g to d o some peopl e a
’
’
he d go n e through a d a ffecte d h is brai n L i ke
’
.
m ove .
’ ’
I d n ever ave d on e em s es th e carpen ter
“ ‘ ’ ’
, ,
’
goin to carry on l ike this They wan ted to b e .
d on e )
The m ate l l h al f m urd er em ses Te d H il l ’ ’
,
’
.
’ ’
H e l l ave e m s en t to gaol that s wot ’
,
’
’
h e ll do
’ ’
ses S mi th , I t s a seriou s m atter to .
’
Wel l go on th en roars the m ate
, , .
’
They ai n t over a n d above wel l s ir thi s , ,
morn i n g s es J oe ,
’
.
“ ’
‘
S en d e m u p con fou n d you ses the m at e ,
’
, ,
l i m p in g toward s i m ’
.
’
Well j o e give is shou l d ers a e l p l e s s sort
,
’
’
0 shru g a n d wal ked forward an d bawl e d d own
the
’ ’
They re com i n g s i r he ses wal k ing back t o , , ,
cabi n .
W e al l we n t o n with ou r wo rk as ard as we ’
’
Goo d heave ns M r F in gal l ses the ol d m an , .
, .
W h at s this ’
’
I n ever se e s i ch a look o n any m an s face
’
as I s aw on the m ate s then Three ti m es e .
’
’
forehead s wel led u p tre m e n dou s an d i s ch ee k s
was al l blown ou t p u rp le .
F ALSE C O LO URS 29 3
,
’
Cou s
“
Bob wal ked u p to hi m wi th B il l lagging ,
s m i le .
, ,
’
’
to u s .
“
The ca rpen ter who was j ust goi ng to C ooper ,
a ston e .
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A CA T A LOG U E O F BO O K S
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A N D C O M PA NY; L O N D O N
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C l d Pl t d m y Ill i
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GRE E K A RT S e d E d i t i o H B W l t rs R E Y NO L DS J S i m c on n. a e . e.
R O M N E Y G rg P
.
BOO K P L T E S E A l m c k
. . . .
A . . a . . eo e a s t on .
M ESS Rs METI I UE N S CATALO G U E
’
26 .
L I T T L E B OO K S O N ART c on ti n u ed — .
WATT S R k l B U RN E J ON E S Fortu né e de Li l e
E D S e tc h e y - . s .
R E M B R A N D T M s E A S h a rp
. . . .
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.
e r .
n . . e o
RA PH AEL A R Dry hur st
. .
G ilbe r t .
M I LL E T N t t P ac oc k
. . .
GR E U Z E AN D BO U CH ER E li za F P o llard
.
. . . e a e .
I LL UM IN A T E D MS S J W B adl e
.
V A N DY C K M G S m all woo d r
C H RI ST I N A R T M H ry J
. . .
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. . . .
’
rs. en en n
‘
an e e -
J EW E LL E R Y C y r il D av por t
. . .
D UR E R J es i All e n s e . en .
C L A UD E E dward Dill on
.
H O FF N E R H P K S k ip t o ri
.
_
* ’
. . . . . .
HO L BE I N ; M s G F o t e c u
.
r . . r s e
'
r
l i fe a n d wo k o f t h e m as t e r t o wh o m t h e b o o k 1 5 d e v o t e d .
A L I T T L E G A LL E R Y O F R E Y NO L DS .
LI T T LE G A LL E R Y O F M I L LA I S
L I T TL E GAL L E R Y OF E N G L I S H
.
A L I T T L E G ALL E R Y O F R O M N E Y .
A L I TT L E GA LL E RY O F H O PPN E R .
Littl e Gu i d es , Th e
S ma l l P ott 8 71 0, c l ot lz , 2s . 6d . n et .
; l ea tner , 3s 6d n et . . .
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S By J G S . . W ll e s, KE N T . By G C l i nc h I ll u s t . . r at e d
M A I ll u s t ra te d by E . H . N ew . F ou r t h B d f rd
e o .
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. .
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. .
C B ou l t r
.
