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Pacifica Musica

de:Carl Strommen
       
        Allegro  = 136 
              
Broadly  = 80 10

 
 
sub.


Piccolo

       
        
             
  

 
 
sub.

        
Flute 1

          
        
  

     
   
Oboe 1

                 
  
 

Bassoon 1
   
 
  












          
      
  

 
sub.

B♭ Clarinet 1


  












  
              
  

  
sub.

B♭ Clarinet 2

          
                 
  


sub.

B♭ Clarinet 3

     
               
   
 

   
Bass Clarinet

       
             
    

          

                       

   
 


sub.


Alto Saxophone 1

             
 
                                           
  

    
sub.


Alto Saxophone 2

          
          
  

  
Tenor Saxophone

         
     
              
 

 
Baritone Saxophone

      
                                              

 

B♭ Trumpet 1
      
      
                                          
 

B♭ Trumpet 2
     
 
                                     


  

      
          
B♭ Trumpet 3

              
      
       

 

       
F Horn 1 & 2


                                             





F Horn 3 & 4

     
                
 

   

Trombone 1

     
                 
 

   
     
Trombone 2

  

             
 

  
Trombone 3 &

    
                  
Bass Trombone

   
 

Euphonium
   

         
       
 

         
 


 
   
Tuba

               

  
 
Timpani

          
          


Glockenspiel

                          

 
Percussion 1

           
        
  
Percussion 2

            
   
 
Sus. Cym.


Cr. Cyms. Choke

Percussão

   

2
    
         
          

    
  
13
19

        
Picc.

          
         
 

              
 
Fl. 1

            

 


                          
Ob. 1

           
            
 

           
Bsn. 1

               

 

B♭ Cl. 1  

    
                     
 

     
 
B♭ Cl. 2

                
       
   

 

B♭ Cl. 3

              

 

 
      
B. Cl.

            
                

  
     
A. Sax. 1


                  
  
 

    
A. Sax. 2


                                   
  
 


T. Sax.

         
                       
 

Bar. Sax.
  
 
        
    
                
 

 
   
B♭ Tpt. 1

                 


 
B♭ Tpt. 2

             
 
   

 
B♭ Tpt. 3

               
   


F Hn. 1 2

               
  

   
    
 
F Hn. 3 4

          
                       

Tbn. 1
  
              
                      
 

   
   
Tbn. 2

          
                      
 

   
Tbn. 3


        
B. Tbn.

       
              
    
 

 
Euph.
          
        

                               
 

 
  

Tba.

           
 
Timp.

           
    
Glk.

                                            

       
Perc. 1

    
                         
         
Cr. Cyms
Perc. 2

Perc.           

3
    
       
 
24
26

Picc.

    
      

Fl. 1  

           
 

                           
Ob. 1

 
                

    
Bsn. 1

         

B♭ Cl. 1

             

B♭ Cl. 2

             

B♭ Cl. 3

          

                        
B. Cl.

                         
         

       
       
A. Sax. 1

  
  


 







 







 







 

                
A. Sax. 2


                        
               

T. Sax.

        
                                  
 

 
Bar. Sax.

          
       

B♭ Tpt. 1

           
       

B♭ Tpt. 2

            
       

                   
B♭ Tpt. 3

                          


         
        
F Hn. 1 2

                                 


            

      
 
                                  
F Hn. 3 4

         

       
                             
Tbn. 1

        
  
                                    
Tbn. 2

        
 
Tbn. 3

                               
B. Tbn.

              

Euph.

        
                                   


Tba.

         

Timp.

Glk.          

                                                                                                
       
Perc. 1

 
                                      
               
Perc. 2

Perc.          

4
    
             
          
33
38

    
       
Picc.

    
       
  

      
Fl. 1

                   

          
Ob. 1

         
          

 
        
Bsn. 1

     
                 
           

    
B♭ Cl. 1

           
                              

 


    
B♭ Cl. 2

     
                         
         
 

B♭ Cl. 3

            

 

         
       
B. Cl.

    

    
 



 
        
      
    

  
A. Sax. 1

        
    


 
 



 


 

 

        
A. Sax. 2

                 
    
      

T. Sax.

           
          
      


 
      
Bar. Sax.

