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and i
B lle t
DE A R LI T T L E M A MA .
’
Do n t stare It isn t s u ch an o d d
’
.
’
begi n ni ng whe n th e re aso n s give n The .
p ,
m u ch of it b u t it b e g an wi
,
th C bér ep e t i
te ,
3 5 77 72
chi ns n o waist the arms o f a p rize fi gh t e r
, ,
-
,
Yet she is P io u P io u s P et i “ -
t e Ma m a n
” ’
,
mothe r is .
’
S o th at s the re aso n why I ve t ake n a le af ’
o u t o f P io u P io u s l e t t e r d e ar littl e Mam a
’
-
, ,
’
I d give anythi ng t o b e a bl e t o s ay s o m e
’
thi ng to b u ck y o u u p p rop e rly b ut I m ,
f y o u w an t i t N o m an can re ally .
2
F r om D ug -
out a nd i
B llet
’
doesn t know anyt hi ng ab o u t it whil e it s ’
’
g oin g on an d afte rwards
, h e d be bo u n d to
’
g ive a wro ng i mp ressio n o f it I m doin g .
o f it .
’
What I m con ce rn e d with most is yo u r
self I kn ow yo u re going ab o u t smili ng
.
’
an d d o ing t he i
n n u m e r a bl e t h in gs of eve ry
i
d ay l f e t h at w o m e n fi n d t o t h e ih
r an d s . Bu t
’
I m eq u ally j olly well s u re that the smile
comes o ff at night an d th at yo u r p raye rs are
p an gs Also th at y o u lie awake i n the d ark
.
m ay b e lo n g ho u rs b u t they se e m short
, .
di n n e r The. an d
g e n e rally sp e aki ng does it famo u sly Y o u .
’
can t exp e ct the m t o write yo u r letters
fro m h o me as well
’ ’
An d d o n t f o r a mome nt i magi n e the re s
any d i s c o m f o rt i
n a be d o n what y o u c al l t h e
“ ”
bare e arth I ve he ard m e n who have
.
’
Ho u rs of it Ho nest ! With o r d i
. n ary l u c k
d og an d start anothe r d ay o f al ar u ms an d
,
ex c u rsions .
[ 4 ]
F
r om D ug -
o at a nd Bi
llet
of a hard r u n wi
'
t h t h e be agles The s u fi e r .
’
tho u gh h u ngry so lo ng as y o u do n t have
,
, ,
—
ho me an d d u ty o r is it be a u ty — ri ght
e n o u gh ; b u t do n t make any mistake we
’
’
goes o u t o f hi m whe n he s t a c kl e d t h o u gh , ,
’
n eve r w o n a war yet Th at s why Tommy .
’
is so f u ll o f co nfide n ce H e s n o t down .
he art e d o h de ar n o !
, ,
’
War s o nly h ard o n yo u wo me n an d th e
’
chaps w h o h ave to stop at ho me I d o n t .
o u g h t t o b e c o ll e c t e d i
n d u st c arts an d u se d -
fo r what th e Bo ch es c al l can no n fo d de r -
.
’ ’
They re aski ng for it We he re do n t .
, ,
’
n e rves yo u Y o u d o n t show it i n p u bli c
.
,
b u t we kn ow Eve ry m oth e r s s o n o f u s
’
.
’
eve ry man i n u niform who s got a mothe r
or a siste r or a wi fe o r a swe ethe art at ho me
-
kn ows h ow y o u fe el Y o u go abo u t .
[ 6 ]
F r om D ug -
o ut a nd Bi
llet
se ntime nt ebere p t i
,
te M a m e n —’
y o u se ethe
with tro u ble d e motio ns Th e pity o f it is .
u se d to be to be co ddle d an d t u cke d u p i n
,
’
be d Y o u can t se e that we re grown u p
.
’
an d simply revelling i n o u r j o b .
’
It s n o t altogethe r b e ca u se he s a Ge r ’
n st in c t e n j o ys w a r
’
we re n t wa r wo u ld have go ne o u t of
,
[ 7 ]
F r om D ug -
o ut an d B llet i
thi ngs i n this worl d th e re will always b e
wars fie rce an d sav age a c co rdi n g to thei r
, ,
l ab o u re rs d u kes an d d u stme n Wh at a
,
.
b r at i n g the Mille n ni u m .
[ ]
8
F r om D ug -
out and i
B llet
re ad no v els or go to th e Acade my or gi v e
di n ne r p arties and dan ces o r do any of the
-
,
’
tho u gh that s yo u r ho b by any more th an ,
It s a mistake O u t he re we re fe d u p
’
.
’
’
ra ci ng n ews We s u pp ose the re s a g oo d
.
re aso n fo r stoppi ng it Bu t we d m u ch .
’
[ 9 ]
F r om D g out a n d
u -
B llet i
o r a des cription o f a twe nty ro u nd p rize -
’
c an t so me bo dy p rint a p ap e r f o r u s f e ll ows
at the F ront with all the war news left o u t ?
We re doi
’
ng o u r bit We do n t want t o .
’
r e ad ab o u t it
I ve c ove re d a lot o f p ap e r for a m an w i
.
’
th
’ ’
a hol e i n his arm The re it s o u t 1 That s .
,
’
why yo u re getting six p ages p asse d by the
Censo r It s n ot wort h p u tti ng m e t o b e d
.
’
’
f o r I m fit e no u gh to b e on t he war p ath
.
-
,
[ 10 ]
F r om D ug-out a nd i
B llet
’
M u st stop now Siste r says so S he s . .
—
,
’
looks at y o u and y o u do what yo u re tol d .
’
S he s twenty and she s se e n men die and
,
’
’
Whe n the war s ove r and she m arries she ll
’
S o l ong ebére M a m a n p e t i
,
te m ign on j e , ,
’
t em bm t f e The p retti est F re n ch is n t fra
’
.
grant e n o u gh f o r y o u It s o n ly yo u I thi nk .
’
—
be e n girls b u t o nly o n e shrin e I pl ace a .
I H
I
F r om D ug-o ut a nd i
B llet
y o u fi rst.
Yo u r lovi ng s o n ,
C H O TA .
trite I want P io u P io u s to u ch 1
’
H ow -
[ 12 ]
S W EE TH E A R T .
—
tin g me re me mories now u nless y o u can
call thre e m u d cake d obj e cts e ating o u t of
-
same .
[ 1 3
]
F r om D ug -
o ut a nd Bi
llet
’
r ange I believe y o u d r at h e r like me to be
.
t h an a m an d oes Do y o u re me m b e r the
.
[ I
4 ]
F r om D ug out a n d
-
Bi
llet
Y o u g e t c all o u s o f it whe n y o u se e m e n
l a u ghing t h o u gh they re cove re d wit h it ’
f o r t h e loss o f it .
y o u
,
n o t re m ot e as i n ti m e s o f p e a ce It s .
,
n w ar h e se e s d e ath in ,
t hi ngs i nt o fo c u s again .
[ 1 6 ]
F rom D ug
- ut
o and Bi
llet
pi ct u re in t he P uneb y o u se nt me in
whi ch the sm all g irl ki d wi s h e d she was an
-
[ 7]
1 2
F rom D ug -
out a nd i
B llet
,
’
b u t he won t b e d rawn o n the s u bj e ct .
’
the lette r I was re ading I di dn t like .
th at it was p rivate .
H uh ! he gr u nte d F ro m some .
”
fool skirt I re ckon
-
,
N o f r o m m y m o t h e r , I s ai
.
“
I d on
’
,
d . t
’
t hink it wo u l d i nte rest y o u It s all ab o u t .
“
He st u ck o u t his h and S e e he re .
,
mothe rs ? I d on t re me m be r mine Be a ’
.
”
frie n d an d p ass it o n .
it and I t ho u g ht he h ad fallen as le e p w h e n
, , ,
fixe d hi m u p again .
“
S orry Sis he ap ologize d
, ,
I m u st .
“
gone an d all he sai d was
,
My yo u re ,
’
’
ri ch ! I didn t regret sharing it with him ,
afte r all .
’
I m gl ad yo u didn t send m e the whole
’
’
o f C anon Lyt t e lt o n s sp e e ch What the re .
’
was o f it m akes m e gl ad I wasn t at Eton
S ome o f the fellows o u t he re wh o we re are
f e ar f u lly w r at h abo u t it The re s t o o m u ch
’
.
he ad m aste r o f a p u b l i c s c h o ol p r e s u m a b l
, y
a good Christi an an d a c l e ar t h i n ke r s h o u ld ,
’
re ason so b adly I don t set myself u p t o
.
i nj u n cti on to lo v e o u r e ne mies an d d o g oo d
t o th ose wh o hate u s w as not ad d ressed t o a
p e ople Christ tri e d t o get at the he art o f
.
’
I m wrong th e only ti me He to u che d o n
,
g e ne rally .B u t o h t,
he ,
l a ck o f p rep ara
tion t his short age o f sh ells t hes e st rikes
, , ,
’
At tim e s t he st rongest m an s h e art lose s
f ait h i n his co u nt rym e n .
’ ’
P le as e d on t t hink I m d ep resse d It s
’
.
against yo u r ch e e k an d st artle s yo u so t h at ,
—
shi rt o r pyj a m as an d y o u g e t u p and w alk
i n t he g ard e n b e c a u s e s u dd e nly yo u r
t ho u ghts h ave flown to m e and we s o ,
my b ody in F r an c e yo u rs in E n g l and b u t
, ,
g a rd e n L i
. s t e n t o t h e nighting al e s Whe n
t hey st o p fo r b re ath t h e soft w arm sile n c e
of the n i g h t w r a p s u s ro u nd I s n .t it p e a c e
’
f u l I : t he re a w a r going o n o r is it only
.
,
a d re am ?
[ 4 ]
2
F r om D ug-out a nd i
B llet
y o u f r o m it s re alitie s Good. n ig h t d e
-
a r e s t , ,
Yo u r C H O TA .
’
H u sky (t h at s t he big C an adi an) who ,
me t o le ave a s p a c e fo r hi m to writ e yo u
so met hin g at t he b a ck of t his ! u e e r .
—
ch ap p oo r ch ap .
( E nclos ur e)
DEA R E NGLIS H WO M A N ,
H e s t he ri g ht so rt yo u r son b u t
’
, ,
let me re ad yo u r lett e r I ho p e y o u d on t
.
’
ro u nd me .
Yo u r o be d i e nt ,
[ 2 5 ]
( 3)
LI T T L E B R AV E H EA R T ,
’
q u ite angry b e c a u se we co u l d n t s e e the m
.
