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One of the most amusing things about visiting the Hanna-Barbera production
studio is watching our cartoonists draw. They silently scrunch up their faces, wriggle in
their seats and contort themselves as they get into their "roles." Sometimes it's
completely unconscious; they don't realize they're doing it! On occasion you might see
an animator with a mirror on his or her desk, making faces and sketching furiously.
Through the magic of the animator’s talents, the face in the mirror gets reflected on the
paper as the face of Yogi Bear, Wilma Flintstone or Snagglepuss. What acting!
Method actors throw themselves into a role. They think like the character, believe
in the character, and if they're good actors, they become the character. But actors have it
easy compared to our cartoonists. Imagine how tough it is to think like Dino, to believe
in Elroy Jetson, or to become Baba Louie. Hanna-Barbera animators need great
imaginations to go with their great acting and drawing talents.
Unlike Shakespeare's "poor player that struts and frets his upon the stage,"
an animator never gets to strut, walk, run or sweat bullets on opening night. They never
get the applause that on-screen actors do, nor do they get even the small recognition that
voice actors receive. But here at Hanna-Barbera we know that inside each cartoonist
beats the heart of a great actor. The smell of the cel paint, the roar of the crowd!
Bill Burnett
Creative Director
Hanna-Barbera Cartoons, Inc.