Sei sulla pagina 1di 22

Alphabets with

Integrated Dictionaries Joannes Richter

1 2 3 4 5 6 7
1 Vowels Α1 Ε5 Ι9 Ο15 Υ20 Ω24
2 Labials Β2 [/F/] Π16 Φ21
3 Gutturals Γ3 Η7 Κ10 [/Q/] Χ22
4 Linguals Ρ17
5 Palatals Σ18 Ψ23
6 Dentals Δ4 Ζ6 Θ8 Λ11 Τ19 Ψ23, Ζ24
1: Flinders Petrie's periodic table for the 7 Nasals Μ12, Ν13
Greek alphabet (1912) 8 Ξ14

Table 1 Periodic Table of the Greek alphabet (24 letters) – (left side: 0° and right side: mirrored and
rotated 90°

Abstract
The layout of the earliest alphabets may present an insight into the priority, charismatics and
symbolism of the letters.
Concentrated compositions of vowels symbolize the words for eternity, divinity and immortality. In
the alphabets the genuine vowel words (such as AEI, IO, IOU) will be unveiled by resorting the
alphabet in a periodic table.
Most Indo-European alphabets seem to arrange their letters in columns or rows named vowels,
nasal, guttural, labial, lingual, palatal, dental, etc. Five categories symbolize the places of
articulation for the phonetic sounds. In an optimized communication system each independent
source for phonetic sounds might be controlled by three letters (→ a ternary coding system).
The initial 4-letter keyword ᚠ ᚢ ᚦ ᚨ of the elder and younger Futhark alphabets is interpreted as
“FUÞA”. Runes were called “VIThA” by the West Slavs.
In the 3 Futhark/Futhorc structures only the first 3 characters ᚠ – ᚢ – ᚦ remain stable in the course of
history.
The Futhark/Futhorc alphabet display a initial keyword “FUÞAR” or “WUÞAR”, respectively
“FUÞOR” or “WUÞOR”.
The first character ᚠ may be interpreted as a digamma with various transliterations (F, V, W, U, Y...).
The first rune ᚠ may be a consonant labial (“F” or “V”), the second rune a vowel labial ᚢ (“U”) and
the third rune ᚦ a consonant.
Introduction
As an engineer I did not really study linguistics and my study concentrates on the characteristics of
the communication channel.
The human language is based on 5 tools, which may be interpreted as bundles of muscles, each of
which are activated by impulses from the brains. These tools may be named according to their place
of articulation in the vocal tract in which the consonants are characterized by the point of contact
where an obstruction occurs.
The voice is based on a steady flow of air through the trachea (windpipe), larynx (voice
box) and pharynx (back of the throat). The vocal folds in the larynx vibrate, creating
fluctuations in air pressure, known as sound waves. Resonances in the vocal tract
modify these waves according to the position and shape of the lips, jaw, tongue, soft
palate, and other speech organs, creating formant regions and so different qualities of
sonorant (voiced) sound. Mouth radiates the sound waves into the environment. Nasal
cavity adds resonance to some sounds such as [m] and [n] to give nasal quality of the
so-called nasal consonants. 1

Analyzing these mechanisms we may identify the following places of articulation: (1) throat, (2) the
lips, (3) the tongue, (4) the soft palate and (5) the teeth. Therefore these phonetic sound categories
may be named: (1) guttural, (2) labial, (3) lingual, (4) palatal, respectively (5) dental2. These 5
categories may be found in a great number of alphabets such as Sanskrit, Old-Persian, Ugaritic,
Hebrew, Phoenician.
In my studies I used the definition which is documented in the Sepher Yetzirah:
3. Twenty-two letters are formed by the voice, impressed on the air, and audibly uttered
in five situations, in the throat, guttural sounds; in the palate, palatals; by the tongue,
linguals; through the teeth, dentals; and by the lips, labial sounds. 3

The places of articulation are not strictly separated. Therefore the categorization and the naming of
the categories may be variable. The articulatory gesture of the active place of articulation involves
the more mobile part of the vocal tract, typically some part of the tongue or lips.
Unlike the passive articulation, which is a continuum, there are five discrete active
articulators:

1. the lip (labial consonants),


2. the flexible front of the tongue (coronal consonants: laminal, apical, and subapical),
3. the middle–back of the tongue (dorsal consonants),
4. the root of the tongue together with the epiglottis (pharyngeal or radical
consonants),
5. and the glottis (glottal consonants).

The articulators are discrete in that they can act independently of each other, and two or
more may work together in what is called co-articulation 4

1 Overview (place of articulation)


2 In my documentation I prefer to mark the 5 categories with the standard colors yellow, green, purple, blue and
ochre.
3 Chapter II in Sepher Yetzirah or the Book of Creation by W.W. Wescott, Tr. (1887)
4 Active places of articulation (place of articulation)
Voiced phonemes such as the pure vowels are, by definition, distinguished by the buzzing sound of
the periodic oscillation of the vocal cords. Often the vowels are accompanied by consonants, which
allows the vowels to be categorized as their accompanying, characterizing consonant. Therefore the
vowels may be characterized as an extra category or as members of the previously defined 5
phonetic sound categories.
A primitive language may be started by 5 switches, which control the articulation and represent
atomic letters such as for example a guttural A, a labial B, a palatal C, a dental D and a lingual R. A
word may be formed by concatenating these letters B-A-R-D.
An alphabet of only 5 letters would not allow the grammarians to compose an impressive
dictionary.
Another approach allows the 5 categories to use a few variants such as the gutturals A, E, H, O, the
labials B, F, P, W, U the palatals C, I, Y, the dentals D, Θ, T, and the linguals R, S.
The Information theory suggests to optimize the communication system by using e letters (rounded
to the integer 3) letters for each category. The proof that e is the real-valued base with the lowest
average radix economy is given in Radix economy.5
An optimal alphabet of 5 categories with 3 letters / category would be equipped with 15 letters.

The basic grammatical rules


The categories played a role in the linguistic grammars.
In linguistics, grammar (from Ancient Greek γραμματική) is the set of structural rules
governing the composition of clauses, phrases and words in a natural language.