O n e o f the n u rs e s wh o h ad b e e n i n a chil
d re n s feve r hosp i
’
tal tol d m e that so m e
of the p o o r mite s t he re u s e d to have similar
d el u sio ns H u sky re min d e d he r o f th em
. .
26 1
F r om D ug-out a nd i
B llet
fe el s o se re ne if yo u co u l d s e e m e now .
an d b ein g j u st o u t of th e trac k o f i
,
n
v as i o n it h as l u c k i
,
ly e s c ap e d d e str u ctio n ) .
[ 7 ]
2
F
r om D ug -
out a nd i
B llet
—e h ? I t h i ’
n k t h at s t h e k e y t o t he myst e ry .
’
all b e e n t h ro u g h t he s a me mi ll sin ce It s .
g u n fire b a
,
rb e d wi re and all t he re st o f it
t h at leve ls c ab b age s and kings .
Abo u t o u r h ost s We h a v en t se e n M .
’
.
[ 2 8 ]
F r om D ug-ou t and i
B llet
le Comt e He s an Artille ry o ffi c e r on
.
’
d a u ght e r Dé si r é e by n ame is on e s id e al
, ,
’
’
M ade moise lle s c u rt sy t h e old wo rld ,
-
g ra ce of whi ch wo u ld b e th e d e s p ai r o f a
ho ckey p l ayin g hoyd en we a re a cq u i rin g
-
,
a b o w of q u it e Continent al e le g an ce .
’
o u t b u t of co u rs e t he re s no q u e stion o f
,
’
t h at In t he fi rst p l ac e I h ave n t e no u gh
.
,
[ 9 ]
2
F
r om D ug -
out a nd i
B llet
we ll b r o u ght u p F re n ch g i rl S he s m uch ’
’
- -
.
o ff M ad a me l a C o mt e ss e is g at he ring
ros e s wit h t he N aw ab an d t h e ex B u gle r
,
-
holding he r b askets H o w p e a c e ab le we
—
.
l at e t h e conve rs ation t h at e ns u e s .
’
M sie u r writ e s wit h a f a cility Is it a .
o u s l y ( he r fe minin e w ay o f v o i ci n g p oo r
”
a fool ski rt ) -
”
litt le mot he r al l alone in Engl and I t e l l ,
he r.
“
S p e ak t o m e o f m ad a me yo u r m o
”
t h e r s h e e nt re at s ve ry ch armingly
,
.
S o I t e ll h e r ab o u t y o u I h ave neve r .
[ 30
]
F r om D ug -
o ut a nd i
B llet
Bu t t h at is yo u ng fo r a mothe r of on e
”
s o big ! s h e c ri e s The n it is t r u e wh at
.
,
t o ad mit it ) .
“
That I fan cy is a slight e x ag g e r a
, ,
“
tion I rej oin
,
S o m e of t he m p e rh ap s
.
,
g row ol d g ra c e f u lly .
C omm e m a rti
an ?
Bu t on e do e s not c al l M ad a me l a
”
C omt e ss e o l d .
wistf u lly “
O n e d ay p e rh ap s whe n I , ,
“
Y o u are t hen fi a nce? I ask in s u r ,
p rise .
[ 3 ]
2
Fr om D ug- out a nd Bi
llet
Oh ,
bu t a m t o o yo u ng Do u bt
no I .
”
le ss in ti m e t h at will arran g e its e lf .
“
An d the choi ce
S h e pi cks u p h e r s ewing again The .
“ ’
Bu t of c o u rse M sie u r ; fo r t he ir
, ,
”
choi ce m u st b e t he b est .
’
an ex ce lle nt p l an as a r u le I m told t his , ,
’
don t know why I ve re co rd e d t his t rivi al
’
’
conve rs ation It didn t se e m t rivi al while
.
it was going o n .
’
won t wond e r at t h at whe n I t e ll yo u wh at
h a p p en e d t his aft e rnoon .
e d ly as I g at he r a bi ggis h c ar t u rn e d i
, , n
Be lgi an o ffi c e r in it an d t he c h au ff e u r w as
,
a s o ld i
e r I h a d j u s t ti me t o noti ce th at o n e
.
w a rds th e visit o rs c am e o u t o n t o t he
l awn wit h t he Co mt e ss e and M a d e m o i
s e lle .
’
The litt le fai r l ady s b a ck was t owa rds
me s o I co u ldn t s e e h e r f a c e Bu t I sho u ld
,
’
.
t o fet ch me I f e lt u n a c c ou n t a b ly d i
.
,
ffi d e n t
as I went o u t o n t o t he l awn I did not i n .
,
’
conseq u en c e c at ch t he l ady s n ame wh e n
,
—
t u rne d he r fa ce t o me s o yo u ng b u t so
s ad as if it h ad se en a t ho u s and agonie s
,
’
35 3
F r om D ug -
out a n d Bi
llet
—
th at sh e h ad a w ay a ce rt ain swe e t si m
,
p l i
c i
t y
— t h at w as ve ry winning .
H e c o u ld b are ly an s w e r w h e n s he s p oke to
hi m Bu t t h e N awab m ad e u p f o r t h at H e
. .
s on al on es S h e o n ly w an t e d t o he ar of two
.
—
t hin gs armie s and s oldie rs S he t alke d of .
t h e m wi t h u n as s u m ing i nt i m a c y S he s ai d .
m e mo ry o f i t w as r e fle c t e d in h e r f ac e All .
t h e ti me I co u ld se e t h at sh e w as re p re ss
ing h e r fe e lings L ike a m an who fe e ls
.
[ 36 ]
F r om D ug- o ut a nd Bi
llet
wo rds Y o u co u ld s e e t h at s he was s u ff e r
.
i n g a c u te ly .
” “
All of my s ons s he re p lie d ,
Those .
”
t h at h ave n ot al re ady fall e n .
“
Bu t fo rgive m e M ad ame yo u r s ons , ,
”
m u st b e child ren .
He r eye s fille d My l i
t t l e one s a re s afe
.
”
I c an b u t t ry t o co mfo rt .
an d it s n e a rly midnight I c an t go an d
’ ’
[ 37 ]
F r om D ug out
-
and i
B llet
st ri cke n co u nt ry b u t o f t h e D ay B e l
,
g iu m
’
s D ay o f R e s u r r e c t i
o n —whi ch will
s e e it fre e d fro m t he u nsp e akab le Ge rm an ,
’
didn t me an t o c ram it in s o s m all .
C H OTA .
[ fl]
F r om D ug-o ut a nd i
B llet
’ ’
Th at s N at u re all ove r S he d o e s n t allow
.
Y o u m ay sho u t at th e t o p o f yo u r voi c e
t o t h e m an alongsid e fo r s o mething o r
’
ot he r an d h e d oe sn t t ake t he s light e st
n oti c e When in t u rn he b u rsts his l u ngs
.
kn ow t he g u ns h ave c e as e d fi ring by t he
abs en c e o f con c u ssio n b u t y o u c an t h e ar
,
’
’
v e ly it s q u iet
— t he q u ietn e ss o f the
c rowd at E p s o m o r a b u s y d ay at Wat e rloo
[ 4 ]
0
F r om D ug out
- a nd i
B llet
— ’
St atio n a nd I m t aki ng advantage of it
t o writ e t o y o u Bu t t he din of a ctive war
.
Joff re an d kn ow exa ct ly wh at is h ap p e n
’
ing (whi ch we o n t he sp ot d on t ) b u t t he y ,
again
O ne of o u r me n b a ck fro m a c o u nt ry
R e d C ross hos pit al h ad so mething to s ay
abo u t the nois e s the re A railway line ran .
t o m y C o m p an y w o u l d b e like going ho me
It wasn t q u it e th at : rat he r mo re like t he
’
sin c e yo u d s e en t h e m l ast an d t o t e ll yo u r
’
,
ow n . Th at p a rt o f it w as v e ry si mil a r ‘
H e re f a m i
,
li
a r f a c e s t h e r e we re t o o
—so me
o f t he m a ct u al ly thos e o f o l d s choolfe llows
-
an d t he i r owne rs b a d t hings t o t e ll N ot .
eve n t o th e g ap s in t h e ranks re p l a ce d by ,
—
missing goo d me n who h a d h ad t hei r
[ 4 2 ]
F r om D ug-o u t a nd Bi
llet
The re we re no t u ck b oxe s in t he -
”
H ave a c u p si r ? s ays some one an d
, ,
“ ’
wit h m u ch p ride The re s cond e nse d
,
“ ’
co me s o u t afte r it Th anks si r Don t
.
,
.
”
wast e a m at ch Aft e r yo u si r And we
.
,
.
“
Gl ad t o s e e y o u b ack si r Whe re did t hey
,
.
”
get yo u ? In t he arm ? The n we ch at
cas u altie s The slight one s are dis c u sse d
.
whe n it s a c as e o f a p al o r an o fli
’
c e r los t
” “
He w as t h e best ch u m I e v e r h ad Ah
he was a gent le m an he was A fine r o fli
.
,
,
ce r .
loss .
I m a f r ai di
“
t g rad u ally ch anged t o Gre en
’
[ 44 ]
F r om D ug -
ou t a n d Bi
llet
’
l and s i cy mo u nt ains tho u gh the wo rds
s o u nded rathe r like K athlee n M av o u r
nee n I m n o t q u ite s u re ; m y e a r f o r m u s i
.
” ’
c
e no u gh t o he a r it the me n co mp l ai n of ,
’
o f t h e m sho u ted ac ross on c e W agne r .
,
“
c ame the re p ly Wel l . g r u mb le d ,
Tommy “
I don t wonde r we re fi g h t i
,
’
n
’ ’
y o u abo u t it
It is n t q u ite ac c u rate to s ay t h at the t u ck
’
[t4 5
F r om D ug
-
out a nd i
B llet
’
ti c ally n othing in the vi ll age s They ve .
’
f o r so me re ason t he Co mmiss a ri at was n t
[ 4 6 ]
F r om D ug-out and i
B llet
t e ri o r a rr ange me nt s r u in e d by t he a b o m i
so me me at i s i n co mp re he nsi bl e t o m en
who n e e d it W e re fle s h e ating c re at u re s
.
’
-
,
,
’ ’
c anine t e eth I c an t con c eive o f Josh u a s
.
in g me n s e e m a re ason ab le eno u gh c o m
’
bin ation An d if it s right t o ki ll t o e at it
.
c an t b e w rong t o kill t o li v e Th at s wh at ’
’
.
’ ’
as o u rs e lves We c an t he lp it It s a c as e
. .
u s an d t h e Bo c h e s is t h at they p re fe r u n d e r
[ 4 8 ]
F r om D ug out
-
a nd i
B llet
“
t he com m and me nt Tho u sh alt do n o
”
m u rd e r was h an d e d o u t t he re we re ,
’
We ll t h at s all f o r to d ay A d u ll lette r
,
-
.
