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curing) ambition which would heal the “diseases” of individuals and society.
Although this ambition appears as obsolete and slightly ridiculous nowadays, after
architecture than a merely aesthetic one. However, my thesis, that I have been
does certainly own a power, but rather than the power of healing, it might rather be
In this regard, what appear to be the quintessential example of a set of norms and a
residue of the modern ideology are the overwhelming diagrams proposed by the
and advocate for an architecture that is perfectly adapted to this same body. This
normative body is not an ideal body in the classical meaning of it (mostly based on
aesthetic values) but can be considered as such, as it does not represent anybody’s
As we saw with the work of Arakawa and Madeline Gins (see my essay Architectures
of Joy) , architecture can be considered within the time frame of human evolution
and, this way, be designed in order to influence such evolution. The normative body
of those diagrams constitute the exact opposite of Arakawa/Gins’ work that attempts
choosing an oxymoronic normal ideal body as a model, refuse the very idea of the
makes it interact with an environment that forces it to remain the same. Such a
normative environment also implies a normative behavior that implies a set of pre-
activities and bodies that were not thought about by those normative documents (the
The following documents and the first image are all extracted from the Architectural
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