Some of the important words are composed with series of vowels. These series may be found in the
alphabet's structures.
The vowels or semi-vowel A, E, H, O are classified as gutturals, the letter U and W as labials and as
I and Y as palatals. Usually no vowels are classified in the dentals and linguals. In order to compose
divine names the vowel core YAU may be enveloped in between consonants such as the dental D
and the lingual Ṣ in DYAUṢ.
In Sanskrit the sibilants are classified as Ś, Ṣ, S, whereas the Ṭ, Ṭh, Ḍ, Ḍh, Ṇ are linguals and T, Th, D,
Dh, N are dentals. Dependent on the chosen sibilants Ṣ or S the envelope may also be chosen as
DYAUṢ or ḌYAUS.6

5 e has the lowest radix economy (Radix economy of different bases )


6 Notes on the Common Architecture of European Alphabets
Words which are found in the line of vowels
The Greek word ἀεί (variants αἰϝεί, αἰεί, αἰή, αἰέν,.. aiḗ [“always”, “eternity”]), the Italian pronoun
ΙΟ (“I”), the Romansh pronoun ΙΟU (“I”) may have been derived from the vowel line AEHIOUΩ,
which is listed if the Periodic Table of the alphabet is rotated 90°.

Often the Indo-European personal pronouns JAU, IÉU of the first person singular and the
corresponding divine names such as DYAUS, DIÉU, contain series of vowels. These words and the
vowels may have been philosophical and/or religious symbols.
A remarkable historical remark to divine names in Egyptian religion may be found in the work De
Elocutione of Demetrius7 and this seems to refer to the archaic vowels, which may have been
uttered in their succession A-E-H-I-O-U-Ω8:
“71. In Egypt the priests, when singing hymns in praise of the gods, employ the seven
vowels, which they utter in due succession ; and the sound of these letters is so euphonious
that men listen to it in preference to flute and lyre. To do away with this concurrence,
therefore, is simply to do away entirely with the music and harmony of speech.—But perhaps
this is not the right time to enlarge on these matters.9”
The principal application of vowels is to produce sounds with an open vowel tract. The role of the
consonants is to define the exact timing for the opening and closing phases in controlling the vowel
tract10.
The following sample produces the first line of vowels (A-E-[H]-I-O-U-Ω) in the Greek alphabet
(24 letters)11. In Flinders Petrie's periodic table the letter H is defined as a consonant and not as a
vowel12.
1 2 3 4 5 6 7
1 Vowels Α1 Ε5 Ι9 Ο15 Υ20 Ω24
2 Labials Β2 [/F/] Π16 Φ21
3 Gutturals Γ3 Η7 Κ10 [/Q/] Χ22

4 Linguals Ρ17
5 Palatals Σ18 Ψ23
6 Dentals Δ4 Ζ6 Θ8 Λ11 Τ19 Ψ23, Ζ24

2: Flinders Petrie's periodic table for the 7 Nasals Μ12, Ν13


Greek alphabet (1912) 8 Ξ14

Table 2 Periodic Table of the Greek alphabet (24 letters) – (left side: 0° and right side: mirrored and
rotated 90°)

7 Demetrius, of Phaleron, b. 350 B.C. Spurious and doubtful works


8 The Mystery of the Seven Vowels
9 Demetrius On style, the Greek text of Demetrius De elocutione
10 The Hermetic Codex II - Bipolar Monotheism (Scribd)
11 The Quantization of the Ugaritic Alphabet
12 The formation of the alphabet (Petrie, W. M. Flinders) (1912): It had long ago been noticed by Lepsius, Donaldson,
and Taylor that, embedded in the Phoenician, Greek, and Italian alphabets there is a repeated sequence of letters,—
vowel, labial, guttural, and dental
The “Magic Papyri” (Ecloga Ex Papyris Magicis: Liber II)
Beyond the 7 vowels αεηιουω of the Greek alphabet the words may be used as magical formulas,
which is supposed to have existed in parallel to the alphabet.
From the source: Ecloga Ex Papyris Magicis: Liber II I noticed a great number of magical spells,
formulae, hymns, and rituals with concentrations of vowel sequences.
Without investing too much time on these extremities I selected a few samples for these magical
sounds and formulae13

The inscriptions in the theater at Milete


• The following square corresponds to the Cyclical Shifts proposed by Diederich in his
reference to the inscriptions in the theater at Milete14:
1. αεηιουω → AEÆIOUΩ (instead of AEEIOYO)
2. εηιουωα → EÆIOUΩA (instead of EEIOYOA)
3. ηιουωαε → ÆIOUΩAE (instead of EIOYOAE)
4. ιουωαεη → IOUΩAEÆ (instead of IOYOAEE)
5. ουωαεηι → OUΩAEÆI (instead of OYOAEEI)
6. υωαεηιο → UΩAEÆIO (instead of YOAEEIO)
7. ωαεηιου → ΩAEÆIOY (instead of OAEEIOY)
In the explanations Diederich refers to the theater at Milete, in which the acclamation of the
seven planets is calling the seven-vowel sequences in such manner that each acclamation
starts with a next vowel in the proper sequence of the row. The first name is αεηιουω, the
second name is εηιουωα, etc....:

Spell To Catch a Thief by the Shudderful Names


“A EE E'E'E' IIII OOOOO YYYYYY O'O'O'O'O'O'O'!”

Pyramids in the alphabetical order “αεηιουω”


A
O' [draw the E E
Y Y Uzat-Eye, E'E'E'
I I I I the Eye of I I I I
E'E'E'E'E' Horus, here] E'E'E'E'E'
E E E E E E E E E E E E
A A A A A A A A A A A A A A
IAO' O'IA IO'A AE'O' E'O'A O'AE'

These pyramids list the vowels in alphabetical and reversed alphabetical order αεηιουω (of the
Greek alphabet).

13 Vowel-Sequences in Archaic Manuscripts (2012)


14 Page 33 in "Eine Mithrasliturgie" (second edition, 1910)
How to Say the Magical Sounds15
• the "A" [alpha] with an Open Mouth, undulating like a Wave;
• the "O" [omicron] succinctly, as a Breathed Threat;
• the "IAO'" [iota alpha omega] to Earth, to Air, and to Heaven;
• the "E'" [eta] like a Baboon; ...
• the "E" [epsilon] with Enjoyment, aspirating it;
• the "Y" [upsilon] like a Shepherd, drawing out the Pronunciation.