,
I m afrai d b u t I w arne d yo u it mi g ht b e
’
’
— ce rs o r
—
men ar d es c ri bing o u r ow n lin e o f b u si
n ess (the evid en ce of t he h a p enny p ap e rs ’
e no u gh ink and p ap e r to go ro u n d We ll .
,
’ ’
t h at s wh at we re fighting fo r is n t it ? ,
’
m u st se e m s o l ong t o yo u I kn ow ,
.
[ 49 ]
D EA R ES T ,
I know y o u p u t yo u r he a rt in t h at
P S
. De ar Boy d o t e ll me mo re ab o u t
,
our s el a
’
y f
. I m lways m e aning t o b u t ,
di re ct ly I b e gin I u n a c co u nt ab ly d ry u p
, .
’
Th e ess enti al t hing i s I m re m ar kably ,
ll h h no m en d s my so cks
’
g e n e r a y t ,
o u g o n e .
It s ave s t ro u b le t o g et n ew on e s a bit t hi ck ,
p a r t m e n t ) .
I m e ant t o h ave as ke d yo u in my l a s t
[ 59
]
F rom D ug-o a t and Bi
llet
m oi s e ll e Dé si r é e A d e a r little gi rl t h at ;
.
,
—
me a so u veni r a litt le mothe r o p e a rl -
’
-
c ru ci — ’
fi x a t alis m an t o ke e p me s afe I ve .
an i d e a it will .
’
c oming fro m an d t he re wasn t any cove r .
’
d o was t o s p rint fo r it As y o u know I m .
,
givi “
ng the m e n a View H allo I set t he ”
,
di dn t exp e ct t he m to c at ch u p with m e
’
o f th e m in f act go t in front an d sp re ad
, ,
“
[ 51
] 4
F r om D ug -
out and B llet i
ou t in a so rt o f s c re e n b etwe e n me an d t he
sp ot whe re t he b u llets we re coming from .
When I t u mb le d t o wh at t hey we re at I
ye lle d t o t he m t o e as e u p Bu t d o y o u .
h ad d e li b e r at e ly t aken t he fi re m e ant f o r
m e ! I m th ankf u l t o s ay t hey we re only
’
s u ff e ring f ro m fle s h wo u n d s an d I felt it ,
Th e y only grinn e d O n e o f t he m h ad t he
.
a u d a city t o d e ny t h at he was wo u n d e d at
all ; s ai d his nos e always st arte d b le e d ing
when he r an f ast (his c h e e k w as l ai d op e n ) ,
an d t he ot h e r c app e d it by t rying t o ex
p l ain away a d a m age d h an d as the re s u lt
’ ’
of avi n it in the air whe n Bi ll b arge d
i nto m e sir ,
.
’
They re u p t o the se g ame s all the ti me ,
[ 52
]
F r om D ug -
out and i
B llet
t he m wo u nd ed and ke e ping on as if n o
thing h ad h a p p e n e d I t s n o t t h at t h e y d o n t
.
’ ’
—
f e e l t h e p ain m ake no mist ake ab o u t th at
’
-
they won t fe e l it D u ri ng an advan ce i f
.
,
’
cove r s s c anty they won t mono p olize it if
,
’
’
The re s so me thing ab o u t hi m di rty o r ,
, .
’
t o u s it s only a c as e o f re ci p ro c ation
, .
[ 53 ]
F r om D ug-out and i
B llet
t h at yo u ngst e rs h ave f o r t h ei r bi g p u b li c
’
s chool b rot he rs It s q u it e t o u ching . .
O h L o rd don t let m e ge t d on e in by
, ,
’
’
t h e m Bo c he s til l I ve s ent at le ast t h re e of
e m t o e ll O h L o r d who kn ows wh at wa r
’ ’
.
, ,
is c o s Y ou ad i
’
tin c ave n m ake it so
’ ”
Fo r
’
,
.
known .
J eh ovah of th e Tb u n d er s , L or d G o d of l
b at t e s , a i
d
H e h as s ou n d e d f or t h t h e tr u m p e t t h at s h a ll
n e ve r c a ll r e t re a t
H e ii
s t tings ou t th e h ea r t s of m en be f or e
H ij u d gm
s en t s e at
O ur G od im
s ar c h i n g on
[ 54 ]
It is l ate and I a m ve ry s ad was .
we re a wo m an I s ho u ld c ry I al most wish .
I co u ld He was s u ch a fi n e ch ap s o c he e ry
.
,
’
o u g htn t t o s ay t h at I s u p p ose F ro m t h e
,
.
’
milit ary p oint o f view t he individ u al c an t
’
b e conside re d To fight f o r on e s c o u nt ry
.
and t o di e f o r it if n e e ds b e is only on e s
, ,
’
’
d u ty as we l l as on e s p rivi le ge S c o re s o f .
’
s on al loss t h at s c u tting d e e p into me t o
ni ght .
56
F r om D ug-out a nd i
B llet
f l
I I s h ou d d it h i k
e n on l hiy t s of me
Th h at t e re s
’
s om e cor n er o f a f i
or e gn fi e d l
T h if
at s or e ver Eng l an d .
A d u s t w h om E n g l an d b ore s h ap ed m ad e aw ar e ,
l
, ,
Ab l hi li
, ,
od y o f E n g a n d s b r e a t
’
n g Eng s h a r , i
i l
.
W a s h e d b y t he r ve r s , b es t b y s u n s o f h om e .
d ay s work
’
.
[ 57 ]
F r om D ug -
out a nd i
B llet
’
I c an t re alize th at he i s re ally d e ad My .
c o me t o the s u rf a c e t o b re at h e we he ard ,
’
e a c h other s sob s We ch u mme d u p t h at
.
ni ght Do y o u re me mb e r his co mi ng to
.
n ow —fi ni
sh !
L ittl e ’
so u l it s al l so s ad I m u st write
, .
’
to the girl (the re was o n e ) There s so little .
” ’
I ca n s ay
'
I love d hi m t o o c an t co m
.
,
’
letting mys e lf go on c e i n a way Yo u ll .
[ 58 ]
F
r om D ug-o u t and Bi
lle t
’
u nderst and There s a gloo m ove r u s all
. .
De ar o ld i s we l l d u g i nto hi s l ast
tre n c h t o ni g ht Thi s ti me ye ste rd ay we
-
.
me an was or is it sti ll is
,
—s u ch an i
m
a gin at iv e bei ng f u ll o f s p e c u l ations abo u t
,
We ll he knows mo re th an I do now
,
’
u nle ss there s no answe r at all .
[ 59 ]
(7)
M Y D E A R E S T MO T H ER ,
Writte n i n E nglish t o o ! I c an pi ct u re h ow
ofte n the little gold e n he ad m u st h ave b e nt
i n p retty u n c ert ainty over the E nglis h di c
ti o n ar y I c o p y the l ette r f o r yo u I wo u ld
. .
D E A R M LE C A P I T A I N E
.
,
I n th e ti me s o f p e a c e it wo u ld not
b e corre ct e th at I write t o a gentle
m an u nm arri e d b u t thes e are the d ays
,
[ 60 ]
F r om D ug out
- a nd i
B llet
of the w ar so t erri bl e to c a u s e on e to
,
b ar: dc com ba t as we s ay in F f en ch b u t ,
[ 61 ]
F r om D ug -
out a nd i
B l let
t e l l o f s u c h m atte rs yo u rs e lf whi c h
are alw ays o f gre at i mp ort an c e to a
mother .
y o u fin d yo u rs e lf i n o u r n ei ghbo u r
hoo d we sh all b e d e sol at e i f yo u do not
revi sit u s .
D ES I R EE
fre n ch so we ll It is if yo u wi ll p le as e
.
,
[ 62 ]
F r om D ug
-
o u t and i
B llet
i n v a d e r N a t u r e s e e ms to b e trying t o aton e
forget me n o t al l t he ho me ly flowers
- - -
64
F rom D ug-out and Bi
llet
note b u t P r e t t y D i
,
ck of O u rs w h o is by ,
T he li l b i
tt e r d s s a n g e as t ,
T he li l b i
tt e r d s s an g we s t ,
A n d I sm il ed to t h i n k G od
’
s gr e a t n e ss
R ou n d l
o u r r e s t es s n e s s H i s r e st .
"
[ 65 ]
F
r om D ug
-
o u t and i
B llet
O ne d ay p e rh ap s yo u ll s e e hi m H e s j u st
’
.
’
’
h asn t a p hysi c al p oint to re c o mme n d hi m .
hi m t o g o ho m e I s ai d it i n E nglish whi ch
.
,
’
of c o u rs e h e didn t u nde rst and He st u ck .
—
F l and e rs t o me .
I 65
F r om D ug-out a nd i
B llet
Eb b en, m on bra v e ,
’
vo c ii w ino ( f ! ca m a
”
r a der , I s ai d in the lang u age h e w as u s ed
t o and by th e franti c delight he showed
,
’
o u t Ki m s o n a me d b e ca u s e he s a
,
little
” ’
fri e nd of all the world Still he s a tre .
,
le ss o f To m mie s H ow h e h as m an age d
.
’
to es c ap e bein g p otted I don t kn ow To .
’
I h 0 p e he ll get thro u gh all right I .
th an a we ek sin c e he st art e d to e at o u t of
my h and He fan cie s rati on bis c u it n o e nd
.
,
Ffiiand Be n gy w i
ll thi nk him if they eve r of
’
m e et hi m Yo u ll have t o exp lain t o the m
.
th at h e m u st b e t re at e d with gre at re s p e ct ,
l e ss kn u ts o f th e d o g wo rld wh ere as -
,
’
lying at my fe et as I write He s s o re ad y .
me
I m so glad t o he ar that y o u have N o rah
’
with y ou S he s j u st t h e s o rt o f c o m
.
’
’
p anio n y o u w a n t j u s t now and I h 0 p e sh e ll
m ake a lo ng st ay N ow d o n t s mil e t h at
.
,
’
’
little wise s mile o f yo u rs ! I m p e rfe ctly
we ll aware o f yo u r fond p l an s f o r b oth o f
u s t h o u gh I h o pe N h asn t s e e n t hro u gh
’
.
,
th e m It m u st h u rt t he p ro p e r p ri d e o f a
.
’
ni ce girl wh en she c an t he l p se eing th at
a m an s mothe r wo u l d li ke h e r f o r a d au gh
’
[ 68 ]
F r om D ug-out a nd Bi
llet
thinkin g N s m u ch . .
’
too good fo r me .
Give he r my love .
