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KAIJA SAARIAHO Start to recite thè text slowly and calmly but with a well audible voice (if
possible by heart, eyes towards the audience). While speaking Iift the f lute
very slowly towards the lips (reaching them at the point marked) and
LACONISME DE L'AILE change your voice gradually f rom speaking into lorced whispering. The
for solo flute (19S2) fingers should be kept ready in position lor the first sound (d1). The tempo
with optional electronics
should slow down and the speaking become successively less understand-
dedicated to Anne Raitio able, the words should gradually be bound together to- form a single line.
lento! =48-60)
\':-.--
,--*..;.1 -r- ,-
- r 'q;
I , t- -l ----------------
voice ?-
4r
.[lF-J
:Ig - no - rantsI
r - rn.ffiî
14.
.l Îv (h)
l2
14^
- om -
J-h .
) lB- ,n: .h
ig - no-rants de leur bre et rte sa
tEl 30Va - *
E o
2 5 ç-3
voice
- chant de mort de mort que ce qui s' en con sume d'im - mor - tel- au
lRl 30Vo - -
E a
3 r_j____-_-____
voice
bruit loin - tain des grandes eaux (h) ils passent nous lais - sant
30Vo
E @ @.--::= 40Vo
5 (accel.)
4
à
voice
et nousnesommesplus ils sont l' es - pace (r t t t.....) flutter-
tongue
(30vaY -
x) xx
x
forte possibile
40Vo
6 .?_---r
x ___________->
*)
-o :_
E 40Vo
<o
IE +soEo b-<=- 50vo
-
-@
@ Jasemusiikki Oy *) click any keys, not changing the written pitch;
typeset by Henry Koch
- it is intended that the clicks produce a kind of vibrato
2
5 -.- .--..._
7 tæ
o-< >{
)t
, _J. ,
K
L
x
-)--l
(10ra) -
o 6<- 50Va- --=:-
==- 6
2gVo 50Vo
-P
poco a poco:
fluttertongue
B
É -tÆss:Uo-ÿ.s:ss.....-.-..."..-....- P
(P)
-i
_______> ___=>
-o r
ryP
-)
tRl 40Vo - - _
E æ_ 60/o 20vo _ 60ÿo _a
>yI ? (D.4
9-' b) PP
@p) À
..=-o
ryp
ryP
*f
E @----- - t00Vo
--4
tempo II (.|)
-96)
10? ffi r
con
t espr.
-)
40Vo
a
tempo II *
I
Il
tempo
rffi Pnfæ
EP
L- - J.-J espr. J
-
5
13 legdlo tempo I 5
_r 1
legatissimo
E (40v.) - gjVo _ _
l_ul a @
al
J
tempo II
14
H-
r"
5 -< voice
15
o-<:
(voice)
I -
r-J ------- , E)
-'---\
@ zsu" 25Vo
-_____> fluttertongue
17 *)
--
1B rtr dolce
*1
l-Rl
E
tempo II
tempo I
19 tryP dolce -]-
Y r__j_=r
P i{$::$ulLl-l]jlLl
___(a _i\P (i1s passent ils pas.....leK. )
= repeat as quickly as poss.
25Vo 50Vo -
H a
dolce
20 - tempo I tempo II
)r- I
.K
,-1 -
voice
L
(ai ai ai ...) (a i)
(50Eo)
H
t) choose 3 clearly different fingerings (different colours) for the given pitch - and change progressively between them while playing.
4
calmato ) tempo I
qp
I I I I
l-+-
(a)
pp
-J------
Ppp tr
-J
calmato
_t....- calntato
t_
ll-
3
22 I
#J ir *.h - ryP
**)
nw (os5iâ)
volce
,
: .É: L _l
E -
sempre legalo
IJ
rlJ I
ff>PPI<.ffi> -< etc.
poco accel.
>PP
instr
E ltJU/o 307o - -
IE o @
(legato)
p I dob" porribrl"
1,1 6
ffi
E a +.
as slowly as possible
>25
_--____________=à
(into instr.) very slowly ,
voice t^l I
") choose 3 clearly dif{erent fingerings (difTerent colours) for the given pitch
when playing do progressive changes between fingerings.
'.) -
glissando with voice
5
tr
)/ (sempre legato)
',?-
,I
- L_- t"_J
E (4020)
î 4-ry
2B
--;t\.. ,!:'.
_1.5" I | -1,7" I
-
ffi
29
4r-
r -1,9" I t -2,0'l-----J
-60Vo
poco a poco ritardando
Pp - ryp PP
30
t -2,2"___) 2,5" r
*
60Vo 40Vo 60Va
a
-
I _ 2,5,, I
32
tr PP
-w
- 3'0" I
- 3,5" t
-
6
rit.
nf
-r -l
-4
@ :oz -
rit.
-20Vo
trP I *f
34 -lovo
-4
@ zor" 7}Va
35 ,:,
rut ,:,
?
- 3" r
as long as possible
@ 1ro-soz,;
whistle tones
36 *-.< forrc poss.
Pp -qp
as long as possible
è
-5"
(70-80vo)
A A => 6
nf poss.
(3 -1O0Vo- P
J/ o (:) (-)
: ? = =
-(i
-6{
whistle tones
,U
PPP
as long as possible ,
a
H 30Vo 100Vo
a
Paris, 25.3. I 982