15 [This description, taken from a longer spell, does not specify the pronunciation of "I" (iota) or "O'" (omega).] [PGM
V.24-30]
The personal pronouns of the first person dual and singular
Some of the personal pronouns of the first person dual (“wit”: “we two”) or singular (“I”) are
defined at the beginning of an alphabet respectively as a symbol in the appendices of an alphabet:
• In the Cyrillic alphabets the old ligatures Ѧ, Ѩ and Я represented two vowels I or Y and A,
which played a role in the definition of the personal pronoun IA, YA (in English: “I”). In the
Glagolitic script the ligature Ⱑ (/æ/, /jɑ/) is found in the terminal section of the alphabet. In
the Russian alphabet the ligature Я (/jɑ/) is defined as the last letter of the alphabet. 16

• The last letter of the Coptic alphabet corresponds to the personal pronoun Ϯ (“ti”) of the 1st
person singular17.
• The Y-character (as the first-person singular personal pronoun) is located in the Middle
English alphabet18. The pronoun “Y” (instead of the modern “I”) is written in capital letters:
“And Adam seide, Y herde thi vois in paradijs, and Y drede, for Y was nakid, and Y hidde
me” (Chapter 3:10).
• The æ-character (as the personal pronoun of the first person singular in various dialects19) is
located at the antepenultimate position of the Danish and Norwegian alphabet. Maybe the
word is a shortcut for “æk”20.
• The long IJ may have been an archaic predecessor of the Dutch personal pronoun “ik” of the
1st person singular21.
Therefore the alphabet may be understood as a Genesis, which describes the similarity between the
Creator (in Provencal: DIÉU → God) and his first Creature (in Provencal: IÉU → “I”).
According to the grammar the law, eternity, tradition, marriage and divine concepts had to be
composed with series of vowels and should be equipped with a maximal variety of the 5 categories.

The samples of the letters IJ, Y, æ, Ϯ (“ti”), Ⱑ, Я indicate the importance of the personal pronoun of
the first person singular and the symbolism of the vowels.

16 A Periodic Table for the Cyrillic Alphabet (Glagolitic, early Cyrillic and Russian alphabets)
17 A Periodic Table for the Coptic Alphabet
18 John Wycliffe organized the translation of the Book Genesis in Middle English in the 1380s. The translation from
the Vulgate was a collaborative effort, and it is not clear which portions are actually Wycliffe's work. Church
authorities officially condemned the translators of the Bible into vernacular languages and called these heretics
Lollards.
19 In many western, northern and southwestern Norwegian dialects and in the western Danish dialects of Thy and
Southern Jutland, Æ has a significant meaning: the first person singular pronoun I.
20 æ3 pron. III. æ, pron. (e. Moth.E1). (æda. æk (Brøndum - Nielsen.GG.I.194), oldn. ek, se II. jeg; jf. II. a; jy. (i
Sønderjylland og Ty), se Kort.163) jeg. MDL.1. Feilb.I.1.III.1134. sige æ til sig selv, se II. sige 1.1.
21 A Periodic Table for the Dutch Language
The five groups of sounds in the Hebrew alphabet
In the Semitic alphabets no vowels are defined as an individual letter.
The twenty-two consonants of the Hebrew alphabet are classified both with reference to the position
of the vocal organs in producing the sounds, and with regard to sonant intensity.
In contrast to the Jewish grammarians, who assumed a special mode of articulation for each of the
five groups of sounds, the Sefer Yetzirah says that no sound can be produced without the tongue, to
which the other organs of speech merely lend assistance. Hence the formation of the letters is
described as follows:
• With the tip of the tongue and the throat
• Between the lips and the tip of the tongue
• In the middle of the tongue
• By the tip of the tongue
• By the tongue, which lies flat and stretched, and by the teeth (ii. 3)[8]22
The letters are distinguished, moreover, by the intensity of the sound necessary to produce them,
and are accordingly divided into:
• Mutes, which are unaccompanied by sound, such as Mem
• Sibilants, such as Shin, which is therefore called the "hissing shin"
• Aspirates, such as Aleph, which holds a position between the mutes and sibilants, and is
designated as the "airy Aleph, which holds the balance in the middle" (iv. 1; in some eds. ii.
1)
Besides these three letters, which are called "mothers," a distinction is also drawn between the
seven "double" letters, which have two different sounds according to inflection, and the twelve
"simple" letters, the remaining characters of the alphabet which represent only one sound each.[8]

22 The phonetic system (Sefer Yetzirah – Wikipedia) - Singer, Isidore; et al., eds. (1901–1906). "Yeẓirah, Sefer"
In the Name of the Vitha (runes)

The runic alphabets


An alphabet may be composed by a header section with the most relevant material, which is to be
followed by the secondary section, which contains the extensions of later eras.
This strategy is followed by most alphabets. Most alphabets start the headers with repeated sections
of representatives of the five phonetic categories.
In some alphabets the name of the alphabet may be documented inside the first five characters of
the alphabetical symbols23. The first 5 symbols “FUÞAR” ( ᚠ ᚢ ᚦ ᚨ ᚱ ) of the Germanic runic
alphabets are remarkably constant. Apart from the initial symbol, which may represent a digamma,
the following letters each represent one of the 5 phonetic categories.
The digamma may be considered as a universal joker, which (uppercase: Ϝ, lowercase: ϝ, numeral:
ϛ) is an archaic letter of the Greek alphabet. It originally stood for the sound /w/ but it has remained
in use principally as a Greek numeral for 6. Whereas it was originally called waw or wau, its most
common appellation in classical Greek is digamma; This letter belongs to the most important
symbols which is located at the very beginning of most alphabets, representing W, V, U, Y, F, etc.
The initial section “FUÞAR” may also be interpreted as “*UÞAR” or “YUÞAR”.
WODA (the Germanic Wotan-Odin) was worshipped as a god of war and leadership, in
relation to the Slavic verb *voditi, "to lead". He was also associated with rune wisdom
and with VID (Svetovid), as the supreme God, the "moving force behind all things";[34]
runes were called VIThA by the West Slavs, which is a genitive of *vid or *vit meaning
"image" or "side", "facet" (referring to the multifaceted essence of the supreme God).
[168]

The Futharks

The Elder Futhark (2nd to the 8th centuries)


The Elder Futhark is the 24-character writing system used by Germanic peoples for Northwest
Germanic dialects in the Migration Period from the 2nd to the 8th centuries.

The Anglo-Saxon runes (Futhorc) (from the 5th century)


The futhorc was a development from the Elder Futhark24. They were likely used from the 5th
century onward, recording Old English and Old Frisian and were gradually supplanted in Anglo-
Saxon England by the Old English Latin alphabet introduced by Irish missionaries. The letter
sequence and letter inventory of futhorc, along with the actual sounds made by those letters could
vary depending on location and time. That being so, an authentic and unified list of runes is not
possible. In my study I investigated a hypothetical 34-character writing system.

The Younger Futhark (7th and 8th centuries)


The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of
the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional
period" during the 7th and 8th centuries.