            
          

     
B♭ Tpt. 1

           
          

   

    
B♭ Tpt. 2

              
      
   

        
B♭ Tpt. 3

                       


  

 
  
F Hn. 1 2

        
 
 



      
     
 

 
   
F Hn. 3 4

              
            

     
          
Tbn. 1

          
 

       
         
Tbn. 2

         
  
   
Tbn. 3

                      
B. Tbn.

 
 

Euph.

           
           
      


Tba.

             

Timp.

Glk.              

                                                                 

     
Perc. 1

        
                      
 

       
Perc. 2

      Triangle        

Perc.

5
        
                                                                
 
46
46 53

                                         
                          
Picc.

         
 

Fl. 1

           

 

Ob. 1

                   
             

    
Bsn. 1

  
                     
  cresc.

B♭ Cl. 1

   
                       
      


B♭ Cl. 2

   
                       
      


B♭ Cl. 3

               
      


       
 
B. Cl.

       
                 

cresc.
A. Sax. 1

     
                   



A. Sax. 2

          
             


T. Sax.

       
   
 

 
cresc.

Bar. Sax.

           
        
   
  cresc.


B♭ Tpt. 1

       
               
 
  cresc.


B♭ Tpt. 2

          
             
  cresc.

B♭ Tpt. 3

                  
    
 


cresc.

F Hn. 1 2

                  
    



     
     
F Hn. 3 4

           


Tbn. 1

    
                
  cresc.

Tbn. 2

            
           
  cresc.

    
Tbn. 3

 
     
           
B. Tbn.

         
  cresc.

Euph.

       
    
 

 
cresc.


Tba.

            
  cresc.

       
  
Timp.

          
   

Glk.

            


Perc. 1

            
Perc. 2

Perc.             

6

62

          
                   
Slowly and

            
ritard. . .

    
expressively = 70


58
70

Picc.


          
                   


  
 

Fl. 1               


            
               
 
  


Ob. 1

                        
 
 


Bsn. 1

   
                
                   
                
  

           
Tutti

B♭ Cl. 1

   
    
                                                
   

     


B♭ Cl. 2

      
                                         
   

    

B♭ Cl. 3

              
 
  

  
       
B. Cl.


                                    
    
  

A. Sax. 1   

                              
    
 
 
   

A. Sax. 2
 
 
                            
   

T. Sax.

 
                  
    
  

Bar. Sax.
     
                   
  
 


B♭ Tpt. 1

                   


B♭ Tpt. 2

                  
 
    
B♭ Tpt. 3

F Hn. 1 2                         

    
                   

  

F Hn. 3 4
  
                  
          
  

Tbn. 1

              
                 
   

Tbn. 2

         
                      
   

Tbn. 3


B. Tbn.

                         
   

Euph.

         
  
     
  

Tba.
             


                       

 
Timp.


          
                
 


Glk.

                   


Perc. 1

                   

     
Perc. 2

                
Sus. Cym. Susp. Cym.

Perc.

   
7
            
82

       
90

  
Broadly  = 80

      
Ritard. . .

  
76 Fast  = 136

            
Picc.


   

   
      
 

  

              
Fl. 1


             

  
 

Ob. 1

          
                   
   
     
(stagger

 
  breathing)

              
Bsn. 1

                  

    
 

            
B♭ Cl. 1

                        
    

         
B♭ Cl. 2


                  
     
    


B♭ Cl. 3



     
 (stagger

                      
   
breathing)


B. Cl.

                                           


   


    
                         
A. Sax. 1

           
    

A. Sax. 2

                        
             
 

T. Sax.

   
                       
       
 (stagger 
breathing)

                
Bar. Sax.

             
    

B♭ Tpt. 1

     
            


             

B♭ Tpt. 2

              
           
      
 

 
                            
B♭ Tpt. 3

         
        
   

 


F Hn. 1 2

 
                              

            
     

 

F Hn. 3 4

                     

               

                       
Tbn. 1

              
 

                     
Tbn. 2

          
     
 (stagger 
breathing)
Tbn. 3


B. Tbn.

          
                      

  
 (stagger


breathing)

Euph.