To -
n i
g h t w
’
Most
e r e s le e p n g n a iib ar n .
eye We want t o s ay s u ch a lo t h o w we
.
,
e r a l ly ri di c u lo u s whe n they re s e n t i
’
m en
t al S o we d ry u p an d f o r all the te nde r
.
,
6
[ 9 ]
F rom D ug -
out a nd Bi
llet
’
Yo u ll sle e p with o n e eye o p en tho u g h
min e will b e tight sh u t !
Yo u r d evote d C H O T A .
Added r i
nce las t n i
gb i .
’
letter o f i ntrod u ctio n ) f o r a few d ays holi
’
d ay How he m an aged t o g et le ave I do n t
.
know b u t he s an Irish m an an d c a p ab le o f
,
’
’
S o give hi m the r u n o f the p l a ce H e l l .
’
an Iri sh m an s love o f horse s and Kitty wi ll ,
’
be q u ite s afe with hi m He won t be lieve .
[ 70
]
( 8)
DEA R ES T A ND V ER Y DE A R ,
H as it eve r o c c u rred to y o u th at
t he L ett ers from the F ront p u b lished
i n t he news p ap ers are very m u c h e dit ed ?
Th at is t he O pinion O f one Of t he Censor s ’
,
’
—
I rathe r e nvy the si mp l e so u ls the gr o
’
c e r s yo u n g m an and the u nde r ho u s e -
—
m ai d who s e e n o n e c e ssity to hi d e thei r
e motions b e hi n d the written wo rd What .
[ 72
]
F
r om D ug-o ut a nd B llet i
they honestly fe e l they set d own on p ap e r
to the b est Of thei r ability Ofte n ve ry ,
’
they When they re m arri e d and he wants
.
,
g e n u in e ly o u t s p o k e n I v e re ad both
. kind’
s
and I know .
m an f o r exp ressin g re al fe e li ng I c an t .
’
[ n ]
F r om D ug -
oa t a nd i
B llet
my mothe r .
y o u will d e n y t h a t A mothe
. r s u gly d u c k
li n g is always h er resp le n d e nt swan ( an d
j u st as u nm u sic al l ) I d are s ay yo u would
.
li ke t o go b ac k on ti me and h ave me i n
yo u r arms on c e mo re a s m all b u n dle o f ,
[ 74 ]
F
r om D ug
-
o ut an d i
B llet
I am q u ite s u re yo u im agin e d me t o b e
s p e ndi ng my bi rthd ay in the t re n che s
u nde r he avy she ll fi r e and th at whe n y o u
-
,
—
it now y o u also h ad a p resentiment th at I
was mort ally wo u nd e d P rese ntime nt is .
,
as y o u se e as d an g e ro u s as p ro phe cy As
,
.
did not fo r a ll t h at g o u n c e l e b r a t e d T h i
.
n gs .
[ 75 ]
F r om D ug -
out and i
B llet
’
it b e fore 70te ll m e that it has alte re d more
i n the l ast fe w months than i n the p revio u s
twe nty ye ars The p e o p l e n o t the city i
. t ,
s e lf F re sh from it I c an we ll b e li e v e al l
.
’
s e e me d t o h ave ch ange d altho u gh I ve ,
h ad n ot to u c he d her N o w i n p l ac e Of th e
.
,
gi rl I re m e mb er I fi nd a wo m an c alm ,
O ve r b e fo re we settle d down to u nd e r
g ro u n d warfare T O
. d es c ri b e the wo e f u l
d amage to the village s wo u ld on ly b e re p e
tition Yo u ve re ad the u nhap py story i n
.
’
the p ap e rs What no p en c an d es c ri b e is
.
Y o u don t he ar a m u rm u r Of co mp lai nt
’
.
[ 77 ]
F r om D ug-o ut an d i
B llet
—
Afte r the amb u l an c e the t rai n so u th,
M e n O f fightin g ag e are n ot to b e se en ,
d ress e d i n b l ac k o r so b e r greys .
P aris s u b d u e d as it is It gave m e a do u b le
,
.
s atisfaction to know it h ad e s c ap e d b ei ng
—
ove rr u n by th e Bo che s fi r s t ly b e c a u s e Of
t he abse n c e Of d am age to it an d s e c o n dly ,
[ 78 ]
F
rom D ug-
o ut a nd Bi
llet
hi m he a rti ly o n th e b ac k S om eti m e s
Tom my kn ows a littl e F r en ch I he ard .
Pi ou P i -
n ki
ou(t h i n g t h e ci garette is m e ant
f o r hi m ) : M e rci bi e n V O O d b i n e ? Ve rri e .
good .
[ 8 0
]
F
r om D ug -
out a nd Bi
llet
a ld i U n p etit mo rso d e al l ri ht q ar
7 g u ? -
,
Pi ou P i ou-
O ui oui b e lle j e u n e fi ll e
, ,
.
si e u r .
Tom my ( c ap O ff ) : N o t at all P a r d e t o o .
,
m amse lle A u r e s e v oi
. r
-
.
To m m y The p rize — c ad e a u J a im e r .
’
to u t le boilin g Y o u co mp re ne z what I
.
me an J umj a P
,
(
i
,
ou .
Co u rse y ou d o The n n o u s
Tom m y :
— —
allons gargle h ave a p eg a bo ck some
whe re M a r c h o n gs
.
[ 81 ]
F
r om D ug -
out a n d i
B llet
P i Pi
ou -
Ah u n b o c k ! Si si !
ou : , ,
Ge rm ans
( The y g O O ff arm in arm ) - -
.
ve ry f u n ny V e ry m u ch love
. .
C HOTA .
[ 82 ]
D A RL I N G MO TH ER ,
’
I tho u ght yo u d won de r at my
going O ff to P aris whe n I might h ave s p e nt
my le ave i n re n ewing a ve ry p le as ant
fri e nds h i p with the d e The frien d
shi p is t he re and it won t c e ase U n f o r
,
’
.
’
I ve n eve r ke pt things from y o u s o I m ay ,
,
’
wo u ldn t b e i n my c as e t o get e ngage d ,
o r to m arry a gi rl in wa r time O ff e ri ng he r
-
,
83 6 *
F
r om D ug -
out a nd i
B llet
n e e d n t , h ow ev e r ,
’
i
m gi t h at I
m m e l an
a ne
’
c h o ly . I mi ght b e i f I s aw mo re Of he r .
[ 84 ]
F rom D ug-o u t and Bi
llet
ways be en soldie rs in my h u s b an d s f a m i ’
'
ly .
I m gl ad my son go t s e nt o u t so soon He
’
.
s h o w l as t we e k N O I hadn t he ard
’
—
,
g y g t ny ou r c a r ) .
! u ite a s c r at c h It doe sn t do to b e u nd u ly
’
.
”
best .
y o u a mother .
I di i
d n o t r a s e m y s o n to b e a s o d e r li
i
,
I b r o u gh t h i
m u p t o b e m y p r d e a n d j oy
l l
.
W h o d ar e s to p ace a m u s k e t on h i s s h ou d e r
To k ill
s om e o t h e r m o t h er s d ar n g b oy
'
li
[ 85 ]
F mD
ro ug out a n d
-
i
B llet
Fi
”
t and F at Brigad e .However the fat ,
y o u
. That was inevit abl e H e t ells me
.
y o u
whi n e v e r I di d b e s p a k i
’
n Of y o u sor he r , ,
[ 86 ]
F rom D ug-out a nd i
B llet
’
grim d etails c an h ave e m by re ading c e r
t ain p ap ers that p u blish that so rt Of thin g .
’
I ndian troo ps it s diff e re nt They re in a
’
.
[ 88 ]
F
rom D ug out
-
a nd Bi
llet
their li v es .
y o u r s e l f i
n India The warm we athe r helps
—
.
I like it I als o li
. k e forgathe rin g with the m
whe n I can It s f u nny h o w the lang u age
.
’
[ 9 ]
8
From D ug -
out a nd B llet i
had known it o n the N orth west bord e r -
ro c k he b u rs t into a sort Of M ag n i fi c at an ,
c an re me mb e r I t this is wh at he s aid Y o u .
. ll O f .
l e an Of body an d e x al t e d i n s pirit T h e lu s t .
[ 9 0
]
F r om D ug-o ut a nd Bi
llet
li ke me a servant to take p ar t i
,
ni
,
t witho u t
’
I ve j u st he ard th at th e C O is going t o .
’
ins p e ct u s That me ans I ve got to ove r
.
[ 9 1
]
D E A R E S T MO TH E R ,
[ 9 2
]
F
r om D ug-o ut and Bi
llet
t e n mile s on we t u mble d o n a B ri g ad e
Commander s q u a rt e rs fro m whi ch an i
’
n
Of c o u n t r y w h i
,
c h Obvio u sly m u st b e s co re d
p oint e d to s omethin g u n u s u al .
[ 94 ]
F
r om D ug -
out a nd B llet i
whil e n ot a m an showe d b e twe e n u s and
the horizon It was th e u n can ni est p ano
.
[ 9 6 ]
F r om D ug- o ut a nd Bi
llet
p
tion I c an of an act u al b attl e and yo u ve ,
’
’
eve r se en and thanke d me as if I d stage
,
’
th at they ll p l ay the game an d co m e well
o u t Of it Y o u h ardly h ave ti me to anti ci
.
[ 97 ] 7
F
r om D ug -
o ut a nd Bi
llet
s t r e w t h e gro u n d d u r i
n g t h e advan ce o r O f ,
f
abo u t the m whe n yo u re a w at c h e r o nly’
[ 98 ]
F r om D ug-out and Bi
llet
like .
,
’
whe n I se e y o u yo u ve lost weight N ow
,
.
the n !
C H O TA .
(Ex cer
p t f
r om a le t ter)
se e a g re at King in E ngland .
[ 1 0 1
]
F r om D ug-out a nd B llet i
rathe r a boy strolle d u p and com men ce d
,
’
n e arly broke his he art b e c a u se K wo u ldn t .
’
i nt e rvi ew he b u rst o u t with Bu t I don t
c are if I a m shot !
Rep u te d a nswer N eit her d o I si r Bu t ,
.
you ca n t go
’
Anyway he s he re now an d l on g life to
,
him N O he elt ap s
.
F rom D ug-out a nd Bi
llet
’
The re s a sto ry O f a man who dre amt he was
in He ave n and wo ke u p in th e t rain with
the g u ard asking him for his ti cket whi ch ,
’
he c o u ldn t find .
[ 1 0 5 ]
F r om D ug
-
ou t a n d Bi
llet
“ ”
We ce rtainly tho u ght we we re f o r it .
Of my fin al l u n cheon at the In an d O u t .
m6
F r om D ug-out a nd i
B llet
it
.
d os c o p c oo
fli
.