23 Concentrating the Runes in the Runic Alphabets


24 Anglo-Saxon runes
The structure of the Futhark-/Futhorc-Alphabets
The Elder Futhark Alphabet may be segmented in 5 segments, which represent the rows in a 2-
dimensional table. The first three characters represent the keyword FUÞ or FYÞ.
• In the range of symbol #4 up to #24 the Elder Futhark structure is filled with an A-I-Ω-
segment, respectively A-Æ-Ω-segment25.
• In the younger Futhark structure the A-Æ-Ω-segment looses the Ω and is abandoned.
• In the Anglo-Saxon Futhorc the A-Æ-Ω-segment turns into a O-Ï-Œ-segment.
Of the 3 Futhark structures only the first 3 characters ᚠ – ᚢ – ᚦ remain stable in the course of history.
The first character may be interpreted as a digamma with various transliterations (F, V, W, U, Y...).
The first rune ᚠ may be a consonant labial (“F” or “V”) and the second rune a vowel labial ᚢ (“U”).
The third rune ᚦ is a consonant.
Sect. 1 Section 2 Section 3 Section 4 Section 5
3 symb. 5 symbols 6 symbols 4 symbols 6 symbols
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
A-I-Ω F U Þ A I Æ E O
elder Futhark
A-Æ-Ω F U Þ A I Æ
younger Futhark
O-Ï, Ʒ-Ω F U Þ O I Ï, Ʒ E Œ
Anglo-Saxon

Elder ᚠ ᚢ ᚦ ᚨ ᚱ ᚲ ᚷ ᚹ ᚺ ᚾ ᛁ ᛃ ᛇ ᛈ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛜ ᛟ ᛞ
Futhark F U Þ A RKG W H N I J Æ P Z S T B E ML ŊO D
Younger ᚠ ᚢ ᚦ ᚬ ᚱ ᚴ - - ᚼ ᚾ ᛁ - ᛅ - - ᛋ ᛏ ᛒ - ᛘ ᛚ - ᛦ -
Futhark F U Þ A RK - - H N I - Æ - - S T B - ML - ʀ -
Anglo-Saxon ᚠ ᚢ ᚦ ᚩ ᚱᚳ ᚷ ᚹ ᚻ ᚾ ᛁ ᛡ/ᛄ ᛇ ᛈ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛝ ᛟ ᛞ
runes
F U Þ ORCGW HN I J ï, ʒ P X S T B E M L Ŋ Œ D

Table 3 Segmentation of the Elder, Younger and Anglo-Saxon Futhark Alphabets in the first 5
segments. The sections 6 and 7 of the Anglo-Saxon runes are displayed in an extra table.

Sect. 1 Section 2 Section 3 Section 4 Section 5 Section 6 Section 7


3 symb. 5 symbols 6 symbols 4 symbols 6 symbols 5 symbols 5 symbols
1 2 3 4..8 09..14 15..18 19-24 25 26 27 28 29 30 31 32 33 34
Elder ᚠ ᚢ ᚦ
Futhark F U Þ
Younger ᚠ ᚢ ᚦ
Futhark F U Þ
Anglo- ᚠ ᚢ ᚦ ᚪ ᚫ ᚣ ᛡ ᛠ ᛣ ᛤ ᚸ ᛢ ᛥ
Saxon runes
F U Þ a æ y io ea k kk g q st
Table 4 The sections 1, 6 and 7 of the Anglo-Saxon runes

25 A Periodic Classification for the Futhark-Alphabets


The periodic table of the Futharc structures
In order to check the Periodic Classification the following table describes the Elder Futhark
Alphabet (Variant 1)26.
A suitable segmentation starts a segment (2,3,5) with a guttural A, H, (Z), E (which often also is a
vowel) and ends a segment (2,3,4,5) with a labial W, P, B, Ω.
Section 1 Section 2 Section 3 Section 4 Section 5
Segment markers A W H P Z B E Ω
Transcription F U Þ ARKGW HNIJÆP ZSTB EMLŊDΩ
(alternative) O C ï,ʒ Ω D
Table 5 Elder Futhark Alphabet with 5 sections

This segmentation results in 4 rows, in which the first row starts with the symbolic keyword F Y Þ,
which may represent the personal pronoun “wit” (“we two”), “wit” (wisdom), the sky-gods “Wod”
and (reversed) “Tiw” or “Tuw”. The axis (column 5) lists the vowels A, I, Ω.
The third section may also be split up at the vowel Æ, but this would result in an additional fourth
vowel (and a second guttural symbol) on the vowel axis. Most probably the letter Æ should be
interpreted as a third I-variant ï (the long I or in Dutch “ij”), which is found in the Anglo-Saxon
runes. Therefore we also may categorize this letter as a symbolical palatal Æ.

Left wing Axis Right wing


Col. Col. Col. Col. Col. Col. Col. Col. Col.
#1 #2 #3 #4 #5 #6 #7 #8 #9
Header Glot- Nasals Dentals Vowels Linguals Pala- Gutturals Labials
tal N & M T, Θ, D A,I,Ω R, S tals K, X, G P, F, B
C, Ç, J

1 FYÞ (Þ) A R C → S C → K/G W

2 H N (N) I J Æ/Æ P

3 Z, S, T (Ś) B

4 E M L, Ŋ, D Ω
Table 6 Periodic Classification for the Elder Futhark Alphabet (Variant 1)

26 A Periodic Table for PIE-Alphabets (languages: Ugaritic, Latin, Elder and Younger Futhark, Gothic, etc.)
The periodic table of the Futhorc structure
As a last version of the runic Futhorc structure (named “Anglo-Saxon runes”) may be analyzed in
an individual interpretation of the vowels' structure.
A suitable segmentation starts a segment (2,3,5) with a guttural O, H, (X), E (which often also is a
vowel) and ends a segment (2,3,4,5) with a labial W, P, B, (Œ or Œ). The Œ should be the last
symbol, which may represent the long O (Ω).
The letters I, J, and Ï may be united in a single category at the axis of the alphabet. The axis is
included between two O-symbols: O,I,Œ. This Anglo-Saxon runic triad is equivalent to the
Futhark's triad A,I,Ω.
The Hebrew Great Name is based on the letters I H V27, which the Septuagint wise men translated
into the same letters I A Ω. The origin of the Hebrew alphabet is identified as the smallest letter
symbol I, which in all alphabets is found in the center of vowels and the alphabetic sequence.

