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20
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PHOTOGRAPHY
CIED
 BLIND CONTOUR AND SUPER IMPOSING 03
WAYS OF SEEING SUMMARY 09
Contents COMPOSED PICTURES 11
UNDERSTANDING COLOURS 17
EXPLORING LIGHTROOM 27
PRODUCT PHOTOGRAPHY 35
PRODUCT PHOTOGRAPHY - LIGHT BOX 51
FACETIME PHOTOGRAPHY 57
SELF - PORTRAIT PHOTGRAPHY 63
ARCHITECTURAL PHOTOGRAPHY 75
BLIND CONTOUR AND
SUPER IMPOSING

03 04
05 06
07 08
 Ways of seeing is a series of episodes which draws the attention on several
topics, such as, how we perceive art in our daily lives, how the perception of
seeing art has changed in 20th century due to the invention of the camera,
questioning the advantages and disadvantages of technological advance-
ment, discussing about the mysterious aspects related to paintings which
according to him is deliberately created by art historians as an attempt to
create a significant distinction between the authentic work and the replica
and so on.
Art has become a daily part of our lives and as result we don’t put much
emphasis on it, but it was not so before the invention of the camera.The in-

WAYS OF SEEING vention of the camera has presented us with a fresh perspective, efficiency,
relatability and comfort but it has somehow diminished the individuality, the

SUMMARY
experience and the consolidated meaning of it. So, how to protect it became
a big question. John Berger, highlights how creating mystery has helped
maintaining the value of the original piece of art, which might be misleading.
Not only that, he identifies aspects that affect affects the art we see, such as
background music and information we see beside, before or after it.
The video comes out to be strong and persuasive, because of the tech-
niques it uses, such as, using humor, using examples to prove the point, the
setting and so on. In a border picture the clip encourages the viewer to think
and to question each and every aspect, before believing in something.

09 10
COMPOSED
PICTURES

11 12
13 14
15 16
UNDERSTANDING
COLOURS

17 18
19 20
21 22
23 24
25 26
EXPLORING
LIGHTROOM

27 28
29 30
31 32
33 34
PRODUCT
PHOTOGRAPHY

35 36
 FLATLAY WITH DAYLIGHT

FLATLAY WITH COMPOSITION FLATLAY WITH COMPOSITION

37 38
 FLATLAY WITH COMPOSITION FLATLAY WITH COMPOSITION

39 40
 FLATLAY WITH COMPOSITION FLATLAY WITH COMPOSITION

41 42
 FLATLAY WITH COMPOSITION FLATLAY WITH COMPOSITION

43 44
 SEAMELESS WITH DAYLIGHT

SEAMELESS WITHOUT COMPOSITION SEAMELESS WITH COMPOSITION

45 46
 SEAMELESS WITH COMPOSITION SEAMELESS WITH COMPOSITION

47 48
 SEAMELESS WITHOUT COMPOSITION SEAMELESS WITHOUT COMPOSITION

49 50
PRODUCT
PHOTOGRAPHY

LIGHTBOX
51 52
 SUNLIGHT SUNLIGHT

DIFFUSED LIGHT DIFFUSED LIGHT

ARTIFICIAL LIGHT ARTIFICIAL LIGHT

53 54
 ARTIFICIAL LIGHT WITH WHITE BACKGROUND ARTIFICIAL LIGHT WITH BLACK BACKGROUND

55 56
FACETIME
PHOTOGRAPHY

57 58
59 60
61 62
SELF-
PORTRAIT

63 64
65 66
67 68
69 70
71 72
73 74
ARCHITECTURAL
PHOTOGRAPHY

75 76
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 PALAK BAJAJ
bajajpalak3317@gmail.com