I fi nd it d ic u lt t o te ll y o u h o w m u ch
1 08
F r om D ug o ut a n d
-
Bi
llet
waking b e ?
H aving yo u with me in L ondon I e n ,
[ 9 ]
1 0
F rom D ug o ut
-
a nd i
B llet
’
it s b e c a u se Of the p re mi u m o n ins u ran c e
their o wn ers o r t heir sons are p ayin g for it .
’
I don t thin k I q u it e re alize d h o w m u ch
I love d t he p l ac e u ntil this p arti c u l ar
ho me co min g Eve ry sti c k an d ston e Of
-
.
’
—
he s the m ai n c u lp rit who sits still s u r ,
t o ric al ass o c i
at i
o n s w o u l d he better u nd e r
,
’
co me n ext t o go dli ness It s a l u x u ry n Ot .
,
’
a virt u e Di rt and we ari ness line me n s
.
[ n o ]
F rom D ug-out a nd Bi
llet
’
into a u nifo rm that can t b e mistake n for
that worn by the vol u ntary servi ce me n I f .
’
it doesn t we he re shall feel disgrace d
,
.
’
We don t think the s ame tho u g hts an d we
’
do n t want to we ar the s ame kit as the
shirke rs They ll o nly be fit f o r t h e dirty
.
’
—
bines on thei r sho u lders fail as an example
t o the able bodie d p oltroons nothing o n
-
[ 1 1 2
]
F r om D ug -
ou t a n d Bi
llet
f u nny !
O ne day not so far off I tr u st whe n they
, ,
’
He re s the p ost An d a lette r from yo u
. .
H u rrah
L ove to all
C HOTA .
1 1 6
D E A R ES T
,
[ H 7 ]
F rom D ug -
o ut and i
B lle t
p o r a r y abode tro
,
u bles little o r n o t at all
’
abo u t he r p e rson al comfort S he does n t .
fe r Villa ” “
,
T h e Gas w o r k s
” “
Myh o l m e ”
.
b e sides h u mo u r t h at i n ci
t e s To mmy t o p u t
u p a board marke d Tres p asse rs will b e
[ 1 1 8 ]
F r om D ug -
o ut a nd i
B llet
—
want O f shells b u t w e see the pap e rs and
, , ,
—
slackness an d strikes thin gs that co n ce rn
t hei r o w n class They re s o bitter a gainst
.
’
[ 1 20 ]
F r om D ug -
o ut and i
B llet
salary drawing i
-
n efl ici
e n t s who f o r years
o r li
t t l e s u c cess that we ve achie v e d in sp ite
’
the sta g e A c e r t ai
. n low comedi an he s aid , ,
[ 1 2 1
]
F r om D ug-o ut and i
B llet
Of ur as keep s you
I s u p p ose a ctor managers an d p oli
-
Yo u r lovin g C H O TA .
F r om D ug -
ou t a n d B llet i
cove r N o b o d y s aw him ret u rn b u t
’
b ac k t O .
,
an d trace d to the b u nk in my d u g o u t -
,
where i ’
t e n d e d He d manage d t o climb u p
.
up ,
m u te b u t shive ring with p ain and a
,
sho u ld have to .
I s at with the p o o r li
t t l e u nfort u nate dis ,
’
d u mb q u estion was in his d u ll eyes Hadn t .
[ 1 24 ]
F r om D ug -
o ut a nd i
B llet
’
man s first re corde d trans gression Bu t if a .
[ 1 25
]
F r om D ug out
-
a nd Bi
llet
ov e r h i ,
ith his
shive rs And all the while his sad eyes we re
.
o n mine .
—
on e Of the Vet co rps I saw the re was n o
.
hop e .
’
His n u mb e r s u p I m afraid he said
’
, , ,
1 26
F r om D ug -
o ut a nd i
B llet
g ri mly tidyin g
,
the mselves .
.
, ,
They ll be diffi ’
c u lt to hold back this
’
time I do n t fe e l like holdin g the m back
eithe r Good bye dearest I m u st t i
.
.
-
,
dy u p ,
C H O TA .
( 5)1
MO T H E R DE A R E S T ,
’
Bu t don t p raise me As a m atte r O f fa ct we
.
[ 9 ]
1 2
9
F r om D ug- out a nd i
B llet
F o r consp i
”
cu ous b rave ry I n othe r words.
,
’
is j u st as fine and far mo re fre q u e nt It s .
’
I m maki n g light O f the distin ction I m
’
.
’ ’
not . It s s p le n did It s s ple n didly j olly t o
.
’
get it Bu t all the same what I d like b est
.
,
sti
[
t u t e a kind O f armo u r .
W ho m i s se s or wh o w i ns t he p r i ze
GO i
s tr ve a n d con q u er if y ou c an ,
Bu t if y ou f ll
a y ou r s e ,
or if i
l
,
Be e ac h , p r ay G o d , a ge n t em a n .
,
’
to act as if yo u we ren t .
’
dis co u rse is this : I ve do ne nothing that
’
he ap s O f othe r me n have n t done I ve a ’
.
le ad me n b e cau se I u nderstand my j ob an d
have an u nad u lte rate d vo cab u lary that goe s
straight to the he art and min d Of Tom my
in mome nts O f stress .
’ ’
By the way it s rathe r c u rio u s isn t it
, , ,
[ 1 32
]
F r om D ug-o ut a nd i
B llet
—
on a battle gro u nd a slim little colle ctio n
-
,
—
of gu ess Ella Wheele r Wil cox It might .
i nte rest yo u
M Y D E A R E S T MO T H E R .
yo u r u n ce rtainty I wo u ld give m u ch t o do
.
’
is little I wo u ldn t d o to ple ase yo u ; b u t
and it is a big b u t — I do u bt whether i n
this c ase I o u ght to let my desire to ple ase
y o u con flict with m y d u t y as
'
I see it I .
sp e ct yo u hold o u t O f m y l e av in g t h e some
’
y o u think it ove r y o u will I m s u re admit , ,
yo u ve bee n e v e ryt h i
’
n g t o me that a mothe r
[ 1 36 ]
F r om D ug-o ut a nd i
B llet
di fli c u lt i
e s can be smoothe d o u t If he .
’ ’
has n t o n e to go to at all it s rath e r s ad I ,
think .
’
The re s no p essimism in all this I don t
’
.
’
we c an t p rop e rly se rve two masters at the
same time My p r e s e n t j o b is n ation al d u ty
.
,
’
and I m u stn t let any pe rson al inte rests
inte rfere with it S O let u s le ave the q u estion
.
lair !
F r om D ug-out a nd B llet i
’ ’
Darling yo u re f u ll o f gr u mbles I don t
,
’
think it s fair t o re p roach me for what yo u
c all the im p erson ality Of my letters .
My love to yo u .
P S
. .
—A lette r from Old n u rs e ( C o pied ) .
1 38
D E A R ES T ,
y o u se e nothing b u t khaki
. Y ou can hardly
i m agine yo u rself in a f o r e ig n co u ntry The .
—
wome n and s cold him whe n he dese rves
’
’
and wo n t t r an s g re s s a g ain i n the same way ,
I f an c y .
’
It s killing to liste n to the c r u de j okes that
p ass betwe e n the veterans an d the ne w
comers The former war staine d c o n fi
.
,
-
,
”
n ext wee k .
“ ’
Whe re s y our cr u t ch O ld S port ? is the ,
,
’
A cheery chor u s Of N O !
“ ’
That s ri ght Straight on for the .
[ 4 ]
1 1
F r om D ug -
o ut a nd Bi
llet
side Of the ro ad .
—
he re and the re a face ge ne rally a yo u thf u l
one —s h o ws i at i
n ap p r e c i on O f i
t Yet whe n .
,
’
stri pp e d inste ad The m anhood s the re j u st
.
t he s ame .
’
do n t have t o tr u st t o he ars ay abo u t s u ch
[ 1 4 2
]
F rom D ug-o ut a nd Bi
llet
o ut,
liste ning to the g u n ning wat ching ,
with
By gad L ook at it all An d to thin k
that this time l ast ye ar I tho u ght it fine to
” ’
sit in a front row stall an d watch girls le gs
-
.
’
There s t o o m u ch good mate rial Of his
sort bein g waste d in the ranks U n f ort u n .
’ ’
motion Of that sort does n t p ay f o r itself I d .
[ 1
44 ]
F r om D ug
-
o u t a nd Bi
llet
p oint .
1
45 16
F r om D ug -
out a nd Bi
llet
’
know we re in it as a matte r Of d u ty fi rst
’
an d se co ndly b e c a u se it s o u r n at u re to
’
le ad That we do n t want j u stifying they
.
’
I do n t s u p p ose the se lf ap p ointe d p e r
-
’
ask for their ho u n d s fee whateve r hap p e ns .
[ 1 4 6 ]
F
r om D ug out a n d
-
i
B lle t
g e , t o
n ow He on ce said to me that he wo u ld
like to live there always and I told him he ,
’
wo u ld n t d o that u nless I died and had no
B u nny o f my ow n I like d the way he p u t
.
,
.
’
be yo u r ve ry ow n B u nny ?
He s a go o d li
’
t t le chap Mothe r L et him ,
.
( Enclos ur e)
MY B UNN Y BO Y
D EA R O LD -
.
It i
s a pity I can t be with y o u fo r
’
T h i ih
s s t e p ur r of t he m a i
xm gu n
Ru r - r u r -r u r - r u r
Thi i
s s t h e c a n n o n t h at m ake s
'
em r u n
Boom -
l
s am -
s l a m m e r ty b a n g
- —R oar ! R o ar
Yo u r loving u n cle
C H O TA .
F r om D ug-o ut a nd B llet i
whe n he rej oine d made the u nwo u nde d
me n e nvio u s His brog u e is irresistible I
. .
o u t a bone s h o wi
’
n ; an elegant bi rd e n
’
the m Of wine fit f o r a noble man s table .
’
Twas like a magi cian s table Ye had b u t ’
.
, ,
-
,
[ 1 52 ]
F r om D ug-out a nd i
B lle t
[ 1 53
]
F rom D ag-out a nd i
B llet
ist e ri
,
’ ’
they ll ab u se it The s u ff ragette s greatest
.
’
They l l have t o re conside r that O pinion .
It will be d i fli c u lt not to c o n ce de he r a
—
wh at it ofte n is flo o r s c r u b bi ng cooking -
, ,
-
. .
’
I h av e n t any ne ws The we athe r s de
’ ’
’
i ngs if I m kno cke d o u t The rest is all .
hold Of it to E ngland
,
.
’
I hop e I have n t made yo u feel melan
’
c h o ly
. I didn t mean to .