Section 1 2 3 4 5 6 7

O, I, Œ O I, J, and Ï Œ
Segment markers O W H P X B E Œ
ᚠᚢ ᚦ ᚩ ᚱᚳ ᚷ ᚹ ᚻ ᚾ ᛁ ᛡ/ᛄ ᛇ ᛈ ᛉᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛝ ᛟ ᛞ
Anglo-Saxon
runes a,æ,y, k,kk,
FUÞ ORCGW HN I J ï,ʒ P X S T B E M L Ŋ Œ D io,ea g,q,st

Table 7: Futhorc Alphabet Anglo-Saxon runes with 7 sections

Left wing Axis Right wing


Col. Col. Col. Col. Col. Col. Col. Col. Col.
#1 #2 #3 #4 #5 #6 #7 #8 #9
Header Glot- Nasals Dentals Vowels Linguals Pala- Gutturals Labials
tal N & M T, Θ, D O,I,Œ R, S tals K, X, G P, F, B
C, Ç, J

1 FYÞ (Þ) O R C→S C→K→G W

2 H N (N) I,J,Ï P

3 X, S, T (Ś) B

4 E M L, Ŋ, D Œ

Extended characters (complex vowels, respectively digraphs and ligatures)


5 a æ y io ea k kk g q st
Table 8 Periodic Classification for the Anglo-Saxon runes

27 The Hierarchical Structure of the Hebrew Alphabet


The Fuᚦ-concentration in the Fuᚦarc alphabet
The initial 4-letter keyword ᚠ ᚢ ᚦ ᚨ of the Futharc alphabet is interpreted as “FUÞA”. Runes were
called “VIThA” by the West Slavs, which is a genetive of *VID OR *VIT meaning "image" or
"side", "facet" (referring to the multifaceted essence of the supreme God)28.

Fig. 3: Runes were called vitha by the West Slavs - quoted in Deities of Slavic religion (Woda)

In addition, ancient sources, including the Eddas, write about a vetgrønster vida, which
means "evergreen tree"29. Vida is the “tree”, cognate to “vitha” (the “runes”).

The concentration of the characters ᚠ ᚢ ᚦ ᚨ in the Futharc alphabet had been chosen to encode a
dedicated set of words which include Wut (ᚠ ᚢ ᚦ), Tiw (ᚦ ᚢ ᚠ), Thor (ᚦ ᚨ ᚱ) and Rod ( ᚱ ᚨ ᚦ ) or Crodo
( ᚲ ᚱ ᚨ ᚦ ). In the Gothic alphabet this set of words has been dissolved and vanished.

28 Hanuš 1842, p. 381 - Die Wissenschaft des Slawischen Mythus im weitesten, den altpreussisch-lithauischen Mythus
mitumfassenden Sinne. Nach Quellen bearbeitet, sammt der Literatur der slawisch-preussisch-lithauischen
Archäologie und Mythologie (in German). J. Millikowski. - quoted in Deities of Slavic religion (Woda)
29 Mythology and folklore Ash tree
The additional symbols in the Anglo-Saxon runes (section 6 & 7)
The sequence of the runes above comes from the surviving modern copy of the Anglo-Saxon rune
poem30 which was based on the now-destroyed Cotton Otho B.x.165 manuscript.
The first 24 of these runes directly continue the elder Futhark letters, and do not deviate in sequence
(though ᛞᛟ rather than ᛟᛞ is an attested sequence in both elder Futhark and Futhorc).
Sect. 1 Section 2 Section 3 Section 4 Section 5 Section 6 Section 7
3 symb. 5 symbols 6 symbols 4 symbols 6 symbols 5 symbols 5 symbols
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34

Elder ᚠ ᚢ ᚦ ᚨ ᚱ ᚲ ᚷ ᚹ ᚺ ᚾ ᛁ ᛃ ᛇ ᛈ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛜ ᛟ ᛞ
Futhark F U Þ A RCG W H N I J Æ P Z S T B E M L Ŋ O D
Younger ᚠ ᚢ ᚦ ᚬ ᚱ ᚴ - - ᚼ ᚾ ᛁ - ᛅ - - ᛋ ᛏ ᛒ - ᛘ ᛚ - ᛦ -
Futhark F U Þ A RC - - H N I - Æ - - S T B - M L - ʀ -
Anglo- ᚠ ᚢ ᚦ ᚩ ᚱ ᚳ ᚷ ᚹ ᚻ ᚾ ᛁ ᛡ/ᛄ ᛇ ᛈ ᛉ ᛊ ᛏ ᛒ ᛖ ᛗ ᛚ ᛝ ᛟ ᛞ ᚪ ᚫ ᚣ ᛡ ᛠ ᛣ ᛤ ᚸ ᛢ ᛥ
Saxon
runes F UÞ O RCGW H N I J ï, ʒ P X S T B E M L Ŋ Œ D a æ y io ea k kk g q st

Table 9 Segmentation of the Futhark Alphabets in 5-7 segments


• The sixth section is filled with 5 complex vowels, respectively digraphs or ligatures.
• The seventh section seems to be filled with various special characters and extra ligatures (k.
kk,g,q,st).

The complex vowels in section 6 and the forfeda in section 7


The next 5 runes represent additional vowels (a, æ, y, io, ea), comparable to the five
forfeda of the ogham alphabet.

The ogham alphabet already contains an aicme with vowels: A, O, U, E, I. The forfeda contains 5
extra symbols EA, OI, UI, P, later IO and CH or X, later AE:
forfid letter range Name
1 ᚕ EA [k], [x], [eo] Éabhadh
2 ᚖ OI [oi] Ór
3 ᚗ UI [ui] Uilleann
4 ᚘ P, later IO [p], [io] Ifín ᚚ [p] Peith
5 ᚙ CH or X, later AE [x], [ai] Eamhancholl •
Table 10 The five forfeda (extra symbols) of the ogham alphabet

30 The Anglo-Saxon rune poem, dated to the 8th or 9th century, has stanzas on 29 Anglo-Saxon runes. It stands
alongside younger rune poems from Scandinavia, which record the names of the 16 Younger Futhark runes.
Why an alphabet may need an encryption...
Studying the difference between the runic alphabet Futhark and the common Indo-European
alphabets I noticed a video with a remarkable hint, which provided me with linguistic details and
suggestions about encryption.
In the video The book that awakened Alan Turing's genius the author Tibees (with a most agreeable
timbre in her voice) explained the impact of a book titled “Natural wonders every child should
know31” on the Alan Turing's youth.