. . . e ,
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a S c nd E d t io o s on . e o z n T H E I S L E OF W I G H T B y G i Cl i
“ ‘
n
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.
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t ra t e d b y F D B d fo r d e
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.
. . .
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by E H N w
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By
B U C K I N G H A MS H IR E By E S R os c . .
t d b y F D B e d f rd
.
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W i d l D S F R S I ll t r te d by E
. .
t ra e . . o .
n e, c. , us a
S U FF O LK By W A D t t I ll s t
. . . . .
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e econ n . . . u u I
Wy li
.
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. .
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. . .
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. .
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.
us a e . e o
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. .
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. o s a e
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C ORN W A L L B y A L S a l mo
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by B C B lt r
.
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. .
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T
. .
I ll o s,
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.
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. .
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us a e . e . t
. . .
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.
a an
'
. . . .
b y E li z b t h H r t l y
. .
M A I ll s t rat d b y E H N e w
.
,
. . u e . . . a e a e .
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W i t h I n t ro d u c t i o n s N o t es a n d Ph o t o g r avu r e F r on t i s p i ec es , , .
r
A s e i es o f s m a l l b o o ks u n d er t h e a b o v e t i tl e c o n t a i n i n g s o m e o f t h e fa rm ,
i n En g l i s h a n d o t h e r l i t e a t u e s i n t h e d o m a i n s o f fi c t i o n , p oe t y, a n d b e l l e r r , r
T h e s e i e s a l s o c o n t a i n s v o l u m e s O f s e l e c t i on s I n p o s e a n d v e s e
r r r .
c o n t a i n s a n i n t r o d u c t i o n wh i c h gi v e s (1 ) a s h o t b i o g ra p h y o f t h e au t h r
r
c i t i c al e s t i m a t e o f t h e b o o k W h e e t h e y a r e n ec e ss ar y s h o t n o t es a re . r ,
r
t h e fo o t o f t h e p age .
CAT A LO G U E
’
28 M E SS R S . M ET H U E N S
T HE L I TT L E LI B RARY—c on t i n u ed .
Wal t on C O M P L E AT
(I z aak ) THE S E LE CT I O N
A N G LE R i B U CHAN W OR DS W OR T H E d i t ed b y
E d te d b y J .
C S M IT H
. . .
. .
B OO K O F I FE A N D D EAT H E d i t d
. .
e . e
S AM PSO N
.
by S w th E d i t i on
. en . .
,
Re pr i n t s i n m i n i at u r e o f a fe w i n t er e s t i n g b o o k s wh i c h h a v e qu a l i t i es
h u m an i ty , d evot i o n , or l ite r ary g e n us . i
E U PH R A NO R : D a o u e on i l go u th By A Y TH E L FE O F E I D W R D LO R D H ‘
A E
r F Fr Wr i b y bi m
.
,
E d wa d i t z G e ra l d o m t h e e d t on p u b ii C H E R s U RY . t ten se
W P i k ri g pri t d
.
l is h e d b y c e n i n 1 8 51 D emy . . t h e e d t on ii t S wb
n e a tra e rr
3 2 mo L ea ther , 2 s n e t
. . . t h e y ea r 1 7 64 . M ed i u m 3 é m o .
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S a ws a n d M od er n I n
se
THE
2s n e t.
V I S ION S O F D O M F R A NCI S CO
.
s tanc e s. By E d w ar d Fi t z G e ra l d om Fr V I L L E G A S Kn ig h t o f t h e 0 rd
W Pi k ri g
.
the ed t on ii pu bli sh ed by . c e n in
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,
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. .
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ri
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.
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. L ea th er 2s n et
r Fr P O MS r r
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ii ll
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. . Fr o
o f 1 8 59 , Thi r d E d i t i on L ea th er , 1 s ne t . . . i
t on o f 1 8 48 L ea th er , 2 s . . ne t .