Yo u r C H O TA .
MO TH E R D E AR .
[ 1 58 ]
F r om D ug -
o ut a n d i
B llet
La t er )
(
and t wo c u ps .
eyes .
—
makes a di ff e re n ce white with the R e d ,
’
s u ff e ring and he r heart was a woman s
he art O nly eightee n And S h e had see n
.
1 61 I I
F
r om D ug o ut
-
and i
B llet
’
tho u ght Of me so ofte n I can t re membe r .
[ 1 62 ]
The n M arie came to tell u s that the car
was waitin g S O we said good bye
.
-
.
’
That s all.
D A R LI NG,
’
Be kind t o him Mothe r He ll nee d it
,
.
It s diffi
.
’
c u lt for yo u I kno w t o disasso ci
, ,
’
l o u s ly like he r ; b u t reme mbe r that s only
an exte rn al rese mbl an ce S omewhe re in .
’
that n o t ove r stron g little frame is B u n ny s
-
’
the i nno ce nt victim O f a silly woman s mis
’
dee ds an d a wcak man s method Of self
eff ace me nt .
’
an d come to the Osses .
y o u that a little p i
e d d t er r e in-
M ayfai
-
r a ,
di ssip a t i
n i
f
g y o u have a mind that way that ,
1 68
F r om D ug -
out a nd B llet i
Armada to my lord , wh o lost his
he ad on T ow e r H i ll a n d 8 0 o n (y o u can read
,
meantime it s yo u rs i ,
n t r us t for yo u r life
’
’
think yo u ll u n de rstand what I me an afte r
that I did very e arly
.
, .
[ 9 ]
1 6
F r om D ug-out and Bi
llet
’ ’
to believe it s there at all and at others it s ,
’
civilian it s easie r t o get o n in life if yo u take
the soldie r s standp oint O be die n ce dis
’
.
,
ci p l i
n e r e
,
s p o n s i
b i
l i
t y T h os e.are the wat ch
’ ’
words I d like y o u to b e a so ldie r if yo u re
.
[ 1 70 ]
F
r om D ug-out and i
B llet
’
tole rant Of he r and don t le ct u re her whe n
yo u re a man and neve r rep roa ch he r
’
,
.
[ 1
72
]
F
r om D ug-
o ut a nd i
B llet
’
don t s u ppose I nee d sp e cify what that is .
[ 1 73
]
F
r om D ug-
out a n d i
B llet
’
Well n ow I ll ce ase this sole mn le ct u re
,
.
so metimes .
Yo u r a ff e ctionate u n cle ,
C H OTA .
1 74
F r om D ug-o ut a nd i
B llet
’
may eve n take Wars aw It s the ge ne ra l .
’
opinion he re that they can t destroy the
’
R u ssian armi es That they won t break
.
’
Y o u may take it that it s an impossibility .
[ 1 76 ]
F r om D ug out
-
a nd i
B llet
i n any case .
p ride will .
ac co u nt .
e q u ip me nt f o r i t wo u ld be S O advan ce d that ,
’
tro u ble lies in that The world isn t ripe.
[ 1 82 ]
F
r om D ug- o ut a nd Bi
llet
’
it won t bore yo u sti ff I ne e dn t ask y o u
’
.
not to se nd it to a newspap e r T O se e it in
.
’
the write r s t oo de ad to c are ; b u t when he s
’
Yo u r devote d C H O T A .
D E A R ES T ,
’
O f inne r vision t o whi ch I admit I m n o t
, ,
as it does me .
’
Don t be s u rpri se d then if I j u st t u rn u p
’
one d ay witho u t noti ce I shan t wire yo u
.
,
’
I shall stroll abo u t the p lace j u st as if I d
,
’
neve r gone away and after a bit I ll come
,
[ 1 8 5 ]
F
r om D ug-
o ut a n d i
B llet
’
the hop e that le ave i s immine nt I haven t .
S hall get it .
i
I n ter v ewed t he wou n d e d and p hot ogr ap h e d t h e d e ad ,
An d i
co n e d th e t e a r s of wom e n f or cop p er s ith n e s tr ee t .
I 86
F r om D ug-out a nd B lle t i
saw as di stin ctly as I n ow se e the p e n in my
hand a q u ite solid an d u nghostly Kim sit
ting O u the p arap et and baying mo u rnf u lly .
’
Ki m wo u ldn t have come back me rely to
sit o n a p arap et and b o wl If what I tho u ght .
g ho sts mothe ,
r dear ; n o t the kind y o u se e ,
’
anyway They re che ats
. .
I am q u ite s u re s om e tbi ng i
s going to hap
p e c t we S
,
hall look u p on op e n co u ntry
the plain s Of he ave n
J u st go t orde rs t o move S omething d o .
“ ”
i n g We re for it I fan cy
.
’
,
.
bless y ou .
C H O TA .
( )
23
WA R O FF IC E TEL EG R A M .
DEAR 1
Believe me ,
Yo u rs most si n c erely ,
Colonel
ME LA D YS H I P ,
C o ns hi d e ri
n it was me that had the honor
se e me d co m f o r t i nti
b le i r e ly .
[ 1
9 0
]
Fr om D ug -
o ut a n d i
B llet
afte r that b r e at h i
n gently he says op e n ,
b u rie d him .
P rivate
T H E E ND
Pr i
nt d
e at T he C ha p el R ier
v P r es s , K i
ng ts on , S ur r ey .
Messr H URST fl BLACKETT S
’
s .
ANNO UNCEMENTS
For t h e S P RING of 1 91 6 .
By GE R T R U D ! FAG!
S o m e Th e r e A r e
B h A h f y t e ut or o
T he Edge 0
’
Beyond , ” “
Whe re th e S t range Roads Go Down , "
e tc.
Th e s cenes t hi
ofs p op ul ar a u t h or s new nov el
’
wh i ch i s of f ul l le ngt h ar e l a id i
,
n Cornwall an d t h e
nort h of S c o t la nd T h e h er oi a young wi d ow i
,
ne s
di st i a n e w cre a t i i ik
.
, ,
nc t ly on an d q u t e u n l e a n y
hi t he rt o p or t r ayed b t h e au t h or Th e love s t ory
,
on s
t h e a u t h or t r e a t s in h er h ap p i e s t v ei
,
n Th e s t ory
t urn s on th e f e ar O f th e h er oi n e who i
.
s s om e y e ars
old e r t h a n h er lov er th a t i t would b e d e t ri
,
m en t al t o
hi s pro s pec ts t o m arry h i
,
m H er e ffort s t o escape
b y hi di ng h e rse lf i in t h e f ar nort h
.
n a m an se 1
an d
af t e rwar d s i n a h e adl an d h om e i n th e f ar so u th gi ve
,
a ty ng
By AM BER R E EV E S
H e le n In Lo ve
By t h e Au th o r Of
“
T h e R e wa r d of V i r tu e ,
” “
T h e La d y
an d H er H us b a nd ,
”
&c .
Am b er R ee v es h as b een we lc o m e d as o ne O f t he
m os t lli t
bir an Of th e new au tho rs . Muc h
i xp e ct d s e e
b ih n fi
d n t t h a t wi th h e r
’
of h e r, an d t he Pu l s e rs a re co e
n ew b o ok s he i
w ll m a k e ano the b ig r a d va n c e H . er
h i e ro n e , wa n t i
ng to be an ad v e n t ure s s , s uc c e e d s o nly
i
n g tt i
ng e re s p ec ta bly m a rr i
ed i
n th e e nd, b e c a us e s he
c an t
’
h lp f llig i l v
e a n bl m
n o e w th
i a v ery r e s p ec a t e an .
Th e no vld e t d p
d t h pl t
oes f wh i
no h th e en on e o ,
O c ere
il i
s ttl b t e,th l v
u p t yl f
on mbe fc e er o r ra a O a nu er o
ch t wh ih gi
a ra c e rs v th th t h c ry esp f e au or e n ec e s s a S co e or
th e l ly i
c os e d b i lli t w i
ana tig wh ih h v
s s an r an r n c a e
l
a re ady m d h p t ti T h t y
a e er t
re lyu a on . e s or 15 no on
d p ly i
ee t ti g
— it i
n e res l m i gn I t w i
l l p v s a so a us n . ro e
a pl bl b k t th p
e a s ura e t tim oo d wi ll
a e r es e n e, an
p b b ly b m
ro a f th
e co f th
e on e O
'
e s uc c e s s e s O e s e as o n,
f i
or t i d bt d ly t h b t b k th
s un ou eth h e es oo e au or as
y et i
wr t t e n .
T h e Bo m b S h e ll -
By the ut h or ofA
Th e Exp li
o ts of A rs ene Lu p n,
” “
i
T he C rys ta l S to pp er ,
“
Th e T ee t h of th e Ti g e r, e tc .
i
Th
s t ry wi ll b f und t b
s o n f th b st
e o o e o e o e e
ever w i t t by t hr en at r f t h f a i n at i
e cr e g A s en o
e o e sc n r
Lu p i n It i .s f ll f m y t ry u tiri go i id t nds e , s r n nc en a
ad v t ur wh i
en l th l v i
e, nt r t i t
e e ng o Fra e e es s s ro . n ce
th
- f en i
t r— rond bi
e t f f r nt i
a r G rm any are
a o o e e
th n
e s ce f a ti es on nd t h c st ry p n
o , a th v e o o e s on e e e
o f th m bi e lizat i n
o f th Fr o h arm y i o n 1 91 4 e en c .
P a ul D l arri v at
e roze f r nt i r h at au wi
es t h hi
a o e c e s
n wly w d d d
e -
wi
e f Eli
e z b t h nd l kig at
e a e , a oo n a
p o r t ra i
t f t h l n
o g d a de m t h
o r f E li z a b et h i o e o e , s
h rri
o fi d t di e s v r io n i t t h n ver f rg t t
co e w m n e e -
o o en o a
wh h d m ur d r d h if t h r y ars g
o a e e Th i
s s it h
a e e a o . s e
c m m ncem nt
o e f m ys t ry i
e on th au nr v lli g f e e a e n o
b i ki d n pp i f n f t he K i s r s n ’
eng t h e ng a o o e o a e s o s .
P ula ad v nt ure wi
’
s t h t he Fr n h rm y i
e s n th w r e c a e a
and t h pl t f a m rv ll u w m an p y l pr vi
e o s o a e d o s o s a so o e
m ny x ia ting s i
e t ua t i
c ns Th wh l b k i o s l v
. e o e oo c e er ,
e fi ct i and t i
e ve m ely .
The W o m an W h o L iv e d
A ga i n
By t h e A h f S l
ut or o
“
ou s iP
n a wn ,
” "
Th e Y
e a rs of F o rge t t i ng,
"
e tc .