In my curiosity of the impact of this book I studied the chapters, in which the author explained the
human brains and the differences between the brains and thinking of animals and human beings.
I never heard these arguments, but I also understood that interpreting scripture, recognizing letters
and words, thinking and remembering things required a fast processing, which could be harmed by
damages and illness.
“Speech and thinking are intensely connected 32.” The same expectations of fast and reliable
communication could also be valid for hearing, reading, writing and remembering. In natural
habitats most reactions of all living creatures must have been essential to survive. Slow reactions or
errors may easily cause the extinction of an unfit species of animals.
Therefore any distraction in the usage of scripture would slow down the communication speed.
Originally the access to the Futhark alphabet had been restricted to the druids. The common people
interpreted the letters as magic symbols, but did not understand the writing. The Futhark alphabet
contains 24 letters in one row: F, U, Þ, A, R, K, G, W, H, N, I, J, Æ, P, Z, S, T, B, E, M, L, Ŋ, D,
Ω, in which symbolic words such as F, U, Þ or W, U, Þ and Þ, A, R may be identified.
The Ugaritic cuneiform alphabet had been in use in a trading community with access to a great
number of traders, who did not want their attention was distracted from trading. The followed
sequence of the Ugaritic cuneiform alphabet is sorted according to their categories: vowels, labial,
gutturals, the lingual letter P, palatals, dentals, etc. Obviously the vowels belonged to the principal
symbols, which may have caused these letters to be used for magic formulas. This kind or priority
for the vowels should be avoided:
• Α1, Ε5, Η7, Ι9, Ο15, Υ20, Ω24 , Β2, /F/ ,Π16, Φ21, Γ3,, Κ10, /Q/, Χ22,, Ρ17,,, Σ18, Ψ23, Δ4, Ζ6, Θ8, Λ11, Τ19,
Ψ23, Ζ24,, Μ12,,,, Ν13,,,, Ξ14
For general usage the alphabet should be strictly neutral, which could be achieved by using a
garbling method, which distributed the various categories over the complete alphabet. This is the
so-called "long” version of the Ugaritic cuneiform alphabet with 27 or 30 letters, which may be
sorted in the following “standard” sequence:
• A1, B2, G3, Kh4, D5, E6, W7, Z8, H9, Θ10, Y11, K12, Ś13, L14, M15, Z16, N17, Ẓ18, S19, O20, P,Φ21,
Ṣ22, Q23, R24, Θ 25, Gh26, T27, (Ƕ28 (I)), (Ω29 (U)), (S30)
This “encryption method” distributed the letters in a garbled sequence, which had lost the ordered
priority for the vowels, labials, gutturals, etc. Each letter could be used for history, philosophy,
religious documents, trading, poetry, literature, science and any other activity.

31 Natural wonders every child should know, by Edwin Tenney Brewster. Brewster, Edwin Tenney, 1866-1960. New
York, Doubleday, Doran & Co., Inc. [c1939]
32 Chapter XIX - Why Most of Us are Right-Handed
Summary

The layout of an alphabet


The layout of the earliest alphabets may present an insight into the priority, charismatics and
symbolism of the letters.
Concentrated compositions of vowels symbolize the words for eternity, divinity and immortality. In
the alphabets the genuine vowel words (such as AEI, IO, IOU) will be unveiled by resorting the
alphabet in a periodic table.

The categorization of letters


Most Indo-European alphabets seem to arrange their letters in columns or rows named vowels,
nasal, guttural, labial, lingual, palatal, dental, etc. Five categories symbolize the places of
articulation for the phonetic sounds. In an optimized communication system each independent
source for phonetic sounds might be controlled by three letters (→ a ternary coding system).

The Futhark/Futhorc alphabets


The initial 4-letter keyword ᚠ ᚢ ᚦ ᚨ of the elder and younger Futhark alphabets is interpreted as
“FUÞA”. Runes were called “VIThA” by the West Slavs.
In the 3 Futhark/Futhorc structures only the first 3 characters ᚠ – ᚢ – ᚦ remain stable in the course of
history.
The Futhark/Futhorc alphabet display a initial keyword “FUÞAR” or “WUÞAR”, respectively
“FUÞOR” or “WUÞOR”.
The first character ᚠ may be interpreted as a digamma with various transliterations (F, V, W, U, Y...).
The first rune ᚠ may be a consonant labial (“F” or “V”), the second rune a vowel labial ᚢ (“U”) and
the third rune ᚦ a consonant.
Contents
Abstract.................................................................................................................................................1
Introduction..........................................................................................................................................2
The basic grammatical rules............................................................................................................3
Words which are found in the line of vowels..............................................................................4
The “Magic Papyri” (Ecloga Ex Papyris Magicis: Liber II) ......................................................5
The inscriptions in the theater at Milete.................................................................................5
Spell To Catch a Thief by the Shudderful Names..................................................................5
Pyramids in the alphabetical order “αεηιουω”.......................................................................5
How to Say the Magical Sounds............................................................................................6
The personal pronouns of the first person dual and singular......................................................7
The five groups of sounds in the Hebrew alphabet..............................................................................8
In the Name of the Vitha (runes)..........................................................................................................9
The runic alphabets..........................................................................................................................9
The Futharks....................................................................................................................................9
The Elder Futhark (2nd to the 8th centuries)..............................................................................9
The Anglo-Saxon runes (Futhorc) (from the 5th century)..........................................................9
The Younger Futhark (7th and 8th centuries).............................................................................9
The structure of the Futhark-/Futhorc-Alphabets..........................................................................10
The periodic table of the Futharc structures..................................................................................11
The periodic table of the Futhorc structure...............................................................................12
The Fuᚦ-concentration in the Fuᚦarc alphabet...............................................................................13
The additional symbols in the Anglo-Saxon runes (section 6 & 7)...............................................14
The complex vowels in section 6 and the forfeda in section 7.................................................14
Why an alphabet may need an encryption..........................................................................................15
Summary.............................................................................................................................................16
The layout of an alphabet...............................................................................................................16
The categorization of letters..........................................................................................................16
The Futhark/Futhorc alphabets......................................................................................................16
Appendix – Papers of J. Richter at Academia.edu and Scribd...........................................................18
Appendix – Papers of J. Richter at Academia.edu and Scribd
Periodic Tables are documented in:
1. Notes on the Common Architecture of European Alphabets (Ugaritic, Old Persian signary,
the Greek alphabet, Sanskrit)
2. A Periodic Table for PIE-Alphabets (languages: Ugaritic, Latin, Elder and Younger Futhark,
Gothic, etc.)
3. A Periodic Table for the Cyrillic Alphabet (Glagolitic, early Cyrillic and Russian alphabets)
4. A Periodic Table for the Coptic Alphabet
5. A Periodic Table for the Old-English Alphabet including “The insertion of Chilperic's letters
in the Old English alphabet”.
6. A Periodic Table for the Icelandic Alphabet (Scribd)
7. A Periodic Table for the Phoenician and Hebrew Alpabet (Scribd)
8. De hiërarchische structuur van het Hebreeuwse alfabet (Scribd)
9. The Hierarchical Structure of the Hebrew Alphabet (Scribd)
10. Periodic Tables for the Dalecarlian Runes and the Elfdalian Alphabet (Scribd)
11. A Periodic Table for the Dutch Language
12. Periodic Tables for the Sami Alphabets
13. Het hart van de Nederlandse taal
14. Eight Periodic Tables for the Sámi Languages
15. Overview of the Periodic Tables of the Sami Languages
16. Periodic Tables for the Upper and Lower Sorbian Alphabets
17. A Periodic Table for the Greek Alphabet
18. Periodic Tables for the Euboean and Etruscan Alphabets (Scribd)
19. Did the Word „Deus“ Exist in the Archaic Alphabets (Scribd)
20. Periodic Tables for the Gaelic (Irish and Scottish alphabets (Scribd)
21. A Periodic Table for Ugaritic Signaries as a Root for the Sky-god Dyaus and the Personal
Pronouns for the 1st Person Singular and Dual Form
22. De architectuur van het Oegaritische alfabet (Scribd)
23. The Quantization of the Ugaritic Alphabet (Scribd)
24. Alphabets with Included Grammars (Scribd)