                                  
  (stagger
breathing)


                  
Tba.

           
 
Timp.

                

Glk.

                               
 
Perc. 1

              
        

   
   
Perc. 2

             
Susp. Cym. Susp.Cym.

Perc.

  

8
 
  

           
92
101

 
  
Picc.


          


  
  
Fl. 1

          



Ob. 1


  
            
    


Bsn. 1

     
            
 


     
 
B♭ Cl. 1

          



 
B♭ Cl. 2

           
   


B♭ Cl. 3

         



    
   
B. Cl.


             


 
A. Sax. 1


               

        
A. Sax. 2

              
               




    
T. Sax.

     
          
       
 

  
Bar. Sax.

 
           
                   
 


   
B♭ Tpt. 1

    
                   
          
  

   
B♭ Tpt. 2

    
                  

          
  

       
B♭ Tpt. 3

    
 
                       
 
  

       
      

F Hn. 1 2

          



                       
   


   
      
F Hn. 3 4

     
                    


         


     
                   
Tbn. 1

          
  
 

           
Tbn. 2

        
       
 
Tbn. 3

         
   
   
B. Tbn.

 

 

Euph.

       
       
             
 


Tba.

           
 
Timp.

           

Glk.

                                                             
      
Perc. 1

    
                          


          
Perc. 2

          
     
Susp. Cym. 
Cr. Cyms.

Perc.

  

9
   
       
 
103
109

   
Picc.

Fl. 1         

          
Ob. 1  

        
        


    
Bsn. 1

       
B♭ Cl. 1 
           
 


B♭ Cl. 2

           
 


B♭ Cl. 3

        



      
B. Cl.

        
               
A. Sax. 1
   
     
              


     
                  
A. Sax. 2

                    
  


      
T. Sax.

        
                          
          
Bar. Sax.

                         
  
      
B♭ Tpt. 1

  
                    
       

   
B♭ Tpt. 2

  
                  
  

        
 
B♭ Tpt. 3

              
F Hn. 1 2       

           
 
   


  
   

        
                     
F Hn. 3 4

       


      

                     
Tbn. 1

      
   
                          
Tbn. 2

      
Tbn. 3

        
B. Tbn.

      
Euph.

        
                           
          
Tba.

Timp.        

        

Glk.

                                                                                                
       
Perc. 1

                                        

               
Perc. 2

Perc.         

10
          
        
  

111

          
      
Picc.

  
           
Fl. 1


Ob. 1          

     
               
    
             
Bsn. 1

      
 
   
B♭ Cl. 1

       
 
        
  
B♭ Cl. 2

       
B♭ Cl. 3             

     
 
 
               
B. Cl.

   
 
    




       

      
A. Sax. 1


          
   

              
A. Sax. 2

                  
T. Sax.
     
      
              
       

       
Bar. Sax.

                 
 
    
B♭ Tpt. 1

 
                    
  
B♭ Tpt. 2

 
                    

 
  
        
B♭ Tpt. 3

             
          
  
        
F Hn. 1 2

             
          
             
               
F Hn. 3 4

    
    
                    
Tbn. 1

   
    
                      
Tbn. 2

    
    
Tbn. 3

       

B. Tbn.

    
                
Euph.

      
               
       

                              
Tba.

                   
Timp.
   

        
 
Glk.

                                                                


       
Perc. 1

                                      

           Cr. Cyms.  
Perc. 2

       
Perc.   


11
Piccolo Pacifica

       

               
Musica de:Carl Strommen

    
 
Broadly  = 80

  
10

 
 
Allegro  = 136

        
        
   sub.

        
   

13
19 26


                      
 


   

31
38

       
 

                  
         

46
46

 


          
      

              
 

49
53


62

          
               
Slowly and

    
ritard. . .

   
expressively = 70


55

   
82

              
Broadly  = 80

              
     
 
63
70

 
      
90

        
  
          109
Fast  = 136

 
101

 
Ritard. . .