P os s e ss e d of a s e c re t d i
wo n d e r f u l s co ve red i n th e
Ea s t a n old E u r as i
,
a n e xp e r i m e n t s on t h e d e a d bo d y
o f a yo ung wo m a n f ou n d o n t h e d o orst e p o f hi s
hou se Brough t t o li
. fe ! a r a c r e a t e s a s t i
,
r i n S oci e ty
t hos e wh o ar e f a s c i n a t ed by h e r i s a C ab i n e t Mi nist e r .
! a ra i s u s e d b y t h e E u r as i a n a n d a Ge rm a n s p y i n
a c on s p i r acy t o ob t a i n Cab i n e t s e c re t s t h e p e ri od ,
b ei n g j u s t b e f or e t h e o p e n i n g o f t h e wa r For a wh i .le
! ara l ives i n a s t r a n e wor l d t h e r e a l a n d t h e v i si on ary
g , ,
al wa ys h a u n t e d b y s om e d i m k n owle d ge o f t h e l i fe
s h e h as l i ve d always s eei
,
n
g t h e e n d o f h e r p re s e n t
ex i st en c e d rawi n g n ear L o v e l e a v e s h e r c o ld b u t
.
,
g oo d i
m p u l s e s c o m e t o h e r a n d it is
,
d u e t o t h e s e t h a t
a ch a rm i n y o u n g gi r l o n e o f t h e p ri nci p al c h a r a c t e r s
g ,
o f t h e s t ory fi n d s t h e m a n wh o i
, s m a d e f or h e r a n d ,
t h at t h e C ab i n e t Mi ni s ter i s s a v e d f ro m t h e Ge rm a n s
’
s ch e m e s a n d re c on c i led t o h i s o wn e s tr a n e d wi f e
g .
J o an and t h e Ba b i e s
an d 1 .
C h ap ter s fr o m th e i
m gi y Aut oa n ar
b ig o r ap hy of Jo h nM iwa ig a n r n .
th e N o ve li
st .
By th e A ut h or of
“
AS e ns e of H um our ,
”
Th e M i l
ra c e of
”
Lo v e , &c .
v rythig l t hii l v t y b t i
Bef ore e e n t i e se s s a o e s or , u s
l
a so r h ig idit m t f t h D i
a c us n v nL w f
c en o e or c e a s o
Am i d E gl d
e r ca Th
an t m ph n i wt E g
an . e a os ere s ne o n
li
s h d r d t h t ry t hri
r ea e s llan with m ti e
g s o s e o on , an er ,
h t d v t pl y t h g m g it v wh lm
on es en ea ou r o a e a e a a ns o er e
ig dd
n o d th l v
s, f h m
an d hi
ld e Th o e o o e an c ren . e
no v l iq i
e t disff t f m
u y et h ig y t giv t
e r enh i ro an n e en o s
i cicl f
W de r e o r e ad e r s by Co s m o H am i
l t on , an d ice s r
i
ta
n t o awak en d ee p it n er e s t an d a rou s e m u ch d i
s
Bu tt e rfly W in gs
By t h e A ut h or of T o L ov e ,
"
T h e L ur e of th e L tti l e D r um , "
P eggy t h e g rl e ro n e , ih i iMi M rg r t P t r n
n ss a a e e e so
’
s
n ew n o el v
Bu t t e r fly , Wig i ti lly n s, s e s s en a a
r
c e at u e r of s uns hi ne and l aug t e r h th e s ou l of a
wom a n w t ih b u t t rfly e w ig
n s .
”
H en ce the i
d ea f or
t h e t t le i . H ow P e ggy l os e s h er w ig n s an d fin d s ou t f or
h r
e s elf , gh t h tv ii
hr it dou f h pp y em c ss u es o an u n a ar
ig d t h b r k ig f h i
r a e an d l t h t li
e f i t ll
ea n o er ea ,
a e s no a
s un sh i d t h t l v q i m t hig m r
ne, an a o e re u res so e n o e
t b l t h wig i
s a e f it it
an m t ri m ph
n t ly t h r
s g h s o co e u an ou
tr bl i h w i t h w kig t f t h t ry
ou e, s s o n n e or n ou o e s o .
P ggy fi d h p p i
e ni th s d b t t h ii t
a nes s n e en , u s s no
a h iv d x p t t h r gh rr w I t g
c e e e ce tr t
ou so o . n s r on c on as
to P ggy it h
e t h r gi l h r t r ith
s e t ry
o — e r c a ac e n e s o a
m d o t yp
er n f w m wh te d f ol ly l o an , o s an s ea r e s s a on e ,
wh t v r m y b t h p r i t h t h
a e e a t b p i e d f e ce a as o e a or
s uch f r d m Th st ry iit h p r t d y d
ee o . e o s n e e s en a ,
an
th we m v ar l d y b k gr
o esd t asth i a c ou ac ou n o e r
a dv t r m
en u es , f th h p t r h wig li
so e f io e c a e s s o n e n a
h pios t l i Fr a B t th b k d
n a n cet t t m pt
. u e oo o es no a e
t b i
o e y w n y w b
an k d i r
a d a l l y ar oo , an s c on c e n e so e
it h w rk ig t f P ggy h r t r
n e o n ou o e
’
s c a ac e .
8
By R . A. FO S T E R -M E L LIAR
A n d Be t t y T o o !
By t h e A ut h or of Bl id
n s t one
On i
t p bliat i
s u c on Bl i
nd recog
s t on e was
nov e l i s j u st as m u c h ou t s i d e t h e b e a t en t rack wh i le ,
in m a ny r e s p e c t s i t s h ows a d i st i
n c t a d v an c e on
Bli T h e s t o ry h i nge s
’
n d s t on e. on a wo m an s
fli g h t f r o m h e r h u s b a n d o n t h e d a y o f t h eir m a rr i
a ge ,
for a r e as on wh i ch i s n ot s h own un t i l t h e e nd of t he
is li k e ly t o b e wron g Be f or e Ma ry s e v a s i o n o f h er
’
.
vows i s e n d e d h e r own ni
, e c e Be t ty h as f a ll e n i n l ove
, t i s i n t h e po rtra ya l o f
t h e youn g gi r l Be tty t h at t h e a u t h or h as d on e s o m e
of hi s m os t b ri a n t work Th e s ce n es ar e la i
ll i . d i n
T hi vs no ib i el
m f ul s f l ur
r nd nt i
m nt o co o a se e .
Its t ti
ng iJav
se s wi th p it u qu b kg oun d of
a, a c re s e ac r
n ti
a v hut nd th whi
e s a t vi ll e of E uro p a n e t t l
e as a e s e
m nt
e . A y o ng a nd b e a t i u f u l w m an i om t h i ngu o s s e
of a m y t s er
y T h e.o t h w o m n m a k t
er h e w t f it e e or s o ,
b ut t h m n li
e ke h
e Th n er f .v y f ind ly e so o a er r e
n i
e
ghb o u r r e t u r n — h e h a d b
s e n t h J g
u d wh n t h e e e e e
w m n
o a h u b and h d pp lid f a d i
’
s s a vor b ut h d i
a ed or ce , e
n o t k n w t ha t t he e h d b
o n r bs q n t t il b e f
a ee a su e ue r a ore
a n t h e r Jud g
o H he i
e .t at t d n un h th ough
e s es o e o ce e r,
fi nd i g h
n e i n c
r l o e i n t i
m a y s w it h h i m o t h e id c e d s r : n e
h e l ve h e
o s T h e n a n o th
r . m an a i v wh o ii ll
er rr es s
an d in ur e d b y t h wo m a n b ut h e wi
s s e ll not e xp la i n , s .
T h e m y s t e ry ia f t e wa d c l a e d up a nd t he Jud ge
s r r s e r , ,
wi th e y e s o p e n e d i h u m b le d that h e s hou ld s t i
, s ll s
co n nt t o m a rr y h i
se m .
A h
ut or of
"
As i
n 1 Loo k i ng Gl ass ,
”
A! i
ue s t on of Cl o our , etc .
RO W LA N D S T RO NG
A uth o r of
“
The Marqu i s of Cat l ii
ni ,
The W hi t e S i
n
sto ry i
s alt oge it h er
n f r es h an d fu ll of
t eres t It i
. s qui t e m od ern n d qui t e clean A Jewi sh a .
finan i er c of goo d f am i
ly a n d good h ar a t e r ass i
s ts c c
d aught e Th e f am i
r. ly d es p i s hi
m b u t a sen t t o t h e e ,
s
m a ri rage an d th en d o n ot hes i
,
t te t b k ep t b y hi m a o e .
th e m arri age an d t h e wi ,
f influ n ed b y h e r p ar n ts e, e c e ,
h er b ut h e h a b e n f i t hf u l as h e hu s b an d d i cove rs
!
, s s e a , r s ,
t o las t .
By t h e A ut hor of H e s te r T re f us i
s,
” “
T he Ma n
i
w th th e Mo n e y ,
”
&c .
Th i s it h
s e s t ory of a m an wh o, l
c e v e r, s t r ong, w thi a fin e
c h arac t e r ma k es a v e ry ras h a nd f
u n or t u n a t e m arr ig
a e, an d
l ig l
,
of t h e p a rt p a ye d ii
t by
n a r wh o ih i wa
s s rd, an d wh o,
wh il l i
st ov ng i l
h m d e v o t e d y, h a s t o s t a n d b y an d s e e th e gh t li
of h i lif s e k
d a r e n e d b y t h e t r e a ch e r y a n d un wo r t h n e s s of th e i
wo m a n wh o m h e h a s m a r r i ed an d wh o m h e wo r s hipp ed The
i l lif
.
s t ory i
s set i thn e c o u n t r y, b ut the r e are s ce n e s of s oc a e
iL n o n d on an d gli m p s es of t h e wo r d l of s t ud os i an d i a rt s t s ,
i i i i p f i
.
wh e n the h e ro ne d ec des to a d op t p a nt ng as a r o e s s on .
if ll b i gh l di l i
,
wh c h t h e a ut h or s
’
s u of th e r t a n d n a t u ra a ogu e to
m an y r ea d e r s a re a c c u s t om e d , and i
t e nd s hap p il y .
At 2/ net
AN EN TI RELY N EW S TO RY
by th e p o p u l ar aut h or
W I LLIAM LE ! U EUX
Ann e t t e of t h e A r go n n e
h A h i i Man
” “
B y t e ut or of Sp es of th e Ka ser, The
f r om D o wn i ng S t re e t , ”
&c .
In ( ru m 8m , clot /z, i it
w l l: p c ur e w r app er in colou r s , 25 . a d .