The (approximately) 150 following papers are sorted according to the initial upload date33 :
• Alphabets with Included Grammars (Scribd)
• The Quantization of the Ugaritic Alphabet (Scribd)
• De architectuur van het Oegaritische alfabet (Scribd)
• A Periodic Table for Ugaritic Signaries as a Root for the Sky-god Dyaus and the Personal
Pronouns for the 1st Person Singular and Dual Form
• Periodic Tables for the Gaelic (Irish and Scottish alphabets (Scribd)
• Did the Word „Deus“ Exist in the Archaic Alphabets (Scribd)
• Periodic Tables for the Euboean and Etruscan Alphabets (Scribd)
• A Periodic Table for the Greek Alphabet
• Periodic Tables for the Upper and Lower Sorbian Alphabets
• Overview of the Periodic Tables of the Sami Languages
• Eight Periodic Tables for the Sámi Languages
• Het hart van de Nederlandse taal
• Periodic Tables for the Sami Alphabets
• A Periodic Table for the Dutch Language

33 https://independent.academia.edu/JoannesRichter, respectively https://independent.academia.edu/richterJoannes


• Periodic Tables for the Dalecarlian Runes and the Elfdalian Alphabet (Scribd)
• The Hierarchical Structure of the Hebrew Alphabet (Scribd)
• De hiërarchische structuur van het Hebreeuwse alfabet (Scribd)
• A Periodic Table for the Phoenician and Hebrew Alpabet (Scribd)
• A Periodic Table for the Icelandic Alphabet (Scribd)
• A Periodic Table for the Coptic Alphabet (Scribd)
• A Periodic Table for the Cyrillic Alphabet (Scribd)
• The Impact of Ternary Coding Systems (Scribd)
• A Pedigree for Alphabets (Scribd)
• The Composition of the European Alphabets (Scribd)
• The Letter Repositioning in the Greek and Latin Alphabets
• Unstably Classified Letters in Alphabets (Scribd)
• Notes on the Common Architecture of Alphabetical Structures (Academia.edu)
• A Periodic Table for PIE-Alphabets
• A Periodic Classification for the Gothic Alphabet (obsolete, Scribd)
• A Periodic Classification for the Futhark-Alphabets (obsolete, Scribd)
• A Periodic Classification for the Latin Alphabet (obsolete, Scribd)
• The Model of a Language as a Communication Link (Scribd)
• The Roots of the Indo-European Alphabets (12.5.2020)
• Samenvatting van "The Alphabet as an Elementary Document"
• The Alphabet as an Elementary Document
• The Origin of the Name Dyaus
• De oorsprong van de naam Diaus
• The History of Designing an Alphabet (Scribd)
• Een architectuur voor de PIE-talen (Scribd)
• An Architecture for the PIE-Languages
• A Suggested Restoration of the 'Futhark'-Sequence (Scribd)
• The Composition of the Sky- God's Name in PIE-Languages
• The Ternary Codes in Language and Creation (Scribd)
• The Role of Saussure's Letter "E"
• The Optimal Number of Vowels in Languages (Scribd)
• A Ternary Encoding to Optimize Communications and Cooperation
◦ A Golden Box to Control the Lightnings
◦ The Ancient Lightning Rods around the Mediterranean Sea
◦ Die ältesten Blitz(ab)leiter am Mittelmeer (Scribd)
◦ Pyramids in the Role as Power Plants
◦ Piramides als energiecentrales (Scribd)
◦ The Role of the Pyramids in Melting Glass and Meta... (Scribd)
◦ The Egyptian Drilling Technology (Scribd)
• The Architecture of the Younger Futhark Alphabet
• The Sources for the IΩ- Pronouns
• Notes to Herodotus' Histories of IΩ, Europa and Medea
◦ The Role of Irrigation and Drainage in a Successful Civilisation
◦ De rol van de irrigatie en drainage in een succesv... (Scribd)
◦ Notes to Frazer's "Pausanias's Description of Greece"
◦ The Initials of European Philosophy
◦ Atlantis vormde 3400 jaar geleden een Helleens Delta-project
◦ The War against Atlantis
• The "Ego"-Root inside the Name "Thebes"
• The Role of the AEtts in the Futharc Alpabet
• The Reconstruction of a European Philosophy
• Traces of an old religion (The Root "Wit" in Wittekind)
• Woden (Wuþ) as the Designer and Author of the Futhark Alphabet
• Is the Core "Wut" in "Wutach" symbolizing "Wutan" ("Woden")
• The Bipolar Core of Germanic Languages
• Simon Stevin's Redefinition of Scientific Arts
• Simon Stevin's definitie van wetenschappelijk onderz
• De etymologie van de woorden met Wit-, Wita en Witan-kernen
• The "Vit"-Roots in the Anglo-Saxon Pedigree
• The Traces of "Wit" in Saxony
• King Chilperic I's letters (ΔΘZΨ) may be found at the beginning ("Futha") of the runic
alphabet and at the end (WIJZAE) of the Danish alphabet
• Aan het slot (WIJZAE) van het Deense alfabet en aan het begin ("Futha") van het
runenalfabet bevinden zich de letters (ΔΘZΨ) van koning Chilperik I
• The Role of the Ligature AE in the European Creation Legend
• A Concept for a Runic Dictionary
• Concentrating the Runes in the Runic Alphabets
• Traces of Vit, Rod and Chrodo
• De sleutelwoorden van het Futhark alfabet
• The Keywords of the Futhark Alphabet
• Het runenboek met het unieke woord Tiw
• A short Essay about the Evolution of European Personal Pronouns
• The Evolution of the European Personal Pronouns
• De miraculeuze transformatie van de Europese samenleving
• The Miraculous Transformation of European Civilization
• The Duality in Greek and Germanic Philosophy
• Bericht van de altaarschellist over de Lof der Zotheid
• De bronnen van Brabant (de Helleputten aan de Brabantse breuklijnen)
• De fundamenten van de samenleving
• De rol van de waterbronnen bij de kerstening van Nederland
• De etymologie van "wijst" en "wijstgrond"
• The Antipodes Mith and With
• The Role of the Dual Form in the Evolution of European Languages
• De rol van de dualis in de ontwikkeling der Europese talen
• The Search for Traces of a Dual Form in Quebec French
• Synthese van de Germanistische & Griekse mythologie en etymologie