84

 



                     
     

110

2
Flute 1 Pacifica

       
       
Musica de:Carl Strommen

      
       
sub. 
Broadly  = 80 10

  

Allegro  = 136

          
         
  

   
    
13
19 26


                      38 
 

   
31

             
 

              
       
46
46

     


     
      
          
     
49
53


62

          
               
Slowly and

   
ritard. . .

   
expressively = 70
55

   
82

                   70       
Broadly  = 80

    
     
63

 
       
90

        
  
       
Fast  = 136

 
101


Ritard. . .


84

 


                     
 
    
109
109

2
Oboe 1 Pacifica

     


Musica de:Carl Strommen

          
10

     
      
Broadly  = 80 Allegro  = 136

   

              
                   
  
19 26

 
16

  62 70

      
Slowly and

    
  
               
expressively = 70


37
38 46 53 ritard. . .
Broadly  = 80

   

                   
90

                
 
82 Fast  = 136
82 Ritard. . .

 

   
                      
101
101 109


Bassoon 1 Pacifica

  
Musica de:Carl Strommen

          
         
      
10

    
Broadly  = 80 Allegro  = 136

      
            
  

          
         
19

   
13

                     


 

           
       
26

          
23


          


                            
38 46

    
33

  62 70

  
Slowly and

  
            
53 expressively = 70

     
51 ritard. . .

   

            
cresc.

                  
82

                     
  
74 Broadly  = 80

90

 

         
Fast  = 136

   
   
(stagger
101

       
88 Ritard. . . breathing)

  

        

109

                       
109
B♭ Clarinet 1 Pacifica
Musica de:Carl Strommen

         sub.  
      
10


                 
Broadly  = 80 Allegro  = 136

                       19  
  

            
  

13
26

     38
  

          
                         
32

  
                                  
43
46 53

 62

          
Slowly and

            
        
expressively = 70

  
55
ritard. . .


   

          
  
  



 
63

  
       


       
    
70 Tutti

  
70

            
82

        
  
78
Broadly  = 80


          109
            
90

        
Fast  = 136


Ritard. . .
101
86

 

        
           
 
112

2
B♭ Clarinet 2 Pacifica
Musica de:Carl Strommen

        
10

 
                         
Broadly  = 80 Allegro  = 136
sub.

      
  

               
          
19 26


13

     38
  

    
                                       
33

                  
               
46 53


44

 62

 
Slowly and

       
 
                  
expressively = 70


ritard. . .
55

 
   

      
  
                       
70


66

          


  
82

        
      
Broadly  = 80

 
76

     

                     
90

  
101 109
88 Ritard. . .Fast  = 136

 
     
          

114

2
B♭ Clarinet 3 Pacifica
Musica de:Carl Strommen

 
10

 
                                    
Broadly  = 80 Allegro  = 136
sub.

     
           
  

     


   
   
19 26

  
17

 

  
                                  
38
38 46



       
                              
53


48

62  

     
Slowly and

                                   
ritard. . . expressively = 70 70
59

                            
  82

       
Broadly  = 80


74

         

         
90

         
101 109


Fast  = 136


86 Ritard. . .

  
 

   
                
112
Bass Clarinet Pacifica
Musica de:Carl Strommen

 
  
10

                      
     
Broadly  = 80 Allegro  = 136

 


       
 

     
19 26

      
13

                
  46
         


 38

               
30

              
 


         

  
53

           
47 ritard. . .

   
62 70

 
cresc.

  
Slowly and

 
expressively = 70

                      
61

               

90


82 Fast  = 136


                 
(stagger
81 Broadly  = 80 Ritard. . .

     
breathing)

     

      
101 109 

 
           
96

           




 
117

 
Alto Saxophone 1 Pacifica

 
                                       
Musica de:Carl Strommen

       
Broadly  = 80

 
               
 10

        
    
Allegro  = 136
9 sub.

                         


   

              
19 26

          
17

       

                              
38 46

    
34

 
62


Slowly and

 
                
expressively = 70

      
ritard. . .

 
53 70


52

                              
   82

       
72 Broadly  = 80

Ritard. . . 
                             
 90 

             

101 Fast  = 136
83

          
                      
109

   
102



       
 
117

2
Alto Saxophone 2 Pacifica

             


Musica de:Carl Strommen

     
      
 
 
 
   
 
Broadly  = 80

 

                                
10

       
Allegro  = 136
8 sub.