An n e t t e i s one of th e m os t c h a rm ng of t h e a u t or s h h e r o n es
’
il —a l di
.
She i ith
s n e to s of a Ge rm an spy ea ng c h ara c t e r o f t h e
bo ok —w th i a l ov e ib t h
a ff a r , u s e has a n ot her l ov e r , wh o c om es
i
nt o h iw
s o n T he s t o ry if u ll s of i idnc e nt wi h t a s t ro n g l ove
i i d l
.
s i
i n th e h or be s t b e p op u
’
n t er es t It a ut s v e n an s ur e t o ar .
*3
By LO R D E R N ES T H A M LT O N I
La t e Ca p t a i
n 1 1 th H u s s a re
I n b u d-m m ( i
ll , 65 . m .
Wi
th m ap s .
hi
T s i d b t d ly t h m st i
s un ou m p rt
e t b k e o o an oo
th at h as as y t b att m pt d
e een th a ti vi ti
e s e on e c e
o f th Bri
eti s h E xp d i t inary F r s d rig t h fi rst
e o o ce u n e
t hr m
ee ths f t h w
on o d i t wi ll d
e b t l ss
ar , an ou e ,
c on
ti tnue h ld i o t pl o w rk f gr t h i
s a ce s t rial
as a o o ea o c
vl a ue Th. s t ry f t h t m st ri
e o t il p ri
o d ia o c ca e o n
th h i
e st ry f o rm i
o s d rig t h
ou r a rlir m t h
e u n e ea e on s
o f t h h st i li
e ti s igi
o v i d t ai
e s l d th r en rd n e ,
an e eco
s ti s t h b l d Gr a t as h b e t h gl ry w i
r e oo . e as e n e o on n
o th fi ld s
er e thi g
,
as t
noh t h r
n says,
s rp e au o ,
c an u as s
t h hi
e s t ry f t h o thro m th
es e ee on s .
L rd E r s t H m i
o lt
ne h b t id f hib k
a on as o a ne or s oo
if rm t i whih i b s l t ly x l s i
n o a on c s av d i o u eq e c u e an un ue .
H h e h d a
as s t v ry m a y r p rt s i ss i
a c ce s o e bl n e o n ac c e e
t th r n d h h
o o e s, a m v r h d th a d v n t g
e as , or e o e ,
a e a a e
o f h vi a g h i w
n r k r s d b y t h
o ff i r eam m d i g e o ce co an n
on e of ou r fin e s t Br gad es i .
ARMO RIAL FAMILIES
A D i
r e c t or y of Ge n t l e m e n of C oa t - A r m ou r
Comp r isig n ea l
y
n d u ble
r ol um n
p g es w i
l l oveo c a ,
: r
t ex t eng vi ng: a n d a v e y
ra l rge n u m be of C oat s of r a r Ar m s
i f u ll l er l i
n c c l ou s gol d a n d s i
z a a
'
l ver o r , .
C om p il d e an d i
E d t ed by
AR T H U R C H A R LES FO X -D AV ES I
Arm or a li
il Fam ies i s a D iect ory
r of t h os e ge n u n e i
Arm s w hihp t ti
c m l wq yi
ar e a t thet g th r es en e a n u s e, o e er
wi th li t f th
a p pl t h id t m k
s o os e f eo e au or s e o a e us e o
th m e F ll i
. f m ti u
g d i g l iv i
n or k d
a t
on r e ar n er es , coc a es , e c .
.
i l gi
s a so v en .
N i il w k h i x i i G
o s m ar i i or f
to t w
s e s ts n re a t Br t a n , n or , s o a r as e
k n o w,i h
n a ny i ot il i li f
er c o un t r y I t h as r s en s tea d y n
p ub c av o u r ,
i iwill i i
.
and ias k
ts m e r ts a re i h
n own t c on t n u e to r se It s a a nd s o m e
i li i h ill i f i i l
.
w k
or br st ng w t us t r a t o n s , an d m us t or m an n d s e ns a b e
p
h l i li
,
p a r t of e v e ry —N !
e ra id c b r a ry .
”
ot cr and uer es .
Th p i f Arm il F m i
e r ce li oi £7 7 d or a a es s 5 . 0 .
net b i
on s u p t i b d if ll b k m wi
sc r t h gi
on , lt t p
ou n n u uc ra o .
ASp i l Edi
ec a ti i f ll l t h wi ll l
on , b i d n u t ea er , a so e s s ue a
£1 0 d
1 05 t. b p
i0t i . Th ne p i on f b t
suh s cr on . e r ce o o
Ed it i wi ll b i
on s d ft p blit i e n cr eas e a er u ca on .
S u bs cr i
p tin o s ar e n ow be i
ng r ece ved , i an d an i
ll us tr ated
16 p age P r osp ectus w ll be i s en t on app l i
c ti
ona .
16
of
C A PT AIN M . H O RAC E H AY ES
’
S ta n d a r d Wo r k
V E T E R I N A RY N O T ES
FO R H O RS E O W N ERS
An I ll u s t r a te d Ma n u a l O f H or s e ci
Me d ine
a nd S ur ge r y wr t t e n i i i n S m p le L a n gu a ge .
In on e v olu m e, de rny c ot l h ov e r 8 68 p p
i up w d
w th ar s cy 2 50 zl l u r l ia zom , 158 . ml .
Th i s n o t ab l e w or k h a s f o r t h rt y s e v e n ye a rs i -
ma i i
n t a ne d
s up r e m a cy . T he ii
n e w e d t on h as bee n e n t re y i l res et .
O TH E R S TA N A D RD B OO K S ON TH E HO RS E
Y
.
By C a p t . M . H O R AC E H A ES ,
R ID IN G AN D H UN T I N G
In on e t al rl e m y 8m c l ot h , 1 69 . n et .
wi i i n gs
.
, ,
t h up w1 r d : o f 2 50 r ep r o d u ct on : of l h l o gr u p h: a nd Dr a w
’
MA N A G EME N T AND
.
S T A BL E E X E RC I S E
Bo o k f o r
In on e vol
H ors e
d em y 8 vo
Ow
cl ot h
ne rs
i
and
i l l ust
S tud e n t s
r a t ed b y Dr a wi a nd Ph ot ogr ap h s
g ll , ng:
i ce
. .
,
Pr 1 2 5 . n et ,
PO I NT S OF TH E H O RS E
A T re at i s e on the Co n for m t i a on, Mo v e m e n t s
Br e a d s a n d E v o l ut o n o f t h e H o rse i
i i i
. ,
I LL US T RAT ED
. .
,
H O R S EBR EA K I NG
In on e t al .
,
de m y Boo l ot h gi l l wi t h 1 30 i l l u s t r a t i ons 1 2 s
,
c , , . n et .
FR I E B ERG E R 6 F R O i
D NE i ’ ’
t S
‘
T l te i l l
'
V ET E R I N A RY P AT H O LO GY
. «
Wi t h note s o n Ba t i ology b y P f R T A V N E R
c e
r ro T, M D D P H
l t h gi l l 22 1 8
. . . .
, .
I n t wo v l : d m y 8 o e 00 , c o n et .
Y
.
,
By M RS H A ES
W OiMAN
.
T H E H ORS E A Pr a c t i cal i
G u de t o S d e - S a d d l e R d i i i ng
.
0) i
gl rm l l y ed t e d by ( h e [ a t e C ap t a n AI i ll A l bS 11
'
i i i
. . .
In one vol , d em y Br o , cl ot h g l l m m l fm l l u s t r a t o n s , 1 2 8 ml
A
. . . .
B y J M ES F i Lu S
E cu yer en che f l o t h e Cen t r l C va l r y S h l t St
a a c oo a P e l e n b ur g
A C
. .
In one 001 d am p S vo cl ot h y tl l m l h 70 zl l ua l r al wm
, , , 18 8 . not .
W H E RE TH E STR A N GE RO A DS GO D OW N
2 4 t h T h o us a nd
Miss P a ge h as n e v er d r awn a more s p l e n d d wom a n t h a n b r ll a n t , uncon ve n t onal , i i i i
loya l J oe L a t h om It i s a t ri u m p h t o h ave u n t ed t h e q ua l t es of s t r e n gt h a n d i ii
i J oe s l ov e s t or y s l k e h er s el , fi n e a n d n s p ir i ng ii f i —
.
ch a r m n a
’
h e r om e . 0bs er ver . .
T H E G RE T S P L E N O UR
Mi s a n i d e a l a ut h or f o a d e p r ws i
ss P a ge i n g d ay
A r
D She i
T h o us a nd
i
s l k e a good wa t er colour
i i H er ne w nove l i f
.
”
of l y ou t h .
-
H or nm g P oet .
T H E RH O D E S I AN
I t. woul d see m t h a t so m e of t h e p owe r of t h e Mag c ar p et m us t. l n ger n t h e ‘
i C ’
1 9 th T h o us an d
i i
i
p e n of M s s Ge r t r u d e P a ge, f or w t h a f e w s t r ok es t h ereo s h e wa tt s u s nt o Rh od es a i f i i
f i i
.
wh ere s h e re r e s h es u s W t h t h e W l d b e a u t y of veld t a n d s k y , a n d te ac h es us t h e
f i i
as c n a t on of op e n s p aces a n d a n c e n t ru ns
”
Gl obe i i — . .
W I ND
ii
I N G P AT H S
i
T h s s m os t c er t a n l y t h e b es t b ook t h at M ss P a ge h a s ye t wr t t e n T h e n ote of i i
1 9 t h T h o us a n d
ii i i if ig
.
t h e b ook s t s as t on s h n g t r u t h I t. s r om t h e fi r s t p a g e t o t h e las t. of q u i
t e ab s or b n
i i i i —
.
”
n t er e s t T h e wom e n ar e r e a l a n d V v d n a ll t h ey s ay an d d o
. S mnd a r d . .
TH E
“ ‘
S I L E N T R N C H ER
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l e n 1 15. Da l y h r on cl e .
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t h e t e ll n g th e r ea d er , a nd h ol d s t h e a t te n t on r om fi r s t to la s t. .
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l 8 . n et .
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M D M P RI S C I LL A C RAVEN
ll D i i
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ny
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02 T h e E n gl ls h wom a n
as P e ts an d Dr us i
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31 P ecca v i 3 Th e Id e s 0! M a rch
J USTI N H U NTL Y 24 i
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21 T h e God of L ov e
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88 Lo v e s F r e
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24
U NI V E R S I T Y OF C A L IF OR N I A L I BRAR Y
BE R K E L E Y
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ST AM P E D BEL O W
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d em an d m a y b e r en e w e d a p p l c a t on s m a d e b e or e
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