• De restanten van de dualis in het Nederlands, Engels en Duits
• Notes to the Corner Wedge in the Ugaritic Alphabet
• The Origin of the long IJ-symbol in the Dutch alphabet
• Over de oorsprong van de „lange IJ“ in het Nederlandse alfabet
• The Backbones of the Alphabets
• The Alphabet and and the Symbolic Structure of Europe
• The Unseen Words in the Runic Alphabet
• De ongelezen woorden in het runenalfabet
• The Role of the Vowels in Personal Pronouns of the 1st Person Singular
• Over de volgorde van de klinkers in woorden en in godennamen
• The Creation Legends of Hesiod and Ovid
• De taal van Adam en Eva (published: ca. 2.2.2019)
• King Chilperic's 4 Letters and the Alphabet's Adaptation
• De 4 letters van koning Chilperik I en de aanpassing van het Frankenalfabet
• The Symbolism of Hair Braids and Bonnets in Magical Powers
• The Antipodes in PIE-Languages
• In het Nederlands, Duits en Engels is de dualis nog lang niet uitgestorven
• In English, Dutch and German the dual form is still alive
• The Descendants of the Dual Form " Wit "
• A Structured Etymology for Germanic, Slavic and Romance Languages
• The “Rod”-Core in Slavic Etymology (published: ca. 27.11.2018)
• Encoding and decoding the runic alphabet
• Über die Evolution der Sprachen
• Over het ontwerpen van talen
• The Art of Designing Languages
• Notes to the usage of the Spanish words Nos and Vos, Nosotros and Vosotros
• Notes to the Dual Form and the Nous-Concept in the Inari Sami language
• Over het filosofische Nous-concept
• Notes to the Philosophical Nous-Concept
• The Common Root for European Religions (published: ca. 27.10.2018)
• A Scenario for the Medieval Christianization of a Pagan Culture
• Een scenario voor de middeleeuwse kerstening van een heidens volk
• The Role of the Slavic gods Rod and Vid in the Futhorc-alphabet
• The Unification of Medieval Europe
• The Divergence of Germanic Religions
• De correlatie tussen de dualis, Vut, Svantevit en de Sint-Vituskerken
• The Correlation between Dual Forms, Vut, Svantevit and the Saint Vitus Churches
• Die Rekonstruktion der Lage des Drususkanals (published: ca. 27.9.2018)
• Die Entzifferung der Symbolik einer Runenreihe
• Deciphering the Symbolism in Runic Alphabets
• The Sky-God, Adam and the Personal Pronouns
• Notities rond het boek Tiw (Published ca. 6.2.2018)
• Notes to the book TIW
• Von den Völkern, die nach dem Futhark benannt worden sind
• Designing an Alphabet for the Runes
• Die Wörter innerhalb der „Futhark“-Reihe
• The hidden Symbolism of European Alphabets
• Etymology, Religions and Myths
• The Symbolism of the Yampoos and Wampoos in Poe's “Narrative of Arthur Gordon Pym
from Nantucket”
• Notizen zu " Über den Dualis " und " Gesammelte sprachwissenschaftliche Schriften "
• Ϝut - Het Nederlandse sleutelwoord
• Concepts for the Dual Forms
• The etymology of the Greek dual form νώ (νῶϊ)
• Proceedings in the Ego-pronouns' Etymology
• Notities bij „De godsdiensten der volken“
• The Role of *Teiwaz and *Dyeus in Filosofy
• A Linguistic Control of Egotism
• The Design of the Futhark Alphabet
• An Architecture for the Runic Alphabets
• The Celtic Hair Bonnets (Published Jun 24, 2018)
• Die keltische Haarhauben
• De sculpturen van de Walterich-kapel te Murrhardt
• The rediscovery of a lost symbolism
• Het herontdekken van een vergeten symbolisme
• De god met de twee gezichten
• The 3-faced sculpture at Michael's Church in Forchtenberg
• Over de woorden en namen, die eeuwenlang bewaard gebleven zijn
• De zeven Planeten in zeven Brabantse plaatsnamen
• Analysis of the Futhorc-Header
• The Gods in the Days of the Week and inside the Futhor-alphabet
• Een reconstructie van de Nederlandse scheppingslegende
• The Symbolism in Roman Numerals
• The Keywords in the Alphabets Notes to the Futharc's Symbolism
• The Mechanisms for Depositing Loess in the Netherlands
• Over het ontstaan van de Halserug, de Heelwegen en Heilwegen in de windschaduw van de
Veluwe
• Investigations of the Rue d'Enfer-Markers in France
• Die Entwicklung des französischen Hellwegs ( " Rue d'Enfer "
• De oorsprong van de Heelwegen op de Halserug, bij Dinxperlo en Beltrum
• The Reconstruction of the Gothic Alphabet's Design
• Von der Entstehungsphase eines Hellwegs in Dinxperlo-Bocholt
• Over de etymologie van de Hel-namen (Heelweg, Hellweg, Helle..) in Nederland
• Recapitulatie van de projecten Ego-Pronomina, Futhark en Hellweg
• Over het ontstaan en de ondergang van het Futhark-alfabet
• Die Etymologie der Wörter Hellweg, Heelweg, Rue d'Enfer, Rue de l'Enfer und Santerre
• The Etymology of the Words Hellweg, Rue d'Enfer and Santerre
• The Decoding of the Kylver Stone' Runes
• The Digamma-Joker of the Futhark
• The Kernel of the Futhorc Languages
• De kern van de Futhark-talen
• Der Kern der Futhark-Sprachen
• De symboolkern IE van het Nederlands
• Notes to Guy Deutscher's "Through the Language Glass"
• Another Sight on the Unfolding of Language (Published 1 maart, 2018)
• Notes to the Finnish linguistic symbolism of the sky-god's name and the days of the week
• A modified Swadesh List (Published 12 / 17 / 2017)
• A Paradise Made of Words
• The Sky-God Names and the Correlating Personal Pronouns
• The Nuclear Pillars of Symbolism (Published 10 / 28 / 2017)
• The Role of the Dual Form in Symbolism and Linguistics (Oct 17, 2017)
• The Correlation between the Central European Loess Belt, the Hellweg-Markers and the
Main Isoglosses
• The Central Symbolic Core of Provencal Language (Oct 7, 2017)
• The Hermetic Codex II - Bipolar Monotheism (Scribd)

Potrebbero piacerti anche