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5

• Scale doriche
nell’ambito delle posizioni del manico

N.B.: per le ottave successive suggerisco la diteggiatura 1-2-1-2-1-2-3

Do dorica
 1 
2

        
1
  0 0 0 0 2 1

     
    3

 2      2  2   4    0
2

       
3   

Do♯ dorica
 1 
2
  1 1 1
        
1 1 1 1

      
    3

Re♭ dorica 2 1

  1 1 1

1
   1   1  1
     
    
 3

 2  2  4 4
          4

4 4
       
   
3

4
2  2 
 4      
         
4 4
   
4

3
  

Re dorica
 1 0
  
0         0

         
    
  

Mi♭ dorica 1   
   1
 1  
  1  4   4
1 4 4

           

Re♯ dorica
1     4  
      
1 1 1 1 4 4 4
   
        
    
Mi dorica
1   
  1  
   4   2 4
  
2 0 0 2 0

       
   3 3
  

Fa dorica 1   
1  
   4   4
      0  
4 0 0

    

Fa♯ dorica
0  

2 1     2  0 4
  1
 
1
 1
   4  4
    

Sol dorica
0   
1     4  
 0
  0 
     

Sol♯ dorica
1   2 

    1 1

1
   1 

4
  4   4   4 4
     
   
La♭ dorica
 1    1 2  
4
 4    4   4
       
1 1 1 4
   
     

La dorica
  
1 3 1 2 3   3 2  0
 1
  
0 0
      0
    

Si♭ dorica 1   
   1   1       1     4    4   4  4
1

   

Si dorica
 2
 0 
  1 
 1     3  4   0 
  0
       
0

  

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