             
   

                  
               
19 26

  

17

    
                              
34
38 46

 
62 70

 
                   
Slowly and

 
   
 
53 expressively = 70

 
ritard. . .
52

                              
  

 
82

        
73 Broadly  = 80

     
                         
 

  
90

     
101


85 Ritard. . .Fast  = 136

            
               
109


107


Tenor Saxophone Pacifica
Musica de:Carl Strommen

    
        
10

                         
Allegro  = 136

   
Broadly  = 80

            
  

                                
19 26

          
18

               
  

                         
38 46

               

28


62 70

   
Slowly and

                          
53 expressively = 70

 
53 ritard. . .

  cresc.  

                  
                               
82


72 Broadly  = 80

            
 

               

90

     
86 Ritard. . . Fast  = 136

               


                        

     

101 109

             
99

                   


                   
     
110
Baritone Saxophone Pacifica
Musica de:Carl Strommen

     
   
10

    
                     
Broadly  = 80 Allegro  = 136

              

    
 

           
      
19

      
13



       

              
  
                          
23
26

   

   
                        
38 46 53

             
32

  
62 70

  
Slowly and

                        
expressively = 70

    
57 ritard. . .

  90


cresc.

   
 82 Fast  = 136

             
             
(stagger


77 Broadly  = 80 Ritard. . .
breathing)

 


                    

   
101

             
92

 


                                    
109

                 
105
  
  
     
116

2
B♭ Trumpet 1 Pacifica

    
Musica de:Carl Strommen

  

           


      
                 
 
Broadly  = 80

 

        
     
       
10

   
       

Allegro  = 136 19 26


9

  

     38   
                 
                
46 53


32

62 70  

     
             
Slowly and

           
82

 
expressively = 70 Broadly  = 80
55 ritard. . .

 cresc.  

           
                            
 
90

  
Ritard. . .Fast  = 136
85

 

    
           
   

              
101

 
99



        
                
      
109

  
109
B♭ Trumpet 2 Pacifica

   
Musica de:Carl Strommen

    
                 
                
 
   
Broadly  = 80

      
                
10

         
Allegro  = 136 19 26

 
9

  

        
           
               
38 46 53

 
32

62 70  

   
Slowly and

   
82

               
     
ritard. . . expressively = 70


56 Broadly  = 80

 cresc.  

          
90

                 
         
Ritard. . .Fast  = 136
86

 

         
     
                      
101 109

 
101



     
           
         
 
110
B♭ Trumpet 3 Pacifica

 
Musica de:Carl Strommen

 
                                             
Broadly  = 80

   

     
       
10

                  
Allegro  = 136 19 26

    
9

  

     
                         
38 46 53

     
32

62 70  

      
Slowly and

 
82

              
     
expressively = 70 Broadly  = 80
55 ritard. . .

 cresc.  

    
90

                 
                  
85 Ritard. . .
Fast  = 136

 

     
                             
101

     
99



   
                 
 
         
109

   
109
F Horn 1 & 2 Pacifica


                                     
Musica de:Carl Strommen

      
Broadly  = 80

         
 10


                              
Allegro  = 136 19 26

      
9

                  
  

                                        
38

          
28


62

  
Slowly and

                              
46 53 expressively = 70
46 ritard. . .

  
  

                       
   
82

 
70


70 Broadly  = 80

     
Ritard. . .Fast  = 136   
     
 

  
                 
90

   
           
 
84

    
         
                      
   
101 

   
94

   
       


           
                
109 

   
109


F Horn 3 & 4 Pacifica

  
                                       
Musica de:Carl Strommen

      
Broadly  = 80

     
10

                               
Allegro  = 136 19 26

              
9

        
                                    
  


                        
28

  
Slowly and

                  
expressively = 70

  
38 46 53

     
38 ritard. . .

          
       
 

    
 82

   
62 70


62 Broadly  = 80


 

        
90

      
                          
           
Fast  = 136
Ritard. . .
83

     
       
      
                       
101

        
93 

    

       
                


           
109

   

109


Trombone 1 Pacifica
Musica de:Carl Strommen


        
10

                
 
Allegro  = 136

   
Broadly  = 80

                           
  

             
19

  
17

                                  
 

         
26
25

                38            
     
  

34
46 53

62  70   cresc.