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Th e Oxf or d B i ogr ap h i es
F cap 8 00 E a ch vol u me, c l ot h , 2 3 6d ; l ea t her , 3 s 6 d n et
n et
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e p u t e , wh o c o m b i n e k no w e l
r r
l i t e a y s k i l l w i th t h e p o we o f p o p u l ar r r
p es en t a t i o n T h ey a re i u s tr a . ll
a u t h e n t i c m at e i a l r .
D A N T E A L I G H I E RI P g t T y b M A R O B R B U RN S By T F . By a e o n ee, E T . .
W ith I ll r i
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9 I ll t r t i
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us a o n s. t St Cy E E sc ou n . r
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.
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ET E E e 1 2 us a on s
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. . . . .
Wi t h 1 2 us a ons .
F R E NC H E X A I NA T ION A P E R By A M M
KE Y (S ec o n d E d i t i on ) i ss u e d P S . . .
M S t e d ma n M A T h i r t een th E d i t i o n 6s n e t .
r Pr i
.
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.
, . . .
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va t e
S t u d e n t s o n y t o b e h a d o n a pp ca t on li i H I ST OR Y A N D G E OG R A PH Y EX
to the P bli r
u she s F if th E d i t i on .
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E d i t i on
Cr ow n 81 m 6 s n e t .
IN X M I N ION P A P E S By M M P H YS IC S E X M IN IO N P PE R S
. . .
LA T E A AT R . A . . . A AT A .
S t e d ma n , M A Tw elf th E d i t i on . . S tee l ,
M A . .
, F C S . . .
i b
.
K EY (F ou r th E d i t i on ) s s u e d as a o ve
6s n e t
.
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.
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.
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PA P E R S . By A . M . M . Ste d
F z i h E d i t i on
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.
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b ov e
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. .
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E A E A AT A PE By X M I N ION P RS R J E
ri By J Ta i t P l wd n W d l a w B
. . .
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S oc i al Q u es t i on s of To day -
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. I . .
, M A . . C r ow n 8 11 0 . 2 5. 6d .
A i
se r es o f vo u me s u p o n l t h os e t op ics of so ci a l c
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t h a t a re fo re m o s t i n th e p ub lic mi nd.
c vl m
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T RA D E U N IO N I S M —N W A N D O By G i T F A T O R Y S Y ST EM By R W E LD . HE C .
H w ll T/ d E d i t i T yl
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C OP E RAT I VE M O V M S TAT E A N D I T S C H I L D R E N By G
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. .
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R A I LW A Y NAT IO N A L I AT IO N B y C
. . .
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. .
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an W O R K H O US E S A N D P AU P E R I S M By
a e
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D p p l i By H E M U N I VE RS I T Y A N D SO C I A L S E TT LEME N T
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.
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re u te, c a re ac c es s e n a r ou s or s, an a s o so e r a r er oo s, o c n o sa t s
e di i t on at m d p i i i xi a I i h i o m bi i e ra t e
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i
n a t on s , a n d p i l ly f h A gl S x wi h i h
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g m re a t f P y D m F i H i t y B i g ph y d P h il ph y w ill b
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v yl g b k i d D bl V l m S h illi g t
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o u es a Th v l m
ne m y l b b i di n an ence net e o u es a a so e o ta ne n c
S h illi g bl T bl V l m t O d S ixp
.
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o n s net
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.
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.
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S OF J A N E A UST E N I 5
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—Th T m i g f t h S h w ; A ll
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V OL III. T e a n o e re s HE C
W ll t h E d W ll ; T w l f h N ig h t Th LO R—D V E RU L A M
.
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-
V l v Th L i f h f Ki g J h At l t i
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e r st ar OF C H R I S T By T
o n enr IV . e N IT AT ION
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S e c on y IV ar o n enr e s.
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.
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’
30 .
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’
n .
T H E W O R K S OF B E N J O N S O N I b t T H E P O EM S OF PE R C Y B Y SS H E S H E n a ou 1 2
ol m s 4 v l m s
.
v
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. . . . .
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.
o o on e s. re e o u e o u es
T H E P O EM S OF T H O M AS C H ATT E R T O N V ol I —R ligi M d i i
. . . .
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v ol m s H E P O EM S OF J O H N M I L T O N I
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