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With Corresponding Recommended Flexible Learning Delivery Mode and Materials per Grading Period
GRADE 9
MAPEH
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Chapter 1: 1. listens perceptively to selected 1. Medieval Period and MAPEH 9 Role Play MAPEH
st (MUSIC) vocal and instrumental music of Gregorian chant Authors: 1. Create a simple Teacher’s
1
Medieval, Medieval, Renaissance and 2. Secular Music of the Argie A. Concha drama or role play Guide
QUARTER Renaissance, Baroque music Medieval Period Carlo Luis C. Ganzon with a setting
and Baroque MU9MRB-Ia-h1 3. Music of the Carlo B. Bejaraso from any of the
Periods 2. explains the performance practice Renaissance Period pg. 03-35 three periods
(setting, composition, role of 4. Instrument Music of (Medieval,
composers/performers, and the Renaissance Renaissance, and
audience) during Medieval, 5. Baroque Music and Baroque Period)
Renaissance and Baroque periods; Basso Continuo 2. Be able to
MU9MRB -Ia-h2 6. Composer of incorporate the
Baroque Music songs or
instrumental
characteristics of
your period you
choose.
3. You must assume
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Chapter 1: 3 analyze art elements and 1. Prehistoric, Greek Order MAPEH Teacher’s
(ARTS) principles in the production of Mesopotamia, and - “The Greek were Guide
Classical and work following the style of a Egyptian Art master architects,
Western Art western and classical art 2. Classical Art they created
A9EL-Ib-1 3. Medieval Period MAPEH 9 things that were
4 identify distinct characteristics of Authors: not only strong
arts during the different art Argie A. Concha but beautiful as
periods A9EL-Ia-2 Carlo Luis C. Ganzon well. This most
Carlo B. Bejaraso especially seen in
pg. 101 - 131 their columns that
support their
buildings.”
1. Ask the
students to
create their
own Greek
order
2. Show the 3
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images of the
Greek orders.
3. Instruct the
students to
draw the
capitals in
their
textbooks or
on a separate
piece of
paper.
Chapter 2: 11 analyze art elements and 1. Renaissance Period MAPEH 9 Inner Portrait
(ARTS) principles in the production of 2. Baroque Period Authors: - Create a painting
Art of work following a specific art style Argie A. Concha that will spiritually
Renaissance and A9EL-IIb-1 Carlo Luis C. Ganzon inspire the viewers
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Baroque Periods 12 identify distinct characteristics of Carlo B. Bejaraso like that of many
arts during the Renaissance and pg. 135-163 Baroque paintings.
Baroque periods Materials:
A9EL-IIa-2 Old newspaper,
magazine, bond
paper etc.
20’’ x 30’’
illustration board,
Pencil
Acrylic paint,
poster paint,
paintbrushes
1. Choose a
biblical scene
that you want
to depict.
2. Create a
sketch first on
a bond paper
before you
finalize your
design
3. Transfer your
design onto
illustration
board
4. Paint. Make
sure to apply
the defining
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characteristics
of the
Baroque style
in your work.
5. Share your
work with the
class
Chapter 2: (PE) 13 describes the nature and 1. Importance of Social Social Dance (Mixer MAPEH Teacher’s
Appreciation background of the dance Dancing Dance) Guide
Social Dancing ePE7GS-IId-5 2. American Square 1. Group the class
MAPEH 9
Dance into three (3)
Authors:
3. Prevention of Dance 2. Each group will
Argie A. Concha
Related injuries have performed
14 executes the skills involved in the Carlo Luis C. Ganzon
the basic skills in
dance Carlo B. Bejaraso
dance (mixer
PE7GS-IId-h-4 pg. 250-261
dance) in front of
their classmates.
Chapter 2: 15 describes the drug scenario in the 1. Drug Scenario in the MAPEH Teacher’s
MAPEH 9
(HEALTH) Philippines Philippines Guide
Authors:
Prevention of H9S-IIa-14 2. Substance or Drug
Argie A. Concha
Substance use 16 explains the concept of substance Abuse
Carlo Luis C. Ganzon
and Abuse use, misuse, abuse and 3. Prevention and
Carlo B. Bejaraso
dependence, Control of Substance
pg. 315-329
H9S-IIa-15 use and Abuse
3RD Chapter 3: 17 narrates the life and works of 1. Character of Music of MAPEH 9
QUARTER (MUSIC) romantic composers after video the Romantic Period Authors:
Instrumental and movie showing; 2. Program Music Argie A. Concha
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Direction:
1. Collect facts and
clues about the
painting “The
death of Leonardi
da Vinci”
2. Make guesses.
3. Decide what you
think the artist is
trying to express.
Express your personal
likes and dislikes.
Chapter 3: (PE) 1. Cha-cha-cha MAPEH 9 Dance Video MAPEH Teacher’s
Understanding 21 describes the nature and 2. Waltz Authors: Presentation Guide
the Art and background of the dance 3. Tango Argie A. Concha 1. Pair the students
Science of PE9RD-IIIb-1 Carlo Luis C. Ganzon before the start of the
Ballroom Carlo B. Bejaraso activity.
Dancing 22 executes the skills involved in the pg. 265-277 2. They will watch a short
dance video clip of waltz dance.
PE9RD-IIIb-h-4 3. Let them interpret and
analyze the steps used
with their partner.
4. The pair will be given
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4TH Chapter 4:
25 narrates the plot, musical and
1. Opera of the Musical Drama
QUARTER (MUSIC) Romantic Period Create a simple musical
theatrical elements of an opera
Vocal Music of 2. Art song and Other MAPEH 9 drama using the themes
after video and movie showing;
the Romantic Vocal Forms Authors: and melodic fragments
MU9OP-IVa-g1
period 3. Composers of the Argie A. Concha from different operas and
nineteenth-century Carlo Luis C. Ganzon other vocal music of the
26 explores other arts and media
vocal music Carlo B. Bejaraso Romantic Period. You may
that portray Romantic period
pg. 83-97 assume the role of actors,
elements;
musical director, librettist,
MU9OP-IVb-h4
dancers, and/or singers
Chapter 4: 1. classical Theater Role Play MAPEH Teacher’s
MAPEH 9
(ARTS) 27 identify selected theatrical forms 2. Western plays and Divide the class into two Guide
Authors:
Western from different art periods Operas group.
Argie A. Concha
Classical Plays A9EL-IVa-1 Let the student perform
Carlo Luis C. Ganzon
and Operas inaugural play.
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