                        
Slowly and

  
expressively = 70
59 ritard. . .

                            
   


82


76
Broadly  = 80

          
            
90 

     

Fast  = 136
88 Ritard. . .

                              
 

             
101
100


                                
 
     
109


109

    
  

118

2
Trombone 2 Pacifica
Musica de:Carl Strommen

   
       
 
10

          
     

Allegro  = 136

  
Broadly  = 80

     19                
  

                
       
  
17

                               


 

           
           
26
26

62 

               
Slowly and

 
    

38 46 53 expressively = 70
38 ritard. . .

  cresc.  

          
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
82
70
70 Broadly  = 80

          
  

                     
90

   
 
Fast  = 136
83 Ritard. . .

             
          
 

                          

     
97
101

                          
  



     
109


109
Trombone 3 & Bass Trombone Pacifica
Musica de:Carl Strommen

         
               
10

  
Allegro  = 136

  
Broadly  = 80

     19               
       
  

                  


     
17

                          
                                       

 

  
26

        
26

62 

            


Slowly and

 
       

expressively = 70
38
38 46 53 ritard. . .

  cresc.  

                                   
82
70
70 Broadly  = 80


  90 

               
Fast  = 136

  
          
(stagger
83 Ritard. . .
breathing)

                     109 


              


           


101

         
99

      
                     


    
110
Euphonium Pacifica

  
Musica de:Carl Strommen


                            

 
10

  
    
Broadly  = 80 Allegro  = 136

 
  

               
            
         
19

   
14


 

 
                          

       
26

           
24

       38                
     
  

           
35
46 53

  62 70 

  
Slowly and

                      
expressively = 70
54 ritard. . .

  


cresc.

                        
82 90

            
   
77 Broadly  = 80
Ritard. . . Fast  = 136

  109
 

                    
(stagger 101

    
        
91 breathing)

 

     
  
 
             
112
Tuba Pacifica
Musica de:Carl Strommen

        
10

                     
Broadly  = 80 Allegro  = 136

  

  

         
                
19

   
   
  
13


 

        
         
                                
26


23

  

     
                      
38 46 53

            
32

  
62 70

 
Slowly and

  
       
expressively = 70

               
57 ritard. . .

cresc.  90
 


82 Fast  = 136

                             
(stagger

          
Broadly  = 80


Ritard. . .


77
breathing)


 

     
             
101

               
92

 

          

109

                                 
105
   
      
116

2
Timpani Pacifica
Musica de:Carl Strommen

     
             
 Broadly  = 80
10 19 26

 
 
Allegro  = 136 38 46 53

  
 62 70 

   
                      
Slowly and

  
 
expressively = 70
55 ritard. . .

 

   109     
                         
82


90 101

 
 
Broadly  = 80
81 Ritard. . .
Fast  = 136

 

                
                
    
113
Mallet Percussion Pacifica
Musica de:Carl Strommen

          

10 19

  
         
Broadly  = 80 Allegro  = 136 26 38 46

  62

           
Slowly and

     
  
   

  
53 expressively = 70
52 ritard. . .

    
82

 
90


70 Broadly  = 80 Fast  = 136 101 109
70 Ritard. . .
Percussion 1 Pacifica
Musica de:Carl Strommen

   
10

                              


Broadly  = 80 Allegro  = 136

 
                                   
17
19


                       
22
26

                                            
27

                                            
31

  
                                 
35
38 46

62 70  

    
Slowly and 82 90

                     
53 Broadly  = 80 Fast  = 136
ritard. . . expressively = 70
53 Ritard. . .


                                  

92

                                                
101 
101
                                              
105

                                              
109
109


                                    
113


       
118

2
Percussion 2 Pacifica
Musica de:Carl Strommen
10

       
    
Allegro  = 136

                   
Broadly  = 80 19

        

      
               
              
21
26

             

          
                       
30
38

              
62 70

       
Slowly and 82

     
46 Broadly  = 80 90

         
53 expressively = 70
46 ritard. . . Ritard. . . Fast  = 136

    

      101   
                      
     
92

            

     109   


                        
104

               

      
                                 
112

           

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